Samo za okorjele filmske entuzijaste (ulaz na vlastitu odgovornost)

[La Familia]

http://i38.tinypic.com/e6y9o0.jpg (http://www.movieroar.com/images/duposter1.JPG)


The Deal. The Queen. The Last King of Scotland. The Other Boleyn Girl. And now, The Damned United: If it’s a film about a larger-than-life politico with crisp dialogue, sharp characterization, and scenes that zing, odds are the screenplay is the work of Peter Morgan (whose credits also include Longford and Frost/Nixon). Morgan’s most recent historical drama, The Damned United (adapted from the novel by David Peace and directed by Tom Hooper), chronicles the rise and fall of a famous, volatile soccer coach, Brian Clough (Michael Sheen) in the late 1960s and early 1970s. While in Vienna, Morgan took time to speak with Script about his adaptation process, the importance of an instinct for rhythm, and crafting conflict.


http://i33.tinypic.com/2u907wm.png (http://www.scriptmag.com/interviews/the-damned-united-peter-morgan.html)

[La Familia]

DISCLAIMER:

The following book(s) are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended.


Biblija svakog DP-a/pomoćnika DP-a. Uostalom, za sve. Sigurno ste vidjeli koliko se redatelji na setu vole kurtzit poslom kamermana, pogotovo za potrebe PR-a :D


Klik na prvu fotku/cover knjige za download:


http://i36.tinypic.com/1z36xw4.png (http://www.filefront.com/14800197/undefined)
http://i33.tinypic.com/2w4b4zn.png


Contents:

Preface xvii
Acknowledgments xxi
Introduction xxv
1 Basics of Cinematography 1
Film Formats 1
Videotape Formats 3
Sync Speed 4
Sync and MOS 4
Film Stock 4
Emulsion 4
Base 5
Anti-halation Backing 6
Types of Film 6
Negative Film 6
Reversal Film 6
Single Perf or Double Perf 6
Film Speed 7
Aspect Ratios 8
F-Stops and T-Stops 12
Exposure Time 13
Exposure Meters 14
Color Temperature and Color Balance 16
The Camera 17
Gate 18
Intermittent Movement 18
Pull Down Claw 19
Registration Pin 19
Aperture Plate 20
Pressure Plate 20
Shutter 20
Shutter Angle 20
Inching Knob 21

Viewing System 22
Diopter Adjustment 22
Lens 23
Primes and Zooms 24
Magazine 25
Motor 25
Batteries 26
Additional Camera Components 26
Filters 27
Conversion Filters 28
85 Filter 28
80A Filter 29
Neutral Density Filters 29
Polarizing Filters 29
Combination Filters 30
Optical Flat 30
Diffusion Filters 31
Fog and Double Fog Filters 32
Low-Contrast Filters 32
Soft-Contrast Filters 32
Ultra-Contrast Filters 33
Coral Filters 33
Enhancing Filters 33
Graduated Filters 33
Diopters 33
Filter Manufacturers 34
Camera Mounts 34
Tripods and Spreader 34
High Hat/Low Hat 36
Tripod Heads 36
Fluid Head 37
Gear Head 37
Steadicam 38
Dolly 39
2 The Camera Department 43
Film Productions 43
Director of Photography 44
Camera Operator 46
First Assistant Cameraman (1st AC or Focus Puller) 48
Second Assistant Cameraman (2nd AC or Clapper/Loader) 50
Loader 52
SD or HD Video Productions 52
Digital Imaging Technician (DIT) 53

Video Controller 54
Camera Utility 54
Digital Utility 55
3 Second Assistant Cameraman (2nd AC) 56
Preproduction 56
Working with the Laboratory 57
Obtaining Laboratory Supplies 58
Choosing and Ordering Expendables 59
Preparation of Camera Equipment 60
Preparation of Camera Truck 60
Preparation of Darkroom 62
Production 64
Start-of-the-Day Procedures 64
Setting Up the Camera 64
Film Stock Manufacturers 65
Film Stock Packaging Sizes 66
Camera Reports 67
Recording Shot Information 81
Magazines 82
Loading Magazines 85
Unloading Magazines 94
Using a Changing Bag or Changing Tent 97
Marking Actors 100
Slates 104
Slating Procedures 107
Changing Lenses, Filters, and Magazines 111
Using a Video Tap and Monitor 112
Preparing Exposed Film for Delivery to the Lab 113
Shipping Film (Exposed and Unexposed) 117
Film, X-Rays, and Carrying Film on Planes 117
Ordering Additional Film Stock 118
Storage and Care of Motion Picture Film 119
Film Inventory and Record of Film Shot 120
Completing Film Inventory Forms 123
Distribution of Reports 141
Record Keeping and Filing of Paperwork 142
Performing the Duties of First Assistant Cameraman 144
Packing Equipment 144
Tools and Accessories 145
2nd AC/Loader Tips 146
Resources 151
Postproduction 152
Wrapping Equipment 152

Working in SD/HD Video 153
Preproduction 154
Production 154
Camera Reports 155
Setting Up the Camera 155
Marking Actors 156
Slates and Slating Procedures 156
Moving the Camera and Moving and Setting Up the
Video Monitor 156
Preparing Tapes and Reports 156
Ordering Additional Tapes 157
Storage and Care of Videotapes 157
Videotape, X-Rays, and Magnetic Fields 157
Tools and Accessories 157
Postproduction 158
Wrapping Equipment 158
Review Checklist for Second Assistant Cameraman
(2nd AC or Clapper/Loader) 158
4 First Assistant Cameraman (1st AC) 161
Preproduction 161
Choosing Camera Equipment 162
Choosing and Ordering Expendables 162
The Rental House 163
Preparation of Camera Equipment 165
Camera Prep Checklist 167
Production 186
Start-of-the-Day Procedures 187
Loading and Unloading Film in the Camera 191
Keeping the Camera Clean 192
Oiling and Lubricating the Camera 193
Setting the Viewfinder Eyepiece 196
Lenses 198
Prime Lenses and Zoom Lenses 201
Checking for Lens Flares 204
Depth of Field 206
F-Stops and T-Stops 216
Changing Lenses, Filters, and Accessories 219
Focus Measurements and Following Focus 221
Focusing Tips 227
Zoom Lens Moves 230
Footage Readings 231
Checking the Gate 233

Moving the Camera 234
Performing the Duties of Second Assistant Cameraman 235
Packing Equipment 236
Tools and Accessories 236
Using Computers 237
1st AC/Focus Puller Tips 238
Resources 244
Postproduction 244
Wrapping Equipment 245
Working in SD or HD Video 245
Preproduction 246
Choosing and Ordering Expendables 246
The Rental House and Preparation of Camera Equipment 246
Production 247
Setting Up the Camera 247
Loading and Unloading Tapes into the Video Camera 249
Checking for Lens Flares 249
Lenses (Primes and Zooms) 249
Focusing and Depth of Field 250
Moving the Camera 253
White Balancing 253
Tools and Accessories 254
Postproduction 254
Wrapping Equipment 254
Review Checklist for First Assistant Cameraman
(1st AC or Focus Puller) 255
5 Problems and Troubleshooting 257
Camera Will Not Run 259
Camera Does Not Stop When Switched to “Off” 260
Camera Starts and Stops Intermittently 261
Camera Is Noisy 262
Shutter Does Not Spin (No Flicker Seen Through the Viewfinder) 262
Unable to Thread Film into the Gate Area 263
Film Does Not Take Up 263
Camera Door Does Not Close 264
Camera Stops While Filming 264
Film Jams in Camera 265
Camera Does Not Run at Sync Speed 265
Viewing System Is Blacked Out 266
A Fuse Blows When Connecting Electrical Accessories 266
When Shooting a Television Monitor or Computer Screen, a
Roll Bar Moves Through the Screen 267

Magazine Is Noisy 267
Film Rips or Has Torn Perforations 267
Film Loses Loop 268
There Are Scratches on the Film 268
Lens Will Not Focus 269
Image Is Fogged When Looking Through Viewfinder 271
Zoom Lens Motor Runs Erratically 271
Zoom Lens Does Not Zoom Throughout Its Entire Range
of Focal Lengths 271
Lens Flares Are Seen When Looking Through the Viewfinder 272
Battery Loses Power 272
Image on Video Monitor Is Out of Focus or Is Tilted
to the Side 272
Tripod Head Does Not Pan or Tilt 273
Tripod Legs Do Not Slide Up or Down 273
Shooting in Extreme Cold Weather 273
Shooting in Extreme Heat 274
Filming in or Around Salt Water and Camera and
Magazine Fall into the Water 274
Shooting Outside Using Tungsten-Balanced Film
Without an 85 Filter 275
Shooting Inside with Tungsten Light Using Daylight-
Balanced Film Without an 80A Filter 275
Projected Image Is Shaky or Unsteady 276
Projected Image Is Out of Focus 277
Projected Image Contains Spots or Lines 277
Image Is Not Aligned During the Video Transfer 278
Shooting in Other Countries 278
Troubleshooting Tips 278
6 Film Cameras 280
Aaton A-Minima 281
Aaton Xter à and XTR-Prod 282
Aaton 35-III 283
Arriflex 16BL 284
Arriflex 16S/SB 285
Arriflex 16 SR1, 16 SR2, and 16 SR3 287
Arriflex 416 288
Arriflex Arricam Lite (LT) 289
Arriflex Arricam Studio (ST) 291
Arriflex 235 293
Arriflex 535A and 535B 294
Arriflex 435 296

Arriflex 35BL3 and 35BL4 297
Arriflex 35-3 299
Arriflex 765 301
Bell & Howell Eyemo 303
Moviecam Compact and Moviecam Super America 304
Moviecam SL 306
Panavision Panaflex 16 307
Panavision Panaflex Golden and GII 309
Panavision Panaflex Millennium and Millennium XL 310
Panavision Panaflex Platinum 311
Panavision Panaflex X 313
Panavision Panastar I and Panastar II 314
Panavision Panaflex 65 315
Panavision 65 mm High Speed 316
Panavision 65 mm Hand-Held 317
Photo-Sonics Actionmaster 500 319
Photo-Sonics 1VN 320
Photo-Sonics 35-4B/4C 320
Photo-Sonics 35-4E/ER 322
Photo-Sonics 35-4ML 323
7 Before, During, and After the Job 325
Union or Nonunion 325
IATSE and Local 600 327
Joining the Union 328
Before the Job 331
The R ésumé 332
The Job Interview 335
During the Job 336
After the Job 340
Invoicing and Filling in the Time Card 341
Networking 344
Appendix A Film Stock 347
Appendix B Equipment 351
Cameras 352
16 mm Cameras 352
35 mm Cameras 353
65 mm Cameras 353
SD and HD Video Cameras 353
Camera Lenses and Accessories 354
Lenses and Lens Accessories 354

Camera Accessories 355
Specialized Camera Accessories 356
Arriflex Remote Control Unit (RCU) 357
Arriflex External Display (EXD-1) 357
Arriflex Wireless Remote Control (WRC-2) 357
Arriflex Iris Control Unit (ICU) 357
Arriflex Lens Control System (LCS) 358
Arriflex Wireless Lens Control System 358
Arriflex Laptop Camera Controller (LCC) 358
Arriflex Ramp Preview Controller (RPC) 359
Panavision Focus, T-Stop, Zoom, Speed-Aperture
Controller —FTZSAC 359
Panavision Remote Digital Control (RDC) 360
Camera Filters 360
Filter Sizes 360
Filters 361
Filters for Black and White Cinematography 362
Heads and Tripods 363
Fluid Heads 363
Gear Heads 363
Tripods 364
Miscellaneous Heads, Camera Mounts, and
Mounting Platforms 364
Appendix C Camera Department Checklists,
Production Forms, and Labels 365
Forms and Checklists 365
Film Camera Equipment Checklist 366
Filters Checklist 370
Expendables Inventory and Checklist 375
Film Camera Prep Checklist 379
Equipment Received Log 385
Returned Equipment Log 386
Missing or Damaged Equipment Log 387
Job Information 388
Film Camera Report 390
Camera Department Film Developing Purchase Order 391
Video Camera Report 392
Daily Film Inventory Form #1 393
Daily Film Inventory Form #2 394
Short End Inventory Form 396
Raw Stock Inventory Form 398
Camera Department Log Sheet 399

Film Stock Request Form 400
Video Tape Request Form 401
Camera Department Weekly Time Sheet 402
Personal Time Sheet and Invoice 404
Labels 405
Camera Department Deal Memo 406
Box/Equipment Rental Agreement 408
Camera Department Contact List 410
Film Can Developing Label 412
Short End Label 412
Recan Label 413
X-Ray Warning Label 413
Appendix D Tools and Accessories 414
AC Tools and Accessories 415
Specialized Film Industry Items 420
Arriflex Special Tools 423
Expendables 424
Miscellaneous Items 426
Appendix E Tables and Formulas 430
Tables 430
Film Speed Comparisons 430
Standard Feet per Minute and Frames per Foot at
24 Frames per Second 431
Intermediate F-Stop Values 432
F-Stop Compensation When Using Filters 432
F-Stop Compensation When Using Filters for
Black-and-White Film 434
F-Stop Compensation for Changes in Frames per Second 434
F-Stop Compensation for Changes in Shutter Angle 435
Hyperfocal Distances 436
Feet per Second and Feet per Minute 439
Running Time to Film Length and Film Length to
Running Time 439
Feet to Meters and Meters to Feet 441
Formulas 451
Depth of Field —Near 452
Depth of Field —Far 452
Hyperfocal Distance 453
Electrical 453
Exposure Time 453
F-Stop 453

CONTENTS
Feet per Minute for 16 mm 453
Feet per Minute for 35 mm 3-Perf Format 453
Feet per Minute for 35 mm 4-Perf Format 453
Screen Time 454
Feet and Inches to Meters 454
Meters to Feet and Inches 454
Millimeters to Inches 454
Appendix F Resources 455
Camera Manufacturers, Rentals, and Sales 455
Camera Support Equipment 456
Expendables and Supplies 456
Film Laboratories 456
Film Raw Stock 457
Filters 457
Miscellaneous Equipment and Supplies 457
Professional Organizations, Guilds, and Unions 457
Miscellaneous Web Sites 458
Recommended Reading 459
Glossary 465
Index 493

[La Familia]

http://i36.tinypic.com/34qwsqh.jpg (http://www.nypress.com/imgs/hed/art20410.jpg)


Trash Humpers (http://www.imdb.com/title/tt1488163/) (2009)


http://i36.tinypic.com/35arz9y.png (http://www.youtube.com/watch?v=OPl-O0Z5hys)


http://i38.tinypic.com/k2y07m.png (http://www.traileraddict.com/trailer/trash-humpers/excerpts)


Harmony Korine Talks "Trash Humpers" at New York Film Festival


http://i38.tinypic.com/2vv4cr5.png (http://www.youtube.com/watch?v=S26SCwOJN-0)

2 (http://www.youtube.com/watch?v=l_VQ85_cuz8&feature=related)
3 (http://www.youtube.com/watch?v=OPg2A6djjyw&feature=related)
4 (http://www.youtube.com/watch?v=S26SCwOJN-0)

[La Familia]

New issue of Offscreen wholly dedicated to David Lynch


http://i38.tinypic.com/2j1ocbs.jpg (http://www.mashedinplastic.co.uk/cover-art/MashedInPlasticLarge.jpg)
http://i36.tinypic.com/wi59gg.png (http://www.offscreen.com/)


http://offscreen.com/update/cache/fonts/5a886231f5aff9618cc71628425fa506.png


Roundtable on David Lynch’s Inland Empire, Part 1 by Donato Totaro, Peter Rist, Randolph Jordan (http://www.offscreen.com/biblio/pages/essays/roundtable_inland_empire/)

Roundtable on David Lynch’s Inland Empire, Part 2 by Donato Totaro, Peter Rist, Randolph Jordan (http://www.offscreen.com/biblio/pages/essays/roundtable_inland_empire_pt2/)

Lynch: Meditation and Creativity by Ryan Diduck (http://www.offscreen.com/biblio/pages/essays/lynch_meditation_and_creativity2/)

The Enigmatic Mr. Lynch by Stefan Gullatz (http://www.offscreen.com/biblio/pages/essays/enigmatic_mr_lynch/)

Rhetoric of Excess: Hyperbolical Irony as Transcendence in Blue Velvet by Michael Bloom (http://www.offscreen.com/biblio/pages/essays/rhetoric_of_excess/)

[La Familia]

http://i36.tinypic.com/20zzeiu.png (http://www.bfi.org.uk/lff/node/985)


T-hebote, moji susjedi way su luđi od tih njegovih likova (ne treba mi ni prostetika). Fakat mu zavidim: skupi nekoliko lokalnih luđaka; uhvati ih HD kamerom i završi na LFF-u (mora da mu je i britanska kraljica došla na premijeru filma, :D).

[La Familia]

DISCLAIMER:

The following screenplays are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended.


Klik na fotku/poster za download:


http://www.moviezeal.com/wp-content/uploads/red_poster.jpg (http://www.mediafire.com/download.php?wynwdymryoz)

http://images2.fanpop.com/images/photos/8100000/Cirque-du-Freak-The-Vampire-s-Assistant-poster-cirque-du-freak-8191278-355-526.jpg (http://www.mediafire.com/download.php?wnqyyiyn24j)

http://shocktillyoudrop.com/nextraimages/burrowers-poster.jpg (http://www.mediafire.com/download.php?tzclzmhwx2d)

http://z.about.com/d/movies/1/0/W/G/T/theuglytruthposter2.jpg (http://www.mediafire.com/download.php?nwmymhjmnkm)

http://www.iwatchstuff.com/2008/11/03/coraline-poster.jpg (http://www.mediafire.com/download.php?myndxmzrnj1)

http://www.iwatchstuff.com/2007/12/13/harold-kumar-2-poster.jpg (http://www.mediafire.com/download.php?knjyjznmdzq)

http://www.chiefdriveintheatre.com/2005_posters/A%20Perfect%20Getaway.jpg (http://www.mediafire.com/download.php?yomiehmyhlz)

http://www.iwatchstuff.com/2008/12/11/unborn-poster-butt.jpg (http://www.mediafire.com/download.php?2ujt5dd2iga)

http://www.bloodygoodhorror.com/bgh/files/covers/MidnightMeatTrainPoster.jpg (http://www.mediafire.com/download.php?nrhymmznkw4)

http://gloaminganddawn.files.wordpress.com/2009/08/zombieland_poster.jpg (http://www.mediafire.com/download.php?mwzmq0xryq5)

[La Familia]

Ona informacija da je Oren Peli svoj Paranormal Activity (http://www.imdb.com/title/tt1179904/) snimio za $15K nije točna - film je (uključujući postprodukciju slike i zvuka) koštao svega $11K (kasnije je Spielbergov Dreamworks uložio još nešto u distribuciju, sasvim nebitno). Na današnji dan, film je u američkim kinima zaradio: Domestic Total as of Oct. 25, 2009: $61,580,588 (worldwide i preko $100mio., a vani je tek nepunih mjesec dana).

Na zadnjem natječaju HAVC-a hrvatskim su filmašima (uglavnom debitantima) dodijeljena lijepa financijska sredstva. Prvo je ustao Arsen Ostojić, trubeći po svim medijima u zemlji da se radi o katastrofalnoj odluci komisije (na čelu s Papićem). Teza je bila: Pobogu, kako će oni snimiti te svoje filmove s tako malo novca? Samo neki od komentara hrvatskih filmaša koji su prošli na zadnjem natječaju (imena im neću navoditi, neka se sami prepoznaju):

- Interes sponzora za naš film je nikakav; koproducenti nisu zainteresirani; s tim parama ne može se napraviti ništa

- Teško je, nema se. Prokleta recesija! Nažalost, nitko od ekipe neće biti plaćen. A što da vam kažem? Zaista nemam pojma kako ćemo to snimiti

- Ubio sam godinu dana u taj film, na kraju neću zaraditi ni lipe. Ni scenarij mi neće biti plaćen. A zima je pred vratima, treba plaćati račune; grijati se, od čega?! Jedno je sigurno: završim ga i bježim na Novi Zeland

Uf, kako bi ja to tuko, sve redom :D Koji se kuki onda bave tim poslom? Po sve se mora ići Patljaku; catering se mora naručivati od hebenog Majetića; svi se (čast iznimkama) prvo moraju naplatiti... WTF? Zasučite rukave, dame i gospodo filmaši/producenti, primite se posla, hebo vas Patljak da vas hebo!


http://filmmakeriq.com/wp-content/themes/busybee/thumb.php?src=http://filmmakeriq.com/wp-content/uploads/Dennis/2009/10/lightingdiy33.jpg&h=200&w=540&zc=1&q=80 (http://filmmakeriq.com/general/featured/101-diy-lighting-tutorials.html)


101 DIY Lighting Tutorials


Good lighting is one of the most important aspects of any professional production. Unfortunately your budget may not allow for all the expensive equipment required for that perfect look. With that in mind, we created this list of over 100 DIY (”Do It Yourself”) lighting tutorials.

As always, whenever you are dealing with electricity and heat safety always comes first. For your sake and the sake of your crew, never take on one of these projects unless you know what you are doing. Saving a few dollars is not worth causing an injury or worse.


Building Your Kit


http://i37.tinypic.com/20htylz.png (http://www.indymogul.com/weekendextra/episode/IMWE_20070914)


DIY Light Kit (Indy Mogul)
$25 Lightkit (Indy Mogul)
Joren Clark Lighting Kit (JorenClark.com)
Beginner’s DIY Lighting Kit (MediaCollege.com)
Light Source: Build Your Own Lighting Kit (VideoMaker)
Lighting for DV (Mediaed.org)
Low Budget Lighting Article (DVinfo.net)
Even Cheaper and Cooler DIY Lighting (YouTube)
Low Budget Lighting (ScottSpears.net)
Low Budget Lighting (TakeZer0)
DIY Studio Lights For Cheap (YouTube)
Lighting on the Cheap (YouTube)
Fashion lighting on a budget (YouTube)
DIY Ep. #1: Softbox Light Kit (YouTube)
Even Cheaper and Cooler DIY Lighting (YouTube)
DIY Lighting for video (YouTube)
Ring Flash (David Tejada)
DIY Ring-Flash with build images and sample shots… (Motley Pixel) (http://filmmakeriq.com/general/featured/101-diy-lighting-tutorials.html)


Reflectors


http://filmmakeriq.com/wp-content/uploads/Dennis/2009/10/buildup2.jpg


Building a DIY beauty dish
DIY: Make Your Own Light Reflector For $5 (Sublime Light)
Fifty cent flash bounce (Instructables)
How to make a golden reflector (Lighting-Academy.com)
Making your own light reflectors (P1/3) (YouTube)
Making your own light reflectors (P2/3) (YouTube)
Making your own light reflectors (P3/3) (YouTube)
DIY: How to make a folding reflector for free (YouTube)
V Cards (DIYyphotography.net)
HOW TO: Cheap Bounce Board (Indy Mogul) (http://filmmakeriq.com/general/featured/101-diy-lighting-tutorials.html)


Softboxes


http://filmmakeriq.com/wp-content/uploads/Dennis/2009/10/softboxes.jpg


The Best Softbox Ever (DIYyphotography.net)
Kimel’s Pop Up Flash Soft Box Diffuser (DIYyphotography.net)
Striplight and Softbox (DIYyphotography.net
The DIY Strip Light (DIYyphotography.net)
A Home Grown Softbox (DIYyphotography.net)
DIY Softbox Prototype Testbed - with build instructions (flickr)
DIY 50” x 50” Collapsible Soft Box - with build instructions (flickr)
DIY Large Softbox for Small Strobe 100cm x 60cm - with build instructions (flickr)
DIY Light Strip Softbox - with build instructions (flickr)
DIY Light Diffusion in Video Production (Expert Village)
Even Better Softbox Part One - The Build Process (DIYyphotography.net)
building a Mini Soft Box (Sonic Artistry)
Build a Softbox Lamp - DIY design (YouTube)
The Square Ring Flash (DIYyphotography.net)
The Strip Light That Won’t Strip You (DIYyphotography.net) (http://filmmakeriq.com/general/featured/101-diy-lighting-tutorials.html)


Light Modifiers (Snoots/Barndoors)


http://i37.tinypic.com/v8mwyd.png (http://www.youtube.com/watch?v=VYfH3zsKCAA)


the 15 second DIY adjustable snoot (f1point0.com)
Homemade Speedlite “Snoot” (DIYyphotography.net)
Cheap Lighting & Barn Doors (Rever)
Using A Cooling Honeycomb As A DIY Gridspot (DIYyphotography.net)
Drinking Beer - Out! Snooting - In! (DIYyphotography.net)
Gel Holder for Flash (DIYyphotography.net)
The Food Saver Omnibounce (DIYyphotography.net)
DIY Wax-Fen Flash Diffuser - Yet Another Bouncy Thingy (DIYyphotography.net)
Homemade Gridspot (DIYyphotography.net)
Flash Mounted homemade DIY Beauty Dish (DIYyphotography.net)
Barndoor Template (CoolLights.biz)
$5 Barn Doors for Worklights (YouTube)
How to Build Barndoors on Worklight for Green Screen Youtube Videos (YouTube)
Scrim or Butterfly Light Diffuser (JorenClark.com)
Do It Yourself Light Diffuser (YouTube)
How to modify your studio lights for under $7.00 (YouTube)
DIY Flash Diffuser - Airline Barf Bags (digital-photography-school.com)
HOW TO: Diffusion Panel (Indy Mogul) (http://filmmakeriq.com/general/featured/101-diy-lighting-tutorials.html)


DIY Grip


http://filmmakeriq.com/wp-content/uploads/Dennis/2009/10/diy_hardware_store_light_stand.jpg


Home Made Cheap DIY Backdrop Stand (DIYyphotography.net)
Plumbers Light-Backdrop Stand (DIYyphotography.net)
Greenscreens and Backdrop Stands (DIYyphotography.net)
Double Your Light Stand As A Portable Backdrop Mount System (DIYyphotography.net)
DIY Ghetto-Fab Portable Backdrop Stand (DIYyphotography.net)
$30 C-Stands
PVC Backdrop/Light Stand (DIYyphotography.net)
Using Clamps As Flash Light Stands (DIYyphotography.net)
The Plaster Spatula Lighting Stand (DIYyphotography.net)
Using light stands outside (meejahor.com)
The 75¢ Sandbag (f1point0.com) (http://filmmakeriq.com/general/featured/101-diy-lighting-tutorials.html)


Backdrops


http://i37.tinypic.com/2me1eub.png (http://www.instructables.com/id/Cheap-Portable-Chroma-Key-Screen-Bluescreen/?ALLSTEPS&ref=flash)


Cheap DIY Muslin Photography Background (DIYyphotography.net)
Spice Up Your Home Made Muslin Backdrop (DIYyphotography.net)
Really Cheap Homemade Diy Studio (DIYyphotography.net)
Portable Greenscreen with PVC and Cloth
Large greenscreen (non-portable) for under $30.
DIY Blue (or Green) Screen
Greenscreens and Backdrop Stands (http://filmmakeriq.com/general/featured/101-diy-lighting-tutorials.html)


DIY Tents


http://filmmakeriq.com/wp-content/uploads/Dennis/2009/10/sfp_08.jpg


DIY Cheap Soft Light Panel Frame Designed for Flash (DIYyphotography.net)
The Origami Studio (An Extrapolation to The $0.02 Macro Studio) (DIYyphotography.net)
The Mother Of All Light Tents (DIYyphotography.net)
Sticks, Stones, Concrete and Killer Lighting (DIYyphotography.net)
The Ghetto Studio (DIYyphotography.net) (http://filmmakeriq.com/general/featured/101-diy-lighting-tutorials.html)


DIY FIXTURES


http://i33.tinypic.com/351s2mg.png (http://vimeo.com/1764425)


Home made Kino (DVXuser.com)
Just Fab’s Turkey Pan Beauty Dish (DIYyphotography.net)
$6 Movie Light (YouTube)
DIY Fluorescent Lamp (Instructables)
DIY Spider Light by Alex Campagna (DIYyphotography.net)
Cactus Slave Flash Cable Hack (DIYyphotography.net)
Disposable Camera Ring Flash (DIYyphotography.net)
Great Way To Build a Ringlight (DIYyphotography.net)
Cold Halogen Lights (DIYyphotography.net)
Empower Yourself On Location (Or Two Portable Power Packs) (DIYyphotography.net)
The Cheapest Ring Light Ever (DIYyphotography.net)
DIY Dimmable Kino (Ryan E Walters)
DIY $40 400 watt video light (Vimeo)
Build Plans: 600 Watt Hand-Squeezer (Indy Mogul) (http://filmmakeriq.com/general/featured/101-diy-lighting-tutorials.html)

[La Familia]

http://www.aboutascreenplay.com/wp-content/themes/black-3column/images/logo.png (http://www.aboutascreenplay.com/)


http://www.aboutascreenplay.com/wp-content/themes/black-3column/images/screenplay-structure-160.jpg (http://www.aboutascreenplay.com/ebooks/SCREENPLAY-STRUCTURE.pdf)

[La Familia]

The essence of a third act is the final showdown between protagonist and antagonist


http://i33.tinypic.com/10qm0dx.png (http://thedarksalon.blogspot.com/2009/10/nanowrimo-prep-elements-of-act-three.html)

[La Familia]

http://i38.tinypic.com/121zg3t.png (http://nymag.com/arts/comics/profiles/60275/)


Interview: Matthew Robinson (The Invention of Lying)


http://i34.tinypic.com/aetufb.jpg (http://www.moviewallpaper.net/wpp/Ricky_Gervais_in_The_Invention_of_Lying_Wallpaper_ 6_800.jpg)


Today's interview is with Matthew Robinson (http://www.imdb.com/name/nm2816668/), who co-wrote and co-directed (with the star of the movie Ricky Gervais) the current release The Invention of Lying (http://www.imdb.com/title/tt1058017/).


http://i34.tinypic.com/e0ic68.png (http://wga.org/content/default.aspx?id=3824)


Here's the trailer to the movie The Invention of Lying:


http://i35.tinypic.com/9gcwb8.png (http://www.youtube.com/watch?v=B_V9b8upG9E)


EDIT:


SCENARIJ/WEB PREMIJERA (.pdf download):


http://i34.tinypic.com/xp1lko.png (http://www.filefront.com/14740727/The%20Invention%20of%20Lying.pdf)

[Scarecrow]

Rare Marlon Brando screentest
http://www.youtube.com/watch?v=j2lRdkNGDcY&feature=rec-HM-fresh+div

[La Familia]

Rare Marlon Brando screentest
http://www.youtube.com/watch?v=j2lRdkNGDcY&feature=rec-HM-fresh+div


http://i38.tinypic.com/33eu04m.gif


Odlično!


'Srpski film' - trailer


Nakon festivalskog promo videa, evo, deco draga, konačno i službeni trejler!


http://i36.tinypic.com/2921qhg.png (http://www.youtube.com/watch?v=z339eW9iJJY)

[La Familia]

The Golden Age of Video


This is what the Academy Awards montages need, :D


Vjerujte mi, osmijeh od uha do uha, samo kliknite:


http://i33.tinypic.com/2eficrr.png (http://www.youtube.com/watch?v=DFM140rju4k)


:jumping:

[La Familia]

http://i35.tinypic.com/29spqq.jpg (http://www.babble.com/CS/blogs/strollerderby/2009/03/securedownload-3.jpeg)


Moj najdraži THE redatelj. Psssst, nemojte to reći Franku Darabontu, :D


Spike Jonze Interview (Mirrorball Series 1) [38mins]


In this interview, Spike Jonze (director of 'Being John Malkovich', 'Adaption', and the upcoming 'Where The Wild Things Are') discusses his early music video and short film work. This episode predates the Directors Label DVD collection by about 4 years and contains interviews not available elsewhere. cameraman/interviewer: Lance Bangs Contains the following work: *Fatboy Slim - Rockafeller Skank (unused "dancing in the street" version) *Beastie Boys - Sabotage *Bjork - It's Oh So Quiet *Daft Punk - Da Funk *Wax - California *Fatboy Slim - Praise You *How They Get There (short film)


http://i36.tinypic.com/zjcy1e.png (http://video.google.com/videoplay?docid=-482794716213771854&ei=jI_nSsndLoK82gL93ojsDg&q=Spike+Jonze#)


Spike Jonze: The Director


With the release of 2009's, Where The Wild Things Are, director Spike Jonze once again showed his creative might adapting a 10 sentence story from a picture book into a 111 page screenplay. Arguably one of the most versatile directors in the business, Spike Jonze jumps regularly from music videos to commercials to Oscar-nominated films. He even had a main role acting alongside George Clooney and Mark Wahlberg in 1999's "Three Kings." In this video, WatchMojo.com takes a look at the highlights of Spike Jonze's still young career.


http://i36.tinypic.com/2z7lgeq.png (http://watchmojo.com/index.php?id=7412)


http://i35.tinypic.com/258b0xw.png (http://www.atom.com/funny_videos/interview_spike/)


Video
Director's Label Series Boxed Set - The Works of Spike Jonze, Chris Cunningham, and Michel Gondry - Invisible Boards (http://www.spike.com/video/directors-label/2656727)

Video.
The Work of Director Spike Jonze - ''How They Get There'' A Short Film With Mark Gonzales (http://www.spike.com/video/work-of-director/2480132)

Video
The Notorious B.I.G. - Sky's The Limit
In this Spike Jonze original, Biggie and Diddy live it up as little younglings (http://www.spike.com/video/notorious-big-skys/2786027)

Video
Director's Label Series Boxed Set - The Works of Spike Jonze, Chris Cunningham, and Michel Gondry - IFILM Exclusive: Yeah, Yeah, Yeah's: Y Control (http://www.spike.com/video/directors-label/2656726)

Video
Unseen Al Gore Campaign Video
Spike Jonze directed this intimate look at Al Gore and his family during the former Vice President's 2000 campaign (http://www.spike.com/video/unseen-al-gore/2725718)

Video
Pig!
spike jonze, urban myth, mercedes-benz, vespa, scooter, nose picker, joke film (http://www.spike.com/video/pig/921830)

Video
Gap: Pardon Our Dust
Spike Jonze injects a much needed dose of anarchy into the Gap in this wildly fun new commercial (http://www.spike.com/video/gap-pardon-our-dust/2684712)

Video
Sonic Youth - Corporate Ghost: Videos, 1990-2002 - Sugar Kane (http://www.spike.com/video/sonic-youth/2641643)

Video
Björk - It's in Our Hands
Bjork goes looking for things that go bump in the night in this spooky video from director Spike Jonze. (http://www.spike.com/video/s-in-our-hands-bjrk/2457560)

http://img3.ifilmpro.com/resize/image/stills/films/resize/istd/2457560.jpg?width=130 (http://www.spike.com/video/s-in-our-hands-bjrk/2457560)

Video
Adidas: Hello Tomorrow
A man jogs through an Alice in Wonderland type of world in this dreamy and beautiful spot. (http://www.spike.com/video/adidas-hello/2823868)

Video
Daft Punk - Da Funk (http://www.spike.com/video/daft-punk-da-funk/2794663)

[La Familia]

WEB PREPORUKA:
TV Scripts and Bibles


It does exactly what it says on the tin. A huge archive of TV scripts and bibles, even to shows that never made it to air.


http://i35.tinypic.com/i2829t.png (http://tvwriting.googlepages.com/index)

[La Familia]

Amarillo by Morning
(by Spike Jonze)


"Amarillo By Morning" is a 1997 documentary short by Spike Jonze. While filming pro bullriders for a commercial at the national rodeo in the Houston Astrodome in Houston, Texas, Spike befriended two suburban teenagers who aspired to be cowboys.

The documentary chronicles an afternoon in their lives.


http://i35.tinypic.com/23k86ts.png (http://video.google.com/videoplay?docid=6470673178974656085&ei=zafnSuHBJ6ac2wK_zJSJDw&q=Spike+Jonze&view=2&dur=3#)

[La Familia]

http://i38.tinypic.com/hx3o0l.jpg (http://www.chud.com/articles/content_images/wtwta9big.jpg)


Where The Wild Things Are - Casey Storm


Today's episode features WTWTA costume designer Casey Storm. And, boy, does he have a nice hat.

Meet the man behind the amazing costumes in the Beastie Boys' "Sabotage" video, Cameron Diaz's amazing look in "Being John Malcovich" and the guy who created all the looks for Where The Wild Thing Are.

Secret: They created over 100 Max outfits for the movie.
Category: Film & Animation


http://i37.tinypic.com/5oc86g.png (http://www.youtube.com/watch?v=uuJ_4vPM9To)


Imam osjećaj da će me Where The Wild Things Are dobrano ubit, pogotovo nakon ovog (http://www.youtube.com/watch?v=hEW1GVldL0I&feature=browch) iskustva, :D

Preporuka da film pogledate u kinu, nikako nemojte konzumirati cam verzije (barem pričekajte dvd rip).

[La Familia]

A Thousand Words by Ted Chung


Meni jedan od najboljih kratkiša koje vidjeh, ever!


http://i37.tinypic.com/4uf1p0.png (http://vimeo.com/2884813)


Every day: so many opportunities to connect...
What if you took just one?

Directed by Ted Chung

also directed by Ted Chung: exposureroom.com/ontime (http://exposureroom.com/ontime) | vimeo.com/2880633 (http://vimeo.com/2880633)


http://i37.tinypic.com/106bk8j.png (http://exposureroom.com/members/TC.aspx/assets/5486ee5858614e59a07bcd7e28764b43/)

[La Familia]

JonathanRosenbaum.com (http://www.jonathanrosenbaum.com/?cat=5)


http://www.jonathanrosenbaum.com/wp-content/jr.jpg (http://www.jonathanrosenbaum.com/?cat=5)


A Dialogue about Abbas Kiarostami’s SHIRIN (http://www.jonathanrosenbaum.com/?p=17173)

Goodbye Cinema, Hello Cinephilia (http://www.jonathanrosenbaum.com/?p=14853)

The Way It Was (http://www.jonathanrosenbaum.com/?p=6950)

http://www.jonathanrosenbaum.com/wp-content/uploads/2009/07/jimi-hendrix-woodstock.jpg

[La Familia]

Marc Saint-Cyr's "Top Ten Favorite Scenes in Japanese Cinema"


http://2.bp.blogspot.com/_gRWMZ-x-wV0/SWEHSBbeCnI/AAAAAAAADQA/bA4acybcd_A/S660/Masthead+Final+JPEG-1.jpg (http://jfilmpowwow.blogspot.com/2009/10/top-ten-scenes-in-japanese-cinema-marc.html)

http://i34.tinypic.com/zx9rgk.png (http://jfilmpowwow.blogspot.com/2009/10/top-ten-scenes-in-japanese-cinema-marc.html)

[Dragonrage]

Ne znam jel ovo bilo...al ak nije...evo sad. format je malo sjeban, al nema veze...važan je sadržaj:top:

http://i783.photobucket.com/albums/yy119/Dragonrage_HR2/49449_BruceLee.jpg

Bruce Lee: "Legacy Of The Dragon" Documentary Part 1 (http://www.youtube.com/watch?v=QEVxaLFGiIo)
Bruce Lee: "Legacy Of The Dragon" Documentary Part 2 (http://www.youtube.com/watch?v=-US6NiwQLQM)
Bruce Lee: "Legacy Of The Dragon" Documentary Part 3 (http://www.youtube.com/watch?v=hl9OnvgrZ7s)
Bruce Lee: "Legacy Of The Dragon" Documentary Part 4 (http://www.youtube.com/watch?v=prsZM7LH5fc)
Bruce Lee: "Legacy Of The Dragon" Documentary Part 5 (http://www.youtube.com/watch?v=LCak4kqya4o)


Bruce Lee: The Immortal Dragon" Documentary Part 1 (http://www.youtube.com/watch?v=iwLr4B6k6V8)
Bruce Lee: The Immortal Dragon" Documentary Part 2 (http://www.youtube.com/watch?v=rNe5d_PGEm8)
Bruce Lee: The Immortal Dragon" Documentary Part 3 (http://www.youtube.com/watch?v=ILb6Gh6aWPg)
Bruce Lee: The Immortal Dragon" Documentary Part 4 (http://www.youtube.com/watch?v=u0PqvZsXchk)
Bruce Lee: The Immortal Dragon" Documentary Part 5 (http://www.youtube.com/watch?v=UEyBkDXAPgk)


Bruce Lee Documentary *Death Of Bruce Lee* Part 1 (http://www.youtube.com/watch?v=iTEpnUWo-sE)
Bruce Lee Documentary *Death Of Bruce Lee* Part 2 (http://www.youtube.com/watch?v=kctBldE90pg)

[La Familia]

http://filminfocus.com/gfx/rev2/bg/logo.png (http://filminfocus.com/)


Svaka čast "nije sve u blockbusterima" ekipi koja vodi Focus Features (http://en.wikipedia.org/wiki/Focus_Features), bog ih poživio - iz njihove producentske radionice uvijek dolaze vraški zanimljiva ostvarenja:


A trailer for the new movie by Richard Curtis Pirate Radio


http://i34.tinypic.com/308fzbd.png (http://filminfocus.com/mediaroom?folder=pirate_radio)


Pirate Radio - Marianne
A clip from the upcoming Focus Features release, Pirate Radio. (http://filminfocus.com/mediaroom?folder=pirate_radio&item=pirate_radio___marianne)

Pirate Radio - The "F" Word
A clip from the upcoming Focus Features release, Pirate Radio. (http://filminfocus.com/mediaroom?folder=pirate_radio&item=pirate_radio____the__f__word)

Pirate Radio - The Law
A clip from Focus Features upcoming release, Pirate Radio. (http://filminfocus.com/mediaroom?folder=pirate_radio&item=pirate_radio___the_law)

Pirate Radio - First Time
A TV Spot for the new movie by Richard Curtis Pirate Radio. (http://filminfocus.com/mediaroom?folder=pirate_radio&item=pirate_radio___first_time)

Pirate Radio - Waves
A TV Spot for the new movie by Richard Curtis Pirate Radio. (http://filminfocus.com/mediaroom?folder=pirate_radio&item=pirate_radio___waves)


http://i35.tinypic.com/34hysg9.png (http://filminfocus.com/article/13_ways_of_looking_at_philip_seymour_hoffman)


FilmInFocus asks 5 horror writers to pick the movies that scare them most


http://i36.tinypic.com/wivv9e.png (http://filminfocus.com/fifsplash/nothing_but_fear_itself)


Odlična sekcija FIVE IN FOCUS:

Everyone - from spy writers to spry stylemakers - has opinions about film, culture, and art. Check out the top - five lists of our favorite cultural trendsetters.


http://i34.tinypic.com/123mbzk.png (http://filminfocus.com/article/irvine_welsh)

[La Familia]

http://i35.tinypic.com/29spqq.jpg (http://www.babble.com/CS/blogs/strollerderby/2009/03/securedownload-3.jpeg)


Baš nešto gledam svoje fotke iz djetinjstva (jako sretnog djetinjstva btw) - pljunuti sam Max Records, od kose, osmijeha, pa sve do zečjeg kostima :D Zvijezda je rođena!


Where the Wild Things Are - Max Records


Maurice Sendak's classic book comes to the big screen in an adventure tale for every generation. "Where the Wild Things Are" follows the adventure of Max (Max Records), a mischievous young boy who is sent to his room after rebelling against his mother (Catherine Keener). Max's imagination is free to roam, and it soon transports him to a thriving forest bordering a vast sea. Delighted, he sets sail for the land of the Wild Things, where mischief reigns and Max rules. In bringing this imaginative fantasy to life, Jonze leads a team of filmmakers incorporating the most dynamic elements of voice performance, live-action puppetry and computer animation.

Genre: Animation, Comedy, Fantasy, Science Fiction
Actors: Catherine Keener, Max Records, Benicio Del Toro, Forest Whitaker, Catherine O'hara
Director: Spike Jonze
Producers: Jon Jashni, Thomas Tull, Scott Mednick
Writers: Spike Jonze, Dave Eggers, Maurice Sendak


http://i35.tinypic.com/30uwi8i.png (http://www.filmsnmovies.com/video/11020/where_the_wild_things_are_max_records/)

---

http://i36.tinypic.com/2f0a8n7.png (http://movies.ign.com/dor/objects/55881/where-the-wild-things-are/videos/wild_max_sdcc09_072809.html)

---

http://www.tonightshowwithconanobrien.com/images/scet_logo.jpg

http://i34.tinypic.com/2s1rog3.png (http://www.tonightshowwithconanobrien.com/video/clips/max-records-101609/1167598/)


SCENARIJ


DISCLAIMER: The following screenplay(s) are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended.


Klik na fotku/poster za download:


http://wearemoviegeeks.com/wp-content/where-the-wild-things-are-poster.jpg (http://www.mediafire.com/download.php?kjkzr2mwyzn)

[La Familia]

New web series: "Circle of 8"


Napomena: Bez ikakvog probijanja tunelom/VPN-om, dostupno worldwide.


Continuing to track OP on the Web. Here's the latest 'big ticket' item: "Circle of 8 (http://www.hollywoodreporter.com/hr/content_display/television/news/e3i7a4f853fe57e4c0b158af0a77aee094a?)":

Paramount Digital Entertainment's original Web series "Circle of Eight" premieres Tuesday and has picked up some additional distribution from Blockbuster.

The 10-part supernatural thriller debuts exclusively on MySpace, then will be available for rental at Blockbuster stores.

Per MovieWeb (http://www.movieweb.com/news/NEiZjkiriIY6lq), here's the series plot summary:

Jessica, a newcomer to the City of Angels, has just moved into a loft on the eighth floor of The Dante, a historic and eerie downtown building filled with friendly twenty-something neighbors who eagerly welcome her into their bohemian world. Or do they? As Jessica races to unravel the mystery behind a chain of horrifying deaths that only she seems to see, she'll come face-to-face with the chilling truth behind her connection to The Dante. Join her and her hot neighbor, Evan, in ten intense episodes that offer multiple levels of interaction, including hidden clues, mobile content, an online game and exclusive material that builds the back story of the characters and their relationships and gives the audience the chance to affect their futures. Each episode consists of a 6 to 8 minute video, interactive hotspots and pop up clues, an interactive discovery experience and a classic trivia game. There are 40 Pop Up Clues placed throughout the series. Each time you watch an episode you will receive a different clue. Clues are also randomized across the audience so that each person will receive clues in a different order. One of those clues unlocks exclusive mobile content. These clues are the pages of Evan's private art journal. Each Image contains a number of clues that deepen the story's plot line. You can watch the episodes at Circle of 8 (http://myspace.com/circleof8).


Here's the first webisode that debuted yesterday:


http://i35.tinypic.com/2drammg.png (http://www.myspace.com/circleof8)


We're way past the days of rough 2D animation and heroes or heroines narrating their story by staring into a computer camera. This is live-action, multiple locations, multiple actors.

Webisode 2 and 3 are available here:


http://i33.tinypic.com/1zyhbg3.png (http://www.myspace.com/circleof8)

[La Familia]

Hollywood’s Content Crisis: Robert McKee


Vrlo zanimljiv i poučan “in-depth” intervju. Btw, Robert McKee jedan je od najrazvikanijih (hwoodskih) gurua scenaristike Tinsel Towna, toliko razvikan da ga je čak i Charlie Kaufman/Spike Jonze uvrstio u svoj scenarij/film Adaptation (http://www.imdb.com/title/tt0268126/).


"Adaptation." (2002) -- Screenplay Seminar Scene


http://i33.tinypic.com/f2q7ao.png (http://www.youtube.com/watch?v=JHVqxD8PNq8)


http://i37.tinypic.com/13z0sv9.png (http://www.sramanamitra.com/2009/09/30/hollywoods-content-crisis-robert-mckee-part-1/)

[La Familia]

http://i38.tinypic.com/fbkm54.jpg (http://content.answers.com/main/content/img/getty/5/8/77620258.jpg)

http://i38.tinypic.com/1zqpwr6.png (http://www.interviewmagazine.com/film/wes-anderson/)


FANTASTIC MR. FOX - Official Theatrical Trailer (HD)


http://i38.tinypic.com/o767u0.jpg (http://www.youtube.com/watch?v=n2igjYFojUo)


WES ANDERSON/ PETER BOGDANOVICH INTERVIEW (HD)


Filmmaker Wes Anderson ("The Royal Tenenbaums" ) interviews Peter Bogdanovich ("The Last Picture Show, "Paper Moon") about Bogdanovich's film "They All Laughed," the film Bogdanovich calls his personal best.


http://i37.tinypic.com/34g3684.png (http://www.youtube.com/watch?v=MQPzzNhqGCo)


WES ANDERSON/ PETER BOGDANOVICH INTERVIEW (PART 2 0f 3) (http://www.youtube.com/watch?v=OnPJxu2TgW8&feature=related)
WES ANDERSON / PETER BOGDANOVICH (3 0f 3) (http://www.youtube.com/watch?v=a55Tk0Jj6lE&feature=related)


Charlie Rose - MURRAY/ANDERSON


Bill Murray, Actor, "Rushmore" ; 2 Clips from "Rushmore"; 1 Clip from "What About Bob" [Touchstone]; 1 Clip from "Space Jam" [Warner Brothers]; 1 SNL Montage [NBC Broadway Video]///Wes Anderson, Director, "Rushmore" [Touchstone]; 3 Clips from "Rushmore"; Bill Murray Interview on "The Charlie Rose Show" [Rose Communications]


http://i37.tinypic.com/2ywbbet.png (http://video.google.com/videoplay?docid=9033058539537849533&ei=wcPoSoztGaKi2ALpgLWGDw&q=Wes+Anderson+interview&view=2&dur=3#)


[B]SCENARIJI


http://i35.tinypic.com/1zmckjl.png (http://s3.amazonaws.com/projectionist/the-darjeeling-limited-screenplay.pdf)


Rushmore (1998) (http://sfy.ru/sfy.html?script=rushmore)

The Life Aquatic with Steve Zissou (http://www.script-o-rama.com/movie_scripts/life-aquatic-zissou-transcript.html)

[La Familia]

http://i34.tinypic.com/j6lt7n.jpg (http://www.fundaciondoctordepando.com/CARATULAS-JPG/2007/Ghosts%20of%20Cité%20Soleil%20(2007).jpg)

http://i35.tinypic.com/bgpit4.png (http://velimir-grgic.com/)


MILOŠ LONČAREVIĆ:
'Wyclef Jean nas je iznevjerio, a producenti prevarili'


Mladi beogradski humanitarac i snimatelj Miloš Lončarević koautor je jednog od najhvaljenijih dokumentarnih filmova današnjice, čuvenog 'Duhovi Cité Soleila'.
Film je nedavno promovirao i u Zagrebu, gdje smo popričali o Haitiju, bandama, poslovnim i političkim igrama te smrtnim opasnostima i rizicima snimanja ovog kino-hita.


http://i36.tinypic.com/mlye0.png (http://www.tportal.hr/showtime/film/40728/Wyclef-Jean-nas-je-iznevjerioc-a-producenti-prevarili.html)

[La Familia]

http://www.prisonplanet.com/images/august2009/250809top2.jpg


Fall of the Republic HQ full length version


Fall Of The Republic documents how an offshore corporate cartel is bankrupting the US economy by design. Leaders are now declaring that world government has arrived and that the dollar will be replaced by a new global currency. President Obama has brazenly violated Article 1 Section 9 of the US Constitution by seating himself at the head of United Nations' Security Council, thus becoming the first US president to chair the world body.
A scientific dictatorship is in its final stages of completion, and laws protecting basic human rights are being abolished worldwide; an iron curtain of high-tech tyranny is now descending over the planet. A worldwide regime controlled by an unelected corporate elite is implementing a planetary carbon tax system that will dominate all human activity and establish a system of neo-feudal slavery. The image makers have carefully packaged Obama as the world's savior; he is the Trojan Horse manufactured to pacify the people just long enough for the globalists to complete their master plan.

This film reveals the architecture of the New World Order and what the power elite have in store for humanity. More importantly it communicates how We The People can retake control of our government, turn the criminal tide and bring the tyrants to justice.

A film by Alex Jones
Category: Education


http://i35.tinypic.com/21nfx1t.png (http://www.youtube.com/watch?v=VebOTc-7shU)


Direktni download cijelog dokumentarca (DivX) (http://www.archive.org/download/falloftherepublic/20091021_OBAMA-FOTR.avi)

[La Familia]

TKO SE BOJI SCENARIJA JOŠ?


http://2.bp.blogspot.com/_Q3JthHcpqjg/SIywz7b49WI/AAAAAAAAAeE/ILKD6Cjr3PM/s1600/scripts%2Bstack.jpg


Students ask me how I learned the craft of screenwriting. I give the same answer that Walter Hill did:

"The usual story -- read a lot of scripts, saw every possible movie."

By and large, most folks seem to do a pretty good job on the 'seeing movie' front. But reading scripts? Not so much. I think I know why that's the case. When we think of "movies," we almost automatically think entertainment. And even if we students of screenwriting sit in a theater, checking our watch at every major plot, tracking subplots, and questioning story choices, on the whole the experience of watching a movie is entertaining. But when we consider reading a screenplay, my guess is that the first word that comes to most people's minds is work.

Well, that's true enough -- reading a screenplay is work. But you expected to play your way to the top of the screenwriting heap? Think of any other creative outlet: painting, sculpture, novels, poetry, acting, dance, violin, composing. Do you think that any of the people who succeed in creating a career in any of these fields got there without studying the subject matter at a granular level?

The simple fact is if you are really serious about learning the craft of screenwriting, you must read scripts. It is perhaps the single best way to drill down into the heart of the craft. It's one reason that so many script readers become successful screenwriters -- reading all those scripts, even bad ones, is a massive learning experience.

So here's something you can do to kick-start your screenplay reading habit: read 14 scripts in 14 days. I recommend this to my students often and the ones who've actually done it report back that it helped them immensely. Reading that many scripts in a compressed time provides a Gestalt grasp of the craft that you would not likely get any other way.

[Warning: old fart story ahead.]

Now way back when K-9 sold and I moved to LA, screenplays of existing movies were not that easy to find. I had to cobble together other screenwriters, my agents' assistants, and other fans of the craft into a kind of 'black market' of screenplays. This was especially true of the latest hot selling spec scripts like Basic Instinct and The Last Boyscout, but track them down I did. Trudging 5 miles every morning... through thick snowdrifts... in the pitch black... oh wait, that's another old fart story. My point is this: you're lucky! With a couple of clicks of your computer's mouse, you can tap into a universe of screenplays -- for free! My favorite screenplay hosting website is SimplyScripts.com, but there are plenty others.
-Scott Myers (http://www.blogger.com/profile/09012812457657155914)


Klik na fotku/poster za download scenarija:


http://deogloria.files.wordpress.com/2007/12/shawshank_redemption.jpg (http://www.dailyscript.com/scripts/shawshank.html)

http://www.lucasfan.com/store/bodyheat.jpg (http://www.dailyscript.com/scripts/BodyHeat.pdf)

http://www.movieposter.com/posters/archive/main/14/MPW-7344 (http://www.horrorlair.com/scripts/alien.html)

http://popcritics.com/movies/wp-content/uploads/2009/06/thelma-and-louise.jpg (http://www.weeklyscript.com/Thelma%20And%20Louise.txt)

http://richkleber.com/family/rich/moviereviews/moviereviews/movieimages/deadpoetssociety.jpeg (http://www.dailyscript.com/scripts/dead_poets_final.html)

http://tf.org/images/covers/network.jpg (http://sfy.ru/sfy.html?script=network)

http://stores.homestead.com/unitedindependentmedia/catalog/Memento-DVD.jpg (http://www.dailyscript.com/scripts/memento.html)

http://www.cityofhastings.org/parks/Special%20Events/Classic%20Movie%20Matinee/casablanca-poster.jpg (http://www.weeklyscript.com/Casablanca.txt)

http://www.ish-web.org/local/cms/3/images/platoon.jpg (http://www.weeklyscript.com/Platoon.txt)

[La Familia]

http://i33.tinypic.com/zt64wl.jpg (http://tengossip.com/wp-content/uploads/2009/09/natalie-portman-interview2.jpg)


Saturday Night Live - Natalie Raps


http://i38.tinypic.com/3536zx0.png (http://www.youtube.com/watch?v=v8e6-IeQ0aw)


:cerek::cerek::cerek:


My (kind of) girl!, :D

[La Familia]

At age 83, Gore Vidal remains a sharp provocateur, as irascible and irreverent as ever.

Antologijski must read intervju. Lud, deda je luuuuuud ko kupus :D

O Polanskom:

In September, director Roman Polanski was arrested in Switzerland for leaving the U.S. in 1978 before being sentenced to prison for raping a 13-year-old girl at Jack Nicholson’s house in Hollywood. During the time of the original incident, you were working in the industry, and you and Polanski had a common friend in theater critic and producer Kenneth Tynan. So what’s your take on Polanski, this many years later?

I really don’t give a fuck. Look, am I going to sit and weep every time a young hooker feels as though she’s been taken advantage of?

I’ve certainly never heard that take on the story before.

First, I was in the middle of all that. Back then, we all were. Everybody knew everybody else. There was a totally different story at the time that doesn’t resemble anything that we’re now being told.

What do you mean?

The media can’t get anything straight. Plus, there’s usually an anti-Semitic and anti-fag thing going on with the press – lots of crazy things. The idea that this girl was in her communion dress, a little angel all in white, being raped by this awful Jew, Polacko – that’s what people were calling him – well, the story is totally different now from what it was then

O američkim vrijednostima i Martinu Scorseseu:

What are “American values”?

Lying and cheating. There’s nothing better.

So you’re saying that a non-Jewish director wouldn’t have to worry about getting caught up in a sex crime scandal? Such a thing wouldn’t be an issue for Martin Scorsese?

Well, he’s an absolutely sexless director. Can you think of a sex scene that he ever shot?

:rofl::rofl::rofl:

Začinite si večer, dame i gospodo. Jedan i jedini - Gore Vidal!


http://i34.tinypic.com/2litn4w.png (http://www.theatlantic.com/doc/200910u/gore-vidal)

[La Familia]

Film International

http://www.atypon-link.com/na101/home/extenza/publisher/extenza/journals/covergifs/fiin/2009/7/1/cover.gif (http://www.atypon-link.com/INT/doi/pdf/10.1386/fiin.7.1.6)

http://i34.tinypic.com/w1mbb.png (http://www.atypon-link.com/INT/doi/pdf/10.1386/fiin.7.1.6)

http://i33.tinypic.com/4szfav.png (http://www.atypon-link.com/INT/doi/pdf/10.1386/fiin.7.1.16)

http://i36.tinypic.com/2r38fop.png (http://www.atypon-link.com/INT/doi/pdf/10.1386/fiin.7.1.28)

http://i33.tinypic.com/4gs12h.png (http://www.atypon-link.com/INT/doi/pdf/10.1386/fiin.7.1.56)

[La Familia]

TKO SE BOJI SCENARIJA JOŠ?


http://2.bp.blogspot.com/_Q3JthHcpqjg/SIywz7b49WI/AAAAAAAAAeE/ILKD6Cjr3PM/s1600/scripts%2Bstack.jpg


Students ask me how I learned the craft of screenwriting. I give the same answer that Walter Hill did:

"The usual story -- read a lot of scripts, saw every possible movie."

By and large, most folks seem to do a pretty good job on the 'seeing movie' front. But reading scripts? Not so much. I think I know why that's the case. When we think of "movies," we almost automatically think entertainment. And even if we students of screenwriting sit in a theater, checking our watch at every major plot, tracking subplots, and questioning story choices, on the whole the experience of watching a movie is entertaining. But when we consider reading a screenplay, my guess is that the first word that comes to most people's minds is work.

Well, that's true enough -- reading a screenplay is work. But you expected to play your way to the top of the screenwriting heap? Think of any other creative outlet: painting, sculpture, novels, poetry, acting, dance, violin, composing. Do you think that any of the people who succeed in creating a career in any of these fields got there without studying the subject matter at a granular level?

The simple fact is if you are really serious about learning the craft of screenwriting, you must read scripts. It is perhaps the single best way to drill down into the heart of the craft. It's one reason that so many script readers become successful screenwriters -- reading all those scripts, even bad ones, is a massive learning experience.

So here's something you can do to kick-start your screenplay reading habit: read 14 scripts in 14 days. I recommend this to my students often and the ones who've actually done it report back that it helped them immensely. Reading that many scripts in a compressed time provides a Gestalt grasp of the craft that you would not likely get any other way.

[Warning: old fart story ahead.]

Now way back when K-9 sold and I moved to LA, screenplays of existing movies were not that easy to find. I had to cobble together other screenwriters, my agents' assistants, and other fans of the craft into a kind of 'black market' of screenplays. This was especially true of the latest hot selling spec scripts like Basic Instinct and The Last Boyscout, but track them down I did. Trudging 5 miles every morning... through thick snowdrifts... in the pitch black... oh wait, that's another old fart story. My point is this: you're lucky! With a couple of clicks of your computer's mouse, you can tap into a universe of screenplays -- for free! My favorite screenplay hosting website is SimplyScripts.com, but there are plenty others.
-Scott Myers (http://www.blogger.com/profile/09012812457657155914)


Klik na fotku/poster za download scenarija:


http://i37.tinypic.com/15p1zkg.png (http://www.dailyscript.com/scripts/whenharrymesally.pdf)

http://www.users.muohio.edu/stevenhk/pictures/WhenHarryMetSally.jpg (http://www.dailyscript.com/scripts/whenharrymesally.pdf)

http://www.nightwalk.gr/nightwalk/cinema/DOUBLE%20INDEMNITY.jpg (http://www.weeklyscript.com/Double%20Indemnity.txt)

http://www.ramchandra.me.uk/blog/archives/2006/11/pan.jpg (http://www.dailyscript.com/scripts/PansLabyrinthEnglishScreenplay.pdf)

http://stallionbackups.co.uk/images/sideways.jpg (http://www.weeklyscript.com/Sideways.txt)

http://www.movieposter.com/posters/archive/main/23/A70-11582 (http://www.weeklyscript.com/Traffic.txt)

[La Familia]

http://i37.tinypic.com/33u8wo6.jpg (http://www.oktober.no/var/ezwebin_site/storage/images/forfattere/utenlandske/ellroy_james/20042-1-nor-NO/ellroy_james.jpg)

Za sve koje ne znaju, od sutra je u prodaji dugoočekivani "Blood's A Rover".

Few weeks later...

Stoji mi već par tjedana na stolu, nisam ga stigao otvoriti. Ali mi se zadnjih nekoliko dana itinerar iznenada ispraznio i tako gledam ja njega, gleda on mene, ali i dalje ga se ne ufam otvoriti. Jer onda ću ga pročitati, a zatim - što? Čekati sljedeće desetljeće, ako? Ali danas rekoh, ajmo. I uzeo, počeo i njegov sam. Nema, odmah u glavu, odmah te uvuče. Car. :s:s:s


James Ellroy on his ultimate masterpiece, BLOOD'S A ROVER


http://i36.tinypic.com/2qcfdwx.png (http://www.youtube.com/watch?v=zCSGrwqIszk)


http://i35.tinypic.com/29ql66s.png (http://www.ellroy.com/)

http://i35.tinypic.com/ie4kd3.png (http://scan.net.au/scan/journal/display.php?journal_id=112)

http://i37.tinypic.com/fehy09.png (http://www.identitytheory.com/people/birnbaum13.html)


The Salon Interview

Ellroy discusses his mother's death and its impact on his work.

http://i36.tinypic.com/2zfvbkk.png (http://www.salon1999.com/dec96/interview961209.html)


Ostalo linkovlje:


Beatrice.com interview
Ellroy discusses his books and "the death of Noir". (http://www.beatrice.com/interviews/ellroy/)

CNN Article
Ellroy covers the national conventions for GQ. (http://www.cnn.com/2000/books/news/08/15/ellroy.confidential/index.html)

Barnes & Noble Ellroy Page Some interesting biographical info. (http://shop.barnesandnoble.com/booksearch/authorInfo.asp?authorCode=152715&userid=2UDBJKWBYI&mscssid=UNJ8RHTE1SSH2N0F0017QRP401H85G8D&pcount=0&srefer=)

Demon Dog Central
A great source for articles on Ellroy. (http://www.richmondreview.co.uk/features/ellroy.html)

Crime Magazine Article
A short article written 10/16/99. (http://crimemagazine.com/Crime%20Books/ellroy.htm)

Ellroy Confidential
The most comprehensive Ellroy site I've come across. (http://www.edark.org/ellroy/english)

Vintage Books Interview
The author talks about My Dark Places. (http://www.randomhouse.com/vintage/ellroy/qna.html)

Black Dahlia Article
An article on Elizabeth Short written by Marilyn Bardsley, as featured in Crimelibrary. Ellroy receives a mention. (http://www.crimelibrary.com/dahlia/doll.htm)

"Books for the Manson Family: James Ellroy" by Raymond Dussault (http://www.ellroy.com/mansonfamily.htm)

Ellroy on The Cold Six Thousand (http://www.ellroy.com/interview.htm)


Videos


Ellroy's Speech at USC
(Real Player file - 150KPS) (http://www.usc.edu/schools/annenberg/events/990309_americanvoices/990309.ram)

James Ellroy interview 1997 (http://www.youtube.com/watch?v=BSifaJk54rE)

James Ellroy on love and blood (http://downloads.economist.feedroom.com/podcast/t_assets/20090930/20090929_ellroy_2_43SA.mp4?cid=42a1f6d8108abdb332b 7fca160804772fc91a79c&pid=ea9033f59c3fcd8bb38250b03ccc1f6d56b10c82&sid=5d110ffc9a2a67c6037d46ef22c9ab85899b519a&site=economist)


Audio

Ellroy's Interview with Boxoffice Magazine
(Real Player file - 16KPS) (http://www.boxoff.com/sept97story1.html#jamesellroyinterview)


Sistemom spojenih posuda:


L.A. CONFIDENTIAL (1997) Screenplay by Brian Helgeland (http://www.imdb.com/name/nm0001338/)

(klik na fotku/poster za download)

http://www.crankycritic.com/archive/posters/laconfidential.jpg (http://www.mediafire.com/download.php?g4tgn2tdjmz)

[Jason]

lol , Otkad je warez linking dozvoljen na forum.hr ?

[La Familia]

lol , Otkad je warez linking dozvoljen na forum.hr ?

Nije ovo nikakav kurtzhevi warez linking, nemoj provocirati :kava: Sve je copyright free, a svi postani scenariji/knjige su pod DISCLAIMEROM: The following screenplays/books are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended (i, kao takvi, dostupni svugdje na mreži).

Kaj ti nije jasno, mili? :ne zna: Imaš dolje chat za provokacije btw, :kava:

[Jason]

Nije ovo nikakav kurtzhevi warez linking, nemoj provocirati :kava: Sve je copyright free, a svi postani scenariji/knjige su pod DISCLAIMEROM: The following screenplays/books are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended (i, kao takvi, dostupni svugdje na mreži).

Kaj ti nije jasno, mili? :ne zna: Imaš dolje chat za provokacije btw, :kava:

Ooops. My bad , mislio sam da je ovo L.A. CONFIDENTIAL download link za film a ne knjigu.

Sorry. :lol:

[La Familia]

Ooops. My bad , mislio sam da je ovo L.A. CONFIDENTIAL download link za film a ne knjigu.

Sorry. :lol:

Opet krivo, link je za scenarij (nažalost, knjiga nigdje na webu nije dostupna u copyright free varijanti, niti za nju važe bilo kakvi disclaimeri). Kao što rekoh, koristi, molim te, chat za ovakve upade u frekvenciju.

[La Familia]

Enter at Your Own Risk: The Scariest Movie Locations of All Time
by Matt Zoller Seitz (http://www.thelmagazine.com/newyork/ArticleArchives?author=1152779)


There's something inherently spooky about the establishing shot: we're approaching someplace we've never been before—whether through killer-cam, point-of-view or objective perspective, and whether glimpsed from a distance or walked through for the first time, it's that sense of uncertainty that unites these views of some of the most iconic locations of cinematic trauma, whether that location is an old dark house, a motel, a mansion on a hill, a church, a split-level, a torture chamber or a spaceship. See how many you recognize in our video essay, then tell us what we missed in the comments. Happy Halloween, everyone.


http://i36.tinypic.com/33ytg1s.png (http://blip.tv/file/2779398/)

[La Familia]

http://looker.typepad.com/.a/6a00d8341caadc53ef0120a68f91b9970c-pi (http://looker.typepad.com/looker/)

[La Familia]

http://i36.tinypic.com/23w33g7.jpg


Watch This: Kevin Spacey's Uncanny Knack for Impersonations


Kevin Spacey is a talented actor, there's no denying that, but who knew that the man of a million characters was also a man of a million impersonations? Oh, you did? Well, you must have already seen Spacey's appearance on James Lipton's "Inside the Actor's Studio" from back in July of 2000. Or maybe you saw him in his great "Saturday Night Live" skit in which he does Christopher Walken auditioning for the role of Han Solo in Star Wars.

Okay, so maybe it's no big secret that the man who blindsided moviegoers in The Usual Suspects has a special talent for camouflaging himself in the skin of his acting peers, but it's new to me, and that means it's bound to be new to someone else. Below is a clip from Spacey's aforementioned trip to the "Actor's Studio" in which he goes along with a silly game of Lipton's. What follows are six of the most charming minutes you're bound to see all day, I promise.

Tons of people can do a Walken voice, but I've seen few impersonators who can not only tackle the audio side of things, but who can nail the mannerisms of their targets to boot. Yet along comes Spacey to absolutely kill it when it comes to capturing the characteristic nervous twitches of Jimmy Stewart, the shaky indignation of Katharine Hepburn, and the riled, restless behavior of Al Pacino. Those aren't the only thespians he channels on the spot, but to give away all of them would be to ruin the surprises that show off the playful side of Kevin Spacey, a side most might know he has judging purely from his dramatic roles.

Enjoy the video after the jump.


http://i34.tinypic.com/mou3o.png (http://www.youtube.com/watch?v=bKKDKAKNH-k)


Oh, and as a bonus, click here (http://www.youtube.com/watch?v=7-dtxpnjbkE) to watch Spacey doing Walken doing Han Solo.


:rofl::rofl::rofl:


Speechless. Samo je jedan Kevin THE Spacey.

[La Familia]

http://i37.tinypic.com/2iulpf.jpg (http://www.cinemasterpieces.com/alien428.jpg)


Slavoj Žižek on Ridley Scott's Alien


Slavoj Žižek speculates that psychoanalyst Jacques Lacan's concept of the lamella resembles the monstrous creature of Ridley Scott's horror masterpiece, Alien:

Lacan’s description not only reminds one of the nightmare creatures in horror movies; more specifically, it can be read, point by point, as describing a movie shot more than a decade after he wrote those words, Ridley Scott’s Alien. The monstrous “alien” in the film so closely resembles Lacan’s lamella that it cannot but evoke the impression that Lacan somehow saw the film before it was even made. Everything Lacan talks about is there: the monster appears indestructible; if one cuts it into pieces, it merely multiplies; it is something extra-flat that all of a sudden flies off and envelops your face; with infinite plasticity, it can morph itself into a multitude of shapes; in it, pure evil animality overlaps with machinic blind insistence. The “alien” is effectively libido as pure life, indestructible and immortal.


http://i35.tinypic.com/nloprb.png (http://www.lacan.com/essays/?p=180)


ALIEN SCREENPLAY COLLECTION


http://neatorama.cachefly.net/images/2007-02/alien-poster.jpg (http://www.mediafire.com/download.php?m5mykfmoynx)

ALIENS (1986) (http://www.mediafire.com/download.php?zmhny21cgny)
ALIEN 3 (1993) (http://www.mediafire.com/download.php?zoykoyzift0)
ALIEN RESSURECTION (1997) (http://www.mediafire.com/download.php?zlyejntgzw1)

[La Familia]

Welcome to the only authentic and official website of Werner Herzog


http://i36.tinypic.com/16kxh95.png (http://www.wernerherzog.com/main/index.htm)

[La Familia]

11 Scariest Horror Movies of All Time
by Martin Scorsese


Prehebena lista. Ako nećemo vjerovati Martinu, kome ćemo? :D


http://i35.tinypic.com/oiry2t.png (http://www.thedailybeast.com/blogs-and-stories/2009-10-28/martin-scorseses-top-11-horror-films-of-all-time/full/)

[La Familia]

DISCLAIMER:

The following book(s) are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended.


Klik na prvu fotku/cover knjige za download:


http://i37.tinypic.com/29lnsl0.png (http://www.filefront.com/14829289/******%20Masters%20of%20Japanese%20Film.pdf)

http://i33.tinypic.com/o70ho4.png

http://i35.tinypic.com/2heekup.png

[La Familia]

http://i35.tinypic.com/34o52sw.jpg (http://www.cinemasterpieces.com/apics2008/lmy09.jpg)


George Lucas On American Zoetrope & How THX-1138 Got Made


http://i36.tinypic.com/152hwg1.png (http://www.youtube.com/watch?v=r-M9XAuhXcE&feature=sdig&et=1256824743.2)


AFI (Life Achievement Award)—Tribute to George Lucas (FULL)


http://i33.tinypic.com/sea7mp.png (http://v.youku.com/v_show/id_XNDkxNzkyNDQ=.html)


:jumping:


Charlie Rose - GEORGE LUCAS (FROM 9/9/04)


http://i37.tinypic.com/29xgcpj.png (http://video.google.com/videoplay?docid=-3615867484840947157&ei=sm7rSou0Iqem2AKGjvGDDw&q=George+Lucas#)


George Lucas is honored for his global vision at the World Affairs Council's Annual Dinner 2006. He is the first in the Richard and Judith Guggenhime Series. George Lucas.


http://i33.tinypic.com/et8shg.png (http://fora.tv/2006/03/22/George_Lucas)


http://i33.tinypic.com/16itrb9.png (http://www.researchchannel.org/prog/displayevent.aspx?fID=571&rID=3406)


THE DOKUMENT:

What may be a holy grail of Indiana Jones artifacts was posted online on Monday: a 125-page transcript of the original story-conference meeting involving producer George Lucas, director Steven Spielberg, and writer Lawrence Kasdan. The blog, Mystery Man on Film, somehow got its hands on the alleged transcript, which features the filmmakers talking at great length in January 1978 about what would eventually become Raiders of the Lost Ark. The thing's a pure joy to read. In it, you can find the genesis of everything from Indiana Jones' name to his fear of snakes to his (possibly risque) romantic history with Marion Ravenwood. (http://mysterymanonfilm.blogspot.com/2009/03/raiders-story-conference.html)

[La Familia]

http://i35.tinypic.com/ao7tk3.jpg (http://osecunda.com/blog/wp-content/gallery/photographic-legends/dfl_023_steven_spielberg_0.jpg)


Turner Classic Movies to Air Steven Spielberg Documentary


In Turner Classic Movies' (TCM) new documentary Spielberg on Spielberg, premiering Monday, July 9, at 8 p.m. (ET)/9 p.m. (PT), two-time Best Director Oscar winner Steven Spielberg discusses his meteoric rise to success in Hollywood, as well as the motion pictures that took him there. The 90-minute special, which features exclusive and detailed interviews with arguably the most popular and influential director of his time, is produced by Richard Schickel, who created similar programs on Woody Allen and Martin Scorsese. The premiere of Spielberg on Spielberg will be followed on TCM by Close Encounters of the Third Kind, which earned him his first Oscar nomination, and Jaws.

With the man himself as viewers' personal guide, Spielberg on Spielberg charts a path through the amazing and diverse canon that represents Spielberg's body of work. Spielberg has never recorded an audio commentary track for the home video releases of any of his movies, which makes this film an exclusive opportunity to hear this remarkable director speak candidly about his films.

Francis Ford Coppola, George Lucas and Martin Scorsese, while not featured in the film, offer insight into their esteemed colleague-and very good friend:

Martin Scorsese on Spielberg:

"I once came across an interview with Jack Nicholson in which he mentioned that he kept a book in his house of drawings by his invited guests. And I remember Jack's amazement at a drawing done by Steven. He said this simple drawing -- of a truck crashing through the center of a valentine, I believe -- made you think: "Wow, this guy's a born moviemaker!" So true.

When you're looking at Steven's extraordinary images up there on the screen, that's the impression you have. You simply can't imagine this man doing anything but making movies. He was born with a viewfinder clutched in his fist and only he can mount pictures on a screen with such precision and sweeping grandeur.

Steven and I came into movies together, and we've shared a lot over the years, as friends, as movie lovers, and as filmmakers. But I never cease to marvel at his evolution as a storyteller, and at the powerful beauty of his films."

Francis Ford Coppola:

"There are so many things I could say about Steven Spielberg, his prodigious talent, inventiveness, the sheer joy he employs in the pursuit of cinema; but perhaps equally impressive, is his support of new talent, and the kindness and warmth he employs in the pursuit of friendship."

George Lucas:

"Steven is the consummate filmmaker. He has an extraordinary ability to make brilliant movies -- brilliantly artistic, brilliantly entertaining, and brilliantly successful. Steven's genius is that he knows, innately, how to communicate through film. He is one of the few directors I know who can actually edit in his head while he is filming. And as much as I admire him as a filmmaker, I equally admire him as a humanitarian. The Shoah Foundation, which Steven started to ensure that no one would forget the Holocaust, has filmed testimonials from more than 52,000 victims. A staggering achievement."


Napomena: Sve u kompletu, slika&zvuk odlični. Uživajte.


http://i35.tinypic.com/dw7ss7.png (http://v.youku.com/v_show/id_XMzM4NDgyNTI=.html)

[La Familia]

While browsing the web for trivial tidbits, I struck the jackpot with a resource of quotes from the man himself; each soundbite is like a spark illuminating just a little more of Lynch's unique philosophy of life. Every key issue is discussed: from body bags to ants to surrealism to jazz to coffee to film noir to mounds of dirt. It's worth fifteen minutes of anybody's time.


http://i36.tinypic.com/k0t6hh.png (http://www.thecityofabsurdity.com/quotecollection/index.html)

[La Familia]

http://i38.tinypic.com/egxopy.jpg (http://www.monitor.hr/vijesti/forum-hr-samo-za-okorjele-filmske-entuzijaste/130408/)


INDEX


http://i34.tinypic.com/r76lxl.jpg
http://photos1.blogger.com/blogger/2394/1195/400/Zero.jpg


Napomena: Ovo je samo za prvu silu/lakše snalaženje. Svi postovi na temi u narednih će nekoliko dana biti kategorizirani/abecedno složeni. Nadalje, link na index topica kanim uglaviti u potpis (iznad maila), opet radi vašeg lakšeg snalaženja.


http://photos1.blogger.com/blogger/2394/1195/400/One.jpg


Uvod
-125-page transcript of the original story-conference meeting involving producer George Lucas, director Steven Spielberg, and writer Lawrence Kasdan
-MakingOf
-1965 video interview with the great screenwriter-director Federico Fellini
-Part One of a documentary on Fellini
-John Ford – Man, Myth, & Legend
A massive free online special section in the new issue of Undercurrent
(http://www.forum.hr/showpost.php?p=22392729&postcount=1)

MakingOf:
-Director Darren Aronofsky discusses the ins and outs of his screenwriting strategy.
-Marc Forster discusses the challenges of taking the reigns of the Bond franchise with Quantum of Solace.
-Natalie Portman on Acting (bez šminke, The Sweetest Thing).
-On the Importance of Personal Aesthetics by Ron Howard
-Peter Jackson's new film 'The Lovely Bones' Production Featurette.
(http://www.forum.hr/showpost.php?p=22393473&postcount=2)

Hitchcock video interview from 1964 (http://www.forum.hr/showpost.php?p=22395660&postcount=3)

A sensational five-part series, “Zen Pulp”, on the TV shows and films of Michael Mann. (http://www.forum.hr/showpost.php?p=22396021&postcount=4)

Video Interview -- Woody Allen
Here's a rarity: An interview with Woody Allen from 1971. (http://www.forum.hr/showpost.php?p=22399753&postcount=6)

One on One - Oliver Stone - 13 Mar 09
Dinner for Five: Kevin Smith, Stan Lee, J.J. Abrams (http://www.forum.hr/showpost.php?p=22400682&postcount=7)

Kieslowski - The Cinema Lesson (http://www.forum.hr/showpost.php?p=22401435&postcount=9)

BBC documentary on "Once Upon a Time in the West" (http://www.forum.hr/showpost.php?p=22401751&postcount=10)

George Lucas Vs. Frank Darabont
Indiana Jones And The City Of The Gods Screenplay by Frank Darabont (http://www.forum.hr/showpost.php?p=22402459&postcount=11)

Orson Welles on Citizen Kane and Rosebud
Aaron Sorkin On Character Development
Ron Howard on Directing (http://www.forum.hr/showpost.php?p=22405512&postcount=12)

Rosy - fingered dawn (Terrence Malick) (http://www.forum.hr/showpost.php?p=22411495&postcount=13)

Video interview: Shawn Lawrence Otto
Interesting Vancouver-based website called MovieSet
Paul Sorvino Interview - The Irishman
MovieSet Spotlight: ‘It Might Get Loud’
Voice Acting Sessions from Tim Burton’s animated ‘9′
Check out this Behind The Scenes Clip of Inglourious Basterds featuring Mike Myers. (http://www.forum.hr/showpost.php?p=22411903&postcount=14)

Video Interview: James L. Brooks
Approximately 5 hours of interviews with James L. Brooks.
Matt Groening and James L. Brooks Talk with Charlie Rose (http://www.forum.hr/showpost.php?p=22412840&postcount=16)

The one and only - John Milius
'Apocalypse' writer: Most scripts today 'are garbage' (CNN)
Apocalypse Now - Helicopter Attack- Kilgore
Jaws The Indianapolis Speech
Do You Feel Lucky? (http://www.forum.hr/showpost.php?p=22414943&postcount=18)

Grizzly Man 1/11 (http://www.forum.hr/showpost.php?p=22416833&postcount=19)

Video interview: Beyond Words 2009
Video interview: Peter Morgan and Ron Howard ("Frost/Nixon")
Frost_Nixon - Frank Langella Press Interview (http://www.forum.hr/showpost.php?p=22418510&postcount=20)

DOKUMENTARAC (full):
The Cutting Edge: The Magic of Movie Editing (http://www.forum.hr/showpost.php?p=22419203&postcount=21)

Kratki interview iz 2007.g. s Kurtom Russellom (http://www.forum.hr/showpost.php?p=22422744&postcount=22)

In memoriam Vanja Drach (http://www.forum.hr/showpost.php?p=22422883&postcount=23)

The Coen Brothers Big Lebowski video interview (http://www.forum.hr/showpost.php?p=22424236&postcount=24)

Seize the day boys, make your lives extraordinary.
Munich - Spielberg speaks about movie
Interviews: Joel & Ethan Coen
Video Interview: Charles Kaufman (Synecdoche, New York) (http://www.forum.hr/showpost.php?p=22427317&postcount=25)

Andrew Stanton (PIXAR) - transcript - Keynote, Screenwriting Expo 5 (2006), "Understanding Story: or My Journey of Pain" (http://www.forum.hr/showpost.php?p=22428655&postcount=26)

Acting Lessons: Philip Seymour Hoffman (http://www.forum.hr/showpost.php?p=22429482&postcount=27)

First Clash of the Titans Remake Footage (http://www.forum.hr/showpost.php?p=22429579&postcount=28)

Leon The Profesional (http://www.forum.hr/showpost.php?p=22433178&postcount=29)

Tko se boji scenarija još? (prvi dio)
Kolekcija scenarija (http://www.forum.hr/showpost.php?p=22435063&postcount=30)

Philip Seymour Hoffman Interview – THE SAVAGES
INTERVIEW: Philip Seymour Hoffman on "Capote"
Doubt: Meryl, Philip, Amy and Viola(HQ) (http://www.forum.hr/showpost.php?p=22437751&postcount=33)

Video interview: Paul Thomas Anderson
Magnolia Scenarij (http://www.forum.hr/showpost.php?p=22438496&postcount=34)

Michael Mann's The Insider -- Favourite scene -- Screenplay by Eric Roth -- Michael Mann Analysis -- The Insider - Soundtrack (prvi dio) (http://www.forum.hr/showpost.php?p=22440761&postcount=35)

Ingmar Bergman - BBC Documentarie Interview (http://www.forum.hr/showpost.php?p=22441667&postcount=36)

Great Scenes: "Sideways"
INTERVIEW: Director Alexander Payne on "Sideways"
Sideways Screenplay (http://www.forum.hr/showpost.php?p=22445432&postcount=37)

Luđaci koje volimo: Joe Eszterhas
DOKUMENTARAC: Mračna strana slave - Mickey Rourke (http://www.forum.hr/showpost.php?p=22448404&postcount=39)

Martin Marcantonio Luciano Scorsese
Getting Made: The Making of 'GoodFellas'
The Making of Taxi Driver
Making of Raging Bull (http://www.forum.hr/showpost.php?p=22450586&postcount=40)


http://photos1.blogger.com/blogger/2394/1195/400/Two.jpg


Video interview: David Lynch
Dennis Hopper The Heavy Weirdo In Blue Velvet (http://www.forum.hr/showpost.php?p=22452113&postcount=41)

Video interview: Francois Truffaut and Bernard Revon (http://www.forum.hr/showpost.php?p=22452873&postcount=42)

Video interview: Billy Wilder
Kako su Cameron Crowe i Tom Cruise snubili Billyja Wildera (http://www.forum.hr/showpost.php?p=22455681&postcount=43)

THE PERVERT'S GUIDE TO CINEMA by Slavoj Žizek (http://www.forum.hr/showpost.php?p=22459975&postcount=44)

Tko se boji scenarija još? (drugi dio)
Kolekcija scenarija:
-Crash (2004)
-American Beauty (1999)
-The Matrix (1999) (http://www.forum.hr/showpost.php?p=22470024&postcount=45)

Video Interview kompilacija: jedna i jedina - Diablo Cody
JUNO Screenplay (http://www.forum.hr/showpost.php?p=22472493&postcount=46)

MakingOf kolekcija (http://www.forum.hr/showpost.php?p=22474085&postcount=47)

DOKUMENTARAC: Hearts of Darkness: A Filmmaker's Apocalypse (1991) (http://www.forum.hr/showpost.php?p=22475863&postcount=48)

Web preporuke: službene web stranice poznatih filmaša (http://www.forum.hr/showpost.php?p=22480759&postcount=50)

I live my life or I end my life with this project.
— Werner Herzog, Burden of Dreams
Werner Herzog on Henry Rollins' Show
Werner Herzog on images, TV, and shoes (http://www.forum.hr/showpost.php?p=22480964&postcount=51)

Web preporuke:
Mystery Man (http://www.forum.hr/showpost.php?p=22486270&postcount=52)

Video interview: Paul Haggis (Crash, Million Dollar Baby, Casino Royale)
Paul Haggis - print interviews (http://www.forum.hr/showpost.php?p=22491982&postcount=53)

Redbelt - David Mamet Exclusive On Set Interview
David Mamet Print Interview
Screenplays by David Mamet (http://www.forum.hr/showpost.php?p=22493586&postcount=55)

"The Texas Chainsaw Massacre was where I really saw film as an art form." (http://www.forum.hr/showpost.php?p=22494736&postcount=56)

Andrei Tarkovsky Video interview
Knjige (http://www.forum.hr/showpost.php?p=22498478&postcount=58)

Video Interview: John Milius
Screenwriter John Milius on Apocalypse Now
Milius, filming Dirty Harry: "I want one of those guns"
Wind and the Lion screenwriter, John Milius
Neprocjenjivo: Moving Pictures: Oliver Stone & John Milius
John Milius AN Screenplay (http://www.forum.hr/showpost.php?p=22502517&postcount=59)

Quentin Tarantino
Reservoir Dogs Music video
Quentin Tarantino On Inglourious Basterds
QT na setu Gadova
Best of web: Godamongdirectors ("The coolest web [site]" -Quentin Tarantino)
Knjige
Scenariji (http://www.forum.hr/showpost.php?p=22504027&postcount=60)

Zeitgeist, The Movie - Remastered / Final Edition (http://www.forum.hr/showpost.php?p=22504971&postcount=61)

Screenwriter/Producer Christopher McQuarrie
Usual Suspects Lineup
The Usual Suspects - Behind the scenes
The Usual Suspects - "Fenster" (Benicio Del Toro)
"Valkyrie" - Interview with Christopher McQuarrie
The Usual Suspect Screenplay (http://www.forum.hr/showpost.php?p=22510193&postcount=64)

Najbolji dijalozi... A Few Good Man
Screenplay by Aaron Sorkin (http://www.forum.hr/showpost.php?p=22510930&postcount=65)

Jedan na Jedan (http://www.forum.hr/showpost.php?p=22512587&postcount=66)

DOKUMENTARAC: Room 666 (http://www.forum.hr/showpost.php?p=22515827&postcount=68)

DOKUMENTARAC: Stanley Kubrick - Life and Filmography (http://www.forum.hr/showpost.php?p=22516322&postcount=69)

Stanley Kubrick - The Making of Shining (http://www.forum.hr/showpost.php?p=22517234&postcount=70)

Yes We Can - Kamere u ruke! (http://www.forum.hr/showpost.php?p=22518089&postcount=71)

Stanley Kubrick -- Scenariji (http://www.forum.hr/showpost.php?p=22519389&postcount=73)

Stanley Kubrick (1928-1999) -- Ostalo (http://www.forum.hr/showpost.php?p=22519527&postcount=74)

Marlon Brando interview 1965 (http://www.forum.hr/showpost.php?p=22521197&postcount=75)

DOKUMENTARAC: Martin Scorsese: "THE DIRECTORS"
Martin Scorsese's Favorite Films (http://www.forum.hr/showpost.php?p=22523765&postcount=78)

Tko se boji scenarija još? (http://www.forum.hr/showpost.php?p=22525981&postcount=80)


http://photos1.blogger.com/blogger/2394/1195/400/Three.jpg


Web preporuka: DGA intervjui (http://www.forum.hr/showpost.php?p=22529724&postcount=83)

Written by (http://www.forum.hr/showpost.php?p=22532089&postcount=84)

DOKUMENTARAC: Steve McQueen: The Essence of Cool (2005) (http://www.forum.hr/showpost.php?p=22535283&postcount=87)

DOKUMENTARAC: I'm Almost Not Crazy - John Cassavetes - The Man and His Work (1984) (http://www.forum.hr/showpost.php?p=22536305&postcount=89)

Ralph Fiennes - Inside the Actors Studio (http://www.forum.hr/showpost.php?p=22537818&postcount=92)

Inside the Actors Studio (http://www.forum.hr/showpost.php?p=22538819&postcount=93)

DOKUMENTARAC: Carts of Darkness (http://www.forum.hr/showpost.php?p=22541284&postcount=94)

DOKUMENTARAC: Religulous (2008) (http://www.forum.hr/showpost.php?p=22541817&postcount=96)

Web preporuke: FORA TV (http://www.forum.hr/showpost.php?p=22543749&postcount=97)

Alfred Hitchcock Presents: The Cheney Vase (http://www.forum.hr/showpost.php?p=22545372&postcount=98)

Vanity Fair: The Lost Tycoons (http://www.forum.hr/showpost.php?p=22546037&postcount=99)

SJAJNA KOLEKCIJA DOKUMENTARACA BY PACIFICIST:
"Hollywood: Pioneers"
"Hollywood: The early years"
"Hollywood: Early scandals"
"Hollywood: Star treatment"
"Hollywood: End of an era"
"Hollywood: Early cameramen"
"Hollywood: Early comedy"
1920's Silent Hollywood: Sound the end of an era"
"Hollywood without make-up"
"Hollywood Mavericks" (http://www.forum.hr/showpost.php?p=22548157&postcount=100)

The Legend Of David - FULL MOVIE (http://www.forum.hr/showpost.php?p=22548347&postcount=102)

DOKUMENTARAC: The Obama Deception
Project Camelot Interviews David Icke
The Fun Starts Here (http://www.forum.hr/showpost.php?p=22549844&postcount=108)

Milcho Manchevski službeni web
Prije Kiše - Scenarij (http://www.forum.hr/showpost.php?p=22557739&postcount=117)

MakingOf (http://www.forum.hr/showpost.php?p=22559283&postcount=118)


http://photos1.blogger.com/blogger/2394/1195/400/Four.jpg


DOKUMENTARCI:
Kurosawa: The Last Emperor
George Lucas on Kurosawa
Akira Kurosawa: Influences and Influence (http://www.forum.hr/showpost.php?p=22560147&postcount=121)

Film studies - PhD dissertations, pack 21 (David Lynch) by PACIFICIST (http://www.forum.hr/showpost.php?p=22560249&postcount=122)

PIXAR (http://www.forum.hr/showpost.php?p=22562216&postcount=124)

Herzog (http://www.forum.hr/showpost.php?p=22562289&postcount=125)

PARALLAX VIEW:
Archive for category: Werner Herzog
Archive for category: Essays
Archive for category: Francis Ford Coppola
Archive for category: Jean Renoir (http://www.forum.hr/showpost.php?p=22567131&postcount=126)

Storaro (http://www.forum.hr/showpost.php?p=22567899&postcount=127)

Internet Archive (http://www.forum.hr/showpost.php?p=22568962&postcount=128)

DOKUMENTARAC O SUNCU:
Frank Capra Productions (http://www.forum.hr/showpost.php?p=22569168&postcount=130)

WHY WE FIGHT, the new film by Eugene Jarecki which won the Grand Jury Prize at the 2005 Sundance Film Festival (klikni i gledaj) (http://www.forum.hr/showpost.php?p=22569318&postcount=131)

Eraserhead
David Lynch, filmmaker; Fred Tavis, neuroscientist, Maharishi University; John Hagelin, physicist, Maharishi University
Audio bonus ludnica
Web
Scenariji
Knjige (http://www.forum.hr/showpost.php?p=22569607&postcount=132)

DOKUMENTARAC:
The Hollywood Style (http://www.forum.hr/showpost.php?p=22573109&postcount=133)

ROBERT REDFORD: The Filmmaker as Historian (1994) (http://www.forum.hr/showpost.php?p=22573511&postcount=134)

Film studies - PhD dissertations, pack 20 (David Cronenberg) by Pacificist:
-David Cronenberg as mythmaker: An archetypal interpretation of his films, 1975-1991
-David Cronenberg's body-horror films and diverse embodied spectators
Fictions of faraway places: Travel, exoticism, and cinema from high imperialism to global culture
-Masculinity and processes of intersubjectivity in the films of David Cronenberg
-The death drive: Cronenberg, Ondaatje, Gould
-The horrors of pleasure and the pleasures of horror in David Cronenberg's cinema
-The pelvic exam as performance: Power, spectacle, and gynecology
-Typology and the promised land in twentieth-century inter-American literature and film (http://www.forum.hr/showpost.php?p=22574971&postcount=136)

18 Rare And Unseen Star Wars Shots (http://www.forum.hr/showpost.php?p=22575404&postcount=138)

O Shakespeareu i "Hamletu" na filmu (http://www.forum.hr/showpost.php?p=22577669&postcount=140)

Commercials By Movie Directors (http://www.forum.hr/showpost.php?p=22588067&postcount=159)

DOKUMENTARAC:
Torpedo Squadron 8 by John Ford (1942) (http://www.forum.hr/showpost.php?p=22588207&postcount=160)


http://photos1.blogger.com/blogger/2394/1195/400/Five.jpg


Reklame by Kar Wai Wong (http://www.forum.hr/showpost.php?p=22588251&postcount=161)

Web preporuka: Cameron Crowe (http://www.forum.hr/showpost.php?p=22593773&postcount=164)

CINEMASCOPE (http://www.forum.hr/showpost.php?p=22599424&postcount=165)

Ne tako obični video intervjui (http://www.forum.hr/showpost.php?p=22605451&postcount=167)

Kathryn Bigelow
The Hurt Locker Screenplay download (http://www.forum.hr/showpost.php?p=22606450&postcount=168)

Ryuichi Sakamoto Tokyo Melody (http://www.forum.hr/showpost.php?p=22606697&postcount=169)

Gary Oldman Rosencrantz Interview
Tim Roth Guildenstern Interview (http://www.forum.hr/showpost.php?p=22607353&postcount=171)

SOUNDTRACKS (http://www.forum.hr/showpost.php?p=22608590&postcount=172)

MakingOf (http://www.forum.hr/showpost.php?p=22609736&postcount=173)

Kar Wai Wong (http://www.forum.hr/showpost.php?p=22611965&postcount=174)

William Goldman is the man, and he's an inspiration to every person who needs to write
-Screenwriter William Goldman, who wrote "All the President's Men", talks about his experience in the movie business, which includes his Academy Award for the screenplay of "Butch Cassidy and the Sundance Kid"
-Chain Reaction - John Cleese interviews William Goldman
Print:
-Newman, Hoffman, Redford and me
-He wrote Butch Cassidy and the Sundance Kid but maintains that 'nobody knows anything' about movies, not least him. 'I was programmed to fail,' screenwriting legend William Goldman confesses to Joe Queenan
Scenariji:
-"ALL THE PRESIDENT'S MEN"
-Misery (1990)
Knjige:
-Adventures in the screen trade: a personal view of Hollywood and screenwriting
-Which lie did I tell?: more adventures in the screen trade (http://www.forum.hr/showpost.php?p=22614716&postcount=176)

WEB PREPORUKA (http://www.forum.hr/showpost.php?p=22616049&postcount=177)

FORA TV: THE BEST OF (http://www.forum.hr/showpost.php?p=22616653&postcount=178)

WEB PREPORUKE (http://www.forum.hr/showpost.php?p=22626553&postcount=182)

THE PARIS REVIEW (http://www.forum.hr/showpost.php?p=22629032&postcount=183)

Guillermo Arriaga
Babel Scenarij (http://www.forum.hr/showpost.php?p=22631643&postcount=185)

2001: A Space Odyssey | The Making Of A Myth (http://www.forum.hr/showpost.php?p=22634099&postcount=189)

Sight&Sound
ARHIVA PO BROJEVIMA/GODINAMA/MJESECIMA (http://www.forum.hr/showpost.php?p=22635041&postcount=190)

PREGRŠT ODLIČNIH KNJIGA by Pacificist (http://www.forum.hr/showpost.php?p=22635804&postcount=193)

KNJIGE/DOWNLOAD:
-Steven Spielberg and philosophy
-Beyond the epic/The life and films of David Lean
-European Cinema (http://www.forum.hr/showpost.php?p=22636606&postcount=197)

Napomena#2: izgleda da download linkovi više nisu u funkciji. Za sve postane knjige možete mi se obratiti na PM/mail.

Tko se boji knjiga još? (http://www.forum.hr/showpost.php?p=22638689&postcount=198)

[La Familia]

http://filmmakeriq.com/wp-content/themes/busybee/thumb.php?src=http://filmmakeriq.com/wp-content/uploads/Dennis/2009/10/horror5.jpg&h=200&w=540&zc=1&q=80 (http://filmmakeriq.com/general/featured/666-diy-horror-filmmaking-tutorials.html)


666 DIY Horror Filmmaking Tutorials


Nego, jeste pogledali Paranormal Activity? Čudom se ljudi čude (hrvatski filmaši valjda lupaju glavama o zidove) - *kako je to moglo biti snimljeno za ciglih $11K? Btw, i dalje bih "tukao" hrvatske filmaše, većina tih bilmeza u 2009. ni poštenu scenu tučnjave ne zna snimiti. U pravu je Pavle Kalinić, ja bi mu za taj antologijski intervju u Vijencu uvalio Pulitzera (kazalište/film, whatever - jedno te isto):


"U zagrebačkoj kulturi rade istaknuti neradnici"

„Imate predstavu, ali nju nitko ne gleda. Kada čitate izvješća o utrošenu novcu, lijepo piše da je predstava imala dvadesetak izvedbi, ali ne piše da je na svakoj u prosjeku sjedilo šestero ljudi. Zagreb financira osam kazališta, a samo HNK financira s 49 posto godišnjeg iznosa, a to je 44 milijuna kuna. Godišnji prihod HNK je oko osam milijuna kuna, što je ispod svakoga minimuma, ali ne čudi s obzirom na kvalitetu programa. HNK ima 503 stalno zaposlena, osamdesetak honoraraca. A prema podacima koji su dostupni na internetu sva broadwayjska kazališta zajedno imaju manji broj zaposlenih od HNK...

... U Hrvatskoj kazališta još velikim dijelom funkcioniraju kao socijalne ustanove za nedarovite glumce, dramaturge, redatelje! To je stanje jednostavno neizdrživo! Kazališta moraju funkcionirati isključivo na osnovi programa. Većina je naših predstava negledljiva. Proljetos sam u HNK gledao predstavu kazališta Ulysses prema sjajnu Krležinu tekstu Pijana noć 1918. u režiji Lenke Udovički, koja je bila katastrofalno loša. Kada sam se poslije raspitivao kako je moguće da financiramo tako očajno loš komad, dobio sam odgovor da je barem Lenka Udovički to odradila besplatno. Gledajte, zaista mislim da bi usluga hrvatskom kazalištu bila da se iz budžeta Lenki Udovički plati da više ne režira u Hrvatskoj."

Umijeće je i upropastiti dobar tekstualni predložak!

– Upravo tako. Samo ne vidim razloga zašto bi kazališna publika u Zagrebu to morala trpjeti. To vrijedi i za cijelu Hrvatsku. Da bi predstave postale gledljive, treba ih sufinancirati iz gradskoga proračuna, a ostatak novca mora ići od sponzora. Zato bi i HNK najmanje četvrtinu sredstava morao vući od sponzora, a ne od Gradskog ureda i Ministarstva kulture, od kojih dobiva preostalih 51 posto. To ne bi izdržali proračuni za kulturu ni bogatijih europskih zemalja i gradova. Još je jedna specifičnost Hrvatske – što je također neizdrživo – da prvo ADU završe mama ili tata, ili oboje, pa onda djeca, unuci, uža rodbina, svi su ludo daroviti od stoljeća sedmog, i baš svi žele raditi u kazalištu, na filmu, ili na ADU. Imali smo i slučajeve glumaca koji su u radnom odnosu godinama, ali u predstavama ne sudjeluju! Ili su zaposleni u jednomu kazalištu, ali glume honorarno u drugomu.


*Eto kako!


DIY: Blood, Bullets & Stunts

http://filmmakeriq.com/wp-content/uploads/Dennis/2009/10/bloodguns.jpg


DIY: Stage Effects/Green Screen

http://filmmakeriq.com/wp-content/uploads/Dennis/2009/10/greenscrene.jpg


DIY: Digital Effects

http://filmmakeriq.com/wp-content/uploads/Dennis/2009/10/digitalhorror.jpg


DIY: Make-Up/Costumes

http://filmmakeriq.com/wp-content/uploads/Dennis/2009/10/horrormakeup.jpg


DIY: Static Props

http://filmmakeriq.com/wp-content/uploads/Dennis/2009/10/diyhorrorprops.jpg


DIY: Motion Props

http://filmmakeriq.com/wp-content/uploads/Dennis/2009/10/motionprops.jpg


DIY: Horror Sets

http://filmmakeriq.com/wp-content/uploads/Dennis/2009/10/horrorsets.jpg


DIY: Packaging

http://filmmakeriq.com/wp-content/uploads/Dennis/2009/10/horrorpackaging.jpg


Prop Shops & FX Supplies

http://filmmakeriq.com/wp-content/uploads/Dennis/2009/10/prophouses.jpg (http://filmmakeriq.com/general/featured/666-diy-horror-filmmaking-tutorials.html)

[La Familia]

Zombie 101 (http://www.movingimagesource.us/articles/zombie-101-20091028)
A guide to cinema’s most durable morality play
by Matt Zoller Seitz posted October 28, 2009


“You know, I don't think I've got it in me to shoot my flatmate, my mum, and my girlfriend all in the same night,” says Shaun, one of the beleaguered non-ghouls in Shaun of the Dead. That 2004 film is a send-up of zombie movies, but you know what they say about every joke containing truth.

Ever since director George A. Romero released his 1968 shocker Night of the Living Dead—which reimagined zombies, the dark magic-entranced slaves of voodoo folklore, as shambling fiends that crave warm flesh and can only be offed with a head shot—the zombie genre has displaced the western as cinema’s most popular and durable morality play. As the video essay “Zombie 101” demonstrates, while the genre’s superficial appeal is the spectacle of torn and mangled flesh—living and dead—its deeper resonance lies in its portrait of ordinary people struggling to survive in extreme circumstances.

Ultimately zombie films aren’t about the zombies, which have no conscious mind and therefore no personality. They’re a collective menace—rotting emblems of plague, catastrophe, war, and other world-upending events. The films depict representative social types wandering amid the ruins of the civilization they once took for granted, trying to reconcile their pre-zombie moral code (do unto others as you would have them do unto you) with the harsh necessities of the present (“If you’ve got a gun, shoot ’em in the head,” a sheriff tells a TV reporter in Night of the Living Dead, adding, “If you don’t, get yourself a club or a torch. Beat ’em or burn ’em, they go down pretty easy”).

If there’s no military, no police force, no law, no justice, and no hope, what’s the point of being decent as opposed to selfish? Might it be possible that, under such unimaginably awful circumstances, selfishness is decency? And if your mom is bitten by a zombie, at what point is it all right to stop treating her like your mom and reach for the 12-gauge? Dear Abby never had to ponder such questions. To quote the alternative title of a 1974 Werner Herzog movie, in zombie films it’s every man for himself and God against all. And as survivors sift through the rubble, weighing selfish imperatives against kinder, gentler impulses that might get them and everyone around them killed, the genre pulls off a nifty bit of creative jujitsu, defining civilization, morality, stability, and decency by depicting their opposites.


http://i34.tinypic.com/a9r4u1.png (http://www.movingimagesource.us/articles/zombie-101-20091028)

[La Familia]

http://i38.tinypic.com/2ut45et.jpg (http://cinefilando.files.wordpress.com/2009/09/paranormal_activity.jpg)


"Paranormal Activity" postao najunosniji film svih vremena


Film Paranormal Activity prešao je po zaradi poznati studentski film Blair Witch Projekt, postavši najprofitabilniji film svih vremena, objavila je agencija TheWrap.com, koja prati rezultate na američkim kinoblagajnama.

Hit horor, snimljen za manje od 15.000 dolara, do srijede je ostvario bruto zaradu od 65.1 milijun dolara, navodi agencija.

Uspjeh filma na kinoblagajnama rezultirao je sa zapanjujućih 414,233-postotnim povratom ulaganja.

http://www.thewrap.com/files/REVmostprofitablefilms.gif

Paranormal se postupno širio s 12 kinodvorana na 33, pa na 160, zatim 760, a prošli se vikend prikazivao u 1945 kinodvorana diljem SAD-a. To je, po riječima direktora distribucije Paramounta Dona Harrisa, ključ njegova uspjeha.

Studio Paramount potrošio je manje od 10 milijuna dolara za marketinšku promidžbu filma.


http://i37.tinypic.com/m7e5ur.png (http://www.thewrap.com/article/paranormal-now-most-profitable-film-ever-9335)


Paranormal Activity: ‘Interview with director Oren Peli’ (http://www.dreadcentral.com/media/Oren.mp3)

[La Familia]

http://cargocollective.com/media/headerimg/8044/sns.png (http://www.seekandspeak.com/)


Stop me if you've heard this one, but - Wow. Posters by Brandon Schaefer.


http://cargocollective.com/media2/119060/convo.jpg

http://cargocollective.com/media/101231/cuckoo.jpg

http://cargocollective.com/media/77819/dk.jpg

http://cargocollective.com/media/77814/8.png

http://cargocollective.com/media/96930/shining.png

http://cargocollective.com/media/77810/pao.jpg

http://cargocollective.com/media/101225/french.jpg

http://cargocollective.com/media/77791/network.jpg

http://cargocollective.com/media/77778/manhattan.jpg (http://www.seekandspeak.com/)

[La Familia]

http://i8.photobucket.com/albums/a44/moxievision/Hitchcock2.jpg


Alfred Hitchcock
Music to Be Murdered By
(Imperial Records #9052; 1958)


I Ćiro bi zavapio: Groba mi, majke mi, ovo što slijedi je... Da čovjek krepa od ljepote :zubo:

Dame i gospodo, pridružite mi se.

Sadly, I'm still on the lookout for a decent copy of this one (I believe there is a CD, but I'd rather have trusty old vinyl), but from what I understand it's largely a collection of vaguely menacing mood music. Hitchcock does wry intros for each track, and I've tracked down a couple of those.


Side 1 intro (http://www.bizarrerecords.com/galleries/stars/hitchcock.mp3)
Side 2 intro (http://www.bizarrerecords.com/galleries/stars/hitchcock2.mp3)


:cerek::cerek::cerek:


From the liner notes: "These days a murder is amusing for the onlookers and the murderer but no one thinks of making things pleasant for the victim. He may be a tiresome bore but he is still rather essential and is entitled to some consideration. Music, I feel, will heighten his appreciation and make his own murder the truly ennobling experience it should be."

[La Familia]

http://i37.tinypic.com/atx3m1.jpg (http://www.swissfilmsdata.ch/imgevent/E070196_g.jpg)


Čedomir Kolar: Hrvatski filmaši zaštićeniji su od Oscarovaca


Slušaj vamo, dragi hrvatski filmašu. Kao prvo, sretan ti Svih svetih/mrtvih, :D Kao drugo, zbori Čedomir THE Kolar (http://www.imdb.com/name/nm0463842/). Za one koji (namjerno) ne žele znati, Kolar je Oskarovac: Patljak, Prizmić i ekipa cipele bi mu mogli lizati, s neopisivom zahvalnošću, dabome. Između ostalog, Kolar je udahnuo život sljedećim filmovima:

Circus Columbia (2011) (pre-production) (producer)
Besa (2010) (post-production) (producer)
Womb (2009) (post-production) (co-producer)

Triage (2009) (producer)
L'enfer (2005) (producer)
... aka Hell (International: English title)
11'09''01 - September 11 (2002) (executive producer) (segment: Bosnia-Herzegovina)
... aka 11 septembre 2001 (Iran: Persian title)
... aka 11'09''01 - September 11 (France)
... aka 11'09''01: Onze minutes, neuf secondes, un cadre (France)
... aka Eleven Minutes, Nine Seconds, One Image: September 11 (International: English title)
... aka September 11 (USA)
Heaven (2002/I) (associate producer) (as Cedomir Kolar)
... aka Heaven (France) (Germany)
Maimil (2001) (producer)
... aka Le singe (France)
... aka The Chimp (International: English title)
No Man's Land (2001) (producer)
... aka Nicija zemlja (Bosnia and Herzegovina: Croatian title)

Il tempo dell'amore (1999) (producer)
... aka A Time to Love (Canada: English title)
... aka Les saisons de l'amour (France)
Train de vie (1998) (producer)
... aka Train of Life (Europe: English title) (USA)
... aka Trenul vietii (Romania)
Beshkempir (1998) (producer)
... aka The Adopted Son (Canada: English title) (USA)
... aka Le fils adoptif (France)
Le plaisir (et ses petits tracas) (1998) (producer)
... aka Pleasure (And Its Little Inconveniences) (USA)
Come mi vuoi (1997) (producer)
... aka As You Want Me (USA)
... aka Embrasse-moi Pasqualino! (France)
Kini and Adams (1997) (producer)
... aka Kini et Adams (France)
Before the Rain (1994) (producer)
... aka Пред дождот (Republic of Macedonia)
... aka Pred dozhdot (Republic of Macedonia)
Iron Horsemen (1994) (producer) (as Cedomir Kolar)
... aka Bad Trip
Ked hviezdy boli cervené (1991) (producer)
... aka When the Stars Were Red (International: English title)

A za tebe, dragi hrvatski filmašu, čoek kaže sljedeće:

Kako vi vidite hrvatsku kinematografiju? Nismo baš prisutni u svijetu...

- Pa, ja je pratim malo iz daljine. Biti lokalan nije problem za film, takav film može uspjeti i to nije ograničenje. Treba biti lokalan da bi bio internacionalan. Međutim, tu postoji problem jer je hrvatska kinematografija isključivo lokalna. Gdje je catch? Bosanska kinematografija je neusporedivo manja, a ipak se zna za nju. Pored Danisa, kojega, istina, nisu oni proizveli, oni su proizveli Jasmilu Žbanić koja je dobila Zlatnog medvjeda s ‘Grbavicom’, Aida Begić je sa ‘Snijegom’ dobila nagradu publike u Cannesu. Mislim da je Hrvatska, zbog sustava financiranja koji je idealan za filmaše, a to je - dio plati država, ostalo televizija - stvorila lokalnu kinematografiju koja nema izlaza prema van. Jednostavno se ne angažira, a na svim work-shopovima nema Hrvatske. I ja bih volio raditi u Hrvatskoj na taj način. Sav novac dobijem u Hrvatskoj, film snimim u Hrvatskoj, on živi samo u Hrvatskoj i to je sve. Evo, recimo, Ognjen Sviličić je jedan od onih koji je uspio izaći izvan granica jer se otvorio. Krenuo je u inozemstvo tražiti novac kada ga nije našao u Hrvatskoj. Morate znati da svi drugi uspijevaju izaći izvan granica. Srbija radi puno projekata, o Rumunjima da i ne govorim. I to nije pitanje pripadnosti EU, nego je u pitanju drukčiji pristup internacionalizaciji lokalnih projekata koje treba napraviti da uspiju prijeći granice. Neosporno je da ima talenata, ali s druge strane ti talenti nemaju volju prilagođavati se.

Nikša Sviličiću, to se odnosi i na tebe, pogotovo na "tvoj" HAVC. Ako se ti ne crveniš, moja malenkost se crveni za tebe btw. Kolar savršeno pogađa u samu bit problematike hrvatske kinematografije, upravo nam se to i događa: ona munjena prikaza od Vanje Sutlića povukla se iz igre (HTV više ne želi ulagati u hrvatski film), a vi u HAVC-u, u nedostatku bilo kakve izlazne strategije/rješenja, sada panično mlatarate nožicama. Pokojni Albert Kapović imao je detaljno razrađeni plan kako efikasno sprovesti Zakon o filmu (natjerati komercijalne televizije da se uključe u sufinanciranje domaćeg filma. Nažalost, čovjek je umro, pokoj mu plemenitoj duši na današnji dan. Nemoj da doznam da mu službeno izaslanstvo HAVC-a danas nije bilo na grobu, duboko se poklonilo i zapalilo mu svijeću. Dakle, u poziciji smo da se komercijalne televizije danas posprdno smiju nedavno izglasanom Zakonu o filmu, a na svaku inicijativu Nikše Sviličića/HAVC-a odmahuju rukom. Nema veze, bitno da naš Nikša svira gitaru (da gitaru, evo Ćiro (http://dl.net.hr/uj-fuj/izjave_2002/36_ciro__sviras_kurcu.mp3) će, umjesto mene, reći što svira. Hvala Ćiro :D).


http://www.jutarnji.hr/multimedia/archive/00224/_edomir_Kolar_224701S1.jpg

http://i35.tinypic.com/2dgovg3.png (http://www.jutarnji.hr/-hrvatski-filmasi-uzivaju-bolji-status-od-oscarovaca-/325321/)

[La Familia]

http://i38.tinypic.com/egxopy.jpg (http://www.monitor.hr/vijesti/forum-hr-samo-za-okorjele-filmske-entuzijaste/130408/)


INDEX (6-8)


Napomena: Ovo je samo za prvu silu/lakše snalaženje. Svi postovi na temi u narednih će nekoliko dana biti kategorizirani/abecedno složeni. Nadalje, linkovi na index topica uglavljeni su u moj potpis (iznad maila), opet radi vašeg lakšeg snalaženja.


http://photos1.blogger.com/blogger/2394/1195/400/Six.jpg


Natalie Portman behind the scenes Web portal with exclusive video (http://www.forum.hr/showpost.php?p=22644348&postcount=201)

Long live... Weta Digital (http://www.forum.hr/showpost.php?p=22646101&postcount=202)

TWIST AND DOUBT: MOVIE PLOT TWISTS & SURPRISE ENDINGS
HALEY JOEL OSMENT - shooting for ''The Sixth Sense'' (http://www.forum.hr/showpost.php?p=22646616&postcount=203)

Kolekcija knjiga/download (http://www.forum.hr/showpost.php?p=22647956&postcount=204)

THE Intervju Epskih Razmjera/Terry Gilliam (http://www.forum.hr/showpost.php?p=22650688&postcount=205)

In the director's chair
-Michael Mann: 'I'm interested in extreme conflict'
-Kathryn Bigelow: 'I'm drawn to provocative characters'
-Jason Solomons quizzes Kathryn Bigelow, director of Point Break, Strange Days, K19: The Widowmaker and The Hurt Locker, out this Friday, on the two key themes of her career: men and the military
In the director's chair: Stephen Frears
-The director of The Queen and Dangerous Liaisons tells Jason Solomons why he chose to make a movie about a courtesan in belle époque Paris, the debt he owes to his writers and why he's drawn to strong female characters
-State of Play director Kevin Macdonald: 'I wanted to be a journalist, but you wouldn't have me'
-Jason Solomons talks to Oscar-winning film-maker Kevin Macdonald about his Russell Crowe starring thriller State of Play and his early ambitions to work for The Guardian
-Jonathan Demme: 'One critic compared Rachel Getting Married to a two-hour colonoscopy'
-The director of Rachel Getting Married talks to Jason Solomons about Anne Hathaway's character, The Silence of the Lambs and David Byrne's suit
-In the director's chair: Oscar-winner Danny Boyle
-Exclusive footage of Danny Boyle talking to Jason Solomons about the making of his Mumbai epic Slumdog Millionaire
-David Fincher: 'Benjamin Button was a semi-confection that became resonant' (http://www.forum.hr/showpost.php?p=22650937&postcount=206)

Directing/knjiga (http://www.forum.hr/showpost.php?p=22651355&postcount=207)

Stanley Kubrick's Napoleon (http://www.forum.hr/showpost.php?p=22653597&postcount=208)

Sinek, sinek, kaj si to napravil (http://www.forum.hr/showpost.php?p=22654466&postcount=209)

WEB 2.0
The Art of the Title Sequence talks MONTY PYTHON & THE HOLY GRAIL (http://www.forum.hr/showpost.php?p=22655505&postcount=210)

Quentin Tarantino press conference, Tel Aviv, Sept. 15 2009 (http://www.forum.hr/showpost.php?p=22655845&postcount=211)

Script Magazine/.pdf (http://www.forum.hr/showpost.php?p=22656764&postcount=212)

In memoriam (http://www.forum.hr/showpost.php?p=22657589&postcount=213)

Luđaci koje volimo/Charles Bukowski
Charles Bukowski's loathing of Mickey Mouse, that "three-fingered son-of-a-bitch who has no soul, for Christ's sake. (http://www.forum.hr/showpost.php?p=22658319&postcount=214)

Knjige (http://www.forum.hr/showpost.php?p=22658778&postcount=215)

Antonijo Nuić (http://www.forum.hr/showpost.php?p=22660038&postcount=216)

TIFF 2009. recenzije (http://www.forum.hr/showpost.php?p=22666257&postcount=219)

Deliver Us From Evil (http://www.forum.hr/showpost.php?p=22666648&postcount=220)

AC magazine (http://www.forum.hr/showpost.php?p=22666939&postcount=221)

Film Voices/knjiga (http://www.forum.hr/showpost.php?p=22667297&postcount=222)

Fox Searchlab
Fox Searchlight's destination for the developing filmmaker
-Danny Boyle and Darren Aronofsky -- Full
-SEARCHLAB / lectures: Bryan Singer (http://www.forum.hr/showpost.php?p=22672753&postcount=223)

Fox Searchlab
Billy Bob Thornton (http://www.forum.hr/showpost.php?p=22679135&postcount=224)

Sculpting In Time is a book by Russian filmmaker Andrei Tarkovsky (http://www.forum.hr/showpost.php?p=22679824&postcount=225)

FORA TV/FILMAŠI (http://www.forum.hr/showpost.php?p=22683346&postcount=226)

Crime Films/Knjiga (http://www.forum.hr/showpost.php?p=22684663&postcount=227)

SEARCHLAB / lectures: Baz Luhrmann (http://www.forum.hr/showpost.php?p=22688560&postcount=229)

Charlie Kaufman: “It’s a disaster out there... I don’t think the mid-range movie is going to exist anymore.” (http://www.forum.hr/showpost.php?p=22689934&postcount=230)

SHAWSHANK REDEMPTION SCREENPLAY (!!!) (http://www.forum.hr/showpost.php?p=22692337&postcount=234)

Jane Campion, Director of 'Bright Star' (http://www.forum.hr/showpost.php?p=22692968&postcount=235)

Werner Herzog (http://www.forum.hr/showpost.php?p=22693139&postcount=236)

Mark Boal
-The Hurt Locker
-Kathryn Bigelow, Director of 'The Hurt Locker'
with Mark Boal and Kathryn Bigelow
on Wednesday, September 16, 2009 (http://www.forum.hr/showpost.php?p=22694267&postcount=237)

DOKUMENTARAC: Jackie Chan by Redefine (http://www.forum.hr/showpost.php?p=22694523&postcount=238)

Knjiga (http://www.forum.hr/showpost.php?p=22694829&postcount=239)

Charlize Theron discusses her new film "The Burning Plain"
with Guillermo Arriaga and Charlize Theron
in Movies, TV & Theater
on Thursday, September 17, 2009 (http://www.forum.hr/showpost.php?p=22696269&postcount=240)


http://photos1.blogger.com/blogger/2394/1195/400/Seven.jpg


Knjige (http://www.forum.hr/showpost.php?p=22697329&postcount=241)

Directors share the backstory and describe how they shot iconic scenes from some of their most memorable movies (http://www.forum.hr/showpost.php?p=22698311&postcount=242)

INDIANA JONES - POST SVIH POSTOVA
-official web
Scenariji/download:
-Raiders of the Lost Ark (Third Draft, August 1979)
-Indiana Jones and the Temple of Doom (Undated, unspecified)
-Indiana Jones and the Last Crusade (Undated, unspecified)
Legitimate but rejected Scripts:
-Chris Columbus’ Indiana Jones and the Monkey King
-Jeb Stuart’s Indiana Jones and the Saucer Men from Mars (zip file)
-Frank Darabont's Indiana Jones and the City of Gods (!!!)
Ostalo:
125-page transcript (in the form of a .pdf document) of the original 1978 story conference between Steven Spielberg, George Lucas, and Lawrence Kasdan for a little film called Raiders of the Lost Ark. (http://www.forum.hr/showpost.php?p=22702556&postcount=244)

Filmski monolozi (http://www.forum.hr/showpost.php?p=22702812&postcount=245)

Mahler’s Script-Beat Calculator (http://www.forum.hr/showpost.php?p=22703063&postcount=246)

FILMSKA BIBLIJA (http://www.forum.hr/showpost.php?p=22703392&postcount=247)

SEARCHLAB / lectures: Frank Darabont (http://www.forum.hr/showpost.php?p=22706195&postcount=248)

IN THE SCREENING ROOM -- DGA (http://www.forum.hr/showpost.php?p=22706707&postcount=249)

Inside The Actors Studio - Clint Eastwood by Dragonrage (http://www.forum.hr/showpost.php?p=22708220&postcount=250)

Kako su snimane scene -- DGA (http://www.forum.hr/showpost.php?p=22710609&postcount=253)

Arnold Schwarzenegger (http://www.forum.hr/showpost.php?p=22710710&postcount=254)

The Directors/knjiga (http://www.forum.hr/showpost.php?p=22711411&postcount=255)

Key Film TeXts/Knjiga (http://www.forum.hr/showpost.php?p=22712009&postcount=256)

Conversations with "Grand Ladies" (http://www.forum.hr/showpost.php?p=22713348&postcount=257)

Kratak ali sladak članak o samim počecima snimanja godfathera (http://www.forum.hr/showpost.php?p=22713478&postcount=258)

Conversations with "Movie Stars"
George Clooney (http://www.forum.hr/showpost.php?p=22713863&postcount=259)

Radio? Soundtrack? Sure! (http://www.forum.hr/showpost.php?p=22714398&postcount=260)

Jet Li by Redefine (http://www.forum.hr/showpost.php?p=22714494&postcount=261)

Lethal Weapon
-Jet Li in "Lethal Weapon 4"
-Scenarij/download
-Lethal Weapon 4 End Credits (http://www.forum.hr/showpost.php?p=22715211&postcount=262)

100 best movies/Knjiga (http://www.forum.hr/showpost.php?p=22717103&postcount=263)

Diablo Cody: How I Punked the Establishment (http://www.forum.hr/showpost.php?p=22719148&postcount=264)

Conversations with "Crazy Guys" (http://www.forum.hr/showpost.php?p=22725611&postcount=265)

Print/Video interview: Scott Frank (http://www.forum.hr/showpost.php?p=22727477&postcount=266)

THE knjiga (http://www.forum.hr/showpost.php?p=22728140&postcount=267)

PAUL HAGGIS Screenwriting Lesson
Scenariji/download:
-Million Dollar Baby screenplay by Paul Haggis
-CRASH
-In the Valley of Elah script (http://www.forum.hr/showpost.php?p=22728967&postcount=268)

Još jedna knjiga za prste polizat, skoro pa jestiva (http://www.forum.hr/showpost.php?p=22731893&postcount=269)

The eScholarship Editions collection includes almost 2000 books from academic presses on a range of topics, including art, science, history, music, religion, and fiction. (http://www.forum.hr/showpost.php?p=22733061&postcount=270)

A conversation with Guillermo del Toro (http://www.forum.hr/showpost.php?p=22733917&postcount=271)

Greatest Film Lines and Movie Quotes of All Time (http://www.forum.hr/showpost.php?p=22736313&postcount=272)

A conversation with film director Sam Mendes (http://www.forum.hr/showpost.php?p=22737942&postcount=273)

Knjiga (http://www.forum.hr/showpost.php?p=22738496&postcount=274)

SEARCHLAB / shorts (http://www.forum.hr/showpost.php?p=22738673&postcount=275)

WEB PREPORUKA
Jeff Bridges official web page (http://www.forum.hr/showpost.php?p=22742724&postcount=276)

SEARCHLAB / lectures: John Frankenheimer (http://www.forum.hr/showpost.php?p=22743900&postcount=277)

Classic Monologues in Cinema (http://www.forum.hr/showpost.php?p=22744727&postcount=278)

GOOD WILL HUNTING
an Original Script
by Matt Damon and Ben Affleck (http://www.forum.hr/showpost.php?p=22745580&postcount=279)

Scent of a Woman
-scenarij (http://www.forum.hr/showpost.php?p=22747123&postcount=280)


http://photos1.blogger.com/blogger/2394/1195/400/Eight.jpg


MyPDFScripts
(destinacija broj 1 za download svih mogućih i nemogućih filmskih scenarija) (http://www.forum.hr/showpost.php?p=22747315&postcount=281)

TRIGGER STREET (http://www.forum.hr/showpost.php?p=22747630&postcount=282)

Knjiga, another one (http://www.forum.hr/showpost.php?p=22747710&postcount=283)

Soderbergh Q & A: Is Che a Murderer? A Revolutionary? (http://www.forum.hr/showpost.php?p=22748196&postcount=284)

ZDRAVLJE IZ TANJURA/WEB PREPORUKE (http://www.forum.hr/showpost.php?p=22748677&postcount=285)

Project Gutenberg (http://www.forum.hr/showpost.php?p=22748983&postcount=286)

Mario Puzo Speaks from the Grave! (http://www.forum.hr/showpost.php?p=22749351&postcount=287)

John Carpenter "Halloween" Interview
-HALLOWEEN a screenplay by John Carpenter and Debra Hill (http://www.forum.hr/showpost.php?p=22749922&postcount=288)

FORA TV (http://www.forum.hr/showpost.php?p=22750631&postcount=289)

OFF SCREEN (http://www.forum.hr/showpost.php?p=22755097&postcount=290)

NEŠTO JE PREŽIVJELO (http://www.forum.hr/showpost.php?p=22755274&postcount=291)

SOUNDTRACKS.NET
-Hans Zimmer and James Newton Howard (07/01/2008)
The Dark Knight
-Alex Heffes (02/28/2007)
The Last King of Scotland / Touching the Void
-Mark Isham (06/17/2005)
Crash (http://www.forum.hr/showpost.php?p=22756218&postcount=292)

Sticky.
Hvala Mr Smoogju/moderatoru, od svih korisnika topica (http://www.forum.hr/showpost.php?p=22759851&postcount=295)

Hans Zimmer scoring black hawk down by malosunce (http://www.forum.hr/showpost.php?p=22756713&postcount=294)

PA TO JE FANTASTIČNO! (http://www.forum.hr/showpost.php?p=22762823&postcount=298)

Paul Schrader Interview, The Walker
Interview: Diablo Cody (Juno)
Interview: Diablo Cody: Dancing as fast as she can
Paul Haggis
The director and writer of the Oscar-winning Crash talks to Mark Lawson about his new film In the Valley of Elah, calling up pal Clint Eastwood to help get it made and his fear of ruining Bond forever
New Screenplays:
No Country For Old Men
The Diving Bell and the Butterfly
Gone Baby Gone
The Hoax (http://www.forum.hr/showpost.php?p=22763100&postcount=299)

Podcast interview with the...
Coen brothers
Ben Affleck - Gone Baby Gone Q&A
3:10 To Yuma Q&A
+
No Country for Old Man Scenarij (http://www.forum.hr/showpost.php?p=22763735&postcount=300)

Eseji/NCFOM (http://www.forum.hr/showpost.php?p=22763996&postcount=301)

Nova knjiga (http://www.forum.hr/showpost.php?p=22765189&postcount=302)

Scorsese Does Hitchcock (!!!) (http://www.forum.hr/showpost.php?p=22766503&postcount=303)

WEB PREPORUKA
(VELIKA DO NEBA I NATRAG) (http://www.forum.hr/showpost.php?p=22766830&postcount=304)

DIGITALNA REVOLUCIJA/RED (http://www.forum.hr/showpost.php?p=22767113&postcount=305)

Par Fassbinderovih kratkiŠa by malosunce
RWF personal films
RWF relationships
RWF love & power
RWF honesty in fimmaking
RWF childhood (http://www.forum.hr/showpost.php?p=22769188&postcount=306)

john corigliano the red violine best score 1999 (and others) (http://www.forum.hr/showpost.php?p=22769394&postcount=307)

PA TO JE FANTASTIČNO! (http://www.forum.hr/showpost.php?p=22770776&postcount=308)

Članak o ranim kratkim filmovima Tima Burtona (http://www.forum.hr/showpost.php?p=22773165&postcount=309)

Knjiga, tko bi ih više pobrojao (http://www.forum.hr/showpost.php?p=22775557&postcount=310)

WEB PREPORUKE (http://www.forum.hr/showpost.php?p=22776907&postcount=311)

Philip K Dick: BLADE RUNNER "is not science fiction;
it is not fantasy; it is exactly what Harrison said - futurism." (http://www.forum.hr/showpost.php?p=22777894&postcount=312)

Huge 2 1/2 year archive of Screenplay Tips (http://www.forum.hr/showpost.php?p=22779433&postcount=313)

SVI U ŠKOLU WERNERA HERZOGA! (http://www.forum.hr/showpost.php?p=22780062&postcount=314)

"The Tournament" (http://www.forum.hr/showpost.php?p=22780489&postcount=315)

NIJE HWOODSKA ŠUMA BAŠ TOLIKO ZLA, UKLETA & PROKLETA VUKOJEBINA (http://www.forum.hr/showpost.php?p=22781812&postcount=316)

Rare footage: John Cassavetes directing (http://www.forum.hr/showpost.php?p=22781941&postcount=317)

ŠEF(OVI) SALE (http://www.forum.hr/showpost.php?p=22782600&postcount=319)

Video interview: John Cassavetes (http://www.forum.hr/showpost.php?p=22785723&postcount=320)

[electro cute]

svaka čast na indexu :s još kad bi to moderatori šibnuli na prvu stranicu, da ne moraš vucarat po sigu...

nego evo malo da vas nasmijem - christopher walken izvodi poker face lady gage (http://www.youtube.com/watch?v=xy5JwYOlgvY) :rofl:

[La Familia]

svaka čast na indexu :s još kad bi to moderatori šibnuli na prvu stranicu, da ne moraš vucarat po sigu...

nego evo malo da vas nasmijem - christopher walken izvodi poker face lady gage (http://www.youtube.com/watch?v=xy5JwYOlgvY) :rofl:

Je, sig mi sad zgleda ko kobasica. Preciznije, jedan i pol par kranjskih :D Dobro veliš, na prvu stranicu. Btw, topic nam zaglavili i na monitoru (forum), još malo pa osvanusmo i u Narodnim novinama.

Walken mi je definitivno uljepšao ovaj bizaran dan, (moj omiljeni) luđak (neka se drugi ne uvrijede).

Martin Scorsese tells me that the real inspiration for the tone and voice of Goodfellas was not Scarface or Public Enemy, but Kind Hearts and Coronets (http://www.imdb.com/title/tt0041546/). Oh, right: Alec Guinness in drag, Joe Pesci in murderous hysterics, I see.

But, when you think about it for a minute, the revelation makes perfect sense. The note of black glee in Ray Liotta’s interior monologues (“As far back as I can remember, I always wanted to be a gangster”) is not that far away from Dennis Price’s cool plan to murder his way into the landed class that presumes to despise him. They share the smirk of superior knowledge, the contempt for the chumps who do things the regular way.

The wiseguys in Goodfellas spend even more time laughing than killing. Sometimes the uproar is so unhinged that it looks as if De Niro, Liotta and Pesci will dislocate their jaws, like pythons guffawing as they digest a goat.

http://i38.tinypic.com/t5ss46.png (http://www.ft.com/cms/s/2/37822a20-c4e3-11de-8d54-00144feab49a.html)


Replay:


http://i38.tinypic.com/97jzat.png (http://www.dailyscript.com/scripts/goodfellas.pdf)

[La Familia]

http://i38.tinypic.com/2rh2ogz.png (http://vinylisheavy.blogspot.com/2009/10/moonwalk-adaptation.html)


It all comes down to what you believe, because none of us knew the man.

I believe Michael Jackson was a good guy. I believe he never harmed anyone's child. I believe he was one of those rare people who tried to apply his otherworldly talent (http://www.buzzfeed.com/mjs538/21-michael-jackson-performances-that-will-give-you) to healing some of the basic, eternal problems of humanity. I believe he was a great man of strong constitution and boundless vision (http://nypress.com/article-20022-in-mjrss-shadow.html). I believe that the incessant lies told about him were his indirect murderer.

Moonwalk (http://www.amazon.com/gp/product/0307716988?ie=UTF8&tag=asleepover-20&linkCode=as2&camp=1789&creative=390957&creativeASIN=0307716988) is the autobiography he wrote in 1988.

I believe David Lynch is the filmmaker who should make the inevitable Moonwalk movie. Lynch's capacity for empathy; his ability to describe alienation, suffering and loneliness in spiritual (http://www.davidlynchfoundation.org/message.html), visual (http://video.google.com/videoplay?docid=-1644706202614666745#) terms; his American ear; his understanding of corporate show business as a place where dreams are nourished with candied arsenic... make Lynch the best equipped among marquee-value auteurs to say something vital about Michael's life and death.

Here are some notes and sketches for the Lynch adaptation:


Notes for a David Lynch adaptation of Moonwalk


http://i36.tinypic.com/9gj5li.png (http://vimeo.com/7356730)

[La Familia]

http://i38.tinypic.com/egxopy.jpg (http://www.monitor.hr/vijesti/forum-hr-samo-za-okorjele-filmske-entuzijaste/130408/)


INDEX (9-11)


Napomena: Ovo je samo za prvu silu/lakše snalaženje. Svi postovi na temi u narednih će nekoliko dana biti kategorizirani/abecedno složeni. Nadalje, linkovi na index topica uglavljeni su u moj potpis (iznad maila), opet radi vašeg lakšeg snalaženja.


http://photos1.blogger.com/blogger/2394/1195/400/Nine.jpg


Interview: Ehren Kruger (http://www.forum.hr/showpost.php?p=22786270&postcount=321)

LIBRARY (http://www.forum.hr/showpost.php?p=22786569&postcount=322)

Speed Kills: The 20 Best Movie Car Chases (http://www.forum.hr/showpost.php?p=22786696&postcount=323)

THE BEST OF PODCAST
Peter Jackson - District 9 Comic-Con Q&A
Robert Rodriguez - Shorts Q&A
James Gray - We Own The Night Q&A
Brian Helgeland - The Taking of Pelham 1 2 3 Q&A
Steven Knight - Eastern Promises Q&A (http://www.forum.hr/showpost.php?p=22787269&postcount=324)

Breaking News (http://www.forum.hr/showpost.php?p=22789269&postcount=325)

FILM
Blogging The Real World (http://www.forum.hr/showpost.php?p=22790639&postcount=326)

THE HURT LOCKER Intervju (http://www.forum.hr/showpost.php?p=22790893&postcount=327)

James Coburn by Dragonrage
James Coburn and Bruce Lee training (http://www.forum.hr/showpost.php?p=22790952&postcount=328)

The Auteurs
In May 2009, The Auteurs formed an alliance with Martin Scorsese's World Cinema Foundation to promote and distribute a number of WCF restored titles (http://www.forum.hr/showpost.php?p=22791449&postcount=329)

"Šefovi Walt Disneya su šupčine!" (http://www.forum.hr/showpost.php?p=22791794&postcount=330)

Jedan sat s Leonardom DiCapriom (http://www.forum.hr/showpost.php?p=22791987&postcount=331)

Elmore Leonard
A conversation with James Mustich (http://www.forum.hr/showpost.php?p=22793239&postcount=332)

L.A. LOW (http://www.forum.hr/showpost.php?p=22794253&postcount=333)

THE KAUFMAN PARADOX by Wired (http://www.forum.hr/showpost.php?p=22796121&postcount=334)

KAŽEŠ BESPLATNO, SINE? -AHA. SKROZ BESPLATNO, SVE ĐABE??? -JAŠTA! (http://www.forum.hr/showpost.php?p=22796552&postcount=335)

THE DOKUMENTARAC: THE AMERICAN NIGHTMARE
John Carpenter ... Himself
Carol J. Clover ... Herself
Wes Craven ... Himself
David Cronenberg Himself
Tom Gunning ... Himself
Tobe Hooper ... Himself
John Landis ... Himself
Adam Lowenstein Himself
George A. Romero Himself
Tom Savini ... Himself (http://www.forum.hr/showpost.php?p=22796912&postcount=336)

DOKUMENTARAC:
John Carpenter: Fear Is Just the Beginning... The Man and His Movies [Biography]
59:58 (http://www.forum.hr/showpost.php?p=22797129&postcount=337)

David Cronenberg and the cinema of the extreme
This is a 20 minute interview with David Cronenberg about the cinema of the extreme. It was aired in 1997 as part of the BBC Forbidden series. Also includes some interview snippets with George Romero. (http://www.forum.hr/showpost.php?p=22798515&postcount=338)

Stephen King talks about his long and prolific career, his new book "Nightmares and Dreamscapes", a collection of short stories, and the relationship between humor and horror.||Filmmaker Chen Kaige discusses his controversial career in Communist China, his work for the screen, and his lauded new film "Farewell My Concubine". (http://www.forum.hr/showpost.php?p=22798889&postcount=339)

How to turn your boring movie into a Hitchcock thriller... (http://www.forum.hr/showpost.php?p=22802675&postcount=340)

Neil Gaiman (http://www.forum.hr/showpost.php?p=22803235&postcount=341)

Frank Miller's "300" Video Diary (http://www.forum.hr/showpost.php?p=22804073&postcount=342)

American Gangster Behind the Scenes Footage (http://www.forum.hr/showpost.php?p=22804659&postcount=343)

Children of Men - Making Of (http://www.forum.hr/showpost.php?p=22805602&postcount=344)

David Lynch (ScareCrow)
Scene by Scene Interview
1999. (http://www.forum.hr/showpost.php?p=22805938&postcount=345)

The Making Of E.T The Extra Terrestrial (http://www.forum.hr/showpost.php?p=22805969&postcount=346)

Fight Club - Behind The Scenes
Scenarij (http://www.forum.hr/showpost.php?p=22807214&postcount=349)

Forrest Gump - The Making of - (HQ & Stereo)
SCENARIJ (http://www.forum.hr/showpost.php?p=22807781&postcount=350)

The Godfather Documentary
47:57
Scenarij/.pdf download (http://www.forum.hr/showpost.php?p=22808305&postcount=351)

On Spielberg's Duel (http://www.forum.hr/showpost.php?p=22808796&postcount=352)

Making of Raiders of the Lost Ark (http://www.forum.hr/showpost.php?p=22811455&postcount=355)

Sundance Kid (http://www.forum.hr/showpost.php?p=22813869&postcount=357)

MAPA NAJBOLJIH FILMOVA (http://www.forum.hr/showpost.php?p=22813928&postcount=358)

Broj filmova po žanru između 1888-2008 by dr mladjo (http://www.forum.hr/showpost.php?p=22814749&postcount=359)

MOVING IMAGE SOURCE (http://www.forum.hr/showpost.php?p=22816003&postcount=360)


http://thumb1.shutterstock.com.edgesuite.net/display_pic_with_logo/323614/323614,1243251504,2/stock-photo-movie-countdown-30856336.jpghttp://thumb1.shutterstock.com.edgesuite.net/display_pic_with_logo/323614/323614,1243251500,1/stock-photo-movie-countdown-30856333.jpg


BLAGO, LJUDI, ZLATNA ŽILA, BLAAAAAAAAAGO! (http://www.forum.hr/showpost.php?p=22816303&postcount=361)

Ovo je odlično, speechless... (http://www.forum.hr/showpost.php?p=22816702&postcount=362)

Johnny Weismuller Tarzan Call (http://www.forum.hr/showpost.php?p=22817071&postcount=363)

Sunset Gun -- Roman Polanski (http://www.forum.hr/showpost.php?p=22817157&postcount=364)

Roman Polanski's Nóz w wodzie/Knife in the Water
Autorizirani intervju s njegovom žrtvom
Autentični transkripti sa suđenja (http://www.forum.hr/showpost.php?p=22817476&postcount=365)

Knjiga: Black Directors (http://www.forum.hr/showpost.php?p=22821140&postcount=366)

Visionaries: Peter Jackson and James Cameron
The Full Peter Jackson and James Cameron Visionaries panel, from the San Diego Comic-Con, hosted on Saturday 25th July, 2009. (http://www.forum.hr/showpost.php?p=22821272&postcount=367)

Werner Herzog’s “Manifesto” (http://www.forum.hr/showpost.php?p=22821768&postcount=368)

Dragonrage (Zmajev bijes) (http://www.forum.hr/showpost.php?p=22822831&postcount=369)

10 Questions for Woody Allen/Time Magazine (http://www.forum.hr/showpost.php?p=22826180&postcount=371)

Knjiga: Klasici filmskog nasilja (http://www.forum.hr/showpost.php?p=22826767&postcount=372)

Knjiga: Australska kinematografija (http://www.forum.hr/showpost.php?p=22826959&postcount=373)

Glasgow's Finest: work by Caughie, Geraghty, and great e-theses, too (http://www.forum.hr/showpost.php?p=22827349&postcount=374)

AVARY.COM (http://www.forum.hr/showpost.php?p=22828402&postcount=375)

The Matrix
Making the lobby shootout scene in The Matrix
Matrix Chopper Crash - Behind the Scenes
Money + Keanu Reeves Matrix
The Matrix: Behind The Scenes
Making the kung fu fight scene in The Matrix
Making the roof top fight scene in The Matrix
Making the subway fight scene in The Matrix
Making the pod scene in The Matrix (http://www.forum.hr/showpost.php?p=22829024&postcount=376)

DOKuMENTARAC: BERGMAN 7th SEAL
INGMAR BERGMAN INTERVIEW II
Function Disfunction
A tribute to Ingmar Bergman (http://www.forum.hr/showpost.php?p=22830048&postcount=377)

Bruce Lee - The Lost Interview (http://www.forum.hr/showpost.php?p=22831220&postcount=378)

Alejandro Jodorowsky by ScareCrow (http://www.forum.hr/showpost.php?p=22832699&postcount=381)

Pulp Fiction Behind The Scenes (http://www.forum.hr/showpost.php?p=22834094&postcount=382)

Requiem for a Dream
Behind the Scenes: Requiem for a Dream (http://www.forum.hr/showpost.php?p=22834454&postcount=383)

FILMAŠ S NAJBOLJIM WEB STRANICAMA, EVER!
Glavu gore, Rogere, s tobom smo. Izdrži, stari (http://www.forum.hr/showpost.php?p=22834843&postcount=384)

WEB PREPORUKA (http://www.forum.hr/showpost.php?p=22834999&postcount=385)

Documentary on LUCHINO VISCONTI by malosunce (http://www.forum.hr/showpost.php?p=22835077&postcount=386)

Knjiga: 24P (http://www.forum.hr/showpost.php?p=22840847&postcount=387)

Saving Private Ryan
The Making of Saving Private Ryan (http://www.forum.hr/showpost.php?p=22841452&postcount=388)

THE MAKING OF SCARFACE
SCARFACE SCENARIJ/FINAL DRAFT by OLIVER STONE
(markiran rukopisom Stonea, neprocjenjivo! Klikni na slikovni link i skidaj) (http://www.forum.hr/showpost.php?p=22841943&postcount=389)

STAR WARS
BEHIND THE SCENES
Star Wars Documentary
From Star Wars to Jedi: The Making of a Saga
Making of the Computer Graphics for Star Wars (Episode IV)
The Making of Star Wars: Revenge of the Sith (http://www.forum.hr/showpost.php?p=22844135&postcount=390)

CINE-A-CRAZE (http://www.forum.hr/showpost.php?p=22846480&postcount=391)

Where The Wild Things Are
Spike Jonze Intervju
Being John M. Scenarij (http://www.forum.hr/showpost.php?p=22846699&postcount=392)

DOZNAJTE PRVI ŠTO SE KUHA... (http://www.forum.hr/showpost.php?p=22847610&postcount=393)

Stanley Kubrick interview from 1966
A fascinating 75 minute interview with Stanley Kubrick conducted by Jeremy Bernstein in 1966. (http://www.forum.hr/showpost.php?p=22848074&postcount=394)

LE GRAND BLEU (http://www.forum.hr/showpost.php?p=22849184&postcount=396)

MakingOf
Na setu zadnjeg filma braće Coen (http://www.forum.hr/showpost.php?p=22851551&postcount=397)

INTERVJUI
FF. COPPOLA
RAHIN BAHRANI (http://www.forum.hr/showpost.php?p=22852527&postcount=398)

Conan the Barbarian by Scarecrow (http://www.forum.hr/showpost.php?p=22853176&postcount=399)

Chan-Wook Park by Scarecrow (http://www.forum.hr/showpost.php?p=22853594&postcount=400)


http://thumb1.shutterstock.com.edgesuite.net/display_pic_with_logo/323614/323614,1243251504,2/stock-photo-movie-countdown-30856336.jpghttp://thumb1.shutterstock.com.edgesuite.net/display_pic_with_logo/323614/323614,1243251504,2/stock-photo-movie-countdown-30856336.jpg

Odabrao Matt Zoller Seitz (najbolji video eseji!)
Mass Terror on Film
The Evolution of the Modern Blockbuster
A History of Creepy Kids on Film
This Movie Is Trying to Break Your Heart
Point Break Goes to Iraq (http://www.forum.hr/showpost.php?p=22857550&postcount=401)

Coen Brothers Short from Chacun Son Cinema (http://www.forum.hr/showpost.php?p=22858623&postcount=402)

AT THE MOVIES (http://www.forum.hr/showpost.php?p=22859476&postcount=403)

THE BEST OF WIRED VIDEO (http://www.forum.hr/showpost.php?p=22861123&postcount=404)

Knjiga: Nova brutalnost na filmu (http://www.forum.hr/showpost.php?p=22861512&postcount=405)

Basic Filmmaking Techniques
How to Shoot a Fight Scene
Film Noir - 4 Minute Film School
Young Filmmaker Advice:
Sam Raimi, Quentin Tarantino, Robert Rodriguez and Guillermo del Toro offer advice to young filmmakers. (http://www.forum.hr/showpost.php?p=22861758&postcount=406)

Great Scene: "Good Will Hunting"
Good Will Hunting (1997)
Screenplay by Matt Damon and Ben Affleck.
Draft script. (http://www.forum.hr/showpost.php?p=22862636&postcount=407)

David Lynch on ideas, abstractions, and meaning (http://www.forum.hr/showpost.php?p=22863330&postcount=408)

Mudrost braće Coen (http://www.forum.hr/showpost.php?p=22864148&postcount=409)

RASPRODAJA:
Stan Winston’s Terminators, Other Sci-Fi Memorabilia (http://www.forum.hr/showpost.php?p=22864276&postcount=410)

Mania(k), mania(k), to ne može biti svak... (http://www.forum.hr/showpost.php?p=22864566&postcount=411)

Opet manijak, ali kakav "MANIJAK"!
Yeah, baby! With Issue 52, Senses of Cinema launches redesign, RSS, the works... (http://www.forum.hr/showpost.php?p=22864683&postcount=412)

UNREALITY MAGAZINE (http://www.forum.hr/showpost.php?p=22865215&postcount=413)

OČE NAŠ...
Al Pacino (http://www.forum.hr/showpost.php?p=22865788&postcount=414)

10 Best Stalked In Space Films (+Vids) (http://www.forum.hr/showpost.php?p=22866925&postcount=415)

THE nevjerovatno dobar, visokokvalitetan i bogato ilustriran .pdf scan knjige/preporuka. Koristi li se u hrvatskoj kinematografiji uopće prostetika? Zašto ne? Ljudi, pa to je guma - to se kuha doma u loncu! (http://www.forum.hr/showpost.php?p=22867388&postcount=416)

Neprocjenjivo: Al Pacino’s Trials for Godfather (http://www.forum.hr/showpost.php?p=22867661&postcount=417)

VANITY FAIR FILM (http://www.forum.hr/showpost.php?p=22872853&postcount=418)

Knjiga: Fine Cuts (http://www.forum.hr/showpost.php?p=22873144&postcount=419)

The Power Of Film: Anne Frank (http://www.forum.hr/showpost.php?p=22873263&postcount=420)

AFI has posted a slew of new vids, including Sidney Lumet talking about THE GODFATHER, 12 ANGRY MEN... (http://www.forum.hr/showpost.php?p=22873441&postcount=421)

Great blog post by Srikanth Srinivasan on Inglourious Basterds:
'The Grand Illousion' « The Seventh Art (http://www.forum.hr/showpost.php?p=22873747&postcount=422)

Cineobscure is one of my favorite sites. Among other things they offer insightful visual breakdowns of landmark films such as Jaws, War of the Worlds, Christine, Aliens, Braveheart, Raiders of the Lost Ark, Tombstone and of course Schindler’s List. (http://www.forum.hr/showpost.php?p=22874539&postcount=423)

Jedan, jedini i neponovljivi - Andrei Tarkovsky
Video interview
SCULPTING IN TIME - DOWNLOAD KNJIGE (http://www.forum.hr/showpost.php?p=22875607&postcount=424)

Nobody knows anything.
-William Goldman (http://www.forum.hr/showpost.php?p=22876528&postcount=426)

Celuloid je DEFINITIVNO mrtav.
Upoznajte (sve samo ne tihog) ubojicu
(audiovizualni primjeri uključeni/klikajte po fotkama) (http://www.forum.hr/showpost.php?p=22877671&postcount=428)

Harry Alan Towers - More Bang for the Buck! (http://www.forum.hr/showpost.php?p=22878183&postcount=429)

Neprocjenjivo:
Salvador Dali Documentary (http://www.forum.hr/showpost.php?p=22878448&postcount=430)

Documentary : Inside The Mind of Adolf Hitler (BBC) (http://www.forum.hr/showpost.php?p=22879114&postcount=431)

Odabrao Matt Zoller Seitz
Benjamin Button and a passive hero's route toward happiness
The Substance of Style
Wes Anderson and his pantheon of heroes (Schulz, Welles, Truffaut)
Straight Shooting
The righteous heroes and human villains of Budd Boetticher's West (http://www.forum.hr/showpost.php?p=22879574&postcount=432)

Vincent (Short Film) By Tim Burton
Narrated: Vincent Price (http://www.forum.hr/showpost.php?p=22880444&postcount=433)

RED Intervjui (http://www.forum.hr/showpost.php?p=22880587&postcount=434)

Documentary:
Creature Features - The Machines
This is a documentary about the role that robots, cyborgs & artificial humans have played in films since the beginning of cinema.
It touches upon such science fiction icons as Frankenstein, RoboCop & Robbie the robot from the classic film Forbidden Planet. (http://www.forum.hr/showpost.php?p=22881298&postcount=436)

Documentary:
Stanley Kubrick (http://www.forum.hr/showpost.php?p=22882308&postcount=437)

William Friedkin's 13 Scariest Movies (http://www.forum.hr/showpost.php?p=22886424&postcount=438)

WEB PREPORUKA (http://www.forum.hr/showpost.php?p=22886506&postcount=439)

NEPROCJENJIVO: 13 Writing Tips
by Chuck Palahniuk (http://www.forum.hr/showpost.php?p=22886628&postcount=440)

[La Familia]

DISCLAIMER:

The following screenplay(s) are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended.


Klik na fotku/poster za download:


STRANGER THAN FICTION (2006) Screenplay


http://www.reel-men.com/wp-content/uploads/2009/02/stranger-than-fiction.jpg (http://www.mediafire.com/download.php?ntckz2nnelz)

[La Familia]

The Ultimate Guide To Scary Sex Scenes [NSFW]


Napomena: Nije za mlađe od 18 (ajde, nek vam bude - ipak 16)


Spuki šit. Ipak ne, možda prije vrelo inspiracije za kh-kh aktivnosti u spavaćoj?

Draga, čujem da ti tata večeras dolazi na večeru - baš bi mogli probati 11 (http://io9.com/5393334/misc-scary-sex/gallery/11) :D


http://i33.tinypic.com/11ahbiu.png (http://io9.com/5393713/the-ultimate-guide-to-scary-sex-scenes-[nsfw])

[La Familia]

http://i33.tinypic.com/2cdyj3p.png (http://www.mypdfscripts.com/)


DISCLAIMER: Nema ga, sasvim je nepotreban kad su scenariji u pitanju/sasvim legalna rabota. Možda samo za filmove koji još nisu igrali u kinima, prvenstveno iz poštovanja prema autorima. I to vrijedi svugdje u svijetu, samo ne u Hrvatskoj. I dalje (na mreži, za edukacijske svrhe) nije dostupan ni jedan jedini scenarij nekog hrvatskog filma. Sramota neviđena! Svi glume neki Beč: Znaš, nije do mene, o tome odlučuje moj producent, ipak su u pitanju autorska prava, bla, bla. Koji producent, koja autorska prava, čovječe? :ne zna: Pa mi, porezni obveznici, financirali smo ti film! Speaking of witch, jedna moja forumaška frendica kontaktirala je Arsena Ostojića (http://www.arsenantonostojic.com/). Evo što joj je čovjek odgovorio u mailu (to se inače ne radi/javno objavljuje tuđa konverzacija, baš me briga/nije zlonamjerno):

Draga Maja

U pravilu ne posjecujem forume i ne citam sto sve ljudi pisu jer nemam vremena a i poneki komentari su neodgovorni, narocito ako je pravi identitet sriven iza nekakvog korisnickog imena.

Sto se tice Familije, slazem se da ima stvari koje mogu koristit, a to je npr. objava pobjednickog scenarija Ars Septime ili mog scenarija Te divne splitske noci. To doista postaje pitanje autorskih prava jer Ars Septima nema autorska prava na pobjednicke scenarije (ostaju u vlasnistvu scenarista, te treba njihovo odobrenje) a sto se tice mog scenarija to sam doista i mislio objaviti ali u knjizi... mozda ga stavim na sajt... to je doista primjeran scenarij.
U pravilu filmske kuce i autori cuvaju scenarije kao zmije noge, narocito ako jos nisu snimljeni.
pozdrav
arsen

Kako čovjeku objasniti da je debelo u krivu, da se scenariji kao zmija noge čuvaju valjda još jedino u ovoj našoj truloj i pokvarenoj žabokrečini. I kako čoek ne kuži da se dodatnim poticanjem tog skrivanja/neobjavljivanja (već produciranih!) scenarija još i dodatno urušava kvaliteta hrvatskog filma :confused: Nema veze, Arsen će scenarij Te divne Splitske noći objaviti u knjizi, pa će potom neka budala za to izdvojiti 150-tak kunića, jelda? :kava: A nije mi baš ni jasno koji će luđak od hrvatskog izdavača to i htjeti objaviti... Eno Rajka Grlića, čoek u knjizi objavio Tomićev scenarij Karaule. Koliko se tih knjiga/scenarija prodalo? Toliko da sada s tim istim knjigama loži kamin u Istri.


Top Ten Screenplay Downloads


Jennifer's Body (4913) (http://www.mypdfscripts.com/download/358)

(500) Days of Summer (4489) (http://www.mypdfscripts.com/download/118)

Zombieland (3926) (http://www.mypdfscripts.com/download/430)

Informant!, The (3275) (http://www.mypdfscripts.com/download/359)

Moon (2639) (http://www.mypdfscripts.com/download/219)

Invention of Lying, The (aka This Side of the Truth) (1955) (http://www.mypdfscripts.com/download/433)

Ghost Rider (2001.04.11 Goyer Draft) (1935) (http://www.mypdfscripts.com/download/103)

Serious Man, A (1262) (http://www.mypdfscripts.com/download/432)

Hurt Locker, The (845) (http://www.mypdfscripts.com/download/198)

Mr. & Mrs. Smith (Treatment) (733) (http://www.mypdfscripts.com/download/109)

[La Familia]

http://i36.tinypic.com/rbmvj8.jpg (http://images.coveralia.com/audio/b/BSO_Amelie--Frontal.jpg)


Storyboards for Amelie and A Very long Engagement:The importance of Previz


I got my hands on the storyboards for two films of Jean-Pierre Jeunet who is one of my fav directors. Despite being in french, the annotated shooting script with boards is a valuable lesson in the fact that the more prepared a director is while going into the shoot, the more oppurtunities he has to experiment and improvise.

It’s one method of making films and other more freewheeling methods result in equally glorious films as in the case of WKW or Mike Leigh but it’s always better to know what the rules are before breaking them.

Storyboards are an enormous help in communicating to the entire crew what the director’s vision is and even when the final product differs significantly from the original boards as in this case its an invaluable tool.

JPJ did the storyboards himself but here in Hollywood there is an entire industry of highly skilled and paid artists who help the director put their vision on paper before they can transfer it to celluloid.

Enjoy !!!


:jumping:


Klik na fotku storyboarda za učitavanje/download:


http://i35.tinypic.com/4uia1f.png (http://passionforcinema.com/wp-content/uploads/2008/09/AMELIE.pdf)


http://i38.tinypic.com/5c15js.jpg (http://history.sandiego.edu/GEN/filmnotes/images3/verylong01.jpg)


http://i33.tinypic.com/29gii35.png (http://passionforcinema.com/wp-content/uploads/2008/09/A%20VERY%20LONG%20ENGAGEMENT.pdf)

[La Familia]

FANTASTIČNO NEŠTO... YOU KNOW, FOR KIDS!


http://i33.tinypic.com/11maxj6.png (http://www.youknow-forkids.com/index.htm)


Ja odmah prstima obje ruke u pekmez/sekciju scenarija braće Coen, :klopa:


Blood Simple
Raising Arizona (http://www.youknow-forkids.com/bloodsimple.txt)
Miller's Crossing (http://www.youknow-forkids.com/millerscrossing.txt)
Barton Fink (http://www.youknow-forkids.com/bartonfink.txt)
The Hudsucker Proxy (http://www.youknow-forkids.com/hudsuckerproxy.txt)
Fargo (http://www.youknow-forkids.com/fargo.txt)
The Big Lebowski (http://www.youknow-forkids.com/biglebowski.txt)
O Brother, Where Art Thou? (http://www.youknow-forkids.com/obrotherwhereartthou.txt)
The Man Who Wasn't There (http://www.youknow-forkids.com/manwhowasntthere.txt)
Intolerable Cruelty (http://www.youknow-forkids.com/intolerablecruelty.txt)
The Ladykillers (http://www.youknow-forkids.com/ladykillers.txt)
No Country For Old Men (http://www.youknow-forkids.com/nocountryforoldmen.txt)


Ostalo otkrivajte sami. Samo oprez, draga djeco, sve je prepuno slatkiša :D

[La Familia]

An Attempted Description of an Indescribable Film
BY WIM WENDERS


The following, written in 1986, is from the first treatment for Wings of Desire.


https://s3.amazonaws.com/criterion_images/current/current_1238_074.jpg (http://www.criterion.com/current/posts/1289)

[Scarecrow]

INFlow's Sceenplay Repository (http://corky.net/scripts/)


script-o-rama (http://www.script-o-rama.com/table.shtml)

The Independents (http://www.godamongdirectors.com/)

[La Familia]

Discover the stunning film posters of Norwegian designer Egil Haraldsen (http://www.exil.no/)


http://www.exil.no/images/upload/675/h/68982.jpg (http://www.exil.no/?68982)

He, he, eto i Jasmine Žbanić (http://www.imdb.com/name/nm1120092/) sutra na topicu, mark my words:

http://www.exil.no/images/upload/675/h/68977.jpg (http://www.exil.no/?68977)

http://www.exil.no/images/upload/675/h/70037.jpg (http://www.exil.no/?70037)

http://www.exil.no/images/upload/675/h/68971.jpg (http://www.exil.no/?68971)

http://www.exil.no/images/upload/675/h/69088.jpg (http://www.exil.no/?69088)

http://www.exil.no/images/upload/675/h/70036.jpg (http://www.exil.no/?70036)

http://www.exil.no/images/upload/675/h/44980.jpg (http://www.exil.no/?44980)

http://www.exil.no/images/upload/675/h/44982.jpg (http://www.exil.no/?44982)

http://www.exil.no/images/upload/675/h/68975.jpg (http://www.exil.no/?68975)

http://www.exil.no/images/upload/675/h/45005.jpg (http://www.exil.no/?45005)


Svi posteri/komplet ovdje (http://www.exil.no/index.html?45012).

[La Familia]

NEPROCJENJIVO: Debating Haneke (and Brecht)


https://auteursnotebook.s3.amazonaws.com/daily/theauteursdaily.png

https://auteursnotebook.s3.amazonaws.com/daily/110209haneke718.jpg (http://www.theauteurs.com/notebook/posts/1222)


NYFF '09: Michael Haneke discusses THE WHITE RIBBON


http://i38.tinypic.com/20u1oxg.png (http://www.youtube.com/watch?v=T_8XEXROjGA)

[La Familia]

http://i38.tinypic.com/egxopy.jpg (http://www.monitor.hr/vijesti/forum-hr-samo-za-okorjele-filmske-entuzijaste/130408/)


INDEX (12-14)


Napomena: Ovo je samo za prvu silu/lakše snalaženje. Svi postovi na temi u narednih će nekoliko dana biti kategorizirani/abecedno složeni. Nadalje, linkovi na index topica uglavljeni su u moj potpis (iznad maila), opet radi vašeg lakšeg snalaženja.


http://thumb15.shutterstock.com.edgesuite.net/display_pic_with_logo/212605/212605,1227991305,4/stock-vector-vector-film-countdown-number-21264586.jpghttp://thumb15.shutterstock.com.edgesuite.net/display_pic_with_logo/212605/212605,1227991305,6/stock-vector-vector-film-countdown-number-21264589.jpg


Interview: Robert Siegel (http://www.forum.hr/showpost.php?p=22886691&postcount=441)

Documentary: The Real Vlad Dracula (http://www.forum.hr/showpost.php?p=22886760&postcount=442)

Intervju s još jednim VAMPIROM
(čini se da je i ovaj "besmrtan")
Documentary: The Shrinking World of L. Ron Hubbard (http://www.forum.hr/showpost.php?p=22887163&postcount=443)

Now nine months into 2009, with hundreds of titles screened, I say quite confidently that this is the film of the year. (http://www.forum.hr/showpost.php?p=22887524&postcount=444)

Short Film: Butterfly Circus (http://www.forum.hr/showpost.php?p=22887817&postcount=445)

Samuel L. Jackson: The Lost Titanic Screen Test (http://www.forum.hr/showpost.php?p=22888005&postcount=446)

KREATIVNOST (http://www.forum.hr/showpost.php?p=22888923&postcount=447)

BBC: Guide to making Short Films (http://www.forum.hr/showpost.php?p=22889048&postcount=448)

NEWS SHOOTER (http://www.forum.hr/showpost.php?p=22889521&postcount=449)

Battle of the High Resolution Vixens:
Megan Fox v. Kate Beckinsale (http://www.forum.hr/showpost.php?p=22889844&postcount=450)

BUSINESS OF SHOW INSTITUTE (http://www.forum.hr/showpost.php?p=22890551&postcount=451)

A slice of David Lynch
David Lynch on Product Placement
David Lynch at AFI Dallas Film Festival
MASTERCLASS: David Lynch (http://www.forum.hr/showpost.php?p=22890896&postcount=452)

The Amputee (1974) -- Kratki film Davida Lyncha (http://www.forum.hr/showpost.php?p=22891143&postcount=453)

DOKUMENTARAC: Creature Features - The Beasts
This is a documentary about the role that animals & fabled creatures have played in films since the beginning of cinema. It features excerpts from classic films like The Birds, King Kong, The Fly & Them to modern films like Alien, Jaws & The Elephant Man. (http://www.forum.hr/showpost.php?p=22891664&postcount=454)

Triumph of the Will
by Leni Riefenstahl (http://www.forum.hr/showpost.php?p=22892300&postcount=455)

Video interview: William Peter Blatty
(The Ninth Configuration) (http://www.forum.hr/showpost.php?p=22895765&postcount=456)

Najgora filmska zatvaranja (http://www.forum.hr/showpost.php?p=22896103&postcount=457)

SAGA SE NASTAVLJA...
DLF.TV: David Lynch on Product Placement (http://www.forum.hr/showpost.php?p=22896688&postcount=458)

"Modna linija" Tima Burtona (http://www.forum.hr/showpost.php?p=22897080&postcount=459)

“The best publication on film in the English language” (http://www.forum.hr/showpost.php?p=22897433&postcount=461)

Matt Smith's INCREDIBLY VIOLENT deleted scene from IN BRUGES (http://www.forum.hr/showpost.php?p=22897842&postcount=462)

DAVID LYNCH BIG INTERVIEW (http://www.forum.hr/showpost.php?p=22900445&postcount=463)

Interview: Terry Rossio (http://www.forum.hr/showpost.php?p=22901408&postcount=465)

REPLAY
Gilliam: "All artists have the potential of being Hitler." (http://www.forum.hr/showpost.php?p=22904317&postcount=467)

MISTERIJ BRAĆE COEN (http://www.forum.hr/showpost.php?p=22904476&postcount=468)

PIXAR TJEDAN (http://www.forum.hr/showpost.php?p=22904990&postcount=469)

MAPA ŽIVOTA JEDNOG SCENARISTE (http://www.forum.hr/showpost.php?p=22905152&postcount=470)

USAMLJENA TASTATURA (http://www.forum.hr/showpost.php?p=22906591&postcount=471)

Short films by the director Neill Blomkamp ("District 9")
(which are less alieny, and more robotty) (http://www.forum.hr/showpost.php?p=22906815&postcount=472)

How films are(n't) made
Kevin Smith: Sellling Out And Salty Language
Kevin Smith talking about his experiences working on an abortive relaunch of Superman with legendarily not-quite-right producer Jon Peters.
Official blog Kevina Smitha (luđak na n-tu) (http://www.forum.hr/showpost.php?p=22907439&postcount=473)

"What makes you think smarter are limitations"
Fascinating interview with Andrew Stanton, director of Wall-E and Finding Nemo, on the success of Pixar, telling a good story, why people try and put animation in a box and many many other things.
Thirty seven minutes long, and if you're interested in any of the above topics, absolutely worth your time.
Pixar - A Human Story of Computer Animation (http://www.forum.hr/showpost.php?p=22908589&postcount=474)

DP/30 - Mickey Rourke, The Wrestler
David Poland sits down for a chat with Mickey Rourke; the man, the legend, the Oscar contender for his performance in Darren Aronofsky's The Wrestler. (http://www.forum.hr/showpost.php?p=22909414&postcount=475)

DP/30 - Michael Haneke: The Beginning (HD)
Print Intervju (http://www.forum.hr/showpost.php?p=22910207&postcount=476)

Filmmaker Magazine Blog
indieWIRE blogs (http://www.forum.hr/showpost.php?p=22912828&postcount=477)

DIABLO CODY I JASON REITMAN VIDEO INTERVJU (http://www.forum.hr/showpost.php?p=22913820&postcount=478)

M - Eine Stadt sucht einen Moerder (1931) -- stream cijelog filma
Scenarij
Fritz Lang's 'M' from Cyberoach.com
Recent Washington Post review (which won some journalist award.)
Murder Among Us commentary on M
SCREENSHOTS (http://www.forum.hr/showpost.php?p=22914554&postcount=479)

Script Shadow (http://www.forum.hr/showpost.php?p=22914647&postcount=480)


http://thumb15.shutterstock.com.edgesuite.net/display_pic_with_logo/212605/212605,1227991305,4/stock-vector-vector-film-countdown-number-21264586.jpghttp://thumb15.shutterstock.com.edgesuite.net/display_pic_with_logo/212605/212605,1227991305,8/stock-vector-vector-film-countdown-number-21264592.jpg


Screenwriting & Editing: The Shawshank Redemption (http://www.forum.hr/showpost.php?p=22915360&postcount=481)

Robert Town Intervju (http://www.forum.hr/showpost.php?p=22918137&postcount=482)

'A Serious Man'
SCENARIJ/DOWNLOAD
Coenbrothers.net (http://www.forum.hr/showpost.php?p=22919752&postcount=483)

TERRY GILLIAM VIDEO INTERVIEW (http://www.forum.hr/showpost.php?p=22921488&postcount=484)

How Werner Herzog can change your life
My Best Fiend (German: Mein liebster Feind - Klaus Kinski, literally My Dearest Enemy - Klaus Kinski) is a 1999 documentary film by Werner Herzog about his tumultuous yet productive relationship with German actor Klaus Kinski.
La Soufriere. A short film by Werner Herzog, filmed near a raging volcano.
God's Angry Man (1980). This very rare short film by Werner Herzog profiles the radio preacher, Dr. Gene Scott.
Herdsmen of the Sun. A short film by Werner Herzog.
Werner Herzog et Avital Ronell - Conférence Centre Pompidou (http://www.forum.hr/showpost.php?p=22922655&postcount=485)

Gavin McInnes released his short film from Sundance, entitled ASSHOLE, to the web masses. (http://www.forum.hr/showpost.php?p=22923144&postcount=486)

KNJIGU U RUKE! (http://www.forum.hr/showpost.php?p=22923387&postcount=487)

Top 10 horora koji to nisu (http://www.forum.hr/showpost.php?p=22926609&postcount=488)

"Ovdje će te cijeniti jedino kad krepaš" (http://www.forum.hr/showpost.php?p=22926837&postcount=489)

Strictly Film School great section on visuals (http://www.forum.hr/showpost.php?p=22927563&postcount=490)

Michael Haneke: A Ribbon of Links (!!!) (http://www.forum.hr/showpost.php?p=22930034&postcount=491)

CAHIERS DU CINEMA (http://www.forum.hr/showpost.php?p=22930247&postcount=492)

202 URADI SAM Filmmaking Tutorials
Horror Filmmaking: From Script to Scream
404 Avid Tutorials
111 Free Filmmaking Tools
505 Behind The Scenes Videos
588 Free Film Contracts and Forms
55 Celtx Tutorials
202 Adobe Premiere Pro Tutorials
1001 Adobe After Effects Tutorials
144 After Effects Plug-Ins
202 Final Cut Pro Tutorials
202 Sony Vegas Tutorials
Horror Filmmaking: From Script to Scream
155 Screenplay Formating Tutorials
5555 Writing Tips and Resources (http://www.forum.hr/showpost.php?p=22936183&postcount=493)

“People have forgotten how to tell a story.
Stories don’t have a middle or an end any more.
They usually have a beginning that never stops beginning.”
–Steven Spielberg (http://www.forum.hr/showpost.php?p=22937214&postcount=494)

Screens per million population (2007-08) (http://www.forum.hr/showpost.php?p=22937556&postcount=495)

MakingOf Videos (http://www.forum.hr/showpost.php?p=22938087&postcount=496)

Sneak Peek:
One Minute From Harmony Korine’s “Trash Humpers” (http://www.forum.hr/showpost.php?p=22938834&postcount=497)

Kada glazba susreće filmove (http://www.forum.hr/showpost.php?p=22939031&postcount=498)

WIRED FILM SELEKCIJA (http://www.forum.hr/showpost.php?p=22942611&postcount=499)

Dead Copycats Blog (http://www.forum.hr/showpost.php?p=22943565&postcount=500)

A FILM ISSUE (!!!) (http://www.forum.hr/showpost.php?p=22944204&postcount=501)

'Afterschool' (http://www.forum.hr/showpost.php?p=22945480&postcount=502)

An Education (http://www.forum.hr/showpost.php?p=22946478&postcount=503)

UĐITE U PIXAR (!!!) (http://www.forum.hr/showpost.php?p=22946863&postcount=504)

The Robert Rodriguez 10 Minute Film School
Film Is Dead
The Art of making the Movie (http://www.forum.hr/showpost.php?p=22949852&postcount=505)

HITCHCOCK GEEK (http://www.forum.hr/showpost.php?p=22951113&postcount=506)

SPIKE JONZE
INTERVIEW BY SHANE SMITH (http://www.forum.hr/showpost.php?p=22951356&postcount=507)

20 PIXAROVIT TRENUTAKA ZA PAMĆENJE (http://www.forum.hr/showpost.php?p=22956910&postcount=508)

VANJA ČERNJUL (http://www.forum.hr/showpost.php?p=22957968&postcount=509)

FILMLESS FILM NOIR (http://www.forum.hr/showpost.php?p=22958094&postcount=510)

Roger Ebert is now on Twitter (http://www.forum.hr/showpost.php?p=22958264&postcount=511)

THE HOLLYWOOD INTERVIEW (!!!) (http://www.forum.hr/showpost.php?p=22959965&postcount=513)

The Making of The Shining
With commentary from Vivian Kubrick (http://www.forum.hr/showpost.php?p=22960407&postcount=514)

SUSAN SONTAG (http://www.forum.hr/showpost.php?p=22962476&postcount=515)

KUBRICKOVI (NE)OTKRIVENI DOKUMENTI/DOWNLOAD (http://www.forum.hr/showpost.php?p=22962658&postcount=516)

KUBRICKOVE KUTIJE (http://www.forum.hr/showpost.php?p=22962841&postcount=517)

THE MAN WHO STARE AT GOATS
Autor Knjige
Prvo poglavlje knjige (http://www.forum.hr/showpost.php?p=22963091&postcount=518)

MakingOf (http://www.forum.hr/showpost.php?p=22963917&postcount=519)

Velika kolekcija "high-ress" filmskih portreta (http://www.forum.hr/showpost.php?p=22964272&postcount=520)


http://thumb18.shutterstock.com.edgesuite.net/display_pic_with_logo/163675/163675,1223064472,2/stock-photo-countdown-numbers-18340267.jpghttp://thumb7.shutterstock.com.edgesuite.net/display_pic_with_logo/163675/163675,1223064665,3/stock-photo-countdown-numbers-18340276.jpg


On the Creepy Alluring Art of the Follow Shot
by Matt Zoller Seitz (http://www.forum.hr/showpost.php?p=22964781&postcount=521)

Is Steve McQueen Really That Cool?
by Matt Zoller Seitz (http://www.forum.hr/showpost.php?p=22964895&postcount=522)

10 Kingovih priča koje treba ekranizirati! (http://www.forum.hr/showpost.php?p=22965046&postcount=523)

DNEVNIK ROGERA EBERTA (http://www.forum.hr/showpost.php?p=22965280&postcount=524)

The Internet Guide to the Movie Addict (http://www.forum.hr/showpost.php?p=22965484&postcount=525)

Fictional Dystopias (http://www.forum.hr/showpost.php?p=22967358&postcount=526)

Seven Thoughts on Our First Hell-Ride Through Filmmaking (http://www.forum.hr/showpost.php?p=22967552&postcount=527)

Cinema ViewFinder (http://www.forum.hr/showpost.php?p=22968696&postcount=528)

SERGIO THE! LEONE (http://www.forum.hr/showpost.php?p=22968745&postcount=529)

Film Quarterly (http://www.forum.hr/showpost.php?p=22969037&postcount=530)

"The movie theater is a miniature mental asylum." (http://www.forum.hr/showpost.php?p=22969159&postcount=531)

VIDEO: A Conversation With Oliver Stone
The filmmaker discusses his upcoming sequel to "Wall Street," which begins production this week in New York. (http://www.forum.hr/showpost.php?p=22969360&postcount=532)

TURBO THE MOVIE (http://www.forum.hr/showpost.php?p=22970814&postcount=533)

Zanimljiv intervju s Tomom Waitsom povodom izlaska filma The Imaginarium of dr Parnasuss by electro cute (http://www.forum.hr/showpost.php?p=22971106&postcount=534)

Francis Ford Coppola looks back at The Godfather films and Apocalypse Now and talks about his childhood bout with polio. (http://www.forum.hr/showpost.php?p=22974218&postcount=535)

Quentin Tarantino:
Filmmaker explains what it means to be a storyteller and why it makes his movies unique. (http://www.forum.hr/showpost.php?p=22974406&postcount=536)

PREPORUKA (http://www.forum.hr/showpost.php?p=22975104&postcount=537)

CHINATOWN VIDEO INTERVIEW (http://www.forum.hr/showpost.php?p=22975365&postcount=538)

Idu Ameri vraga gore tražiti vodu: Sve što vidite u ovom sjajnom dokumentarcu gole su, znanstveno dokazive, činjenice (http://www.forum.hr/showpost.php?p=22976928&postcount=539)

Vubil se je, a bil je tak mlad.
Posljednji ispraćaj dragog nam pokojnika... (http://www.forum.hr/showpost.php?p=22977561&postcount=540)

BREAKING NEWS: New Pixar Movie!
Directed by Stephen Fry (http://www.forum.hr/showpost.php?p=22977769&postcount=541)

DOKUMENTARAC BY BBC (FULL): Six Degrees of Separation (http://www.forum.hr/showpost.php?p=22979122&postcount=542)

Newsweek's big interview with Maurice Sendak, Dave Eggers and Spike Jonze (http://www.forum.hr/showpost.php?p=22982563&postcount=543)

The Unofficial Soundtrack* to the 2009 New York Film Festival
(*download je legalan) (http://www.forum.hr/showpost.php?p=22982696&postcount=544)

2 or 3 Things Bertolucci Knows About Godard (http://www.forum.hr/showpost.php?p=22982879&postcount=545)

Histoire(s) d'aftershave -- Jean-Luc Godard and Jean-Pierre Gorin (http://www.forum.hr/showpost.php?p=22983066&postcount=546)

NEVJEROVATNO DOBRE STVARI (http://www.forum.hr/showpost.php?p=22983515&postcount=547)

Five and a Half Minutes in the City of Sylvia (http://www.forum.hr/showpost.php?p=22983713&postcount=548)

Is On the Waterfront Really a McCarthyite Film?
by Matt Zoller Seitz (http://www.forum.hr/showpost.php?p=22984044&postcount=549)

FuckinFantastic vodič kroz francusku kinematografiju (http://www.forum.hr/showpost.php?p=22984461&postcount=550)

“No more happy endings!” (http://www.forum.hr/showpost.php?p=22985583&postcount=552)

WEB PREPORUKA (http://www.forum.hr/showpost.php?p=22986535&postcount=553)

Go Into The Story (http://www.forum.hr/showpost.php?p=22987168&postcount=554)

David Mamet's OLEANNA returns to Broadway.
Erik Piepenburg (NYT) talks with Bill Pullman and Julia Stiles (http://www.forum.hr/showpost.php?p=22987285&postcount=555)

WEB PREPORUKA:
10 little known facts about Hitch (http://www.forum.hr/showpost.php?p=22987520&postcount=556)

KAKO IZ ČOVJEKA NAJLAKŠE IZVUĆI $35.96 (http://www.forum.hr/showpost.php?p=22989704&postcount=557)

Jedan od NAJBOLJIH karakternih glumaca, EVER! (http://www.forum.hr/showpost.php?p=22990225&postcount=558)

Nasty Old People (http://www.forum.hr/showpost.php?p=22991668&postcount=559)

KNJIGA: The Soundtrack (http://www.forum.hr/showpost.php?p=22993577&postcount=560)

[La Familia]

http://media.avclub.com/img/avclub/logos/avclub_logo.png

Get omnibus: 17 salvageable segments from multiple-director anthology movies


http://media.avclub.com/images/articles/article/34803/fantasia_jpg_595x325_crop_upscale_q85.jpg (http://www.avclub.com/articles/get-omnibus-17-salvageable-segments-from-multipled,34803/)

[La Familia]

The coolest stuff you're likely to see today!
Pixar releases Art Deco inspired UP posters!


Ahoy, squirts! Quint here. If you didn’t need any other reason to love PIXAR, check out these awesome retro UP poster made to celebrate the release of the DVD and Blu-Ray.

I know you’ll want these big, so click for massive wall-paper size. Enjoy!


Daklem, za one koji ne razumiju lengviđ - kliknite na fotke za punu rezoluciju/download istih (+dvije na kraju posta). Nda, sjajnoj ekipi iz Pixara jedno veliko HVALA za ovo (nećak Luka, 6, već im piše mail btw :D).


http://www.aintitcool.com/images2009/retroUP2sm.jpg (http://www.aintitcool.com/images2009/retroUP2.jpg)

http://www.aintitcool.com/images2009/retroUP3sm.jpg (http://www.aintitcool.com/images2009/retroUP3.jpg)

http://www.aintitcool.com/images2009/retroUP4sm.jpg (http://www.aintitcool.com/images2009/retroUP4.jpg)

http://www.aintitcool.com/images2009/retroUP5sm.jpg (http://www.aintitcool.com/images2009/retroUP5.jpg)

http://www.aintitcool.com/images2009/retroUP7sm.jpg (http://www.aintitcool.com/images2009/retroUP7.jpg)

http://www.aintitcool.com/images2009/retroUP8sm.jpg (http://www.aintitcool.com/images2009/retroUP8.jpg)


There’s also these two which for some reason I couldn’t edit down to web-size without the process messing up the image, but are too cool not to include so enjoy: Click here for some awesome art deco dogs! (http://www.aintitcool.com/images2009/retroUP1.jpg) and here for Kevin! (http://www.aintitcool.com/images2009/retroUP6.jpg).

Now if only they made these as alternate DVD or Blu-Ray covers, with printable full wrap-arounds we could download… I’d totally either pick that final picture. Adventure is out there!

[La Familia]

http://www.artofthetitle.com/v3/wp-content/themes/grid_focus/images/ats_logo_web.png (http://www.artofthetitle.com/2009/11/02/single-take-titles-part-1-the-classics/)


Single Take Titles, Part 1: The Classic(s)


It is a feat of power and vision, flexibility and choreography; it is mere, awe-inducing movement that is beyond description; that thing you need to see for yourself. What would it be like to hold the camera and do this? To push the story, to really exert a vision, to strain the frame in service to it.

The liquid-like immersion into story deepens with these shining selections of streaming sight lines.

We have a few categories we’ll break out over the coming months. In keeping with the long “single take” theme, we are going to take our time with this feature post. When we are near the end we will put a call out for suggestions. Until then, tuck away your title lists and revisit your favorite films.


http://www.artofthetitle.com/media/film/1992/player_contact.jpg (http://www.artofthetitle.com/2009/11/02/single-take-titles-part-1-the-classics/)


THE PLAYER

A self-referential introduction to the world of make believe, the opening single take sequence to Robert Altman’s “The Player” is a formula-bending ode to a classic. Altman’s wonderful analog parlor patter follows the scenery as the storyline unfolds between storylines. Clever quickly turns classic as something that is more visual flourish than acerbic satire. The sequence segues nicely to the next title in this ongoing “Single Take Titles” feature post.

From the 1997 New Line Platinum Series DVD, Robert Altman on The Player:

“I had to set up the movie studio and wanted to set up the characters that we were going to be dealing with and I wanted to get the audience’s attention, to tell them that they had to pay attention. And I actually built a scale model of the set with a crane to see where I could go. Then we choreographed all the positions. We introduced this [film] in one reel, which was nine minutes.

All of the various things that happen were all planned pretty well, but none of the dialog was. It was all improvised…We did about 15 takes, with 11 microphones. We rehearsed it for a day, we lit it and came back the next day, which was a Sunday, and we shot it in half a day. It turned out to be a very efficient way to get ten minutes of film. And you save your editor’s fee. It’s a very conceited thing, this shot with no cuts, it draws attention; it’s of the mode of people who make pictures. It is showing off. It sets the picture up…it’s like music [in that] it tells you what kind of deal you’re in. It’s a satire on the way people behave in these movie studios.

There was such a fuss about it. People were afraid I was going to do this or that. The more afraid they got, the more ideas they gave me. Looking back on this picture, it is a pretty tame satire. This is no big indictment. Things are much, much worse than this picture seems to say. The truth of the matter is I cannot make the kind of movies [Hollywood] wants to make. The kind of movies that I like to make, and can make, and make are not the kind of films they know how to distribute. So we basically aren’t in the same business. There’s no point in calling me to make a pair of gloves for you when I make shoes.”


http://www.artofthetitle.com/media/film/50s/touch_of_evil_contact.jpg (http://www.artofthetitle.com/2009/11/02/single-take-titles-part-1-the-classics/)


TOUCH OF EVIL

Ticking tension takes a ride.

A classic Mexican mop up with bang bang follow-through, the opening sequence to Orson Welles’ “Touch of Evil” is the granddaddy of the long take title. Every element is note perfect, from the off screen, ambling death psychology of a 1956 Chrysler New Yorker to the protagonists’ own circumnavigation at the mention of “the Grandi business.”

Note that the theatrical version has titles and the music is different than the restored version that is said to be closer to Welles’ vision (and without credits).

[La Familia]

http://i33.tinypic.com/axy549.png (http://www.littlewhitelies.co.uk/)


http://e1.simplecdn.net/lwlies.imgs/header/digi-mini-banner.png (http://digital.littlewhitelies.co.uk/magazine/25/)

[La Familia]

http://www.filmmakermagazine.com/imagesNEW/dark_blue_logo.gif (http://www.filmmakermagazine.com/)


ISN'T SHE?...


Jamie Stuart uses the latest edition of Apple's Final Cut Studio to create the short Isn't She?..., an ode to John Hughes that follows a day in the life of Claire (Lauren Currie Lewis) as she tries to claim unemployment insurance.

Running time: 15:23

Visit Jamie's site at www.mutinycompany.com. (http://mutinycompany.com/)

Learn more about the songs in the short at www.ediesedgwick.biz (http://www.ediesedgwick.biz/)

Read parts 1 & 2 of Jamie's review of Final Cut Studio.

See how Jamie created the visual effects here (http://mutinycompany.com/isntshe/isntshevfx.mov).


http://i37.tinypic.com/sfuy3l.png (http://www.filmmakermagazine.com/filmmakervideos/2009/10/isnt-she.php)


HOW THEY DID IT: ISN'T SHE?...


Or I should say, how he did it.

Here, Jamie Stuart breaks down the visual effects and tweaks he did for his short, Isn't She?..., through Final Cut Studio and Photoshop.


http://i36.tinypic.com/23u6jkg.png (http://www.filmmakermagazine.com/blog/2009/11/how-they-did-it-isnt-she_02.php)


@dragonrage


Ako uhvatiš vremena, molim te, pogledaj te materijale.

[La Familia]

101 Best Of MM Articles! (http://mysterymanonfilm.blogspot.com/2009/11/101-best-of-mm-articles.html)


MM nikad me nije prestao oduševljavati, nevjerovatan tip. Da se pohvalim: jedan sam od rijetkih koji zna za njegov pravi identitet. Nažalost, nisam vam ga u mogučnosti otkriti (recimo da se radi o poprilično velikoj zvjerki u US&A, :D).

Ispred vas nalazi se The Best of the Best kolekcija by njegovo Veličanstvo. Iskoristite svo to znanje - nema te filmske škole na svijetu koja vam može pružiti više...


http://3.bp.blogspot.com/_kZREEb7YA8E/SvCOXCKct1I/AAAAAAAAFPs/Vt9h94ghMng/s320/MMmaybe.jpg


Hey guys,

I’m back for one last post – links to 101 of my best articles!

Who needs film school?

-MM


http://1.bp.blogspot.com/_kZREEb7YA8E/SRJ738iRZJI/AAAAAAAADBM/YLpVBSGjtlo/s320/Shoes.JPG


Cinematic Storytelling (http://mysterymanonfilm.blogspot.com/2007/06/cinematic-storytelling.html)
I read Cinematic Storytelling (http://www.amazon.com/dp/193290705X?tag=mysmanonfil-20&camp=14573&creative=327641&linkCode=as1&creativeASIN=193290705X&adid=07QQ886PBV9DE3NMA3Y7&), which was written by the great Jennifer Van Sijll, and I just LOVED IT. This should be in the library of every aspiring screenwriter on the planet and every single technique should be memorized backwards and forwards. Period. This book is exactly what the screenwriting community needs right now.

The Art of Visual Storytelling (http://mysterymanonfilm.blogspot.com/2007/07/art-of-visual-storytelling.html)
…reminds me of a quote by Ingmar Bergman’s Swedish cinematographer, Sven Nykvist: The truth always lies in the character’s eyes. It is very important to light so the audience can see what’s behind each character’s eyes. That’s how the audience gets to know them as human beings. It opens up their souls.

Visual Storytelling, Part II (http://mysterymanonfilm.blogspot.com/2007/07/visual-storytelling-part-ii.html)
To sum it up - if we are to take from all of those straight, rigid lines that John, like Harry Caul, is perhaps a rational, technically competent, detached, and remote individual, then the image on the television tells us that there is something very disturbing at the core of his "dilemma."

The Completely Visual Screenplay (http://mysterymanonfilm.blogspot.com/2007/11/completely-visual-screenplay.html)
Creative writing exercises are good for the writer's soul. We never do them enough. Billy Wilder did "limbering up writing exercises" every morning of his life by imagining more and more original ways in which a young couple could meet for the first time.

Write the Shots! (http://mysterymanonfilm.blogspot.com/2007/11/write-shots.html)
It’s not enough that we, as screenwriters, must have a god-like knowledge about the story we wrote and about the art of storytelling, characters, dialogue, and structure. Screenwriters are filmmakers, too, and we have to think like filmmakers and endeavor to render our stories CINEMATICALLY, which means that we should write the shots.

Locations, Locations, Locations (http://mysterymanonfilm.blogspot.com/2007/12/locations-locations-locations.html)
It is such a pet peeve of mine when writers are so thoughtless, unoriginal, and uncreative about locations in their scripts. (Or they keep returning to the same boring location again and again. Or a protagonist goes halfway around the world to Italy only to spend the majority of the time in a hotel room. Are you kidding me..?)

Examples of Cinematic Storytelling (http://mysterymanonfilm.blogspot.com/2008/02/examples-of-cinematic-storytelling.html)
Reading this for the first time was such a revelation to me. I love the way Towne uses Secondary Headings to cut back and forth between Gittes and Mulwray. In the hands of lesser writers, this sequence could have been a bear to read and follow. With a pro like Robert Towne, it’s simple, seamless, and visual. As far as I’m concerned, there was no other way to write this sequence.

More Cinematic Storytelling (http://mysterymanonfilm.blogspot.com/2008/02/more-cinematic-storytelling.html)
This is brings to mind the scene in Citizen Kane, where Kane, having just learned from his guardian, Thatcher, that the crash of ’29 wiped out his estate, paces along the Z-Axis and walks from the foreground to the background and back to the foreground again. Orson Welles communicated visually without one word of dialogue that Kane had returned to a state of boyhood. Great!

Minghella on the Page (http://mysterymanonfilm.blogspot.com/2008/03/minghella-on-page.html)
I love the simplicity of this visual statement about Ripley. The light and darkness say it all about Ripley’s arc with crystal clarity. This is also the one and only time I can recall Minghella actually referencing the camera.

Kieslowski’s Blue (http://mysterymanonfilm.blogspot.com/2008/09/visual-storytelling-kieslowskis-blue.html)
Throughout the film, you’d see blue lights reflected on her face, particularly the glass crystals she carried with her, which she ripped from the blue chandelier that hung in her daughter’s bedroom. That was the only thing from her past she could not let go. The light on her face signified the ghosts of her past, the presence of memory.

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http://3.bp.blogspot.com/_kZREEb7YA8E/SvCEA33NLXI/AAAAAAAAFOo/QVfC5XRv2Uc/s320/Charlize_Theron3.jpg


Art of CHARACTER DEPTH! (http://mysterymanonfilm.blogspot.com/2006/09/character-depth-articles.html)
As I’m sure all of you fanatical students of screenwriting know, one of the ways you create depth is by constructing contradictions in the character. For example, a character talks one way but BEHAVES another way. Or a character ACTS one way but at his/her core, that person’s True Character is in fact, something very different.

See my character depth descriptions of Cyrano de Bergerac (http://mysterymanonfilm.blogspot.com/2006/09/cyrano-de-bergerac.html), Michael Corleone (http://mysterymanonfilm.blogspot.com/2006/11/character-depth-michael-corleone.html), and Lois Lane (http://mysterymanonfilm.blogspot.com/2006/10/character-depth-lois-lane.html).

Character Development Sheet (http://mysterymanonfilm.blogspot.com/2007/03/character-development-sheet.html), which includes articles on Backstory, Character Goals, Inner Conflict, Character Arc, Character Depth, and Cast Design.

-----------------------------------------------

http://2.bp.blogspot.com/_kZREEb7YA8E/SvCEvLbLGpI/AAAAAAAAFOw/PMKt0kIXiww/s320/MysteryMan_by_DaemonGFXvoid.jpg


A 9-Part Script Review on Stanley Kubrick’s Napoleon (http://mysterymanonfilm.blogspot.com/2007/02/stanley-kubricks-napoleon.html)
Time and again, in scene after scene, Stanley uses his own style of poetic cinema in which he shows us one thing on the screen but he makes us hear something quite different that undercuts the meaning of what we are seeing.

Batman vs. Superman (Part One (http://mysterymanonfilm.blogspot.com/2008/01/script-review-batman-vs-superman.html) & Part Two (http://mysterymanonfilm.blogspot.com/2008/01/part-2-batman-vs-superman.html))

A 3-part series on Batman: Year One (http://mysterymanonfilm.blogspot.com/2008/09/batman-year-one.html)

A 3-part series on Clash of the Titans (http://mysterymanonfilm.blogspot.com/2008/11/clash-of-titans-complete-series.html)

A 3-part series on Hitman (http://mysterymanonfilm.blogspot.com/2007/10/hitman-complete-series.html)

Ikiru

Fahrenheit 451

Donner's impeccalbe vision of Superman II

That notorious "Crossroads" Review

How to Write a Constructive Review (http://mysterymanonfilm.blogspot.com/2009/11/101-best-of-mm-articles.html)

-----------------------------

http://3.bp.blogspot.com/_kZREEb7YA8E/Rify-zeCkoI/AAAAAAAAAXc/QZoalsSJhuc/s320/mystery_1a.JPG


3 articles from my Art of SUBTEXT! Series:

Film Noir & the Subtext of Gilda

Subtext in Apocalypse Now Redux

Subtext in Birth (http://mysterymanonfilm.blogspot.com/2009/11/101-best-of-mm-articles.html)

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http://4.bp.blogspot.com/_kZREEb7YA8E/SvCMT-qu6XI/AAAAAAAAFPE/do0gmGxf6S4/s320/3907396904_d42d5d5fc6.jpg


Top Ten Format Mistakes

Secondary Headings

Side-Topic: Perfect Formatting (http://mysterymanonfilm.blogspot.com/2009/11/101-best-of-mm-articles.html)

-----------------------------

http://4.bp.blogspot.com/_kZREEb7YA8E/SvCNLU2g0gI/AAAAAAAAFPM/vCIqOvU7tS4/s320/230-15web-indiana-silhoutte_standalone_prod_affiliate_91.jpg


The Raiders Story Conference

50 Flaws of Indy IV

50 Strengths of Darabont's Draft (http://mysterymanonfilm.blogspot.com/2009/11/101-best-of-mm-articles.html)

-----------------------------

http://4.bp.blogspot.com/_kZREEb7YA8E/SvCMRVk48FI/AAAAAAAAFO8/5KwBYrU9LoM/s320/1891341636_de50ef211b.jpg


The Exposition of Rear Window

Elements of Suspense

John Michael Hayes, Lucky Bastard

Mary Rose Part One & Part Two (http://mysterymanonfilm.blogspot.com/2009/11/101-best-of-mm-articles.html)

-----------------------------



Never ever sell yourself short

Where’s the Screenwriting Revolution?

2-Part Series on Sex in Screenwriting

On Adaptations

In Praise of Jean-Pierre Melville

Fatal Flaws in Screenwriting

Even Shakespeare Failed

Kurosawa on Screenwriting

“Morality,” Exposition, & Adverbs

The Timid Screenwriter

Trust the Reader

That Oh-So-Unsympathetic Hedda Gabler

R.I.P. Harold Pinter

The Nature of Today's Storytelling Debate

The Art of Dialects

Today’s Sermon: “Quantum of Solace”

On Breaking Structure

Eyes Wide Shut

A Look at The Dark Knight Script

A Screenwriting State of Emergency!

The Writers Strike & The Great Big Elephant in the Room

Breathing Room in Films

Formula Freaks

The Question of Exposition

Close-ups, Baby!

Goodbye, Lois

The Lives of Others

Satire & the Protag Serial Killer

A Long Time Ago... (for the Star Wars Blog-a-thon)

The Psycho Shower Scene!

The Godfather (for the blog-a-thon)

The Great Ones That Failed (for the blog-a-thon)

15,000 Useful Phrases

The Reverse Arc

Melodrama

The Great Voice Over Debate

Merciless Logicians & The Sliding Scale of Plausibility

Characters as Individuals

Weak Characters in Comedies (http://mysterymanonfilm.blogspot.com/2009/11/101-best-of-mm-articles.html)



And finally…

Further Revelations of the Man of Mystery (http://mysterymanonfilm.blogspot.com/2009/11/101-best-of-mm-articles.html)

[La Familia]

http://www.goodmenbook.org/blog/wp-content/uploads/stephen_king.jpg


New fiction from Stephen King


http://i36.tinypic.com/286umx.png (http://www.newyorker.com/fiction/features/2009/11/09/091109fi_fiction_king)

[La Familia]

http://blog.afi.com/afifest/wp-content/gallery/2009/terry_gilliam.jpg


Terry Gilliam and the Power of the Imagination (http://blog.afi.com/afifest/index.php/2009/11/02/terry-gilliam-and-the-power-of-the-imagination/)

[La Familia]

Ekipa iz Globusa konačno shvatila da živi(mo) u 21. stoljeću. Još da to konačno shvati i Arsen plemeniti Ostojić/Dado Matanić. Dakle, u kroničnom nedostatku sličnih sadržaja, ovog vam se puta ipak neću ispričati zbog naslova tiskovine.

Napomena: klik na fotku vodi do članka/intervjua (sve priložene fotke/sadržaj linkova copyright by Globus, naravno).

Vidi, vidi, ja o "vragu", a "vrag" na vrata. Dobar je Arsen btw, fenomenalan tip:

http://globus.jutarnji.hr/datastore/imagestore/article_big/article_big_1256597810ostojic1_300708.jpg (http://globus.jutarnji.hr/kultura/balkanski-novac-za-hrvatski-film)

http://globus.jutarnji.hr/datastore/imagestore/article_big/article_big_1257244139the_shining1.jpg (http://globus.jutarnji.hr/kultura/najveci-uzas-na-filmskom-platnu)

http://globus.jutarnji.hr/datastore/imagestore/article_big/article_big_1256585363vladimir_Perisic_4bis.jpg (http://globus.jutarnji.hr/kultura/novi-srpski-ep-o-lakoci-ubijanja)

DAMIR KARAKAŠ - pisac, harmonikaš i boem
Da nisam Hrvat, objesili bi me na stup (http://globus.jutarnji.hr/kultura/da-nisam-hrvat-objesili-bi-me-na-stup)

http://globus.jutarnji.hr/datastore/imagestore/article_big/article_big_1255443841tonko.jpg (http://globus.jutarnji.hr/kultura/zbog-gavelle-ne-volim-film)

http://globus.jutarnji.hr/datastore/imagestore/article_big/article_big_1255437957sidran.jpg (http://globus.jutarnji.hr/kultura/ponovno-cu-snimati-s-kusturicom)

http://globus.jutarnji.hr/datastore/imagestore/article_big/article_big_1256648172broken_embraces.jpg (http://globus.jutarnji.hr/kultura/flashbackovi-slijepog-scenarista)

http://globus.jutarnji.hr/datastore/imagestore/article_big/article_big_1255455001film_kino_lika2_140507_kul.j pg (http://globus.jutarnji.hr/kultura/kako-se-ubijalo-u-ratu-crnci-i-obicni-ljudi)

http://globus.jutarnji.hr/datastore/imagestore/article_big/article_big_1255702860nuic_antonio4_230709.jpg (http://globus.jutarnji.hr/kultura/snimio-sam-prvi-pravi-film-o-hercegovcima)

http://globus.jutarnji.hr/datastore/imagestore/article_big/article_big_1256143342BRO_09398.jpg (http://globus.jutarnji.hr/kultura/san-o-hollywoodu-genijalnog-irca)

Što uopće ostaje od Pule 2009. (http://globus.jutarnji.hr/kultura/sto-uopce-ostaje-od-pule-2009)

http://globus.jutarnji.hr/datastore/imagestore/article_big/article_big_1256753268reziser02.jpg (http://globus.jutarnji.hr/kultura/nas-covjek-u-cannesu)

[La Familia]

http://www2.warwick.ac.uk/fac/arts/film/undergrads/outlines/fi102/vertigo.jpg


Through the Hitchcock oeuvre
Today: VERTIGO


http://dcairns.files.wordpress.com/2009/11/vert1-1.jpg?w=415&h=560 (http://dcairns.wordpress.com/2009/11/04/friends-of-carlotta/)


REPLAY:


DISCLAIMER: The following screenplays are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended.


HITCHCOCK WEEKEND:
10 ALFRED HITCHCOCK SCREENPLAYS


Click pictures for Links.


http://mtblog.glamour.com/fashion/blogs/slaves-to-fashion/2008/09/26/0926to-catch-a-thief_fa.jpg (http://www.mediafire.com/download.php?yztyhyjgyud)

http://filmgrounds.files.wordpress.com/2009/06/man_who_knew_too_much_1956.jpg (http://www.mediafire.com/download.php?i3x5rlyztjy)

http://www.unc.edu/~huiliu55/bass.jpg (http://www.mediafire.com/download.php?ij2lymzhnrl)

http://fatfinch.files.wordpress.com/2009/03/the_birds_original_poster4.jpg (http://www.mediafire.com/download.php?2t02kmeicc5)

http://www.musicweb-international.com/film/2002/apr02/North_by_Northwest.jpg (http://www.mediafire.com/download.php?lacbzqqzngj)

http://janezlifeandtimes.files.wordpress.com/2008/09/rearwindow_italian.jpg (http://www.mediafire.com/download.php?zqkmzxmmyyz)

http://www.geocities.com/Hollywood/Heights/6611/STRANGERS/strange3.jpg (http://www.mediafire.com/download.php?ygng2yod2ot)

http://2aday.files.wordpress.com/2007/05/psycho.jpeg (http://www.mediafire.com/download.php?yoxw20zi2xd)

[La Familia]

http://www.brightlightsfilm.com/images_newdesign/newlogo_mw99x179.gif (http://www.brightlightsfilm.com/index.html)


Postoje mediji/povampireni medijski magnati koji u ova krizna vremena prijete naplaćivanjem sadržaja na webu, a postoje, srećom, i oni koji kompletan sadržaj (čak i onaj koji su do jučer naplaćivali) velikodušno poklanjaju.

Sjajna ekipa iz Bright Lights Filma odlučila se upravo na taj korak - SLOBODA NARODU! :D

Neka vam Bright Lights Film postane svakodnevna adresa - zaista su to zaslužili.


Past Sunset
Noir in the West

"I don't need other people. I don't need help. I can take care of me."

By Imogen Sara Smith

http://www.brightlightsfilm.com/66/66_images/66noirwesternshead.jpg (http://www.brightlightsfilm.com/66/66noirwesterns.html)
Robert Mitchum in Raoul Walsh's Pursued

[La Familia]

Diablo Cody:
'This guy said, if he had a choice between having sex with me & cutting his dick off, he'd cut his dick off'


:cerek::cerek::cerek:


Nek sam proklet, zašto/kako ja tu ludu ženu baš tako LUDO volim? :cerek:


http://static.guim.co.uk/static/81552/zones/culture/images/logo.gif (http://www.guardian.co.uk/film/2009/oct/31/diablo-cody-jennifers-body-juno)

The growing pains of Diablo Cody
(http://www.guardian.co.uk/film/2009/oct/31/diablo-cody-jennifers-body-juno)

The Juno writer has met a backlash with her Megan Fox and Amanda Seyfried-starring teen horror Jennifer's Body. "I gotta say, I felt plain on that set," she admits

http://static.guim.co.uk/sys-images/Guardian/Pix/pictures/2009/10/29/1256817605504/Diablo-Cody-illustration-001.jpg (http://www.guardian.co.uk/film/2009/oct/31/diablo-cody-jennifers-body-juno)


EDIT:

Zaboravih/upravo pročitah, lol:

Why does Hollywood keep making the same films?
Michael Moore v the Establishment, Jennifer Aniston's heartbreaks, teen vampires . . . Enough is enough (http://www.guardian.co.uk/film/2009/nov/03/hollywood-genre-repetition)

[La Familia]

SAMO ZA OKORJELE KOLEKCIONARE:
Your Film Posters Not Theirs


http://farm3.static.flickr.com/2468/4056519986_2ee24b39de.jpg

http://farm3.static.flickr.com/2499/3880865395_0d77d302e6.jpg

http://farm3.static.flickr.com/2457/3620178345_d592012290.jpg

http://farm4.static.flickr.com/3359/3554978438_9c416e8244.jpg

http://farm4.static.flickr.com/3412/3554978448_9a27c416d9.jpg

http://farm3.static.flickr.com/2450/3768470107_90736ba5b9.jpg

http://farm4.static.flickr.com/3415/3554997602_c195792b29.jpg (http://www.flickr.com/groups/1146801@N21/pool/)

[La Familia]

Velik dan na MakingOf-u


http://i36.tinypic.com/2j5fkso.png (http://makingof.com/happening_now/media/the-imaginarium-of-doctor-parnassus/terry-gilliam-discusses-the-miracles-of-filmmaking/109/638)

http://i34.tinypic.com/29p5kev.png (http://makingof.com/happening_now/media/precious/lee-daniels-directing-on-the-set-of-precious/42/639)

http://i35.tinypic.com/o86nwy.png (http://makingof.com/happening_now/media/the-box/behind-the-scenes-of-the-box/182/632)

[La Familia]

http://media.oldmovieexhibition.com/bnr.jpg (http://greenbriarpictureshows.blogspot.com/)

[La Familia]

DENNIS HOPPER: PHOTOGRAPHS 1961-1967.


Go on, leaf through it:


http://i36.tinypic.com/25qryb9.png (http://www.taschen.com/lookinside/01070/index.htm)

[La Familia]

http://i33.tinypic.com/2cdyj3p.png (http://www.mypdfscripts.com/)


Sling Blade
Download Script (http://www.mypdfscripts.com/download/402)
Undated, unspecified draft by Billy Bob Thorton.
Synopsis: Karl Childers, a simple man hospitalized since his childhood murder of his mother and her lover, is released to start a new life in a small town.
Source: Digital – Pages: 102 – Size: 141 kb – IMDb (http://www.imdb.com/title/tt0117666/)
Converted exclusively for this site by Sheridan.

Mothman Prophecies, The (2001.01.21 Draft)
Download Script (http://www.mypdfscripts.com/download/215)
January 21, 2001 Revised Shooting Script by Richard Hatem.
Revisions by Becky Johnston, Alison Cross, Ernest Marrero & Lewis Klahr.
Based on the book The Mothman Prophecies by John A. Keel.
Synopsis: A reporter is drawn to a small West Virginia town to investigate a series of strange events, including psychic visions and the appearance of bizarre entities.
Notes: Scanned by mypdfscripts. Script belonged to the Prop Manager of the film.
Source: Scanned – Pages: 132 – Size: 4.7 MB – IMDb (http://www.imdb.com/title/tt0265349/)

Blade Runner (1980.07.24 Draft)
Download Script (http://www.mypdfscripts.com/download/210)
July 24, 1980 Draft by Hampton Fancher.
Notes: Scanned by mypdfscripts.
Source: Scanned – Pages: 111 – Size: 3.0 MB – IMDb (http://www.imdb.com/title/tt0083658/)

E.T.: The Extra-Terrestrial (1981.09.08 Draft)
Download Script (http://www.mypdfscripts.com/download/209)
(aka A Boy’s Life)
September 8, 1981 Revised Shooting Script by Melissa Mathison.
Notes: Scanned by mypdfscripts.
Source: Scanned – Pages: 117 – Size: 7.0 MB – IMDb (http://www.imdb.com/title/tt0083866/)

Fight Club (1998.02.16 Draft)
Download Script (http://www.mypdfscripts.com/download/208)
February 16, 1998 Draft by Jim Uhls.
Based on the novel by Chuck Palahnuik.
Notes: Scanned by mypdfscripts.
Source: Scanned – Pages: 142 – Size: 3.7 MB – IMDb (http://www.imdb.com/title/tt0137523/)

Godfather, The (1971.05.11 Draft)
Download Script (http://www.mypdfscripts.com/download/207)
May 11, 1971 Revised Third Draft by Mario Puzo and Francis Ford Coppola.
Notes: Scanned by mypdfscripts.
Source: Scanned – Pages: 162 – Size: 5.0 MB – IMDb (http://www.imdb.com/title/tt0068646/)

Jaws
Download Script (http://www.mypdfscripts.com/download/205)
Undated Final Draft by Peter Benchley.
Notes: Scanned by mypdfscripts.
Source: Scanned – Pages: 114 – Size: 3.9 MB – IMDb (http://www.imdb.com/title/tt0073195/)

Leaving Las Vegas
Download Script (http://www.mypdfscripts.com/download/204)
February 8, 1994 Draft by Mike Figgis.
Adapted from the novel by John O’Brien.
Notes: Scanned by mypdfscripts.
Source: Scanned – Pages: 94 – Size: 2.8 MB – IMDb (http://www.imdb.com/title/tt0113627/)

Ocean’s Eleven (1998.06.01 Draft)
Download Script (http://www.mypdfscripts.com/download/203)
June 1, 1998 Draft by Steve Carpenter.
Notes: Scanned by mypdfscripts.
Source: Scanned – Pages: 128 – Size: 3.5 MB – IMDb (http://www.imdb.com/title/tt0240772/)

Dead Poets Society
Download Script (http://www.mypdfscripts.com/download/32)
Undated, unspecified draft by Tom Schulman.
Source: Digital – Pages: 106 – Size: 228 kb – IMDb (http://www.imdb.com/title/tt0097165/)
Converted exclusively for this site by D’Bear.

French Connection, The
Download Script (http://www.mypdfscripts.com/download/33)
April 26, 1971 revised Draft by Ernest Tidyman & William Friedkin.
Based on the novel by Robin Moore.
Source: Digital – Pages: 92 – Size: 204 kb – IMDb (http://www.imdb.com/title/tt0067116/)
Converted exclusively for this site by D’Bear.

Insomnia
Download Script (http://www.mypdfscripts.com/download/34)
May 2, 2000 Unspecified Draft by H. Seitz.
Based on the screenplay by Nikolaj Frobenius & Erik Skjoldbjaerg.
Source: Digital – Pages: 125 – Size: 248 kb – IMDb (http://www.imdb.com/title/tt0278504/)
Converted exclusively for this site by D’Bear.

Jurassic Park
Download Script (http://www.mypdfscripts.com/download/36)
December 11, 1992 Unspecified Draft by David Koepp.
Based upon the novel by Michael Crichton and an adaptation by Michael Crichton and Malia Scotch Marmo.
Source: Digital – Pages: 141 – Size: 300 kb – IMDb (http://www.imdb.com/title/tt0107290/)
Converted exclusively for this site by D’Bear.

Third Man, The
Download Script (http://www.mypdfscripts.com/download/40)
Undated, unspecified draft by Graham Greene.
Source: Digital – Pages: 218 – Size: 356 kb – IMDb (http://www.imdb.com/title/tt0041959/)
Converted exclusively for this site by D’Bear.

Trainspotting
Download Script (http://www.mypdfscripts.com/download/41)
Undated Shooting Draft by John Hodge.
Based on the novel by Irvine Welsh.
Notes: This is in A4 page layout, exactly as was the original UK script, which explains the shorter page count.
Source: Digital – Pages: 79 – Size: 136 kb – IMDb (http://www.imdb.com/title/tt0117951/)
Converted exclusively for this site by Sick Boy.

Wonder Boys (1999.01.21 Draft)
Download Script (http://www.mypdfscripts.com/download/45)
January 21, 1999 Revised Draft by Steve Kloves.
Based on the novel by Michael Chabon.
Synopsis: An English Professor tries to deal with his wife leaving him, the arrival of his editor who has been waiting for his book for seven years, and the various problems that his friends and associates involve him in.
Source: Digital – Pages: 125 – Size: 260 kb – IMDb (http://www.imdb.com/title/tt0185014/)
Converted exclusively for this site by D’Bear.

Apartment, The
Download Script (http://www.mypdfscripts.com/download/28)
Undated, unspecified draft by Billy Wilder & I.A.L. Diamond.
Source: Digital – Pages: 156 – Size: 296 kb – IMDb (http://www.imdb.com/title/tt0053604/)
Converted exclusively for this site by D’Bear.

[La Familia]

http://www.cinema.com/images/videoGadgetAdv.gif (http://www.cinema.com/articles/5057/cinemacom-vista-video-gadget.phtml)

[La Familia]

Cristian Mungiu talks black comedy, Romanian cinema and TALES FROM THE GOLDEN AGE


http://i36.tinypic.com/2vmdp4n.png (http://www.bfi.org.uk/sightandsound/exclusive/cristian_mungiu.php)


p.s. iz posta iznad misteriozno je nestao slikovni link na Cinema.com Video Gadget (http://www.cinema.com/articles/5057/cinemacom-vista-video-gadget.phtml). Odavno ga koristim btw, odlična stvar.

EDIT:

Vratio se :) Najiskrenije se nadam da je ekipa iz Monitora konačno riješila sve probleme sa serverom.

[La Familia]

Imaginary soundtrack for a David Lynch movie (http://www.moteldemoka.com/2009/11/04/imaginary-soundtrack-for-a-david-lynch-movie/)


http://farm2.static.flickr.com/1251/1337358351_718878fc2b.jpg


You almost never from a Lynch movie get the sense that the point is to “entertain” you, and never that the point is to get you to fork over money to see it. This is one of the unsettling things about a Lynch movie: You don’t feel like you’re entering into any of the standard unspoken and/or unconscious contracts you normally enter into with other kinds of movies. This is unsettling because in the absence of such an unconscious contract we lose some of the psychic protections we normally (and necessarily) bring to bear on a medium as powerful as film. That is, if we know on some level what a movie wants from us, we can erect certain internal defenses that let us choose how much of ourselves we give away to it. The absence of point or recognizable agenda in Lynch’s films, though, strips these subliminal defenses and lets Lynch get inside your head in a way movies normally don’t. This is why his best films’ effects are often so emotional and nightmarish.
- David Foster Wallace, A Supposedly Fun Thing I’ll Never Do Again.


1. Marsmobil - Astralbody (http://www.moteldemoka.com/moka/astralbody.mp3)
Minx (Compost, 2006)
2. Nino Rota - O’ Venezia Venaga Venusia (http://www.moteldemoka.com/moka/ovenezia.mp3)
Il Casanova (CAM, 1976)
3. Bohren & Der Club of Gore - Destroying angels (http://www.moteldemoka.com/moka/destroyingangels.mp3)
Black Earth (Wonder, 2002)
4. Manfred Hübler & Siegfried Schwab - Necronomania (http://www.moteldemoka.com/moka/necronomania.mp3)
Vampyros Lesbos (Crippled Dick Hot Wax, 1995)
5. Susanna & the magical orchestra - Sweet devil (http://www.moteldemoka.com/moka/sweetdevil.mp3)
List of Lights and Buoys (Rune Grammofon, 2004)
6. Oleg Kostrow - Elysee theme (http://www.moteldemoka.com/moka/elyseetheme.mp3)
Imago OST (2002)
7. Peter Thomas Sound Orchester - Lancet bossa nova (http://www.moteldemoka.com/moka/lancetbossanova.mp3)
Raumpatrouille (1966)
8. Colleen - I’ll read you a story (http://www.moteldemoka.com/moka/illreadyouastory.mp3)
The Golden Morning Breaks (Leaf, 2005)


This playlist has been on the motel’s vault for ages. Recently a reader requested a spy-themed playlist and I think this one just might fit the bill, so I’ve decided to rescue it and give it another shot before it gets completely lost into oblivion.
It’s just a humble tribute to David Lynch’s work, a playlist which could match the aesthetic of most of his films: eerie atmospheres, discreet violence and smokey, erotic overtones. In keeping with the personality of Lynch’s film the songs move in between noir sensibility, delicate siren calls and a little hint of kitsch. I hope you enjoy.

Also see:

- David Foster Wallace on Lost Highway (http://www.lynchnet.com/lh/lhpremiere.html).
- The 10 Best David Lynch Moments (http://blackenheimer.com/craziest_david_lynch_moments_160808).


And while you listen, ask "but does it float" (http://butdoesitfloat.com/134667/I-don-t-think-that-people-accept-the-fact-that-life-doesn-t-make)...


I don’t think that people accept the fact that life doesn’t make sense.
I think it makes people terribly uncomfortable


http://butdoesitfloat.com/media2/134667/david-lynch-e-isabella-rossellini1.jpg (http://butdoesitfloat.com/134667/I-don-t-think-that-people-accept-the-fact-that-life-doesn-t-make)

[La Familia]

http://butdoesitfloat.com/media2/134667/2038101941_722ab21558_o.jpg


From Blue Velvet to Inland Empire:
The 10 Best David Lynch Moments


Ovo definitivno zaslužuje zaseban post:


http://i37.tinypic.com/2vla3x3.png (http://blackenheimer.com/craziest_david_lynch_moments_160808)


http://www.lynchnet.com/lh/pics/lyntitle.gif (http://www.lynchnet.com/lh/lhpremiere.html)

[La Familia]

http://i.cdn.turner.com/v5cache/TCM/Morlocks/wordpress/images/moviemorlocksbanner.gif (http://moviemorlocks.com/)

http://tcmmoviemorlocks.files.wordpress.com/2009/10/karloff-tea.jpg?w=614&h=514

[La Familia]

BBC FINEST:
Krautrock: The Rebirth of Germany (FULL)


Familija really enjoyed this BBC4 Krautrock documentary:


Documentary which looks at how a radical generation of musicians created a new German musical identity out of the cultural ruins of war.

Between 1968 and 1977 bands like Neu!, Can, Faust and Kraftwerk would look beyond western rock and roll to create some of the most original and uncompromising music ever heard. They shared one common goal - a forward-looking desire to transcend Germany's gruesome past - but that didn't stop the music press in war-obsessed Britain from calling them Krautrock.


http://i35.tinypic.com/2nimiwj.png (http://vimeo.com/7366791)

[La Familia]

1939 REDUX: DIGGING DEEPER INTO “HOLLYWOOD’S GREATEST YEAR”


http://www.latimes.com/media/photo/2009-11/50295171.jpg (http://www.latimes.com/entertainment/news/la-et-ucla5-2009nov05,0,3109081.story)
Cary Grant, left, Jean Arthur, Allyn Joslyn and Sig Rumann star in Howard Hawks' "Only Angels Have Wings," showing at the Hammer Museum. (Academy of Motion Picture Arts and Sciences / August 5, 2003)


UCLA Film & Television Archive's tribute skips 'Gone With the Wind' and 'The Wizard of Oz' and still comes up with a list of gems. (http://www.latimes.com/entertainment/news/la-et-ucla5-2009nov05,0,3109081.story)

1939 REDUX: DIGGING DEEPER INTO “HOLLYWOOD’S GREATEST YEAR” (http://www.cinema.ucla.edu/calendar/calendardetails.aspx?details_type=2&id=357)

[La Familia]

Quentin Tarantino On Bright Star (http://www.imdb.com/title/tt0810784/)


Read QT's personal letter to Jane Campion...


http://mos.totalfilm.com/images/b/bravo--430-75.jpg

Dear Jane,
Bravo, bravo, bravo, bravo!!!
My favourite film of yours.
I don't like period pieces like that. I loved this!!!
Never has heartache been so realistically and movingly portrayed as Abbey taking to her bed.


http://mos.totalfilm.com/images/b/butterflies--430-75.jpg

The room full of butterflies.
The lovers kisses.
Abbie lying down on her bed, the wind through the window, the curtain acting like a shroud.
Abbie and Ben... touching...lovers...brilliant.


http://mos.totalfilm.com/images/s/so-charming--430-75.jpg

I love it!!!
So so so charming.
Love, your fan
Quentin Tarantino

:cerek::cerek::cerek:

[La Familia]

http://www.net.hr/2009/09/30/0246007.42.jpg


http://www.ifc.com/style/images/ifc_logomain.jpg


Roger Avary pioneers jail-tweeting (http://www.ifc.com/blogs/indie-eye/2009/11/roger-avary-jail-tweet.php)


Until recently, Roger Avary was a respected if controversial writer/director, best known for "Rules Of Attraction" (easily the best of the Bret Easton Ellis adaptations) and for breaking up with video store-days friend Quentin Tarantino over accusations he was shafted on credit for the "Pulp Fiction" screenplay (he only got a story credit). On the geek side, Avary worked on "Silent Hill," "Beowulf" and a proposed upcoming adaptation of the "Return to Castle Wolfenstein" video game.

None of which seemed to matter after Avary got drunk, crashed his car into a telephone pole and killed one of his passengers (http://www.cbc.ca/arts/film/story/2009/08/21/avary-plea.html). Avary began his one-year sentence (http://www.newsinfilm.com/2009/11/01/is-roger-avary-tweeting-from-jail/) on October 25; on the 29th, his Twitter feed began producing some truly frightening screenplay-style updates, seemingly from inside jail: "The building is an imposing example of the Brutalist architectural movement. The windows are designed so as to not let too much light in." "Night falls, and the only real activity is an endless recounting of the terrible and pointless events that brought us all to this sad place." "Long scratched into the black locker are two conjunctive words, never more true: 'TIME' and underneath it 'FUCK'. It has become a mantra." And so on.

It's pretty sad stuff, with Avary transforming his jail time into observational tweets the same way his Twitter was once used to sketch out potential scripts one plot point at a time. Which hasn't stopped certain kinds of jackasses from wondering how this might affect "Silent Hill 2 (http://www.movieweb.com/news/NEa5OeadGYXGdj)," as if that was all that was at stake. Can people tweet from inside prison? And is it really good for Avary going through what has to be one of the hardest experiences of his life while putting his despair on the record? This isn't the fun kind of train-wreck.


Hey there! AVARY is using Twitter (http://twitter.com/avary)

http://a0.twimg.com/a/1257465343/images/twitter_logo_header.png


http://i36.tinypic.com/30tl9he.png (http://avary.com/)


p.s. još samo 354 dana, brojimo s tobom. Drži se, stari.

[La Familia]

http://filmmakeriq.com/wp-content/themes/busybee/images/iqlogos.jpg

http://filmmakeriq.com/wp-content/themes/busybee/thumb.php?src=http://filmmakeriq.com/wp-content/uploads/Dennis/2009/11/scriptsales.jpg&h=200&w=540&zc=1&q=80


101 Articles To Help Sell Your Screenplay (http://filmmakeriq.com/general/featured/101-articles-to-help-sell-your-screenplay.html)

[La Familia]

Hollywood Portfolio: Hitchcock Classics


Napomena: klik na fotke za uvećanje.


http://i37.tinypic.com/2dqnkzs.jpg (http://blog.vsharing.com/Uploads/UserDirs/1/143/56861/20080216_162866cf87c867cc5b1emjHo6miAkq8p.jpg)


DIAL M FOR MURDER

CHARLIZE THERON

The scene in Dial M For Murder in which Charles Alexander Swann (Anthony Dawson) attempts to strangle Margot Mary Wendice (Grace Kelly), only to be himself stabbed with a pair of scissors, caused Hitchcock great anxiety. Although the entire film was shot in just 36 days, this single scene required a full week of rehearsals and multiple takes to get the choreography and timing right. After one failed take, Hitchcock complained, "There wasn't enough gleam to the scissors,and a murder without gleaming scissors is like asparagus without the hollandaise sauce-tasteless."


http://i38.tinypic.com/24cyvmc.jpg (http://blog.vsharing.com/Uploads/UserDirs/1/143/56861/20080216_63c941539658201bee47To3mYCJNy0aW.jpg)


REAR WINDOW

SCARLETT JOHANSSON · JAVIER BARDEM

Rear Window, with James Stewart and Grace Kelly, is the story of an invalid news photographer, confined to his apartment,who spies on the people living across the courtyard from his Greenwich Village building. After much observation, he becomes convinced that one of his neighbors is a murderer. The film has been called a superb commentary on watching films, on loneliness,and on obsession, as well as a sharp critique of the male psyche. But at its essence, Rear Window is a paean to old-fishioned snooping." Sure he's a snooper, but aren't we all?" said Hitchcock. "I'll bet you that nine out of ten people,if they see a woman across the courtyard undressing for bed, or even a man puttering around in his room,will stay and look; no one turns away and says, 'It's none of my business.'"


http://i33.tinypic.com/2ecjbpg.jpg (http://blog.vsharing.com/Uploads/UserDirs/1/143/56861/20080216_ed70f272f19bb9adffed7E0tTmmqYbzJ.jpg)


REBECCA

KEIRA KNIGHTLEY · JENNIFER JASON LEIGH

Rebecca was the first film Hitchcock made after producer David O. Selznick lured him to Hollywood, in 1939, with promises of a large budget and a high salary. But in Selznick,Hitchcock met a man as controlling and driven as himself. Rebecca had been a best-selling novel by Daphne du Maurier,and Hitchcock proposed a film treatment to Selznick in which he had made several alterations to the ghost story-in particular, adding elements of irony and dark humor. A week after submitting the treatment, Hitchcock received a memo back from Selznick, in which the producer began by describing himself as "shocked and diSAPpointed beyond words. "He demanded a re-write faithful to the novel. Although Hitchcock later dismissed the film as "not a Hitchcock picture," it was one of his most successful,and the only one to win best picture at the Academy Awards. Despite being nominated for best director on this and four other occasions, Hitchcock never won.


http://i38.tinypic.com/dxo4eg.jpg (http://blog.vsharing.com/Uploads/UserDirs/1/143/56861/20080216_00b2a534ab187fbf642dKg3sybYf1yLI.jpg)


STRANGERS ON A TRAIN

EMILE HIRSCH · JAMES MCAVOY

Guy, a tennis pro, meets Bruno, a psychopath fan, while traveling on a train. Bruno proposes the perfect crime-a murder exchange. Bruno will murder Guy's wife (Guy is looking to trade up), and in return Guy will murder Burno's domineering father. As Truffant remarked to Hitchcock,"Both characters might very well have had the same name.Whether it's Guy or Bruno,it's obviously a single personality split in two." Yet one wonders whether this appealing ambiguity is not the inadvertent result of casting decisions. Hitchcock may have exaggerated when he called "the ineffectiveness of the two main actors" one of the film's main flaws, but had Guy been played by a figure stronger than Farley Granger-such as Hitchcock's first choice, William Holden-he might have been more sympathetic as a hero. As it stands, it's hard not to root for the villain, played by Robert Walker, especially when he has his hands around the neck of Guy's fat, loathsame, unfaithful wife, and begins to squeeze. Then again,that may have been Hitckcock's intent all along.


http://i38.tinypic.com/2vcusee.jpg (http://blog.vsharing.com/Uploads/UserDirs/1/143/56861/20080216_6798e677f313c7606315L6cdkQQzFQDI.jpg)


TO CATCH A THIEF

GWYNETH PALTROW · ROBERT DOWNEY JR.

To Catch a Thief may be best remembered for Grace Kelly's audacious kiss, right smack on the lips, of Cary Grant,shortly after they first meet.Kelly, who was apearing in her third (and final) film with the director in three years, was the quintessential cold Hitchcock blonde. In speaking about the actress, Hitchcock called her sexual appeal "indirect." When asked to elaborate, he gave what might have been the most revealing insight into his own fetishistic views on "the Hitchcock type": "Definitely, I think the most interesting women, sexually,are the English women. I feel that the English women, the Swedes, the northern Germans, and Scandinavians are a great deal more exciting than the Latin, the Italian, and the French women. Sex should not be advertised. An English girl, looking like a schoolteather, is apt to get into a cab with you and, to your surprise, she'll probably pull a man's pants open." To Catch a Thief-like many of Hitchcock's films-was motivated in no small part by a desire to get himself into the backseat of that cab.


http://i38.tinypic.com/2a0er0j.jpg (http://blog.vsharing.com/Uploads/UserDirs/1/143/56861/20080216_b02f84a29962e5420f5bbXazdx5wA9Dx.jpg)


THE BIRDS

JODIE FOSTER

Hitchcock may never have taken his obsession with blondes further than with Tippi Hedren, a model he spotted in a television commercial for a diet drink and immediately signed to an exclusive, seven-year film contract. Within months he had cast her as the lead in The Birds. Hitchcock said he made the film in order to "scare the hell out of the people, "but Hedren may have been more scared than any audience member. Hitchcock ordered Hedren not only a complete wardrobe for her films,but also-shades of Vertigo-one for her personal life; he hired two crew members to spy on her when she left the set; and he repeatedly pressured her to drink martinis during rehearsals. But the most upsetting episode came during the filming of the movie's climactic bird-attack scene. Hitchcock put Hedren in a giant cage and had two men throw live birds at her face. He shot the scene all day long, every day, for an entire week. It was only when she suffered a gash underneath one of her eyes that filming was stopped. "Really the worst week of my life, "said Hedren.


http://i33.tinypic.com/347cmiv.jpg (http://blog.vsharing.com/Uploads/UserDirs/1/143/56861/20080217_6309cf3ea472a29141bd6weJOLd4eJi5.jpg)


NORTH BY NORTHWEST

SETH ROGEN

The idea for the famous cornfield scene in North by Northwest came about when Hitchcock determined to reverse, as dramatically as possible, the cliched movie trope in which a man is forced to run for his life some sinister force. "How is this usually done?" asked Hitchcock. "A dark night at a narrow intersection of the city. The waiting victim standing in a pool of light under the street lamp. The cobbles are 'washed with the recent rains.' "So Hitchcock instructed his production designer, Robert Boyle, to put his hero, Cary Grant, in a wide-open expanse in which he couldn't hide--a completely flat cornfield in the middle of nowhere. Boyle could find nothing that fit this description in the Dakotas or in Kansas, but he did find a perfect location in the San Joaquin Valley. The only problem was that no corn grew in the valley. Fortunately, Hitchcock hit upon a solution-at no small expense, he ordered an entire crop from the middle of the country to be brought in and re-planted. Hitchcock was proud of the result: "I practice absurdity quite religiously!"


http://i37.tinypic.com/spj7eg.jpg (http://blog.vsharing.com/Uploads/UserDirs/1/143/56861/20080217_90329df779b793d1040bAj2E5QF3n0eI.jpg)


PHYCHO

MARION COTILLARD

A lot is made of the influence on Hitchcock's films of his father, "a rather nervous man" who once locked his six-year-old son in a local jail for misbehavior. Less is known about Hitchcock's mother. He avoided discussing her in interviews, and in conversations made only passing reference to her. We do know, however, that they had a close relationship and that he lived with her until he was married, when he was 27. Mother and son remained so close, in fact, that she accompanied him on holidays with his wife. As one of his biographers, Donald Spoto, points out, on those outings Hitchcock "felt more compelled to satisfy her whims than to attend to his wife's comfort." Older women in Hitchcock's films are rarely treated with kindness, however, and tend to be scolding, obnoxious, doddering. But it was not until Phycho, in which Janet Leigh famously comes to a bad end while relaxing in the shower, that a mother was treated as a homicidal maniac, ever if by proxy.


http://i35.tinypic.com/wiaw6c.jpg (http://blog.vsharing.com/Uploads/UserDirs/1/143/56861/20080217_bc846b05b33141deb0daGXfaWd07SLju.jpg)

[La Familia]

I will fear no evil


http://images.allmoviephoto.com/2007_In_the_Valley_of_Elah/2007_in_the_valley_of_elah_020.jpg


Though I walk in the shadow of the valley of death, I will fear no evil.


Mali offtopic koji to i nije: koliko ste puta to isto čuli iz ustiju američkih političara/predsjednika; koliko je filmova snimljeno i biti će snimljeno o apsolutnom nerazumijevanju tih istih riječi? :ne zna: Prekrasno, predsjedniče Obama, bravo za tebe - najiskrenije se nadam da tog Nobela za mir, od silne sramote, držiš upravo u WC-u Ovalnog ureda.


Ubio 13 i ranio 30 vojnika zbog odlaska u misiju u Afganistan (http://www.jutarnji.hr/psihijatar-ubio-13-vojnika--zbog-odlaska-u-misiju-u-afganistan/335993/)


http://www.jutarnji.hr/multimedia/archive/00225/pucnjava_pokolj_vo_225977S1.jpg


Ubojica vojnika, bojnik Nidal Malik Hasan u pucnjavi je i sam ranjen s četiri metka te se nalazi u bolnici priključen na aparate.

FORT HOOD - Bojnik Nidal Malik Hasan, inače vojni psihijatar, u četvrtak je u vojnoj bazi Fort Hood započeo najkrvaviju pucnjavu u povijesti američke vojske u kojoj je poginulo dvanaest osoba, a čak 30 vojnika je ranjeno. Trinaesta je žrtva preminula unatoču mukotrpnom trudu liječnika. Tijekom svog krvavog pohoda 39-godišnji Hasan, koji je ubrzo trebao biti prebačen u jedno svjetskih ratnih žarišta, ranjen je, no živ te se nalazi u bolnici pod vojnom zaštitom.

- Pogođen je četiri puta i u nesvjesti je te priključen na aparate za disanje. Mislim da je smrt gotovo neizbježna - objasnio je general pukovnik Bob Cone.

Predsjednik SAD-a Barack Obama, pucnjavu u Fort Hoodu, koji je prijelazna baza između odlaska na misiju i povratka kući, nazvao je 'strašnim i tragičnim činom nasilja', a obiteljima žrtava izrazio je sućut.

- To su muškarci i žene koji su hrabro i nesebično odlučili riskirati svoje živote kako bi svakodnevno štitili nas ostale. Već je dovoljno teško kada izgubimo te hrabre Amerikance u bitkama s druge strane oceana. No osobito je strašno kada se nađu na nišanu u vojnoj bazi na američkom tlu - rekao je Obama na izvanrednoj konferenciji za novinare.

Tijekom pucnjave u bazi se odvijao pravi kaos. Vojnici su svojim ranjenim kolegama pomagali na mjestu nesreće trgajući vlastite uniforme kako bi napravili zavoje. Vojni dužnosnici ne isključuju mogućnost da su neke od žrtava ranjene u 'prijateljskoj vatri'. Hasan je u Fort Hood u srpnju ove godine došao iz medicinskog centra Walter Reed gdje je dobio vrlo poražavajuću procjenu sposobnosti, ističe neimenovani dužnosnik. Uskoro je trebao biti poslan u misiju u Afganistanu.

Prema riječima umirovljenog brigadira Terryja Leeja, koji je nekad radio s 'novopečenim' ubojicom, Hasan se nadao kako će Obama povuči jedinice iz Afganistana i Iraka zbog čega je često ulazio u sukobe s pojedincima koji su podržavali ratovanje. Faizul Khan, bivši imam u Hasanovoj džamiji, navodi kako je 39-godišnji psihijatar često pričao o tome da želi pronaći nekoga s kim će se smiriti.

- Pokušavao je naći ženu svog života i oženiti se. Bio je musliman, a na molitve je redovito dolazio, često i u uniformi - rekao je Khan.

Prilikom pokolja, Hasan je koristio dva pištolja od kojih je jedan bio poluautomatski. Niti jedno od oružja nije bio zaduženo u bazi Fort Hood te pripadalo vojnom arsenalu američke vojske. Inače, vojnici u bazi ne nose oružje osim ako se ne radi o treningu.

General pukovnik Cone ističe kako su po završetku pucnjave u pritvoru zadržane tri osobe koje i ispitane. No, vlasti vjeruju kako je samo jedna osoba, Hasan, sudjelovala u pokolju. Identiteti ranjenih vojnika te poginulih još nisu pušteni u javnost.

Inače, Hasan se rodio u predgrađu Washingtona i živio je sam te nije imao djece. Obrazovanje je dovršio 1997. na fakultetu Virginia Tech, gdje je prije dvije godine također došlo do pucnjave u kojoj su poginule 33 osobe. Svoju je medicinsku diplomu dobio u vojnom učilištu Zdravstvenih znanosti u gradu Bethesda u Marylandu 2001., a u Walter Reedu je prove šest godina na stažiranju.

Fort Hood je najveća američka vojna baza, površine 878 četvornih kilometara, u kojoj svakodnevno aktivno radi više od 50 tisuća vojnika.


http://www.vanityfair.com/images/politics/2008/08/poar01_hitchens0808.jpg
The author catches his breath after undergoing his first waterboarding session. Photographs by Gasper Tringale.


Believe Me, It’s Torture (http://www.vanityfair.com/politics/features/2008/08/hitchens200808)


Watch Christopher Hitchens Get Waterboarded (VANITY FAIR)


http://i35.tinypic.com/2zecco6.png (http://www.youtube.com/watch?v=4LPubUCJv58)


p.s. pokoj im duši, bez obzira na strane... I sačuvaj nas Bože novih ratova...


Bruce Springsteen -- A tribute to my Beloved Angel, Maja R.I.P -- If I should fall behind


http://i36.tinypic.com/2nkhw6.png (http://www.youtube.com/watch?v=F59VdRfSGUE)

[La Familia]

http://i36.tinypic.com/jg6zye.jpg (http://sportsgonesouth.com/wp-content/uploads/2006/11/deerhunter.jpg)


Great Scene: "The Deer Hunter"


This has to rank as one of the most riveting scenes in movie history: The Russian roulette sequence in The Deer Hunter (1978) (http://www.imdb.com/title/tt0077416/). Setting: Vietnam War. Two captured American soldiers, surrounded by Vietnamese guards, forced to take turns putting a pistol to their heads and pulling the trigger, while the guards place bets on who's going to die. Meanwhile, a third soldier in locked in a floating cage, fighting exhaustion and rats -- a worthy 'ticking clock.'


INT. THATCHED HUT - HEAVY RAIN - DAY

MERLE and NICK sit facing one another across the rose
patterned kitchen table. The GUARDS are all grinning and even
the SOUTH VIETNAMESE are watching with grim fascination. NICK
has the revolver. He is trembling visibly. Already MERLE has
managed to draw the GUARDS in closer and as NICK spins the
cylinder and cocks the hammer MERLE jumps up and begins
pounding on the table.

MERLE
This is it, motherfuckers! Now he's
going to do it! Watch! You watch!

NICK almost loses what little control is left and his hand
begins shaking violently.

MERLE (CONT'D)
Look at him! See! This is it and he
knows it!

Side bets begin changing hands.

MERLE (CONT'D)
Last chance to lose your money
there, guys. Goodbye money! Hurry,
hurry. Here he goes!

NICK puts the revolver against his temple and pulls the
trigger. There is a dull CLICK.

NICK puts the revolver back on the table. His hand is shaking
so badly it falls with a clunk. MERLE grabs it, spins it,
sticks it to his temple and CLICKS OUT, talking all the time:

MERLE (CONT'D)
This is stupid! You understand
stupid? On and on! At this rate
we'll still be here tomorrow!
(throws the revolver on
the table)
Wait a minute. I know! Hey, I got
it. More! Put in more! You
understand more? More! More
bullets!
(he mimes with his
fingers)
Three bullets! You understand
three? That way BLAM! BOOM!

MERLE hops up and down, laughing maniacally.

MERLE (CONT'D)
KA-POWIE!!! BA-ROOM!!!... 'Cause I
want that bastard! Him I want boom!
Him or me!!!

The GUARD IN CHARGE looks at his COMPANIONS. They all begin
shouting for him to go ahead. The GUARD IN CHARGE purses his
lips, as if imitating a general coming to a decision, and
then nods his assent. The GUARDS all howl. MERLE joins right
in.

MERLE (CONT'D)
He's terrific! Great fucking guy!

The GUARD IN CHARGE takes the revolver, opens the cylinder
and begins sticking in two more cartridges.

MERLE (CONT'D)
KA-POW!!! BA-ROOMIE!!!

MERLE hops up and down again, then screams at NICK, jabbing
his finger at him, as if in fury.

MERLE (CONT'D)
Both of us may have to pull on
this, so get your shit in fuckin'
shape!!!
(to the GUARDS)
Him or me!!! Now we got it, him or
me!!!
(he rubs his hands and
sits back down)
Place your bets, motherfuckers! Now
we're going! Now we got a game!

The GUARD IN CHARGE places the revolver on the table, spins
it.

MERLE (CONT'D)
Watch! Now watch! He's going to get
it. And then KA-POW! BA-ROOMIE!!!

The muzzle stops pointing at MERLE. MERLE scowls, looks over
at the GUARD IN CHARGE. The GUARD IN CHARGE has lifted the
barrel of his AK 47 and is watching him with caution. The
OTHER GUARDS, who are totally caught up in the game, are
yelling and shouting.

MERLE
You guys think I'm in trouble,
right?

MERLE picks up the revolver, spins the cylinder, cocks it...

MERLE (CONT'D)
No way! Never!!!
(he begins to chant)
MERLE IS MIGHTY! -- HA!
MERLE IS STRONG! -- HA!
MERLE IS MAGIC! -- HA!
MERLE LIVES LONG!
Lemme hear it. Come on,
motherfuckers, lemme hear it!

MERLE starts it again. The GUARDS who are bett ing on him
JOIN IN:

MERLE (CONT'D)
(with GUARDS)
MERLE IS MIGHTY! -- HA!
MERLE IS STRONG! -- HA!
MERLE IS MAGIC! -- HA!
MERLE LIVES LONG!

MERLE takes a glance at the GUARD IN CHARGE again. The GUARD
IN CHARGE is still eyeing him with caution.

MERLE places the revolver to his temple... and CLICKS into an
empty chamber.

MERLE (CONT'D)
See! Nothing to it.

He pushes the gun across to NICK. Then he stabs his finger at
him, screaming again, as if in a fit of rage.

MERLE (CONT'D)
You got an empty chamber and it's
in your mind! Just put that empty
chamber in the gun!

NICK looks down at the revolver and picks it up. He stares at
MERLE for a moment. Then he spins the cylinder, cocks the
hammer, Puts it to his head... and CLICKS into an empty
chamber.

The GUARDS let out expressions of disbelief. Those betting on
NICK begin taunting those betting on MERLE.

MERLE sits motionless, as if stunned, as if utterly defeated,
his brow furrowed in a mighty frown.

NICK pushes the revolver across the table. His face is
twitching but he gives the gesture a certain flair, as if
throwing back a challenge.

MERLE stares at the revolver -- stares at it with an
expression of utter gloom. Then he reaches out, takes the
revolver in his hand and pulls it toward him, as if he no
longer possessed the strength to pick it up.

MERLE (CONT'D)
(gloom)
Who's for Merle?
(he thumps his fist on the
table)
Is anyone for Merle???

MERLE roams a glowering eve over the watching GUARDS, as if
suddenly discovering himself among traitors. Slowly, he
pushes himself to his feet. The gun is still on the table,
still in his right hand, and as he gets up he lets his body
sag over it.

MERLE (CONT'D)
Who here is for Merle...?

There is absolute silence now except for the drumming of the
rain. It is as if the war had disappeared, vanished. The
GUARDS stand motionless, hardly breathing, so captivated by
MERLE'S performance that they suddenly resemble little
children.

MERLE (CONT'D)
Who... here... is for Merle...?

MERLE begins his chant again. His voice is low, very
dramatic, and the GUARD IN CHARGE joins right in.

MERLE (CONT'D)
(with GUARDS)
MERLE IS MIGHTY! -- HA!
MERLE IS STRONG! -- HA!
MERLE IS MAGIC -- HA!

MERLE snaps the revolver level in his hand and BLASTS the
GUARD IN CHARGE, hitting him full in the face. At the same
time NICK throws himself into the GUARD who is standing
behind him, spins and slams the GUARD'S AK 47 into his chin.
TWO MORE SHOTS BLAST OUT FROM MERLE'S .45 and we see TWO
GUARDS crash over the kitchen table. NICK now opens up with
AK 47, and as MERLE backs off beside him, also with an AK 47,
they GUN the remaining GUARDS to the floor.

It is over in an instant. The BODIES lie in a bloody, tangled
mess under a pathetic paper lantern. The rain drones on --
uninterrupted, undiminished, eternal...


And here's the sequence from the movie:


http://i38.tinypic.com/qrakh3.png (http://www.youtube.com/watch?v=4sRHd5pngWE)


The scene is a set-up for another 'game' of Russian Roulette, reprised with both Michael and Nicky -- an equally as shocking scene.

[La Familia]

EBERT: Today, fifteen years after I first saw it, I believe "Hoop Dreams" is the great American documentary.
No other documentary has ever touched me more deeply.


http://i37.tinypic.com/2lcr1u1.png (http://blogs.suntimes.com/ebert/2009/11/the_great_american_documentary.html)


Hoop Dreams (http://www.imdb.com/title/tt0110057/) (FULL)


http://i37.tinypic.com/2cx9355.png (http://v.youku.com/v_show/id_XMzMzMzEzNjQ=.html)


Ogromna preporuka, svakako pogledati (pogotovo electro cute).

[La Familia]

http://www.carygrant.net/fotogallery/magcovers/filmcomment.jpg


http://www.filmlinc.com/fcm/mj09/images/Jarmusch.jpg

ALTERED STATES: Gavin Smith interviewed Jim Jarmusch for our May/June issue. Here is an expanded version (http://www.filmlinc.com/fcm/mj09/jarmusch.htm)


http://www.filmlinc.com/fcm/jf08/images/Coppola_4.jpg

FRANCIS FORD COPPOLA UNCUT: The Godfather of Zoetrope’s interview with Harlan Jacobson in full (http://www.filmlinc.com/fcm/jf08/coppolauncut.htm)


http://www.filmlinc.com/fcm/nd09/images/Haneke.jpg

MICHAEL HANEKE UNCUT: Talking shop, theory, and practice with the director of The White Ribbon (http://www.filmlinc.com/fcm/nd09/haneke.htm)


http://www.filmlinc.com/fcm/ma09/images/Angels.jpg

A BLAST FROM THE PAST: An interview with Tom Hanks, from the March/April 1989 issue of Film Comment (http://www.filmlinc.com/fcm/ma09/tomhanks.htm)

FILM COMMENT’S TRIVIAL TOP 20®: Best films directed by actors (limited to those who have made fewer than five films) (http://www.filmlinc.com/fcm/ma09/uncutac.htm)


http://www.filmlinc.com/fcm/jf09/images/05.jpg

THE TIME MACHINE: Amy Taubin interviewed David Fincher toward the end of November ’08, for her essay on The Curious Case of Benjamin Button, which appears in our January/February issue. Here is most of that interview. (http://www.filmlinc.com/fcm/jf09/fincher.htm)


http://www.filmlinc.com/fcm/so07/images/Cronenberg.jpg

FOREIGN AFFAIRS: David Cronenberg talks about his strangely intimate new Russian mafia movie Eastern Promises and snuff films on the Internet (http://www.filmlinc.com/fcm/so07/cronenberg.htm)


http://www.filmlinc.com/fcm/JF06/images/trierbacall.jpg

LARS VON TRIER: On pain, guilt and violence, on black presidents, toy helicopters, and a seriously misbehaving Björk. An interview with filmmaker Lars von Trier at Zentropa Film Studios in Copenhagen. (http://www.filmlinc.com/fcm/JF06/vontrier.htm)


http://www.filmlinc.com/fcm/1-2-2005/jpegs/clintinter.jpg

Interview with Clint Eastwood (http://www.filmlinc.com/fcm/1-2-2005/ceint.htm)

[La Familia]

http://1.bp.blogspot.com/_Q3JthHcpqjg/SvIzvaHz0mI/AAAAAAAAB2Y/9KZFv0NrMb0/s400/scripts+stack.jpg


Announcement: 14 Days of Screenplays, Version 3.0 (http://www.gointothestory.com/2009/11/announcement-14-days-of-screenplays.html)


Per the previous 14 Days of Screenplays challenges, the idea is simple: Read 1 script per day for 14 days. Reading scripts is one of the single best ways you can increase your understanding of the craft of screenwriting. And reading 14 scripts in 14 days multiplies the benefit as you begin to intuit things, I guess you could say. You pick up pacing and tone, style and scene transitions, and on and on and on.

So here are the fourteen scripts with links where you can download a PDF version for your files. Starting Monday, November 9th at 4PM EST / 1PM PST (United States), I'll post my comments on the first script American Beauty and invite your reactions to reading the screenplay as well. Then each successive day at the same time, we'll go through each script on the list, one by one, day after day, for two solid weeks.

As you read each script, you might jot down some notes - what you notice about style or how the writer successfully pulled off a set-up and payoff or a great bit of subtext in dialogue. Whatever strikes you, especially something you learned about the craft, please post your thoughts as I'm sure everyone - myself included - would welcome sharing those insights.

Without further ado, here is the list of 14 Days of Screenplays, Version 3.0!


Day 1 -- Monday, November 9: American Beauty (http://www.mediafire.com/download.php?2pyaxbjs6xx)

Day 2 -- Tuesday, November 10: The Crying Game (http://www.scifiscripts.com/msol/cryinggame.pdf)

Day 3 -- Wednesday, November 11: The Apartment (http://www.mypdfscripts.com/screenplays/the-apartment)

Day 4 -- Thursday, November 12: The Sixth Sense (http://www.mypdfscripts.com/screenplays/the-sixth-sense)

Day 5 -- Friday, November 13: (500) Days of Summer (http://www.mypdfscripts.com/screenplays/500-days-of-summer)

Day 6 -- Saturday, November 14: Chinatown (http://www.mediafire.com/download.php?camy1f4mzwj)

Day 7 -- Sunday, November 15: Wall-E (http://www.mediafire.com/download.php?jmonyiim2oh)

Day 8 -- Monday, November 16: Tootsie (http://www.mediafire.com/download.php?ikihccn1az)

Day 9 -- Tuesday, November 17: The Diving Bell and the Butterfly (http://www.mediafire.com/download.php?4tu4wtwgmew)

Day 10 -- Wednesday, November 18: Aliens (http://www.mypdfscripts.com/screenplays/aliens-1985-09-23-draft)

Day 11 -- Thursday, November 19: Little Miss Sunshine (http://www.mypdfscripts.com/screenplays/little-miss-sunshine)

Day 12 -- Friday, November 20: Psycho (http://www.mediafire.com/download.php?yvywnddoxxo)

Day 13 -- Saturday, November 21: Crash (http://www.mediafire.com/download.php?mybwzbnybj3)

Day 14 -- Sunday, November 22: The Wild Bunch (http://www.mypdfscripts.com/screenplays/the-wild-bunch)


There were several titles for which I couldn't find PDFs online which is much preferred to HTML or text versions because you can download and add PDFs to your file of screenplays.

You do have a file for screenplays, right?

I also wanted to include more international movies like Cinema Paradiso and Seven Samurai, but again I couldn't find PDFs for them. So I'm afraid The Diving Bell and the Butterfly will have to suffice this time around. But I definitely hope to find more PDFs of international movies in the future.

Finally several suggestions -- Broadcast News, Pulp Fiction, Die Hard, The Shawshank Redemption -- were included in Version 1.0 or Version 2.0, so if you feel like reading those scripts, they're available under List.

Okay, we start with American Beauty on Monday, November 9th! It's an Academy Award-winning original screenplay by Alan Ball, a great script to kick off the proceedings.

Happy reading!

[ad®ian]

Ovoga, imali tko od entuzijasta akaunt na IMDBPro? :cerek:

[La Familia]

http://i37.tinypic.com/rj2omb.png (http://chrisbourne.blogspot.com/2009/11/best-korean-and-japanese-films-of-2000s.html)


The Best Korean and Japanese Films (http://chrisbourne.blogspot.com/2009/11/best-korean-and-japanese-films-of-2000s.html) of the 2000s


http://www.koreanfilm.or.kr/images/eng/d_public/a_txt02.gif (http://www.koreanfilm.or.kr/KOFIC/Channel?task=kofic.user.eng.d_publication.command. PublicationRetrieve1Cmd&Gesipan_SCD=000000000000000002)


Klik za download:


http://files.kofic.or.kr/eng/publication/KFO표지.jpg (http://www.koreanfilm.or.kr/common/modules/Download.jsp?filePath=/eng/publication&fileName=KFOAFM.pdf)


http://www.koreanfilm.or.kr/images/eng/d_public/bt_pdf.gif (http://www.koreanfilm.or.kr/common/modules/Download.jsp?filePath=/eng/publication&fileName=KFOAFM.pdf)

Svi brojevi (http://www.koreanfilm.or.kr/KOFIC/Channel?task=kofic.user.eng.d_publication.command. PublicationRetrieve1Cmd&Gesipan_SCD=000000000000000002)

[La Familia]

http://i38.tinypic.com/egxopy.jpg (http://www.monitor.hr/vijesti/forum-hr-samo-za-okorjele-filmske-entuzijaste/130408/)


INDEX (15-17)


Napomena: Ovo je samo za prvu silu/lakše snalaženje. Svi postovi na temi u narednih će nekoliko dana biti kategorizirani/abecedno složeni. Nadalje, linkovi na index topica uglavljeni su u moj potpis (iznad maila), opet radi vašeg lakšeg snalaženja.


http://photos1.blogger.com/blogger/2394/1195/400/One.jpghttp://photos1.blogger.com/blogger/2394/1195/400/Five.jpg


Another wonderful Tate Papers' article is by Robert Bird:
'Andrei Tarkovsky & Contemporary Art: Medium & Mediation', 2008 (http://www.forum.hr/showpost.php?p=22994011&postcount=561)

American Boy (1978)
This is a fantastic and very rare documentary film by Martin Scorsese, and one of the greatest interviews ever recorded. (http://www.forum.hr/showpost.php?p=22994339&postcount=562)

A conversation with... (http://www.forum.hr/showpost.php?p=22994637&postcount=563)

Martin Scorsese (http://www.forum.hr/showpost.php?p=22995779&postcount=564)

Inside the Actor's Studio - Al Pacino (HQ) (http://www.forum.hr/showpost.php?p=22998779&postcount=565)

GreenCine Daily (http://www.forum.hr/showpost.php?p=22999367&postcount=566)

NIJE BAŠ SVAKA (FILMSKA) LISTA... (http://www.forum.hr/showpost.php?p=23000891&postcount=567)

Inside the Actor's Studio - Martin Scorsese (HQ) (http://www.forum.hr/showpost.php?p=23002667&postcount=568)

Inside the Actor's Studio: Natalie Portman (HQ)
Natalie Portman Leon Audition (http://www.forum.hr/showpost.php?p=23003137&postcount=569)

NYFF 2009 (http://www.forum.hr/showpost.php?p=23006433&postcount=570)

Idealno za stubište (http://www.forum.hr/showpost.php?p=23006789&postcount=571)

Ebert's "Capsule reviews of all films in this year's Chicago Film Festival" (http://www.forum.hr/showpost.php?p=23007002&postcount=572)

BEST FILM SITES (http://www.forum.hr/showpost.php?p=23008113&postcount=573)

Inside The Actor's Studio Francis Ford Coppola
DOKUMENTARAC: Hearts of Darkness: A Filmmaker's Apocalypse (1991) (FULL) (http://www.forum.hr/showpost.php?p=23008830&postcount=574)

MakingOf (http://www.forum.hr/showpost.php?p=23009974&postcount=575)

Video: "The Greatest Story Ever Told" (http://www.forum.hr/showpost.php?p=23010104&postcount=576)

45 Free Things for Writers (http://www.forum.hr/showpost.php?p=23010294&postcount=577)

"Making out triggers a nightmare triggers disintegration triggers the vortex opening." (http://www.forum.hr/showpost.php?p=23010822&postcount=578)

Inside the Actor's Studio - Matt Damon (HQ) (http://www.forum.hr/showpost.php?p=23011101&postcount=579)

Gilliam: "You would think that there’s intelligent life in Hollywood.
But then you discover that there’s just fear." (http://www.forum.hr/showpost.php?p=23020159&postcount=580)

Cinematical (http://www.forum.hr/showpost.php?p=23020300&postcount=581)

Inside The Actors Studio Clint Eastwood (HQ) (http://www.forum.hr/showpost.php?p=23022223&postcount=582)

Francis Ford Coppola:
"The cinema as we know it is falling apart" (http://www.forum.hr/showpost.php?p=23023637&postcount=583)

The Girl with the Dragon Tattoo (http://www.forum.hr/showpost.php?p=23026239&postcount=584)

WEB PREPORUKA (http://www.forum.hr/showpost.php?p=23026828&postcount=585)

John McElwee's fun entry on Tony Curtis's new book on Marilyn Monroe and the making of SOME LIKE IT HOT (1959) (http://www.forum.hr/showpost.php?p=23027788&postcount=586)

Inside The Actor's Studio Christopher Walken (http://www.forum.hr/showpost.php?p=23027966&postcount=587)

Italian galleries. Angelo Novi on Sergio Leone's sets (http://www.forum.hr/showpost.php?p=23028303&postcount=588)

ZA SVE "LJUBITELJE" ROGERA EBERTA (http://www.forum.hr/showpost.php?p=23029263&postcount=589)

SUNDANCE INSTITUTE (http://www.forum.hr/showpost.php?p=23029391&postcount=590)

Sundance Film Lab (http://www.forum.hr/showpost.php?p=23029530&postcount=591)

Vuze HD Network (http://www.forum.hr/showpost.php?p=23029658&postcount=592)

DOKUMENTARAC: A Personal Journey with Martin Scorsese Through American Movies (http://www.forum.hr/showpost.php?p=23034449&postcount=593)

Second funeral for Edgar Allan Poe (http://www.forum.hr/showpost.php?p=23034723&postcount=594)

House Next Door completed its week of devotion to Pixar. (http://www.forum.hr/showpost.php?p=23034800&postcount=595)

Genuine weirdness in movies is exceedingly rare re a scene in THE MANCHURIAN CANDIDATE (1962) (http://www.forum.hr/showpost.php?p=23035050&postcount=596)

Novozelanđani (http://www.forum.hr/showpost.php?p=23035370&postcount=597)

WEB PREPORUKA: AC CLUB (http://www.forum.hr/showpost.php?p=23035550&postcount=598)

DOKUMENTARAC: Samuel Fuller - The Typewriter, the Rifle... (HQ) (http://www.forum.hr/showpost.php?p=23035863&postcount=599)

My Best Friend's Birthday (Quentin Tarantino) (http://www.forum.hr/showpost.php?p=23039567&postcount=600)


http://photos1.blogger.com/blogger/2394/1195/400/One.jpghttp://photos1.blogger.com/blogger/2394/1195/400/Six.jpg


Video interview:
Alfred Hitchcock (1973) (http://www.forum.hr/showpost.php?p=23040750&postcount=601)

Andrew O'Hehir: Polanski's attackers and defenders are responding to the same social truth identified in CHINATOWN (http://www.forum.hr/showpost.php?p=23041478&postcount=602)

Short Cuts (http://www.forum.hr/showpost.php?p=23041582&postcount=603)

Happy Birthday to You, Alien (http://www.forum.hr/showpost.php?p=23041855&postcount=604)

SAVRŠEN BLOG (http://www.forum.hr/showpost.php?p=23043998&postcount=605)

JOŠ JEDNO AUDIOVIZUALNO SAVRŠENSTVO (http://www.forum.hr/showpost.php?p=23044496&postcount=606)

Viewing (3'11"). AO Scott on VERTIGO (http://www.forum.hr/showpost.php?p=23044897&postcount=607)

Jerry Maguire (http://www.forum.hr/showpost.php?p=23045420&postcount=609)

Wes Anderson (http://www.forum.hr/showpost.php?p=23046297&postcount=610)

Bijela Vrpca (http://www.forum.hr/showpost.php?p=23047031&postcount=613)

Neil Jordan (http://www.forum.hr/showpost.php?p=23047852&postcount=614)

Great scene locations?
"Blood Rivers and Stone Forests: 15 Alien Landscapes" (http://www.forum.hr/showpost.php?p=23051402&postcount=615)

Favorite Coen Bros movie? (http://www.forum.hr/showpost.php?p=23053937&postcount=616)

Knjiga (http://www.forum.hr/showpost.php?p=23055999&postcount=618)

Robin Williams - Inside the Actor's Studio (HQ) (http://www.forum.hr/showpost.php?p=23057891&postcount=619)

Liv the life (http://www.forum.hr/showpost.php?p=23058518&postcount=620)

Terry Gilliam bira za vas... (http://www.forum.hr/showpost.php?p=23060070&postcount=621)

Forest Whitaker (http://www.forum.hr/showpost.php?p=23061615&postcount=622)

FNB (http://www.forum.hr/showpost.php?p=23061770&postcount=623)

JEDAN NA JEDAN:
Godard & Woody Allen - 1986 (http://www.forum.hr/showpost.php?p=23062476&postcount=624)

Video Interviews - Jean-Luc Godard
-Godard - Dans le noir du temps
Film de Jean-Luc Godard et Anne-Marie Miéville (kompletan kratkiš)
-BANDE ANNONCE SYMPATHY FOR THE DEVIL (ONE+ONE) 1968 DE JEAN-LUC
GODARD AVEC THE ROLING STONES. TRAILER V.O HQ
-CINEMATON JEAN-LUC GODARD LE 22 FEVRIER 1981 DE GERARD COURANT REMIX MUZIK KIRIVALSE JANIS JOPLIN LITTLE GIRL BLUE HQ (http://www.forum.hr/showpost.php?p=23063320&postcount=625)

One on One - Terry Gilliam
Terry Gilliam "The Imaginarium of Doctor Parnassus" - Comic Con 2009
The Fisher King Screenplay (http://www.forum.hr/showpost.php?p=23065178&postcount=626)

Screenwriting Basics (http://www.forum.hr/showpost.php?p=23068656&postcount=628)

La Jetée (1962)
La jetée (English: The Jetty or The Pier) (1962) is a 28-minute black and white science fiction film by Chris Marker. Constructed almost entirely from still photos, it tells the story of a post-nuclear war experiment in time travel. The film won the Prix Jean Vigo for short film. (http://www.forum.hr/showpost.php?p=23069315&postcount=630)

Charlie Rose - CLINT EASTWOOD
Scenarij (http://www.forum.hr/showpost.php?p=23070165&postcount=631)

Najbolja zatvaranja
End credits
Soundtrack
The Fisher King (http://www.forum.hr/showpost.php?p=23071735&postcount=632)

Terry Gilliam Speaks About Filming the Grand Central Waltz Sequence (http://www.forum.hr/showpost.php?p=23073219&postcount=633)

Čitat i gledat filmove by andreee
Prošvrljajte po sajtu, ima dosta lijepih i zanimljivih stvari. (http://www.forum.hr/showpost.php?p=23074944&postcount=634)

DP/30 - Slumdog Millionaire Director & Screenwriter
Scenarij (http://www.forum.hr/showpost.php?p=23076633&postcount=635)

Two screenwriting books...
Online for free (http://www.forum.hr/showpost.php?p=23082284&postcount=636)

WIM WENDERS (http://www.forum.hr/showpost.php?p=23083304&postcount=637)

Script Mag's interview with Peter Morgan (http://www.forum.hr/showpost.php?p=23086413&postcount=640)


http://photos1.blogger.com/blogger/2394/1195/400/One.jpghttp://photos1.blogger.com/blogger/2394/1195/400/Seven.jpg


How to turn a low-budget horror indie into a hit?
Add Steven Spielberg, Twitter -- and scare the pants off people (http://www.forum.hr/showpost.php?p=23087038&postcount=641)

MOVIE LINE (http://www.forum.hr/showpost.php?p=23087300&postcount=642)

WEB PREPORUKA (http://www.forum.hr/showpost.php?p=23087698&postcount=643)

JAVNI POZIV VLASNICIMA WEB STRANICA... (http://www.forum.hr/showpost.php?p=23088376&postcount=644)

Daily dialogue (http://www.forum.hr/showpost.php?p=23092764&postcount=647)

QUIETUS (http://www.forum.hr/showpost.php?p=23093055&postcount=648)

Mirta uči statistiku (http://www.forum.hr/showpost.php?p=23094989&postcount=649)

Great Scene: Goodfellas
Scenarij (http://www.forum.hr/showpost.php?p=23095550&postcount=650)

"If there's a (horror) movie that seems to exist outside of film history it's the strange case of THE WIZARD OF OZ" (http://www.forum.hr/showpost.php?p=23096341&postcount=651)

FIN DE CINEMA (http://www.forum.hr/showpost.php?p=23097443&postcount=652)

Screenplay Format (http://www.forum.hr/showpost.php?p=23099442&postcount=653)

Inside the Actor's Studio - Forest Whitaker (http://www.forum.hr/showpost.php?p=23102990&postcount=655)

Srikanth (Unspoken Cinema) on Béla Tarr's WERCKMEISTER HARMONIES (2000) (http://www.forum.hr/showpost.php?p=23103709&postcount=656)

HERO COMPLEX (http://www.forum.hr/showpost.php?p=23104121&postcount=657)

X at Twitch on Hosoda Mamoru's "latest animated wonder," SUMMER WARS (http://www.forum.hr/showpost.php?p=23104454&postcount=658)

SVE O SCENARIJU/NIKŠA SVILIČIĆ (http://www.forum.hr/showpost.php?p=23105008&postcount=659)

Monty Python Reunion (http://www.forum.hr/showpost.php?p=23106214&postcount=660)

Interview: Matthew Robinson (The Invention of Lying)
Scenarij (http://www.forum.hr/showpost.php?p=23108236&postcount=661)

Only de Cinema (http://www.forum.hr/showpost.php?p=23110905&postcount=662)

Illusion Travels (http://www.forum.hr/showpost.php?p=23111000&postcount=663)

RIJETKI* .pdf SCENARIJI/DOWNLOAD
WHERE THE WILD THINGS ARE (2009) Screenplay
L.A. CONFIDENTIAL (1997) Screenplay
ONCE (2006) Screenplay
48 HRS. (1982) Screenplay
WALL-E (2008) Screenplay
UNBREAKABLE (2000) Screenplay (http://www.forum.hr/showpost.php?p=23116131&postcount=665)

Gilliam: "All my films are labour of loves b/c they're horrible things to do.
You've got to be obsessed to do it." (http://www.forum.hr/showpost.php?p=23116821&postcount=667)

Ljudi božji, pa nisam ja bio pijan u ratu! (http://www.forum.hr/showpost.php?p=23118819&postcount=670)

Most important thing for a doc:
deliver an experience to an audience instead of telling them what to think (http://www.forum.hr/showpost.php?p=23119616&postcount=671)

MakingOf (http://www.forum.hr/showpost.php?p=23126772&postcount=675)

"The Essence of Story" (http://www.forum.hr/showpost.php?p=23132274&postcount=677)

Bracing for AVATAR. Dana Goodyear's big New Yorker profile of James Cameron (http://www.forum.hr/showpost.php?p=23132670&postcount=680)

[La Familia]

http://i36.tinypic.com/30iuq9l.jpg (http://fora.tv/2006/02/25/Ricky_Gervais#fullprogram)


The Office mu se vrti u 80-tak zemalja... krepo dabogda :D Odlična intervju seansa btw.

[La Familia]

http://i35.tinypic.com/2eg4jmp.jpg (http://ambient-data.net/covers/groundhog_day_cd.jpg)


http://i34.tinypic.com/e3p69.jpg (http://fora.tv/2009/10/13/Harold_Ramis_at_the_Hudson_Union_Society)

[La Familia]

http://i37.tinypic.com/nd08qu.jpg (http://images.allmoviephoto.com/2007_The_Boss_of_It_All/2007_the_boss_of_it_all_007.jpg)


'Lars [von Trier] From 1-10', The short film by Sophie Fiennes


http://i33.tinypic.com/ic2z9d.jpg (http://www.thepervertsguide.com/trailers_lars1-10.html)


Antichrist VOST - Making of


http://i33.tinypic.com/eq5zzd.jpg (http://www.premiere.fr/Bandes-annonces/Video/Antichrist-VOST-Making-of)


http://i36.tinypic.com/29c42lk.jpg (http://books.google.hr/books?id=GUrJW2G9WkIC&printsec=frontcover&dq=Playing+the+waves:+Lars+Von+Trier%27s+game+cine ma+/+Jan+Simons&lr=&as_brr=1#v=onepage&q=&f=false)
PUNI PRIKAZ


http://i33.tinypic.com/hs8dur.jpg (http://books.google.hr/books?id=S6AzhT3-ursC&pg=PP1&dq=lars+von+trier#v=onepage&q=&f=false)
OGRANIČENI PRIKAZ

[La Familia]

Cinephilia: movies, love and memory (puni prikaz)


http://i33.tinypic.com/28w01a0.jpg (http://books.google.hr/books?id=dFPFCfe3ZicC&pg=PP1&dq=Cinephilia:+movies,+love+and+memory#v=onepage&q=&f=false)

[La Familia]

http://i36.tinypic.com/29zeqea.jpg (http://www.bloggang.com/data/filmlover/picture/1223192173.jpg)


Fascinating - you can download a screenplay (translated to English) of Kurosawa's SEVEN SAMURAI


http://i38.tinypic.com/6xrpsj.jpg (http://www.etapetki.com.pl/galleries/Kino/Film/S/Seven_samurai_PL_Siedmiu_samurajow/seven_samurai_a1.jpg)


Seven Samurai

Download Script (http://www.mypdfscripts.com/download/465)

Undated, unspecified draft by Akira Kurosawa & Shinobu Hashimoto & Hideo Oguni.
Translated by Donald Richie.
Synopsis: A poor village under attack by bandits recruits seven unemployed samurai to help them defend themselves.
Source: Digital – Pages: 188 – Size: 500 kb – IMDb (http://www.imdb.com/title/tt0047478/)
Converted exclusively for this site by Hawkeye.

Here’s an interesting note regarding this script from a Kurosawa book:

“As Donald Richie [the translator] points out in his introduction, the original 200-minute version of Seven Samurai was considerably cut before its general release. There are no prints or reliable script of this original version in existence and so the present publication is based on the Toho script of the 160-minute version, the studio continuity, and movieola viewings of the Japanese, American and British prints of the film.”

[La Familia]

DISCLAIMER: The following screenplays are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended.


Klik na fotku/poster za download scenarija:


THE MEN WHO STARE AT GOATS (2009) Screenplay


http://www.iwatchstuff.com/2009/09/16/men-who-stare-goats-poster.jpg (http://www.mediafire.com/download.php?pyismh2c62m)


THE BOONDOCK SAINTS II : ALL SAINTS DAY (2009) Screenplay

http://cinemanicchronicles.moviemansguide.com/wp-content/uploads/2009/10/boondocksaints2poster.jpg (http://www.mediafire.com/download.php?zywy0izwmmq)

[La Familia]

http://i37.tinypic.com/vywsg0.jpg (http://www.mysteryman.org/)


Mystery Man’s Seven Scripts You Gotta Read (http://www.mypdfscripts.com/featured/mystery-mans-seven-scripts-you-gotta-read)!


Napoleon
Download Script (http://www.mypdfscripts.com/download/466)
September 29, 1969 Draft by Stanley Kubrick.
Synopsis: The life of Napoleon.
Source: Digital – Pages: 148 – Size: 204 kb
Converted exclusively for this site by Sheridan.

Superman II
Download Script (http://www.mypdfscripts.com/download/452)
April 18, 1977 Shooting Script by Tom Mankiewicz.
Synopsis: Superman agrees to sacrifice his powers to marry Lois, unaware that three Kryptonian criminals he inadvertently released are conquering Earth.
Source: Scanned – Pages: 114 – Size: 4.3 MB – IMDb (http://www.imdb.com/title/tt0081573/)

Blade Runner (1980.07.24 Draft)
Download Script (http://www.mypdfscripts.com/download/210)
July 24, 1980 Draft by Hampton Fancher.
Notes: Scanned by mypdfscripts.
Source: Scanned – Pages: 111 – Size: 3.0 MB – IMDb (http://www.imdb.com/title/tt0083658/)

American Beauty (1998.09.02 Draft)
Download Script (http://www.mypdfscripts.com/download/458)
September 2, 1998 First Rewrite by Alan Ball.
Synopsis: Lester Burnham, a depressed suburban father in a mid-life crisis, decides to turn his hectic life around after developing an infatuation for his daughter’s attractive friend.
Notes: Annoying diagonal production watermark on every page.
Source: Scanned – Pages: 121 – Size: 4.1 MB – IMDb (http://www.imdb.com/title/tt0169547/)

Dark Knight, The
Digital: Download Script (http://www.mypdfscripts.com/download/457)
Scanned: Download Script (http://www.mypdfscripts.com/download/456)
Undated, unspecified draft by Jonathan Nolan and Christopher Nolan.
Story by Christopher Nolan and David S. Goyer. Batman created by Bob Kane.
Synopsis: Batman, Gordon and Harvey Dent are forced to deal with the chaos unleashed by an anarchist mastermind known only as the Joker, as it drives each of them to their limits.
Source: Digital – Size: 370 kb – Pages: 141
Source: Scanned – Size: 2.4 MB – Pages: 167 – IMDb (http://www.imdb.com/title/tt0468569/)

Star Wars (1974.07 Draft)
Download Script (http://www.mypdfscripts.com/download/455)
July, 1974 First Draft by George Lucas.
Note: Lucas’ first draft that reads much differently than his later drafts.
Source: Scanned – Pages: 147 – Size: 2.5 MB – IMDb (http://www.imdb.com/title/tt0076759/)

[La Familia]

"Kradem" od otO-a :D

I Love Sarah Jane (http://www.youtube.com/watch?v=gYxs7Y7ulrM), kratki film o dječaku od kojih deset godina koji je zatreskan u djevojčicu u svijetu... Pa, nema smisla da prepričavam, film je dugačak samo 15 minuta, odličan je i u cijelosti je dostupan na navedenom linku - pogledajte. Meni je ovo najava jedne potencijalno vrlo zanimljive karijere, prvi dugometražni film Spencera Sussera (http://www.imdb.com/title/tt1403177/) trebao bi izaći iduće godine.

Evo i postera:

http://img164.imagevenue.com/loc1008/th_30538_34qnv4y_122_1008lo.jpg (http://img164.imagevenue.com/img.php?image=30538_34qnv4y_122_1008lo.jpg)

Thanx, otO.

[La Familia]

http://i36.tinypic.com/vomqle.jpg (http://www.entertainmentwallpaper.com/images/desktops/movie/the_wrestler03.jpg)


THE BEST OF SOUNDTRACKS


Bruce Springsteen - The Wrestler (Long Version) [HQ]


http://i33.tinypic.com/2l975fd.jpg (http://www.youtube.com/watch?v=X2t7-JgtVA0)


Have you ever seen a one trick pony in the field so happy and free?
If you've ever seen a one trick pony then you've seen me
Have you ever seen a one-legged dog making its way down the street?
If you've ever seen a one-legged dog then you've seen me

Then you've seen me, I come and stand at every door
Then you've seen me, I always leave with less than I had before
Then you've seen me, bet I can make you smile when the blood, it hits the floor
Tell me, fan, can you ask for anything more?
Tell me can you ask for anything more?

Have you ever seen a scarecrow filled with nothing but dust and weeds?
If you've ever seen that scarecrow then you've seen me
Have you ever seen a one-armed man punching at nothing but the breeze?
If you've ever seen a one-armed man then you've seen me

Then you've seen me, I come and stand at every door
Then you've seen me, I always leave with less than I had before
Then you've seen me, bet I can make you smile when the blood, it hits the floor
Tell me, friend, can you ask for anything more?
Tell me can you ask for anything more?

These things that have comforted me, I drive away
This place that is my home I cannot pay
My only faith's in the broken bones and bruises I display

Have you ever seen a one-legged man trying to dance his way free?
If you've ever seen a one-legged man then you've seen me


:jumping:


Da nema Brucea Springsteena... Život ne bi imao smisla :)


p.s. ne mogu odoljeti, još samo par minuta vašeg vremena (a opet posvećeno mojoj Maji, R.I.P):


Bruce Springsteen If I Should Fall Behind Milan 99


http://i37.tinypic.com/b87jbl.jpg (http://www.youtube.com/watch?v=6SEAIBNS4Kc)


:cerek::cerek::cerek:

[La Familia]

Interview: Jon Ronson, the Author of The Men Who Stare at Goats


http://www.slashfilm.com/wp/wp-content/images/jon_ronson-550x336.jpg
http://www.slashfilm.com/wp/wp-content/images/men_who_stare_at_goats_1-550x301.jpg
http://www.slashfilm.com/wp/wp-content/images/men_who_stare_at_goats_2-550x366.jpg (http://www.slashfilm.com/2009/11/06/interview-jon-ronson-the-author-of-the-men-who-stare-at-goats/)


DISCLAIMER: The following screenplay(s) are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended.


Klik na fotku/poster za download scenarija:


THE MEN WHO STARE AT GOATS (2009) Screenplay


http://www.iwatchstuff.com/2009/09/16/men-who-stare-goats-poster.jpg (http://www.mediafire.com/download.php?pyismh2c62m)

[La Familia]

http://daily.greencine.com/archives/gc_daily_header.jpg


DVD OF THE WEEK & PODCAST: Wings of Desire (http://daily.greencine.com/archives/007640.html)


To listen to the podcast, click here (http://daily.greencine.com/GC-Wings-of-Desire.mp3). (17:09)

Podcast Music
INTRO: Nick Cave and the Bad Seeds, "From Her to Eternity"
OUTRO: They Might Be Giants, "Road Movie to Berlin"

[La Familia]

http://graphics8.nytimes.com/images/misc/nytlogo152x23.gif

http://graphics8.nytimes.com/images/2009/11/08/arts/08lim_span_CA0/articleLarge.jpg


‘Fight Club’ Fight Goes On (http://www.nytimes.com/2009/11/08/movies/homevideo/08lim.html?_r=1&ref=movies)


--------------------------------------------------------------------------


FIGHT CLUB (1999) Screenplay


Klik na fotku/poster za download scenarija:


http://imagecache2.allposters.com/images/pic/24/003_FIGHTCLROS~Fight-Club-Posters.jpg (http://www.mediafire.com/download.php?3nmjw1nc4tm)


:mljacko:

[La Familia]

There's no politics. Basically there is -- we're employees. We're hired nine to five, Monday through Friday.
So there's no agents, there's no deal making. Similar to the old studio system, we're a bunch of artisans at
the top of their craft working under one roof on multiple pictures. There's no studio executives. An artist runs
the studio: John Lasseter. The producers and production staff probably have the least power and the artists
have the most. It's what I like to say, it's film school without the teachers. -Andrew Stanton (http://rageagainstthepage.blogspot.com/2008/12/andrew-stanton-pixar-transcript-keynote.html)



http://i28.tinypic.com/11hzalu.jpg (http://www.pixar.com/index.html)


NAJNOVIJE:
Pete Docter: Pixar Movies Are Lousy … at First


We all know Pixar makes great movies, right? Toy Story, Monsters Inc., Finding Nemo, The Incredibles, Ratatouille, Wall*E, Up. But check out what Pixar writer-director Pete Docter has to say about their creative process:


http://i34.tinypic.com/29c3wgn.jpg (http://www.thewrap.com/ind-column/pete-docter-all-pixar-movies-are-lousy-…-some-point-9319?page=1)


p.s. Day 7 -- Sunday, November 15: Wall-E Screenplay download (http://www.mediafire.com/download.php?jmonyiim2oh)

[La Familia]

WEB PREPORUKA: The Story Department: Screenwriting Best of the Web


http://thestorydepartment.com.au/wp-content/themes/blue-zinfandel-3column/images/banner.jpg (http://thestorydepartment.com.au/)

[La Familia]

http://i33.tinypic.com/16icz84.jpg (http://www.hundland.org/hd/e/ews1.jpg)


Eyes Wide Shut (1999)
Director: Stanley Kubrick
By Roderick Heath (http://ferdyonfilms.com/2009/11/eyes-wide-shut-1999-1.php)


---


Eyes Wide Shut
A Screenplay by Stanley Kubrick & Frederic Raphael (http://www.visual-memory.co.uk/amk/doc/0085.html)

[La Familia]

http://thestorydepartment.com.au/wp-content/themes/blue-zinfandel-3column/images/banner.jpg (http://thestorydepartment.com.au/)


http://thestorydepartment.com.au/wp-content/uploads/2008/04/pdvd_0073.jpg


A structural overview of The Shawshank Redemption
(Frank Darabont, 1994).

It was nominated for seven Academy Awards: Best Picture, Best Actor (Morgan Freeman), Best Adapted Screenplay, Best Cinematography, Best Editing, Best Original Score, and Best Sound – but it failed to win a single Oscar. This film has an interesting structure because of its unusual treatment of the protagonist. The POV character ‘Red’ is not the one with the clearest objective. Andy drives most of the story, although he is not entirely ‘honest’ to the audience. Only at the end of the story we find out about his real agenda. (http://thestorydepartment.com.au/structure-the-shawshank-redemption/)


http://thestorydepartment.com.au/wp-content/uploads/2009/12/UntouchTitle.PNG


Structure: The Untouchables

A structural overview of The Untouchables
(David Mamet, 1986)

David Mamet has never equaled the tremendous power of his eighties screenplays. The Postman Always Rings Twice, The Verdict, The Untouchables and even his own directorial debut House of Games, starring his then wife Lindsay Crouse. The Untouchables has always been my favorite. De Palma turned the script into the most cinematic of Mamet’s writing. (http://thestorydepartment.com.au/structure-the-untouchables/)


http://thestorydepartment.com.au/wp-content/uploads/2009/09/beautiful-mind-title-1.JPG


Structure: A Beautiful Mind

A structural overview of A Beautiful Mind (2001).

It took me a while to appreciate this gem by Akiva Goldsman and directed by Ron Howard. Not sure why. The film won four Academy Awards, including Best Picture, so I had a good reason for looking into it. Screenwriter Goldsman had a personal attachment to the material. He created a method for training mental health workers and his parents had established a home for emotionally disturbed children. (http://thestorydepartment.com.au/structure-a-beautiful-mind/)


http://thestorydepartment.com.au/wp-content/uploads/2009/09/up-pixar-dug.PNG


A structural overview of UP (Pete Docter, Bob Peterson, Thomas McCarthy 2009) (http://thestorydepartment.com.au/up-the-moments-that-never-come/)


http://thestorydepartment.com.au/wp-content/uploads/2009/03/juno-9.jpg


A structural overview of Juno (Diablo Cody 2007)

At the time of release, much of the attention surrounding JUNO went to the screenwriter rather than the script. Now the dust around Diablo Cody has settled, some voices have questioned the quality of the screenplay. I still believe it is a wonderful independent film, well-structured and beautifully written. I am not a fan of mannered dialogue, but here it is a stylistic trademark that is fabulously executed by JUNO’s superb cast. (http://thestorydepartment.com.au/structure-juno/)


http://thestorydepartment.com.au/wp-content/uploads/2009/03/thelma__louiseposter.jpg


I am a fan of Ridley Scott’s flamboyant visual style of filmmaking. Although he has had numerous box office successes, in my view he has never equalled the overall excellence of THELMA & LOUISE (1991). It is a fabulous movie and an outstanding debut script by first-timer Callie Khouri. Here is an attempt to analyse the structural dynamics of this wonderful screenplay and film. (http://thestorydepartment.com.au/structure-thelma-louise/)


http://thestorydepartment.com.au/wp-content/uploads/2008/08/jawscov.gif


A structural overview of Jaws (Peter Benchley, Carl Gottlieb, Novel by Peter Benchley 1975)

Steven Spielberg first drew me into movies with Close Encounters of the Third Kind, back in 1977. Because I was too young for Jaws in 1975, it wasn’t until later when I discovered the movie that really made Spielberg. (http://thestorydepartment.com.au/structure-jaws/)


Structure: Raiders of the Lost Ark (http://thestorydepartment.com.au/structure-raiders-of-the-lost-ark/)

Structure: Iron Man (http://thestorydepartment.com.au/structure-iron-man-pics/)

Structure: Terminator 2 (http://thestorydepartment.com.au/structure-terminator2/)

Structure: Michael Clayton (http://thestorydepartment.com.au/michael-clayton/)

[La Familia]

How did Nicolas Coppola become Nicolas Cage:
The Wild, Wild Ways of Nicolas Cage?


“There’s a very fine line between Method actor and schizophrenic,” Cage has said. Which might explain this unpredictable star, who ricochets between inspired, offbeat performances and empty blockbusters; indulges in confounding extravagance; and names a son after Superman. How did Nicolas Coppola become Nicolas Cage?

http://i33.tinypic.com/v6urnn.jpg (http://nymag.com/arts/articles/09/11/nymag-nicholascage091116.pdf)

[La Familia]

Classic Poster - Silent Film


http://4.bp.blogspot.com/_OlvKAYRdLro/SsUEZ0P1uYI/AAAAAAAAAjc/ICo9nL3MPVQ/s1600-h/3+Bad+Men+1926-1.jpg


Svi posteri OVDJE (http://doarcodavelha.blogspot.com/search/label/Silent%20Film%20Posters).

[La Familia]

http://notcoming.com/images/features/brody/kinglear.jpg


Leo Goldsmith and Evan Kindley talk about EVERYTHING IS CINEMA, his Godard bio (http://notcoming.com/features/richardbrody/)


http://notcoming.com/images/features/brody/gong.jpg


Fifty years ago this month, Jean-Luc Godard was putting the finishing touches on his first feature film: “the story of a young American woman and a Frenchman. Things can’t work out between them because he thinks about death and she doesn’t.” Deriving from a script treatment by Godard’s friend François Truffaut, and released in Paris in March 1960, Breathless was an immediate success, both commercially and critically, a major coup for the filmmakers and critics of Cahiers du cinéma, the most resounding of the Nouvelle Vague’s many successes.

Since then, Godard’s name has been nearly synonymous with the cinema – in the credits of Band of Outsiders his name literally encompasses it – even if his relationship to it is frequently ambivalent. Even while promoting his first film, Godard expressed a crucial ambivalence about his vocation – “I have contempt for [the cinema]. It is nothing. It does not exist. Thus I love it” – a cannily equivocal position fortified by nearly ten years of culture wars as one of Cahiers’s most indignant young critics.


http://notcoming.com/images/features/brody/chinoise.jpg


Even as a filmmaker – from his daring and hugely influential 60s work to his little-seen video work from the 70s and 80s to deeply personal and intellectually rigorous later films like Sauve qui peut and Éloge de l’amour – Godard has remained one of the most important and vociferous critics of cinema at the same time as being one of its exemplary artists. This dual capacity makes him a daunting subject for any writer who makes him a subject of a “critical biography.” In Everything is Cinema: The Working Life of Jean-Luc Godard (Metropolitan Books, 2008), Richard Brody offers a compendious 700-page effort to come to grips with the filmmaker’s life—from beginning to present and without skimping on the director’s often-overlooked later works. An editor and film critic at The New Yorker, Brody traces in detail Godard’s shifting politics, his formidable autodidactic intellect, his personal connections and disconnections, and the surprising ways in which these elements find their way – intentionally or inadvertently – into his films.

We sat down with Richard Brody to discuss – amongst other things – Godard’s life and work, the function of the biography and the process of writing one, and some of the criticisms of his book.


Kompletan intervju OVDJE (http://notcoming.com/features/richardbrody/).

[La Familia]

http://www.artofthetitle.com/v3/wp-content/themes/grid_focus/images/ats_logo_web.png (http://www.artofthetitle.com/)


WALL·E (+ Jim Capobianco & Alex Woo interview)


http://artofthetitle.com/media/film/2008/wall_e_contact.jpg (http://www.artofthetitle.com/2009/06/22/wall-e/)


This Is England


http://www.artofthetitle.com/media/film/2006/this_is_england_contact.jpg (http://www.artofthetitle.com/2009/03/16/this-is-england/)
Click to Watch SD (http://www.artofthetitle.com/media/film/2006/this_is_england_480p.html) | Click to Watch HD (http://www.artofthetitle.com/media/film/2006/this_is_england_720p.html)


Lolita


http://artofthetitle.com/media/film/60s/lolita_contact.jpg (http://www.artofthetitle.com/2009/02/13/lolita/)


!!!PREPORUKA!!!


Fetishistic Advocacy for Speed in Titles

Seven sequences of stirring mobility.

Between driver and destination burrows transmutation. The road spreads and the governing need is not to arrive, but to go. What better odyssey of thought then a speeding sojourn into darkness? You may burn (may you burn), you may soar (may you soar).


http://artofthetitle.com/media/film/40s/fallen_angel_contact.jpg
http://artofthetitle.com/media/film/1994/natural_born_killers_contact.jpg
http://artofthetitle.com/media/film/1997/lost_highway_contact.jpg
http://artofthetitle.com/media/film/1997/u_turn_contact.jpg
http://artofthetitle.com/media/film/2001/mulholland_dr_contact.jpg (http://www.artofthetitle.com/2009/01/02/fetishistic-advocacy-for-speed-in-titles/)

[La Familia]

DISCLAIMER: The following screenplays are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended.


Klik na fotku/poster za download scenarija:


THE FOURTH KIND (2009) Screenplay

http://www.cinemablend.com/images/news/14840/_1253350551.jpg (http://www.mediafire.com/download.php?fhdzufymyt4)


THE BOX (2009) Screenplay

http://www.iwatchstuff.com/2009/04/07/the-box-poster-diaz.jpg (http://www.mediafire.com/download.php?in5nytjmmwc)

[La Familia]

http://2.bp.blogspot.com/_Q3JthHcpqjg/Svh3IzEM11I/AAAAAAAAB2o/fblkZgc-cFA/s1600/AMERICAN%2BBEAUTY.jpg


14 Days of Screenplays, Version 3.0 -- Day 1: American Beauty


Today is Day 1 of the "14 Days of Screenplays, Version 3.0" challenge and the featured screenplay is for the movie American Beauty. You can download the script from myPDFscripts.com here (http://www.mypdfscripts.com/screenplays/american-beauty).

Background: American Beauty was written by Alan Ball (http://www.imdb.com/name/nm0050332/). The movie was nominated for 8 Academy Awards in 1999, winning 5 including Best Writing, Screenplay Written Directly for the Screen.

In this interview (http://www.spiritualteachers.org/alan_ball.htm) in 1999, Ball describes how he came to write the original screenplay:

Amazon.com: What was the catalyst for this script?

Alan Ball: I spent four seasons as a sitcom writer on shows that were really frustrating to be a writer on. As a playwright in New York, I had been used to having this really passionate connection to my work. And you can't do that on certain sitcoms, like the ones I was on, because the work just gets rewritten and shredded until it goes in front of the camera, because that's just what the process is. You have to develop a healthy detachment from it. I longed for the chance to write something that I was deeply invested in, and that--plus my anger and rage at my working situation--just sort of channeled into American Beauty.

Amazon.com: The writing feels very cathartic. Did it come quickly?

Alan Ball: The first draft took eight months, but that's because I was working full-time as a co-executive producer on a network sitcom, so I was coming home at one in the morning and writing for two hours and going to sleep. I just got in the zone, and it seemed to have its own life and the characters seemed so real, and it was like channeling.

The script is a brilliant and dark satire about contemporary upper middle class American values as experienced through the perspective of the story's Protagonist Lester Burnham (Kevin Spacey).

I want to give time for people to weigh in about the script, those who have read it for the challenge as well as anyone else who has read the script in the past. I'll update this post with my thoughts on the script later tonight.

For links to all 14 scripts in the challenge, go here (http://www.gointothestory.com/2009/11/announcement-14-days-of-screenplays.html).

And remember: We'll be reading 1 script per day and discussing them for the next two weeks. I'll be posting something everyday at 4PM U.S. Eastern Daylight Time / 1PM PST for your comments.

The script for Day 2 of the challenge is The Crying Game (http://www.mypdfscripts.com/screenplays/the-crying-game), also available at myPDFscripts.com

[La Familia]

http://pigeonimpossible.com/images/index_05.jpg (http://pigeonimpossible.com/)

http://pigeonimpossible.com/images/thumbnails/PigeonImpossible-Poster.jpg (http://pigeonimpossible.com/)

[La Familia]

http://i35.tinypic.com/34qpuvo.jpg

http://www.jigsawlounge.co.uk/film/gx/V09gunman-small.jpg


INTERVIEWS

Lisandro Alonso (Los Muertos)
Brad Anderson (The Machinist)
Paul Thomas Anderson (Puch-Drunk Love) by Mitja Okorn
Wes Anderson (The Royal Tenenbaums)
Jack Angel (voice of Teddy, A.I.)
Barbato, Bailey & St James (Party Monster)
James Benning:
Homeland Security (full transcript)
Circling James Benning (abridged version for CinemaScope magazine)
Jonathan Breck (actor, Jeepers Creepers 2)
Kim Chapiron (Sheitan)
Paddy Considine (actor, In America)
Brian Cox (actor, Red) [Edinburgh Film Festival 2008 video] << LATEST
Jan Cvitkovic (Bread and Milk)
Ken Duken (actor)
Robert Duvall (actor, Open Range)
Marc Evans (My Little Eye)
Juan-Carlos Fresnadillo (Intacto)
Cesc Gay (writer-director, In The City)
Eva Green (actress, The Dreamers)
Hare & Martin (Amber Collective writer-directors, Like Father)
Toby Kebbell (actor, Dead Man's Shoes)
McCarthy, Dinklage & Cannavale (The Station Agent)
John McNaughton (Henry - Portrait of a Serial Killer)
Mackenzie brothers (The Last Great Wilderness)
Mahamet-Saleh Haroun (Abouna)
Shane Meadows (Dead Man's Shoes)
David Morrissey (actor, Captain Corelli's Mandolin)
PARK Chan-Wook (OLDBOY)
J T Petty (Soft For Digging)
Julian Richards (The Last Horror Movie)
Graham Robertson (Able Edwards)
Victor Salva (Jeepers Creepers)
Paul Sarossy (Mr In-Between)
Cate Shortland (Somersault)
Morgan Spurlock (Super Size Me)
Ondi Timoner (Dig!)
Paul Verhoeven
Peter Webber (Girl With a Pearl Earring)
Owen Wilson (The Royal Tenenbaums)
YING Liang (Taking Father Home)


ESSAY-LENGTH REVIEWS (usually 1,000+ words)

After Murder, Park : Paul W S Anderson's Death Race
Barking Up the Wrong Tree : Lars Von Trier's Dogville
Boon Docks : Dany B.'s Welcome to the Sticks
Boys from the Black Stuff : Paul Thomas Anderson's There Will Be Blood
A Capital Offence : Gabriele Muccino's The Pursuit of Happyness
The Case Against Vera Drake (dir. Mike Leigh)
Chilly Scenes of Wintour : David Frankel's The Devil Wears Prada
China Crisis : Rob Cohen's The Mummy - Tomb of the Dragon Emperor
China In Your Hand : Xiaolu GUO's How Is Your Fish Today?
The China Syndrome : YING Liang's The Other Half
Confessions of a Barge-Hand : David Mackenzie's Young Adam
Cracked Actress : David Lynch's INLAND EMPIRE
The Creature Wasn't Nice : Matt Reeves' Cloverfield
Crimes of the Future : Richard Loncraine's Firewall
Dark Sarcasm in the Classroom : Richard Eyre's Notes on a Scandal
Defending Troy (dir. Wolfgang Petersen)
Disinterring The Living Dead at the Manchester Morgue (dir. Jorge Grau)
Distant Relatives: Nuri Bilge Ceylan's Uzak
Dum Dum Diddle : Phyllida Lloyd's Mamma Mia!
Fear of a Black BMW : Christian Petzold's The State I Am In
Fun with a Fin : Wes Anderson's The Life Aquatic with Steve Zissou
Gone, Baby, Gone : Andrei Zvyagintsev's The Banishment
Gonna Fly Now : Sylvester Stallone's Rocky Balboa
Hard Out Here For a Pimp : NA Hong-jin's The Chaser << NEW (27.Sep.08)
The Horror of Ingmar Bergman : Persona
Is Chaos Director an Incomprehensible Demon-Man? : MIIKE Takashi's Izo
Kerbside Justice : Nick Love's ******
K is for Chaos (dir. KUROSAWA Kiyoshi)
Lost in Translation : Lone Scherfig's Wilbur Wants to Kill Himself
Love and Monsters : Guillermo Del Toro's Hellboy II - The Golden Army
The Mayan Event : Mel Gibson's Apocalypto
(Michael,) Marty and Howard : Martin Scorsese's The Aviator
Mind Warp : David Fincher's Zodiac
Motown Junk : Curtis Hanson's 8 Mile
Nathan Algren's Blues : Edward Zwick's The Last Samurai
A New Wave : John Stockwell's Blue Crush
Nothing Up There : William Peter Blatty's The Ninth Configuration
O Brother : James Gray's We Own the Night
Ogre and Out? : Chris Miller's Shrek the Third
Oh, Carolina! : Anthony Minghella's Cold Mountain
Oh Mercy : Todd Haynes's I'm Not There
Out Come the Greeks : Friedberg & Seltzer's Meet the Spartans
Patriot Games : Shane Meadows' This Is England
Plague It Again, Sam : Stephen Hopkins' The Reaping
Pulling the Strings : Hranitzky & Tarr's Werckmeister Harmonies
Resisting the Bait : Tim Burton's Big Fish
Road Kill : Robert Harmon's Highwaymen
Robertson In Space : Michelangelo Antonioni's The Passenger
Santa Claus Conquers the Nazis : Andrew Adamson's Narnia
Saves the Day : KAZUAKI Kiriya's Casshern
A Sleight Case of Murder : Neil Burger's The Illusionist
Slices of Layer Cake (dir. Matthew Vaughan)
Sloppy Joe and Me : Orson Welles' Citizen Kane
The Slow Road to Perdition (dir. Sam Mendes)
Songs of Innocence and Experience : M Night Shyamalan's The Village
Standard Liege : the Dardenne brothers' The Child
Strangers on the Shore : Luis Bunuel's The Exterminating Angel
Theme From Sparta F C : Zack Snyder's 300
Tolkien Transcended : Peter Jackson's Return of the King
Travels in Hyperreality : Michael Mann's Miami Vice
Uncertain Foundations : Vadim Perelman's House of Sand and Fog
Unfortunate Travellers : Eli Roth's Hostel
Unwise Blood : Mel Gibson's The Passion of the Christ
Upstairs, Downstairs : Alfred Hitchcock's The Lodger
Very Mild Superpowers : Peter Berg's Hancock
'A Weapon Loaded With Future' : Achero Manas' November
What's an Art-movie Anyway? : Reha Erdem's Times and Winds
<< NEW (29.Sep.08)
Would You Adam 'n Eve It? : James Watkins' Eden Lake


ARTICLES WRITTEN FOR PRINT-MEDIA AND OTHER WEBSITES

Betting on the 2001 Oscars (for The Independent)
China In Your Hand : Xiaolu Guo's How Is Your Fish Today? (for Ekran)
Christmas 2002 Oscar Stocktaking (for Oscarwatch)
Coming: (for Contrapicado)
Day-Lewis Waxes Lyrical For Gangs (for The Independent)
Flowers, Iron, Whisky and Violence : Top Ten for 2005 (for Tribune)
A History Of A History of Violence (for Schokkend Nieuws)
High Priests of Harmful Matter : The Libertine, Stoned, Factotum (for Tribune)
House of Quentin, House of Daggers (for Impact)
Reese vs Ross : Final Fantasy and Legally Blonde (for The Independent)
The Wizard's Sleeve : Harry Potter and the Chamber of Secrets Preview (for City Life)
The Trouble With Bond : Die Another Day preview (for City Life)
"You Talking to Me?!" : the perils of movie accents (for The Independent)
NB: for film-festival reports, check out the "film festivals" section of the site


GUEST REVIEWS and FEATURES

A Failure of Vision : A polemic by the Amber Collective
Laurence Boyce on Killing Me Softly
Christopher Errington on Veronica Guerin
one anonymous reader's take on Kissing Jessica Stein
Adam Maxwell on Dead or Alive, Jay and Silent Bob Strike Back
Sheila Seacroft on Confidences Trop Intimes & Nathalie..., Father and Son, Hellboy, King Arthur, Touching the Void, Troy and Werckmeister Harmonies


'CONCEPT' REVIEWS

American Splendor
A Cock and Bull Story (aka Tristram Shandy : A Cock and Bull Story)
Colossal Youth
Un Chien Andalou
Dog Star Man
Eli, Eli, Lema Sabachthani?
Fight Club
The Five Obstructions
Gerry
Intolerable Cruelty
Last Days
Notre Musique
No Frank In Lumberton
That Obscure Object of Desire
Planet of the Apes
Possession
Process
Ramblers
Raise Your Voice
Redacted
Red Lights
Rewind
The Rules of Attraction
The Shining
Spellbound
Touching the Void
Wavelength

MISCELLANEOUS

In Memoriam : Pauline Kael (2001)
New Wave : Point Break (1991)
Nobody's Goat : a Modesto/Lucas cutup (2005)
Second Opinions : other critics worth reading (2000)
Tedious 007 search : our two penn'orth (2005) (http://www.jigsawlounge.co.uk/film/content/view/12/42/)

[La Familia]

http://cdn.mashable.com/wp-content/uploads/2009/10/esquire-aug-real-sm.jpg


Esquire’s Augmented Reality Issue Starring Robert Downey Jr. Is Live
[VIDEO]


http://i38.tinypic.com/wspfgx.jpg (http://mashable.com/2009/11/09/esquire-augmented-reality-2/)


Jedno je sigurno, da sam kojim slučajem žena (ili ono drugo-drugo), Robert Downey Jr. bio bi moj čoek :D

[La Familia]

IDEJE, IDEJE, IDEJE, KRADIMO (TUĐE?) IDEJE!


Nažalost... Čekaj malo, a tko nije? :ne zna:


http://www.welt.de/multimedia/archive/1257768841000/00953/akin_zz_DW_Kultur_A_953239g.jpg

Welt (German): SOUL KITCHEN. Fatih Akin accused of plagiarism.
Not likely, but why's he so jumpy when asked about it? (http://www.welt.de/kultur/article5140872/Streit-um-Fatih-Akins-neuen-Film-Soul-Kitchen.html)


Michael Shermer: Why people believe strange things


http://i34.tinypic.com/kbvnlx.jpg (http://www.youtube.com/watch?v=8T_jwq9ph8k)

[La Familia]

http://innovate.files.wordpress.com/2009/07/food_inc.jpg


Food, Inc. (http://www.imdb.com/title/tt1286537/) (2008) - zanimljiv dokumentarac o americkoj prehrambenoj industriji. nema tu niceg revolucionarnog niti film baca novo svjetlo na tu vec svima poznatu temu. unatoc tome isplati se pogledat zbog scena predivnih krajolika i nekih zanimljivih ali vrlo degutantnih prizora :rigo:. samo jedan savjet: ne gledati prije ili poslije jela! :top:

par kritika:
"Documentaries work when they illuminate, when they alter how we think, which renders Food, Inc. a solid success, and a must-see."
"One of the year’s most important films..."
"painstaking research and thoughtful, evenhanded commentary..."
(Ebert je dao 3,5/4 (http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20090617/REVIEWS/906179985))


Važna napomena: Nemam pojma kako se Megavideo financira (njihov problem), no gledanje filma sa sljedećeg slikovnog linka sasvim je legalna&besplatna aktivnost (višestruko provjerena činjenica). Dakle, sve je po pravilima - samim gledanjem filma ne kršite pravila ovog foruma.


http://wwwstatic.megavideo.com/mvgui/mv_logo.gif


http://i35.tinypic.com/1zo8cyg.jpg (http://www.megavideo.com/?v=E0UMNVEO)


EDIT:


Aha, na 72. minuti film staje (ukoliko nemate njihov Premium Account, primorani ste na neko čekanje za nastavak gledanja).


Kajgod, i za to ima lijeka/kad se to mi Hrvati nismo znali snaći:


http://i34.tinypic.com/2mg3tw0.jpg


Uživajte u gledanju! :)

[La Familia]

http://moviebanter.files.wordpress.com/2009/01/trouble_the_water.jpg (http://www.imdb.com/title/tt1149405/)


ACADEMY AWARD WINNING/NOMINEE SERIJA DOKUMENTARACA


http://i34.tinypic.com/16jhv79.jpg (http://www.megavideo.com/?v=SAVOY1IM)

[La Familia]

http://chipbruce.files.wordpress.com/2008/12/when_the_levees_broke.jpg (http://www.imdb.com/title/tt0783612/)


HBO - Spike Lee's "When the Levees Broke: A Requiem in Four Acts"


http://i34.tinypic.com/2lxjns8.jpg (http://www.megavideo.com/?v=O9FGSZKQ)


HBO - Spike Lee's: When The Levees Broke Acts 3 & 4 (http://www.megavideo.com/?v=U5UFWTNL)

[La Familia]

http://shop.dctvny.org/images/products/preview/d480.jpg (http://www.imdb.com/title/tt1052003/)


HBO - High On Crack Street: Lost Lives In Lowell


http://i38.tinypic.com/23l14za.jpg (http://www.megavideo.com/?v=PEV1DHQS)

[La Familia]

http://images.suite101.com/391382_com_bonnieandclydefrenchpetite.jpg (http://www.imdb.com/title/tt0061418/)


Timewatch - The Real Bonnie And Clyde


http://i33.tinypic.com/141s84l.jpg (http://www.megavideo.com/?v=UV5AVSDQ)

[La Familia]

http://hl.megashares.com/1602pt191fb8c.jpg (http://www.imdb.com/title/tt0486585/)


http://i36.tinypic.com/2uos3tv.jpg (http://www.megavideo.com/?v=THTR0AG1)

[La Familia]

http://science.discovery.com/tv/science-movies/images/nar-vikingjpg.jpg


Science of the Movies 1x01 Motion Control


Science Channel invites you on a geektastic journey to the cinematic intersection of art and science in the all-new "Science of the Movies."

Appealing to the movie junkie in us all, the new series explores the remarkable - yet rarely celebrated - scientific world that exists behind the screen, spotlighting the visionary artists, entrepreneurial spirit, innovative technology and remarkable techniques responsible for creating unforgettable, edge-of-your-seat moments in blockbuster films.

"Science of the Movies" breaks down famous movie scenes to show viewers the inside science on how each sequence was strung together. In each episode host and self-proclaimed movie geek Nar Williams gets the inside scoop on the tricks of the Hollywood trade.

Williams gets some much appreciated hands-on experience, acting as the guinea pig to show the technological creative behind the scenes. Highlighting the equipment used in creating the latest visual effects and computer graphics, coupled with interviews with the award-winning artists, stunt men and technicians responsible for using or sometimes even inventing the equipment, "Science of the Movies" celebrates the world of movie magic like never before.

From motion capture film techniques and the science of perspective in chase scenes to state-of-the-art cameras and creating 3-D worlds, Science of the Movies features rare behind-the-scenes footage to help bring viewers to the cutting-edge of film-making technology.


http://i35.tinypic.com/103agbd.jpg (http://www.megavideo.com/?v=CMSXCDCQ)

[La Familia]

SECOND SKIN

http://www.multiplayergames.com/wp-content/uploads/2008/01/secondskin.jpg (http://www.imdb.com/title/tt1183696/)

Sjajan dokumentarac o fenomenu masivnih multiplayer online igara i ljudima koji ih igraju. Preporucujem svima, i onima koji se s takvim igrama nikad nisu susreli, a i svim sadasnjim i bivsim igracima (ja ukljucen) koji ce mnoge stvari prepoznati.


http://i33.tinypic.com/2e5o409.jpg (http://www.megavideo.com/?v=EN2KYB4D)

[La Familia]

'Words From The Saint, Eva Marie'
"Brando was always in the moment, while rehearsing or on the set. We both were."


In her first movie, she kissed Marlon Brando. And then she won an Oscar. How many actresses get that kind of a debut? But then, how many actresses are as wonderful as Eva Marie Saint? A performer (and woman) of elegance, vulnerability, charm, beauty, intelligence and great wit, Miss Saint remains, not just a movie star, but a real actor, one of the innovators. And she's still a powerful presence on screen.

A woman who has worked with talents ranging from Kazan to Wenders, Brando to Shepard, Preminger to Mulligan, Frankenheimer to Singer, Hope to Segal, Clift to Beatty, Grant to Grammar and then, a man named Hitchcock, Miss Saint has enjoyed sixty years of experience, and more to come. With the 50th Anniversary of Alfred Hitchcock's suspense, action, sex-tastic classic North by Northwest, the funny, personable Miss Saint took the time to talk to me about her beautiful, brilliant career. And shopping with Hitchcock. Now that would be something.


http://i171.photobucket.com/albums/u315/BrandoBardot/evamarieyoungprofile.jpg?t=1257552069


http://i171.photobucket.com/albums/u315/BrandoBardot/evamariewithhitch.jpg?t=1257552137

http://i171.photobucket.com/albums/u315/BrandoBardot/evamarienorthbynorthwesttrain.jpg?t=1257552224

http://i171.photobucket.com/albums/u315/BrandoBardot/evamariebrandoone.jpg?t=1257552264

http://i171.photobucket.com/albums/u315/BrandoBardot/evamarieallfalldownposter.jpg?t=1257552338

http://i171.photobucket.com/albums/u315/BrandoBardot/evamarienorthrocks.jpg?t=1257552436 (http://sunsetgun.typepad.com/sunsetgun/2009/11/words-from-the-saint-eva-marie.html)

[La Familia]

Animation Evolution: Disney-Pixar's 'UP'


To commemorate the November 10th release of Disney-Pixar's UP on DVD and Blu-ray, we were sent eight stages of development: from the rough sketch through to the vividly realized final stage that will put your home theater system to the test. We knew always knew grumpy old Carl Fredericksen was a work of art deep down.


http://news.premiere.com/.a/6a00d8341c7a0853ef0120a65c56f1970b-800wi
http://news.premiere.com/.a/6a00d8341c7a0853ef0120a6b18d8b970c-800wi
http://news.premiere.com/.a/6a00d8341c7a0853ef0120a6b193a4970c-800wi
http://news.premiere.com/.a/6a00d8341c7a0853ef0120a65c61ae970b-800wi
http://news.premiere.com/.a/6a00d8341c7a0853ef0120a65c6312970b-800wi
http://news.premiere.com/.a/6a00d8341c7a0853ef0120a6b1970f970c-800wi

[La Familia]

Written in the Flesh: A Crash Course in David Cronenberg


No filmmaker has more daringly and relentlessly explored what it means to be human than David Cronenberg.

Two weeks ago, critic Robert Horton (http://www.rottentomatoes.com/author-121/) and I discussed Cronenberg's work as part of Robert's Magic Lantern Series (http://www.fryeart.org/pages/filmtop.htm) at the Frye Art Museum (http://www.fryeart.org/pages/about.htm) in Seattle. This short film (http://www.iklipz.com/MovieDetail.aspx?MovieID=90268439-78eb-4381-82b1-500423a831d7), conceived as a self-contained critical essay/appreciation, has been expanded and refined from the seven-minute version I assembled the night before that occasion, tracing Cronenberg's thematic obsessions and the development of his artistic vision across 40 years of filmmaking. "From the Drain" to "Eastern Promises (http://blogs.suntimes.com/scanners/2007/09/tiff_2007_cronenbergs_knockout.html)" (neither of which are included here), it's all one big Cronenberg movie, no matter what the genre: horror, science-fiction, fantasy, biography, crime thriller...

Clips from nine chapters in the ever-mutating cinematic saga of David Cronenberg ("The Brood" to "A History of Violence (http://blogs.suntimes.com/scanners/2007/10/hidden_horrors_four_spinetingl.html)") are interwoven to illuminate some of the director's major themes: technology (and art) as an extension/expression of the mind and body (guns, game pods, television, cars, computers, typewriters, eyeglasses...); the human appetite for extreme sensations; violence as sex, and sex as violence; the evolution of humankind beyond biology, and the inevitable dissolution of the flesh through mutation, disease, aging; corporate co-option of the intellectual property behind new technologies... all in only 12 minutes!

I warn you, it's going to be a wild ride...


Written in the Flesh: A crash course in David Cronenberg


Survey of recurring themes in Cronenberg's work through "A History of Violence."


http://i37.tinypic.com/20jpg7o.jpg (http://vimeo.com/7428203)

[La Familia]

http://www.gunaxin.com/wp-content/uploads/2009/10/Shawshank1-560x315.jpg (http://www.gunaxin.com/the-15-best-prison-movies/32843)


The 15 Best Prison Movies (http://www.gunaxin.com/the-15-best-prison-movies/32843)


Joint. Clink. Hoosgow. Pen. Big House. Whatever you call it, filmmakers have long had a fascination with prison. Lock a guy up for all or part of a flick and you’ve got all kinds of inherent drama just waiting to bust out. The fear of confinement exists in all of us. Preying on that fear has produced a host of memorable films over the years. Be it intense drama, thrilling action, dark science fiction or ribald comedy, a trip to the pokey rarely disappoints. Here are the fifteen very best prison movies.

[La Familia]

Scriptshadow's Readers' Top 25 scripts list (http://www.gointothestory.com/2009/11/scriptshadows-readers-top-25-scripts.html)


As we progress through "14 Days of Screenplays, Version 3.0," I want to take time each day to reference websites where you can access scripts to read. One of my favorites is Scriptshadow (http://scriptshadow.blogspot.com/). The focus there is on screenplays that have been acquired by studios or producers and have yet to get made.

Carson, who hosts the site, recently compiled his readers' Top 25 Script List (http://scriptshadow.blogspot.com/2009/11/reader-top-25-20-25.html). Well worth downloading and reading all those scripts as well as Carson's top 25 scripts:

1. Everything Must Go
2. Source Code
3. The Brigands Of Rattleborge
4. The F Word
5. Junior Executive
6. Brad Cutter Ruined My Life Again
7. Sunflower
8. Tenure
9. Going The Distance
10. The Social Network (Facebook script)
11. Winter's Discontent
12. The Ornate Anatomy Of Living Things
13. Last Night
14. Passengers (G.J. Pruss)
15. Buried
16. Happy Thank You More Please
17. Strange Skies
18. Bumped
19. Salt (Edwin A. Salt)
20. Dogs Of Babel
21. Prisoners
22. The Details
23. 37th Dimension
24. Untitled Vanessa Taylor Project
25. I Want To F___ Your Sister (http://scriptshadow.blogspot.com/2009/11/reader-top-25-20-25.html)

[La Familia]

http://i33.tinypic.com/1zqv8yh.jpg (http://vingtsunkungfu.com/images/brucelee31.jpg)


The History Channel - How Bruce Lee Changed The World


Odličan dokumentarac, preporuka svima da ga pogledaju:


http://i35.tinypic.com/2rwx4ww.jpg (http://www.megavideo.com/?v=EHCS7KZC)


p.s.

http://i34.tinypic.com/2mg3tw0.jpg

[La Familia]

http://i35.tinypic.com/2ck086.jpg (http://images2.fanpop.com/images/photos/4100000/Playboy-Metal-playboy-4133609-1024-768.jpg)


The Story Of Playboy


http://i37.tinypic.com/25p1isl.jpg (http://www.megavideo.com/?v=G22HK7F0)

[La Familia]

http://alsolikelife.com/shooting/wp-content/uploads/2009/11/signofleo-14.jpg (http://alsolikelife.com/shooting/2009/11/983-115-le-signe-du-lion-the-sign-of-leo-1959-eric-rohmer/)


Before Eric Rohmer was Eric Rohmer, he was all over the map (http://alsolikelife.com/shooting/2009/11/983-115-le-signe-du-lion-the-sign-of-leo-1959-eric-rohmer/)


ABOUT ERIC ROHMER

IMDb Wiki (http://en.wikipedia.org/wiki/Éric_Rohmer)

The following quotes are included in the TSPDT Director page for Eric Rohmer:

“All the literary content is peripheral to Rohmer’s eye. It is in the quality of his imagery that we feel the intellectual appeal of experience. The camera style is classically simple, but Rohmer adores the effects of natural light, whether the reflections from snow in Maud, the rainy day in Claire, or the Côte d’Azur interiors in La Collectionneuse.” – David Thomson (The New Biographical Dictionary of Film, 2002)

“Emerging from the crucible of the French New Wave, Rohmer has forged a style that combines the best qualities of Bresson and Renoir with distinctive traits of the Hollywood masters. And though he was never as flamboyant as Godard or Truffaut, Rohmer’s appeal has proved much hardier.” – Dennis Nastav (International Dictionary of Films and Filmmakers, 1991)

“In their own world, Rohmer’s films are guaranteed to run and run. This may be because, although they are more or less conversation pieces, they are also cleverly constructed (he always writes his own screenplays) in such a way as to keep an audience’s interest alive until matters dovetail at the end, by which time most of Rohmer’s characters know more about themselves than when the film began.” – David Quinlan (Quinlan’s Film Directors, 1999)

“An important figure in the French new wave, Rohmer is known primarily for his “moral tales,” which leisurely speak of men and women, and the things they do to each other.” – William R. Meyer (The Film Buff’s Catalog, 1978)


Biography on NewWaveFilm.com (http://www.newwavefilm.com/french-new-wave-encyclopedia/eric-rohmer.shtml)

[La Familia]

http://2.bp.blogspot.com/_gRWMZ-x-wV0/SWEHSBbeCnI/AAAAAAAADQA/bA4acybcd_A/S660/Masthead+Final+JPEG-1.jpg (http://jfilmpowwow.blogspot.com/2009/11/top-ten-favorite-scenes-in-japanese.html)


Top Ten Favorite Scenes in Japanese Cinema: Eric Evans (http://jfilmpowwow.blogspot.com/2009/11/top-ten-favorite-scenes-in-japanese.html)

[La Familia]

LUDNICA: The Eternal Sunshine of Jim Carrey’s Web Site


The Speakeasy blog of The Wall Street Journal spends some quality time playing around (http://blogs.wsj.com/speakeasy/2009/11/07/jim-carreys-web-site-a-bizarre-visual-treat/) with jimcarrey.com, the new official Web site of Jim Carrey. The Journal writes that it was pleasantly surprised by the “in-your-face, Alice-down-the-rabbit-hole journey” the site provides, adding, “Along the way, you are also treated to views of Carrey’s eyeball, a giant squid, and the actor posed as Adam from Michelangelo’s Sistine Chapel ceiling.”


:jumping:


http://i33.tinypic.com/23lfmvt.jpg (http://jimcarrey.com/)

[La Familia]

Design Blog about Godard’s intertitles


E: Hey, where’s that blog post you were going to finish two weeks ago?
A: I, uh, have been working on it.
E: Really? It looked to me like you were watching movies.
A: I was refreshing my memory.
E: Uh huh. What’s this post about then?
A: It’s about Jean-Luc Godard. And it’s done. (http://blogs.walkerart.org/design/2009/11/10/godards-intertitles2/)


http://blogs.walkerart.org/design/files/2009/10/Picture-741-450x253.png (http://blogs.walkerart.org/design/2009/11/10/godards-intertitles2/)

[La Familia]

It's Not Just You, Murray! (1964)


A short film directed by Martin Scorsese.


http://i38.tinypic.com/68ecs9.jpg (http://www.megavideo.com/?v=OPNWIVEO)


It's Not Just You, Murray! (1964) - Part 2 (http://www.megavideo.com/?v=IETMIW6Z)

[La Familia]

http://i.dailymail.co.uk/i/pix/2009/05/01/article-1176040-03DF5D870000044D-538_468x433.jpg


Jack the Ripper: Tabloid Killer


On 25th September 1888, a letter, addressed to “The Boss”, arrived at the Central News Agency – an organisation which syndicated news stories across the world. It claimed to come from the most famous serial killer in history and, for the first time, revealed a name that would become legendary – ‘Jack the Ripper’. Thanks to his chilling nickname, ‘Jack the Ripper’ was the first serial killer to cause a media sensation when he terrorised the streets of East London back in 1888.

In this programme, former-tabloid editor, Kelvin Mackenzie re-examines the Ripper murders, uncovers startling documentary evidence and identifies a new set of suspects; the crooked journalists who faked evidence, printed fantasy and mislead the police investigation, all to keep the Ripper murders on their front pages. The Ripper murders coincided with mass literacy and the birth of popular journalism – they were manna from heaven for a new breed of racy and sensational daily papers.

As a former red-top Editor, Kelvin is familiar with the adage, ‘If it bleeds in leads’, but even he is astounded by the lengths the great-grandfathers of tabloid journalism were prepared to go to boost their circulation figures.
Re-examining the case with the help of historians, current newspaper journalists, a top forensic pathologist and a graphologist, Kelvin separates the shocking facts from the newspaper fiction; and, with the help of historian Dr Andrew Cook, nails for the first time ever the man who invented “Jack The Ripper”.


http://i38.tinypic.com/29p9oir.jpg (http://www.megavideo.com/?v=U7O7QKM3)

[La Familia]

http://www.bustthelink.com/wp-content/uploads/2009/08/manonwire.jpg (http://www.imdb.com/title/tt1155592/)


ACADEMY AWARD WINNING/NOMINEE SERIJA DOKUMENTARACA


Eto nam i prvog pobjednika. Zasluženog, dabome. Dakle, gledanje filma je legalno, u skladu sa pravilima foruma, sve čisto ko suza, bla, bla. Trik za gledanje bez prekida (72. min) znate. Tko ne zna, neka čeka 26 minuta (ili potraži torrent).


http://i37.tinypic.com/e80jsp.jpg (http://www.megavideo.com/?v=MQO7ZADT)

[La Familia]

http://static.veehd.com/logo.gif (http://veehd.com/)


The Ark - HD short film


An unknown virus has destroyed almost the entire human population. Oblivious to the true nature of the disease the only remaining survivors escape to the sea. In great ships they set of in search of uninhabited land. So begins the exodus led by one man

animation. short film. hd. 720p


Važna napomena: Za gledanje filma potrebna je registracija. I know, I know, sigurno kolutate očima. Nemojte, definitivno se isplati (sama registracija traje manje od minute, sve pogodnosti koje time dobivate da i ne spominjem). Nadalje, za gledanje HD sadržaja zaista vam nisu potrebne neke ekstra brzine, dovoljan je minumum (meni se The Ark učitao praktički odmah, a sram me i reći na kojoj sam brzini :)).


http://i33.tinypic.com/35a3cro.jpg (http://veehd.com/video/1503838_The-Ark-HD-short-film)


EDIT:


Man on Wire (2008) | 1:34:06 (http://veehd.com/video/2046671) možete pogledati i ovdje/veehd.com. Naravno, prije se registriravši (ovdje bez ikakvih work offline trikova, sve u komadu i skroz legalno). Servis je odličan btw, fascinantno je na 24" monitoru proširiti sliku preko čitavog zaslona i ne izgubiti ništa na kvaliteti iste, speechless.

[La Familia]

http://johngushue.typepad.com/photos/uncategorized/2008/03/24/billy_wilder_cigarette_cap.gif


Playboy Interview: Billy Wilder (http://www.playboy.co.uk/life-and-style/interview/64324/1/Playboy-Interview-Billy-Wilder/)


14 Days of Screenplays, Version 3.0 -- Day 3: The Apartment (http://www.gointothestory.com/2009/11/14-days-of-screenplays-version-30-day-3.html)

[La Familia]

http://img.listal.com/image/222906/600full-stanley-kubrick.jpg


Playboy Interview: Stanley Kubrick (http://www.playboy.co.uk/life-and-style/interview/64628/1/Playboy-Interview-Stanley-Kubrick/)

By Eric Norden
Published September 01, 1968


"I will say that the God concept is at the heart of 2001,
but not any traditional image of God."

[La Familia]

http://ecx.images-amazon.com/images/I/51Hw637CbCL._SS500_.jpg (http://www.imdb.com/title/tt1422182/)


Monty Python: Almost the Truth (The Lawyers Cut)


Monty Python: Almost the Truth (The Lawyers Cut) is a 2009 documentary that covers the troupe from birth to the present day, making this documentary the most comprehensive coverage of one of the United Kingdom's most favourite, and controversial, comedy troupes. It highlights their childhood, schooling and university life, pre-Python attempts at proper jobs and includes interviews from modern day comedians and performers that cite them as their influences (people such as Steve Coogan, Eddie Izzard, Russell Brand, and Bruce Dickinson). It is the first time that all five surviving Pythons (John Cleese, Terry Gilliam, Eric Idle, Terry Jones, and Michael Palin) have come together for such a project for over twenty years. The film also includes archive footage of the late Graham Chapman. The original film is seven-and-a-half hours long, however the director's cut is only 105 minutes long. On 29 September 2009 Vue Cinemas in the UK showed the film for one night only. It was broadcast in a shorter version on BBC 2 on 3 October 2009.


:jumping:


http://i38.tinypic.com/2hhgkmd.jpg (http://www.megavideo.com/?d=716131MZ)

[La Familia]

http://images.amazon.com/images/P/B0001MDQ9E.01.LZZZZZZZ.jpg
imdb (http://www.imdb.com/title/tt0359203/)


THE DOKUMENTARAC:
Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'N' Roll Generation Saved Hollywood


Based on Peter Biskind's bestselling book, the documentary examines the raucous, inspired and occasionally sordid cultural revolution of 1960s and 70s Hollywood.

This was a new Golden Age of American cinema. Dennis Hopper, Martin Scorsese and Francis Ford Coppola were among its heroes. With each success the filmmakers were allowed more creative control. However this newfound freedom gave birth to an explosion of excess, ego, soaring budgets and a seemingly endless supply of drugs; and the filmmakers' mutual support and encouragement degenerated into intense competition and bitter rivalries.

This is a unique portrait of an iconoclastic period of movie history.


http://i33.tinypic.com/2e0scc0.jpg (http://video.google.com/videoplay?docid=-4626447999396772927&q=source%3A003169820465021262401&hl=en#)

[La Familia]

DISCLAIMER: The following screenplays are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended.


Klik na fotku/poster za download scenarija:


THE COLLECTOR (2009) Screenplay

http://thumbs.filmstarts.de/wallpaper/TheCollector_poster_03.jpg (http://www.mediafire.com/download.php?mnltjtjznyj)


SAW IV (2007) Screenplay

http://z.about.com/d/movies/1/0/m/0/Q/saw4poster2.jpg (http://www.mediafire.com/download.php?ftznt4mt1oh)


ROLE MODELS (2008) Screenplay

http://www.iwatchstuff.com/2008/09/17/role-models-poster.jpg (http://www.mediafire.com/download.php?k0zfztz2cmt)

[La Familia]

http://johnny-depp.org/admin/pics/news/gonzo.jpg
imdb (http://www.imdb.com/title/tt0479468/)


Gonzo :The Life and Work of Dr. H.S.Thompson


http://i38.tinypic.com/o6wqrr.jpg (http://www.movshare.net/video/st075f81b7uy9)


No video? Get the DivX Web Player for Windows (http://www.movshare.net/video/%5C%22http://download.divx.com/player/DivXWebPlayerInstaller.exe%5C%22) or Mac (http://www.movshare.net/video/%5C%22http://download.divx.com/player/DivXWebPlayer.dmg%5C%22)

[La Familia]

http://i35.tinypic.com/2ck086.jpg (http://images2.fanpop.com/images/photos/4100000/Playboy-Metal-playboy-4133609-1024-768.jpg)


Playboy Interview: Joe Eszterhas (http://www.playboy.co.uk/life-and-style/interview/187608/1/Playboy-Interview-Joe-Eszterhas/)


"He pulls the biggest hypodermic needle I've ever seen, sticks it into his navel and shoots it all in".


A candid conversation with Hollywood's richest writer about his hits ("Basic Instinct"), his bombs ("Showgirls") and his tough-guy feuds with Stallone and Ovitz.

[La Familia]

http://img5.allocine.fr/acmedia/medias/nmedia/18/64/41/61/18818372.jpg


Playboy Interview: Robert De Niro (http://www.playboy.co.uk/life-and-style/interview/77526/1/Playboy-Interview-Robert-De-Niro/)

By Lawrence Grobel
Published January 01, 1989


"The transformation, to me, was interesting. I didn't want to do it with just make-up."


Outside his bungalow at the Château Marmont, two state-of-the-art exercise machines--one for the legs, the other for the arms--are about to be picked up by the company that delivered them to Robert De Niro during his stay in Los Angeles. Inside, his trunks are packed and he is eager to return to New York, the only city in which he feels comfortable enough to call it home, the city whose rhythms he understands and one that has served as a backdrop for so many of his films--Taxi Driver, New York, New York, Once upon a Time in America, Falling in Love. The country's most respected actor is going home.

[La Familia]

http://www.meredy.com/wayne.jpg

http://www.seeing-stars.com/Images/slides/Markers/JohnWayne.JPG


Playboy Interview: John Wayne (http://www.playboy.co.uk/life-and-style/interview/64826/1/Playboy-Interview-John-Wayne/)

By Richard Warren Lewis
Published May 01, 1971


I believe in white supremacy until the blacks are educated to a point of responsibility


For more than 41 years, the barrel-chested physique and laconic derring-do of John Wayne have been prototypical of gung-ho virility, Hollywood style. In more than 200 films -- from The Big Trail in 1930 to the soon-to-be-released Million Dollar Kidnapping -- Wayne has charged the beaches at Iwo Jima, beaten back the Indians at Fort Apache and bloodied his fists in the name of frontier justice so often -- and with nary a defeat -- that he has come to occupy a unique niche in American folklore. The older generation still remembers him as Singing Sandy, one of the screen's first crooning cowpokes; the McLuhan generation has grown up with him on The Late Show. With Cooper and Gable and Tracy gone, the last of the legendary stars survives and flourishes as never before.

His milieu is still the action Western, in which Wayne's simplistic plotlines and easily discernible good and bad guys attest to a romantic way of life long gone from the American scene -- if indeed it ever really existed. Even his screen name -- changed from Marion Michael Morrison -- conveys the man's plain, rugged cinematic personality. Fittingly, he was the first of the Western movie heroes to poke a villain in the jaw. Wearing the symbolic white Stetson -- which never seemed to fall off, even in the wildest combat -- he made scores of three-and-a-half-day formula oaters such as Pals of the Saddle in the Thirties before being tapped by director John Ford to star in Stagecoach -- the 1939 classic that paved the way for his subsequent success in such milestone Westerns as Red River, the ultimate epic of the cattle drive, and The Alamo, a patriotic paean financed by Wayne with $1.5 million of his own money.

[La Familia]

http://img.timeinc.net/time/photoessays/2009/jackie_chan/jackie_chan_02.jpg


Jackie Chan: My Story (1998)


Length: 74:17
Resolution: 512 x 384
Language: English


http://i37.tinypic.com/2rp6vb5.jpg (http://stagevu.com/video/tuyqzxhuhqlz)


Za uvodnu, montažnu sekvencu dokumentarca (sa svim Chanovim tučnjavama):


:jumping:

[La Familia]

http://www.fotorola.com/uploads/4b40eb0573.jpg
imdb (http://www.imdb.com/title/tt0454976/)


http://i33.tinypic.com/281da82.jpg (http://www.megavideo.com/?v=GBX3EIG6)


Da se razumijemo, radi se o grozno sklepanom dokumentarcu. Film bi se prije trebao zvati "Kusturica by Maradona", ili još bolje: "Kusturica i njegovo katastrofalno sviranje gitare by Maradona" :flop:

[La Familia]

Three Films by Alain Resnais (http://www.thehousenextdooronline.com/2009/11/three-films-by-alain-resnais-je-taime.html):
Je t’aime, je t’aime (1967), Stavisky… (1974) and Mon oncle d'Amérique (1980)


http://1.bp.blogspot.com/_BRW4gNHvrkk/SvczMmwJ77I/AAAAAAAAI24/FBRgYX8Zjy4/s400/Resnais01.jpg

http://2.bp.blogspot.com/_BRW4gNHvrkk/Svc0MWHLPtI/AAAAAAAAI3A/335zXqbm0aY/s400/Resnais02.jpg
http://2.bp.blogspot.com/_BRW4gNHvrkk/Svc06_gtsJI/AAAAAAAAI3I/sG9n5CkFsbY/s400/Resnais03.jpg
http://2.bp.blogspot.com/_BRW4gNHvrkk/Svc1YQd_lQI/AAAAAAAAI3Q/t715bEk2rLo/s400/Resnais04.jpg

[La Familia]

http://upload.wikimedia.org/wikipedia/tr/4/4a/406px-Comedian_movie_poster.jpg
imdb (http://www.imdb.com/title/tt0328962/)


Meni jedan od (naj)dražih dokumentaraca/luđaka. Uživajte :)


http://i37.tinypic.com/1zwkwzn.jpg (http://stagevu.com/video/lfgcjbpwmegz)

[La Familia]

http://goremasternews.files.wordpress.com/2009/10/m-night-shyamalan.jpg


Web stranice poznatih filmaša:
M. Night Shyamalan


Vrlo fin spuki šit od weba :D


http://i38.tinypic.com/2zfpxlg.jpg (http://www.mnightshyamalan.com/site.html)

[La Familia]

http://i33.tinypic.com/vzg5xv.jpg (http://2.bp.blogspot.com/_Q3JthHcpqjg/Svow8nsbfkI/AAAAAAAAB3A/vRE54RIqLSQ/s1600-h/sixth_sense_a.jpg)


14 Days of Screenplays, Version 3.0 -- Day 4: The Sixth Sense (http://www.gointothestory.com/2009/11/14-days-of-screenplays-version-30-day-4.html)


Today is Day 4 of the "14 Days of Screenplays, Version 3.0" challenge and the featured screenplay is for the movie The Sixth Sense (1999) (http://www.imdb.com/title/tt0167404/). You can download the script from myPDFscripts.com here (http://www.mypdfscripts.com/screenplays/the-sixth-sense).

Background: The Sixth Sense was written and directed by M. Night Shyamalan (http://www.imdb.com/name/nm0796117/). The movie currently has an 8.2 rating on IMDB.com and is ranked #130 out of the top 250 movies.

On his interactive website (http://www.mnightshyamalan.com/site.html), Shyamalan writes in response to the question, "What demon was I exorcising in making [The Sixth Sense]?"

Fear of dying before I telling my loved ones what I feel about them.

Letting go of my desire of being an Art Film Director. I realize I'm not complicated enough to do that.

I remember being blown away by the movie The Sixth Sense. Yes, the Big Twist at the end surprised me. But what really struck me was how self-assured everything about the movie was - the writing, casting, acting, staging, directing. It felt very much like the creation of a truly gifted filmmaker.

In reading the script, I can't help but recall those same thoughts and feelings. The screenplay displays a deft touch, not at all over-the-top. Whatever happened to that touch has been the subject of innumerable online discussions. I'd prefer to just focus here on how good the script for The Sixth Sense is - and what we can learn from it.

I want to give time for people to weigh in about the script, those who have read it for the challenge as well as anyone else who has read the script in the past. I'll update this post with my thoughts on the script later tonight.

What did you think of The Sixth Sense?

For links to all 14 scripts in the challenge, go here (http://www.gointothestory.com/2009/11/announcement-14-days-of-screenplays.html).

And remember: We'll be reading 1 script per day and discussing them through November 22. I'll be posting something everyday at 4PM U.S. Eastern Daylight Time / 1PM PST for your comments.

The script for Day 5 of the challenge is (500) Days of Summer, available at myPDFscripts.com (http://www.mypdfscripts.com/screenplays/500-days-of-summer).

[La Familia]

NOVI IGRAČ U GRADU!


http://i34.tinypic.com/2ppy7iw.jpg (http://www.movieoutline.com/Tour/Tour.html)


Oduševljen! :cerek:


Download Free Demo of Movie Outline 3 Screenwriting Software (http://www.movieoutline.com/download.html)

[La Familia]

http://shadwell.tripod.com/epmondo.jpg


Mondo Hollywood


The underground cult classic documentary of the psychedelic 1960s. Closeups of stars, including Elizabeth Taylor, Richard Burton, Ronald Reagan, Frank Zappa, Sean Connery, Brigit Bardot, Alfred Hitchcock, Bobby Beausoleil of the “Manson Family,” imprisoned for life for murder, and Jay Sebring - victim of the Mansons. Personal insights by surfers, skydivers, LSD gurus, hippies, peaceniks, protest-singers, rightwing politicians, eccentric multi-millionaires and transvestites.

Denounced as “bizarre prophecy” by the critics. Invited to open the 1968 Avignon & Venice Film Festivals, but banned by the French Ministry of Information as a “danger to mental health” and an “apology for certain perversities, including drugs and homosexuality.” Characterized in CIA files as “pro-Communist.” Refused exhibition in Communist nations as “glamorizing Capitalism - too many cars and swimming pools.” Described by UNESCO social scientist S. Friedman as “...a vivid, warm & humorous image of people ... confronting the eternal American dream.... It may well be that we are at the eve of a profound social and moral revolution.”

Written, Produced & Directed by Robert Carl Cohen, renowned for pioneering documentaries INSIDE RED CHINA, INSIDE EAST GERMANY, THREE CUBANS, and COMMITTEE ON UNAMERICAN ACTIVITIES. The MONDO HOLLYWOOD Music Director, Mike Curb, was later elected Lt. Governor of California in 1978 despite being falsely accused of “singing falsetto in a bathtub scene in the film with two lesbians.” Its original sound track performed by the Mugwumps & Davy Allen & The Arrows.


http://i34.tinypic.com/1z4e1s0.jpg (http://www.snagfilms.com/films/title/mondo_hollywood/)

[La Familia]

http://www.iwatchstuff.com/2008/04/01/where-world-osama-poster.jpg
imdb (http://www.imdb.com/title/tt0963208/)


http://i38.tinypic.com/v9op1.jpg (http://www.megavideo.com/?v=OEKVS0IG)

[La Familia]

Mystery Man Revealed! (sort of, an interview) (http://www.gointothestory.com/2009/11/q-mystery-man-on-film-revealed.html)


Consider Film Studies for Free and, say, their latest collection of scholarly links on the art of close ups (http://filmstudiesforfree.blogspot.com/2009/11/close-up-studies-of-cinematic-attention.html). Close ups, man! Unbelievable.

[La Familia]

Not Quite Hollywood (http://www.youtube.com/watch?v=hfUxtKAkju8), dokumentarac o australskoj eksploatacijskoj kinematografiji. Iznimno zabavan i, što je još bitnije kod ovakvih filmova, informativan. Ajme, koliko divnog užasa koji još nisam pogledao! :cerek:

A i kad čovjek vidi kako su snimali neke od tih filmova... :zvrko:

http://img20.imagevenue.com/loc592/th_15102_Not_Quite_Hollywood_The_Wild6_Untold_Stor y_of_Ozploitation6_420084_122_592lo.jpg (http://img20.imagevenue.com/img.php?image=15102_Not_Quite_Hollywood_The_Wild6_ Untold_Story_of_Ozploitation6_420084_122_592lo.jpg )


http://thereelworld.files.wordpress.com/2008/09/nqhposter2.jpg
imdb (http://www.imdb.com/title/tt0996966/)


NOT QUITE HOLLYWOOD is the wild, untold story of "OZPLOITATION" movies - a time when Australian cinema got its gear off and showed the world a full-frontal explosion of sex, violence, horror and foot-to-the-floor, full bore action! Jam packed full of outrageous anecdotes, lessons in maverick filmmaking and a genuine, infectious love of Australian movies, NOT QUITE HOLLYWOOD is a fast moving journey through Aussie genre cinema of the 70s and early 80s - an unjustly forgotten cinematic era unashamedly packed full of boobs, pubes, tubes... and even a little kung fu.


http://i34.tinypic.com/250tp9d.jpg (http://stagevu.com/video/vwsfgfkvnbfl)

[La Familia]

http://blcklst.com/images/logosmudgeblack_bigger.png (http://blcklst.com/tbl/)


Crna lista, što je to? (http://www.nytimes.com/2007/12/08/movies/08blac.html?_r=1)

2008 Black List (http://www.gointothestory.com/2008/12/2008-black-list.html)

2007 Black List (http://www.gointothestory.com/2008/07/black-list-2007-hollywoods-best.html)

THE BLACK LIST is a snapshot of the collective taste of the people who develop, produce, and release theatrical feature films in the Hollywood studio system and the mainstream independent system.

An annual list of Hollywood's most liked unproduced screenplays published on the second Friday of December each year, THE BLACK LIST began in 2004 as a survey with contributions from 75 film studio and production company executives. In 2008, over 250 executives contributed their opinions.

Since its inception, dozens of screenplays that appeared on the list have been optioned, produced, and released, many to great commercial success. Two of the top three screenplays on the inaugural 2005 list - JUNO by Diablo Cody and LARS AND THE REAL GIRL by Nancy Oliver - went on to be nominated for Best Original Screenplay at the 2008 Academy Awards, with JUNO winning the Oscar.


http://i33.tinypic.com/21jd1yx.jpghttp://i33.tinypic.com/35bzbz8.jpg


Dakle, Familija pokreće hrvatsku verziju Crne Liste (zajedno sa svim zemljama u regiji). Eto, kao da sam znao da će se svo to pain the ass sastančenje s hrvatskim producentima (čitaj: živopisnim likovima/spodobama/prikazama), u konačnici, ipak nekako isplatiti :) Ukratko, Crna Lista (HR) odnosi se na televizijsko i filmsko tržište Republike Hrvatske, a radi se o neprofitabilnom projektu s idejom pro bono posredovanja između autora i producenata u svim aspektima njihove suradnje. Zašto besplatno? Nažalost, iskustvo literarnog agenta moje malenkosti, Tomislava Patarčića/Agencija Kapa, dokazalo je da od ovakvih i sličnih pokušaja kruha jednostavno nema.

Otkako rade, pristiglo im je tristotinjak rukopisa, koji bi se u postotcima mogli podijeliti otprilike na 70 posto proze, 10 posto poezije, 10 posto znanstvene fantastike i 10 posto publicistike i dječje literature.
Od toga su izabrali dvadesetak rukopisa za koje su procijenili da su dovoljno dobri i zaokruženi, napravili su njihov sažetak, definirali minimalan sadržaj ugovora između nakladnika i autora i počeli tražiti zainteresirane nakladnike. Tu je došlo do prve razine problema.

Naime, Patarčić kaže da su u rijetkim slučajevima uopće uspjeli razgovarati s nekim urednikom, već su se uglavnom dovinuli do razgovora s tajnicama. S nekima su ipak razgovarali, a među njima je bilo i onih iz velikih izdavačkih kuća. Iako su im rukopisi ocijenjeni pozitivno, nitko nije odlučio da nešto i objavi. Sve do »Metastaza« do tada književnog debitanta Alena Bovića (Ive Balenovića).

»Metastaze« su ponuđene Konzoru, koji ih je odmah odlučio objaviti tako da je to išlo glatko. Sve drugo zapravo nije išlo nikako. Osim »Metastaza«, Kapa je kumovala objavljivanju *izostavljeno*, ali su se do zaključenja tog posla povukli jer, kako kaže Patarčić, nisu bili zadovoljni suradnjom s izdavačem.

Dakle, 300-tinjak primljenih rukopisa, samo dvije objavljene knjige: »Metastaze« Alena Bovića (Ive Balenovića) i knjiga moje malenkosti. Zamislite samo koliko je vremena&živaca potrošeno na to, ne ponovilo se :D

Više informacija o Crnoj Listi (RH) - s detaljnim popisom producenata/producentskih kuća koji u projektu sudjeluju - u narednim danima, za početak samo nekoliko korisnih informacija: a) svi Vaši rukopisi (scenarij/teleplay) moraju biti registrirani pri Hrvatskoj Autorskoj Agenciji (http://www.haa.hr/) (dakle, pod punim copyrightom na Vaše ime), b) projekti moraju udovoljavati sljedećim kriterijima:

TV:

Treatment serije
Karakterizacija likova
Sinopsis pilot epizode
Pilot epizoda/teleplay

FILM:

Sinopsis
Treatment
Scenarij

Last but not least, za televiziju se traži dramski format s cijenom koštanja šake čavala po epizodi, a kvalitetom/učinkom The Officea Rickyja Gervaisa i Stephena Merchanta :D

[La Familia]

http://i38.tinypic.com/25gzals.jpg
imdb (http://www.imdb.com/title/tt1014669/)


2001: The Making of a Myth


This documentary is presented to us by James Cameron.

James takes us on an exploration behind-the-scenes of the making of Stanley Kubrick's classic space epic, "2001: A Space Odyssey".

The programme not only takes a look at the making of the film, it also includes some previously unseen footage, plus interviews with the film's main star, Keir Dullea, whom played Dr David "Dave" Bowman.

Other interviewee's include special effects man Douglas Trumbull and co-author Sir Arthur C Clarke.


A sve klikom na:


http://www.uss.salvationarmy.org/images/uss.www_uss_knoxville/youtube-icon.png (http://www.youtube.com/view_play_list?p=2912A999A3DE5396)

[La Familia]

http://www.thebigpicturemagazine.com/images/stories/issue5.jpg (http://www.thebigpicturemagazine.com/index.php?option=com_content&view=section&layout=blog&id=9&Itemid=57)


Free Downloads


Issue 1 March 2009 (http://www.thebigpicturemagazine.com/images/stories/downloads/issue1.pdf)

Issue 2 May 2009 (http://www.thebigpicturemagazine.com/images/stories/downloads/Issue2.pdf)

Issue 3 July 2009 (http://www.thebigpicturemagazine.com/images/stories/downloads/Issue3.pdf)

Issue 4 Sept. 2009 (http://www.intellectbooks.co.uk//MediaManager/File/BigPicture4.pdf)

Issue 5 Now (http://www.intellectbooks.co.uk//MediaManager/File/Bigpicissue5(lo-res).pdf)

[La Familia]

http://www.webcomicsnation.com/memberimages/culturepulplogo450.gif (http://www.webcomicsnation.com/culturepulp/culturepulp/series.php?view=archive&chapter=41873)


Comic. Mike Russell's "Make Your Own Disaster Movie.""


Napomena: Do read the "Endnotes & Digressions".


http://www.webcomicsnation.com/memberimages/disastermoviecomicweb900_copy1.jpg (http://www.webcomicsnation.com/culturepulp/culturepulp/series.php?view=archive&chapter=41873)

[La Familia]

http://cinemafique.files.wordpress.com/2009/06/news1_0.jpg


David Fincher's primary influence on FIGHT CLUB? THE GRADUATE.
Paul Cullum's interview for the Daily Beast (http://www.thedailybeast.com/blogs-and-stories/2009-11-12/fight-club-turns-10/full/)


“When we were shooting,” Fincher said of Fight Club, “everybody loved the idea that we were making this movie, that it was so nasty, and when it finally came in and they could see it, they were appalled that it was as nasty as they had promised everyone it was going to be.”

[La Familia]

http://i37.tinypic.com/n6z0xt.jpg (http://www.laszloandvilmos.com/)


Vilmos Zsigmond: From Hungary with Cameras (http://www.guardian.co.uk/film/2009/nov/12/vilmos-zsigmond-documentary)


A new documentary about film-maker Vilmos Zsigmond shows the risks he took filming secret footage of Soviet troops in Hungary.


http://static.guim.co.uk/static/82147/zones/culture/images/logo.gif

http://static.guim.co.uk/sys-images/Film/Pix/pictures/2009/11/12/1258028735313/Vilmos-Zsigmond-bottom-ri-001.jpg
Visionary … Vilmos Zsigmond (bottom right) filming The Deer Hunter.
Photograph: The Ronald Grant Archive (http://www.guardian.co.uk/film/2009/nov/12/vilmos-zsigmond-documentary)


http://i36.tinypic.com/j633w4.jpg (http://motion.kodak.com/motion/uploadedFiles/laszloVilmos.pdf)

[La Familia]

http://i37.tinypic.com/334rf68.jpg (http://www.criterion.com/current/posts/1301)

[La Familia]

http://www.filmikz.net/posters/50b796db086b104ef38213059deea016.jpg
imdb (http://www.imdb.com/title/tt1323914/)


The End


Instant Classic
http://www.imdb.com/images/showtimes/100.gif

As a stream of gangster films are churned out one after the other, along comes a gem that could quite possibly be the best and most real account of its genre for a while.

The quotability factor of this film is endless "I thought of myself as a robin hood and everyone else thought I was a robbing b#%*ard" says Les Falco, "we don't take life serious, we just take life" says Mickey Gonella & "crime pays" says Danny Woollard. But don't let me paint a picture of a group of hardmen playing up to the camera, its the opposite. What I saw was a group of men that were born into a bad state of affairs who made a choice, one that they thought would change their lives around. The film opens with an Aristotle quote "Crime is the parent of poverty", which if you look around the world rings true and is a harsh reality.

The film is stylish, black & white with a Anton Corbijn feel. The only feminine quality to the film is the voice behind the camera, which is the other credibility the film has. It is made by Nicola & Teena Collins, daughters of one the men in the film Les Falco. It is apparent that the girls know a thing or two about film-making as well as the underworld that they reveal.

Quite honestly an incredible piece of work. An instant classic that you will watch over and over again.


http://i35.tinypic.com/98t0nr.jpg (http://www.megavideo.com/?v=ZV2SJ30R)

[La Familia]

http://media.avclub.com/img/avclub/logos/avclub_logo.png (http://www.avclub.com/)

http://media.avclub.com/images/articles/article/35366/costa-garvas_jpg_595x325_crop_upscale_q85.jpg


Interview: Costa-Gavras (http://www.avclub.com/articles/costagavras,35366/)

[La Familia]

http://ewpopwatch.files.wordpress.com/2009/11/roger-corman_l.jpg?w=240&h=320


Roger Corman: Scorsese, Stallone, Sayles, and other A-listers talk about the B-movie king (http://popwatch.ew.com/2009/11/13/roger-corman-martin-scorsese-dennis-hopper/)


He gave life to teenage cavemen and candy-stripe nurses. Crab monsters and humanoids from the deep. T-bird gangs and towns that dreaded sundown. His name is Roger Corman. And on Nov. 14, he will receive an honor that no one would have predicted: an honorary Academy Award. The 83-year-old B-movie titan has made nearly 400 films as a director and producer. From the start, Corman was a magnet for hungry young actors, writers, and directors who would work for slave wages for the chance to make their first film. They called it the “University of Corman,” and the alumni include Francis Ford Coppola, Jack Nicholson, Martin Scorsese, Robert De Niro, Sylvester Stallone, and Ron Howard.

We spoke to a slew of Corman’s famous grads to reminisce about their mentor on the eve of his big Oscar and printed a feature in the Nov. 20 issue of Entertainment Weekly. And in case you read it and were hungry for more, you’re in luck. Read on for bonus quotes about the B-movie legend from his A-list proteges.


:jumping:

[La Familia]

http://www.salon.com/entertainment/movies/beyond_the_multiplex/feature/2009/11/13/almodovar/md_horiz.jpg


Pedro Almodóvar: An "irrational passion" for movies (http://www.salon.com/ent/movies/btm/feature/2009/11/13/almodovar/index.html#story_full_857643a71ce62375615d4b67469c 8f54)


The Spanish director on his delirious new movie-movie with Penelope Cruz, and how the New York Dolls fought Franco

By Andrew O'Hehir/Salon.com

[La Familia]

http://www.slashfilm.com/wp/wp-content/images/under_the_dome-550x255.jpg


FRIŠKO&FINO:
Stephen King News Pile-Up; Under the Dome to HBO, More Dark Tower,
Cell Screenplay By King and More


While signing copies of his new novel Under the Dome in a Dundalk, Maryland Walmart last night, Stephen King also took part in a decent-length, rapid-fire Q&A that has already been posted to YouTube. You can see the whole thing below the break, or leave it up to me to tell you which bits and pieces I found the most interesting.

-King says early on in the clip that he “thinks” Under the Dome is “actually” going to be a HBO series. There’s no more info than that, and none more out there so far, but watch this space.

-When asked if he’d continue the Dark Tower saga, King says that he has one more book to write and it will come between Wizard and Glass and Wolves of the Calla. Don’t forget that we only just reported (http://www.slashfilm.com/2009/11/10/no-dark-tower-for-jj-abrams/) how JJ Abrams has stepped away from the proposed Dark Tower movie.

-King promises that his upcoming American Vampire comic series “aint much like Twilight“.

-There are no plans for an adaptation for King’s Insomnia.

-King has himself just finished a screenplay for Cell so “maybe”, he says, “it will be done. And I got so many complaints about the end of the book that I changed everything”. Back in the Summer, we reported (http://www.slashfilm.com/2009/07/13/stephen-kings-cell-now-to-be-a-miniseries-from-john-harrison/) than John Harrison was writing a version of Cell for a TV miniseries and it’s both possible that King has co-written with him or simply superceded him. I’m still mourning the scrapped Eli Roth version.


Stephen King Under the Dome Book Signing - Dundalk, MD 11/11/09


http://i34.tinypic.com/2qajlv8.jpg (http://www.youtube.com/watch?v=9xl6ACmJtH0)


p.s. sve moje molitve su uslišane, hvala ti bože što si JJ Abramsa maknuo s projekta Dark Tower movie :D

[La Familia]

http://www.wga.org/writtenby/images/header_writtenby.jpg (http://www.wga.org/writtenby/writtenby.aspx)


Flip through the digital issue of WGA's latest 'Written By' mag


http://i37.tinypic.com/sfba7b.jpg (http://bluetoad.com/publication/?i=25606)

[La Familia]

http://i35.tinypic.com/2j6a69c.jpg
imdb (http://www.imdb.com/title/tt0893382/)


Rolling Stones Shine A Light


Veliki Martin Scorsese potpisuje dokumentarac o Stonesima koji je zapravo koncertni film. Sve za vrijeme zasad zadnje svjetske turneje. Sama imena već daju težinu projektu. Obzirom da je Oscarovac dobrano koristio muziku Stonesa ne samo kroz svoje gangsta sage, došlo je vrijeme naplate računa. Nakon što je majstorski Dylana stavio na celluloid, Jagger & Co dobili su priliku s video potpisom Scrosesea imati opravdanje da nakon "Love You Live" i "Live Licks" zabilježe treći dupli live album.

To je isijavanje spomenutog svjetla. Fanovima rockenroll djedovine faktografija je dovoljna, dočim će malo predostrožnijem dijelu slušatelja biti dozvoljeno primjetiti kako se ne radi ni po čemu o senzacionalnom ili osobitom live zapisu. Sve što u njih volite i ovdje se kotrljalo. Sjajno raštimani, neprimjetni Richards, često aritmični Woods, standardni majstor Watts, Jegger šegger.

Ništa osobito ako ste skupljali i proučili fantastični "Get Yer Ya Ya`s Out", te ostale live enciklopedije od "Still Life" turneje naovamo, otkad više nisu rock bendom nego circus institucijom za pravljenje love na terenu. Sve se to već u raznim varijantama čulo ranije. Svirka nije kompaktna, u tome jest šarm. Stonesima je dozvoljeno biti lošima da bi im to smatrali kvalitetom.

Uz mlade naraštaje Jacka Whitea od kojeg bi puno mogli podsjećati se i sami, preko Christine Aguilere koja je zadovoljila Jaggerovo vječno koketiranje s mainstreamom, do starog pajde Buddy Guya. Klasici prisutni, neke stvari su prvi puta u live verzijma. Sve što srce poželjeti može. I ne mora. Ali kako je to Martin majstorski upakirao i zaslužilo je ovakva marketinga kao da se u najmanju ruku radi o remek djelu, a ne samo još jednom koncertnom filmu velikana rocka.

Izvor: Dop Magazin


http://i37.tinypic.com/mb3a8i.jpg (http://stagevu.com/video/wompptftdpoa)

[La Familia]

The Intervju: Hollywood's Favorite Cowboy; Author Cormac McCarthy, 76, talked about love, religion, his 11-year-old son, the end of the world and the movie based on his novel 'The Road.' He was just getting going. (http://online.wsj.com/article/SB10001424052748704576204574529703577274572.html?m od=WSJ_hpp_MIDDLENexttoWhatsNewsForth)


http://s.wsj.net/public/resources/images/OB-EW638_cormac_F_20091112231822.jpg


Novelist Cormac McCarthy shuns interviews, but he relishes conversation. Last week, the author sat down on the leafy patio of the Menger Hotel, built about 20 years after the siege of the Alamo, the remains of which are next door. The afternoon conversation, which also included film director John Hillcoat of "The Road," went on 'til dark, then moved to a nearby restaurant for dinner. Dressed in crisp jeans and dimpled brown cowboy boots, Mr. McCarthy began the meal with a Bombay Gibson, up.

[La Familia]

http://1.bp.blogspot.com/_Q3JthHcpqjg/Sv7_0hDC4rI/AAAAAAAAB3g/Id8VfL7qq-U/s1600/chinatown.jpg


14 Days of Screenplays, Version 3.0 -- Day 6: Chinatown (http://www.gointothestory.com/2009/11/14-days-of-screenplays-version-30-day-6_14.html)


Today is Day 6 of the "14 Days of Screenplays, Version 3.0" challenge and the featured screenplay is for the movie Chinatown (1974). You can download the script from myPDFscripts.com here (http://www.mypdfscripts.com/screenplays/chinatown).

Background: Chinatown was written by Robert Towne with uncredited input from director Roman Polanski. The movie was nominated for 11 Academy Awards, winning only one for Best Writing, Original Screenplay. The screenplay also won the WGA Award for Best Drama. It is ranked as the #3 screenplay on the WGA 101 List (http://www.wga.org/subpage_newsevents.aspx?id=1807), behind only Casablanca and The Godfather.

This WGA link (http://www.wga.org/subpage_newsevents.aspx?id=1907) has a number of interesting quotes by Towne about the writing of Chinatown:

• “The ending that I had originally conceived never ended in Chinatown. I had always felt it was really pushing the metaphor to end up in the physical location. There was one horrible day when everybody got crazy just about two weeks before shooting and somebody said, 'My God, there's no scene in Chinatown, and it's called Chinatown!'” –AFI interview with Robert Towne

• “Originally, I had Evelyn [Mulwray] kill her father, and I had the detective try and stop her. In the first and second drafts he got the daughter out of the country. It also ended in a funny way: you knew that Evelyn was going to have to stand trial and you knew that she wasn't going to be able to tell why she did it. But it was bittersweet in the sense that one person, at least, wasn't tainted–the child.” –AFI interview with Robert Towne

• “With Chinatown, I originally thought I'd do a detective movie. That was all, initially. But then, I didn't want to do just any detective movie. Once you say you want to do a detective movie, you start thinking about what crime is to you, what it really means, what you think is really a horrible crime and what angers you. So I thought, I don't want to do a crime movie about the kind of things that don't anger me. I wanted to do something that really infuriated me. The destruction of the land and that community was something that I thought was really hideous. It was doubly significant because it was the way Los Angeles was formed, really.” –AFI interview with Robert Towne

• “In the case of Chinatown, I wrote at least 20 different step outlines–long, long step outlines, that got me about 70 percent of the way through it. Finally, after the 20th I said, 'Well, this is far enough. I know where it's going to end. Now, I'll just devote myself to the problem of writing it.'” –AFI interview with Robert Towne

• “Chinatown is a pretty good metaphor for the futility of the good intentions. [Police officers in the film] are told to do as little as possible in Chinatown in the way of law enforcement, because you never know whether you're helping to avert a crime or helping to commit one.” –AFI interview with Robert Towne

• “We [Towne and Polanski] took the script and broke it down into one-sentence summations of each scene. Then we took a scissors and cut those little scenes… and pasted them on the door of the study at his house where we were working. And the game was to shift those things around until we got them in an order that worked.” – Los Angeles Times, July 8, 1999

• “It seems like it took me forever to write–at least 10 months. It was difficult; all screenplays that are highly structured are difficult–you are not relying on the momentum of some picaresque tale to take you wherever you want to go. Always the hardest part of any story is to figure out the point of entry where your story begins.” –The Hollywood Reporter, July 2002

• For the most part, the final screenplay was shot almost exactly as it was written. “Once Roman and I agreed on the script, he held everyone's feet to the fire,” Towne says. “Whatever disagreements we had, they ended when the script was written. Nobody said, 'Well, let's try it another way.' That was the way.” – Los Angeles Times, July 8, 1999

I want to give time for people to weigh in about the script, those who have read it for the challenge as well as anyone else who has read the script in the past. I'll update this post with my thoughts on the script later tonight.

What did you think of Chinatown?

For links to all 14 scripts in the challenge, go here (http://www.gointothestory.com/2009/11/announcement-14-days-of-screenplays.html).

And remember: We'll be reading 1 script per day and discussing them through November 22. I'll be posting something everyday at 4PM U.S. Eastern Daylight Time / 1PM PST for your comments.

The script for Day 7 of the challenge is Wall-E, available at myPDFscripts.com (http://www.mypdfscripts.com/screenplays/wall·e).

UPDATE: I could go on at great length about the script to Chinatown. About how skillfully Towne works the unfolding mysteries in the story, setting up unknowns in one scene, providing answers in another, but always laying in questions and twists, feeding our curiosity and need to learn the truth throughout. About how he does all that while crafting a classic story in three acts, each comprised of major plot points as fulcrums. About the deftly developed characters, each with multiple layers to their core persona. About the story's tone, pace, symbolism, and attention to real history - a massive crime against the topography and people of Los Angeles, pulled off by the city's leading civic authorities.

But I don't have time. So let me just focus on one aspect of the script that struck me strongly this time reading it: How Towne works in the theme of water. Since the above-mentioned crime is about water rights, and the access to and control of water, all requiring substantial money-peddling in order to generate enormous gobs of profits for a private few on the other end, water is a hugely important narrative element in the story. It's also a key component to the serpentine mystery which winds its way through the story. So it figures that Towne would want to introduce water as a theme, then work it into the story, first for exposition, then as a tease, and eventually as a grand metaphor. Let's take a quick look at each usage:

Water as exposition: In order to understand the nature of the underlying crimes in the story, Towne has to let people know what and why water is critical to Los Angeles in the story's era. He accomplishes this in the script in Act One, where it's almost always wise to lay out as much of the story's exposition as possible -- the main purpose of Act One is to introduce all the key characters, set up all the important story elements, and get the plot rolling. Once it does, it becomes harder and harder to stop the story's momentum and lay out exposition. In Chinatown, Towne did the following to set up the water 'business':

* P. 7-9: Establish Mayor Bagby and his support for the Alto Vallejo water project, and Hollis Mulwray and his opposition to it.

P. 9: Farmers bring sheep into the testimony room yelling, "You steal the water from my valley,
ruin the grazing, starve my livestock."

* P. 11: A political flier in the windshield of Gittes' car, seeking voters to approve the Alto Vallejo project in an upcoming election.

* P. 15: The tawdry newspaper headlines trumpeting "Department of Water and Power Blows Fuse Over Chief's Use of Funds for El Macando Love Nest".

* P. 15: Customers in the barbershop talking about how the city is going to have to ration water.

So midway through Act One, we know the broad perimeters of the political and practical issues concerning water.

Water as tease: From the time Gittes emerges from his office in the script's opening to see a drunk "blowing his nose" into a fountain (P. 6), Towne mentions water in scene description and dialogue over and over and over in Act One:

* P. 9: Shot of the L.A. Riverbed, how it's "almost empty," the site of Mulwray's curious activities as witnessed from afar by Gittes.

P. 10: Point Perman Park by the bay, where Gittes has tracked Mulwray.

P. 12: The report by Gittes' associates about Mulwray's visits to three reservoirs, leading to Gittes' comment, "Jesus Christ, this guy's really got water on the brain."

P.14: Mulwray with a mysterious young woman in a row boat in a lake in McArthur Park (Gittes: "Jesus, water again").

P. 23: Gittes in Mulwray's office where he sees cryptic information about channels being "used" in "Oak Pass Res."

* P. 24: Gittes meets with Dept of Water and Power exec Yelburton, who has sporting fish mounted on his office walls.

* P. 26: Visiting the Mulwray's house, Gittes spots an item at the bottom of a pond in their back yard (turns out to be eyeglasses).

* P. 30-33: Gittes visits the Oak Pass Reservoir only to discover that Hollis Mulwray's corpse is there.

Water is a 'runner' throughout the story, but especially in the first act as a way of teasing us, stringing out its mystery, but also providing right up front an enormous key to the explanation for everything that transpires in the plot.

Water as metaphor: We learn some things about water in Chinatown. Water has power: To feed dry soil and turn it into endless front lawns for suburban homes, and to kill people like Hollis Mulwray. To drive elected officials and rich citizens to go to enormous expense and effort to change public policy. To make the common person afraid of droughts and water rationing. It is like a fantasy of what Los Angeles could become, and yet a means to the destruction of what Los Angeles had been.

Great stories traffic in themes - and as Towne demonstrates in Chinatown, it's incumbent upon the writer to know how those themes play throughout the narrative.

Special treat: Go here (http://www.mypdfscripts.com/treatments/chinatown-step-sheet) to myPDFscripts.com where you can download a 9-page "step sheet," presumably from Towne, breaking down the script into 39 scenes. There's even hand-written numbers in the left-margin where (again presumably) Towne (or Polanski) wrote down what they figured the page count of each scene would be. I added up 134 1/2 pages. The actual page count of the script is 128. Not too shabby on the forecasting fron!

[La Familia]

http://www.latimes.com/images/logoSmall.png (http://www.latimes.com/entertainment/news/la-ca-bad15-2009nov15,0,2635307.story)


Werner Herzog and Nicolas Cage: Partners in crime (http://www.latimes.com/entertainment/news/la-ca-bad15-2009nov15,0,2635307.story)


'Bad Lieutenant's' director sped through the making of the film even as its lead actor pushed the character's boundaries.


http://www.latimes.com/media/photo/2009-11/50391637.jpg (http://www.latimes.com/entertainment/news/la-ca-bad15-2009nov15,0,2635307.story)
The star and filmmaker worked "blissfully" together on "Bad Lieutenant." (Genaro Molina / Los Angeles Times)


"We had prop cocaine. Nicolas would sniff it, and I would ask him to shift positions," Herzog recently recalled. "From the moment I would ask him to move, he would be acting erratic. All of a sudden, I had the feeling: For God's sake, has he taken cocaine?"


:rofl::cerek:

[La Familia]

DISCLAIMER

The following screenplays are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended.


Klik na fotku/poster za download scenarija:


HARRY POTTER AND THE HALF BLOOD PRINCE (2009) Screenplay


http://lh6.ggpht.com/__mX_df9OBcI/Sv93L6cfPEI/AAAAAAAAACk/JuzWpHpgXDM/harry-potter-6-poster-450x697%5B1%5D%5B6%5D.jpg?imgmax=800 (http://www.mediafire.com/download.php?yokylyozwmm)


CADILLAC RECORDS (2008) Screenplay


http://lh4.ggpht.com/__mX_df9OBcI/Sv4s7xJ2dgI/AAAAAAAAACY/EVPgkxcg2sY/506211%5B1%5D%5B3%5D.jpg?imgmax=800 (http://www.mediafire.com/download.php?zmmmwznmtn4)

[La Familia]

http://i33.tinypic.com/2yvv6ew.jpg


Screenwriting Best of the Web


Where to download free scripts – and why you should. (http://kevinwrites.typepad.com/otherwise_known_as_kevin_/2009/11/where-to-download-free-scripts-and-why-you-should.html)
Roger Corman: The role model we desperately need again. (http://www.theaustralian.com.au/news/arts/oscar-for-corman-king-of-the-cheapies/story-e6frg8n6-1225797096690)
2012 – The script will (hopefully) self-destruct after reading. (http://www.mypdfscripts.com/screenplays/2012)
The Blacklist now has its own web site (Thanks Meg!) (http://blcklst.com/tbl/)
Times rather eclectic Top 100 of the decade. Which have you seen? (http://kottke.org/09/11/top-movies-of-the-2000s)
Patience, perseverance and perspective: never give up. (http://www.justeffing.com/2009/11/the-three-ps/)
Push your character towards someplace new, set them on fire. (http://johnaugust.com/archives/2009/burn-it-down)
Little less Mystery (Man on Film): an interview. (http://www.gointothestory.com/2009/11/q-mystery-man-on-film-revealed.html)
A look at the screenplay that saw dead people. (http://www.gointothestory.com/2009/11/14-days-of-screenplays-version-30-day-4.html)
Myers: Tips toward finding a positive writing partner. (http://www.gointothestory.com/2009/11/question-how-to-find-writing-partner.html)
What is high concept? Quick pitch, audience appeal, original premise. (http://filmmakeriq.com/screenwriting/selling-your-script/high-concept-defined-once-and-for-all.html)
Throwing green at the writing gurus: worth it? The truth about McKee. (http://bambookillers.blogspot.com/2009/11/gurus.html)
The Hero’s Journey in twelve and seventeen stages: overview. (http://15edelacruz.blogspot.com/2009/11/12-stages-to-heros-journey.html)
The Hero’s Journey in The Matrix (http://www.youtube.com/watch?v=8AG4rlGkCRU&feature=player_embedded)

[La Familia]

City Secrets Movies: The Essential Insider's Guide


Series Editor: Robert Kahn
Pub Date: February 2009
Format: Clothbound
Category: Performing Arts - Film - Guides & Reviews
Price: $19.95
ISBN: 978-0-7893-1864-0
Publisher: Fang Duff Kahn Publishers
Trim Size: 4-1/4 x 7-1/4


"Before I die, I want to spend a weekend hidden away in some idyllic place, watching all the wonderful movies I have never heard of. To prepare for this weekend, I have this book." --Mary-Louise Parker


"A wonderfully subjective little guide to the best films of all time."
--Graydon Carter, Editor, Vanity Fair


Movies is a compilation of short essays written by directors, actors, film critics, producers, film scholars, and other notable figures from the film industry, the arts, and other fields. Each has recommended a film, or an aspect of a film such as a performance, style, or theme, that they feel has been overlooked or underappreciated.

Contributors include Wes Anderson, Ken Auletta, Alec Baldwin, Adam Duritz, Milos Forman, John Guare, Arthur Hiller, Anjelica Huston, Barbara Kopple, Sidney Lumet, Simon Schama, Martin Scorsese, and Kenneth Turan, among many other film experts.

A portion of the proceeds from the sales of this book will benefit The Film Foundation (http://www.film-foundation.org/common/11004/default.cfm?clientID=11004&homepage=1), the leading nonprofit organization dedicated to film preservation.


http://www.fangduffkahn.com/files/imagecache/hires/files/covers/CSMoviesCov_SM.jpg (http://www.fangduffkahn.com/books/city-secrets-movies-the-essential-insiders-guide)

[La Familia]

http://i37.tinypic.com/2zyg6qd.jpg


Game Over: Kasparov and the Machine (http://www.youtube.com/watch?v=y9UMt-8gfW8) je fantastičan dokumentarac o drugom meču između Garryja Kasparova i IBM-ovog Deep Bluea. Sjajno režiran, napet kao kakav vrhunski triler, postavlja hrpu intrigantnih pitanja - jednostavno, izvrstan.

Vidim da ga mnogi optužuju za promicanje teorije zavjere IBM-a protiv Kasparova, ali ja ga uopće nisam tako doživio pa se s time ne mogu složiti. Kao što sam već rekao, postavlja mnoga zanimljiva pitanja - što izravno, što implicirano - i poigrava se s atmosferom paranoje i tajanstvenosti, ali po meni ne staje ni na čiju stranu niti ikoga izravno optužuje.


Game Over: Kasparov and the Machine


Garry Kasparov is arguably the greatest chess player who has ever lived. In 1997 he played a chess match against IBM’s computer Deep Blue. Kasparov lost the match. This film shows the match and the events surrounding it from Kasparov’s perspective. It delves into the psychological aspects of the game, paranoia surrounding it and suspicions that have arisen around IBM’s true tactics. It consists of interviews with Kasparov, his manager, chess experts, and members of the IBM Deep Blue team, as well as original footage of the match itself.

The good parts of the movie is that you have interviews with Kasparov and the IBM team. Kasparov is a charming guy. The IBM team are open and friendly. The movie shows both the bad and good sides of Kasparov, who displays dignity and his temper when he is being pushed around by IBM. The Deep Blue team are interesting, but the IBM company does not come off well. They milk the match for all advertising they could get. The movie keeps touting that it was a victory of machine intelligence over Man, but the point I get from it is, several computer geeks and chess grand masters after years of effort can put together a program that can barely beat a world champion, if they take every single psychological and technical advantage they can.


http://i33.tinypic.com/kagww0.jpg (http://topdocumentaryfilms.com/game-over-kasparov-and-the-machine/)

[La Familia]

http://i36.tinypic.com/r8xfrq.jpg (http://www.mediafire.com/?jbxdzmm1gyd)

[La Familia]

http://i33.tinypic.com/2yvv6ew.jpg


14 Days of Screenplays, Version 3.0 -- Day 7: Wall-E


http://3.bp.blogspot.com/_Q3JthHcpqjg/SwBphZ8z7VI/AAAAAAAAB3o/yMelQvcT_lo/s400/walle1.jpg (http://www.gointothestory.com/2009/11/14-days-of-screenplays-version-30-day-7.html)


:jumping:

[La Familia]

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The Man from Pécs: Béla Tarr Resources (http://filmstudiesforfree.blogspot.com/2009/11/man-from-pecs-bela-tarr-resources.html)

[La Familia]

ODLAZAK "BREAKERA MORANTA"

Umro glumac Edward Woodward

Sjajan engleski glumac, najpoznatiji po ulozi policajca u "Čovjeku od pruća" preminuo je u Cornwallu u 80. godini.

http://www.vecernji.hr/slika-500x329/lifestyle/umro-glumac-edward-woodward-slika-74025

Početak karijere Edwarda Woodwarda obilježila je dilema: gluma ili nogomet? Dok je studirao na RADA (Royal Academy of Dramatic Arts) bio je registriran za Leyton Orient i za Bradford, za koji je odigrao tri utakmice u profesionalnoj ligi, ali ga je ozljeda koljena udaljila od sporta. Repertoarne uloge u Shakespeareovim komadima često je s dasaka prenosio i na ekran, a u kazalištu je glumio i na njujorškom Broadwayu i u Australiji. Bio je i sjajan pjevač i recitator te je snimio dvanaest glazbenih albuma, četiri albuma poezije i četrdesetak audioknjiga. No, najviše se pamti po filmskim i televizijskim ulogama.

Pored Neila Howieja u "Čovjeku od pruća" i naslovne uloge u "Breaker Morantu", poznat je po ulozi Davida Callana, plaćenog ubojice za vladinu špijunsku agenciju, u filmu i TV seriji iz sedamdesetih "Callan". Špijuna je glumio i u američkoj seriji "Equalizer" iz osamdesetih. Njegovu prvu TV ulogu, u trilogiji "Mač časti" Evelyna Waugha, u novoj verziji 2001. glumio je Daniel Craig. Troje njegove djece iz prvog braka postali su glumci; sa sinom Timom i unukom Samom gostovao je 2008. u popularnoj "dokumentarnoj" seriji "The Bill" ("Policija") u kojoj su glumili tri generacije londonske gangsterske obitelji.

Već slabog zdravlja, od TV glume oprostio se početkom 2009. gostovanjem u popularnoj sapunici "Eastenders", a zadnja filmska uloga bila mu je u prošlogodišnjoj komediji "Hot Fuzz" Simona Pegga, koji je bio veliki obožavatelj Woodwarda. Bolestan od raka prostate i upale pluća, Edward Woodward preminuo je 16. studenoga 2009. u 80. godini u Kraljevskoj bolnici u Cornwallu, gdje je i živio.

Izvor (http://www.vecernji.hr/lifestyle/umro-glumac-edward-woodward-clanak-51577)


Farewell to Summerisle: Wicker Man links in memory of Edward Woodward (http://filmstudiesforfree.blogspot.com/2009/11/farewell-to-summerisle-wicker-man-links.html)


Film Studies For Free (Familija također) was very sad to hear of the death of Edward Woodward. This versatile, talented, and extremely modest actor will be especially remembered in the film world for his brilliant performance as uptight Sergeant Neil Howie, tempted and tormented by Willow/Britt Ekland, in probably the most beguiling, troubling, and certainly one of the most popular, British cult films of all time (in FSFF's HO) The Wicker Man (Robin Hardy, 1973).

Below (http://filmstudiesforfree.blogspot.com/2009/11/farewell-to-summerisle-wicker-man-links.html) are some scholarly Wicker Man links in honour, and fond memory, of Woodward's performance in this and other roles:

[La Familia]

http://www.artofthetitle.com/v3/wp-content/themes/grid_focus/images/ats_logo_web.png (http://www.artofthetitle.com/2009/11/16/single-take-titles-part-2-the-individual/)


Single Take Titles, Part 2: The Individual (http://www.artofthetitle.com/2009/11/16/single-take-titles-part-2-the-individual/)


A frisson of first impressions in a single take, we root around a character and see something in the recipe.


http://www.artofthetitle.com/media/film/2008/jcvd_contact.jpg (http://www.artofthetitle.com/2009/11/16/single-take-titles-part-2-the-individual/)
Click to Watch SD (http://www.moonbase9.com/media/film/2008/jcvd_480p.mov) | Click to Watch HD (http://www.moonbase9.com/media/film/2008/jcvd_720p.mov)

http://www.artofthetitle.com/media/film/1997/contact_contact.jpg

http://www.artofthetitle.com/media/film/1999/fight_club_contact.jpg

http://www.artofthetitle.com/media/film/1994/forrest_gump_contact.jpg

http://www.artofthetitle.com/media/film/1993/falling_down_contact.jpg (http://www.artofthetitle.com/2009/11/16/single-take-titles-part-2-the-individual/)

[La Familia]

http://i37.tinypic.com/oa93r5.jpg (http://nymag.com/arts/theater/features/62021/)

http://images.nymag.com/arts/theater/features/review091123_560.jpg


The Kindness of Strangers (http://nymag.com/arts/theater/features/62021/)


Liv Ullmann and Cate Blanchett reinvent Blanche Dubois.

‘She’s not a great actress,” Liv Ullmann says, explaining why the Blanche DuBois in her production of A Streetcar Named Desire seems so shaky from the moment she arrives at her sister’s French Quarter apartment. A trembling shambles with shot nerves, this Blanche can’t fool anyone into thinking she’s the southern belle she pretends to be—except, for a while, herself.

Ullmann herself is a great actress, and so is the woman playing Blanche, Cate Blanchett. It was Blanchett and her husband, Andrew Upton, who lured Ullmann to Australia to direct Streetcar for the Sydney Theatre Company, where the couple are co–artistic directors and CEOs. Their production comes to BAM November 27.

“Obviously I’m an enormous, slobbering admirer of hers,” says Blanchett with a laugh. And yet, she and Ullmann seem in some ways an unlikely match: Ullmann made her name as Ingmar Bergman’s go-to muse, digging deep within for raw, emotional performances. Blanchett’s peripatetic career often involves her using rigorous technique to transform into other people: Katharine Hepburn, Bob Dylan, Elizabeth I. One might call Ullmann an archaeologist and Blanchett an architect. In her role as DuBois, Blanchett’s actorly precision is underlined with deep desperation, and so a peerless actress gives a great performance as a not-great actress who thinks she’s peerless.

Ullmann, loquacious in life, is more reticent as a director. “You learn a lot from bad directors,” she says. “And I know how some directors, they talk and talk, and they trample right on your fantasy, and you can never do it again. Good directors are a wonderful audience.” And, says Blanchett, there are other ways to communicate, “through what’s going on in their eyes, the gestures that they use. Liv has quite an unexpected and disarming emotional life.” Blanchett notes impishly that she stole a few things from her director. “A few of Blanche’s gestures,” she says, letting her hands float dreamily before her in DuBois-ian splendor, “are Liv’s.”

The actress believes it is the Norwegian director’s foreignness with the material that makes her interpretation so liberating: “In the English-speaking world, we think we know the play better than we do—which is viewed through the prism of the film, and through clichés that we have about what it means to be southern.”

Music was Ullmann’s passport into Tennessee Williams’s world. “It was very clear when I started to read the play that I had to know more about the blues,” she says. “Because the truth of the play is the avoidance of truth, and the blues is how you say what you don’t have words for. I also know that Williams, while he wrote the play, was all the time listening to gramophones. Very much the Ink Spots.”

Ullmann’s affection for DuBois extends back to a time when she wanted to play her. “This is a part that I could have done when I was young. But to be honest, as good an actress as I think I was at times, I could never have done it to the brilliance that Cate’s doing it.” And it is, paradoxically, Blanchett’s reserve that Ullmann believes makes her so gifted at playing a woman who holds nothing back. “Cate is so vulnerable, but she doesn’t give it to you immediately,” says Ullmann. “I’m already out with some of the goodies. All her goodies are within her.”

A Streetcar Named Desire
By Tennessee Williams.
BAM Harvey Theater.
November 27–December 20.


Dodatne informacije:

November 27 - December 20
A Streetcar Named Desire, directed by Liv Ullman and starring Cate Blanchett
Venue—BAM Harvey Theater (http://www.kadmusarts.com/festivals/3402.html)

Country and Region: United States — New York
Type of Festival: Dance, Drama, Music
Location of Festival: Brooklyn, New York USA
Festival Address Information: BAM - Next Wave Festival, BAM 30 Lafayette Avenue Brooklyn, NY 11217 USA
Phone: (01) 718-636-4100
Email: [email protected]
Tickets: http://www.bam.org
Festival Description: BAM - Next Wave Festival presents groundbreaking international theater productions. The Festival comprises sixteen dance, music, theater, and multimedia engagements, supplemented by BAMcinématek series, BAMcafé Live weekend music performances, humanities programming, visual art events, cultural partnerships, and a new literary and film initiative. The Next Wave Festival innovative programming is loaded with “adventurous art for adventurous audiences”.
Festival Dates: September 15 - December 19, 2009
Festival Links: http://www.bam.org/


p.s. malosunce, gdje si? Pakiraj kovčege :)

[La Familia]

Uživo s teme/ankete Zatvorenički filmovi :)

19:13 za Shawshank!

:jumping:

p.s. da mi post bude barem od neke koristi, klikom na slikovni link ispod možete pročitati THE intervju s Frankom Darabontom:

http://www.liljas-library.com/img/gfx/liljaslibrarylogo.png (http://www.liljas-library.com/showinterview.php?id=38)

Plus:

http://www.liljas-library.com/img/other/frank_int_2.jpg
Frank Darabont
January 7, 2008 (http://www.liljas-library.com/showinterview.php?id=49)

A ovdje i intervjue sa Stephenom Kingom:

Interview with Stephen King 2008
Pt. 1 (http://www.liljas-library.com/showinterview.php?id=52): Pt. 2 (http://www.liljas-library.com/showinterview.php?id=53): Pt. 3 (http://www.liljas-library.com/showinterview.php?id=54)

Interview with Stephen King 2007
Pt. 1 (http://www.liljas-library.com/showinterview.php?id=34): Pt. 2 (http://www.liljas-library.com/showinterview.php?id=35): Pt. 3 (http://www.liljas-library.com/showinterview.php?id=36)

King in London -06 (http://www.liljas-library.com/section.php?id=42)

A o čemu se radi?

Nažalost, za moju malenkost na ovoj (odličnoj, kaj odličnoj - najboljoj by Deckard! :s) anketi ne vrijede one Svi ste vi moja djeca, sve vas jednako volim spike, ponizno i pun iskupljenja padam pred - The Shawshank Redemption.

http://i37.tinypic.com/693i9i.jpg

Zašto?

- Fear can hold you prisoner. Hope can set you free.
- zato jer je film prekoračio granice Hollywooda, oživio žanr zatvorskog filma i afirmirao novu redateljsku zvijezdu u usponu - Franka Darabonta.
- zbog nevjerovatnog, larger than life, iskustva od scene otvaranja do scene zatvaranja filma
- zbog uloga života Tima Robbinsa i Morgana Freemana
- zbog sjajne režije neponovljivog Franka Darabonta
- zbog činjenice da je Ebert film uvrstio u svoju zbirku "Great Movies"
- zbog odličnog scenarija (http://www.angelfire.com/movies/moviefreak/shawshank.html) Franka Darabonta, scenarij se čita u dahu btw, poput najboljeg romana (i još boljeg predloška velikog/najvećeg Stephena Kinga/Rita Hayworth and Shawshank Redemption (http://en.wikipedia.org/wiki/Rita_Hayworth_and_Shawshank_Redemption))
- zbog jednog sasvim posebnog (http://www.flickr.com/photos/zezego/332367841/) hrasta kojeg za života moram vidjeti vlastitim očima (i pronaći taj crni kamen, naravno)
- zbog posebnog grada još posebnijeg imena Zihuatanejo (http://en.wikipedia.org/wiki/Zihuatanejo) (I hope the Pacific is as blue as it has been in my dreams. I hope.)

Mogao bih do jutra, odavde do vječnosti... :)

"Strah vas može držati zatočenog. Nada vas može osloboditi". Tako glasi promotivni slogan filma koji je 1994. godine prekoračio granice Hollywooda, oživio žanr zatvorskog filma i afirmirao novu redateljsku zvijezdu u usponu - Franka Darabonta.

"Iskupljenje u Shawshanku" topla je ljudska priča, kakvu američka kinematografija dugo nije vidjela. Priča koja u sebi nosi nešto od zlatnog doba Hollywooda, invocira osjećaje karakteristične za djela Franka Capre i Williama Wylera, a opet zadržava u sebi nešto stivenkingovski i mračno i zloćudno. Scenarij "Shawshanka", kojeg je Darabont napisao osobno, je, naime, utemeljen upravo na kratkoj priči Stephena Kinga "Rita Hayworth i iskupljenje u Shawshanku".

Andy Dufresne (Robbins) uspješni je odvjetnik čiji se svijet ruši kad ga sud proglašava krivim za ubojstvo svoje žene i njenog ljubavnika. Andy je osuđen na doživotni zatvor u zemaljskom paklu, ili mjestu koje mu dolazi sasvim blizu - popravnoj ustanovi Shawshank, mjestu koje je dom najgorim kriminalcima, a svi su nevini. Barem tako tvrde. Svi osim jednog, koji će kroz godine, a zatim i desetljeća provedena u zatvorskoj ćeliji postati Andyjev najbolji prijatelj; Ellisa Boyda Reddinga (Freeman), popularno zvanog Red. "Valjda me zovu Red zato što sam Irac", sarkastično će Freeman objasniti Andyju porijeklo svog nadimka.

Jednom kad vas okruže zidine Shawshanka, vrijeme je sve što vam ostaje na svijetu. Andy će to vrijeme dobro iskoristiti, pronalazeći si nove zanimacije, nove opsesije koje će ga držati iz dana u dan i omogućiti mu da zadrže zdrav razum. Bilo da je riječ o rezbarenju šahovskih figura, uređivanju zatvorske knjižnice, ispunjavanja poreznih prijava za čuvare ili trošenju dokonih sati u filozofskim promišljanjima s Redom, Andyjevi dani moraju nečim biti ispunjeni su aktivnostima, a noći kopanjem tunela koji će ga, jednog dalekog dana, odvesti u slobodu.

http://www.ezadar.hr/repository/image_raw/6502/large/

Darabont je ovim filmom postigao nemoguće. U samo 142 minute ugurao je desetljeća zatvorskog života i s tolikom uvjerljivošću prikazao psihološki razvoj svojih likova da gledatelj uistinu može dobiti dojam kako je te godine s njima proživio. Neki će možda reći kako 142 minute nije baš malo za jedan film, ali nekom bi drugome vjerojatno trebalo puno više. "Iskupljenje u Shawshanku" film je kojeg u potpunosti na leđima nose njegovi likovi. A njihova je karakterizacija maestralna. Bez grešaka i nelogičnosti, filmskim platnom i dvorištem Shawshanka šetaju pravi ljudi, ljudi od krvi i mesa koji po ničem nisu posebni, a opet ih je tako lako prepoznati i s njima se identificirati.

U tome veliku ulogu igraju i dvojica glumačkih velikana našeg doba, Tim Robbins i Morgan Freeman, koji su u ovom filmu pružili bez premca najbolje izvedbe svojih plodnih filmskih karijera. Robbins i Freeman u životu su odigrali puno rola, od kojih su neke i više nego kultne, ali savršenstvu "Shawshanka" teško će se ikad približiti. Andy i Red zauvijek su ušetali u srca svakog ljubitelja sedme umjetnosti i tamo pronašli svoje ravnopravno mjesto u hali velikana.

Stvarna veličini ovog filma i mjesto koje on u filmskoj povijesti zauzima možda se najbolje može se izraziti nekolicinom statističkih činjenica: na top ljestvici 250 najboljih filmova svih vremena prema glasovima gledatelja/posjetitelja poznate stranice IMDB "Iskupljenje u Shawshanku" dijeli prvo mjesto s Coppolinim "Kumom", u milenijskom izboru legendarnog filmskog časopisa Empire "Iskupljenje u Shawshanku" proglašen je najboljim filmom svih vremena, slušatelji londonskog Capital FM radija proglasili su ga najvažnijim filmom kojeg u životu morate pogledati.... Lista se samo nastavlja.

http://www.ezadar.hr/repository/image_raw/6503/large/

Je li "Iskupljenje u Shawshaku" najbolji film svih vremena? Možda jest, možda nije, ali na kraju krajeva nije ni bitno. Ovi podaci ne mogu to ustvrditi, jer film, kao i sve ostale grane umjetnosti, egzistira isključivo u domeni subjektivnosti. Ali ono što se iz njih može zaključiti jest da je "Iskupljenje u Shawshanku" velikom broju ljudi iz raznih razloga najdraži film koji su ikad gledali. A i ja se s njima moram složiti...

:amen:

[La Familia]

http://i33.tinypic.com/sl5mab.jpg


Mali izlet na TV igralište: The Wire -- 100 Greatest Quotes


http://i33.tinypic.com/34xfe49.jpg (http://www.youtube.com/watch?v=-Sgj78QG9Bg)

[La Familia]

REPLAY


Važna napomena: samo za edukacijske svrhe.


http://i45.tinypic.com/2dc750n.jpg
http://i48.tinypic.com/347f8rk.jpg
http://i45.tinypic.com/20gk7kg.jpg (http://www.mediafire.com/?zmhglw1hnxk)

[La Familia]

Klik na fotku/poster za download scenarija (samo za edukacijske svrhe):


http://lh5.ggpht.com/__mX_df9OBcI/SwHD1wfY4QI/AAAAAAAAACw/3Ec8lQB43NI/2012%2BRoland%2BEmmerich%2BPoster%5B1%5D%5B4%5D.jp g?imgmax=800 (http://www.mediafire.com/download.php?enzyhwgyz4m)

http://lh5.ggpht.com/__mX_df9OBcI/SwINg5rr-_I/AAAAAAAAAC8/L68c5oyLezE/image%5B4%5D.png?imgmax=800 (http://www.mediafire.com/download.php?jznq1monj2e)

http://lh6.ggpht.com/__mX_df9OBcI/SwIGZ0sgXlI/AAAAAAAAAC4/1qP3M5Rp0eM/image%5B4%5D.png?imgmax=800 (http://www.mediafire.com/download.php?jtxkmdnytm2)

http://lh3.ggpht.com/__mX_df9OBcI/SwDLt9sftZI/AAAAAAAAACs/pKOqq9DcCIY/splinter-poster%5B1%5D%5B6%5D.jpg?imgmax=800 (http://www.mediafire.com/download.php?ty2yndd2jth)

[La Familia]

Tim Burton talks about his work & the MoMA exhibition


http://i50.tinypic.com/kco39i.jpg (http://www.artbabble.org/video/behind-scenes-tim-burton-moma)

[WHUFC]

Mali izlet na TV igralište: The Wire -- 100 Greatest Quotes



"money be green"
"It' all in the game"
"WTF did I do?"
"My name is my name"
"shiiiiiiiiiiiiiiiiiiiiiiiiiiit"
:s :zubo:
Dodao bi jos neke. al uglavnom, bilo se lijepo prisjetit najjace serije ikad. :top:

[La Familia]

http://i47.tinypic.com/2cicnmh.jpg
imdb (http://www.imdb.com/title/tt0478049/)


"The U.S. vs. John Lennon" focuses on a part of the music icon's life that is often overlooked: his politicization both during and after the Vietnam War. Towards the end of the Beatles' career, Lennon began taking the band in a new direction, using their popularity to circulate a message of peace in songs such as "Revolution."


http://i50.tinypic.com/wtlp0.jpg (http://video.google.com/videoplay?docid=777046699234389996&hl=hr#)

[La Familia]

http://i45.tinypic.com/2kmon6.jpg
imdb (http://www.imdb.com/title/tt0492931/)


The 11th Hour

1:28:47

Narrated by Leonardo DiCaprio, this captivating documentary explores the perilous state of our planet, and the means by which we can change our course. Contributing to this crucial film are noted politicians, scientists and other ambassadors for the importance of a universal ecological consciousness. The 11th Hour is directed by Nadia Connors and Leila Conners Peterson and features narration from Academy Award® Nominee Leonardo DiCaprio (The Departed, Blood Diamond). The environmentally friendly DVD packaging is produced with 100% certified renewable resources. A portion of the profits will be donated to Global Green.


Way bolji dokumentarac od Al Goreove Neugodne Istine. Leo živi tu ekologiju: vozi Hondu Prius; donira ogromna sredstva za ekološke projekte; non-stop je u nekoj akciji. Al Gore? Radi se o besramnom čovjeku koji iz projekta Globalno zatopljenje izvlači silan profit, a nedavno je otkriveno kako je upravo on glavni igrač farmaceutskog kartela koji stoji iza još jednog pomno osmišljenog i unosnog projekta - svinjske gripe.

Gore Used Fictional Video to Illustrate ‘Inconvenient Truth’ (http://newsbusters.org/blogs/noel-sheppard/2008/04/22/abc-s-20-20-gore-used-fictional-film-clip-inconvenient-truth)

It goes without saying that climate realists around the world believe Nobel Laureate Al Gore used false information throughout his schlockumentary "An Inconvenient Truth" in order to generate global warming hysteria.

On Friday, it was revealed by ABC News that one of the famous shots of supposed Antarctic ice shelves in the film was actually a computer-generated image from the 2004 science fiction blockbuster "The Day After Tomorrow." [audio available here (http://newsbusters.org/static/2008/04/2008-04-18-ABC-2020-Gore.mp3)]

Adding delicious insult to injury, this was presented by one of ABC's foremost global warming alarmists Sam Champion during Friday's "20/20":


http://i50.tinypic.com/33uakv5.jpg (http://video.google.com/videoplay?docid=-2174195060267517042&ei=0CMES4CMEIrV-Qb1_cW2Cw&q=The+11th+Hour#)

[La Familia]

REPLAY:


Naime, stari linkovi više nisu u funkciji.

Napomena: Samo za edukacijske svrhe.


http://i48.tinypic.com/n6p0dc.jpg (http://www.mediafire.com/?yknnbd3dwz2)

[La Familia]

REPLAY:


Napomena: Samo za edukacijske svrhe.


http://i46.tinypic.com/211qrlx.jpg (http://www.mediafire.com/?mumnyiomd2m)

[La Familia]

http://i46.tinypic.com/rhiao0.jpg
imdb (http://www.imdb.com/title/tt0493459/)


This Film Is Not Yet Rated is an independent documentary film about the Motion Picture Association of America's rating system and its effect on American culture, directed by Kirby Dick and produced by Eddie Schmidt. It premiered at the 2006 Sundance Film Festival and was released into select theatres on September 1, 2006. The Independent Film Channel, the film's producer, aired the film later that autumn.


Sjajan dokumentarac, preporuka za gledanje:


http://i50.tinypic.com/kezo92.jpg (http://www.viddler.com/explore/nyr800/videos/1/)

[La Familia]

DISCLAIMER: The following screenplays are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended.


Klik na fotku/poster za download scenarija:


http://lh4.ggpht.com/__mX_df9OBcI/SwVM8VmllnI/AAAAAAAAADU/8897yfeeKvo/image%5B4%5D.png?imgmax=800 (http://www.mediafire.com/download.php?ni1mjjj5knj)

http://lh5.ggpht.com/__mX_df9OBcI/SwSOQ9oZsiI/AAAAAAAAADQ/4ctfd7hBiVU/image%5B4%5D.png?imgmax=800 (http://www.mediafire.com/download.php?mn4dzm222gz)

http://lh4.ggpht.com/__mX_df9OBcI/SwSLt9ygXsI/AAAAAAAAADI/yOLUDPKS7BM/image%5B4%5D.png?imgmax=800 (http://www.mediafire.com/download.php?ke3cnhyztyi)

[La Familia]

http://i.imgur.com/86BWF.jpg
http://i.imgur.com/Cyx6I.jpg


10 Popul Vuh LPs 1970-1981 [MP3]


These are my favorites, and are enough to tide anyone over. I recommend EINSJÄGER & SEIBENJÄGER, LEZTZE TAGE, COEUR DE VERRE and NOSFERATU, but really all of them. It's all beautiful, pastoral, elemental, spiritual, and sometimes downright creepy stuff. Great if you like ambient, great if you like guitar interplay.


Napomena: download je legalan.


DOWNLOAD:

AFFENSTUNDE (1970) (http://www.megaupload.com/?d=M31XZXTR)
IN DEN GÄRDEN PHARAOS (1971) (http://www.megaupload.com/?d=6S17YP08)
HOSIANNA MANTRA (1972) (http://www.megaupload.com/?d=MXOA16IS)
EINSJÄGER & SEIBENJÄGER (1974) (http://www.megaupload.com/?d=4LP59A1V)
DAS HOHELIED SALAMOS (1975) (http://www.megaupload.com/?d=PG2DSESQ)
AGUIRRE (1975) (http://www.megaupload.com/?d=4RHPXNSY)
LETZTE TAGE - LETZTE NÄCHE (1976) (http://www.megaupload.com/?d=8CE90QXA)
COEUR DE VERRE (1977) (http://www.megaupload.com/?d=X7CV9VH8)
NOSFERATU (1978) (http://www.megaupload.com/?d=0F95WEVM)
SEI STILL, WISSE ICH BIN (1981) (http://www.megaupload.com/?d=W846MHGR)

Sve 320kbps

[La Familia]

http://cache.thephoenix.com/secure/uploadedImages/The_Phoenix/Movies/Features/The-Godfather.jpg


Gordon Willis: The Man Who Shot The Godfather (http://thephoenix.com/Boston/Movies/92993-Prince-of-darkness/?page=1#TOPCONTENT)


Gordon Willis, the master cinematographer to whom the Harvard Film Archive pays tribute in a seven-film retrospective beginning this Friday, broke the rules about how to shoot a movie star when he refused to light Marlon Brando's eyes in The Godfather. His aim, he explains in the 1992 documentary Visions of Light, was to maintain Don Corleone's mystery, not to subvert Hollywood-style lighting. But he came into his own as an artist at a time — the Vietnam War era — when movies, influenced equally by the counterculture and by the infusion of innovative European pictures, were looking for alternative and generally darker visions. Moreover, he became a director of photography on the East Coast, far from the traditions associated with Hollywood soundstages.

Više (http://thephoenix.com/Boston/Movies/92993-Prince-of-darkness/?page=1#TOPCONTENT)

[La Familia]

http://i50.tinypic.com/291goc5.jpg
imdb (http://www.imdb.com/title/tt0105764/)


Visions of Light: The Art of Cinematography


Named Best Documentary by the National Society of Film Critics as well as several film-critic associations, Visions of Light traces the history and illuminates the art of cinematography. Experience the dazzling story of cinematography as seen through the lenses of the world's greatest film makers and captured in classic scenes from over 125 immortal movies. Discover Gordon Willis's secrets of lighting Marlon Brando in The Godfather and Greg Toland's contributions to Citizen Kane.


Uskoro na temi :)

[La Familia]

http://vvoice.vo.llnwd.net/e14/4121597.47.jpg


What's Wrong With Wes Anderson? (http://www.laweekly.com/2009-11-19/film-tv/what-39-s-wrong-with-wes-anderson/)


Wes Anderson big LA Weekly profile (http://www.laweekly.com/2009-11-19/film-tv/what-39-s-wrong-with-wes-anderson/).

[La Familia]

http://i50.tinypic.com/2ql7rs3.jpg (http://alsolikelife.com/shooting)


Robert Altman: An Annotated Webliography


http://alsolikelife.com/shooting/wp-content/uploads/2009/11/altman2.jpg.jpg (http://alsolikelife.com/shooting/2009/11/robert-altman-an-annotated-webliography/)

[La Familia]

http://3.bp.blogspot.com/_Q3JthHcpqjg/SwSFQlO6JRI/AAAAAAAAB4Y/pa9mSZ_QjjU/s400/little+miss-sunshine.jpg


14 Days of Screenplays, Version 3.0 -- Day 11: Little Miss Sunshine (http://www.gointothestory.com/2009/11/14-days-of-screenplays-version-day-11.html)

[La Familia]

KOLEKCIJA DOKUMENTARACA


Cinema Nostalgia-Bela Lugosi - The Forgotten King http://www.joost.com/static/transparent.gif (http://www.joost.com/272ij49/t/Cinema-Nostalgia-Bela-Lugosi-The-Forgotten-King#)


http://i49.tinypic.com/f24jdl.jpg (http://www.joost.com/272ij49/t/Cinema-Nostalgia-Bela-Lugosi-The-Forgotten-King#id=272ij49)


Talking pictures: Richard Attenborough http://www.joost.com/static/transparent.gif (http://www.joost.com/272ij44/t/Talking-pictures-Richard-Attenborough#)


http://i50.tinypic.com/2nbynag.jpg (http://www.joost.com/272ij44/t/Talking-pictures-Richard-Attenborough#id=272ij44)


Cinema Nostalgia-The Young Duke John Wayne


http://i46.tinypic.com/2n1rml5.jpg (http://www.joost.com/272ij47/t/Cinema-Nostalgia-The-Young-Duke-John-Wayne#id=272ij47)


Cinema Nostalgia-Magical Moving Pictures


http://i46.tinypic.com/x6d18g.jpg (http://www.joost.com/272ij48/t/Cinema-Nostalgia-Magical-Moving-Pictures#id=272ij48)


Talking pictures: Ken Loach


http://i48.tinypic.com/e5nuyg.jpg (http://www.joost.com/272ij45/t/Talking-pictures-Ken-Loach#id=272ij45)

[La Familia]

REPLAY:


Napomena: Samo za edukacijske svrhe.


Klik na fotku/cover za download knjige:


http://i45.tinypic.com/1g2gkg.jpg (http://www.mediafire.com/?niyjhwjjgwq)

[La Familia]

http://4.bp.blogspot.com/_Q3JthHcpqjg/SwXLxmvCS0I/AAAAAAAAB4g/XOYErr0KEI8/s400/psycho-poster.jpg


14 Days of Screenplays, Version 3.0 -- Day 12: Psycho (http://www.gointothestory.com/2009/11/14-days-of-screenplays-version-30-day_20.html)


Today is Day 12 of the "14 Days of Screenplays, Version 3.0" challenge and the featured screenplay is for the movie Psycho (1960) (http://www.imdb.com/title/tt0054215/). You can download the script from myPDFscripts.com here (http://www.mypdfscripts.com/screenplays/psycho).

Background: Psycho was nominated for 4 Academy Awards and screenwriter Joseph Stefano received the WGA Award for Best Written American Drama. The movie currently has a 8.7 rating on IMDB.com and is ranked #22 among the site's top 250 most popular movies.

Here is an interview snippet with the movie's director Alfred Hitchcock from 1960, the year of Psycho's release, in which Hitchcock offers up one of his most famous observations about movies: "Drama is life with the dull bits cut out."


http://i47.tinypic.com/2njajko.jpg (http://www.youtube.com/watch?v=8TVzwf5IayM)


I want to give time for people to weigh in about the script, those who have read it for the challenge as well as anyone else who has read the script in the past. I'll update this post with my thoughts on the script later.

For links to all 14 scripts in the challenge, go here (http://www.gointothestory.com/2009/11/announcement-14-days-of-screenplays.html).

And remember: We'll be reading 1 script per day and discussing them through November 22. I'll be posting something everyday at 4PM U.S. Eastern Daylight Time / 1PM PST for your comments.

The script for Day 13 of the challenge is Crash (2004) (http://www.mypdfscripts.com/screenplays/crash-2004), available at myPDFscripts.com.

[La Familia]

Short Oscar hopeful ‘The Cat Piano’


Chalk “The Cat Piano” up as a nominee pronto. Probably the win, too. EVERYONE loves that short.


So says regular reader Glenn in the comment thread on the Best Animated Short Oscar shortlist. Having now watched this 8-minute Australian gem in all its noir-tinged, Nick Cave-narrated splendor, I can’t disagree.

Take a look.


http://i48.tinypic.com/2dwb2nn.jpg (http://www.youtube.com/watch?v=Uj4RBmU-PIo)

[La Familia]

CLOVERFIELD (2008) Screenplay


Klik na fotku/poster za download scenarija:


http://lh4.ggpht.com/__mX_df9OBcI/SwXzeGhqdRI/AAAAAAAAADc/V5zAk9lWXLk/image%5B4%5D.png?imgmax=800 (http://www.mediafire.com/download.php?4zjdndzww0y)

[La Familia]

http://i49.tinypic.com/ydyzd.jpg


RIJETKI DOKUMENTI: Letters and private correspondence
A collection of letters written by Stanley Kubrick to friends and collaborators


http://www.archiviokubrick.it/immagini/logoAK.jpg (http://www.archiviokubrick.it/english/index.html)


The following is a list containing private letters written by Stanley Kubrick to friends and collaborators. Most of the material has been given exclusively for publication in ArchivioKubrick (http://www.archiviokubrick.it/english/index.html) by respective owners.

Each entry in this list presents the following information:

Title
Description and (dd/mm/yyyy)
Source of first publication (dd/mm/yyyy)


Letter to Mario Maldesi about A Clockwork Orange
Private correspondence

In 1972 Stanley Kubrick was looking for a dubbing director for the Italian version of his film A Clockwork Orange. After a conversation with film director Federico Fellini, Kubrick contacted Mario Maldesi, who was at that time one of the best supervisors in post-synchronisation of dialogue for Italian films, as he had worked with the most prestigious Italian directors since early '60s.

Starting from a script adaptation by Riccardo Aragno, who was a friend of Kubrick, Maldesi directed the Italian actors and made a terrific dubbed version of A Clockwork Orange.

This letter is the beginning of a correspondence between Kubrick and Maldesi which lasted until Kubrick's death. Maldesi worked on every subsequent film directed by Kubrick, achieving superb dubbed versions of each film, such as The Shining and Full Metal Jacket.

http://i47.tinypic.com/t6dwsw.jpg (http://www.archiviokubrick.it/parole/lettere/1972maldesiam.jpg)


Letter to Mario Maldesi about Barry Lyndon
Private correspondence

Barry Lyndon is the second film whose Italian version was realized by Riccardo Aragno and Mario Maldesi. After the success of A Clockwork Orange, Stanley Kubrick choose the same team at the International Recording for his new film.

In this letter, Kubrick refers to the post-synchronization of actors: it is a part in the dubbing process that is usually left to technicians, when the voices of dubbing actors are timed with the original film. Maldesi wanted to supervise directly even this phase of the dubbing process because it is in these details that lies the real difference between a good work and a perfect one. Kubrick aknowledged this in this letter.

http://i47.tinypic.com/t6dwsw.jpg (http://www.archiviokubrick.it/parole/lettere/1976maldesibl.jpg)


Letter about Full Metal Jacket Italian cinema rating
Filed at the Ufficio di Revisione Cinematografica, Rome, Italy

The rating of Full Metal Jacket in Italy was a tricky business, mired in hypocrisy and bureaucracy in the typical Italian fashion.

The film was presented by Warner Bros. to the rating commission on September 29, 1987, and was classified VM18 (forbidden to people under the age of 18), the highest rate in Italy, "because of the great amount of explicit lines and gestures which might upset younger audiences." Warner Bros. appealed the decision, though the original VM18 rating was confirmed on October 21, "especially because of the paticularly violent scenes which might highly upset the sensitivity of the aforementioned younger audiences."

The media was aroused because, shortly before, Oliver Stone's Platoon had been given a VM14 rating, the commission gave contradictory explanations for their VM18 (obscene language first, then violence), and generally it was considered inconceivable to censor a maestro like Kubrick. Four deputees even opened a formal debate in Parliament, hinting at political reasons behind the VM18 rating: almost at the same time, the commission classified Gunny by Clint Eastwood as a VM14 film; the fact that this film had a patrioctic flavour compared with Kubrick's dry criticism towards the Army, set the usual Italian right/left controversies on fire.

Warner Bros. appealed again, this time on a legal technicality (contesting the number of raters who saw the film) and, together with lawyers' papers and reviews by highly regarded Italian film critics such as Callisto Cosulich, provided a letter by Stanley Kubrick himself, written to Rocco Moccia, former Direttore dello Spettacolo. This letter is a masterpiece in subtle kubrickian irony and at the same time a splendid lesson about the role of cinema in society and a pure declaration about what Kubrick thought a film is or should be.

Only after the case was brought to the Civil Jury of Lazio and up to the Consiglio di Stato, Full Metal Jacket's ups and downs in Italy had an ending: on September 30, 1988, a year after the first screening, the film was classified VM14. Meanwhile, Full Metal Jacket had been screened regularly in theatres without a rating.

http://i47.tinypic.com/t6dwsw.jpg (http://www.archiviokubrick.it/parole/lettere/1987censurafmj.jpg)


Letter to Mario Maldesi about Full Metal Jacket
Private correspondence

The Italian dubbing of Full Metal Jacket was one of the most complex: choosing the right voices for the young actors who played the Marines took months. It was a real arm wrestling between Kubrick and Maldesi.

Meeting after meeting, phone call after phone call, with the help of Riccardo Aragno who translated most of their conversations, Maldesi wasn't succeding in making Kubrick approve the voices he had chosen. In the end, Maldesi followed his intuition and realized the dubbed version with the actors he wanted, without Kubrick's approval. When he sent the Italian voices he got no reply from Kubrick. After Full Metal Jacket premiered becoming a great success in Italy, Kubrick wrote this letter proving that Maldesi's choices where right and that he considered the Italian version of this film an excellent work.

http://i47.tinypic.com/t6dwsw.jpg (http://www.archiviokubrick.it/parole/lettere/1988maldesifmj.jpg)


Letter to Riccardo Aragno about A Clockwork Orange
Private correspondence

On February 25, 1996, an Italian newspaper published a piece which reported false information about the Italian dubbed version of A Clockwork Orange. The journalist wrote that Kubrick wasn't happy with the dubbed versions of his film, including the Italian one, and that he wanted his film to be distributed for the home-video market only in its original English version with subtitles.

This article hadn't any basis in truth and could possibly damage the reputation of Riccardo Aragno and Mario Maldesi, who realized the Italian version of the film. Stanley Kubrick wrote two letters to his friend Aragno, reassuring that he was indeed more than happy with the work they did. The following is the first letter.

http://i47.tinypic.com/t6dwsw.jpg (http://www.archiviokubrick.it/parole/lettere/1996aragno1.jpg)


Letter to Riccardo Aragno about A Clockwork Orange
Private correspondence

Italian newspaper La Stampa published on February 25, 1996, an anonymous piece that revealed Kubrick wasn't satisfied with the Italian version of A Clockwork Orange and that he didn't want his film to be released in the home-video marked in the dubbed version.

This information was completely false and Stanley Kubrick wrote two letters to Riccardo Aragno, who had translated the script into Italian and had collaborated with Mario Maldesi in the dubbing process. This letter is the second one sent by Kubrick a few days after the first.

http://i47.tinypic.com/t6dwsw.jpg (http://www.archiviokubrick.it/parole/lettere/1996aragno2.jpg)


Ostalo biserje/Video box:


Stanley Kubrick's Boxes (http://video.google.com/videoplay?docid=-5739282975440441779): a look through SK material.
Barbican Expo (http://www.simplyentertainment.tv/index.php?bcpid=595963055&bclid=626957931&bctid=1432789881): props available at the Kubrick Archives.
The making of Paths of Glory (http://www.youtube.com/watch?v=4Ip0RKK7w78): Kirk Douglas interview.
The Return of A Clockwork Orange (http://it.youtube.com/view_play_list?p=898B76DFE767117A): Paul Joyce's 2001 doc.
2001: The Making of a Myth (http://it.youtube.com/view_play_list?p=5145B47148B2A559): Paul Joyce's doc.
Kubrick Panel (http://video.google.com/videoplay?docid=-789711168896857438&q=kubrick): interview with Christiane and Jan Harlan.
Steven and Stanley (http://video.google.it/videoplay?docid=-2076885886825985580&hl=it): 2001 interview with Spielberg on A.I.
The art of SK (http://www.youtube.com/watch?v=B6BjgA37qyI): doc. that covers from LOOK photos to DS.
Inside Dr. Strangelove (http://it.youtube.com/view_play_list?p=38E634E5E0A3D5CB): from the DVD extra features.
Remembering SK (http://video.google.it/videoplay?docid=-8304309791401202841&hl=it): Tom Cruise interview.
Remembering SK (http://video.google.it/videoplay?docid=-8774701029343396840&hl=it): Nicole Kidman interview.
Remembering SK (http://video.google.it/videoplay?docid=7557147265662968891&hl=it): Steven Spielberg interview.
The Last Movie (http://it.youtube.com/view_play_list?p=1B896F4C155F707B): Paul Joyce's 1999 doc. about EWS.
A la recherche de SK (http://video.google.it/videoplay?docid=-546408171005610240&hl=it): 1999 French doc.
Stardust (http://video.google.com/videoplay?docid=8573044396498461503&hl=it): 1999 Dutch TV program about SK.
Film '99 (http://video.google.it/videoplay?docid=1640459411495931580&hl=it): UK TV program about EWS.
One on One (http://video.google.it/videoplay?docid=-8634287599105374985&hl=it): Frederic Raphael interview.
The Invisible Man (http://www.youtube.com/view_play_list?p=35EA6E58899A1233): Paul Joyce's 1997 doc. about SK.
Forbidden Fruit (http://it.youtube.com/view_play_list?p=E9F5EB118D6BB992): 1993 doc. about ACO.
Making The Shining (http://video.google.it/videoplay?docid=-4745727919325920852): Vivian Kubrick's doc. filmed in 1978.
An examination of ACO (http://video.google.it/videoplay?docid=8665044426065479837&hl=it): rare 1972 TV program.
Kubrick at 2001 opening (http://www.youtube.com/watch?v=bdKHuyhhyuM): 1968 NY premiere.
In the director's chair (http://www.archiviokubrick.it/risorse/documentari/In-the-directors-chair_Stanley-Kubrick.mp3): BBC4 radio program [mp3].
Looking for Stanley (http://www.archiviokubrick.it/risorse/documentari/Saturday-Feature_Looking-for-Stanley.mp3): BBC3 radio program [mp3].
The Dark Side of The Moon (http://video.google.com/videoplay?docid=3288261061829859642&hl=it): 2002 mockumentary.
The man who would be Kubrick (http://video.google.it/videoplay?docid=5256100692616499342&hl=it): Alan Conway interview.

[La Familia]

RIJETKI DOKUMENTI:


Hwood mu sprema bioic, čovjek je ostario, onemoćao, a ovih mu je dana i omiljena igračka/Playboy dotaknula dno dna. Nema veze, živio ti meni, Hefneru, još 100 godina (samo se, molim te, prestani glupirati - hmrl buš mlad od sve te silne viagre :))


If this letter doesn't do it - nothing will


In 1962, Marilyn Monroe was shooting what was to be her last movie. Photographers Billy Woodfield and Lawrence Schiller received the assignment to cover the shoot and had obtained Monroe's confidence, at least enough to allow them to photograph Monroe nude and semi-nude during a swimming pool scene. Playboy Magazine - which was launched with a photo of Marilyn Monroe on the cover - would be celebrating its 10th anniversary in 1963. Schiller, who shot his first playmate centerfold in 1958, approached Monroe about posing for the cover of the Anniversary Edition of the magazine and she was receptive to the idea. The following (previously unreleased) letter was written by Hugh Hefner to the photographers describing his vision for the cover.

Marilyn Monroe died less than a month later; the Playboy shoot never happened.


If this letter doesn't do it - nothing will (http://www.lettersofnote.com/2009/11/if-this-letter-doesnt-do-it-nothing.html)


The birth of Roger Thornhill


Late theatre critic and arts editor Otis L. Guernsey wrote the following letter to Alfred Hitchcock in 1957. In it, he effectively handed over the rights to a movie idea he had already suggested to the director in the early 1950s, the treatment of which Hitchcock subsequently bought from Guernsey for $10,000. This 'fake masterspy' story was later used in Hitchcock's Oscar-nominated North by Northwest.


The birth of Roger Thornhill (http://www.lettersofnote.com/2009/10/birth-of-roger-thornhill.html)


I cannot swagger out in these shirts


Whilst working at the public relations department of Levi Strauss, a Mr. Art Roth received the following letter from Cary Grant in 1958. In it, Grant thanks Roth for the shirts delivered to his home and then politely makes it known that the designs are far too offbeat for his conservative tastes.

A great letter, brought to my attention by Lawrence Levi.


I cannot swagger out in these shirts (http://www.lettersofnote.com/2009/10/i-cannot-swagger-out-in-these-shirts.html)


P.S. This is my favorite memo ever


Before we begin: the content of the following memo is absolutely filthy. If you're easily offended, please don't read it. Thanks.

South Park: Bigger, Longer & Uncut is a feature length movie based on the animated series, South Park. Prior to its release in 1999, the movie's creators - Matt Stone and Trey Parker - were asked repeatedly by the MPAA to alter the film in order for it to gain an R rating rather than an NC-17. Below is a memo sent by Stone to the MPAA, in response to such a request.

The first picture is of the whole memo. Below that is a close-up of the text.


P.S. This is my favorite memo ever (http://www.lettersofnote.com/2009/09/ps-this-is-my-favorite-memo-ever.html)


Bravo on your diffcult troubling work


The following note was written by Quentin Tarantino in May of this year whilst at the 62nd Cannes Film Festival. In it, Tarantino congratulates fellow nominee Brilliante Mendoza on his film Kinatay, a movie which triumphed at the festival and beat Tarantino's Inglourious Basterds to win the Prix de la mise en scène (Best Director). On a related note, it's interesting to know that Tarantino hand writes all of his scripts, either in black or red ink.


Bravo on your diffcult troubling work (http://www.lettersofnote.com/2009/09/bravo-on-your-diffcult-troubling-work.html)


I sure miss Mr Hardy


Until their final film in 1950, much-loved comedy act Laurel & Hardy appeared in over 100 movies together. Following a number of strokes Oliver Hardy passed away August 7th, 1957, and as a result Stan Laurel decided never to act again. From that point until his own death in 1965, Stan endeavoured to personally respond to all fan mail. The following letter was written May 10th, 1958, less than a year after Hardy's passing.

To read many more of Stan's letters, I suggest visiting this website (http://www.lettersfromstan.com/).


I sure miss Mr Hardy (http://www.lettersofnote.com/2009/09/i-sure-miss-mr-hardy.html)


Okay, you lazy bitch


On January 22, 2001, Hunter S. Thompson sent the following expletive-filled fax to Holly Sorensen, then Production Executive at indie movie studio The Shooting Gallery. The furious written rant concerned the movie adaptation of Thompson's novel, The Rum Diary, to which Sorensen's studio had acquired the rights. Progress had been slow and confused on their part. So slow in fact that Thompson reached boiling point.

Note: The Shooting Gallery went bust later that year. The movie is still in production.


Okay, you lazy bitch (http://www.lettersofnote.com/2009/09/okay-you-lazy-bitch.html)


:rofl::rofl::rofl:


I wrote a book called THE GODFATHER


Before Coppola came on board as director, Mario Puzo scribbled and sent the following letter to Brando in an effort to cast him in the movie adaptation of his novel. Ultimately, it worked, but only when Francis took the helm and persuaded Paramount to take a leap of faith. The rest is history.


I wrote a book called THE GODFATHER (http://www.lettersofnote.com/2009/09/i-wrote-book-called-godfather.html)

[La Familia]

http://www.jutarnji.hr/multimedia/archive/00228/zilnik_228867S1.jpg


Želimir Žilnik: Beograd je opasan grad u kojem prebijaju strance (http://www.jutarnji.hr/zelimir-zilnik--beograd-je-opasan-grad-u-kojem-prebijaju-strance/361497/)

[La Familia]

http://filmmakeriq.com/wp-content/themes/busybee/images/iqlogos.jpg


The Five S’s of Screenwriting (http://filmmakeriq.com/screenwriting/structure/the-five-ss-of-screenwriting.html)

[La Familia]

http://4.bp.blogspot.com/_Q3JthHcpqjg/SwdWZ3UzUHI/AAAAAAAAB44/Ra7qC0kL_Sk/s400/crash_poster.jpg


14 Days of Screenplays, Version 3.0 -- Day 13: Crash (http://www.gointothestory.com/2009/11/14-days-of-screenplays-version-30-day_21.html)


Today is Day 12 of the "14 Days of Screenplays, Version 3.0" challenge and the featured screenplay is for the movie Crash (2004). You can download the script from myPDFscripts.com here (http://www.mypdfscripts.com/screenplays/crash-2004).

Background: The movie was nominated for 6 Academy Awards, winning 3 including Best Writing, Original Screenplay, screenplay/story by Paul Haggis & screenplay by Robert Moresco. It also won the WGA Award for Best Original Screenplay. It currently has an 8.0 rating on IMDB.com and is ranked #200 out of their top 250 movies.

Co-writer / director Haggis has received a ton of deserved press about this movie, but I've yet to see anything featuring co-writer Moresco - until now. Here is a 40+ minute sit-down interview with him at the 2008 Cinequest Film Festival, an annual event held in Silicon Valley:


http://i50.tinypic.com/2agq99v.jpg (http://www.youtube.com/watch?v=GB2tym0iwWE)


I want to give time for people to weigh in about the script, those who have read it for the challenge as well as anyone else who has read the script in the past. I'll update this post with my thoughts on the script later.

What did you think of Crash?

For links to all 14 scripts in the challenge, go here (http://www.gointothestory.com/2009/11/announcement-14-days-of-screenplays.html).

And remember: We'll be reading 1 script per day and discussing them through November 22. I'll be posting something everyday at 4PM U.S. Eastern Daylight Time / 1PM PST for your comments.

The script for Day 14 of the challenge is The Wild Bunch (http://www.mypdfscripts.com/screenplays/the-wild-bunch), available at myPDFscripts.com.


p.s. film je koštao manje od četiri, da ponovim brojkom i slovima - manje od $4/četiri milje!

[La Familia]

The Academy (Shorts) Short-List (http://www.cartoonbrew.com/events/the-academy-shorts-short-list.html?utm_source=feedburner&utm_medium=feed&utm_campaign=Feed%3A+CartoonBrew+%28Cartoon+Brew%2 9)


The Academy of Motion Picture Arts and Sciences announced today its short-list of the 10 animated short films that will vie for nomination slots for this years Academy Awards. Thirty-seven shorts had originally qualified in this category and were screened last weekend for members of the shorts branch. The short-list includes Nick Park’s latest Wallace and Gromit short, Pixar’s Partly Cloudy and Cordell Barker’s Runaway.

The 10 films are listed below in alphabetical order by title, with their production company and a link to their website:

The Cat Piano (http://catpianofilm.com/) - Eddie White and Ari Gibson, directors (The People’s Republic of Animation). A Cat Writer tells about a fiendish piano made of cats. When the keyboard is struck, spikes go through the cats’s tales, making them “sing”.

French Roast (http://frenchroast-blog.blogspot.com/) - Fabrice O. Joubert, director (Pumpkin Factory/Bibo Films). A man in a French Restaurant loses his wallet. He sits at the table drinking coffee after coffee until a homeless man kindly pays his check. There is a subplot about a bank robber who is really an old lady wearing a mask.

Granny O’Grimm’s Sleeping Beauty (http://www.brownblogfilms.com/) - Nicky Phelan, director, and Darragh O’Connell, producer (Brown Bag Films) - see clip above! An old lady tells her frightened grand daughter of not being invited to Sleeping Beauty’s christening party.

The Kinematograph (http://community.platige.com/news/139?lng=en) - Tomek Baginski, director-producer (Platige Image). The “inventor” of cinema has his own camera made of wood, stereo sound with two Victrolas, and a two-layer color process before the Lumiere brothers experiments, however, his beloved wife dies of consumption and he abandons his apparatus, just as the Lumiere’s breakthrough is being announced in the street by newsboys.

The Lady and the Reaper (http://www.theladyandthereaper.com/) (La Dama y la Muerte) - Javier Recio Gracia, director (Kandor Graphics and Green Moon). The Grim Reaper keeps trying to collect the soul of an old woman. She is brought back to the living numerous times by her well-meaning young doctor. The old woman really wants to die and join her beloved husband however, so she electrocutes herself towards the end of the film.

Logorama (http://blog.autourdeminuit.com/) - Nicolas Schmerkin, producer (Autour de Minuit). Mo-Cap. Imagine a world made up entirely of advertising characters, such as the Michelin tire guys, Bob’s Big Boy, Esso Oil Drop and an evil Ronald MacDonald who shoots everybody with a machine gun.

A Matter of Loaf and Death (http://www.wallaceandgromit.com/films/loafanddeath/) - Nick Park, director (Aardman Animations Ltd.) Wallace, the baker, meets his dream girl, the Lite Dough Girl, who has put on a bit of weight since her days as an advertising model for flour. She has killed twelve baker husbands and wants to make Wallace the 13th. Of course Gromit sees through her flirtatious act and manages to stop her from killing Wallace. Gromit has a romance with the Dough Girl’s French Poodle into the bargain.

Partly Cloudy (http://www.pixar.com/shorts/pc/index.html) - Peter Sohn, director (Pixar Animation Studios). Clouds make the babies out of bits of water vapor and give the infants to embattled storks who deliver the kids to their parents. One cloud gets stuck with making the “prickly” critters, such as crocks, porcupines, sharks, etc.

Runaway (http://films.nfb.ca/runaway/) - Cordell Barker, director (National Film Board of Canada). A passenger train has a hard time scaling a mountain and runs out of coal, the passengers throw all their clothes in the firebox and half the passenger cars to get steam up.

Variete (http://www.illuster.nl/default.aspx?id=157) - Roelof van den Bergh, director (il Luster Productions). A man juggles plates on poles with the various elements of his life on top of the plates, such as girlfriend, school teacher, best buds, parents, wife, children, etc. Eventually he can’t sustain the numerous spinning plates and all collapse, clearing the way for the next generation.

[La Familia]

http://moviecitynews.com/views/dp30/images/dp30logo2.jpg


THE Video Intervjui


Roger Corman dobio Oscara!


http://i48.tinypic.com/34ex5dj.jpg (http://www.dp30.com/blog/2009/10/29/roger-corman-filmmaker/)


Viggo Mortensen, The Road (http://www.dp30.com/blog/2009/11/19/viggo-mortensen/)

John Woo, dir Red Cliff (http://www.dp30.com/blog/2009/11/19/john-woo-director-red-cliff/)

Werner Herzog, dir. The Bad Lieutenant: Port of Call New Orleans (http://www.dp30.com/blog/2009/11/04/werner-herzog-director-the-bad-lieutenant-port-of-call-new-orleans/)

John Hillcoat, dir. The Road (http://www.dp30.com/blog/2009/11/19/john-hillcoat-director-of-the-road/)

Lee Daniels, dir. Precious (http://www.dp30.com/blog/2009/11/21/lee-daniels-precious/)

[La Familia]

http://daily.greencine.com/archives/gc_daily_header.jpg (http://daily.greencine.com/)


PODCAST: Werner Herzog


http://daily.greencine.com/Werner-Herzog-Bad-Lieutenant.jpg


From the official website (http://badlt.com/) of valiant filmmaker Werner Herzog's delightfully bonkers new feature, Bad Lieutenant: Port of Call New Orleans, which should not be called a remake of Abel Ferrara's grimy 1992 cult classic:
Nicolas Cage plays a rogue detective who is as devoted to his job as he is at scoring drugs—while playing fast and loose with the law. He wields his badge as often as he wields his gun in order to get his way. In the aftermath of Hurricane Katrina he becomes a high-functioning addict who is a deeply intuitive, fearless detective reigning over the beautiful ruins of New Orleans with authority and abandon. Complicating his tumultuous life is the prostitute he loves (Eva Mendes). Together they descend into their own world marked by desire, compulsion, and conscience. The result is a singular masterpiece of filmmaking: equally sad and manically humorous.

In my third annual chat with Herzog, we sat down to discuss the importance of self-irony, playing homage to Klaus Kinski, what he's looking for in applicants of his first-ever Rogue Film School seminar, and why he has yet to bring his distinctive voice to an audiobook version of his filmmaking diary Conquest of the Useless.

To listen to the podcast, click here (http://daily.greencine.com/GC-Werner-Herzog.mp3). (18:31)

Podcast Music
INTRO: Nicolas Cage, "Love Me Tender (from Wild at Heart)"
OUTRO: Schoolly D, "Signifying Rapper"


p.s. Roger Ebert filmu dao ****: The man who stares at iguanas (http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20091118/REVIEWS/911189997).

[La Familia]

http://4.bp.blogspot.com/_Q3JthHcpqjg/SwhGUTDYmiI/AAAAAAAAB5A/Tg1aEd8wW4I/s400/wild+bunch+poster.jpg


14 Days of Screenplays, Version 3.0 -- Day 14: The Wild Bunch (http://www.gointothestory.com/2009/11/14-days-of-screenplays-version-30-day_22.html)


Today is Day 14 of the "14 Days of Screenplays, Version 3.0" challenge and the featured screenplay is for the movie The Wild Bunch (1969) (http://www.imdb.com/title/tt0065214/) You can download the script from myPDFscripts.com here (http://www.mypdfscripts.com/screenplays/the-wild-bunch).

Background: The movie was nominated for 2 Academy Awards including Best Writing, Story and Screenplay Based on Material Not Previously Published or Produced, the screenplay co-written by Sam Peckinpah and Walon Green, based on a story by Walon Green and Roy N. Sickner. It currently has an 8.2 rating on IMDB.com and is ranked #180 out of the site's top 250 favorite films.

Here's a treat: A lengthy audio interview with writer-director Sam Peckinpah. Here is Part 1 (73 minutes) (http://tonymacklin.net/audio/peckinpahpart1of2.mp3) and Part 2 (80 minutes) (http://tonymacklin.net/audio/peckinpahpart2of2.mp3). The interviewer is Tony Macklin. The interview took place in 1976.

I want to give time for people to weigh in about the script, those who have read it for the challenge as well as anyone else who has read the script in the past. I'll update this post with my thoughts on the script later.

What did you think of The Wild Bunch?

For links to all 14 scripts in the challenge, go here (http://www.gointothestory.com/2009/11/announcement-14-days-of-screenplays.html).

[La Familia]

http://i49.tinypic.com/2rrm9zl.jpg


The God Delusion


The God Delusion explores the unproven beliefs that are treated as factual by many religions and the extremes to which some followers have taken them. Dawkins opens the programme by describing the "would-be murderers . . . who want to kill you and me, and themselves, because they're motivated by what they think is the highest ideal." Dawkins argues that "the process of non-thinking called faith" is not a way of understanding the world, but instead stands in fundamental opposition to modern science and the scientific method, and is divisive and dangerous. The Root of All Evil? is a television documentary, written and presented by Richard Dawkins, in which he argues that the world would be better off without religion. The documentary was first broadcast in January 2006, in the form of two 45-minute episodes (excluding advertisement breaks), on Channel 4 in the UK.


http://i49.tinypic.com/whxt1i.jpg (http://freedocumentaries.net/media/126/The_God_Delusion_(1_of_2)/)

The God Delusion (2 of 2) (http://freedocumentaries.net/media/127/The_God_Delusion_(2_of_2)/)

[La Familia]

NEPONOVLJIVO ISKUSTVO:
Star Wars In Concert (2009)


http://i50.tinypic.com/288avqd.jpg (http://www.megavideo.com/?v=D1UHRI3Y)

[La Familia]

The 400 Births: A Video Essay


A video essay (my first), exploring the similarities between the ending of François Truffaut’s The 400 Blows (http://www.bohemiancinema.com/writes/the-400-blows-1959/) and the beginning and ending of Jonathan Glazer’s 2004 film, Birth. Based on an old essay of mine, The 400 Births. (http://www.bohemiancinema.com/writes/the-400-births/)


http://i49.tinypic.com/30uzpc4.jpg (http://www.bohemiancinema.com/writes/the-400-births-a-video-essay/)

[La Familia]

http://3.bp.blogspot.com/_cMdbfkl3Rz4/SwoX2w33kzI/AAAAAAAAFro/1huXfAcTwIg/S1600-R/bkttest2.jpg (http://frankensteinia.blogspot.com/)


NEPROCJENJIVO:


http://2.bp.blogspot.com/_cMdbfkl3Rz4/SwnubhqI6pI/AAAAAAAAFrE/NRQDb0rZd1I/s800/cake.jpg


:tulum:


:jumping:

[La Familia]

http://i48.tinypic.com/2ex92yd.jpg (http://www.sonyclassics.com/awards-information/)


Sony Classics offers a number of scripts 'For Your Consideration'


2009-2010 Screenplays:


http://www.sonyclassics.com/awards-information/aneducation_title.gif

Click here (http://www.sonyclassics.com/awards-information/aneducation_screenplay.pdf) to download screenplay.


http://www.sonyclassics.com/awards-information/brokenembraces_title.gif

Click here (http://www.sonyclassics.com/awards-information/brokenembraces_screenplay.pdf) to download screenplay.


http://www.sonyclassics.com/awards-information/moon_title.gif

Click here (http://www.sonyclassics.com/awards-information/moon_screenplay.pdf) to download screenplay.


http://www.sonyclassics.com/awards-information/thelaststation_title.gif

Click here (http://www.sonyclassics.com/awards-information/thelaststation_screenplay.pdf) to download screenplay.


http://www.sonyclassics.com/awards-information/theimaginariumofdoctorparnassus_title.gif

Click here (http://www.sonyclassics.com/awards-information/theimaginariumofdoctorparnassus_screenplay.pdf) to download screenplay.


http://www.sonyclassics.com/awards-information/thewhiteribbon_title.gif

Click here (http://www.sonyclassics.com/awards-information/thewhiteribbon_screenplay.pdf) to download screenplay.


http://www.sonyclassics.com/awards-information/thedamnedunited_title.gif

Click here (http://www.sonyclassics.com/awards-information/thedamnedunited_screenplay.pdf) to download screenplay.


p.s. toliko o onoj promašenoj, nakaradnoj i krajnje bezobraznoj/bahatoj tezi Arsena Ostojića kako je u svijetu sasvim normalna praksa da producenti skrivaju filmske scenarije ko zmija noge. Nema veze, Arsen će svoj scenarij Te divne splitske noći izdati u knjizi, pa onda tu istu knjigu/scenarij ljudima još i prodavati za puste pare :bonk:

[La Familia]

BLOG PREPORUKA:


http://farm2.static.flickr.com/1439/756206656_283ca9e437_o.jpg (http://flickhead.blogspot.com/)

[La Familia]

http://i48.tinypic.com/ddosy9.jpg

http://i45.tinypic.com/2jc7gnc.jpg (http://www.imdb.com/title/tt1282052/)


12 films. 3 decades. Bad luck was never so bloody.


http://i49.tinypic.com/2eupmyb.jpg (http://www.movshare.net/video/hhp9bb5aqapgq)

[La Familia]

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http://i45.tinypic.com/25umc9k.jpg (http://www.imdb.com/title/tt0493393/)


Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute feature is a poetic narrative . It aims to lift the natural and artificial barriers between humans and other species, dissolving the distance that exists between them.Have put this into the Art section , as it an art narrative ...


I first saw this film in New York, at the Nomadic Museum. I remember walking down the long hallway of the museum, curious to see what was at the end, where a group of people had gathered. Even though the movie lasted for almost 60 minutes, I stood in a crowd two times to watch it. I didn't even notice that I had been standing for so long! This is a film about love, about passion, and about kindness. Every time I watch it, I think of all of the people and places that I have felt a fondness for in my life. I think of my first love, my first kiss. I remember all of the most precious moments in my life.

I highly recommend this movie to everyone. I promise that you will be crying within five minutes of seeing the film.


http://i45.tinypic.com/sxda1g.jpg (http://video.google.com/videoplay?docid=1325252569714595899&ei=BFWCSZ6FHoq%20%20srALjzdDoCg&q=ashes+and+snow&emb=1&dur=3#)

[La Familia]

http://i46.tinypic.com/2gtahpw.jpg
imdb (http://www.imdb.com/title/tt0429086/)


Shadowing The Third Man


"The fractured state of Europe after World War II was perfectly captured in Carol Reed's thriller The Third Man. Set in Vienna and with Orson Welles starring unforgettably as the mysterious Harry Lime, it showcased some of Graham Greene's finest screenwriting.

With unlimited access to the original movie, Arena explores the filmmaking artistry, moral world and furious infighting behind the film.

This new documentary revisits the original locations to reveal the drama behind the scenes, including the battles between producers Alexander Korda and David O Selznick as well as those of Selznick and Greene. It reveals Welles's shenanigans as he became as elusive as Harry Lime himself in an attempt to up his fee and how actor Trevor Howard impersonated the British commander in Austria. It tells the incredible story of the film's music: how Anton Karas, a little-known zither player from cafés in the Vienna Woods, achieved pop stardom all over the world.

Arena explores Reed's supreme imagination and cool mastery of the medium, and Vienna itself - blitzed, partitioned into four zones, and a nest of spies and racketeers."


http://i50.tinypic.com/6gcz8k.jpg (http://www.youtube.com/watch?v=q6zLJrfoKyQ&feature=PlayList&p=AF6F3BD3A3CC45D8&index=0&playnext=1)

[La Familia]

http://i49.tinypic.com/xfqde9.jpg
imdb (http://www.imdb.com/title/tt1032821/)


http://i48.tinypic.com/2ih5yt2.jpg (http://shimeo.com/541mf8klmkhv/Tyson.2009.DvdRip.Xvid.MegaGun.avi.html)

[La Familia]

http://i47.tinypic.com/e1dwxz.jpg
imdb (http://www.imdb.com/title/tt0775438/)


Buy the Ticket, Take the Ride: Hunter S. Thompson on Film


Buy The Ticket, Take The Ride: Hunter S. Thompson On Film is a personal, intimate look at Thompson with a special emphasis on his Hollywood relationships. It captures the legacy and "gonzo" spirit of one of this century's most notorious figures - a man whose life and work regularly intersected with some of the biggest names in the world of film, politics, journalism and sports.

The documentary features interviews with Hunter's inner circle of family and friends, but the thrust of the film is focused on the manner in which his life often overlapped with numerous Hollywood celebrities who became his close friends, such as Johnny Depp and Benicio Del Toro (Fear and Loathing in Las Vegas); Bill Murray (Where the Buffalo Roam); Sean Penn, John Cusack, Hunter's wife Anita, son Juan, former Senators George McGovern and Gary Hart, Tom Wolfe, William F. Buckley, Gary Busey, Harry Dean Stanton, Ralph Steadman and others.


Narrated by Nick Nolte.


http://i48.tinypic.com/2hz6a8.jpg (http://www.liveleak.com/view?i=1d1_1217650812)


2/4 (http://www.liveleak.com/view?i=45a_1217660511)
3/4 (http://www.liveleak.com/view?i=b47_1217662236)
4/4 (http://www.liveleak.com/view?i=84e_1217663889)

[La Familia]

http://1.bp.blogspot.com/_BRW4gNHvrkk/Swnc9y3WXFI/AAAAAAAAI6M/bFPSn1wiNq0/s400/Kazan01.jpg


One Solution for Two Problems: Acting in Three Kazan Films (http://www.thehousenextdooronline.com/2009/11/one-solution-for-two-problems-acting-in.html)

[La Familia]

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http://media.avclub.com/images/articles/article/35640/children-of-men_jpg_595x325_crop_upscale_q85.jpg (http://www.avclub.com/articles/children-of-men,35640/)


Scenic Routes (http://www.avclub.com/features/scenic-routes/): Children Of Men (http://www.avclub.com/articles/children-of-men,35640/)


Back in the late 1940s, Alfred Hitchcock, perhaps still addled from the war, came up with one of the all-time stupid movie ideas: shooting an entire feature that appears to be a single continuous take. At that time, of course, actually doing so was impossible—film cameras were decidedly analog, and could only shoot for about 10 minutes before the magazine had to be reloaded. Nor was digital compositing available to Hitch, which meant that he had no choice but to hide his cuts by clumsily zooming into an actor’s suit jacket for no apparent reason. Rope remains somewhat watchable today, but that’s entirely a testament to its cast (Jimmy Stewart in particular), its screenplay, and our enduring fascination with Leopold and Loeb; as a technical exercise, it was a resounding failure, adding nothing but cheap curiosity to the viewing experience. And that was that… until half a century later, when the advent of digital cinema suddenly reawakened the ludicrous dream of dispensing with editing altogether.

[La Familia]

http://i45.tinypic.com/24ovaxf.jpg
imdb (http://www.imdb.com/title/tt0311432/)


The Legend of Marilyn Monroe (1966)


A documentary about the life and career of 1950s sex symbol Marilyn Monroe, narrated by director John Huston (who worked with her on "The Misfits").


http://i47.tinypic.com/ehix04.jpg (http://www.tubemotion.com/media/2428/The_Legend_of_Marilyn_Monroe_1966/)

[La Familia]

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99 Most Jaw-Dropping Movie Moments (http://www.totalfilm.com/features/the-99-most-jaw-dropping-movie-moments)


From Total Films, this list (http://www.totalfilm.com/features/the-99-most-jaw-dropping-movie-moments):


One of the greatest gifts cinema can give us is the jaw-drop.

We love those movie moments that make us feel like we've been swiftly punched in the gut. The shocking scenes that give us goosebumps and gasps at the same time.

Because we love those shock & awe bits so much, we've compiled our 99 favourites, counting down to the all-time greatest moment of movie jaw-dropness.

Any list that starts with the ending to Planet of the Apes (#99) and the ending to The Sixth Sense (#98) must be a good damn list. Check it out.

H/T to Mystery Man (http://www.mysteryman.org/).

[La Familia]

http://www.mashedinplastic.co.uk/wpimages/wpda9b59f5.jpg (http://www.mashedinplastic.co.uk/dvd.html)


David Lynch has created some of the most sustaining and psychogenic fugue-inducing films of our day. The man is a singular entity. The soundtracks he has created and compiled for these films are often as confounding and compelling as the images they accompany.

To honor his films, their soundtracks, and their soundscapes, we of 1086 Productions and our collaborators devised Mashed in Plastic: the David Lynch mash-up album, a collection of sounds from David Lynch films mixed together with other songs. The album is a continuous flowing whole, encompassing the breadth of Lynch's filmic career.

And now, the coup de grâce: 1086 Productions' own esteemed Gavin (The Reborn Identity) has created video to accompany every single track, every single sound, on the audio album. Each of the eighteen videos (plus added bonus extras!) is a foray into the mind of Lynch. Each of Gav's creations, while honoring the films of Lynch, also give us sight into an alternate universe, one in which Lynch's dames, dwarves, and demons dance among the pop glitterati and multifarious others.

Now go inside and dwell awhile with the others . . . then see if you can find your way back out.


http://www.mashedinplastic.co.uk/wpimages/wpfe04234f.jpg (http://www.mashedinplastic.co.uk/dvd.html)