Samo za okorjele filmske entuzijaste (ulaz na vlastitu odgovornost)

[La Familia]

Bok
imam pitanje..... film Made for each other-jel ga netko gledao i jel mi može nešto reći o njem??
hvalaaaa

Sorry, nisam kompetentan - I'm going to have to pass on that/kritike upućuju da ga se izbjegava. Nadam se da će ti netko kompetentniji od mene - tko je film pogledao - opširnije odgovoriti na chatu. :)


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http://i48.tinypic.com/9to94x.jpg


Sopranos 101 Pilot


Dobrodošli u svijet Davida Chasea, :)


http://i50.tinypic.com/4tn1u8.jpg (http://www.mediafire.com/?tjgtgyduiye)

[La Familia]

http://i49.tinypic.com/20sdkyx.jpg


The Top 250 Script Downloads (http://www.mypdfscripts.com/indexes/top-250-script-downloads)


8454 Downloads: (500) Days of Summer
7975 Downloads: Jennifer’s Body
6379 Downloads: Zombieland
4222 Downloads: Informant!, The
3574 Downloads: Moon
3109 Downloads: Where the Wild Things Are (2005.10.20 Draft)
3080 Downloads: Ghost Rider (2001.04.11 Goyer Draft)
2998 Downloads: Invention of Lying, The (aka This Side of the Truth)
2058 Downloads: Catch Me if You Can
1817 Downloads: 2012
1790 Downloads: Serious Man, A (2007.06.04 Draft)
1542 Downloads: Hurt Locker, The
1358 Downloads: Law Abiding Citizen
1313 Downloads: Seven Samurai
1287 Downloads: Apartment, The
1114 Downloads: Little Miss Sunshine
1102 Downloads: Aliens (1985.09.23 Draft)
1059 Downloads: Mr. & Mrs. Smith (Treatment)
1056 Downloads: We Own the Night
878 Downloads: Star Trek
864 Downloads: Back to the Future (1985.02.28 Draft)
860 Downloads: Obsessed
827 Downloads: Sixth Sense, The
827 Downloads: Whiteout
761 Downloads: Silent Hill
710 Downloads: Whip It
688 Downloads: Chinatown (Step Sheet)
671 Downloads: X-Men (Michael Chabon Treatment)
638 Downloads: Inglourious Basterds
626 Downloads: Stepfather, The (2009)
602 Downloads: Napoleon
595 Downloads: Blade Runner (1980.07.24)
588 Downloads: Twilight (Outline)
579 Downloads: Dark Knight, The (Digital)
570 Downloads: Nobody’s Fool
567 Downloads: Star Wars (1974.07 Draft)
560 Downloads: Transformers: Revenge of the Fallen (Treatment)
543 Downloads: Funny People (2008.04.29 Draft)
543 Downloads: Avatar (Scriptment)
534 Downloads: Juno
534 Downloads: American Beauty
532 Downloads: Slumdog Millionaire (2007.11.04 Draft)
519 Downloads: Terminator (Treatment)
503 Downloads: Surrogates
495 Downloads: E.T.: The Extra-Terrestrial (1981.09.08)
494 Downloads: Tootsie
490 Downloads: Sling Blade
488 Downloads: Alien II (Treatment)
488 Downloads: WALL·E
483 Downloads: Reservoir Dogs
480 Downloads: Raiders of the Lost Ark
475 Downloads: Fight Club (1998.02.16)
472 Downloads: Jaws
467 Downloads: Pandorum
460 Downloads: Sopranos 101 Pilot
435 Downloads: Children of Men
430 Downloads: Punch-Drunk Love
428 Downloads: Chinatown
412 Downloads: My Cousin Vinny
412 Downloads: Superman II
410 Downloads: Saving Private Ryan (1997.06.13 Draft)
409 Downloads: Swamp Thing
408 Downloads: Fantastic Four (Michael Chabon Treatment)
404 Downloads: Eternal Sunshine of the Spotless Mind (2003.02.04 Draft)
397 Downloads: Wedding Singer, The
391 Downloads: Lovely Bones, The
390 Downloads: Wrestler, The (2007.10.14 Draft)
387 Downloads: Jurassic Park
386 Downloads: Princess Bride, The
385 Downloads: Indiana Jones and The Kingdom of the Crystal Skull
376 Downloads: Dark Knight, The (Production Notes)
375 Downloads: My Blueberry Nights (Treatment)
373 Downloads: Royal Tenenbaums, The
370 Downloads: Trainspotting
365 Downloads: Sherlock Holmes
360 Downloads: Seven (1994.11.01 Draft)
357 Downloads: Godfather, The (1971.05.11)
353 Downloads: Brick (Treatment/Novella)
352 Downloads: Rushmore
351 Downloads: Taking Woodstock
349 Downloads: Brick
347 Downloads: Juno (2007.02.06 Draft)
344 Downloads: Amelie (Storyboards)
344 Downloads: Brothers Bloom, The
343 Downloads: Life Aquatic with Steve Zissou, The
340 Downloads: E.T. II: Nocturnal Fears (Treatment)
331 Downloads: Indiana Jones and The City of the Gods
329 Downloads: True Blood 101
328 Downloads: Throne of Blood
322 Downloads: Indiana Jones and The Temple of Doom
322 Downloads: Sunshine Cleaning
322 Downloads: The Thing II (Treatment)
321 Downloads: Zoolander
319 Downloads: Star Wars (Synopsis)
318 Downloads: Rope
316 Downloads: French Connection, The
315 Downloads: Blade Runner (1981.05.15 Draft)
313 Downloads: Wild Bunch, The
311 Downloads: Time Traveler’s Wife, The
311 Downloads: Fight Club (1997.04.18 Draft)
310 Downloads: Wanted (2007.02.23 Draft)
310 Downloads: Annie Hall
309 Downloads: Stepfather, The (1987)
308 Downloads: Village, The (Budget)
308 Downloads: Yes Man
306 Downloads: Dead Poets Society
306 Downloads: American Beauty (1998.09.02 Draft)
305 Downloads: Mallrats (1995.03.08 Draft)
304 Downloads: Thirst (aka Chan-wook Park’s Untitled Project)
304 Downloads: Wackness, The
304 Downloads: Up in the Air (2008.08.19 Draft)
302 Downloads: Batman: Year One
300 Downloads: Star Wars: Episode VI – Return of the Jedi
298 Downloads: Third Man, The
297 Downloads: It’s Always Sunny in Philadelphia 303
297 Downloads: Rock, The
295 Downloads: Sorority Row
292 Downloads: Star Wars: Episode V – The Empire Strikes Back
289 Downloads: You Don’t Mess With the Zohan
289 Downloads: Crying Game, The
288 Downloads: Thing, The
286 Downloads: Platoon
286 Downloads: Battle Queen (aka Untitled by Martin Scorsese)
284 Downloads: Gamer (aka Game)
283 Downloads: Darjeeling Limited, The (2006.11.22 Draft)
282 Downloads: Matrix, The (1998.03.29 Draft)
282 Downloads: Watchmen (Alex Tse Draft)
282 Downloads: Wall Street
281 Downloads: Synecdoche, New York (Coverage)
280 Downloads: Star Wars (1976.03.15 Draft)
280 Downloads: Diving Bell and the Butterfly, The
279 Downloads: Marc Pease Experience, The
278 Downloads: Butch Cassidy and the Sundance Kid
277 Downloads: Indiana Jones and The Last Crusade
275 Downloads: What Women Want
275 Downloads: The Twilight Saga: New Moon
274 Downloads: This is Spinal Tap (Treatment)
272 Downloads: Precious (aka Push)
269 Downloads: Batman, The (Mankiewicz Draft)
267 Downloads: Lobo
267 Downloads: Road, The (2007.09.11 Draft)
263 Downloads: Leaving Las Vegas
262 Downloads: Superman: The Man of Steel
262 Downloads: Year of Living Dangerously, The
260 Downloads: THX 1138
257 Downloads: Saving Private Ryan Memo
257 Downloads: It’s Always Sunny in Philadelphia 101
257 Downloads: Oldboy
257 Downloads: Bottle Rocket
256 Downloads: Mothman Prophecies, The (Storyboards)
256 Downloads: Dark Knight, The (Scanned)
255 Downloads: Band of Brothers 109
254 Downloads: Almost Famous (1998 Draft)
252 Downloads: 24 – Pilot
251 Downloads: M
250 Downloads: Elephant
249 Downloads: Insomnia
249 Downloads: Godfather, The (1971.03.29 Draft)
248 Downloads: Preacher
248 Downloads: Faintheart (2007.02.21 Draft)
247 Downloads: Crash (2004)
245 Downloads: Watchmen (David Hayter 2003.09.26 Draft)
244 Downloads: Wedding Crashers
243 Downloads: Match Point
242 Downloads: W. (aka Bush)
241 Downloads: Indiana Jones and The Saucer Men From Mars
239 Downloads: Dogma
238 Downloads: When Harry Met Sally
236 Downloads: Sopranos 110 A Hit is a Hit
235 Downloads: It’s Always Sunny in Philadelphia 201
235 Downloads: Mist, The (2006.12.05 Draft)
233 Downloads: Kill Bill Vol. 1 (Production Notes)
233 Downloads: Box, The
232 Downloads: Indiana Jones and The Monkey King
232 Downloads: Wrong Turn
232 Downloads: Witness for the Prosecution
231 Downloads: Carnivore
231 Downloads: Burn Notice 101
231 Downloads: It’s Always Sunny in Philadelphia 202
229 Downloads: Perfect Getaway, A
228 Downloads: Green Lantern #1
226 Downloads: Seven (1994.08.08 Draft)
226 Downloads: Terminator Salvation
225 Downloads: Mothman Prophecies, The (2001.01.21 Draft)
224 Downloads: Shorts
224 Downloads: RoboCop
224 Downloads: 2001: A Space Odyssey
223 Downloads: Superman (J.J. Abrams Draft)
223 Downloads: Lars and the Real Girl
222 Downloads: Day the Clown Cried, The
222 Downloads: Walk Hard: The Dewey Cox Story
222 Downloads: X-Men (1999.02.24 Draft)
222 Downloads: 3:10 to Yuma (2007.10.23 Draft)
221 Downloads: My Own Private Idaho (Treatment)
220 Downloads: Robocop 2 (Outline)
220 Downloads: Ocean’s Eleven (1998.06.01 Draft)
220 Downloads: Robocop 2
219 Downloads: Godfather, The
219 Downloads: Star Trek: The Wrath of Khan
218 Downloads: Collector, The (aka The Midnight Man)
218 Downloads: Sopranos 106 Pax Soprana
218 Downloads: Wrestler, The (2007.08.07 Draft)
218 Downloads: While You Were Sleeping
218 Downloads: Lost in Translation
217 Downloads: Asylum
217 Downloads: Afterlife
216 Downloads: Men Who Stare at Goats, The
214 Downloads: Inside Man (Michael Mann)
212 Downloads: Blues Brothers, The
212 Downloads: Confederacy of Dunces (2002)
212 Downloads: Matrix, The (1997.06.03 Draft)
212 Downloads: National Treasure
211 Downloads: Out of Sight (1998.03.23 Draft)
210 Downloads: Lost Highway
210 Downloads: Mallrats (1995.11.29 Draft)
210 Downloads: Zabriskie Point
210 Downloads: Marley & Me
209 Downloads: Killing Charlie Kaufman
209 Downloads: Sweet and Lowdown
209 Downloads: Psycho
209 Downloads: Fourth Kind, The
208 Downloads: Almost Famous (2000 Draft)
207 Downloads: Keys to the Street
207 Downloads: V for Vendetta (2004.09.22 Draft)
207 Downloads: Avatar
206 Downloads: Pulp Fiction
205 Downloads: Witness
205 Downloads: Wanted (2005.12.01 Draft)
203 Downloads: Ocean’s Eleven (1999.11.01 Draft)
203 Downloads: Way of the Gun, The
202 Downloads: Solaris (2002.09.12 Draft)
201 Downloads: Wonder Boys (1999.01.21 Draft)
201 Downloads: Music and Lyrics
201 Downloads: Waterworld
200 Downloads: X-Men Origins: Wolverine
200 Downloads: Working Girl
199 Downloads: What Happens in Vegas
199 Downloads: War of the Roses, The
199 Downloads: Young Frankenstein (1974.02.07 Draft)
199 Downloads: Ninja Assassin
198 Downloads: Weekend at Bernie’s
197 Downloads: It’s Always Sunny in Philadelphia 105
197 Downloads: Mothman Prophecies, The (Shot List)
197 Downloads: Faintheart
196 Downloads: Orphan
196 Downloads: Young Frankenstein
195 Downloads: Superman III (Outline)
195 Downloads: Rain Man
193 Downloads: G.I. Joe (aka Dark Skies – First Strike)
193 Downloads: Armored (http://www.mypdfscripts.com/indexes/top-250-script-downloads)

[La Familia]

A Few Good HURT LOCKER Lessons by Mark Boal (http://www.mydigitalpublication.com/publication/?i=27195&p=43)


http://i50.tinypic.com/116p91g.jpg
http://i47.tinypic.com/24q5rmt.jpg (http://www.mydigitalpublication.com/publication/?i=27195&p=43)


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Hurt Locker, The

Download Script (http://www.mypdfscripts.com/download/198)

Undated Revised First Draft by Mark Boal.
Story by Mark Boal & Kathryn Bigelow.
Source: Digital – Pages: 131 – Size: 258 kb – IMDb (http://www.imdb.com/title/tt0887912/)

[mr.c4]

Familjio svaka čast na entuzijazmu. Yep bit će ovo dobra godina novi Weir, Malick, Crowe, Payne...al prije svih remake The Wolfmana s del Torom i Hopkinsom. Neznam zašto al me jako intrigrira taj film. Keep up the good work :top:.

[La Familia]

Familjio svaka čast na entuzijazmu. Yep bit će ovo dobra godina novi Weir, Malick, Crowe, Payne...al prije svih remake The Wolfmana s del Torom i Hopkinsom. Neznam zašto al me jako intrigrira taj film. Keep up the good work :top:.

Svaka čast tebi na javljanju i lijepim željama. :) Slažem se, pred nama je A Good Year što se filmova tiče. Zaboravih spomenuti (http://theplaylist.blogspot.com/2010/01/75-plus-most-anticipated-films-of-2010.html):

http://3.bp.blogspot.com/_W_hPHI-p3O8/SzuS3vC3j0I/AAAAAAAADZA/mWmJJBsLtjE/s400/ghost-writer-anticipated-2010.jpg

"The Ghost Writer" - Summit Entertainment - Roman Polanski
Synopsis: A ghostwriter (Ewan McGregor) hired to complete the memoirs of a former British prime minister (Pierce Brosnan) uncovers secrets that put his own life in jeopardy.
What You Need To Know: It's a thinly-veiled screed aimed at Tony Blair, and more importantly, the film has gained major notoriety since it will be Polanski's first completed film since being incarcerated in September 2009 on a 37-year-old unlawful sex case (and parts of it were completed without him). Kim Cattrall, Olivia Williams, Timothy Hutton, Tom Wilkinson and James Belushi co-star.
Release Date: First Quarter 2010 (likely March), with a world premiere at the Berlin Film Festival which starts February 11.

The Ghost Writera kanim pogledati u Berlinu, bit će friška recenzija na temi.

http://3.bp.blogspot.com/_W_hPHI-p3O8/Szt_lRho3JI/AAAAAAAADXQ/rTuqeOcZ40I/s400/thefighter-2010.jpg

"The Fighter" – Paramount – Dir. David O. Russell
Synopsis: Based on the true story of "Irish" Mickey Ward, a Boston-area boxer who trains with his ex-con/failed boxer brother to go pro.
What You Need to Know: Originally a Darren Aronofsky project with Brad Pitt and Matt Damon slated to co-star, the boxing drama has finally come to fruition with Christian Bale stepping into the Pitt role of brother and trainer to real-life junior welterweight champion “Irish” Mickey Ward, played by Mark Wahlberg. Sometime Wahlberg collaborator Russell, famed as much for his unusual on-set directing as his hilarious and decidedly non-commercial comedies like "I Heart Huckabees" and "Spanking the Monkey" has taken the reins of this gritty drama. No doubt Wahlberg had a hand in bringing his "Three Kings" and "Huckabees" collaborator on board, and we can't say we blame him — Russell has coaxed two memorable performances out of Wahlberg. After the never-completed "Nailed" — Russell's last comedic attempt — it seems he's looking for something completely different to reinvigorate his career, and that (along with the excellent script) has us more than a little excited.
Release Date: TBD, but it smells like a fall Oscar-season 2010 film to us.

http://4.bp.blogspot.com/_W_hPHI-p3O8/S0aRQxZ4VfI/AAAAAAAADw4/LBXKZK_WyYQ/s400/black-swan-2010.jpg

"Black Swan" - Fox Searchlight - Dir. Darren Aronofsky
Synopsis: An ambitious young ballerina (Natalie Portman) competes with a mysterious doppelganger (Mila Kunis) for the lead role in Swan Lake.
What You Need To Know: A real left turn for helmer Aronofsky, "Black Swan" is a good old fashioned melodrama (think "The Red Shoes" meets "Whatever Happened To Baby Jane") with a dash of "Mullholland Drive" thrown into the mix. The script's pretty solid, but most excitingly, it provides a real opportunity for Aronofsky to play around the visuals. "The Wrestler" marked something of a creative rebirth for the director, and we can't wait to see what he comes up with here. While a lot of buzz surrounding the film is focusing on a sex scene you might have heard about we're more excited to hear what longtime Aronofsky composer Clint Mansell comes up with for the soundtrack that will apparently be built from elements of Tchaikovsky's "Swan Lake".
Release Date: Fall 2010

“The Rum Diary” – Warner Bros. – Dir. Bruce Robinson
"The Conspirator" - American Film Co. - Dir. Robert Redford
"Restless" - Sony - Dir. Gus Van Sant
“Untitled Aron Ralston Project” - Fox Searchlight – Dir. Danny Boyle
"Untitled James L. Brooks Project" - Sony - James L. Brooks
"London Boulevard" - GK Films - dir. William Monahan
"We Need to Talk About Kevin" – BBC Films – Dir. Lynne Ramsay
"Miral" - TBD - dir. Julian Schnabel
"The Grand Master" - TBD - dir. Wong Kar-Wai
Untitled Mike Leigh film - Focus Features - dir. Mike Leigh

Uostalom, svi spomenuti naslovi (http://theplaylist.blogspot.com/2010/01/75-plus-most-anticipated-films-of-2010.html). :klopa:


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THE BOYS ARE BACK (2009) Screenplay


Scenarij novog filma Scotta Hicksa (http://www.imdb.com/name/nm0382956/) (Hearts in Atlantis, Snow Falling on Cedars, Shine).


Klik na fotku/poster za download:


http://lh4.ggpht.com/__mX_df9OBcI/S0qb9TOMu7I/AAAAAAAAAGo/WYgtcC1XteI/image%5B7%5D.png?imgmax=800 (http://www.mediafire.com/download.php?mj0ow2mmkkl)

[La Familia]

http://media.avclub.com/images/articles/article/36890/taxi-driver_INV_jpg_595x325_crop_upscale_q85.jpg (http://www.avclub.com/articles/oh-im-chasing-this-guy-no-hes-chasing-me-34-essent,36890/?utm_medium=RSS&utm_campaign=feeds&utm_source=avclub_rss_daily)


34 essential uses of voiceover in film (http://www.avclub.com/articles/oh-im-chasing-this-guy-no-hes-chasing-me-34-essent,36890/?utm_medium=RSS&utm_campaign=feeds&utm_source=avclub_rss_daily)

[dr mladjo]

evo još jedan primjer kako ne moraš imat ogroman buđet ni veliku ekipu da se napravi remek djelo.sve je ovo CGI
The Third & The Seventh (http://vimeo.com/7809605)

http://vimeo.com/user1337612/videos

[La Familia]

DISCLAIMER: The following ebook(s) are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended.


http://i45.tinypic.com/1222fj7.jpg (http://www.mediafire.com/?0qm2oinzjnn)


True Films: 200 Documentaries You Must See Before You Die


This is the third version of a guide I have been developing for the past 5 years. It takes the 200 best documentaries I have reviewed on my website True Films and puts them into one handy book. For an explanation of why I bother to order the content of a website into a book see the previous entry. In True Films, I cover only true films: documentaries, factuals, non-fiction, reality-based series, and some instructional how-to. You can get a sense of what I like from the site. I love documentaries that 1) surprise me, and 2) inform me.

Each review is a rave review; that is, I only review films I love and believe others will enjoy. Merely good films are left unmentioned. I also include what no other film review source does: I provide 4 to 5 screen shots from each documentary to give you an idea of what the texture of the film is. And I only review documentaries that can be seen easily on DVD or tape at consumer prices (either as Netflix rentals, legal downloads, or online purchase). Documentaries available only in theaters, or as high-priced "educational films" are regrettably ignored...


Klik na fotku/cover za download knjige:


http://i48.tinypic.com/1zmpgme.jpg (http://www.mediafire.com/?0qm2oinzjnn)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://zambonisoundtracks.blogspot.com/).
Familija d.o.o./Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of
other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


JOHN CARPENTER & ALAN HOWARTH (http://zambonisoundtracks.blogspot.com/2009/12/john-carpenter-alan-howarth.html)


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John Carpenter is just awesome. Even when his movies stunk, he usually wrote a score that was the creepiest imaginable. HALLOWEEN III is a great example of an icily scary score buried by a movie that is only enjoyed on an ironic level. DARK STAR is kind of hard to listen to, I admit. It's got some great synth work, but it seems like it's pulled straight off the film transfer (dialogue and all), or the master really had all that stuff and it was all folded together. It's still pretty amazing for a student film from 1973. CHRISTINE is also a great score that seems pretty underrated, I never see it mentioned alongside the others.

When you're in a record shop looking through the soundtracks section, you might see two different versions of a movie's score. One will be a SUPER DELUXE EXTENDED ANNIVERSARY EDITION with two discs. The other is basic looking, has a fairly standard tracklisting that looks like it's under forty minutes or so, put out in the early to mid 1980s by a company called VARÉSE SARABANDE. The Super Extended Mega version might even be cheaper, as the VS versions are mostly out of print. Grab the older version and don't look back.

I am finding that Varèse Sarabande always does a bangup job with a film score, and get it right the first time. Avoid 20th, 30th whatever-th anniversary editions of scores, it usually means they're bogged down with a ton of unnecessary bonus material. Not every little nugget of sound John Carpenter or Wendy Carlos left on the cutting room floor was meant to be picked up again. 75% of these leftovers end up being shorter, cue-length repetitions on the score's main themes, or bits of dialogue inserted between tracks, which I guess is their idea of an "immersive experience". Sorry dudes, I saw ESCAPE FROM NEW YORK already, just give me John Carpenter's synth work from the movie. I don't need to hear Harry Dean Stanton talking to Kurt Russell.


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Another reason Varèse Sarabande got these scores right the first time? They're all under 45 minutes. Basically the length of a vinyl LP, because that's the master they were transferring. Forty-five minutes is just about the maximum amount of time my brain really wants to be immersed in a single film's atmosphere, don't you agree?

Last: the mastering. Comparing the mastering jobs between the original Varèse Sarabande rips and the remastering on those Super Extended Anniversary Editions, I find that the newer versions are JACKED UP and SHRILL. I'm imagining some cheapo AV company just brickwalling these haphazardly in between novelty records that end up on the Dr. Demento Show. Carpenter made some chilling soundtracks out of some WARM OLD SYNTHS. Cranking everything up in these masters makes it sound like you're running an ARP 2600 through cheap distortion pedal. Actually that sounds fun to do, but I probably wouldn't want to listen to somebody else do it.

I'd like to point out that Alan Howarth gets swept under the rug often, Carpenter's scores became more lush, almost gothic, when Howarth stepped onboard. Check out HALLOWEEN II, which is often overshadowed by the first. I included a "suite" version of the score to II from another version because I did like its sequencing.


DOWNLOAD:
DARK STAR (1974) (http://www.multiupload.com/82JON2VC9S)
ASSAULT ON PRECINCT 13 (1976) (http://www.multiupload.com/PEHI79N2PM)
HALLOWEEN (1978) (http://www.multiupload.com/XQJNFMG84Y)
THE FOG (1980) (http://www.multiupload.com/IADJDVYK19)
ESCAPE FROM NEW YORK (1981) (http://www.multiupload.com/11J4ZV3G98)
HALLOWEEN II (1981) (http://www.multiupload.com/4NGHJVFB88)
HALLOWEEN III: SEASON OF THE WITCH (1981) (http://www.multiupload.com/VPU6JCYOUC)
CHRISTINE (1983) (http://www.multiupload.com/WWAGT4OKMI)
320kbps

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://zambonisoundtracks.blogspot.com/).
Familija d.o.o./Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of
other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


Holly Mary, Mother of God, You Hear my humble prayer - ovo je pravi zlatni rudnik OST-ova (a blog pod licencom Googlea/sve čisto i legalno).

Navali narode, još malo pa nestalo - onaj ludi deda Rupert Murdoch samo što nije razjebo zabavu.

:jumping:


Wendy Carlos-A CLOCKWORK ORANGE OST (1971) (http://zambonisoundtracks.blogspot.com/2009/12/wendy-carlos-clockwork-orange-ost-1971.html)


http://i45.tinypic.com/oa6n12.jpg


Even before Carlos knew of a film project concerning A Clockwork Orange, the composer had begun work on a composition (Timesteps) based on the book. It's the best piece of music in the score (and one of the most famed in the early history of electronic music), fitting in well next to late-'60s minimalist works by Terry Riley as well as the emerging Tangerine Dream (pre-Phaedra). Carlos also pioneered the effect of synthesized vocals (known as a vocoder), and their eerie nature perfectly complemented scenes from the film. Much of the rest of A Clockwork Orange is filled with rather cloying synthesizer versions of familiar classical pieces (from Beethoven's Ninth Symphony, Purcell's Music for the Funeral of Queen Mary, Rossini's The Thieving Magpie) similar to Carlos' previous Switched-On Bach recordings. Still, it's worthwhile if only for Timesteps. A Clockwork Orange was originally released as a Warner Bros. soundtrack, containing only film cuts (which edited Timesteps down from 13 minutes to only four).

-John Bush, allmusic.com


DOWNLOAD:
Wendy Carlos-A CLOCKWORK ORANGE OST (1971) (http://sharebee.com/5bb3dda6)
320kbps


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Various Artists-THE SHINING OST (1980) (http://zambonisoundtracks.blogspot.com/2009/12/various-artists-shining-ost-1980.html)


http://i46.tinypic.com/21bhv4.jpg


here's some overlap between this and the PENDERECKI comp I uploaded earlier, but this is a great standalone score. You end up realizing how much, even though the film is visually arresting, the music and droning really carries it.

I'm fairly obsessed with THE SHINING, it must be said. On paper, conceptually, it was Kubrick's appeal to a mass audience, his popcorn movie. Consider that as he pulls you into a world darker than Stephen King had even imagined, into something truly primeval, and think about the effect of that on a mainstream movie audience in 1980. You have a more affecting, horrifying existential clusterfuck of a movie experience than anything in all of European Art Cinema/French New Wave, or that Jodorowsky stuff.

Thought this was a good read.

Anyway, this has 15 tracks. I've seen versions of this score with a few as 8 tracks, so there's some compiling from different sources going on I suppose.


DOWNLOAD:
Various Artists-THE SHINING OST (1980) (http://sharebee.com/3ae31f6e)
VBR mostly 256


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Quincy Jones-IN COLD BLOOD OST (1967) (http://zambonisoundtracks.blogspot.com/2009/08/quincy-jones-in-cold-blood-ost-1967.html)


http://i48.tinypic.com/f2oio6.jpg


Two year anniversary post of this blog, figured I would re-up the first album I put on here. -Ian!

Are any of these Colgems LP's available on CD yet? It's CRAZY that this one isn't. Yes, it's THAT Quincy Jones. But before you think you know what the deal is, stop. This is the score to the 1967 thriller In Cold Blood based on the book by Truman Capote.

Mm-hm, the actor Robert Blake is the guy who's in jail for killing his wife a little while ago, and yes, it's all very strange and ironic. This is a dark fucking movie. The music fits. The soundtrack is like a jazz/blues odyssey into nightmare and horror.

Can you believe that there are parts for walking bass, mouth pops, and orchestral atonal chord clusters? How about tabla and clavinet with timpani and orchestral brass drenched in reverb? Totally beautiful themes and orchestration are bisected by creepy broken music-box melodies, like nursery rhymes gone haywire with drones in the bass section on the wrong note. All the clichés picked up by horror movie composers years later are here first. Instrumental combinations and cuts between unlikely jazz and the usual noir film soundtrack elements recall ’80s and early ’90s John Zorn, only 25 or so years earlier. This is Quincy Jones? You can't even believe how ahead of its time this was. But forget that.

It's still by far the best combination of jazz/blues and avant garde orchestral sickness around. Apparently because the task of scoring a fucked up and eminently human film about a violent man's descent into darkness and the inescapable torment of his conscience fell into the hands of one of the most capable and innovative arrangers ever. Those were the days, apparently.."

-Web Of Mimicry Records


DOWNLOAD:
Quincy Jones-IN COLD BLOOD OST (1967) (http://www.mediafire.com/?jez2gmkjiiq)
320kbps


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Various Artists-VANISHING POINT OST (1971) (http://zambonisoundtracks.blogspot.com/2009/12/various-artists-vanishing-point-ost.html)


The 1971 movie Vanishing Point managed to become a cult hit, with its story of a Benzedrine-popping driver (Barry Newman) in a race for his life with the police of several states, but somehow the soundtrack managed to remain out-of-print until 2004, when Soundtrack Classics reissued it on CD. The music is surprisingly cohesive, primarily built around different aspects of country-rock as embodied variously by Delaney & Bonnie & Friends, the Doug Dillard Expedition, and Jerry Reed, with some gospel tracks by Segarini & Bishop and Big Mama Thornton, plus Mountain's "Mississippi Queen."

The music is all eminently listenable and then some, and has an earthiness that makes it more than a little bracing -- only the lyrical, string-dominated love theme, provided by Jimmy Bowen and his orchestra, breaks that mood and even it works within its own musical context, and is explainable given the time in which the movie was made. The entire release rather favorably recalls the soundtracks to Easy Rider and Zabriskie Point, but Vanishing Point stands up quite nicely musically on its own.

-Bruce Eder, allmusic.com


DOWNLOAD:
Various Artists-VANISHING POINT OST (1971) (http://www.multiupload.com/JVZ3WGC2YJ)
mu rs
320kbps


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Cliff Martinez-SOLARIS (2002 OST) (http://zambonisoundtracks.blogspot.com/2009/12/cliff-martinez-solaris-2002-ost.html)


http://i50.tinypic.com/20zv41s.jpg


One of the best scores ever made, wasted on a crummy remake. Re-up! -Ian!

Steven Soderbergh took a big risk when he decided to remake Russian master Andrei Tarkovsky's art house classic Solaris (both films based on the novel by Stanislaw Lem). Some critics felt he'd have been better off directing his considerable energy toward less hallowed material (like, say, Ocean's 11). Still others (notably J. Hoberman of The Village Voice) proclaimed it one of the best films of 2002. Just as science fiction was a new genre for Soderbergh to explore, it was also new for the director's longtime composer of choice, Cliff Martinez. As Soderbergh explains in the liner notes, "We were both pushing ourselves, trying things we'd never tried before." And just as the movie is more of a psychodrama than a conventional work of science fiction -- somewhat like director James Cameron's The Abyss -- Martinez doesn't gum up the works with grand gestures or quirky sound effects. He keeps things quiet, tense, dreamy -- or nightmarish, depending on your point of view. Solaris asks viewers to question what's real and what's merely a projection of the feverish imaginations of the various denizens (including George Clooney's widowed psychologist, Chris Kelvin) of the lonely space station orbiting the beautiful yet eerie, seemingly empathic planet of Solaris. All the while, these ambient instrumentals -- featuring treated strings and woodwinds, but no percussive elements like drums or piano -- bleed into one another with little distinction, just minor changes in volume and tempo. It doesn't make for the liveliest listen, but Martinez successfully establishes a distinctive mood, somewhat like the quieter passages in 2001: A Space Odyssey or the similarly underrated Andromeda Strain.

-Kathleen C. Fennessy, allmusic.com


DOWNLOAD:
Cliff Martinez-SOLARIS (2002 OST) (http://www.multiupload.com/VWQYC9FGUZ)
320kbps

[La Familia]

What if... William Shakespeare wrote The Big Lebowski? (http://www.runleiarun.com/lebowski/)


http://i49.tinypic.com/5p4bhc.jpg
http://i49.tinypic.com/29z7s8.jpg (http://www.runleiarun.com/lebowski/)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://zambonisoundtracks.blogspot.com/).
Familija d.o.o./Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of
other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


Ennio Morricone-A FISTFUL OF FILM MUSIC / CRIME AND DISSONANCE (1995/ 2005) (http://zambonisoundtracks.blogspot.com/2009/07/ennio-morricone-fistful-of-film-music.html)


http://i45.tinypic.com/347bo8j.jpghttp://i45.tinypic.com/a2ar6b.jpg


Get FISTFUL OF FILM MUSIC if you want all the hits, it's probably the best comp around. Be warned it can start to drag at the bottom of the second disc. GET CRIME AND DISSONANCE if you want the deep cuts, the crazy acid jazz, the electroacoustic stuff. -Ian!

There is much more to Ennio Morricone than his soundtracks for spaghetti Westerns. The moody Italian has managed to create some of the most atmospheric and macabre work in movie music history. This double-disc represents the composer's vast stylistic palette. There are the cannoli cowboy themes from A Fistful of Dollars and The Good, the Bad, and the Ugly, but the collection delves into his lyrical "Chi Mai" from the 1981 film, The Professional, and the spooky choral experiments on the theme to The Bird with the Crystal Plumage (arguably his best work). The first disc is stronger than the second, since the latter is taken up with more lackluster work from such films as The Untouchables and Bugsy. There are some vocal tracks by Joan Baez and a notable one by Domenico Modugno.

This two-disc anthology assembled by Mike Patton is, after the spaghetti Western soundtracks and themes, essential Morricone. Never has his music from the strange films he scored in the 1960s and '70s been showcased in such an original and powerful way. Patton has looked closely into the experimental nature of the maestro and found plenty here to offer as well as to crow about. Many of the scores he chose from would be known only to cineastes of minor and obscure Italian films. Yet, Patton understood that Morricone loved his own process and treated crime and exploitation flicks like L'Anticristo and Forza G with the same delightful sense of adventure that he approached The Godfather and The Mission with. Here, all manner of strangeness is on offer: from psychedelic guitars and tripped-out wordless vocals to sitars, layers and layers of percussion, acid-drenched strings, an Echoplexed celeste, toy pianos, psychotic operatic voices in chorus, and more. And this is no novelty compilation. It is sequenced with taste and depth. Most of the music here was conducted by the great Bruno Nicolai, and thematically moves from dark to ecstatic to just plain weird in a seamless fashion. In presenting Crime and Dissonance in this manner, Patton has given listeners a much wider view of Morricone not only as a composer, but as a sonic experimentalist. This is one of those must-haves for just about everybody interested in music just off the beaten path enough to conjure strange dreams and perhaps even nightmares.

-Thom Jurek, allmusic.com


DOWNLOAD:
A FISTFUL OF FILM MUSIC (1995) (http://www.megaupload.com/?d=EOO5VN3E)
CRIME AND DISSONANCE (2005) (http://www.megaupload.com/?d=9Z0EZHNV)
320kbps

[La Familia]

http://i46.tinypic.com/103943l.jpg (http://www.subcin.com/)


SUBTERRANEAN CINEMA (http://www.subcin.com/)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://zambonisoundtracks.blogspot.com/).
Familija d.o.o./Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of
other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


Giorgio Moroder-MIDNIGHT EXPRESS / CAT PEOPLE (1978 /1982) (http://zambonisoundtracks.blogspot.com/2009/07/giorgio-moroder-midnight-express-cat.html)


http://i48.tinypic.com/eu3rew.jpghttp://i48.tinypic.com/260r1h3.jpg


The last two were Moroder albums, these are two of his best film scores. -Ian!

The Chase track clocking in at over 8 minutes is worth the price of the cd alone. This track strongly indentifies the pop-music style of the time . You don't have to strain your ears to realize the Moroder genius touch and Faltermeyer contributions that Chase sounds hauntingly similar to Donna Summer's I Feel Love and Our Love/Sunset People; of course this is no dumb coincidence.Yet, he avoids turning this into a notorious campy disco soundtrack.It is also comparable to Vangelis' BladeRunner theme (the pulsing futuristic synthesized sound). The next memorable track is Istanbul Blues.It's just that; a song done in blues fashion by a male singer named David Castle whose vocals are light and not at all heavy a la B.B. King. It's more a blue-eye soul/blues track. The end track theme is sung by a fascinating female vocalist named Chris Bennett who at times is reminiscent of a Diana Ross protogee with slight more vocal stamina. Some of the other remaining tracks are very haunting and eerie in not just an electronic sense but in an atmospheric way. At times these tracks make you forget it's a soundtrack to an American imprisoned in a Turkish jail. They sound as though they were written for a couple of horror scenes to a sci-fi thriller.

The artistry of composer Giorgio Moroder aside, this CD is the only place you can find the original David Bowie vocal for "Theme from Cat People," perhaps better known as "Putting Out Fire With Gasoline." And that alone makes this CD a must-have: a piece of music that begins with primative-sounding percussion, introduces Bowie at his sultry, sexy best, and then suddenly explodes into one of the most chills-down-your-spine bits of music that you will ever encounter, the personification of ... hunger, desire, and a touch of kink. Moroder and Bowie make a remarkable combination--it is a great pity they did not do more together--and the recording here is far, far superior to the version of the song included on Bowie's LET'S DANCE.

-dudes on amazon.com


DOWNLOAD:
MIDNIGHT EXPRESS (1978) (http://www.mediafire.com/?2tx0zoz2i4q)
CAT PEOPLE (1982) (http://www.mediafire.com/?n2jzmnezky0)
320kbps

[Pacificist]

a "Metropolis"?

ccc...:)

[La Familia]

a "Metropolis"?

ccc...:)

http://i46.tinypic.com/zx37mg.jpg
Cover for Gottfried Huppertz's original score to the film Metropolis.
Published by UFA in 1927.

Gottfried Huppertz (http://us.imdb.com/name/nm0403288/)
Metropolis 2CD (1927 Silent Film) (Complete Score Re-Recording / 2003 Restoration - CD1: 9 Tracks / 56:32 - CD2: 8 Tracks / 60:46)

http://i49.tinypic.com/30w8cw3.jpg (http://fimumu.com/huppertz/)


Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://zambonisoundtracks.blogspot.com/).
Familija d.o.o./Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of
other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


http://i48.tinypic.com/2a98g9c.jpg (http://www.morodermetropolisdvd.com/)


Giorgio Moroder's METROPOLIS Restored For DVD At Last! (http://www.morodermetropolisdvd.com/)

In 1984 Giorgio Moroder released his version of Fritz Lang's classic Metropolis Film. Previously available only on low quality VHS and hard-to-get laserdisc, this film has now been digitally re-mastered for DVD.

DOWNLOAD:
Giorgio Moroder's METROPOLIS soundtrack 1984 (http://www.mediafire.com/?ek4jow2xmni)


p.s. Metropolis (Restored Authorized Edition) (1927) jednostavno morate kupiti (http://www.amazon.com/Metropolis-Restored-Authorized-Brigitte-Helm/dp/B00007L4MJ), nema izgovora - to svaka poštena kuća mora imati na istaknutom mjestu. :)

[La Familia]

http://media.newtimes.com/4317285.41.jpg (http://www.laweekly.com/2010-01-14/film-tv/public-enemies-chicago-vices&page=1)
Mann in motion on the Public Enemies set

Public Enemies: Chicago Vices
Michael Mann on personal crises — and his latest feature (http://www.laweekly.com/2010-01-14/film-tv/public-enemies-chicago-vices&page=1)


PUBLIC ENEMIES (2009) Screenplay


Klik na fotku/poster za download scenarija:


http://i48.tinypic.com/2r6dvlx.jpg (http://www.mediafire.com/download.php?mwnmicywmmi)


REPLAY


A sensational five-part series, “Zen Pulp”, on the TV shows and films of Michael Mann.

(Be sure to click the lower right-hand button in the video player, because this really should be viewed full screen, particularly during Part Four where Matt Zoller Seitz gives a shot-by-shot analysis of Manhunter)

http://i27.tinypic.com/2mzmwdu.jpg

Zen Pulp, Pt 1 (http://www.movingimagesource.us/articles/zen-pulp-pt-1-20090701)

http://i29.tinypic.com/imp1xv.jpg

Zen Pulp, Pt 2 (http://www.movingimagesource.us/articles/zen-pulp-pt-2-20090703)
Zen Pulp, Pt 3 (http://www.movingimagesource.us/articles/zen-pulp-pt-3-20090709)
Zen Pulp, Pt 4 (http://www.movingimagesource.us/articles/zen-pulp-pt-4-20090715)
Zen Pulp, Pt 5 (http://www.movingimagesource.us/articles/zen-pulp-pt-5-20090723)

Michael Mann's The Insider -- Favourite scene -- Screenplay by Eric Roth -- Michael Mann Analysis -- The Insider - Soundtrack (prvi dio) (http://www.forum.hr/showpost.php?p=22440761&postcount=35)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://zambonisoundtracks.blogspot.com/).
Familija d.o.o./Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of
other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


Tangerine Dream-THIEF OST (1981) (http://zambonisoundtracks.blogspot.com/2008/10/tangerine-dream-thief-ost-1981.html)


http://i49.tinypic.com/ifbzu1.jpg


Sometimes I just paste a review to take up space. This album is actually fucking killer -Ian

This disc is a re-release of the 1981 Virgin edition of Tangerine Dream's music for the movie "Thief", Michael Mann's film adaptation of Frank Hohimer's book, "The Home Invaders". It doesn't contain the film's entire soundtrack music by any means: nor, indeed, is all of the music on the CD to be found in the film! The reasons are simple: much of the film's most powerful music-that which accompanies the scenes "He's beeping in good", "Into the Shaft" and "Car Lot Showdown"-had already been released on the band's 1979 album "Force Majeure", as parts of the track `Thru Metamorphic Rocks'. Consequently, almost 15 minutes of soundtrack is represented on this disc in a shorter (5 minute) remix, `Igneous', which uses a characteristic cue chord sequence from the film as an intro to the flanged percussion pulse overlaid with a new raw-edged guitar line. The movie's closing music is also absent from the CD: this is the track `Confrontation' by Craig Safan. Although originally present on the Elektra soundtrack release of the movie, Virgin did not bother obtaining the license for its inclusion here, as this was intended as a pure Tangerine Dream disc, not as a soundtrack album.

Several dodges have been applied to pad the disc out to a reasonable length (although it is still quite short). Firstly, the "San Diego Reverie" scene's music is included twice (originally starting each side of the vinyl disc, it appears as tracks 1 and 5 here) in only slightly differing guises (`Beach Theme' & `Beach Scene'). Secondly, the remaining soundtrack material is expanded into longer versions than used in the film, and finally a couple of additional tracks have been composed which draw on musical ideas used only briefly elsewhere or which conjure up the moods of some of the film's scenes.

The result is some 40 minutes of material, often close to the actual film soundtrack but at other times merely suggestive of it, presented in an order that makes musical sense, rather than following any sequence relevant to the film. For all its alterations, though, this music comes across as every bit as powerfully stark as the movie. In many ways this album is more of a tribute to the film than a copy of its soundtrack, but probably is all the more potent as a result. It was a major chart success in its day and remains an impressive achievement even now.

-Steve Benner "Stonegnome", amazon.com


DOWNLOAD:
Tangerine Dream-THIEF OST (1981) (http://www.mediafire.com/?jm5zjj0qbmm)
256kbps

[La Familia]

http://i49.tinypic.com/2h391e0.jpg (http://mono-kultur.com/issues/06)


Nije kisik već je Ozon (http://www.filmski.net/vijesti/kratki-film/2690/nije_kisik_vec_je_ozon)


I to François Ozon, koji je u svojih 38 godina života snimio oko 5 dugometražnih i barem tri puta toliko shortova!

http://www.filmski.net/slike/automatika/news/2690d.jpg

François Ozon slovi kao jedan od najprovokativnijih francuskih redatelja koji su na velika filmska vrata ušli početkom 90-ih godina. Kombinirajući mračne psihološke filmove, u kojima se nerijetko bavi istraživanjem (trans)seksualnosti, s veoma dobrim i subverzivnim okom za ljudske emocije i postupke, Ozonovo se ime danas najviše povezuje s velikim Hitchcockom ili Chabrolom.

Rođen je u Parizu, u kojem završava fakultet te se počinje baviti snimanjem kratkih filmova i videa. Mnogi su od njih prezentirani na različitim svjetskim festivalima ili na francuskoj televiziji, no pravi uspjeh stiže 1996. godine, kada za svoj kratki rad 'A Summer Dress' osvaja Leoparda na lokarnskom festivalu. Već dvije godine kasnije Ozon prikazuje na Cannesu svoj prvi dugometražni film 'Sitcom', a 1999. sablažnjuje svijet još jednom dugom vježbom iz seksualne brutalnosti i psihološke disfukcionalnosti, 'Les Amants Criminels'. Film je vjerojatno najbolje opisao jedan kritičar riječima: ekstremni soft-core, gay, S&M, baziran na priči o Ivici i Marici.

Uslijedilo je '8 žena' te 'Bazen', filmovi kojima je Ozon dodatno ojačao svoju poziciju enfant terriblea francuske filmske scene. Kolekcija njegovih genijalnih shortova izdana je prije 4 godine (detaljnije na Amazonu), no teško da bismo mogli reći da teme koje u njima istražuje zastarijevaju (barem ne u Hrvata).

http://www.filmski.net/slike/slike//news02/15/nije_ins.jpg

Iako službeno nije Ozonov prvi film, 'Truth or Dare' ('Action Vérité') iz 1994. godine često se smatra najboljim shortom iz Ozonove početničke faze. Taj 4-minutni film utemeljen je na popularnoj igri koju počesto igraju tinejdžeri, a u kojoj se otkrivaju neke seksualne ili emotivne tajne ili se sudionika izaziva na neku radnju. Veoma intezivne istine i zabavni izazovi u te se 4 minute uspiju pretvoriti u nezgodnu i začudnu situaciju koja bi, da je dio nekog dugometražnog izdanja, zasigurno bila mali vrhunac filma.

Sljedeći je film jedan od ujedno i najboljih ranih Ozonovih djela; 'Little Death' ('La Petite Morte') iz 1995. godine u 26 minuta uspijeva od gledatelja dobiti pozornost pravog feature filma, pa ga se stoga može i gledati kao preteču njegovih kasnijih radova. Svi su Ozonovi motivi ovdje uklopljeni u priču o Paulu, gay fotografu otuđenom od svojega oca, kojeg u trenutku filma nalazimo na samrti. Paul živi sa svojim ljubavnikom Martialom, a bavi se uglavnom fotografiranjem svojih ljubavnika u trenutku orgazma. Nakon posjete ocu, koji ga ne prepoznaje, Paul ga fotografira, uviđajući u velikom finalu kako mu je zapravo i sam veoma sličan.

http://www.filmski.net/slike/slike/news02/15/nije_ins2.jpg

Treći film, 'Bed Scenes' ('Scenes de lit') iz 1998. godine u 25 minuta prikazuje sedam veoma kratkih scena iz kreveta u kojima se nalaze različite osobe u različitom dijalogu. Priče o povjerenju, razlici u godinama, predigri, seksualnom eksperimentiranju teme su razgovora različitih parova, od gay/lesbian ljubavnika do onih sasvim straight, ukazujući da je uistinu nepostojeća razlika u emotivnom ili seksualnom odnosu između bilo kojih od njih.

Posljednji kratki film kojeg nudi DVD izdanje, 8-minutni rad 'X 2000' (naslovna) iz 1998. godine događa se jutro nakon novogodišnjeg slavlja. Likovi se bude u apartmanu i uz veoma malo dijaloga rekonstruiraju mamurno jutro u kojem se, uz nekoliko nezavršenih seksualnih trenutaka od večeri prije, razbijenih čaša i nepoznatih ljudi koji leže posvuda, moraju nositi i s najezdom mrava na kuhinju.

Ako imate prilike, svako potražite i short 'A Summer Dress' ('Un robe d'été') 5-minutni film o Frédéricu i Sébastienu, ljubavnicima koji trenutno imaju poteškoće u vezi pa se jedan od njih upusti u seksualni odnos sa ženom na plaži. Naravno, u međuvremenu Frédéricu ukradu odjeću, nakon čega se jadan i obučen u Lucijinu haljinu kreće suočiti sa svojim dečkom. Kao što smo već primijetili, i ovaj se Ozonov rad bavi temom koja nikada ne zastarijeva! A pogotovo ne prije ljetnog godišnjeg odmora.


Download the screen version of mono.kultur #06. (klik na fotku ispod):


http://i50.tinypic.com/2wfolsj.jpg (http://mono-kultur.com/file_download/17)

[Pacificist]

a evo i knjige "Queer cinema in Europe" by Robin Griffiths sa člankom o Ozonovu "Sitcomu". Btw, dobar je Ozon, dobar.

http://rapidshare.com/files/322670978/_1841500798.rar

[La Familia]

Naišao sam na nešto kopajući po djelima redatelja Matadora( Dragonrage hvala na preporuci:)) i naišao na ovo: http://www.imdb.com/title/tt1352717/ .
Gdje bi se to moglo nabavit?

http://i47.tinypic.com/el17ac.jpg Aaaaaaaaaaaaaaarhhhh, nisu normalni kaj rade s tim kratkim dokumentarcem Richarda Sheparda: trube, najavljuju, film procuri (pa ga momentalno miču s YT-a i svih video hostera/trackera), HBO ga potom najavljuje za kraj siječnja 2010. :ne zna: Evo vam ga na, od Japanaca! http://i47.tinypic.com/2r4hopz.jpg


http://i49.tinypic.com/2qlrf5t.jpg
imdb (http://www.imdb.com/title/tt1352717/)


I Knew It Was You: Rediscovering John Cazale


John Cazale was in only five films - The Godfather, The Conversation, The Godfather, Part Two, Dog Day Afternoon, and The Deer Hunter - each was nominated for Best Picture. Yet today most people don't even know his name. I KNEW IT WAS YOU is a fresh tour through movies that defined a generation.

http://i49.tinypic.com/1447g48.jpg

"A delight, a must see"—LA Times

"The most star-studded entry at the Sundance Film Festival is a short documentary about an actor whose intense face is known to just about any serious cinema fan but whose name often escapes them. "I Knew It Was You" features interviews with Al Pacino, Meryl Streep, Robert De Niro, Gene Hackman, Richard Dreyfuss, Francis Ford Coppola and others, all paying tribute to the guy whose long, sad face leaves people saying: "I know him. Isn't that Fredo from 'The Godfather'?"—San Francisco Chronicle

This documentary is a portrait of the craft behind John Cazale and a look at his generation-defining films. Featuring interviews with Al Pacino, Robert DeNiro, Meryl Streep, Gene Hackman, Francis Ford Coppola, and more. New York Premiere! HBO's I Knew It Was You will air in 2010.


http://i45.tinypic.com/mlgykz.jpg (http://www.tudou.com/programs/view/MMpEOEMXGaY/)

John Cazale Part 2 (http://www.tudou.com/programs/view/ts-Qhz37ACM/)
John Cazale Part 3 (http://www.tudou.com/programs/view/S0E6eue4fGE/)
John Cazale Part 4 (http://www.tudou.com/programs/view/xkbpwrXJp9s/)

[La Familia]

http://i46.tinypic.com/i4rfcp.jpg


THE BOOK OF ELI (2010) Screenplay


Klik na fotku/poster za download scenarija:


http://lh6.ggpht.com/__mX_df9OBcI/S0_LIS4R5fI/AAAAAAAAAGs/5aZ_hSYvoBI/image%5B4%5D.png?imgmax=800 (http://www.mediafire.com/download.php?i3mrmnmymkm)


---


The Book of Eli – Screenwriter Gary Whitta (http://filmreviewonline.com/2010/01/11/the-book-of-eli-screenwriter-gary-whitta/)


http://i46.tinypic.com/282j8nt.jpg (http://filmreviewonline.com/2010/01/11/the-book-of-eli-screenwriter-gary-whitta/)

Gary Whitta used to be an entertainment journalist – I knew I liked him. He edited such publications as PC Gamer and Total Movie before deciding to become a screenwriter.

His new movie The Book of Eli tells the story of a man, in post-apocalyptic America, on a mission to save the last remaining copy of the Bible. Denzel Washington portray Eli, a peaceful warrior who has carried and protected the book for 30 years, guided by his belief in something greater than himself, he does what he must to survive.

[ad®ian]

@Familija, pošto vidim da se koristiš dosta IMDB-om, nadam se da mi možeš pomoći. Obično pretražujem site po godini i zemlji, a sad kad kliknem na bilo koju godinu, dobivam samo top filmove, ne ono što me zanima. Jel znaš možda gdje moram ići za sekciju po filmovima koji su se u određenoj godini snimili, primjerice u Njemačkoj..? Nadam se da me razumiješ :ne zna:

[dr mladjo]

zar ne možeš dobit te podatke s power search?

[La Familia]

http://i48.tinypic.com/2zs7lg5.jpg (http://www.vanityfair.com/hollywood/features/2010/02/wall-street-spotlight-201002)
Michael Douglas in character as Gordon Gekko outside Federal Hall on Wall Street.


The Return of Gordon Gekko (http://www.vanityfair.com/hollywood/features/2010/02/wall-street-spotlight-201002)


Like New York’s financial landscape, Gordon Gekko has changed dramatically in the 20 years since his pro-greed diatribe resonated across the trading floors. Annie Leibovitz photographs the stars of Oliver Stone’s sequel, Wall Street 2: Money Never Sleeps, while the author finds Michael Douglas playing coy about his character’s true game. Plus: Behind-the-scenes footage of Leibovitz’s photo shoot.


http://i47.tinypic.com/23jjon6.jpg


Video:


http://i50.tinypic.com/2mgo7k7.jpg (http://link.brightcove.com/services/player/bcpid2651863001?bctid=61621480001)


:klopa:


p.s. mali povratak u budućnost, :):


Wall Street
Download Script (http://www.mypdfscripts.com/download/337)
January 31, 1987 First Draft by Stanley Weiser and Oliver Stone.
Synopsis: A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider whom takes the youth under his wing.
Source: Scanned – Pages: 136 – Size: 4.0 MB – IMDb (http://www.imdb.com/title/tt0094291/)

Gordon Gekko "Greed is Good" (http://www.youtube.com/watch?v=7upG01-XWbY)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://scoresofscores.blogspot.com/).
Familija d.o.o./Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content
of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


SCORES of SCORES (http://scoresofscores.blogspot.com/)


Klik na fotke/covere:


http://i49.tinypic.com/2da15l2.jpg (http://scoresofscores.blogspot.com/2007/05/wild-bunch-jerry-fielding-expanded.html)

http://i47.tinypic.com/dr438z.jpg (http://scoresofscores.blogspot.com/2007/05/where-eagles-dare-ron-goodwin.html)

http://i46.tinypic.com/2z6ryis.jpg (http://scoresofscores.blogspot.com/2007/05/ice-station-zebra-michel-legrand.html)

http://i49.tinypic.com/10oirsh.jpg (http://scoresofscores.blogspot.com/2007/05/jerry-goldsmith-in-japan-2cd.html)

JERRY GOLDSMITH IN JAPAN - 2CD

Over 95 minutes of Charles Fox conducting Jerry's music, live in Japan!
I challenge anyone to listen to his version of "Killing Me Softly", without crying!

[La Familia]

http://i49.tinypic.com/2qd74mo.jpg (http://cineyvideo.files.wordpress.com/2009/09/zemeckis__robert.jpg)


Rendering Reality: A Robert Zemeckis Profile (http://flickeringmyth.blogspot.com/2010/01/rendering-reality-robert-zemeckis.html)


“In my family there was no art,” revealed Chicago-born filmmaker Robert Zemeckis. “There was no music, there were no books, there was no theatre. I grew up in a very working class, lower middle class, blue collar life. The only thing I had that was inspirational was television – and it actually was.” Another thing the young Zemeckis found himself drawn towards was the 8 m.m. home movie camera systems owned by his father and his uncles; he became fascinated with the ability of cinema to manipulate his emotions. “Any time there was a family gathering, I’d pull out the screen and the projector. Then it got more and more elaborate, trying to synch up sounds, which was my biggest thing. I was really trying to figure out how to do that, and then, ultimately, making these 8 m.m. productions. I started to do a lot of stop motion animation, puppet animation-type things, and blowing things up with fire crackers and elaborate special effects. So they were very entertained by that.”


Rendering Reality: A Robert Zemeckis Profile (Part 2) (http://flickeringmyth.blogspot.com/2010/01/rendering-reality-robert-zemeckis_13.html)


Video:


Robert Zemeckis: "FIRST WORKS"


http://i48.tinypic.com/30skp7c.jpg (http://www.youtube.com/watch?v=fBdVBaXQ8BI)


Robert Zemeckis: "FIRST WORKS" 2/3 (http://www.youtube.com/watch?v=nBoViuOzMSk)
Robert Zemeckis: "FIRST WORKS" 3/3 (http://www.youtube.com/watch?v=q-iN4yC-LfQ)


"The Lift" Robert Zemeckis' First Student Film (1972)


http://i50.tinypic.com/2iqokk9.jpg (http://www.youtube.com/watch?v=oDt-EoryNRE)


Screenplays written by Robert Zemeckis (http://www.freebase.com/view/en/robert_zemeckis/-/film/writer/film)


The best Back To The Future fan site in existence:


http://i49.tinypic.com/zvo30j.jpg (http://www.bttf.com/)


BACK TO THE FUTURE Written by Robert Zemeckis & Bob Gale (http://www.dailyscript.com/scripts/bttf4th.pdf)

[La Familia]

BLOG PREPORUKA:


http://i49.tinypic.com/f0ofok.jpg (http://theinfernomusicvault.blogspot.com/)

[La Familia]

http://www.filmscoremonthly.com/gifs/logo1.jpg (http://www.filmscoremonthly.com/daily/index.cfm)

http://i45.tinypic.com/2ir0ww6.jpg (http://www.filmscoremonthly.com/fsmonline/main.cfm)


Film Score Monthly Back Issues (http://www.filmscoremonthly.com/backissues/issues.cfm). Sve đabaleska!


:jumping:


http://i46.tinypic.com/yjv54.jpg (http://www.filmscoremonthly.com/backissues/issue_detail.cfm?issID=112)

Click to Download (http://www.filmscoremonthly.com/backissues/viewissue.cfm?issueID=112) (4.50 MB)


Svi brojevi ovdje/download (http://www.filmscoremonthly.com/backissues/issues.cfm).

[La Familia]

BLOG PREPORUKA:


http://i47.tinypic.com/2uqjb49.jpg (http://isbumsplace.blogspot.com/)


He, he, komentari na netu/blogu NIKADA nisu bili tako zanimljivi. Look closer. :mig:


http://i46.tinypic.com/2z4wu9g.jpg (https://www.blogger.com/comment.g?postID=9067026618276824842&blogID=7325354833797038982&isPopup=true&page=3)

http://i49.tinypic.com/syxh1u.jpg (https://www.blogger.com/comment.g?postID=4928779193965453793&blogID=7325354833797038982&isPopup=true&page=15)

http://i47.tinypic.com/2je9tht.jpg (https://www.blogger.com/comment.g?postID=5428253555159681528&blogID=7325354833797038982&isPopup=false&page=5&isPopup=true)

http://i48.tinypic.com/2el4l7s.jpg (https://www.blogger.com/comment.g?postID=2745021999288345103&blogID=7325354833797038982&isPopup=true&page=5)

http://i45.tinypic.com/9tpqtt.jpg (https://www.blogger.com/comment.g?postID=7245668255798332900&blogID=7325354833797038982&isPopup=true&page=4)

http://i50.tinypic.com/2cqd8qa.jpg (https://www.blogger.com/comment.g?blogID=7325354833797038982&postID=3419163999159429148&isPopup=true)

[La Familia]

http://i45.tinypic.com/qy6zjs.jpg (http://bluetoad.com/publication/?i=5828&pre=1)


Novi broj:


http://i47.tinypic.com/jgksid.jpg (http://www.filmmakermagazine.com/winter2010/)

[La Familia]

http://i47.tinypic.com/23kqdxf.jpg (http://www.goldenglobes.org/nominations/)

http://i48.tinypic.com/28k0wpd.jpg (http://www.goldenglobes.org/nominations/)

Oba su pala - OBA SU PALA! AwwwwwwwwwwwwWWWWWWWWhhhhhhHHHHHHHHHHHH!!!

http://i48.tinypic.com/292we9w.jpg

http://i46.tinypic.com/35au1py.jpg (http://www.goldenglobes.org/videogallery/video/49948/)

:jumping:

Sada se s lakoćom čekaju Oscari. Sretan ko mala svinja, Jeff Bridges jedan je od najpodcjenjenijih glumaca današnjice. Unatoč četiri nominacije, hwoodska industrija desetljećima se prema njemu odnosila krajnje kurvinski. Prošlo svršeno vrijeme, prošlo svršeno vrijeme! :) Jedna mala anegdota. Veljača 2007. Nigdje nabaviti Pictures by Jeff Bridges (http://www.amazon.com/Pictures-Jeff-Bridges/dp/1576871770) (edicije bile rasprodane, ni Amazon je tada nije imao u ponudi). Ništa, poslah mu mail preko jeffbridges.com (http://www.jeffbridges.com/), možda mi barem odgovori administrator stranice. Za 10-tak dana stiže odgovor, ne od webmastera ([email protected]) - od Jeffa osobno! Za nešto manje od dva mjeseca stigla i pošiljka s potpisanom knjigom: no charge, tek troškovi dostave. Velik čovjek, još veći umjetnik - u tvoju čast, Jeff Bridges!


http://i46.tinypic.com/2cqzmnd.jpg
imdb (http://www.imdb.com/title/tt1276475/)


The Achievers: The Story of the Lebowski Fans


Films enter the marketplace seeking an audience. Joel and Ethan Coen's 1998 comedy The Big Lebowski (http://www.filmcritic.com/misc/emporium.nsf/reviews/The-Big-Lebowski) found its own global community. Though the picture underperformed at the box office -- $5.5 million opening weekend on its way to a $15.2 million domestic gross -- it lives on as a big-top circus tent housing carnival-worthy Lebowski fanatics seeking social connections and an excuse to party.

The Achievers interviews the driving forces behind the annual Lebowski Fest, tracking its progress from modest bowling-alley gathering in its initial year to current international phenomenon. Along the way, the doc unearths loyal movie fanatics who've forged life-long friendships on internet forums, feeding the notion, as writer-director Eddie Chung claims, that Lebowski is "the first cult film of the internet era."

Achievers fluctuates between the contributors to the Coens' comedy and the rabid fans who adore them. Jerry Haleva, a Saddam Hussein clone who hands The Dude his bowling shoes, recalls specific direction he received from the Coens on the set. Peter Exline, the inspiration for John Goodman’s disgruntled character, tells the origin of the actual rug that ties the room together. And, of course, Achievers has insights from The Jeffs: Bridges, the star, and Dowd, the legendary inspiration for The Dude, himself.

Mostly, though, the documentary celebrates the fans. It's a limiting move, making a specific film about people who adore a specific film. If you don't care for The Big Lebowski, you won't comprehend Achievers. Chung includes negative reactions from mothers and wives who roll their eyes at the Lebowski obsession while still recognizing the communal aspect the film inspires in its followers.

But that's the overall theme of Achievers. Lebowski Fest attendees are socially awkward people (admittedly so) who've found a shared passion, which has led them to an annual opportunity to gather and let their geek flags fly. Their idea of Heaven is competing in Lebowski trivia, quoting Lebowski lines or, on a perfect day, sharing a White Russian with Dowd. The Achievers don't pretend to be something they're not. "It's like all of my nerdy dreams are coming true," says one bespectacled festivalgoer. "Basically we're all losers, and that's the best part," says another attendee, this time at a Las Vegas convention. Leave it to Bridges to tie it all together, however, when he says of the attention, "I just think it's some weird dream I'm having."


http://i47.tinypic.com/6pp26t.jpg (http://vidreel.com/video/NTc4MDk0/)

[La Familia]

http://i50.tinypic.com/731q1j.jpg (http://speedcine.com/)

http://i47.tinypic.com/2a98fig.jpg (http://speedcine.com/)


DUGOMETRAŽNA VIDEO (PO)LUDNICA!


Klikni dolje i pozovi baku na nezaboravnu večer s Caryjem Grantom, 106 danas (http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19861201/PEOPLE/910239997/1023) btw. Ima da poludi od sreće. Ako smijem predložiti - Notorious (http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19970817/REVIEWS08/40802008/1023). :)


http://i48.tinypic.com/6o0pwg.jpg (http://speedcine.com/)


A o čemu se zapravo radi?

SpeedCine Takes on the World (http://speedcine.com/blog/post/2010/01/10/SpeedCine-Takes-on-the-World!.aspx)!

Today you’ll see that SpeedCine is sporting a new design and a bunch of new features. (Check out our video.) But the big news is that today SpeedCine goes global. For the first time, anybody in the world with a computer and a decent internet connection can use it.

I have to admit the old SpeedCine wasn’t very useful for people outside the U.S.A. Most of the films we index are from sites like iTunes USA, Amazon VOD, Netflix, Crackle and Hulu that are US-only.

But starting today, If you’re in the UK, you won’t see any of those US-only sites on SpeedCine. Instead you’ll see films from local sites like iTunes-UK, Blinkbox, LOVEFiLM, Indie Movies Online and joiningTHEdocs, not to mention sites like The Auteurs, IndiePix, SnagFilms, EZTakes, AMC B-Movie Classics, YouTube, Internet Archive, National Film Board of Canada, and others, that have rights to some or all of their films in the UK.

The internet doesn’t care about borders, so why should we? There are a lot of companies for us to serve. Companies like IndiePix and EZTakes have been selling their films globally for years, but I think The Auteurs, which handles over 50 worldwide distributors, has taken a very bold step in showing where the online movie business needs to go. You don’t need to have world rights to a film—you can put together a patchwork quilt of films, and create a site that is different in whatever country you happen to find yourself. Of course they aren’t the only ones thinking this way: there’s Apple with its 6 iTunes stores with online movies (SpeedCine has contracted with all of them), LOVEFiLM, which is the UK’s Netflix, also has DVD sites in Ireland, Germany and Scandinavia, and Reed Hastings has announced that Netflix will expand their streaming business internationally with one (as yet unnamed) country this year.

Of course I hope that SpeedCine will be able to play a role to support this global business as it develops. We need to have more companies like The Auteurs, and more local sites like BIGFlix in India, Ameibo and Voddler in Scandinavia, Cineman in Switzerland, and BigPond in Australia. Recently, China’s top search engine company, Baidu, announced that they are teaming up with Hulu-investors Providence Equity Partners, to set up a Hulu-like online video channel in China.

This is exploding. It just might be the answer to the question, “Why should we give up cable dollars for internet pennies?” Because maybe they will become internet dollars before you know it.

Why does Hulu have to be US-only because of the “rights”? Hollywood movies play all over the world on various online websites. There are lots of free streaming movies and TV on Blinkbox and LOVEFiLM in the UK. If they can show studio movies free, why can’t Hulu follow the model of The Auteurs and have Hulu-UK, Hulu-Canada, Hulu-Australia, Hulu-Germany, etc. Hulu is a potent brand. Why can’t Crackle leverage the power of Sony to do the same thing? Why invest millions of dollars on R&D to create the technology and UI for these sites and not take advantage of the opportunity to sell different commercials in each country? There’s your internet dollars.

This is a powerful way to fully harness the power of blogs and social media to spread the word everywhere with ease and speed. And there is the potential here to fight piracy in a positive way, by offering more people a legitimate way to watch films for free at an incredible rate.

Finally, I think that SpeedCine can have a symbiotic relationship with popular sites like Flixster, and the amazing Recommendation Engine sites like Jinni, Clerkdogs and Criticker. They automatically become international, because for the first time people can use their sites to choose movies and then go to SpeedCine to find out what their options are.

After a year and a half of working on this 24/7 I can’t believe that it actually took that long. On the other hand, I’m proud to have made it DIY style with no money. I consider this the start. There are still features to be added and I need to put a LOT more movies in. We have only 23,000 unique movies now, but as so many of them are available from multiple sources, there are 80,000 links. I’d like to double or triple those numbers by the end of the year.

I’d like to thank my wife Melissa, Lead Developer Ben Amada, plus Richard Abramowitz, who came in with support at a critical time. Nina Rosefelt, Laura Schlecht, and especially Laura Orlowski made enormous contributions to making this thing happen. But most of all I’d like to thank Co-Founder Bob Harris, without whom SpeedCine would never have come to be.

[La Familia]

http://i49.tinypic.com/iqzxbl.jpg (http://wildgrounds.com/)

[La Familia]

Secrets of The Shining (http://www.jayweidner.com/ShiningSecrets.html)
Or How Faking the Moon Landings Nearly Cost Stanley Kubrick his Marriage and his Life.


http://i47.tinypic.com/2jb49pz.jpg (http://www.jayweidner.com/ShiningSecrets.html)


For more information on how Stanley Kubrick faked the Apollo moon landings go here (http://www.jayweidner.com/AlchemicalKubrickIIa.html).


The Shining is surely Stanley Kubrick's most misunderstood masterpiece.

I use the word 'masterpiece' guardedly because I have never really thought that The Shining was a very good film.

At the time, in 1980 when I first saw it, I didn't like it at all. The way that Kubrick threw out so much of Stephen King's great source material and replaced it with a lot of things that just didn't seem to make any sense, really bothered me.

Hopefully, before I am finished with this essay, the reader will see it is only when Kubrick dramatically alters the script from Stephen King's novel that we can begin to understand what Stanley Kubrick is trying to tell us in his version of The Shining.

It should be understood from the beginning that The Shining is Stanley Kubrick's most personal film (outside of, possibly, Eyes Wide Shut). Before we are done here it will be easy to see that Kubrick was only using Stephen King's novel as a launching pad (excuse the pun) to be able to tell a completely different story under the guise of making a film based on a best-selling novel. He did this for a very important reason - mainly to save his life.


:eek:

[La Familia]

http://i49.tinypic.com/5oh0g7.jpg (http://web.mac.com/supraman079/iWeb/Movie%20Poster%20Collection/Alamo%20Drafthouse.html)


Due to the amount of posters being reprinted these days the Alamo Drafthouse part of my collection is becoming one of my favorite areas to collect along with other silk screen posters. These posters are near impossible to fake and are printed on higher quality card stock. They are limited in their print run making them more valuable to an investor. The ink used on these posters is usually top notch with some of the posters having metallic inks on them. As most people who collect these know, you really have to see one of these posters in person to truly appreciate them and some of them you have to actually feel.

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://zambonisoundtracks.blogspot.com/).
Familija d.o.o./Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of
other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


Roy Budd-GET CARTER OST (http://zambonisoundtracks.blogspot.com/2009/07/roy-budd-get-carter-ost-1971.html) (1971)


http://i45.tinypic.com/2hz2y4j.jpg


Excepting only the work of the great Lalo Schifrin, Roy Budd's Get Carter was the best theme in the lucrative world of spy/gangster/heist soundtracks from the late '60s and early '70s. Underpinning the tense strength of director Mike Hodges' film about a hit man turned avenging angel, the film's main theme ("Carter Takes a Train") is a paranoid, hallucinatory title that deftly played up the menace of Michael Caine's character. Interested parties who've only heard the legend of Get Carter, however, may not find much else to interest them; those who've seen it can carry a bit more, but most of these tracks are titles to a film, and don't escape the period feel. The fine collections Rebirth of the Budd or Buddism are both better purchases toward understanding the brilliance of Roy Budd.

-John Bush, allmusic.com

DOWNLOAD:
Roy Budd-GET CARTER OST (1971) (http://www.mediafire.com/?t1rh5ozyzio)
320kbps


David Shire-THE CONVERSATION OST (1974) (http://zambonisoundtracks.blogspot.com/2008/10/david-shire-conversation-ost-1974.html)


http://i45.tinypic.com/oi6nup.jpg


Every soundtrack fan should remove their hats and give a moment of respectful silence to San Francisco-based label Intrada. Their latest coup is the release of none other than one of the single most requested soundtracks of all time, David Shire's lonesome and haunting piano score to Francis Ford Coppola's seminal 70's paranoia flick, The Conversation. How many other labels can claim that?

Actually, forget the moment of silence. Just go buy this CD. You won't be disappointed. That is to say, you won't be disappointed if you love scores drenched in mood and style rather than piled high with furiously empty orchestrations. Shire's score to The Conversation is comprised largely of the composer himself playing solo piano, augmented occasionally by spare and shrill electronic effects that'll send shivers down your spine. The main theme is truly unforgettable, sticking with this listener days and days after I first saw the film years ago. So if you thought The Firm was the first score to try and pull a stunt like this off, check again.

It was in the early 1970s when Coppola found enough time between the completion of his ultra-successful film The Godfather and its impending sequel to embark on making a much more personal film. Inspired by Antonioni's Blow Up, he concocted the story of professional eavesdropper Harry Caul (Gene Hackman) and the series of events that turn his very private life inside out. The film was eerily prescient in its dealings with issues of privacy: Watergate was just around the corner.

Much talk has been made of the manner in which The Conversation was composed. You've probably heard about how Shire originally balked when Coppola didn't want an orchestra, and how he relented when the director waxed rhetorical about the inherent "loneliness" of the solo piano and it's appropriateness for the film's central character.

But there is much more to the fascinating musical world of this film. In the liner notes, sound designer and supervising editor Walter Murch talks about how the body of the score was written before a frame of film was shot, and how it was tracked in later as he and Coppola saw fit, incorporating the aforementioned electronic effects to pull the audience into the crumbling mindset of Hackman's wiretapper.

http://i46.tinypic.com/mmsoao.jpg

Coppola himself also talks here about how he had Shire write music to hypothetical scenes that weren't even in the script, purely to evoke specific emotions. As Harry Caul is a stoic, taciturn character, Coppola understood that much of his underlying repression and sadness fell into the hands of the music. What the film ends up with, and it works like gangbusters, is a central character who refuses to say much of anything about his own personal life, but a score that tells you everything anyway.

And that score is presented here, every last classic note of it, sequenced slightly out of order to create a more listenable experience. Considering the amount of shrieking dissonance that invades the last act of the film, this is one case where this type of composer re-sequencing serves the album quite well.

The disc opens with the "Theme From The Conversation", a bold statement of the central musical ideas in the picture and a fitting overture that does not appear in the film, but is quite welcome here. "No More Questions" introduces what will later become "Amy's Theme", a sad and undulating chromatic piece underscoring Harry Caul's inability to communicate and isolation from his girlfriend Amy (played by Teri Garr). Also present are original source cues highlighting protagonist Harry Caul's (Gene Hackman) love of jazz music, as well as another real treat: a full ensemble version of the main theme, never before released, rounding out the disc. While not at all bad, this track is a fascinating glimpse of the standard blues / thriller score Coppola and Shire worked so hard to eschew, and a true testament to how spot-on perfect their avant-garde approach was.

So take a bow, Intrada (and everyone else who helped make this spectacular album a reality). You have done amazing work here, immaculately preserving the work of several of our most gifted filmmakers at the height of their craft. The Conversation is music that not only sticks in your head, but music that influenced (and arguably created) a completely new kind of psychological thriller score.

-Matt Barry, soundtrack.net

DOWNLOAD:
David Shire-THE CONVERSATION OST (1974) (http://www.mediafire.com/?m3wnxzwzuq4)
320kbps


Brad Fiedel-THE TERMINATOR OST (1984) (http://zambonisoundtracks.blogspot.com/2009/03/brad-fiedel-terminator-ost-1984.html)


http://i45.tinypic.com/wvsjo9.jpg


Brad Fiedel's haunting synthesizer score was one of the unacknowledged highlights of James Cameron's 1984 sci-fi/action-adventure/thriller The Terminator. The ex-Hall & Oates keyboardman delivered music of grim, pulsing, intense power, which underscored the mood as well as the action, and seemed to reflect the eeriness of a suspense plot built on notions of pre-determined events and destinies. This CD includes Fiedel's complete score in 18 tracks, remastered in state-of-the-art 1990's digital audio, which lends itself especially well to synthesizer music. the 73 minute running time doubles the length of the original soundtrack release, and includes as a bonus track the "Judgement Day Remix" of the "Theme From 'The Terminator'". There's also extensive annotation on each track, and the whole package comprises some of the best science fiction-oriented film music of recent decades.

-Bruce Eder, allmusic.com

DOWNLOAD:
Brad Fiedel-THE TERMINATOR OST (1984) (http://www.megaupload.com/?d=3LRPKE6C)
320kbps


Nino Rota-IL CASANOVA DI FEDERICO FELLINI (1976) (http://zambonisoundtracks.blogspot.com/2009/07/nino-rota-il-casanova-di-federico.html)


http://i47.tinypic.com/2yonz4l.jpg


Well, we should probably just make a whole Nino Rota page, but we didn't ... so there. In case you didn't know, this is the guy who scored the Fellini films La Strada, La Dolce Vita, The Clowns, Roma, 8 ½, Juliet of the Spirits, The Innocents, The White Skeik, Amarcord, etc. All of which are great scores, of course. And yeah, even if you're one of those God-forsaken individuals who'll sit there getting all annoyed & complain about our presenting such "obscure" titles ... um, chill homey. Nino Rota is the guy who scored the Godfather I & II music that you adore so much, you fucking buffoon. Set down the Bud Light and go check the DVD case. And turn off that Sopranos rerun while you're at it.

Unimaginable but true: some people need to be told to go rent a few Fellini films. These "obscure" titles are available at your local Blockbuster... so be sure and stop by Domino's and pick up some Italian food on the way, you pig-fucking caveman. No, we know, we know — most of you are quite exempt from this outburst. Oh, and then there are the ones who feel so refined — yes, savvy enough to download the movies illegally & watch them on QuickTime. Domino's delivers, isn't that right you smug little art-sucking vampire?

Jeesh ... sorry about that. Years and years of "casting pearls before swine" will do things to you, things you wouldn't want to know about. My Uzi understands... don't you, baby?

Anyway, back to master Rota — what's amazing is that late in his career after all the Godfather business he wrote what we think is his finest work just before retiring: Fellini's Casanova (1976). One of Fellini's more overlooked films due to its conceptual "obscurity" (oh the damnation), the soundtrack fares worse and is almost totally overlooked. This is Rota at his most haunting, charming, occult and, I don't know, Venetian? Just a perfect score in every way. Romantic, dark, sparse and then dense, pointallistic and then lush. Theme and variation at its finest. Electric pianos, Pipe Organs, glockenspiels, celestas ... you know, our kind of album. And as a stand alone music experience the album's a total winner from start to finish — it's easy to get really lost in this one. Those whose well-developed imaginations are starving for some pan-dimensional mood music will find many a spine chilling moment here. Rota himself seemed rather pleased with it too, graduating gracefully from music after it was finished. Perfect.

We didn't know this until recently but it turns out that Rota and Stravinsky had a "longstanding friendship." Not much influence either way, obviously, but it's nice to know that once upon a time there was unclouded respect for this kind of musician and composer — and thus hope for the art of film composition. That hope and respect will die with Morricone. Don't kid yourself. You know it's true.

-Trey Spruance, webofmimicry.com

DOWNLOAD:
Nino Rota-IL CASANOVA DI FEDERICO FELLINI (1976) (http://www.mediafire.com/?fojly3kvmmm)
320kbps


Miles Davis-ASCENSEUR POUR L'ÉCHAFAUD: COMPLETE RECORDINGS (1958) (http://zambonisoundtracks.blogspot.com/2009/12/miles-davis-ascenseur-pour-lechafaud.html)


http://i50.tinypic.com/2mi23b5.jpg


Jazz and film noir are perfect bedfellows, as evidenced by the soundtrack of Louis Malle's Ascenseur Pour L'Echafaud (Lift to the Scaffold). This dark and seductive tale is wonderfully accentuated by the late-'50s cool or bop music of Miles Davis, played with French jazzmen -- bassist Pierre Michelot, pianist René Urtreger, and tenor saxophonist Barney Wilen -- and American expatriate drummer Kenny Clarke. These complete recordings, including multiple alternate takes, evoke the sensual nature of a mysterious chanteuse and the contrasting scurrying rat race lifestyle of the times, when the popularity of the automobile, cigarettes, and the late-night bar scene were central figures. Davis had seen a screening of the movie prior to his making of this music, and knew exactly how to portray the smoky hazed or frantic scenes though sonic imagery, dictated by the trumpeter mainly in D-minor and C-seventh chords. Michelot is as important a figure as the trumpeter because he sets the tone, whether on four takes of the ballad/blues "Nuit sur les Champs-Élysées," the last version a bit more swinging than the others; his probing one-note sound with the whispering horn of Davis during "Assassinat" and "Final"; and especially on his solo tracks, the slow walking "Ascenseur" (aka "Evasion de Julien") and the stalking "Visite du Vigile." While the mood of the soundtrack is generally dour and somber, the group collectively picks up the pace exponentially on the hard-swinging and freewheeling "Motel," the hotter "Sequence Voiture," and "Diner au Motel."

These selections with the entire quintet featuring Wilen effectively realize chase scenes or mind gears crazily turning. At times the distinctive Davis trumpet style is echoed into dire straits or death wish motifs, as on "Generique" or "L'Assassinat de Carala," respectively, but the band can get kinda blue on takes of "Le Petit Bal," with Davis and Wilen more unified up front. Clarke is his usual marvelous self, and listeners should pay close attention to the able Urtreger, by no means a virtuoso but a capable and flexible accompanist. This recording can stand proudly alongside Duke Ellington's music from Anatomy of a Murder and the soundtrack of Play Misty for Me as great achievements of artistic excellence in fusing dramatic scenes with equally compelling modern jazz music.

-Michael G. Nastos, allmusic.com

DOWNLOAD:
Miles Davis-ASCENSEUR POUR L'ÉCHAFAUD: COMPLETE RECORDINGS (1958) (http://www.multiupload.com/S6TPJTGRYM)
320kbps


p.s. a sve u nadi da će i zvučne kulise hrvatskih filmova postati barem slušljive (većina hrvatskih redatelja i dalje ne zna/pojma nema što bi sa zvukom u filmu :ne zna:).

[dr mladjo]

Tarantino, Cameron, Bigelow and other GG directors' roundtable talk (http://www.joblo.com/tarantino-cameron-bigelow-and-other-gg-directors-roundtable-talk)
http://theenvelope.latimes.com/la-et-directors21-2010jan21,0,7469711.story

[La Familia]

http://i45.tinypic.com/zko02f.jpg (http://www.slantmagazine.com/house/)


Sjajna vijest:

The House Next Door blog is now part of Slant Magazine

A sve prepuno kolačića, :):

Orson Welles’s Macbeth (1948) (http://www.slantmagazine.com/house/2010/01/welles’s-macbeth-1948/)
“Turkish” Delight: Crossing the Bridge: The Sound of Istanbul (http://www.slantmagazine.com/house/2010/01/“turkish”-delight-crossing-the-bridge-the-sound-of-istanbul/)
Links for the Day: Blame Sonny, Gray or George? (http://www.slantmagazine.com/house/2010/01/links-for-the-day-blame-sonny-gray-or-george/)
Tales Well Told: Eric Rohmer, 1920 – 2010 (http://www.slantmagazine.com/house/2010/01/tales-well-told-eric-rohmer-1920-2010/)
The Conversations: Crash (http://www.slantmagazine.com/house/2010/01/the-conversations-crash/)

http://i46.tinypic.com/wqq1rq.jpg

Understanding Screenwriting #38 (http://www.slantmagazine.com/house/2010/01/understanding-screenwriting-38/)
The films of Lee Yoon-ki (http://www.slantmagazine.com/house/2010/01/the-films-of-lee-yoon-ki/)
AFI Fest: Bellamy, The Red Riding Trilogy, I Killed My Mother and Ne change rien (http://www.slantmagazine.com/house/2010/01/afi-fest-bellamy-the-red-riding-trilogy-i-killed-my-mother-and-ne-change-rien/)

http://i45.tinypic.com/xcvfi9.jpg

[La Familia]

http://i48.tinypic.com/5zi2yw.jpg


Spike Jonze's short I'M HERE


Fenomenalno, jedva čekam! Kaj se čeka - uđite/klik na fotku ispod, :):


http://i50.tinypic.com/sxya28.jpg (http://www.imheremovie.com/)


Blog/klik na fotku ispod:


http://i50.tinypic.com/sospbl.jpg (http://blog.imheremovie.com/)

[La Familia]

http://i49.tinypic.com/2hokxu9.jpg (http://www.artofthetitle.com/)


Sherlock Holmes (+ Danny Yount interview) (http://www.artofthetitle.com/2010/01/21/sherlock-holmes/)


http://i50.tinypic.com/k2elaq.jpg
Click to Watch SD (http://www.artofthetitle2.com/media/film/2009/sherlock_holmes/sherlock_end_credits_480p.mov) | Click to Watch HD (http://www.artofthetitle2.com/media/film/2009/sherlock_holmes/sherlock_end_credits_720p.mov)

[La Familia]

DISCLAIMER: The following screenplays are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended.


LEGION (2010) Screenplay


Klik na fotku/poster za download scenarija:


http://lh3.ggpht.com/__mX_df9OBcI/S1pWvsNemiI/AAAAAAAAAG8/-asaDRhgs-4/image%5B7%5D.png?imgmax=800 (http://www.mediafire.com/download.php?werhkmymemw)

[La Familia]

http://i45.tinypic.com/htd2s7.jpg (http://www.ifc.com/blogs/indie-eye/2010/01/the-scorsese-lacma-deathmatch.php)


Scorsese talks 3D, restoration at the LACMA deathmatch that wasn't (http://www.ifc.com/blogs/indie-eye/2010/01/the-scorsese-lacma-deathmatch.php)


He also told the amusing story behind the restoration of "Dry Summer," a 1964 Turkish drama that struck a chord with "The Edge of Heaven" director Fatih Akin as a young man. Akin then had to travel to Istanbul to persuade the film's producer to hand over the only print of the film from his closet and wasn't easily convinced since the last time someone had it, they intercut horror footage into the picture.


http://i50.tinypic.com/2hcjixh.jpg (http://www.theauteurs.com/films/1328)


Provjerite (http://www.theauteurs.com/films?viewable=1) i ostale watch free naslove. :)

[La Familia]

http://i49.tinypic.com/zkg6xw.jpg (http://cine-fils.com)


„I had to be a cinephile, ciné-fils, a child of the cinema, mythologically born in such and such a film.“ (SERGE DANEY)

When the french film critic Serge Daney (1944 - 1992) refers to himself as a cine-fils, he`s talking about his passionate adoration for cinema and the almost familial relation cinephile enters with films.

How do we live with cinema and its pictures? Where does cinema step out of the dark movie hall and adds something to the world? These are the questions CINE-FILS.com ist devoted to in its collection of interviews and essays. The online magazine CINE-FILS.com offers free video interviews with filmmakers, artist, critics and scientists to start a dialouge about cinema. The interviews are accompanied by essays on the according topic.

The magazine appears monthly in German and in English.


Video Interviews:

MICHAEL HANEKE und GEWALT (http://www.cine-fils.com/interviews/michael-haneke.html)

Long before he won the Palme d'Or for his latest film THE WHITE RIBBON (2009), Michael Haneke was known throughout the world for his cinematic examinations of various violent phenomena. He talked to us about how far cinema can go in portraying violence and what kind of importance the showing or not-showing of cruelties inheres.


http://i45.tinypic.com/2j5gg8n.jpg (http://www.cine-fils.com/interviews/michael-haneke.html)


WIM WENDERS und PHOTOGRAPHIE (http://www.cine-fils.com/interviews/wim-wenders.html)

Wim Wenders is not only known for his films but has also had several international solo shows as a photographer. In several of his films photography plays a central role. To us he spoke about photography in the change of time and explained why he is still sticking to analogue photography.


ISABELLA ROSSELLINI und SEX (http://www.cine-fils.com/interviews/isabella-rossellini.html)

Isabella Rossellini is indeed a woman and a legend. Her life, as well as her career bear witness to all kinds of change and contradictions: supermodel, sex symbol and actress, but also feminist and avantgarde artist. Isabella Rossellini seems to have played all parts. To us she spoke about sex and its different orientations – a topic that has accompanied her during her life.


Essays (http://www.cine-fils.com/essays/andres-veiel.html)

[La Familia]

http://i48.tinypic.com/egto5c.jpg (http://festival.sundance.org/2010/)


"Buried": First big Sundance sale


Sjajna priča iz Park Cityja (LA Times (http://latimesblogs.latimes.com/movies/2010/01/sundance-2010-buried-lands-first-big-deal-1.html?)):

In the first blockbuster sale of the 2010 Sundance Film Festival, Lionsgate has bought the claustrophobic thriller "Buried" following an aggressive negotiation Sunday. The studio behind the Sundance hits "Open Water," "Saw" and "Precious: Based on the Novel 'Push' by Sapphire" paid about $3.2 million for the film's North American distribution rights, beating out several other interested distributors, most notably Fox Searclight.

The $3-million movie by Spanish director Rodrigo Cortes screened to a raucous crowd at 11:30 p.m. Saturday and the bidding on the film started in earnest as soon as the sun rose Sunday morning. Joe Drake, Lionsgate's motion picture group president, watched the 94-minute movie back in Los Angeles, after his distribution executives saw the film in its initial Park City at Midnight (http://www.latimes.com/entertainment/news/la-et-midnight21-2010jan21,0,3672418.story) screening. With Drake's enthusiastic support, the distribution deal was wrapped up quickly.

----

The movie unfolds entirely within the confines of a coffin buried somewhere in Iraq. Trapped inside the cramped wooden box is Paul Conroy ("The Proposal's" Ryan Reynolds), a civilian truck driver who has been captured following a roadside bombing of his convoy. His unseen captors are seeking a $5-million ransom, and Conroy has only a mobile phone (with a dying battery) to somehow try to raise the money.

As Conroy calls everywhere seeking help, he is met with answering machines from loved ones, heartless corporate bosses and ineffectual rescuers. Conroy has a cigarette lighter to see around the coffin, which is quickly filling with sand, when not visited by a long snake. As time is running out, Conroy becomes increasingly desperate.

----

Working from screenwriter Chris Sparling's original script, "Buried" director Cortes shot the movie in Barcelona, using seven coffins (some with removable sides to accommodate cameras) to shoot the actions. Reynolds says he suffered from countless burns and splinters in making the movie, and did not use a stunt double for the movie's most harrowing scenes.

Early fan boy reaction was positive (http://www.aintitcool.com/node/43742). Lionsgate did not immediately say when it was releasing the film, but it could be in theaters as early as late spring. With its marketing commitments for the film, Lionsgate's overall deal could reach $10 million.

This has been one of those scripts that Carson at Scriptshadow has been pimping for a long time (http://scriptshadow.blogspot.com/2009/06/buried.html):

I loooooooooved this script. I loved it for so many reasons I can't count them. First of all, I am always on the lookout for a smart cheap movie idea, something that can be shot with minimal hands, minimal equipment, and minimal funds. You know, a way for you to actually *make* a movie without having to go through that sludge-pit known as the Hollywood "system." I tell anyone who will listen: If you can shoot the movie yourself, do it, because you'll achieve what 98% of screenwriters never will - having a finished film. But don't be fooled into thinking this is easy. I don't care who says anybody can make a film with a camera and a Mac. If you want your movie to look professional, you're going to need somebody who knows how to light, somebody who knows how to shoot, somebody who knows how to dress a set. You're still going to need things that cost money. Therefore, you're extremely limited in the scope of your film. It's why a lot of low-budget films take place in one location. Keeps things cheap.

Congrats to screenwriter Chris Sparling (http://www.imdb.com/name/nm2133655/). He's got another original screenplay in development called Mercy: "A thriller centered on a wealthy family with a dying matriarch who want to protect their individual financial interests from one another -- as well as a religious sect."


----


A evo i scenarija/download:

Name: BURIED by Chris Sparling(2).pdf (http://www.sendspace.com/file/zggxw1)
Size: 191KB

[La Familia]

http://i50.tinypic.com/zit40p.jpg


HORROR SCREENPLAYS – 2 WEEKS OF TERROR


Svega će bit, al' neće biti sreće... pale ladies, serial killers, cannibals, evil kids, spooky towns, spookier creatures and more. But the question is – are you ready? Some will stay for long and some won’t so be sure to check back often.


Klik na fotke/postere za download scenarija:


VACANCY (2007) Screenplay

http://i49.tinypic.com/2ciic8h.jpg (http://www.mediafire.com/download.php?zninztwyin0)


FEAST (2005) Screenplay

http://i48.tinypic.com/so9w0z.jpg (http://www.mediafire.com/download.php?homuymefmto)


WRONG TURN (2003) Screenplay

http://i47.tinypic.com/2mzxy6x.jpg (http://www.mediafire.com/download.php?xazzxjnwzkx)


WRONG TURN 2: DEAD END (2007) Screenplay

http://i45.tinypic.com/ne3w6.jpg (http://www.mediafire.com/download.php?ny5jwtdyyqz)


To be continued...

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://zambonisoundtracks.blogspot.com/).
Familija d.o.o./Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of
other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


http://www.dodgechallenger.net/images/vanishing_point_movie.jpg

Vanishing Point;

Film koji često zaobilazimo kada pravimo liste najboljih filmova ikada. Da, ikada.

Vanishing Point je najbolji film ceste, briljantno režiran, iznimno odglumljen i film koji na jedan razvidan i koncizan način progovara o našoj želji za slobodom ( pa čak i za slobodom koju tražimo iza volana bijesnog Dodgea Challengera ). Nekoliko spektakularnih scena potjere i jedna od najdojmljivijih završnih scena u filmu ( ako vam se ne da gledati film, možete pogledati spot grupe Audislave - Show Me How To Live ).

Ocjena; 10/10 :s


Various Artists-VANISHING POINT OST (1971) (http://zambonisoundtracks.blogspot.com/2009/12/various-artists-vanishing-point-ost.html)


http://i45.tinypic.com/xm4g74.jpg


The 1971 movie Vanishing Point managed to become a cult hit, with its story of a Benzedrine-popping driver (Barry Newman) in a race for his life with the police of several states, but somehow the soundtrack managed to remain out-of-print until 2004, when Soundtrack Classics reissued it on CD. The music is surprisingly cohesive, primarily built around different aspects of country-rock as embodied variously by Delaney & Bonnie & Friends, the Doug Dillard Expedition, and Jerry Reed, with some gospel tracks by Segarini & Bishop and Big Mama Thornton, plus Mountain's "Mississippi Queen."


http://i47.tinypic.com/nobj1u.jpg (http://www.youtube.com/watch?v=Sev-zLduNR4)


The music is all eminently listenable and then some, and has an earthiness that makes it more than a little bracing -- only the lyrical, string-dominated love theme, provided by Jimmy Bowen and his orchestra, breaks that mood and even it works within its own musical context, and is explainable given the time in which the movie was made. The entire release rather favorably recalls the soundtracks to Easy Rider and Zabriskie Point, but Vanishing Point stands up quite nicely musically on its own.

-Bruce Eder, allmusic.com

DOWNLOAD:
Various Artists-VANISHING POINT OST (1971) (http://www.multiupload.com/JVZ3WGC2YJ)
320kbps

[La Familia]

http://i50.tinypic.com/alg0aw.jpg


Francis Ford Coppola's epic & unproduced script,
MEGALOPOLIS, is now available


Three of the greatest films of all time were made by one guy, in one seven-year span. In 1974, two of the nominees for Best Picture were directed by that same guy. Francis Ford Coppola (Apocalypse Now, The Godfather films, come on, you know who he is) has been coasting on it ever since.

That's why no list of unmade masterpieces would be complete without Megalopolis, Coppola's pet project about a futuristic New York that's had pretty much every Oscar winner of the last decade attached to it at some point or another (including Nicolas Cage, Russell Crowe, and even some talented actors like Robert De Niro, Paul Newman, and Kevin Spacey). This, dear readers, was the mythical Good New Coppola Movie that Hollywood, and America, had been waiting three decades for. They've probably already etched the name of this thing onto a whole box of awards, just waiting for Coppola to actually make the damn film.

Why it didn't get made: Too ambitious, too expensive, maybe too much to undertake for an aging, talent-atrophying Coppola. They did some shoots in New York at some points, but were put on hold by 9/11; then the film's distributor went broke. It just seems like one of those cursed projects.

And while we're on the subject: George Lucas, not Coppola, was originally hired to direct Apocalypse Now. Considering what a drawn-out torture the Apocalypse production turned out to be, there's a good chance that in that alternate universe, Star Wars never happened. Dude.


Megalopolis
Download Script (http://www.mypdfscripts.com/download/732)
Undated, unspecified draft by Francis Ford Coppola.
Synopsis: The story of one man’s battle to build an ideal world.
Source: Scanned – Pages: 212 – Size: 6.3 MB


:jumping:


p.s. j*** ja Avatara.

[La Familia]

http://i48.tinypic.com/262oajs.jpg (http://cinemension.blogspot.com/)


Ok, film fans. It's been a long time coming, but here's a 53,000 word masterpiece of an interview (http://www.cosmoetica.com/DSI21.htm) with the screenwriter responsible for a number of quality screenplays, most notably Alex Proyas's Dark City (http://www.cosmoetica.com/B814-DES656.htm) and Steven Soderbergh's The Limey (http://www.cosmoetica.com/B807-DES651.htm).

You can thank me AFTER you read it.

[La Familia]

http://i48.tinypic.com/25irxjo.jpg
imdb (http://www.imdb.com/title/tt0303356/)


Biggie and Tupac


Far and away Broomfield's best effort to date

Anyone expecting a tawdry, shoddy sleazefest along the lines of "Kurt and Courtney" should be pleasantly surprised here - this is an excellent film.

For a start, the conspiracy theory explored here is a far more credible one, and the evidence Broomfield turns up is very convincing in places. One has to wonder how genuine Broomfield's "camera on at all times" approach is, how much was created at the editing stage - he appears to get away with some very transgressive behaviour here on the basis of sheer amateurism, though it is clear the man has balls of iron. He thoughtlessly wanders through some of the worst neighbourhoods in LA and New York - in one classic scene his cameraman deserts him out of sheer fear, leaving him to manage a ludicrous prison interview with despotic Death Row records overlord Suge Knight alone. Irony being lost on Americans for the most part, Broomfield also manages to get away with some outrageous cheek- for instance asking Knight to deliver his "message for the kids" in a tone of smirking condescension.

For the heads, there is some great, rare footage on offer- a teenage Biggie ripping up a street corner freestyle battle, hoods dancing on their cars at his funeral, an electrifying Snoop Dog calling out New York at the notorious 95 source awards....plenty in there for the hip hop fan, along with some vintage Biggie and (for some reason) Gang Starr on the soundtrack. Broomfield manages to talk to every major player in the drama, with the notable exception of Afeni Shakur- which also explains the lack of 2Pacs' music on the soundtrack.

Despite its grim subject matter, there is much humour on offer here. In short, this is the best "rockumentary" in a very long time, and one that lingers in the mind for some time afterwards.

Something of a triumph.


http://i47.tinypic.com/2edscae.jpg (http://www.snagfilms.com/films/title/biggie_and_tupac/)

[La Familia]

http://i49.tinypic.com/qq1eyx.jpg (http://www.jennyshipper.com/index.php?/project/fellini/)


Fellini: A Character Set (http://www.jennyshipper.com/index.php?/project/fellini/)


Inspired by the films of the famed Italian film maker Federico Fellini (La Dolce Vita, 8 1/2, Amarcord, etc) this character set attempts to capture the essence of his films. Each letter form contains elements present in Fellini’s films, whether it be set decoration, characters, line quality or Fellini himself. From A to Z each letter evolves into it’s own entity, individual as it is unique.

[La Familia]

http://i48.tinypic.com/zsqrh3.jpg (http://nofilmschool.com/)


Welcome to the new nofilmschool! (http://nofilmschool.com/)


Thanks for visiting the new nofilmschool: a site for independent creatives and multi-hyphenates. If you’re a filmmaker, writer, editor, producer, blogger, designer, or entrepreneur — or more than one of these — I hope you’ll find the upcoming content helpful.

Find out who I am on the new About page (http://nofilmschool.com/about), watch Ten stunning examples of DSLR cinematography (http://nofilmschool.com/2010/01/10-examples-of-stunning-dslr-cinematography/), and if you’re interested in high-quality, low-cost filmmaking check out my brand new 10,000-word feature The DSLR Cinematography Guide (http://nofilmschool.com/dslr). A sampling of upcoming articles include “12 free tools for Mac creatives,” “Wordpress for filmmakers,” “Gmail for social creatives,” and other how-to articles, productivity tips, interviews with independent creatives, and embedded short films and series.

We Dont Need No Education (http://www.youtube.com/watch?v=lwTpZpwjtIE) :gitara:

:zubo:

[La Familia]

http://i47.tinypic.com/30ur0hu.jpg (http://enniomorricone-ilmaestro.blogspot.com/)


Sve, ama baš sve od MORRICONEA (klik na fotku iznad). Blog je pod Google licencom, svejedno vrijedi:


Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (enniomorricone-ilmaestro.blogspot.com (http://enniomorricone-ilmaestro.blogspot.com/)).
Familija d.o.o./Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of
other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


Uživajte. :)

[La Familia]

http://i46.tinypic.com/330wcg5.jpg (http://theseventhart.info/)


Ako Jim Emerson (http://blogs.suntimes.com/scanners/2010/01/name_those_directors.html) tako kaže, tko sam ja da mu ne vjerujem:

Srikanth Srinivasan of Bangalore writes one of the most impressive movie blogs on the web: The Seventh Art (http://theseventhart.info/). I don't remember how I happened upon it last week, but wow am I glad I did. Dig into his exploration of connections (http://theseventhart.info/2009/10/11/inglourious-basterds-afterthoughts/) between Quentin Tarantino's "Inglourious Basterds (http://blogs.suntimes.com/scanners/2009/08/some_ways_to_watch_inglourious.html)" and Jean-Luc Godard's "History of Cinema (http://theseventhart.info/2008/12/31/for-ever-godard-31/)." Or check out his piece on James Benning's 1986 "Landscape Suicide (http://theseventhart.info/2010/01/10/flashback-71/)." There's a lot to look through, divided into sections for Hollywood and World Cinema.

In the section called "The Cinemaniac (http://theseventhart.info/about/)... I found the above collage (mosaic?) of mostly-famous faces belonging to film directors, which Srikanth says he assembled from thumbnails at Senses of Cinema (http://www.sensesofcinema.com/). Many of them looked quite familiar to me, and if I'm not mistaken they were among the biographical portraits we used in the multimedia CD-ROM movie encyclopedia Microsoft Cinemania, which I edited from 1994 to 1998, first on disc, then also on the web. (Anybody with a copy of Cinemania able to confirm that? My Mac copy of Cinemania97 won't run on Snow Leopard.)


Name That Director!


http://i48.tinypic.com/r6za88.jpg (http://blogs.suntimes.com/scanners/2010/01/name_those_directors.html)

Click above to REALLY enlarge...


Row I
1. Victor Erice
2. Rainer Werner Fassbinder
3. Agnes Varda
4. Robert Bresson
5. Robert Aldrich
6. Robert Altman
7. Youssef Chahine
8. Michelangelo Antonioni
9. Gillian Armstrong
10. Dorothy Arzner
11. Stan Brakhage
12. Mauro Bolognini
13. Peter Bogdanovich
14. Blake Edwards
15. Carl Theodor Dreyer
16. Doris Wishman
17. Ingmar Bergman
18. Craig Baldwin
19. Mario Bava
20. Catherine Breillat

Row II
1. Luis Buñuel
2. Charles Burnett
3. John Frankenheimer
4. Maya Deren
5. Ken Loach
6. Jacques Demy
7. Su Friedrich
8. Robert Flaherty
9. Arthur Lipsett
10. Joseph Losey
11. Kenji Mizoguchi
12. Francis Ford Coppola
13. Mikio Naruse
14. Antonio Margheriti
15. Georges Méliès
16. Guy Maddin
17. Joseph H. Lewis
18. Sergio Leone
19. Howard Hawks
20. David Lean

Row III
1. Tim Burton
2. Federico Fellini
3. David Cronenberg
4. Werner Herzog
5. Krzysztof Kieslowski
6. Clara Law
7. Abbas Kiarostami
8. Stanley Kubrick
9. Fritz Lang
10. Shohei Imamura
11. Satyajit Ray
12. Woody Allen
13. John Waters
14. Margarethe von Trotta
15. Idrissa Ouedraggo
16. Jacques Rivette
17. Nicolas Roeg
18. Raoul Walsh
19. François Truffaut
20. Otto Preminger

Row IV
1. Jane Campion
2. Sam Fuller
3. Joe Dante
4. Jia Zhangke
5. Alanis Obomsawin
6. Preston Sturges
7. Pier Paolo Pasolini
8. Don Siegel
9. Zhang Yimou
10. Preston Sturges
11. Robert Siodmak
12. Leslie Thornton
13. Yasujiro Ozu
14. Nicholas Ray
15. Claude Sautet
16. Tsui Hark
17. Eric Rohmer
18. Edward Yang
19. Sam Peckinpah
20. Don Siegel (again)

Row V
1. Leos Carax
2. Lucio Fulci
3. George Cukor
4. Chuck Jones
5. Idrissa Ouedraogo (again)
6. Carol Reed
7. François Ozon
8. William Wyler
9. Joseph L. Mankiewicz
10. Fred Zinnemann
11. Michael Winterbottom
12. Jean Cocteau
13. Kon Ichikawa
14. Tomu Uchida
15. Jonathan Demme
17. Roberto Rossellini
18. Alfred Hitchcock
19. James Whale

Row VI
1. Claude Chabrol
2. Lucio Fulci
3. Melvin Van Peebles
4. Akira Kurosawa
5. Jacques Tati
6. Jerzy Skolimowski
7. Glauber Rocha
8. Bernardo Bertolucci
9. Richard Linklater
10. Jerzy Skolimowski (again)
11. Hiroshi Teshigahara
12. Paul Verhoeven
13. Luis Garcia Berlanga
14. Werner Schroeter
15. Steven Spielberg
16. Tsai Ming Liang
17. Roberto Rossellini
18. Jean-Luc Godard
19. Michael Almereyda
20. Francesco Rosi

Row VII
1. Chang Cheh
2. Vincente Minnelli
3. Jean-Pierre Melville
4. King Hu
5. Mamoru Oshii
6. Martin Scorsese
7. Richard Franklin
8. Mitchell Leisen
9. John Schlesinger
10. Theo Angelopoulos
11. Melvin Van Peebles
12. Anthony Mann
13. Roger Corman
14. Peggy Ahwesh
15. Terry Gilliam
16. Arthur Penn
17. Bertrand Tavernier
18. Tomás Gutiérrez Alea
19. Clint Eastwood
20. Emeric Pressburger

Row VIII
1. Henri-Georges Clouzot
2. Michael Haneke
3. Terry Gilliam (again)
4. Lars von Trier
5. Andrei Tarkovsky
6. Bertrand Tavernier
7. Sergei Eisenstein
8. Brian DePalma
9. David Fincher
10. Edgar G. Ulmer
11. John Carpenter
12. Phillip Noyce
13. Yoshimitsu Morita
14. Wang Xiaoshuai
15. Sadie Benning
16. Kira Muratova
17. Wong Kar-Wai
18. Margarethe von Trotta
19. Jean Vigo
20. Andy Warhol

Row IX
1. Joel & Ethan Coen
2. Terence Malick
3. Michael Mann
4. Takeshi Kitano
5. Nagisa Oshima
6. John Sayles
7. Willi Forst
8. Mike Nichols
9. Yvonne Rainer
10. Orson Welles
11. Bill Forsyth
12. Wim Wenders
13. Jerry Lewis
14. Steven Soderbergh
15. Gaspar Noé
16. Jim Jarmusch
17. Maria Novaro
18. Leo McCarey
19. Michael Powell
20. Billy Wilder

[La Familia]

http://i48.tinypic.com/28hdgr5.jpg
imdb (http://www.imdb.com/title/tt0379225/combined)


The Corporation - Filmmakers Official Download Edition (2003)


Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

The Corporation official movie website (http://www.thecorporation.com/)


http://i49.tinypic.com/wvx47c.jpg (http://www.archive.org/details/The_Corporation_)


Legalni download:
INTERNET ARCHIVE (http://www.archive.org/details/The_Corporation_)

[La Familia]

DISCLAIMER: The following screenplay(s) are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended.


EDGE OF DARKNESS (2010) Screenplay

http://lh4.ggpht.com/__mX_df9OBcI/S2OpSQEvLYI/AAAAAAAAAHg/JivdVfR2mN8/image%5B4%5D.png?imgmax=800 (http://www.mediafire.com/download.php?q0wyqn2ijz0)

[La Familia]

http://i50.tinypic.com/243hkpe.jpg (http://www.totalfilm.com/features/600-movie-blogs-you-might-have-missed)


600 Movie Blogs You Might Have Missed (http://www.totalfilm.com/features/600-movie-blogs-you-might-have-missed)


The weird, the wonderful, the well informed... We did a little digging, and came up with a pretty damned comprehensive list of blogs for you to browse and bookmark...

Sure, it might take you the best part of a week to trawl through 'em all, but if there's a movie angle you don't have covered after that, it ain't worth covering...

[tomislavcyty]

Skino sam dokumentarac National Geographic Bible Uncovered Secret Code Of Revelation ali ne mogu nikako pronaći titlove.
Može li mi tko pomoć?

[La Familia]

Može li mi tko pomoć?

Pri zdravih očiju? :ne zna: Ovdje, sinko - ovdje ti je topic za titlove (http://www.forum.hr/showthread.php?t=10184).

[Pacificist]

"Post-Pop Cinema: The Search For Meaning In New American Film"

http://rapidshare.com/files/34400398..._Film.pdf.html

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://thecrimelounge.blogspot.com/).
Familija d.o.o./Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content
of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


http://i50.tinypic.com/295zvrs.jpg (http://thecrimelounge.blogspot.com/)


Napomena: potražite prvi link u komentarima. :mig: BTW, ako vam se nešto svidi - vratite/kupite ponešto od toga.


http://i50.tinypic.com/2uj0f82.jpg (http://thecrimelounge6.blogspot.com/)


THE COVER STORY:
The Dirty Harry soundtracks have been on many people's wish-lists for many years and up until recently remained unreleased. Schifrin's wife Donna setup Aleph Records in 1997 to showcase the work of her composer, arranger and conductor husband, Lalo Schifrin. The Name "Aleph" derives from a Louis Borges short story of the same name, which symbolizes all points in the universe coming together in one space. Although the labels intention is to make available the work of Lalo Schifrin, an exception was made for composer Jerry Fielding so that the complete Dirty Harry scores could be released by the label (Schifrin wasn't available to score The Enforcer.)

Regular visitors will know that I previously designed a set of custom covers for this series which included a bootleg score for The Dead Pool (it hadn't had an official release at the time.) Now, with the eventual release of the score by Aleph, we have the "complete" Dirty Harry collection available for the first time ever!

This re-ignited my interest in revisiting those previous customs, which I had never been very happy with. I decided to go down the route of designing them as if I worked for the Aleph artwork department, trying to give them the type of covers I would like as a customer buying them. The finished products (featured below) will, I hope, be worthy of replacing the originals with. I've tried to be as respectful to Aleph as I can by keeping all logo's and release numbers, even recreating barcodes!

All information from the original booklets has been reproduced in full! There is also some additional text included to hopefully improve overall reading enjoyment. The original lacklustre images have been replaced with a collection of more dynamic and interesting pictures courtesy of the vast Ennioman archives, so a big thanks to him for helping out with those.

THE DISC STORY:
The "Dirty Harry Definitive Collection" includes all six official releases from Aleph Records (Dirty Harry, Magnum Force, The Enforcer, Sudden Impact, The Dead Pool and The Dirty Harry Anthology) plus two bonus discs. The first entitled "Sudden Impact and the best of Dirty Harry" contains the complete recording of the 1983 vinyl only release of the same name. This was originally released on Clint Eastwood's short-lived "Viva" label. The second bonus disc includes film versions of the themes as extracted from the DVD tracks for this collection by Dimich, as well as a few more surprises!

I hope this collection lives up to its "definitive" title because as far as I'm aware, it contains everything that is currently available from every release!


http://i47.tinypic.com/24ln39u.jpg (http://thecrimelounge5.blogspot.com/)


Welcome to The Crime Lounge's James Bond Definitive Collection.

I have tried to keep this collection as top quality as I can, the albums (if available) are the remastered and extended versions. Also most of them will be featured at a 320kbps bitrate (some require two part downloads).All the files will contain my hi-res custom designed matching cover artwork (including booklet, cd tray, and disc labels).


Ovo je bila samo prva stranica indexa...


:jumping:

[La Familia]

http://i50.tinypic.com/zit40p.jpg


HORROR SCREENPLAYS – 2 WEEKS OF TERROR


Svega će bit, al' neće biti sreće... pale ladies, serial killers, cannibals, evil kids, spooky towns, spookier creatures and more. But the question is – are you ready? Some will stay for long and some won’t so be sure to check back often.


Klik na fotke/postere za download scenarija:


JACOB’S LADDER (1990) Screenplay

http://i49.tinypic.com/20v0x1x.jpg (http://www.mediafire.com/download.php?uzl0tbvzjuz)


WIND CHILL (2007) Screenplay

http://i49.tinypic.com/287znkz.jpg (http://www.mediafire.com/download.php?rznmycztnjn)


THE SKELETON KEY (2005) Screenplay

http://i47.tinypic.com/1qnbc5.jpg (http://www.mediafire.com/download.php?jxgytdnmzir)


SCREAM (1996) Screenplay

http://i48.tinypic.com/28v8w7d.jpg (http://www.mediafire.com/download.php?mruyzfznh02)


SCREAM 2 (1997) Screenplay

http://i47.tinypic.com/119p4lz.jpg (http://www.mediafire.com/download.php?0mgz2m41jny)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://musicandmemories.blogspot.com/).
Familija d.o.o./Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content
of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


http://i50.tinypic.com/16736lv.jpg (http://musicandmemories.blogspot.com/)


Volim Google više i od čokolade. :D Ovog puta u igri nisu komentari - uđi na blog (klikom na gornju fotku) i ožeži po coverima. :mig:

[La Familia]

http://i49.tinypic.com/nlzigk.jpg
imdb (http://www.imdb.com/title/tt0259256/)


Clint Eastwood: Out of the Shadows


Documentary that explores actor/director Clint Eastwood and his art by juxtaposing each major stage in his life with a corresponding stage in the thematic development of his work. Clint Eastwood tells his own story, from his childhood in Depression-era Northern California, to life in the stratosphere of fame and fortune. He's torn up the wild West, patrolled the mean streets of San Francisco, and even gone into outer space. Follow the on-screen and off-screen life of the Oscar-winning film icon in this retrospective PBS "American Masters" 2000 documentary filled with film clips, archival material and interviews. Clint's "Unforgiven" co-star Morgan Freeman narrates.

Richard Burton ... Himself - Actor (archive footage)
Joel Cox ... Himself - Film Editor
Clint Eastwood ... Himself
Dina Eastwood ... Herself - Wife
Morgan Freeman ... Narrator
James Garner ... Himself - Actor
William Goldman ... Himself - Screenwriter / Novelist
Jack N. Green ... Himself - Director of Photography
Gene Hackman ... Himself - Actor
Curtis Hanson ... Himself - Director
Nat Hentoff ... Himself - Writer
Phyllis Huffman ... Herself - Casting Director
Joe Hyams ... Himself - Senior V.P. Publicity Warner Bros.
Dani Janssen ... Herself - Actor
Pauline Kael ... Herself - Film Critic (archive footage)
Sergio Leone ... Himself - Director (archive footage)
Geoffrey Lewis ... Himself - Actor
Janet Maslin ... Herself - Critic 'The New York Times'
Bill McKinney ... Himself - Actor
Walter Mosley ... Himself - Writer
Lennie Niehaus ... Himself - Composer
Chan Parker ... Herself (archive footage)
Barry Reardon ... Himself - Former President Warner Bros. Distribution
Richard Schickel ... Himself - 'Time' Critic / Clint Eastwood Biographer
Martin Scorsese ... Himself - Director
Don Siegel ... Himself - Director (archive footage)
Richard Slotkin ... Himself - Author 'Gunfighter Nation'
Meryl Streep ... Herself - Actor
Donald Sutherland... Himself - Actor
Bertrand Tavernier... Himself - Director
Rip Torn ... Himself - Actor
Tonino Valerii ... Himself - Assistant Director (archive footage)
Buddy Van Horn ... Himself - Director / Stunt Coordinator
Eli Wallach ... Himself - Actor
Forest Whitaker ... Himself - Actor / Director
Ruth Wood ... Herself - Mother


http://i49.tinypic.com/2l94080.jpg (http://megavideo.com/?v=4CO8HM6D)


Ostalo linkovlje:

The Top 10 Awesome Things You Didn't Know About Clint Eastwood (http://www.spike.com/blog/ten-things-you-didnt/72769)

http://i48.tinypic.com/16h5c10.jpg (http://www.clinteastwood.net/welcome/index.asp)

Clint Eastwood kod Charlia Rosea (http://www.charlierose.com/guest/view/115).


REPLAY


John H. Foote, "Clint Eastwood: Evolution of a Filmmaker"
Praeger | 2008-12-30 | ISBN: 031335247X | 224 pages | PDF | 1,1 MB

Now a two-time Academy Award winner for best director, twice winner of the Directors Guild of America Award for best director, and recipient of countless other critics prizes and nominations in multiple capacities, Clint Eastwood stands alongside Martin Scorsese and Steven Spielberg as one of the finest directors working in modern cinema. Here, John Foote examines the long, impressive, and unlikely film career of a man who fought against expectations to forge his own way and become one of this generation's finest filmmakers. Each chapter examines a different film, beginning with Play Misty for Me (1971) and High Plains Drifter (1973) and extending to his 21st-century films Space Cowboys (2000), Blood Work (2002), Mystic River (2003), Million Dollar Baby (2004), Flags of Our Fathers (2006), Letters from Iwo Jima (2006), and Changeling (2008). This book is, in the author's own words, a study of how Eastwood managed to quietly get to this level—and a celebration of his gifts as an artist. Eastwood has evolved not only as a director, but also as an actor, a screenwriter, a producer, and a score composer, to become one of the most revered figures in Hollywood.

Perhaps it is because he started out in Hollywood with such little influence on the final product that he now demonstrates such a strong desire to collaborate with others and provide help wherever he can. In addition to casting off his reputation as a hack and accumulating two Oscar nominations for Best Actor over the past 15 years, he has guided other actors to no less than three Academy Award wins. The executives love him because he has made them money over the years—occasionally even making one for them in exchange for financial backing on other projects. Critics love him because of the care he takes in creating his films. Audiences love him because he has never lost his sense of entertainment, even as his artistry has matured.

Klik na fotku/cover za download knjige:

http://i46.tinypic.com/ioqj9i.jpg (http://www.mediafire.com/?bzmngnody1z)

http://i38.tinypic.com/2dgu88j.png (http://www.mediafire.com/?ynx0rilgxcz)

[La Familia]

http://i48.tinypic.com/25k6a2w.jpg (http://www.brightlightsfilm.com/67/)

http://i48.tinypic.com/kxq4o.jpg
February 2010 | Issue 67 (http://www.brightlightsfilm.com/67/)


Novi broj najdražeg mi filmskog žurnala. Provjerite (http://www.brightlightsfilm.com/archive.php) i stare brojeve.

[La Familia]

http://i50.tinypic.com/zit40p.jpg


HORROR SCREENPLAYS – 2 WEEKS OF TERROR


Klik na fotke/postere za download scenarija:


THE GRUDGE (2004) Screenplay

http://i49.tinypic.com/2w3nlsi.jpg (http://www.mediafire.com/download.php?zunngzioy24)


THE MOTHMAN PROPHECIES (2002) Screenplay

http://i45.tinypic.com/mj1e69.jpg (http://www.mediafire.com/download.php?ewzkjtmhdwj)


THE STRANGERS (2008) Screenplay

http://i50.tinypic.com/35jim95.jpg (http://www.mediafire.com/download.php?awvzznhwvgy)

[La Familia]

http://i45.tinypic.com/zivjug.jpg (http://www.annyas.com/screenshots/)

[La Familia]

http://i45.tinypic.com/2diliy8.jpg (http://underdog.typepad.com/wandering_outloud_/)

[kas9]

zna li netko kako se zove film ( domaci)..radi se o skupini hrvatskih ratnika koje se zaklinju da ce iskopat onoga koji od njih prvi umre, i zakopati ga na neko njima važno mjesto???

[La Familia]

Vidimo se (http://www.film.hr/bazafilm_film.php?film_id=347), Ivan Salaj.

Priča o prijateljstvu i sudbinama petorice prijatelja koji se okupljaju na sahrani svog druga Borne, poginulog na bojištu, da bi ispunili svoj zavjet iz djetinjstva. Dirljiv, iskren, nepatetičan i potpuno vješt film, eksplodirao je kao najava mogućeg novog velikog imena hrvatskog filma. Od tada Salaj proizvodi TV emisije, dokumentarce i reklame, no Hrvatska ga strpljivo čeka.

Navodno se vraća.

[La Familia]

http://i50.tinypic.com/1z5nko5.jpg


Bloodlines: The Cinema of Kathryn Bigelow


In the wake of numerous critics groups and the Directors Guild of America, the buzz has become a deafening roar: Kathryn Bigelow is favored to become the first woman to win an Oscar as Best Director. The question we at Parallax View are asking is: what took so long? Bigelow has been making tough, rich, evocative movies for decades, too few in our estimation, and too often dismissed for the visceral, aggressive qualities that make them so compelling. It’s taken The Hurt Locker to remind the critical echo chamber that Bigelow is one of the most provocative and visceral cinematic artists spinning stories on screen. Join us as we celebrate this dark daughter of Hawks and Hitchcock.

The Loveless Worlds of Kathryn Bigelow (http://parallax-view.org/2010/02/01/the-loveless-worlds-of-kathryn-bigelow/) by Robert C. Cumbow
Black Arts (http://parallax-view.org/2010/02/02/black-arts/) by Kathleen Murphy
True Fiction: Kathryn Bigelow on The Hurt Locker (http://parallax-view.org/2010/02/04/true-fiction-–-kathryn-bigelow-on-the-hurt-locker/) – Interview by Sean Axmaker
The Way You Don’t Die: The Hurt Locker (http://parallax-view.org/2010/02/05/the-way-you-dont-die-the-hurt-locker/) by Sean Axmaker
Hurt So Good (http://movies.msn.com/movies/movie-critic-reviews/the-hurt-locker/) (review of The Hurt Locker by Kathleen Murphy, MSN)
The Work of War, at a Fever Pitch (http://www.nytimes.com/2010/01/10/movies/awardsseason/10darg.html?th&emc=th) (Manohla Dargis, New York Times)
An Interview with Kathryn Bigelow (http://heraldnet.com/article/20090710/ENT/907099964/1064/ENT02#An.interview.with.Hurt.Lockers.Kathryn.Bigel ow) (Robert Horton, Everett Herald)
Interview: Kathryn Bigelow (http://www.avclub.com/articles/kathryn-bigelow,29544/) (Scott Tobias, The Onion)

[La Familia]

20 Greatest Extended Takes In Movie History (http://www.geekweek.com/2010/01/20-greatest-extended-takes-in-movie-history.html)


The extended take or long take is the first time I noticed a filmmaker articulating cinematic space and pushing his/her desire for notions of auteurism. It was the iconic opening shot in Stanley Kubrick's A CLOCKWORK ORANGE, where we are introduced to our anti-hero Alex in an extreme close-up of his face, a smirking landscape of human evil that never blinks. We then slowly PULL BACK to reveal the Korovo Milk Bar, the surroundings that fosters said evil with its retro-futuristic decay. Ever since then, I've been obsessed with the extended take in movies.

Let's be clear. The extended take is often mistaken for the tracking shot. According to Wikipedia the tracking shot is, "a segment in which the camera is mounted on a wheeled platform that is pushed on rails while the picture is being taken. Tracking shots cannot include complex pivoting movements, aerial shots or crane shots." So what is an extended take? The extended take is, "an uninterrupted shot in a film which lasts much longer than the conventional editing pace either of the film itself or of films in general, usually lasting several minutes. It can be used for dramatic and narrative effect if done properly, and in moving shots is often accomplished through the use of a dolly or stedicam."

The extended take is a cinematic hire-wire act that pushes the director, actors, cinematographer, art department, sound design, and every other department to their limits. They take a very long time to set-up, and are very easy to mess up. The longer the take, the more pressure is added to get it right.

This list is, in my opinion, the 20 greatest extended takes in movies. I intentionally did not make reference to movies like TIMECODE, RUSSIAN ARK , PVC-1 , and NOKTA which are products of the digital filmmaking age, features entirely shot in a single take. I believe those movies are a genre in and of themselves and deserve a separate discussion.

There are several amazing extended takes that I would have included in this list but was unable to because they are not available online to view, like the ones in ATONEMENT and JCVD. I felt it would be unfair to make reference to something visually when I could not offer it up for review. But I do recommend checking those films out on DVD if you haven't done so.


3, 2, 1 - kreni (http://www.geekweek.com/2010/01/20-greatest-extended-takes-in-movie-history.html). :)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://vinnierattolle.blogspot.com/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content
of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


http://i49.tinypic.com/2mrcsya.jpg (http://vinnierattolle.blogspot.com/)


Prvo što pomislih bilo je: Glupe li fotke za blog, potom klik...


:jumping:


http://i49.tinypic.com/118emnc.jpg (http://vinnierattolle.blogspot.com/2010/02/indiana-jones-tale-of-high-adventure.html)

http://i49.tinypic.com/qyivec.jpg (http://vinnierattolle.blogspot.com/2010/02/indiana-jones-tale-of-high-adventure.html)

+

Indiana Jones Adaptations! (http://vinnierattolle.blogspot.com/2010/02/indiana-jones-adaptations.html)

+

The Making-Of Temple of Doom! (http://vinnierattolle.blogspot.com/2010/02/making-of-temple-of-doom.html)

+

http://i46.tinypic.com/2ib017a.jpg (http://vinnierattolle.blogspot.com/2010/02/indiana-jones-adaptations.html)

+

Moj stari post na temi - INDIANA JONES - POST SVIH POSTOVA (http://www.forum.hr/showpost.php?p=22702556&postcount=244) (sada je konačno potpun).


Pssssssst, ni u ludilu ne napuštajte blog - sve je krcato raritetnim goodiesima. :mig:

Super Special Conan! (http://vinnierattolle.blogspot.com/2010/01/super-special-conan.html)
The Goonies Souvenir Magazine (http://vinnierattolle.blogspot.com/2009/11/goonies-souvenir-magazine.html)
Jim Carrey Uncensored (http://vinnierattolle.blogspot.com/2009/12/jim-carrey-uncensored.html)

Za kompletan pregled klik na fotku ispod:

http://i45.tinypic.com/2r553fc.jpg (http://vinnierattolle.blogspot.com/2009/03/title-index.html)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://trilhadomedo.blogspot.com/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content
of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


http://i47.tinypic.com/auh0mq.jpg (http://trilhadomedo.blogspot.com/)


Nice, zasebne "soundtracks" sekcije: filmovi (http://trilhadomedo.blogspot.com/2008/07/blog-post.html), serije (http://trilhadomedo.blogspot.com/2008/08/sries.html), igre (http://trilhadomedo.blogspot.com/2008/07/games.html) i kompozitori (http://trilhadomedo.blogspot.com/2008/07/compositores.html).


http://i46.tinypic.com/28k3itj.jpg


He, he, tu sam te čekao... :D


http://i47.tinypic.com/dllu7l.jpg (http://trilhadomedo.blogspot.com/2009/10/moon-2009.html)

Music composed by Clint Mansell

1. Welcome To Lunar Industries
2. Two Weeks & Counting...
3. I'm Sam Bell
4. I'm Sam Bell, Too...
5. Memories (Someone We'll Never Know)
6. Are You Receiving?
7. Can't Get There from Here
8. "We're Not Programs Gerty, We're People"
9. The Nursery
10. Sacrifice
11. We're Going Home
12. Welcome To Lunar Industries (Three Year Stretch)


Ostale krasote:

The Aviator | O Aviador - Score & Soundtrack (2004) (http://trilhadomedo.blogspot.com/2009/10/aviator-o-aviador-score-soundtrack-2004.html)
The Sixth Sense | O Sexto Sentido (1999) (http://trilhadomedo.blogspot.com/2009/10/sixth-sense-o-sexto-sentido-1999.html)
Låt den rätte komma in / Let the Right One In | Deixa Ela Entrar (2008) (http://trilhadomedo.blogspot.com/2009/09/lat-den-ratte-komma-in-let-right-one-in.html)
A Beautiful Mind | Uma Mente Brilhante (2001) (http://trilhadomedo.blogspot.com/2009/09/beautiful-mind-uma-mente-brilhante-2001.html)
Carrie | Carrie, a Estranha (1976) (http://trilhadomedo.blogspot.com/2009/08/carrie-carrie-estranha-1976.html)
Apocalypto (2006) (http://trilhadomedo.blogspot.com/2009/08/apocalypto-2006.html)
The Name of the Rose | O Nome da Rosa (1986) (http://trilhadomedo.blogspot.com/2009/07/name-of-rose-o-nome-da-rosa-1986.html)
1408 (2007) (http://trilhadomedo.blogspot.com/2009/05/1408-2007.html)
The Piano (1993) (http://trilhadomedo.blogspot.com/2009/05/piano-1993.html)


http://i48.tinypic.com/k4gnwy.jpg (http://trilhadomedo.blogspot.com/)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://vinnierattolle.blogspot.com/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content
of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


OUT OF PRINT


http://i46.tinypic.com/33wpqth.jpg

Here's an early article about the original STAR WARS from the April 1977 issue of American Film Magazine. The final line of this article is unintenionally hilarious in retrospect:

The only question left about STAR WARS is an old one, frequently asked since the Wright Brothers took their contraption to Kitty Hawk: "But will it fly?"

CLICK HERE TO GET IT! (http://sharebee.com/b12b8eb9) (PDF Format)
OR
CLICK HERE TO GET IT! (http://sharebee.com/566ffc6b) (JPG Format)
OR
CLICK HERE TO VIEW IT! (http://www.imagebam.com/gallery/9d7e07efc44a3dc3fe54a99b15d4045f/) (Gallery)


***


http://i45.tinypic.com/juwmu1.jpg

NAME OF THE ROSE is a movie that means nothing to me... though I'm talking of a murder mystery in a monastery, and that sounds just bizarre enough to be up my alley. Plus it has Sean Connery, Christian Slater and Ron Perlman... that's one of the strangest casts ever assembled! Anyway, here's an on-set article from the making of the film, taken from the September 1986 issue of American Film Magazine.

DOWNLOAD LINKS:
RapidShare (http://rapidshare.com/files/179227617/Name_of_the_Rose_American_Film_Magazine_Sept_86.pd f), Sharebee (http://sharebee.com/2aaeaf77) (PDF Format)
OR
RapidShare (http://rapidshare.com/files/179230901/Name_of_the_Rose_-_American_Film_-_September_1986.zip), Sharebee (http://sharebee.com/49656a00) (JPG Format)
OR
CLICK HERE TO VIEW IT! (http://www.imagebam.com/gallery/38390b245334ab6df191717e87b42629/) (Gallery)


***


http://i48.tinypic.com/nexiq1.jpg (http://2.bp.blogspot.com/_D1ZZyTOG7tQ/SPNZBjNS6RI/AAAAAAAAC0M/NGMyXiToFPQ/s1600-h/The_Shining_British_Quad_Poster.jpg)

I have several versions of Wendy Carlos's score for "The Shining," so I'm not sure where this version came from. This is an expanded bootleg version that includes a bunch of tracks that aren't on the official releases (which are overwhelmingly incomplete).

http://i48.tinypic.com/35a3mmf.jpg

01. Main Title (The Shining)
02. Grady's Story
03. Rocky Mountains
04. Lonato
05. New Rules For Wendy
06. Music for Strings, Percussion and Celesta
07. A Horrible Nightmare
08. The Awakening of Jacob
09. Come and Play With Us, Danny
10. De Natura Sonoris No.2
11. Danny's Gone Away
12. De Natura Sonoris No.1
13. Jack Takes Control
14. Hair of the Dog, Home
15. Utrenja (Kanon Paschy)
16. Here's Johnny!
17. Utrenja (Ewangelia)
18. Polymorphia
19. Maze Madness
20. Midnight Stars and You
21. Movie Trailer Music
22. Maze Madness (encore)

CLICK HERE TO GET IT! (http://sharebee.com/a0af5bef)

[La Familia]

http://i48.tinypic.com/2rpr29f.jpg (http://flickeringmyth.blogspot.com/2010/01/absurdity-carnage-coen-brothers-profile.html)


Absurdity & Carnage: A Coen Brothers Profile (Part 1) (http://flickeringmyth.blogspot.com/2010/01/absurdity-carnage-coen-brothers-profile.html)


Trevor Hogg profiles the careers of filmmaking siblings the Coen brothers in the first of a four part feature...

Using a Super 8 camera, Joel and his younger brother Ethan were inspired to remake the Hollywood movies being broadcasted on television; their naivety about motion picture production did not hinder their innovative spirit when shooting a new version of The Naked Prey (1966). “We had very weird special effects in that film,” reminisced Joel Coen of the childhood project entitled Zeimers in Zambia. “We actually had a parachute drop – a shot of an airplane going overhead, then a miniature, then cut to a close-up of the guy against the white sheet as it hit the ground.” Their enthusiasm for the craft of filmmaking led the brotherly duo to venture into the realm of scriptwriting. “The first one was called Coast to Coast,” stated Joel. “We never really did anything with it. It was sort of a screwball-comedy.” The unproduced tale was a product of the brothers’ surrealist sense of humour; it dealt with Chinese communists creating twenty-eight clones of the legendary physicist Albert Einstein.

After their post-secondary studies, the two siblings from Minneapolis, Minnesota reunited in New York; they renewed their creative partnership which proved to be so intuitive that upon meeting the brothers, an interviewer wittingly remarked that the Coens were “joined at the quip”.


Absurdity & Carnage: A Coen Brothers Profile (Part 2) (http://flickeringmyth.blogspot.com/2010/02/absurdity-carnage-coen-brothers-profile.html)


***


Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://avaxhome.ws/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect
of the content of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


Klik na fotke/covere za download knjige:


Mark T. Conard - The Philosophy of the Coen Brothers
Publisher: University Press of Kentucky | 2008-12-12 | ISBN: 081312526X | PDF | 304 pages | 1.20 MB


In 2008 No Country for Old Men won the Academy Award for Best Picture, adding to the reputation of filmmakers Joel and Ethan Coen, who were already known for pushing the boundaries of genre. They had already made films that redefined the gangster movie, the screwball comedy, the fable, and the film noir, among others. No Country is just one of many Coen brothers films to center on the struggles of complex characters to understand themselves and their places in the strange worlds they inhabit. To borrow a phrase from Barton Fink, all Coen films explore “the life of the mind” and show that the human condition can often be simultaneously comic and tragic, profound and absurd.

In The Philosophy of the Coen Brothers, editor Mark T. Conard and other noted scholars explore the challenging moral and philosophical terrain of the Coen repertoire. Several authors connect the Coens’ most widely known plots and characters to the shadowy, violent, and morally ambiguous world of classic film noir and its modern counterpart, neo-noir. As these essays reveal, Coen films often share noir’s essential philosophical assumptions: power corrupts, evil is real, and human control of fate is an illusion. In Fargo, not even Minnesota’s blankets of snow can hide Jerry Lundegaard’s crimes or brighten his long, dark night of the soul.

Coen films that stylistically depart from film noir still bear the influence of the genre’s prevailing philosophical systems. The tale of love, marriage, betrayal, and divorce in Intolerable Cruelty transcends the plight of the characters to illuminate competing theories of justice. Even in lighter fare, such as Raising Arizona and The Big Lebowski, the comedy emerges from characters’ journeys to the brink of an amoral abyss. However, the Coens often knowingly and gleefully subvert conventions and occasionally offer symbolic rebirths and other hopeful outcomes. At the end of The Big Lebowski, the Dude abides, his laziness has become a virtue, and the human comedy is perpetuating itself with the promised arrival of a newborn Lebowski.

The Philosophy of the Coen Brothers sheds new light on these cinematic visionaries and their films’ stirring philosophical insights. From Blood Simple to No Country for Old Men, the Coens’ films feature characters who hunger for meaning in shared human experience—they are looking for answers. A select few of their protagonists find affirmation and redemption, but for many others, the quest for answers leads, at best, only to more questions.


http://i50.tinypic.com/detjcg.jpg (http://avaxhome.ws/ebooks/Mark_T_Conard_The_Philosophy_of_the_Coen_Brothers. html)


Josh Levine - The Coen Brothers: The Story of Two American Filmmakers
Publisher: ECW Press | 2000-08-01 | ISBN: 1550224247 | PDF | 178 pages | 11.43 MB

A terrified woman plunges a knife through the hand of her pursuer. A leftwing playwright turns to the woman in his bed, only to find a river of blood. A baby, left in the middle of the highway, smiles happily. A professional killer stuffs his partner into a woodchipper while a pregnant cop pulls her gun. Welcome to that Coen Brothers feeling. With the smash success of Fargo (winner of two major Academy Awards), the filmmaking team of Joel and Ethan Coen finally received the recognition they deserved. But well before that the two brothers were writing and directing terrific films -- from the film-noir thriller Blood Simple, to the comedy Raising Arizona, to the gangster epic Miller's Crossing, to the bizarre Barton Fink. With each film they have surprised fans and critics alike, always refusing to repeat themselves or compromise their independence. Their upcoming George Clooney film, O Brother, Where Art Thou?, due out in October 2000, is one of the most highly anticipated films of the year. While still in their early twenties, Joel and Ethan Coen raised the money for their first film by knocking on the doors of the wealthy in their native Minnesota. Starring an unknown actress named Frances McDormand (who would later become Joel's wife) it was an art-house hit and allowed the brothers to make Raising Arizona with Nicolas Cage and another Coen brothers' discovery, Holly Hunter. But despite their high reputation, the brothers would not make another financially successful picture for years. Were their films just too offbeat and intellectual? And then came Fargo. Here is the story of how two middle-class Minnesota boys have come to write, shoot, and direct some of the most gruesome,exhilarating, and funny films of our time.


http://i45.tinypic.com/25i0i9z.jpg (http://avaxhome.ws/ebooks/Josh_Levine_The_Coen_Brothers_The_Story_of_Two_Ame rican_Filmmakers.html)


REPLAY


The Coen Brothers Big Lebowski interview (http://www.forum.hr/showpost.php?p=22424236&postcount=24)
Favorite Coen Bros movie? (http://www.forum.hr/showpost.php?p=23053937&postcount=616)
Coenbrothers.net (http://coenbrothers.net/)
Coen Brothers Short from Chacun Son Cinema (http://www.forum.hr/showpost.php?p=22858623&postcount=402)
Podcast interview with the Coen brothers (http://www.forum.hr/showpost.php?p=22763735&postcount=300)
Eseji/NCFOM (http://www.forum.hr/showpost.php?p=22763996&postcount=301)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://musica-de-cinema.blogspot.com/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of
other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


http://i50.tinypic.com/4vo8zr.jpg (http://musica-de-cinema.blogspot.com/)


Goodies, goodies, goodies ALERT!!! Iz ovih stopa javljam dedi da sam mu pronašao OST Taxi Drivera.


:jumping:


Sine (a vrijedi i za kćerke), ožeži po fotkama:


http://i46.tinypic.com/14ncjzd.jpg (http://musica-de-cinema.blogspot.com/2010/02/taxi-driver-1976.html)

http://i50.tinypic.com/2j0bn5z.jpg (http://musica-de-cinema.blogspot.com/2009/11/caes-de-aluguel-1992.html)

Jackie Brown (1997) (http://musica-de-cinema.blogspot.com/2009/10/jackie-brown-1997.html)

http://i50.tinypic.com/2vcdfsw.jpg (http://musica-de-cinema.blogspot.com/2009/10/filmworks-1997.html)

http://i49.tinypic.com/21o7osw.jpg (http://musica-de-cinema.blogspot.com/2009/08/cidade-dos-sonhos-2001.html)

http://i47.tinypic.com/2z4kaau.jpg (http://musica-de-cinema.blogspot.com/2009/06/espera-de-um-milagre-1999.html)

http://i50.tinypic.com/14bu888.jpg (http://musica-de-cinema.blogspot.com/2009/06/um-sonho-de-liberdade-1994.html)

http://i50.tinypic.com/98zofb.jpg (http://musica-de-cinema.blogspot.com/2009/06/perfume-de-mulher-1993.html)

http://i47.tinypic.com/32zrfjb.jpg (http://musica-de-cinema.blogspot.com/2009/05/o-silencio-dos-inocentes-1991.html)


OST INDEX (http://musica-de-cinema.blogspot.com/)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://xtabaysworld.blogspot.com/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content
of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


http://i46.tinypic.com/2qswi3c.jpg (http://xtabaysworld.blogspot.com/)


I know, I know, dizajn bloga ko da ga je slagala Alka Vujica na tripu. Nema veze, bitan je sadržaj (klik na fotke ispod):


http://i50.tinypic.com/m679e.jpg (http://xtabaysworld.blogspot.com/2009/10/ennio-morricone-platinum-collection.html)

Ennio Morricone Platinum Collection Flac

Here's something I found in my travels. Three CDs in the lossless flac format. I'm in the process of converting my entire CD collection into Flac files for easy access and no loss in listening quality.

From the cover blurb: Three CD collection featuring some of the finest music composed by the legendary Ennio Morricone, recent recipient of the Lifetime Achievement Oscar at the 2007 Academy Awards. Features 60 tracks from his early 'spaghetti westerns' to Hollywood blockbusters like The Mission. A stunning, emotional musical trip that can stand on it's own without the listener ever having seen any of the films these tracks were composed for. EMI.

These are not my uploads as my upload speed is too slow to upload these 11 files so thanks to the original uploader.

Get em here . See comments for track list and p/w.


Whoooooa, sve u FLAC (http://en.wikipedia.org/wiki/Free_Lossless_Audio_Codec)-u. Ovdje (http://rapidshare.com/users/5SKJUD), lozinka je: xman :mig:


----


Od ostalih zanimljivih stvari valja izdvojiti (ispravnost linkova provjerite sami):


http://i49.tinypic.com/np47d4.jpg (http://xtabaysworld.blogspot.com/2009/07/ennio-morricone-classic-italian.html)

Ennio Morricone - Classic Italian Soundtracks

I uploaded the first CD of this important retrospective of Morricone's work ages ago. I've decided to post this first and depending on the reaction I will upload CD 2.

Superbly recorded I picked this up still shrink wrapped in a local op shop. I've digitised it at 320kps so the quality is excellent but its quite a large file so its in two parts.

If you like Morricone's work and want to extend your collection past the Leone stuff have a listen and let me know if you want me to upload the second CD.

Track list for both CDs in the comments.

Part 1 (http://rapidshare.com/files/200657340/Ennio_Morricone_Classic_Italian_Soundtracks.rar.00 1) Part 2 (http://rapidshare.com/files/201048390/Ennio_Morricone_Classic_Italian_Soundtracks.rar.00 2) You might need this to join the parts Link (http://www.freebyte.com/hjsplit/)

Helloween Mega-ghoul Post (http://xtabaysworld.blogspot.com/2007/10/helloween-mega-ghoul-post.html)
Soundtracks mega repost (http://xtabaysworld.blogspot.com/2007/09/zorba-greek-repost.html)
101 Strings collection (http://xtabaysworld.blogspot.com/2009/05/101-strings-collection.html)

[La Familia]

http://i47.tinypic.com/33bl2yx.jpg (http://filmstudiesforfree.blogspot.com/p/open-access-film-e-books-list.html)


Open Access Film E-books List (http://filmstudiesforfree.blogspot.com/p/open-access-film-e-books-list.html)


Lijepa kolekcija Open Access knjiga:

Armbrust, Walter, editor. Mass Mediations: New Approaches to Popular Culture in the Middle East and Beyond. Berkeley: University of California Press, c2000 2000
Bloch, R. Howard, and Frances Ferguson, editors Misogyny, Misandry, and Misanthropy. Berkeley: University of California Press, c1989 1989
Bordwell, David, Ozu and the Poetics of Cinema
Brunette, Peter, Roberto Rossellini. University of California Press, c1996 1996
Burch, Noel, To the Distant Observer: Form and Meaning in the Japanese Cinema
Burton, Julianne, The Social documentary in Latin America
Byg, Barton. Landscapes of Resistance: The German Films of Danièle Huillet and Jean-Marie Straub. Berkeley: University of California Press, c1995 1995
Day, James. The Vanishing Vision: The Inside Story of Public Television. Berkeley: University of California Press, c1995 1995
Ronald Duncan, Jean Cocteau: Diary of a Film
Flinn, Caryl. The New German Cinema: Music, History, and the Matter of Style. Berkeley: University of California Press, c2004 2004
Frame, John M., Theology at the Movies
Gutiérrez-Jones, Carl. Rethinking the Borderlands: Between Chicano Culture and Legal Discourse. Berkeley: University of California Press, c1995 1995
Henderson, Brian, and Ann Martin, editors. Film Quarterly: Forty Years - A Selection. Berkeley: University of California Press, c1999 1999
Higashi, Sumiko. Cecil B. DeMille and American Culture: The Silent Era. Berkeley: University of California Press, c1994 1994
Horton, Andrew, Play it again, Sam: retakes on remakes. Berkeley: University of California Press, c 1998 1998
Iampolski, Mikhail. The Memory of Tiresias: Intertextuality and Film. Berkeley: University of California Press, c1998 1998
Jacobs, Lewis, The Rise of the American Film: A Critical History
Johnson, Randal, The film industry in Brazil: culture and the state
Karlstrom, Paul J., editor On the Edge of America: California Modernist Art, 1900-1950. Berkeley: University of California Press, c1996 1996
Kenner, Hugh. Chuck Jones: A Flurry of Drawings, Portraits of American Genius. Berkeley: University of California Press, c1994 1994
Kinder, Marsha. Playing with Power in Movies, Television, and Video Games: From Muppet Babies to Teenage Mutant Ninja Turtles. Berkeley: University of California Press, c1991 1991
Kolker, Robert Philip, The Altering Eye
Kracauer, Siegfried, From Caligari To Hitler: A Psychological History Of The German Film
Laclos, Michel, Le Fantastique au cinéma (in French)
Langdon, Jennifer E., Caught in the Crossfire: Adrian Scott and the Politics of Americanism in 1940s Hollywood
Lawrence, Amy. Echo and Narcissus: Women's Voices in Classical Hollywood Cinema. Berkeley: University of California Press, c1991 1991
Leyda, Jay, Kino A History Of The Russian And Soviet Film
Matsumoto, Valerie J., and Blake Allmendinger, editors Over the Edge: Remapping the American West. Berkeley: University of California Press, c1999 1999
McGilligan, Patrick. Backstory 2: Interviews with Screenwriters of the 1940s and 1950s. Berkeley: University of California Press, c1991
McGilligan, Patrick. Backstory 3: Interviews with Screenwriters of the 60s. Berkeley: University of California Press, c1997 1997
Münsterberg, Hugo, The Photoplay
Murphy, Timothy S. Wising Up the Marks: The Amodern William Burroughs. Berkeley, Calif: University of California Press, c1997 1997
Musser, Charles. Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company. Berkeley: University of California Press, c1991 1991
Paulino Bueno, Eva and Terry Caesar, Imagination beyond nation: Latin American popular culture
Pearson, Roberta E. Eloquent Gestures: The Transformation of Performance Style in the Griffith Biograph Films. Berkeley: University of California Press, c1992 1992
Pudovkin, V.I. Film Technique And Film Acting
Richie, Donald, Japanese Cinema
Riskin, Robert. Six Screen Plays by Robert Riskin. Berkeley: University of California Press, c1997 1997
Rosenbaum, Jonathan. Moving Places: A Life at the Movies. Berkeley: University of California Press, c1995 1995
Rotha, Paul, Rotha On The Film A Selection Of Writings About The Cinema
Rotha, Paul, The Film Till Now: A Survey of World Cinema
Roy, Parama. Indian Traffic: Identities in Question in Colonial and Postcolonial India. Berkeley: University of California Press, c1998 1998
Saunders, Thomas J. Hollywood in Berlin: American Cinema and Weimar Germany. Berkeley: University of California Press, c1994 1994
Schivelbusch, Wolfgang. In a Cold Crater: Cultural and Intellectual Life in Berlin, 1945-1948. Berkeley: University of California Press, c1998 1998
Smoodin, Eric, and Ann Martin, editors. Hollywood Quarterly: Film Culture in Postwar America, 1945-1957. Berkeley: University of California, c2002 2002
Tai, Hue-Tam Ho, editor. The Country of Memory: Remaking the Past in Late Socialist Vietnam. Berkeley: University of California Press, 2001
Toepfer, Karl. Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910-1935. Berkeley: University of California Press, c1997 1997
Walters, Suzanna Danuta. Lives Together/Worlds Apart: Mothers and Daughters in Popular Culture. Berkeley: University of California Press, 1992
Wees, William C. Light Moving in Time: Studies in the Visual Aesthetics of Avant-Garde Film. Berkeley: University of California Press, c1992 1992
Yeh, Wen-hsin, editor. Becoming Chinese: Passages to Modernity and Beyond. Berkeley: University of California Press, c2000 2000
Youngblood, Gene, Expanded Cinema
Zolov, Eric. Refried Elvis: The Rise of the Mexican Counterculture. Berkeley: University of California Press, c1999 1999 (http://filmstudiesforfree.blogspot.com/p/open-access-film-e-books-list.html)

Also see:

• The Online Books Page (UPenn.edu) (http://onlinebooks.library.upenn.edu/)
• The Online Archive of the University of California Press (http://www.escholarship.org/editions/)

[La Familia]

http://i50.tinypic.com/j8dzea.jpg (http://www.spiegel.de/international/zeitgeist/0,1518,676868,00.html)


Is Roman Polanski's New Film Really about Him? (http://www.spiegel.de/international/zeitgeist/0,1518,676868,00.html)


Roman Polanski's latest thriller, "The Ghost Writer," celebrates its world premiere in Berlin this week -- though without the director. Polanski was arrested in Switzerland last September over a 1977 case involving unlawful sex with a 13-year-old and remains there under house arrest. The film could be seen as a comment on his own situation.

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://avaxhome.ws/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect
of the content of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


Naramak odličnih knjiga - klikajte po fotkama/coverima/linkovima (hm, ovo čudo (http://www.shufflegazine.com/wp-content/uploads/2010/01/ipad_2up_hometimes1.jpg) zaista ima smisla nabaviti u dogledno vrijeme):


http://i46.tinypic.com/5m0l1j.jpg (http://avaxhome.ws/ebooks/Photo_related/eatonchinatown.html)

Michael Eaton, Chinatown (BFI Film Classics) (http://avaxhome.ws/ebooks/Photo_related/eatonchinatown.html)
BFI | 1997 | ISBN 0851705324 | 97 Pages | PDF | 7.4 MB

Directed in 1974 by Roman Polanski from a script by Robert Towne, Chinatown is a brilliant reworking of film noir set in a drought-stricken Los Angeles of the 1930s. Jack Nicholson, in one of his most celebrated roles, stars as a Private Eye who, despite his best intentions, can only bring disaster upon the enigmatic woman he has come to love. The reassuringly familiar conventions of the thriller are dissected to expose a chaos of political corruption and violent sexuality lurking beneath a glittering, sun-drenched surface. Michael Eaton analyses Chinatown in the context of the figure of the detective in literature and film from Sophocles to Edgar Allan Poe and Alfred Hitchcock. In a searching detailed and entirely absorbing account of the narrative development and visual style of Chinatown, Eaton uncovers both the film's relationship to the pessimism of American cinema in the 1970s and its veritably mythical structure and power.


http://i50.tinypic.com/343kdq1.jpg (http://avaxhome.ws/ebooks/Photo_related/TerminatorBFI.html)

Sean French, The Terminator (BFI Modern Classics) (http://avaxhome.ws/ebooks/Photo_related/TerminatorBFI.html)
BFI | 1996 | ISBN 0851705537 | 72 Pages | 3.6 MB

20 b/w photographs. Made on a low budget, The Terminator was one of the most influential films of the 1980s. Combining explosive special effects and an intricate time-travel plot, it set Arnold Schwarzenegger on the road to superstardom and allowed its director, James Cameron, to go on to make some of the most expensive films of all time. Resolutely populist, accomplished, and instantly memorable, The Terminator has dramatically outlived its humble beginnings. Sean French places The Terminator in the context of the exploitation films in which both Cameron and Schwarzenegger learnt their craft. French discusses the making of the film, its sources, and the extent of its influence. He argues that The Terminator's visual flair, stylized acting, and choreographed violence are so compelling not so much because they offer intellectual rewards but because they traffic in the darker, more visceral pleasures of movie-going.


http://i49.tinypic.com/2q029l4.jpg (http://avaxhome.ws/ebooks/Photo_related/redriver.html)

Suzanne Liandrat-Guigues, Red River (BFI Film Classics) (http://avaxhome.ws/ebooks/Photo_related/redriver.html)
BFI | 2001 | ISBN 0851708196 | 70 Pages | PDF | 5.2 MB

Illustrated Red River (1947) is one of Howard Hawks' near-perfect films. A sweeping, fast-moving Western, it's stunningly shot and stars John Wayne and Montgomery Clift in complex roles set off by typically fine ensemble acting. In her study, Suzanne Liandrat-Guigues explores the thematic complexity of Red River as well as its historical resonances and its place in film history. She focuses particular attention on the actors' contributions and on Red River's relationship to other Hawks classics.


http://i45.tinypic.com/210wra1.jpg (http://avaxhome.ws/ebooks/Ed_Wood.html)

Rob Craig, «Ed Wood, Mad Genius: A Critical Study of the Films» (http://avaxhome.ws/ebooks/Ed_Wood.html)
McFarland | ISBN: 0786439556 | 2009-08-13 | PDF | 314 pages | 4.18 MB

Filmmaker Ed Wood was controversial and critically maligned, even labeled "the worst director of all time," yet he achieved cult status and remains of great interest today. This book frames Wood's work, such as the cross-dressing themed Glen or Glenda? and the haphazard Bride of the Monster, as reflections of the culture of their era. Wood invariably worked with infinitesimal budgets, shooting at breakneck speed, incorporating plot twists that defied all logic. Yet there was a tangible if unfocused thematic thrust to Wood's films, which meditate fitfully on gender, religion and society, revealing a "holy trinity" of fixations--sex, death and resurrection. Wood's infamous Plan 9 From Outer Space encapsulates the fixations and flaws that were his hallmarks, and with 22 other films, is explored here. A filmography and 51 photographs are included.


http://i49.tinypic.com/24g23w1.jpg (http://avaxhome.ws/ebooks/Photo_related/0240810880.html)

Video Shooter, Second Edition: Storytelling with HD Cameras (http://avaxhome.ws/ebooks/Photo_related/0240810880.html)
Publisher: Focal Press | ISBN: 0240810880 | edition 2009 | PDF | 317 pages | 40,4 mb

Cinematic insights and techniques meet high-definition when veteran shooter shares the secrets of the video storytelling craft!


http://i45.tinypic.com/x3edmr.jpg (http://avaxhome.ws/ebooks/Photo_related/0810855895234234.html)

Historical Dictionary of Westerns in Cinema (Historical Dictionaries of Literature and the Arts) by Paul Varner (http://avaxhome.ws/ebooks/Photo_related/0810855895234234.html)
Publisher: The Scarecrow Press, Inc. | Number Of Pages: 288 | Publication Date: 2008-05-28 | ISBN-10: 0810855895 | PDF | 1 Mb

In the world of cinema, some things remain static and some things change. The Western was for a very long time a genre that remained static. In any given Western, it did not take long to identify the good guys and the bad guys; then after a bit of rousing action, the good guys beat the bad guys, righted various wrongs, and rode off into the sunset. At present, that sort of scenario is hardly imaginable and would not be very popular since it is no longer perceived as the real world. Nowadays the good guys have questionable characteristics, the bad guys often possess a streak of decency, and the cast of characters has broadened to include many who were previously nearly invisible. Women, gays, African Americans, and Native Americans finally appear as real people and not just convenient villains. These changes, which mirror changes in society, have given the Western a new lease on life, resulting in films that could not have been produced or conceived of in earlier decades.


http://i48.tinypic.com/9glft5.jpg (http://avaxhome.ws/ebooks/business_job/Brand_Bollywood.html)

Derek Bose, "Brand Bollywood: A New Global Entertainment Order" (http://avaxhome.ws/ebooks/business_job/Brand_Bollywood.html)
Sage Publications Pvt. Ltd | 2006 | ISBN: 0761935347 | 240 pages | PDF | 1 MB

Based on original research, this book draws on the author's personal observations and extensive discussions with film makers, media professionals and market players. It is backed by data from a variety of surveys, audit studies and annual reports. Derek Bose uses these sources to arrive at conclusions that place the issue of media convergence in the framework of film development.


http://i48.tinypic.com/1zv7fc0.jpg (http://avaxhome.ws/ebooks/Asbjorn_Gronstad_Transfigurations_9089640109.html)

Asbjørn Grønstad - Transfigurations : Violence, Death and Masculinity in American Cinema (http://avaxhome.ws/ebooks/Asbjorn_Gronstad_Transfigurations_9089640109.html)
Amsterdam University Press | ISBN: 9089640109 | 2008 | PDF | 288 pages | 3.46 Mb

In many senses, viewers have cut their teeth on the violence in American cinema: from Anthony Perkins slashing Janet Leigh in the most infamous of shower scenes; to the 1970s masterpieces of Martin Scorsese, Sam Peckinpah and Francis Ford Coppola; to our present-day undertakings in imagining global annihilations through terrorism, war, and alien grudges. Transfigurations brings our cultural obsession with film violence into a renewed dialogue with contemporary theory. Grønstad argues that the use of violence in Hollywood films should be understood semiotically rather than viewed realistically; Tranfigurations thus alters both our methodology of reading violence in films and the meanings we assign to them, depicting violence not as a self-contained incident, but as a convoluted network of our own cultural ideologies and beliefs.


http://i48.tinypic.com/2lvmy4w.jpg (http://avaxhome.ws/ebooks/Tom_Ryall_Alfred_Hitchcock_and_the_British_Cinema_ With_a_New_Introduction.html)

Tom Ryall - Alfred Hitchcock and the British Cinema: With a New Introduction (http://avaxhome.ws/ebooks/Tom_Ryall_Alfred_Hitchcock_and_the_British_Cinema_ With_a_New_Introduction.html)
Publisher: Athlone Press | 1996-09 | ISBN: 0485121220 | PDF | 193 pages | 10.95 MB

An account of Hitchcock's British films and film-making, now in its second edition, this study discusses the man and his work in the context of the history of British cinema in the 1930s and 1940s.


http://i46.tinypic.com/29lbo29.jpg (http://avaxhome.ws/ebooks/Photo_related/DSFGSDFSS.html)

American Cinema of the 1990s: Themes and Variations (Screen Decades American Culture / American Cinema) (http://avaxhome.ws/ebooks/Photo_related/DSFGSDFSS.html)
Christine Holmlund | Rutgers University Press | Pages: 304 | 2008-10-01 | ISBN : 0813543657 | PDF | 2.5 MB

With the U.S. economy booming under President Bill Clinton and the cold war finally over, many Americans experienced peace and prosperity in the nineties. Digital technologies gained popularity, with nearly one billion people online by the end of the decade. The film industry wondered what the effect on cinema would be.

The essays in American Cinema of the 1990s examine the big-budget blockbusters and critically acclaimed independent films that defined the decade. The 1990s' most popular genre, action, channeled anxieties about global threats such as AIDS and foreign terrorist attacks into escapist entertainment movies.

[La Familia]

http://i46.tinypic.com/16joprk.jpg
imdb (http://www.imdb.com/title/tt1023144/)


Brando The Documentary


As originally screened at the Tribeca Film Festival, at the Cannes Film Festival, and on Turner Classic Movies, the mammoth, epic-length documentary Brando chronicles in encyclopedic detail (and with a consistently reverent overtone) the life and career of the man widely regarded as the most formidable American actor of the 20th century - famous for not only reshaping, but reinventing the craft of film acting and teaching audiences how to view a motion picture performance. Divided into chronological, thematically-unified segments, the film first treats Marlon Brando’s dysfunctional upbringing - his alcoholic mother, his abusive father, his stint at a military academy - before charting his acting tutelage at the behest of Stella Adler and his early cinematic and theatrical roles, including work for Elia Kazan, who famously made many aggressive (and unsuccessful) attempts to discipline the headstrong actor onscreen. Throughout this segment, many Hollywood A-list actors appear - among them, Al Pacino, Johnny Depp and Robert Duvall - expostulating at length on Brando’s influence over their approaches to performance, and attempting with great effort to define the elusive style known as "method acting" that Brando helped to create. The second half of the documentary moves into Brando’s career during the ’70s, ’80s and ’90s, covering the production of The Godfather, the actor’s noteworthy political activism, and his tumultuous personal life. Francis Ford Coppola, who of course teamed with Brando for the first Godfather installment and for Apocalypse Now, is noticeably absent from the proceedings.


http://i45.tinypic.com/169er89.jpg (http://www.megavideo.com/?v=BXKLIQ46)


Potražite 'high-res' torrent, to se mora pogledati/imati. :)

Sistemom spojenih posuda:


http://i47.tinypic.com/72rhxf.jpg (http://avaxhome.ws/ebooks/history_military/vdfhy5e6uhgfx.html)

Elia Kazan: The Cinema of an American Outsider (Cinema and Society) (http://avaxhome.ws/ebooks/history_military/vdfhy5e6uhgfx.html)
Publisher: I. B. Tauris | ISBN: 1845115600 | edition 2008 | PDF | 256 pages | 3,7 mb

Drawing on new and previously neglected sources, this book is an expert and timely reassessment of Elia Kazan’s life in the cinema. The result is a fresh and memorable portrait of both the man and his work which highlights the remarkable and enduring contribution to American, and world, cinema of this ever fascinating, Oscar-winning director.Author Brian Neve examines Kazan’s key artistic collaborations--with actors such as Marlon Brando and James Dean and playwrights such as Tennessee Williams and John Steinbeck--and analyzes his cinematic style, from visual techniques to recurrent themes in films such as A Streetcar Named Desire and On the Waterfront. He takes an in-depth look at the controversial Congressional testimony which Kazan gave to HUAC in 1952, for which he was ostracized by many, and which often overshadowed his cinematic achievements. Neve also assesses Kazan and his films in a wider political and cultural context, tracing the evolution of the filmmaking process through the changing role of the studio, the Red Scares of the late 1940s, and the censorship debates of the 1950s and 1960s.

[La Familia]

http://i50.tinypic.com/1196jyt.jpg


Screenwriters Talk Up, The Hurt Locker, Precious, Up in the Air, Star Trek (http://blogs.indiewire.com/thompsononhollywood/2010/02/14/screenwriters_talk_hurt_locker_precious_up_in_the_ air_star_trek1/?)


Every writer on this year’s annual Santa Barbara Film Festival “It Starts with a Script” panel wrote a screenplay that was personal, on some level—even Up writer-director Pete Docter and Star Trek‘s Alex Kurtzman. And they all mixed up their genres, too.


http://i48.tinypic.com/2r790y8.jpg (http://www.youtube.com/watch?v=GXkPc3RIExo)


Awards Watch: Major categories (http://www.hollywoodreporter.com/hr/content_display/news/e3i1403cd968283bfb50d88ca48dec1e252)


Not long ago, Lee Daniels received a phone call out of left field: George Lucas had seen his film "Precious" and wanted the director to come to his Skywalker Ranch for a visit. Daniels flew up north, had lunch with Lucas and even spent the night in one of his cottages.

"I was nervous and intimidated at first," recalls Daniels, who brought along his leading lady, Gabourey Sidibe. "Then we just kicked back and talked about life and about how the film affected him and his girlfriend. We also talked how sound can help me on my next movie, because I have limited funds. It was a really chill conversation."

Daniels says he now has a new friend whom "I can feel free to call for further advice." Having Lucas as a mentor is just one of the doors that have opened for Daniels as a result of "Precious." And he's not alone: For many of this year's Oscar nominees, the success of their films has resulted in unimaginable job offers, higher paychecks, more respect within the industry and incoming phone calls from Hollywood power players.

http://i49.tinypic.com/rr77o9.jpg
"Before, I complained that I would only get considered for a specific
type of film, but now they're all over the place." -- Lee Daniels

Daniels, who is nominated in two categories -- best picture and best director -- says he's been offered up to $2.5 million to direct everything from a Western to a musical. That's a far cry from the roughly $600,000 he received for "Precious," which he also produced.


Primjer kako to (ne) izgleda kod nas, :zubo::


http://i49.tinypic.com/11c75av.jpg


Ante Tomić: Nakon vica o Muji i ljubavnici postali smo razvratni (http://www.jutarnji.hr/ante-tomic--kako-sam-pisao-scenarij-za-film/559612/)


Ne događa se često, ali nekad i na ulici nađete prekrasnu rečenicu. Jedno sam popodne izašao iz kuće i hodao nekoliko metara iza niže, debeljuškaste plave žene pedesetih godina. Ona je bila sama i nije telefonirala. Napominjem to jer je iz nje, samo tako, bez razloga, odjednom provalila kletva na jeziku moga zavičaja: “Đava te odnio i ko te na me namirio i čas i minut kad san se za te udala.”

Zapanjeno sam se osvrnuo ne razumijevajući isprva kome je ovo bilo upućeno, a onda shvatio da je posrijedi vjerojatno zakasnjeli odjek bračne svađe s muškarcem kojega je plava gospođa maločas ostavila u dnevnoj sobi na kauču. Ostao sam na trenutak potpuno zatravljen njezinom odlučnom, u dahu izrečenom kletvom, a samo nekoliko sekundi kasnije točno znao gdje ću je upotrijebiti u scenariju koji sam pisao s Rajkom Grlićem.


Nešto sitno za ubost (sve .pdf download):

THE WOLFMAN (2010) Screenplay (http://www.mediafire.com/download.php?nzc5ntzzmqi)
VALENTINE’S DAY (2010) Screenplay (http://www.mediafire.com/download.php?jczwyazuzmm)
PERCY JACKSON & THE OLYMPIANS: THE LIGHTNING THIEF (2010) Screenplay (http://www.mediafire.com/download.php?hzdiozahyzc)
DEAR JOHN (2010) Screenplay (http://www.mediafire.com/download.php?j5ytgylwzyy)
CASE 39 (2010) Screenplay (http://www.mediafire.com/download.php?bmmxjoejzw2)
THE RING (2002) Screenplay (http://www.mediafire.com/download.php?djztwzmkrzn)
A BEAUTIFUL MIND (2001) Screenplay (http://www.mediafire.com/?gzlfmlyiy2y)
THE TERMINATOR (1984) Screenplay (http://www.mediafire.com/download.php?um4zznvt1kn)
TERMINATOR 2: JUDGMENT DAY (1991) Screenplay (http://www.mediafire.com/download.php?yzntmjtzwmg)

[La Familia]

http://i50.tinypic.com/axi5oh.jpg (http://www.esquire.com/features/roger-ebert-0310)


Roger Ebert: The Essential Man (http://www.esquire.com/features/roger-ebert-0310)


It has been nearly four years since Roger Ebert lost his lower jaw and his ability to speak. Now television's most famous movie critic is rarely seen and never heard, but his words have never stopped.

[La Familia]

http://i46.tinypic.com/23kw1vl.jpg (http://www.ted.com/)


Zbori zamjenik predstojnika Ureda predsjednika Republike Hrvatske, Marko Rakar (http://mrak.org/2010/02/06/ted-ideje-vrijedne-sirenja/):


TED je kratica od Technology Entertainment Design, no sama konferencija je po mom mišljenju odavno prešla limite tih riječi te je puno bolje opisuje slogan “Ideje vrijedne širenja“.

Bio sam na puno konferencija širom svijeta ali moram priznati da me nijedna ne veseli toliko koliko TED, a ono što me u biti oduševilo (ne računajući sjajne TED talks) je to što je temeljni kriterij dolaska na konferenciju uvjerenje organizatora da će baš taj polaznik ono što stekne na TEDu vratiti zajednici – a što TEDu naravno daje dodatnu snagu. Lista sudionika je u najmanju ruku impresivna i sastoji se od najpametnijih do najbogatijih ljudi svijeta i ono što je najbitnije ni na koji način nisu odvojenih od nas običnih smrtnika. Ove godine osim multimilijardera iz Microsofta, Googlea, Facebooka tu su i nobelovci, umjetnici i općenito sjajni ljudi poput npr. akademika Ken Robinsona, komičara Ze Franka i mnogih drugih.

TED je vrlo ambiciozni cilj, no puno od TEDa možete dobiti i samo promatranjem TED Talks-a, a možete pripaziti i na najavu TEDx eventa koji će se desiti u Zagrebu, a ako se fakat zapalite za TED kao što se to meni desilo, onda možete učiniti nešto i za promociju TEDa tako da postanete TED prevoditelj (link vodi na facebook grupu gdje su hrvatski predvoditelji TED govora).


J.J. Abrams' mystery box (http://www.ted.com/talks/j_j_abrams_mystery_box.html)


J.J. Abrams traces his love for the unseen mystery –- a passion that’s evident in his films and TV shows, including Cloverfield, Lost and Alias -- back to its magical beginnings.

http://i49.tinypic.com/2hgbuo7.jpg (http://www.ted.com/talks/j_j_abrams_mystery_box.html)


Ed Ulbrich: How Benjamin Button got his face (http://www.ted.com/talks/ed_ulbrich_shows_how_benjamin_button_got_his_face. html)


Ed Ulbrich, the digital-effects guru from Digital Domain, explains the Oscar-winning technology that allowed his team to digitally create the older versions of Brad Pitt's face for "The Curious Case of Benjamin Button."

http://i47.tinypic.com/hv7vvq.jpg (http://www.ted.com/talks/ed_ulbrich_shows_how_benjamin_button_got_his_face. html)


JK Rowling: The fringe benefits of failure (http://www.ted.com/talks/jk_rowling_the_fringe_benefits_of_failure.html)

At her Harvard University commencement speech, "Harry Potter" author JK Rowling offers some powerful, heartening advice to dreamers and overachievers, including one hard-won lesson that she deems "worth more than any qualification I ever earned."


***

http://i47.tinypic.com/29capnq.jpg (http://theplaylist.blogspot.com/2010/02/in-depth-look-at-paul-thomas-andersons.html)


An In-Depth Look At Paul Thomas Anderson's 'The Master' Religious Cult Screenplay (http://theplaylist.blogspot.com/2010/02/in-depth-look-at-paul-thomas-andersons.html)


A script purporting to be Paul Thomas Anderson's untitled new drama, which centers around religion — affectionately being dubbed "The Master" by many — has been making the rounds.

Let us reassure you. It's very real.


***


"THE FACTS DON'T REALLY MATTER:" AN INTERVIEW WITH RAMIN BAHRANI (http://www.theauteurs.com/notebook/posts/1423)


***


http://i46.tinypic.com/k1xg6a.jpg (http://www.nytimes.com/interactive/2010/02/17/magazine/20100221-oscars-photo-slideshow.html?hp=&adxnnl=1&adxnnlx=1266441881-gHHD0JP7mJcbPingQS3WsA)


S posebnim naglaskom:


http://i48.tinypic.com/2ur9wk4.jpg (http://www.nytimes.com/interactive/2010/02/17/magazine/20100221-oscars-photo-slideshow.html?hp=&adxnnl=1&adxnnlx=1266441881-gHHD0JP7mJcbPingQS3WsA)


Nakon kina, Crazy Heart pogledan je i drugi put. Mislim da ću si priuštiti i treće gledanje. BTW, od prekjučer je vani i DVD screener (na svim boljim trackerima, preporuka).


***


Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet.
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency,
or any other aspect of the content of other linked sites. If you have any legal issues please contact
appropriate media file owners/hosters.


Nešto za ubost (.pdf download):

TERMINATOR 3: RISE OF THE MACHINES (2003) Screenplay (http://www.mediafire.com/download.php?lzkaz42nwin)
TERMINATOR SALVATION (2009) Screenplay (http://www.mediafire.com/download.php?km5myjnmnwj)

Nažalost, više primjeri kako upropastiti franšizu.

http://i50.tinypic.com/v73y86.jpg (http://avaxhome.ws/ebooks/Photo_related/The_Book_of_Lists_Horror.html)

The Book of Lists: Horror: An All-New Collection Featuring Stephen King, Eli Roth, Ray Bradbury, and More, with an Introduction by Gahan Wilson (http://avaxhome.ws/ebooks/Photo_related/The_Book_of_Lists_Horror.html)
Harper Paperbacks | September 16, 2008 | ISBN: 0061537268 | 432 pages | PDF | 2.53 MB

Chock-full of creepy information from the netherworlds of movies, TV, literature, video games, comic books, and graphic novels, The Book of Lists: Horror offers a blood-feast of forbidden knowledge that horror fans are hungry to devour, including:

* Stephen King's Ten Favorite Horror Novels or Short Stories—learn what scares the master!
* Top Six Grossing Horror Movies of All Time in the United States— which big shocks translated into big bucks?
* Top Ten Horror-Themed Rock 'n' Roll Songs—maybe it is ‘devil's music' after all!
* And much, much more!

Drawing on its authors' extensive knowledge and contributions from the (living) legends and greatest names in the horror and dark fantasy genres, The Book of Lists: Horror is a scream—an irresistible compendium of all things mysterious, terrifying, and gory . . . and so entertaining, it's scary!

The Anime Encyclopedia: A Guide to Japanese Animation Since 1917 (http://avaxhome.ws/ebooks/encyclopedia_dictionary/9781933330105.html)

The Anime Encyclopedia: A Guide to Japanese Animation Since 1917
By Jonathan Clements and Helen McCarthy
Stone Bridge Press | Revised and Expanded Ed. | November 1, 2006 | ISBN: 9781933330105 / 1933330104
English | 867 pages | HQ PDF | 133.2 MB | RS

From the first examples in 1917 to today's feature-length animated masterpieces like Princess Mononoke, Japanese animation (or anime) has drawn a devoted international fan base. For quite some time, these enthusiasts have needed an all-encompassing, detail-oriented reference work. Fortunately, Clements and McCarthy, who coedited The Erotic Anime Movie Guide and have an outstanding history in anime indexing, translation, and criticism, are just the folks to carry it off. Choosing the best examples from a field that was about twice the final number of entries, the authors review and detail more than 2000 anime films and TV series. Each entry includes a short synopsis, commentary, details about key creative personnel, and evaluation of the work's significance. Over 100 illustrations representing major releases are sprinkled throughout. Other notable features include a selective bibliography, a name/studio index, and a title index that makes it easy to go right to the vital information about a particular example. The end product is a huge, exhaustive, timely, and authoritative compendium of information that will be appreciated by anime experts and neophytes alike. Recommended for all libraries and essential for film and media collections. ~David M. Lisa, Wayne P.L., NJ

Natalie Portman: Queen of Hearts By James L. Dickerson (http://avaxhome.ws/ebooks/biography/1550224921.html)

Natalie Portman: Queen of Hearts By James L. Dickerson
Publisher: ECW Press 2002 | 224 Pages | ISBN: 1550224921 | PDF | 8 MB

Natalie Portman is only 20 years old, but already she has co-starred in nine films with everyone from Woody Allen to Al Pacino and is considered the best young actress in Hollywood. In the first biography of this dynamic star, Dickerson examines the charm and wit of her professional persona, while revealing the emotional life of the real Portman. From her relationship with her parents, her long friendship with Britney Spears, her life at Harvard, and her involvement in Star Wars, this book delves into a story never before told. Illustrated with 8 colour and 15 b/w photos.

Reading 24: TV against the Clock (Reading Contemporary Television) (http://avaxhome.ws/ebooks/Photo_related/adfa5222222222.html)

Sjajna knjiga:

Reading 24: TV against the Clock (Reading Contemporary Television)
Steven Peacock | I. B. Tauris | Pages: 256 | 2007-02-15 | ISBN : 1845113292 | PDF | 1.64 MB

Time has named 24 one of the "Best Television Events of the Decade." With an innovative format that uses one hour of real time for each episode, and a season that comprises one twenty-four hour period, the show zeroes in on the fears and dangers of a post-9/11 world and the ways in which threats are transmitted, tracked down, and fought. From assassination attempts and germ warfare to horrific terrorist plots, Kiefer Sutherland's Agent Jack Bauer embodies America's darkest fears and its perilous place in the world today. This book brings together critical discussions of the series from many different perspectives. It covers everything from the show's unconventional format to discussions of globalism, oil, the politics of torture, and gender, and includes an episode guide.

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://avaxhome.ws/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect
of the content of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


Zaboravih. :bonk: Ipak ne, bio bi grijeh pokojnog Stanleyja gurati u onaj prethodni kupus od posta. :D


http://i48.tinypic.com/359z6o0.jpg (http://avaxhome.ws/ebooks/The_Encyclopedia_of.html)


Rodney Hill, Gene D. Phillips, «The Encyclopedia of Stanley Kubrick» (http://avaxhome.ws/ebooks/The_Encyclopedia_of.html)
Facts on File | ISBN: 0816043884 | 2002-06 | PDF | 422 pages | 5.97 MB

From anti-war dramas such as "Paths of Glory" to the complexity of his final film, "Eyes Wide Shut", controversial film director Stanley Kubrick always commanded his audience's attention. This encyclopaedia offers complete coverage of his life and the 13 feature films he directed, including "2001, A Space Odyssey", "A Clockwork Orange",and "The Shining". In-depth entries survey: the actors who performed in his films, the writers with whom he collaborated, key members of his crew, inspiration for his movies; music and composers for his films, and recurring themes and genres.

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://avaxhome.ws/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect
of the content of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


http://i49.tinypic.com/m9rnlh.jpg (http://avaxhome.ws/ebooks/Photo_related/metropolisbfi.html)


Elsaesser, Metropolis (BFI Film Classics) (http://avaxhome.ws/ebooks/Photo_related/metropolisbfi.html)
BFI | 2000 | ISBN 0851707777 | 96 Pages | PDF | 3 MB

Illustrated Metropolis (1925) is a monumental work. When it was made it was Germany's most expensive feature film, a canvas for director Fritz Lang's increasingly extravagant ambitions (it took sixteen months to film). Lang, inspired by the skyline of New York, created a whole new vision of cities. One of the greatest works of science fiction, the film also tells human stories about love and family. In this book, Thomas Elsaesser explores the cultural phenomenon of Metropolis: its different versions (there is no definitive one), its changing meanings, its role as a storehouse or database of the 20th century.


http://i46.tinypic.com/211ro8y.jpg (http://avaxhome.ws/ebooks/Photo_related/9780073310282.html)


The Art of Watching Films with Tutorial CD-ROM (http://avaxhome.ws/ebooks/Photo_related/9780073310282.html)
By Joe Boggs and Dennis Petrie
McGraw-Hill | 7th Ed. | December 12, 2006 | ISBN: 9780073310282 / 9780073535074 / 007331028X
English | 608 pages | HQ PDF | 89.6 MB + 157 MB | Rapidshare*

This introduction to film appreciation uses both contemporary and classic movies to help students develop critical skills in the analysis and evaluation of film. By suggesting what to look for and how to look for it, the text challenges students to sharpen their powers of observation, establish habits of perceptive watching, and discover complex aspects of film art that will further enhance their enjoyment of watching films. In addition it makes the link from literature to film in chapters on Thematic Elements, Fictional and Dramatic Elements and a unique chapter on Adaptions.

*dolje u komentarima


http://i46.tinypic.com/w0jl2b.jpg (http://avaxhome.ws/ebooks/Photo_related/0240812913.html)


The Grip Book By Michael Uva (http://avaxhome.ws/ebooks/Photo_related/0240812913.html)
Publisher: Focal Press 2009 | 496 Pages | ISBN: 0240812913 | PDF | 13 MB

The Grip Book, Fourth Edition has been updated and revised to be even more valuable to professional grips-the "jack-of-all-trades and master of all" on a film or video set. Grips install, set up, maintain, and ensure the safety of all equipment needed on a set, such as lighting stands, cameras, and any specialty equipment needed for a shoot. This new edition contains the latest information about the latest equipment and has been updated to reflect changes in the industry including CGI screen setup and 'cleaning up the perms.' The Grip Book also teaches readers how to become a professional grip and have a successful career, and will continue to be an indispensable learning tool and reference for grips of all experience levels.

* Known as "the bible" for grips on TV and movie sets, professionals know it and love this well-respected and heavily-illustrated classic from a knowledgeable and well-known author and grip
* Includes a website with visual demonstration videos and hundreds of illustrations help clarify and demonstrate concepts
* Covers new topics such as CGI screens and perms and includes a slew of new glossary terms and slang words that all grips need to know


http://i48.tinypic.com/2iudhuf.jpg (http://avaxhome.ws/ebooks/biography/0446580821.html)


J. Randy Taraborrelli "The Secret Life of Marilyn Monroe" (http://avaxhome.ws/ebooks/biography/0446580821.html)
Publisher: Grand Central Publishing 2009 | 576 Pages | ISBN: 0446580821 | PDF | 1.4 MB

From New York Times bestselling author J. Randy Taraborrelli comes the definitive biography of the most enduring icon in popular American culture.
When Marilyn Monroe became famous in the 1950s, the world was told that her mother was either dead or simply not a part of her life. However, that was not true. In fact, her mentally ill mother was very much present in Marilyn's world and the complex family dynamic that unfolded behind the scenes is a story that has never before been told...until now. In this groundbreaking book, Taraborrelli draws complex and sympathetic portraits of the women so influential in the actress' life, including her mother, her foster mother, and her legal guardian. He also reveals, for the first time, the shocking scope of Marilyn's own mental illness, the identity of Marilyn's father and the half-brother she never knew, and new information about her relationship with the Kennedy's-Bobby, Jack, and Pat Kennedy Lawford. Explosive, revelatory, and surprisingly moving, this is the final word on the life of one of the most fascinating and elusive icons of the 20th Century.


http://i50.tinypic.com/j8dsw7.jpg (http://avaxhome.ws/ebooks/encyclopedia_dictionary/9781889288529.html)


Japanese Cinema Encyclopedia: The Sex Films (http://avaxhome.ws/ebooks/encyclopedia_dictionary/9781889288529.html)
By Thomas Weisser Yuko Mihara Weisser
Vital Books | November 1998 | ISBN: 9781889288529 / 1889288527
English | 637 pages | HQ PDF | 151.2 MB | RS

This book, by Thomas and Yuko Mihara Weisser of Asian Cult Cinema fame, takes on the "Pink Film" era with an unprecedented scope. The era of the "Pink Films," one of cultural and artistic daring and experimentation in Japan, has hardly been chronicled in the English language, but this book solves that problem! The book is a giant volume, filled with reviews and articles. The Weissers made it their intent to catalog every "Pink Film" that had a theatrical release, and they come as close to doing that as possible! Add to that the intelligent, thought-provoking articles on the history of the medium and an introduction by "Pink Film" star of stars, Naomi Tani, and the result is an absolutely stunning achievement in film history and criticism! A must-have work for any Japanese film completist.

[La Familia]

SHUTTER ISLAND (2010) Screenplay (http://www.mediafire.com/download.php?hzddjcyn2zv)


http://i49.tinypic.com/vhq1l0.png (http://www.mediafire.com/download.php?hzddjcyn2zv)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://avaxhome.ws/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect
of the content of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://i46.tinypic.com/iwhfm0.jpg (http://avaxhome.ws/ebooks/Photo_related/0240516842.html)

Fine Cuts: The Art of European Film Editing (http://avaxhome.ws/ebooks/Photo_related/0240516842.html)
Publisher: Focal Press | ISBN: 0240516842 | edition 2005 | PDF | 417 pages | 10,4 mb

'The cutting room is where you learn how to make films, where you face up to your limitations and realise what you should have done. So you'd better have a good relationship with your editor. The people talking here are amongst the best. Treat them well.' Stephen Frears - director of 'Prick up Your Ears', My Beautiful Launderette', 'Dangerous Liaisons', 'The Grifters' and 'The Snapper' "Crittenden has juxtaposed individual interviews with essays and critical arguments by some of the directors who worked alongside these editors. Essays by Godard and Truffaut, for example, usefully bookend the interview with Guillemot. For anyone who has enjoyed the French New Wave, Italian Neo-Realism or the films of Andrei Tarkovsky or Ingmar Bergman, Crittenden's volume will be essential reading." Ray Zone - American Editors Guild magazine 'The editors I know are full of insights and revealing stories about their work - this looks a good read, full of great anecdotes.'

Shell Shock Cinema: Weimar Culture and the Wounds of War By Anton Kaes (http://avaxhome.ws/ebooks/history_military/0691031363.html)
Publisher: Princeton University Press 2009 | 326 Pages | ISBN: 0691031363 | PDF | 3 MB

Shell Shock Cinema explores how the classical German cinema of the Weimar Republic was haunted by the horrors of World War I and the trauma of Germany's humiliating defeat. In this exciting new book, Anton Kaes argues that masterworks such as The Cabinet of Dr. Caligari, Nosferatu, The Nibelungen, and Metropolis, even though they do not depict battle scenes or soldiers in combat, engaged the war and registered its tragic aftermath. These films reveal a wounded nation in post-traumatic shock, reeling from a devastating defeat that it never officially acknowledged, let alone accepted.
Kaes uses the term "shell shock"--coined during World War I to describe soldiers suffering from nervous breakdowns--as a metaphor for the psychological wounds that found expression in Weimar cinema. Directors like Robert Wiene, F. W. Murnau, and Fritz Lang portrayed paranoia, panic, and fear of invasion in films peopled with serial killers, mad scientists, and troubled young men. Combining original close analysis with extensive archival research, Kaes shows how this cinema of shell shock transformed extreme psychological states into visual expression; how it pushed the limits of cinematic representation with its fragmented story lines, distorted perspectives, and stark lighting; and how it helped create a modernist film language that anticipated film noir and remains incredibly influential today.
A compelling contribution to the cultural history of trauma, Shell Shock Cinema exposes how German film gave expression to the loss and acute grief that lay behind Weimar's sleek façade.

Youth Culture in Global Cinema (http://avaxhome.ws/ebooks/Photo_related/0292714149.html)
Publisher: University of Texas Press | ISBN: 0292714149 | edition 2006 | PDF | 364 pages | 10,4 mb

Coming of age is a pivotal experience for everyone. So it is no surprise that filmmakers around the globe explore the experiences of growing up in their work. From blockbuster U.S. movies such as the Harry Potter series to thought-provoking foreign films such as Bend It Like Beckham and Whale Rider, films about youth delve into young people's attitudes, styles, sexuality, race, families, cultures, class, psychology, and ideas. These cinematic representations of youth also reflect perceptions about youth in their respective cultures, as well as young people's worth to the larger society. Indeed, as the contributors to this volume make plain, films about young people open a very revealing window on the attitudes and values of cultures across the globe. Youth Culture in Global Cinema offers the first comprehensive investigation of how young people are portrayed in film around the world. Eighteen established film scholars from eleven different national backgrounds discuss a wide range of films that illuminate the varied conditions in which youth live. The essays are grouped thematically around the issues of youthful resistance and rebellion; cultural and national identity, including religion and politics; and sexual maturation, including gender distinctions and coming-of-age queer. Some essays engage in close readings of films, while others examine the advertising and reception of films or investigate psychological issues. The volume concludes with filmographies of over 700 youth-related titles arranged by nation and theme.

http://i46.tinypic.com/1rydmw.jpg (http://avaxhome.ws/ebooks/Photo_related/78567565456345656.html)

Film and Ethics: Foreclosed Encounters (http://avaxhome.ws/ebooks/Photo_related/78567565456345656.html)
Routledge | 2009 | ISBN: 0415409268 | 160 pages | PDF | 1,3 MB

Film & Ethics considers a range of films and texts of film criticism alongside disparate philosophical discourses of ethics by Levinas, Derrida, Foucault, Lacanian psychoanalysts and postmodern theorists.

While an ethics of looking is implicitly posited in most strands of cinema theory, there is no established body of work that might be called ethical film criticism. This book, therefore, redresses the reluctance of many existing works to address cinema from an explicitly ethical perspective.

Readings range across popular Hollywood films such as Thelma and Louise, Alfred Hitchcock’s canonical corpus, and films from European and World cinemas, including Dreyer’s The Passion of Joan of Arc and the little-known African film Bamako. The book engages with debates concerning censorship and pornography; the ethical implications of ‘positive representation’; the ethics of making and viewing images of atrocity and suffering; and the relationship between ethics and aesthetics.

Lisa Downing and Libby Saxton re-invigorate debates in film studies by foregrounding the ethical dimensions of the moving image, and create dialogues between ostensibly incompatible philosophical and political trends of thought, without seeking to reconcile their differences.

Anime from Akira to Howl's Moving Castle: Experiencing Contemporary Japanese Animation (http://avaxhome.ws/ebooks/Photo_related/Anime_from_Akira_to_Howl_Moving_Castle_Experiencin g_Contemporary_Japanese_Animation_HQPDF.html)
By Susan J. Napier
Palgrave Macmillan | Revised and Updated edition | November 24, 2005 | ISBN: 9781403970527 / 1403970521
English | 384 pages | HQ PDF | 18.3 MB

"...A thoughtful and carefully researched account."--The New York Times

"Napier draws a rather complete picture of Japanese animation as a legitimate art form, and uses anime as a key to the culture that creates it."--Entertainment Weekly

"This worthy addition to the burgeoning literature on Japanese popular culture will stand the test of time."--Choice

"This is a riveting and inspiring book, one that I have thoroughly enjoyed reading and from which I have learned a great deal. As a source of concrete information about Japanese animation it is invaluable."--Sharon Kinsella, Cambridge University

"Informative, well-written, and yet entertaining...both generous and critically insightful."--Sharalyn Orbaugh, University of British Columbia.

Stephen King 100 eBooks (http://avaxhome.ws/ebooks/large_ebook_collection/Stephen_King_100_eBooks.html)
PDF | 100 eBooks | 27 MB | RAR


***


DISCLAIMER: The following screenplays are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended.


http://i46.tinypic.com/23s6syw.png (http://www.mediafire.com/download.php?vtjmjlozdkm)

COP OUT (2010) Screenplay (http://www.mediafire.com/download.php?vtjmjlozdkm)


http://i47.tinypic.com/waj147.png (http://www.mediafire.com/?nczanqlvkkv)

THE CRAZIES (2010) Screenplay (http://www.mediafire.com/?nczanqlvkkv)


S malim zakašnjenjem...


JOHN HUGHES COLLECTION:


http://i45.tinypic.com/mht0mv.jpg


Today is the birthday of writer and filmmaker John Hughes (February 18, 1950 – August 6, 2009). He’s responsible for some of the films that have shaped our childhood and we will be forever grateful to his work.


UNCLE BUCK (1989) (http://www.mediafire.com/?wuntf4dm4mz)
PRETTY IN PINK (1986) (http://www.mediafire.com/download.php?zhtebyyomgn)
VACATION (1983) (http://www.mediafire.com/download.php?mhwdfg2jymt)
CHRISTMAS VACATION (1989) (http://www.mediafire.com/download.php?zmdktu4jauy)
SOME KIND OF WONDERFUL (1987) (http://www.mediafire.com/download.php?5izt2hz3ugi)
HOME ALONE (1990) (http://www.mediafire.com/download.php?mmuajwfmoun)
FERRIS BUELLER’S DAY OFF (1986) (http://www.mediafire.com/download.php?m5czmzkuiui)
PLANES, TRAINS & AUTOMOBILES (1987) (http://www.mediafire.com/download.php?qzkjymyzzqg)
SIXTEEN CANDLES (1984) (http://www.mediafire.com/download.php?mnfmhdoqqx2)
THE BREAKFAST CLUB (1985) (http://www.mediafire.com/download.php?tuzkm11zcma)


***


Exclusives! (http://www.mypdfscripts.com/category/exclusives)

[La Familia]

http://i45.tinypic.com/2qbc1u9.jpg
imdb (http://www.imdb.com/title/tt0274552/)


Hitler's Search for the Holy Grail


Pravo blago za ljubitelje prave povijesti, dokumentarac koji sadrži sljedeće: color film of the Nazi expedition to Antarctica; film of the Nazi expeditions across the world, from the Baltic to Venezuela; footage of the 1938 expedition to Tibet, with the measuring of skulls of Tibetans; documentary evidence for expeditions to Peru, Iceland and Iran, and footage of SS chief Heinrich Himmler at archaeological sites. I još puno toga!

When Steven Spielberg made a movie about an intrepid archaeologist’s fight to keep a precious and powerful artifact — the Holy Grail — out of the hands of the Nazis, it was not widely known that the tale was based on truth. There really was a Nazi archaeological unit and it did send teams across the world to try to find the Grail.

History meets Indiana Jones in HITLER’S SEARCH FOR THE HOLY GRAIL, a one-hour documentary airing on PBS Monday, November 27, 2000, 10:00 p.m. ET (check local listings). Host Michael Wood (IN THE FOOTSTEPS OF ALEXANDER THE GREAT) explores how history was used as a political tool and how the theories of the Nazi historical department provided the ideology used by the SS (Schutzstaffel – "protection squadron") to justify genocide.

The program outlines how the racialist theories of the SS were drawn from archaeology, myth and legend, as well as selected history. Nazi ideas about "Aryans" and the "master race" came out of historical and ethnic fantasies in which legends such as the Holy Grail and the lost city of Atlantis — supposed to be a home of the Aryan race — played their part.

HITLER’S SEARCH FOR THE HOLY GRAIL contains rare and previously unseen footage, including

* color film of the Nazi expedition to Antarctica;
* film of the Nazi expeditions across the world, from the Baltic to Venezuela;
* footage of the 1938 expedition to Tibet, with the measuring of skulls of Tibetans;
* documentary evidence for expeditions to Peru, Iceland and Iran, and footage of SS chief Heinrich Himmler at archaeological sites.

The film conjures the eerie world that permeated the thoughts of key members of the Nazi leadership, especially Himmler, and shows how top scholars, some of them still alive, collaborated in this project.

HITLER’S SEARCH FOR THE HOLY GRAIL includes interviews with a former member of Himmler’s personal staff and the wife of a top SS commander, who give unique and unrepentant insight into the mentality of the Nazi inner circle. The program also includes a dramatic recording of the Nuremburg trial of Wolfram Sievers, the head of the SS Ahnenerbe ("Ancestral Heritage Society"), Himmler’s archaeological and historical unit. The Ahnenerbe’s task, according to Himmler, was "to restore the German people to the everlasting godly cycle of ancestors, the living and the descendants."

Himmler was a member of the Thule Society, an extreme nationalist group named after one of the mythical homes of the German people. It was the society’s almost mystical belief in the greatness of the German past — to which Himmler subscribed with fanatical devotion — that was to provide the intellectual ballast to Nazi belief in race and destiny.

The chief administrator of the Ahnenerbe, Dr. Wolfram Sievers, had been heavily involved in the criminal medical experiments that were carried out on Jews in concentration camps, all to prove racial differences and the superiority of the Aryan race. After Germany’s defeat in 1945, Sievers was brought before a war crimes tribunal, found guilty and sentenced to death. He was executed on June 2, 1948. The archaeological world of the Ahnenerbe died with Hitler, Himmler and Sievers; the Ahnenerbe, too, melted away. Many of its top archaeologists, however, returned, unpunished, to university life, only to re-emerge as leading academics in postwar Germany.


Klik na fotku ispod:


http://i47.tinypic.com/o90nk5.png (http://www.in.com/videos/watchvideo-hitlers-search-for-the-holy-grail-4773337.html)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://avaxhome.ws/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect
of the content of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://i50.tinypic.com/w9bnsg.jpg (http://avaxhome.ws/ebooks/LuisaRivi160220101030.html)

Luisa Rivi - European Cinema after 1989: Cultural Identity and Transnational Production (http://avaxhome.ws/ebooks/LuisaRivi160220101030.html)
Publisher: Palgrave Macmillan | 2007-12-10 | ISBN: 0230600247 | PDF | 208 pages | 1.02 MB

This book brings post-Berlin Wall Europe and European cinema to full visibility and into the fray of current debates on cultural identity, transnational cinema, and postcolonialism. It presents new ways of reading post-1989 European film policy in relation to culture, ways that are crucial to rethinking Europe in its geopolitical and symbolic configuration. In particular, it addresses how the neglected strategies of coproduction articulate a supranational Europe and redefine European identity. By drawing on contemporary political, cultural, and philosophical discourses, Rivi offers pointed analyses of some of the recent most significant European films like Nostalghia, Underground, Land and Freedom, No Man’s Land, Lamerica, La promesse, Code inconnu and Caché.


http://i47.tinypic.com/2cdyfq9.jpg (http://avaxhome.ws/ebooks/Photo_related/0240810058234324.html)

Jason Osder, Robbie Carman, "Final Cut Pro Workflows: The Independent Studio Handbook" (http://avaxhome.ws/ebooks/Photo_related/0240810058234324.html)
Focal Press | 2007 | ISBN: 0240810058 | 256 pages | PDF | 4,7 MB

TReview
"...with an easy style and great depth, Final Cut Pro Workflows: The Independent Studio Handbook is an enjoyable and important read. Osder and Carman offer a diverse background and extensive experience with Final Cut Pro."
- Richard Harrington, President, RHED Pixel; author, Photoshop for Video, 3rd Edition, Final Cut Studio on the Spot, 3rd Edition

"Builds the theory and practice of using FCP around a variety of real-world project scenarios. Final Cut Pro Workflows combines an encyclopedia of detailed information on technical specs for shooting and editing with surprisingly readable stories about applying the tools to actual projects. Not just how to use a hammer...how to build the house."
-- Blaine Graboyes, Media Architect, Worldwide Biggies, NYC

"...what makes Final Cut Pro Workflows: The Independent Studio Handbook a standout in a crowded field of books on the 'how to' of digital editing is the recognition that it's not just about learning the technology, but about how you think, organize, and manage a project to bring it to successful conclusion. Osder and Carman have written a unique book that brings together the critical marriage of technology and the real world circumstances that confront nascent Final Cut Pro editors. Indispensable!"
- Nina Gilden Seavey, Emmy Award-winning Filmmaker; Director, The Documentary Center, George Washington University


http://i50.tinypic.com/141ukn5.jpg (http://avaxhome.ws/ebooks/artbook/1230011.html)

The Ultimate Visual Guide to Star Wars By Ryder Windham (http://avaxhome.ws/ebooks/artbook/1230011.html)
Publisher: DK CHILDREN 2005-09-19 | 144 Pages | ISBN: 0756614201 | PDF | 23 MB

Providing fans and newcomers everything they need to know about the highest-grossing movie saga ever, this is the first-ever visual guide to the entire Star Wars franchise


http://i49.tinypic.com/23o31x.jpg (http://avaxhome.ws/ebooks/science_books/philosophy/Film_Theory_and_Contemporary_Hollywood_Movies.html )

Warren Buckland, "Film Theory and Contemporary Hollywood Movies" (http://avaxhome.ws/ebooks/science_books/philosophy/Film_Theory_and_Contemporary_Hollywood_Movies.html )
Routledge | 2009-06-03 | ISBN: 0415962617, 0415962625 | 368 pages | PDF | 3 MB

Film theory no longer gets top billing or plays a starring role in film studies today, as critics proclaim that theory is dead and we are living in a post-theory moment. While theory may be out of the limelight, it remains an essential key to understanding the full complexity of cinema, one that should not be so easily discounted or discarded. In this volume, contributors explore recent popular movies through the lens of film theory, beginning with industrial-economic analysis before moving into a predominately aesthetic and interpretive framework. The Hollywood films discussed cover a wide range from 300 to Fifty First Dates, from Brokeback Mountain to Lord of the Rings, from Spider-Man 3 to Fahrenheit 9/11, from Saw to Raiders of the Lost Ark, and much more. Individual essays consider such topics as the rules that govern new blockbuster franchises, the `posthumanist realism' of digital cinema, video game adaptations, increasingly restricted stylistic norms, the spatial stories of social networks like YouTube, the mainstreaming of queer culture, and the cognitive paradox behind enjoyable viewing of traumatic events onscreen. With its cast of international film scholars, Film Theory and Contemporary Hollywood Movies demonstrates the remarkable contributions theory can offer to film studies and moviegoers alike.


http://i49.tinypic.com/2zs88hv.jpg (http://avaxhome.ws/ebooks/artbook/1221700.html)

The Complete Idiot's Guide to Comedy Writing By James Mendrinos (http://avaxhome.ws/ebooks/artbook/1221700.html)
Publisher: Alpha 2004-07-06 | 352 Pages | ISBN: 1592572316 | PDF | 5.6 MB

Comedy is serious business-and serious money. In this guide, comedian, writer, and teacher Jim Mendrinos explains the principles of comedy and how to apply them to forms from stand-up to sitcoms-including fiction, film, speeches, articles, essays, and more. He also includes exercises designed to hone the craft, break through writer's block, and tailor a piece to its intended audience.


***

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://musicandmemories.blogspot.com/).
Familija d.o.o./Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content
of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


http://i49.tinypic.com/2up6y68.jpg (http://www.sendspace.com/file/7gjwfe)

THE THING - Ennio Morricone (http://www.sendspace.com/file/7gjwfe)

Maybe it was because my friends and I convinced a "cool mom" to pack us boys into a tiny Fiat and take us to the drive-in one June day in 1982, but every time the heat of summer hits, I like to cool off with Ennio Morricone's score to the classic Carpenter film. The score and the film are a annual summer ritual. Listening to the soundtrack alone in the house gives me an utter feeling of hopelessness, loneliness, and despair. Exactly I image the mood maestro Morricone was going for to create the white-out isolation of Antarctica and the men who are trapped there with an alien thing that wants only to absorb and imitate them. It's just the thing for your summertime blues.


http://i47.tinypic.com/14jat6u.jpg (http://www.sendspace.com/file/ezdar4)

http://i47.tinypic.com/257n2ba.jpg (http://www.sendspace.com/file/f4txvx)

ULTRA-LOUNGE, VOL. 7: THE CRIME SCENE - Various Artists (http://www.sendspace.com/file/f4txvx)

Check out the Crime Scene! Here's another little Ultra-Lounge collection. This line-up features some usual and unusual suspects, such as two John Barry THUNDERBALL cover tracks "Mister Kiss Kiss Bang Bang" by Elliot Fisher and "Searching for Vulcan" by Leroy Holmes. Other notable down-and-out villains include—Billy May’s rendition of "Mission Impossible" and "The Man With The Golden Arm," Spike Jones' "Harlem Nocturne," and Earle Hagen's classic "I Spy" TV theme. So, book these hardened criminals—on false arrest if you have to—don't let them off with any lack of circumstantial evidence!

http://i47.tinypic.com/2i8dhd5.jpg (http://www.sendspace.com/file/f650c4)

THE FOUNTAIN - Clint Mansell (http://www.sendspace.com/file/f650c4)

Darren Aronofsky’s THE FOUNTAIN is one of those often misunderstood director pet projects like David Lean’s RYAN’S DAUGHTER or Alfred Hitchcock’s MARNIE. A film critically ostracized and commercially challenged, yet is a testament to the auteur’s vision, like it or not. Like Hitchcock using Herrmann for his most memorable of film scores, Aronofsky once again employs the eloquent Clint Mansell to “voice” the director’s unique vision. The result is a film score that stands upon its own two musical feet, with or without the film. One track that I play over and over, 126 times and counting on my iTunes, is “Together We Will Live Forever.” The title of the track not only captures the primary theme of the film, but is one of the most beautiful, haunting pieces of music ever composed. Make your immortal journey to THE FOUNTAIN.

[rimman]

Pozdrav, ne znam gde ovo da pitam. Rekao mi je ortak da u Indiji postoji neki film gde su ljudima nudili 10.000 necega da pogledaju, kao toliko je strasan.
Znaju li filmski entuzijazisti, da li ovakav film stvarno postoji, i kako se zove?
Ili ortak laze :D

[La Familia]

Ovdje (http://www.forum.hr/showthread.php?t=526876). :rolleyes: Jedna od (naj)primitivnijih marketinskih kampanja. :kava:

[La Familia]

http://i45.tinypic.com/16awc9u.png (http://www.brooklynsfinestthemovie.com/)


Ovo se ceka. :klopa: Vise o filmu ovdje (http://www.gointothestory.com/2010/03/brooklyns-finest.html).

[La Familia]

DISCLAIMER: The following screenplays are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended.


BROOKLYN’S FINEST (2010) Screenplay (http://www.mediafire.com/download.php?zymw2myjjhw)

http://i47.tinypic.com/f9grcl.png (http://www.mediafire.com/download.php?zymw2myjjhw)

Vise o filmu ovdje (http://www.forum.hr/showpost.php?p=25361979&postcount=880).

+

http://i48.tinypic.com/2dmegbr.png
Brooklyn's Finest (http://scriptshadow.blogspot.com/2009/07/brooklyns-finest.html)

People have asked how Brooklyn's Finest secured such a great cast. Was it that good? Well, I mean, we all know how the system works. A big name commits to a film, be it an actor or a director, and everybody else comes swarming in screaming, "Me too! Me too!" as if they knew the script was great all along. But the reality is that most actors won't put their ass on the line until someone else does first.

My basic issue with Brooklyn's Finest is that very little ever actually happens. After the exciting first scene, the next 30 pages are all character set-up. There's no story weaved into it at all. It's just scene after scene of the characters' backstories or problems. And man, this script is abundant with one of the most basic screenwriting no-nos out there. Everybody sits around talking. We go from two people sitting around talking to another two people sitting around talking to three people sitting around talking. It's like one giant poker game. Everyone just sits around and talks.

[ ] What the hell did I just read?
[x] barely kept my interest
[ ] worth the read
[ ] impressive
[ ] genius

What I learned: "People sitting down and talking scenes" are the worst. Avoid them at all costs. No matter how good the dialogue is, it brings your story to a standstill. Try to have the conversations you need to have within the flow of the story. Be creative and stay kinetic. Keep your characters moving.

:tuzni:


ALICE IN WONDERLAND (2010) Screenplay (http://www.mediafire.com/?dzm21eynyyg)

http://i49.tinypic.com/21eys8z.png (http://www.mediafire.com/?dzm21eynyyg)

[La Familia]

http://i46.tinypic.com/4ixzm.jpg


Video (klik na fotku ispod):


http://i47.tinypic.com/ng9jba.png (http://oscar.go.com/video/index?playlistId=253172&clipId=253237)


http://i50.tinypic.com/2rw5kw5.png (http://oscar.go.com/nominations/nominees/jeff-bridges/2791)

http://i50.tinypic.com/2pr60t1.png (http://oscar.go.com/nominations/nominees/crazy-heart/3343)

:jumping:

http://i46.tinypic.com/2py9u77.jpg

You are the best, Jeff Bridges! The Dude abides! Love!


***


http://i47.tinypic.com/mwxsvn.png (http://www.rollingstone.com/news/story/22694342/the_decade_of_the_dude)

[La Familia]

http://i42.tinypic.com/15gw1fm.jpg (http://www.vanityfair.com/hollywood/features/2010/03/john-hughes-201003?currentPage=1)


Must Read: Vanity Fair Profiles John Hughes (http://www.vanityfair.com/hollywood/features/2010/03/john-hughes-201003?currentPage=1)


The latest issue of Vanity Fair has an outstanding set of articles on the late filmmaker/screenwriter John Hughes, something I would say you can’t afford not to read.


John Hughes Trubute @ The 82nd Academy Awards ceremony 2010


http://i44.tinypic.com/1zx12me.png (http://www.youtube.com/watch?v=csx5Ad5wHx8)

Part 2 (http://www.youtube.com/watch?v=sTSbqqOmBZs)


John Hughes script stirring up interest (http://www.hollywoodreporter.com/hr/content_display/news/e3i88e2a9a4c588f42259bdb4f9ba14494e?)

He passed away in August, but the film legacy of John Hughes may not be over.

The late writer-director -- who was given an Oscar tribute Sunday -- has an unproduced screenplay, "Grisbys Go Broke," floating around the industry ether. Word crept out Friday that Paramount, which has a long history with Hughes, was picking up the script with hope of turning it into a family comedy with Joe Roth ("Alice in Wonderland") producing.


JOHN HUGHES COLLECTION:


http://i45.tinypic.com/mht0mv.jpg


UNCLE BUCK (1989) (http://www.mediafire.com/?wuntf4dm4mz)
PRETTY IN PINK (1986) (http://www.mediafire.com/download.php?zhtebyyomgn)
VACATION (1983) (http://www.mediafire.com/download.php?mhwdfg2jymt)
CHRISTMAS VACATION (1989) (http://www.mediafire.com/download.php?zmdktu4jauy)
SOME KIND OF WONDERFUL (1987) (http://www.mediafire.com/download.php?5izt2hz3ugi)
HOME ALONE (1990) (http://www.mediafire.com/download.php?mmuajwfmoun)
FERRIS BUELLER’S DAY OFF (1986) (http://www.mediafire.com/download.php?m5czmzkuiui)
PLANES, TRAINS & AUTOMOBILES (1987) (http://www.mediafire.com/download.php?qzkjymyzzqg)
SIXTEEN CANDLES (1984) (http://www.mediafire.com/download.php?mnfmhdoqqx2)
THE BREAKFAST CLUB (1985) (http://www.mediafire.com/download.php?tuzkm11zcma)


John Hughes. Gone, but definitely not forgotten.


***


Academy Award winning screenwriters Mark Boal and Geoffrey Fletcher (http://www.gointothestory.com/2010/03/academy-award-winning-screenwriters.html)

Last night Mark Boal won an Oscar for Best Original Screenplay (Hurt Licker) and Geoffrey Fletcher won for Best Adapted Screenplay (Precious). It's interesting to note that this is the first actual screenplay credit for both writers, so in a sense they can be considered 'first timers' - just a few short years ago, both Boal and Fletcher were Hollywood outsiders. Their stories should be inspiration for all of you whose dream it is to break in as a professional screenwriter. In that spirit, I'm reprising interviews with both in this post:

Geoffrey Fletcher (http://wga.org/content/default.aspx?id=3864)

Mark Boal (http://wga.org/content/default.aspx?id=3662)


***


Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://avaxhome.ws/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect
of the content of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.


A Philosophy of Cinematic Art (http://avaxhome.ws/ebooks/Photo_related/A_Philosophy_of_Cinematic_Art.html)
Publisher: Cambridge University Press | English | 2010 | ISBN-10: 0521822440 | 338 Pages | PDF | 18 Mb

A Philosophy of Cinematic Art is a systematic study of cinema as an art form, showing how the medium conditions fundamental features of cinematic artworks. It discusses the status of cinema as an art form, whether there is a language of film, realism in cinema, cinematic authorship, intentionalist and constructivist theories of interpretation, cinematic narration, the role of emotions in responses to films, the possibility of identification with characters, and the nature of the cinematic medium. Groundbreaking in its coverage of a wide range of contemporary cinematic media, it analyses not only traditional photographic films, but also digital cinema, and a variety of interactive cinematic works, including videogames. Written in a clear and accessible style, the book examines the work of leading film theorists and philosophers of film, and develops a powerful framework with which to think about cinema as an art.

Grande Dame Guignol Cinema: A History of Hag Horror from Baby Jane to Mother By Peter Shelley (http://avaxhome.ws/ebooks/Photo_related/0786445696.html)
Publisher: McFarland 2009 | 340 Pages | ISBN: 0786445696 | PDF | 6 MB

This critically analytical filmography examines 45 movies featuring "grande dames" in horror settings. Following a history of women in horror before 1962's What Ever Happened to Baby Jane?, which launched the "Grande Dame Guignol" subgenre of older women featured as morally ambiguous leading ladies, are all such films (mostly U.S.) that came after that landmark release. The filmographic data includes cast, crew, reviews, synopses, and production notes, as well as recurring motifs and each role's effect on the star's career.

Silent Mystery and Detective Movies: A Comprehensive Filmography By Ken Wlaschin (http://avaxhome.ws/ebooks/Photo_related/0786443502.html)
Publisher: McFarland 2009 | 291 Pages | ISBN: 0786443502 | PDF | 7 MB

The silent-film era was known in part for its cliffhanger serials and air of suspense that kept audiences returning to theaters week after week. Icons such as Douglas Fairbanks, Laurel and Hardy, Lon Chaney and Harry Houdini were among those who graced the dark and shadowy screen. This encyclopedic guide to silent films with mystery and detective content lists over 1,500 titles in one of entertainment's most popular and enduring genres. While most of the examined films are from North America, mystery films from around the world are included.

http://i41.tinypic.com/28mpkdl.jpg (http://avaxhome.ws/ebooks/science_books/psychology_behavior/0786444878.html)

The Psycho File: A Comprehensive Guide to Hitchcock's Classic Shocker By Joseph Smith (http://avaxhome.ws/ebooks/science_books/psychology_behavior/0786444878.html)
Publisher: McFarland 2009 | 226 Pages | ISBN: 0786444878 | PDF | 2 MB

An examination of the groundbreaking 1960 film directed by Alfred Hitchcock, including the story's origins in real-life graverobber Ed Gein. The book presents material from the script and how it was adapted from Robert Bloch's novel; details of the film's production, particularly the shower scene and other technical difficulties; actors and the challenges of their roles; extended literary analysis of the film covering such devices as irony, symbol, theme, motif and foil; and the film's effect on audiences. Features 16 photographs, notes, bibliography and index.

http://i42.tinypic.com/2qmdjpg.jpg (http://avaxhome.ws/ebooks/Photo_related/ToolsScreenwriting.html)

David Howard, Mabley, "The Tools of Screenwriting: A Writer's Guide to the Craft and Elements of a Screenplay" (http://avaxhome.ws/ebooks/Photo_related/ToolsScreenwriting.html)
St. Martin's Griffin | 1995 | ISBN: 0312119089 | 298 pages | PDF | 3,9 MB

In The Tools of Screenwriting, David Howard and Mabley illuminate the essential elements of cinematic storytelling, and reveal the central principles that all good screenplays share. The authors address questions of dramatic structure, plot, dialogue, character development, setting, imagery, and other crucial topics as they apply to the special art of filmmaking.

Howard and Mabley also demonstrate how, on a practical level, the tools of screenwriting work in sixteen notable films, including Citizen Cane, E.T., One Flew Over the Cuckoo's Nest, Rashomon, The Godfather, North by Northwest, Chinatown, and sex, lies, and videotape.

[La Familia]

GREEN ZONE (2010) Screenplay (http://www.mediafire.com/download.php?xi3nmzcuqzz)

http://i43.tinypic.com/2m4r9l5.png (http://www.mediafire.com/download.php?xi3nmzcuqzz)

Green Zone
BY ROGER EBERT (http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20100310/REVIEWS/100319990) / March 10, 2010

"Green Zone" will no doubt be under fire from those who are still defending the fabricated intelligence we used as an excuse to invade Iraq. Yes, the film is fiction, employs farfetched coincidences and improbably places one man at the center of all the action. It is a thriller, not a documentary. It's my belief that the nature of the neocon evildoing has by now become pretty clear. Others will disagree. The bottom line is: This is one hell of a thriller.

***

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://avaxhome.ws/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect
of the content of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://i40.tinypic.com/688tbo.jpg (http://avaxhome.ws/ebooks/Photo_related/0240810457_Movie.html)

Lloyd Kaufman, Ashley Wren Collins, "Produce Your Own Damn Movie!" (http://avaxhome.ws/ebooks/Photo_related/0240810457_Movie.html)
Focal Press | 2009 | ISBN: 0240810457 | 312 pages | PDF | 3,5 MB

Kaufman, čovjek koji je utjecao na karijere Petera Jacksona, Quentina Tarantina i Sama Raimija, autor je klasika 'The Toxic Avenger' i čelnik studija Troma, kao i autor knjige 'Make Your Own Damn Movie!'. Kod njega je učio i Eli Roth, autor hitova 'Hostel' i 'Hostel 2'.

http://i39.tinypic.com/2cqmiw8.jpg (http://avaxhome.ws/ebooks/CarolynJessCooke1546.html)

Carolyn Jess-Cooke - Film Sequels: Theory and Practice from Hollywood to Bollywood (http://avaxhome.ws/ebooks/CarolynJessCooke1546.html)
Publisher: Edinburgh University Press | 2009-02-15 | ISBN: 0748626034 | PDF | 224 pages | 1.07 MB

The film sequel is held to be a vampirish corporative exercise in profitmaking and narrative regurgitation. Drawing upon a wide range of filmic examples from early cinema to today, this unique volume follows the increasing popularity and innovation of film sequels as a central dynamic of Hollywood cinema. Now debuting at world cinemas and independent film festivals, the sequel has become a vehicle for cross-cultural dialogue and a structure by which memories and cultural narratives are circulated across geographical and historical locations. The book explores sequel production beyond box office figures, considering the form in recent mainstream cinema, art-house and "indie" films, and non-Hollywood sequels, and it traces the effects of the domestic market on sequelization and the impact of the video game industry on Hollywood.

Barbara Straumann - Figurations of Exile in Hitchcock and Nabokov (http://avaxhome.ws/ebooks/BarbaraStraumann0712.html)
Publisher: Edinburgh University Press | 2009-03-01 | ISBN: 0748636463 | PDF | 248 pages | 1.09 MB

This comparative study of Alfred Hitchcock and Vladimir Nabokov opens up their work to issues of exile and migration. Questions about the contingencies of history and the rupture of the real are rarely brought to bear on these self-reflexive texts. Barbara Straumann responds to this critical gap by reading real-life exile as the "absent cause" of Hitchcock and Nabokov's brilliant virtuosity. Her "cross-mapping" of the two seemingly disparate authors takes as its point of departure the conditions of exile in which they found themselves and shows how the relentless playfulness of their language and irony creates a new home in the world of signs.
Straumann closely reads Speak, Memory, Lolita, The Real Life of Sebastian Knight, Suspicion, North by Northwest, and Shadow of a Doubt, exploring the connections between language, imagination, and exile. The book will appeal to those interested in Nabokov, Hitchcock, Freud, Lacan, cultural theory, media, and exile.

Film History: An Introduction By Kristin Thompson, David Bordwell (http://avaxhome.ws/ebooks/artbook/1251299.html)
Publisher: McGraw-Hill Humanities/Social Sciences/Languages 2002-08-06 | 808 Pages | ISBN: 0070384290 | PDF | 161 MB

Written by two leading film scholars, Film History: An Introduction is a comprehensive survey of film-from the backlots of Hollywood, across the United States, and around the world. As in the authors' bestselling Film Art, concepts and events are illustrated with actual frame enlargements, giving students more realistic points of reference than competing books that use publicity stills.

Alison Hodge, "Actor Training" (http://avaxhome.ws/ebooks/artbook/ActorTraining.html)
Routledge | 2010 | ISBN: 0415471672, 0415471680 | 368 pages | PDF | 5,5 MB

Actor Training expands on Alison Hodge’s highly-acclaimed and best-selling Twentieth Century Actor Training. This exciting second edition radically updates the original book making it even more valuable for any student of the history and practice of actor training. The bibliography is brought right up to date and many chapters are revised. In addition, eight more practitioners are included-and forty more photographs-to create a stunningly comprehensive study.

The practitioners included are:

Stella Adler; Eugenio Barba; Augusto Boal; Anne Bogart; Bertolt Brecht; Peter Brook; Michael Chekhov; Joseph Chaikin; Jacques Copeau; Philippe Gaulier; Jerzy Grotowski; Maria Knebel; Jacques Lecoq; Joan Littlewood; Sanford Meisner; Vsevolod Meyerhold; Ariane Mnouchkine; Monika Pagneux; Michel Saint-Denis; Włodzimierz Staniewski; Konstantin Stanislavsky; Lee Strasberg

The historical, cultural and political context of each practitioner’s work is clearly set out by leading experts and accompanied by an incisive and enlightening analysis of the main principles of their training, practical exercises and key productions.

This book is an invaluable introduction to the principles and practice of actor training and its role in shaping modern theatre.

***

http://i41.tinypic.com/hwj1aa.png (http://movieclips.com/)

Konacno!

:jumping:

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://chiefdundee.blogspot.com/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content
of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.

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Chief Dundee (http://chiefdundee.blogspot.com/) je zakon!

Attention, please

This blog is dedicated to bootlegs, out of print and rare soundtracks. Please do not ask for CDs that are still available at a fairly reasonable price, especially if they're new releases! Such requests will be ignored.

By purchasing new soundtracks, you will support the artists you love and the local music stores you don't want to see disappear.

Bootlegs and promo CDs are not for sale. They're meant to be shared. Avoid any site which asks money for those (you know who I'm talking about...)

http://i41.tinypic.com/22dhz6.gif (http://chiefdundee.blogspot.com/p/index-of-soundtracks.html)

http://i39.tinypic.com/34y4uw4.gif (http://misenbootlegauchateau.blogspot.com/)

http://i41.tinypic.com/n4z8ub.gif (http://chiefdundee.blogspot.com/p/extended-links-section.html)

http://i40.tinypic.com/2m82hqf.gif (http://chiefdundee.blogspot.com/p/goodies.html)

Koja zbirka, covjece! I vecina toga jos u FLAC-u. Samo neki od raritetnih goodiesa:

Ben Hur (Complete) 1/2 (http://anonym.to/?http://www.megaupload.com/?d=HZPU5F7N) • 2/2 (http://anonym.to/?http://www.megaupload.com/?d=0VELB6Q9)
Classic Film Scores for Humphrey Bogart - (Booklet) (http://hyperfileshare.com/d/05a997fd)
As Good as It Gets (bootleg) (http://www.megaupload.com/?d=GP4FFGFC)
Gone with the Wind (Deluxe Edition) (http://www.rapidspread.com/file.jsp?id=g0lmtweqd5)
The Indiana Jones Suites Album (FLAC) (http://www.megaupload.com/?d=DUHBRSAX)
Scarface (http://www.megaupload.com/?d=EIWGLS95)
The Searchers (http://www.megaupload.com/?d=5GZBCAPA)
The Thin Red Line (Complete with SFX) (http://hyperfileshare.com/d/3a23dc64)
The Thin Red Line (Sakura Edition) eD2K (http://hyperfileshare.com/d/27453eb7)
The Treasure of the Sierra Madre (http://www.megaupload.com/?d=E4MIWHII)

:klopa:

[La Familia]

http://i43.tinypic.com/r26f83.png (http://thefreevpn.com/)


Besplatni i legalni VPN - Hulu preko USA servera radi ko urica. :mig:

Free VPN UK/USA (http://thefreevpn.com/)

BTW, stvar funkcionira savrseno, i brzine su odlicne. :top:

Odmah i jedna preporuka: The Great American West of John Ford (http://www.hulu.com/watch/133474/the-great-american-west-of-john-ford).

A must-see for any fan of classic westerns

The Great American West of John Ford is a nostalgic look back at the career of six-time Academy Award© winning director John Ford (1894–1973) as told by John Wayne, Jimmy Stewart, and Henry Fonda both as onscreen narrators and in conversations with the famed director. Filmed in the classic Ford film settings of Monument Valley and the location of the former back lot of Twentieth Century Fox, as well as in the den and trophy room of Ford himself, the story goes back to Ford's start in the silent era up through the early 1960's.

It is interspersed with memorable clips from such classics as Fort Apache, She Wore a Yellow Ribbon, The Man Who Shot Liberty Valance, as well as footage from Ford's wartime career, which includes performances from such stalwarts as Ward Bond, Andy Devine (who also cameos during a conversation between Ford and Wayne), Maureen O'Hara, Thomas MItchell, Natalie Wood, Walter Brennan, Ken Curtis, and John Carradine.

The presentation is filled with fascinating anecdotes, including practical jokes, and most notably, Ford's reminiscence of a long conversation that he once had with Wyatt Earp, who described the shootout at the OK Corral in such detail that he even drew a map of the site.

The film quality is quite poor and does not compare well with the original that had been aired on television back in the 1990's, but the grainy visuals (apparently captured with a video camera from projected film) are soon forgotten as the story unfolds. To modern audiences, it may seem a bit hokey, but it is a wonderful reflection of the cinematic reality of the world of John Wayne and "Pappy" John Ford in which the focus is not on history as is was but how it should have been.

http://i40.tinypic.com/16c8ew5.jpg (http://www.hulu.com/watch/133474/the-great-american-west-of-john-ford)

H/T za Zombixa.

[Pacificist]

Jacques Ranciere - Film fables

Jacques Rancière (born Algiers, 1940) is Emeritus Professor, Philosophy, at the University of Paris (St. Denis). He came to prominence when he co-authored Reading Capital (1968), with Louis Althusser, the Marxist philosopher. He subsequently broke away from Althusser and wrote The Nights of Labour, a work that examined the philosophical and poetical writings of workers in 19th century France. Through an examination of the lives of these worker autodidacts, Rancière introduced a new way of thinking about the idea of the worker, and of the injunction that divides between those entitled to a life in thought and those born to do manual labour.

He went on to write The Philosopher and His Poor which looks at the figure of the poor artisan from classical philosophy down to Marx and Sartre. In The Ignorant Schoolmaster, inspired by the experiences of a radical early 19th century teacher, Joseph Jacotot, Rancière sought to rethink the idea of pedagogy away from the idea of moving form the unknown to the known and from those who possess knowledge to those who don’t, to look at how all forms of ignorance are also conditions of knowledge.


http://rapidshare.com/files/366366690/Ranciere_-_Film_Fables.pdf.html


Translator Preface vii
Prologue: A Thwarted Fable I

Part I Fables of the Visible
Between the Age of the Theater and the Television Age

1 Eisensteins Madness 23
2 A Silent Tartuffe 33
3 From One Manhunt to Another: Fritz Lang between Two Ages 45
4 The Child Director 63

Part II Classical Narrative, Romantic Narrative

5 Some Things to Do: The Poetics of Anthony Mann 73
6 The Missing Shot: The Poetics of Nicholas Ray 95

Part III If There is a Cinematographic Modernity

7 From One Image to Another? Deleuze and the Ages of Cinema 107
8 Falling Bodies: Rossellini s Physics 125
9 The Red of La Chinoise Godard's Politics 143

Part IV Fables of the Cinema, (Hi)stories of a Century

10 Documentary Fiction: Marker and the Fiction of Memory r 157
11 A Fable without a Moral: Godard, Cinema, (Hi)stories 171
Index 189

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://moonsmood.blogspot.com/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content
of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.

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Goodiesa (http://moonsmood.blogspot.com/) ko u prici o igrackama, Ivici i Marici i Disneylandu zajedno! Samo neki od njih (klik na fotke/covere. Sve ostalo u prvom komentaru postova na blogu):


http://i42.tinypic.com/vfy0ds.jpg (http://moonsmood.blogspot.com/2010/03/superman-box-set-blue-box-john-williams.html)

http://i39.tinypic.com/11b84g9.jpg (http://moonsmood.blogspot.com/2010/01/crazy-heart-various-2010.html)

http://i42.tinypic.com/jq003c.jpg (http://moonsmood.blogspot.com/2009/08/wanted-dead-or-alive-best-from-original.html)

http://i40.tinypic.com/2a0aoep.jpg (http://moonsmood.blogspot.com/2009/06/crime-scene-usa-classic-film-noir.html)

http://i44.tinypic.com/x3j0qb.jpg (http://moonsmood.blogspot.com/2009/04/essential-bernard-herrmann-film-music.html)

http://i41.tinypic.com/112h6kp.jpg (http://moonsmood.blogspot.com/2009/04/essential-john-williams-film-music.html)

http://i44.tinypic.com/1dzzwy.jpg (http://moonsmood.blogspot.com/2008/11/music-of-john-barry-2008.html)

http://i43.tinypic.com/qn30w6.jpg (http://moonsmood.blogspot.com/2008/10/essential-maurice-jarre-film-music.html)

http://i44.tinypic.com/2yuhtop.jpg (http://moonsmood.blogspot.com/2008/08/miklos-rozsa-centenary-celebration-2007.html)

EPICS: The History Of The World According To Hollywood by The City Of Prague Philharmonic Orch.(2005) BOX SET (4 CD's!) (http://moonsmood.blogspot.com/2008/08/epics-history-of-world-according-to.html)

La Vie En Rose (the great EDITH PIAF) (http://moonsmood.blogspot.com/2008/07/la-vie-en-rose-great-edith-piaf.html)

Best Of The West: Original MGM Motion Picture Soundtracks (Anthology) (1998) (http://moonsmood.blogspot.com/2008/07/best-of-west-original-mgm-motion.html)

Ben-Hur: The Essential Miklós Rózsa [2 DISCS] (2000) (http://moonsmood.blogspot.com/2008/07/ben-hur-essential-mikls-rzsa-2-discs.html)

Glory by James Horner (1989) (http://moonsmood.blogspot.com/2008/07/glory-by-james-horner-1989.html)

The Unforgiven Box Set (Released in 2007) (http://moonsmood.blogspot.com/2008/07/unforgiven-box-set-released-in-2007.html)

John Williams Conducts The Academy Awards Best Scores feat. Grover Washington, JR (1997) (http://moonsmood.blogspot.com/2008/06/john-williams-conducts-academy-awards.html)

Rio Bravo (Various Western Movie and TV themes) (http://moonsmood.blogspot.com/2008/06/rio-bravo-various-western-movie-and-tv.html)

Ennio Morricone Film Music (http://moonsmood.blogspot.com/2008/06/ennio-morricone-film-music.html)

The Magnificent Westerns by The City Of Prague Philharmonic Orchestra And Chorus (2005) [4 DISCS] (http://moonsmood.blogspot.com/2008/05/magnificent-westerns-by-prague.html)

The Longest Day [The Ultimate World War Movie Theme Collection] (http://moonsmood.blogspot.com/2008/05/longest-day-ultimate-world-war-movie.html)

Great Western Themes by Geoff Love & Orch. (http://moonsmood.blogspot.com/2008/05/great-western-themes-by-geoff-love-orch.html)

Great Film Themes - Mantovani, Stanley Black, Ronnie Aldrich & more...! (http://moonsmood.blogspot.com/2009/10/great-film-themes-mantovani-stanley.html)

Le Mépris Et Autres by Georges Delerue (2 CD's on 1 Disc) (http://moonsmood.blogspot.com/2009/09/le-mepris-et-autres-by-georges-delerue.html)

Here's an album for Georges Delerue lover/admirer/fans. All of the scores are from Delerue's collaboration with Jean Luc Goddard. Lots and lots of beautiful Georges Delerue music. Enjoy!

Actor And Music Glenn Ford (http://moonsmood.blogspot.com/2009/04/actor-and-music-glenn-ford_30.html)

Movie Overtures Volume 1. (http://moonsmood.blogspot.com/2009/04/movie-overtures-volume-1.html)

Music from the films of Sean Connery (1993) (http://moonsmood.blogspot.com/2009/04/music-from-films-of-sean-connery-1993.html)

Actor and Music Robert Taylor (http://moonsmood.blogspot.com/2009/04/actor-and-music-robert-taylor.html)

Actor and Music Robert Mitchum (http://moonsmood.blogspot.com/2009/04/actor-and-music-robert-mitchum.html)

The Film Music Of Mario Nascimbene (Never Before Released) (http://moonsmood.blogspot.com/2009/04/film-music-of-mario-nascimbene-never.html)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://avaxhome.ws/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect
of the content of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://i41.tinypic.com/dm4orb.gif (http://www.theasc.com/ac_magazine/March2010/current.php)

http://i41.tinypic.com/rqztxw.jpg

American Cinematographer Magazine March 2010 (http://avaxhome.ws/magazines/american_cinematographer_03_2010.html)
English | 100 Pages | 24MB | True PDF

American Cinematographer is a monthly magazine published by the American Society of Cinematographers. American Cinematographer focuses on the art and craft of cinematography, going behind the scenes on domestic and international productions of all shapes and sizes. The magazine features in-depth interviews with cinematographers, directors and some of their key collaborators at every stage of production. The magazine also features historical articles, technical how-to pieces, and information on the latest tools and technologies that impact the cinematographer's craft.

http://i42.tinypic.com/1i0g3n.jpg (http://avaxhome.ws/magazines/american_cinematographer_02_2010.html)

American Cinematographer Magazine February 2010 (http://avaxhome.ws/magazines/american_cinematographer_02_2010.html)
English | 102 Pages | 20MB | True PDF

http://i40.tinypic.com/2mfets4.jpg (http://avaxhome.ws/magazines/american_cinematographer_01_2010.html)

American Cinematographer Magazine January 2010 (http://avaxhome.ws/magazines/american_cinematographer_01_2010.html)
English | 108 Pages | 22MB | True PDF

+

http://i44.tinypic.com/fum6pz.jpg (http://avaxhome.ws/magazines/american_cinermatographer_2009_collection.html)

American Cinematographer Magazine January-December 2009 (All Issues) (http://avaxhome.ws/magazines/american_cinermatographer_2009_collection.html)
English | 12 issues | 276MB | PDF (rar)

:jumping:

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://avaxhome.ws/).
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http://i42.tinypic.com/eforhg.jpg (http://avaxhome.ws/ebooks/Photo_related/019531980X.html)

Robert Bresson: A Passion for Film By Tony Pipolo (http://avaxhome.ws/ebooks/Photo_related/019531980X.html)
Publisher: Oxford University Press 2010 | 407 Pages | ISBN: 019531980X | PDF | 2 MB

Perhaps the most highly regarded French filmmaker after Jean Renoir, Robert Bresson created a new kind of cinema through meticulous refinement of the form's grammatical and expressive possibilities. In thirteen features over a forty-year career, he held to an uncompromising moral vision and aesthetic rigor that remain unmatched. Robert Bresson: A Passion for Film is the first comprehensive study to give equal attention to the films, their literary sources, and psycho-biographical aspects of the work. Concentrating on the films' cinematographic, imagistic, narrative, and thematic structures, Pipolo provides a nuanced analysis of each film-including nearly 100 illustrations-elucidating Bresson's unique style as it evolved from the impassioned Les Anges du péche to such disconsolate meditations on the world as The Devil Probably and L'Argent. Special attention is also given to psychosexual aspects of the films that are usually neglected. Bresson has long needed a thoroughgoing treatment by a critic worthy to the task: he gets it here. From it emerges a provocative portrait of an extraordinary artist whose moral engagement and devotion to the craft of filmmaking are without equal.

http://i44.tinypic.com/25gfnmc.jpg (http://avaxhome.ws/ebooks/Photo_related/1592006795.html)

Fight Choreography: The Art of Non-Verbal Dialogue (http://avaxhome.ws/ebooks/Photo_related/1592006795.html)
Course Technology PTR | 2007 | ISBN: 1592006795 | 544 pages | PDF | 10 MB

This book helps filmmakers make sense of this art form and how they can use it to create their own styles of fights for a variety of projects, whether they be feature-length films, shorts, or television shows. The book is instructional, informative, and entertaining, and focuses on every important element involved in fight choreography, from basic philosophies, initial concept, and planning, to filming, editing, adding special effects, and sound mixing the final product. The book is not only an indispensable resource for filmmakers, but will also interestfilm buffs who want to learn how great fight sequences are made so they can better appreciate the action.

http://i42.tinypic.com/14afokj.jpg (http://avaxhome.ws/ebooks/Photo_related)

Dark Dreams 2.0: A Psychological History of the Modern Horror Film from the 1950s to the 21st Century By Charles Derry (http://avaxhome.ws/ebooks/Photo_related/0786433973.html)
Publisher: McFarland 2009 | 447 Pages | ISBN: 0786433973 | PDF | 15 MB

Greatly expanded and updated from the 1977 original, this new edition explores the evolution of the modern horror film, particularly as it reflects anxieties associated with the atomic bomb, the Cold War, 1960s violence, sexual liberation, the Reagan revolution, 9/11 and the Iraq War. It divides modern horror into three varieties (psychological, demonic and apocalyptic) and demonstrates how horror cinema represents the popular expression of everyday fears while revealing the forces that influence American ideological and political values. Directors given a close reading include Alfred Hitchcock, Brian De Palma, David Cronenberg, Guillermo Del Toro, Michael Haneke, Robert Aldrich, Mel Gibson and George A. Romero. Additional material discusses postmodern remakes, horror franchises and Asian millennial horror. This book also contains more than 950 frame grabs and a very extensive filmography.

Ponesto od zanimljivih magazina:

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FilmWorks - April 2010 (http://avaxhome.ws/magazines/FilmWorks_04-2010.html)
English | PDF | 44 Pages | 55,5 Mb

FilmWorks - March 2010 (http://avaxhome.ws/magazines/FilmWorks_03-2010.html)
English | PDF | 48 Pages | 66 Mb

FilmWorks - Fabruary 2010 (http://avaxhome.ws/magazines/FilmWorks_02-2010.html)
English | PDF | 59 Pages | 52,8 Mb

FilmWorks - January 2010 (http://avaxhome.ws/magazines/FilmWorks_01-2010.html)
English | PDF | 54 Pages | 27 Mb

http://i44.tinypic.com/2dtuhb4.jpg (http://avaxhome.ws/magazines/post_magazine_03_2010.html)

POST Magazine March 2010 (http://avaxhome.ws/magazines/post_magazine_03_2010.html)
English | 48 Pages | 25MB | True PDF

POST MAGAZINE (ISSN 0891-5628) is published monthly by Post,LLC,a COP Communications company. Post Magazine is dedicated to serving the most intensely dynamic segment of the entertainment industry: post production. Post magazine has over 21 years of experience covering this business.

POST Magazine January 2010 (http://avaxhome.ws/magazines/post_magazine_01_2010.html)
English | 52 Pages | 18MB | True PDF

http://i40.tinypic.com/2u9gyeu.jpg (http://avaxhome.ws/magazines/Videography_01-2010.html)

Videography - January 2010 (http://avaxhome.ws/magazines/Videography_01-2010.html)
English | PDF | 36 Pages | 6,63 Mb

Videography's objective is to offer its readers—film, video and audio professionals in the production and post-production communities—a current, relevant resource for business and technology information. The magazine's readers depend on its combination of news, reviews, interviews and tutorials to keep them informed and connected to their industry.

Simpaticna kolekcija scenarija:

http://i40.tinypic.com/fzcena.jpg (http://avaxhome.ws/misc/unreleased_movie_scripts.html)

Unreleased Movie Scripts (http://avaxhome.ws/misc/unreleased_movie_scripts.html)
Movie Scripts | PDF | 157 Scripts | English | Dec. 11, 2009 | TWEAK | 231 MB

This pack inculde over 157 scripts for famous released and unreleased films such as: Two Minutes to Midnight (2010), 2012 (2009), A Wizard of Earthsea, Alice in Wonderland (2010), etc....

Kad smo vec kod scenarija, Movieman49 (http://movieman49.blogspot.com/) - novi, stari, raritetni, nikad objavljeni... Lud coek. :)

http://i43.tinypic.com/140vgc8.jpg (http://www.mediafire.com/?wjxzgottykt)

MONEY NEVER SLEEPS (http://www.mediafire.com/?wjxzgottykt)

That's right people I have the script for Money Never Sleeps. Get it quick because it is sure to be taken down. If you don't know, it is the very very very much anticipated movie by Oliver Stone. It will star Michael Douglas (won the Academy Award for the first one) and Shia LaBeouf. Enjoy and get quickly!

Stone je napravio fantastican posao!

"Wall Street 2": Gordon Gekko više nije pohlepan (http://www.jutarnji.hr/-wall-street-2---ljudi--gordon-gekko-vise-nije-pohlepan-/661513/)!

Wall Street Money Never Sleeps 2010 Official HD Trailer Courtesy 20th Century Fox (http://www.youtube.com/watch?v=Joc8Je3LQn0)

Wall Street Money Never Sleeps 2010 Official HD Trailer 2 Courtesy 20th Century Fox (http://www.youtube.com/watch?v=XBARCiekrcY)

Wall Street 2:Money Never Sleeps International Trailer (http://www.youtube.com/watch?v=9ZL7gF86tBo)

:klopa:

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://avaxhome.ws/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect
of the content of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.

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American Cinematographer Magazine - April 2010 (http://avaxhome.ws/magazines/hobbies_leisure_time/American_Cinematographer_Mag_Apr_2010.html)
English | 110 pages | True PDF | 19.40 Mb

American Cinematographer is a monthly magazine published by the American Society of Cinematographers. American Cinematographer focuses on the art and craft of cinematography, going behind the scenes on domestic and international productions of all shapes and sizes. The magazine features in-depth interviews with cinematographers, directors and some of their key collaborators at every stage of production. The magazine also features historical articles, technical how-to pieces, and information on the latest tools and technologies that impact the cinematographer's craft.

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked sites.
If you have any legal issues please contact appropriate media file owners/hosters.

Ready Steady Go (http://www.youtube.com/watch?v=SzYThG1X1bY)!

:gitara:

http://i43.tinypic.com/1z569sp.png (http://tonyssecondhandscores.blogspot.com/)

http://i40.tinypic.com/mvg1mo.png (http://benuits-itsonlyapapermoon.blogspot.com/)

http://i42.tinypic.com/21mypvr.png (http://the-j-projex.blogspot.com/)

http://i41.tinypic.com/spdtnr.png (http://the-manchester-morgue.blogspot.com/)

http://i39.tinypic.com/alkfa0.png (http://reelcool.blogspot.com/)

http://i41.tinypic.com/205teyq.png (http://soundtrackcentral.blogspot.com/)

http://i39.tinypic.com/mserf5.png (http://soundtracksandscores.blogspot.com/)

[La Familia]

http://i40.tinypic.com/ac92ld.jpg

Happy Easter to everyone! :)

Uz odlicnu vijest:

http://i41.tinypic.com/14aareu.jpg

'Eastern Promises 2' Reteams David Cronenberg & Viggo Mortensen (http://theplaylist.blogspot.com/2010/03/eastern-promises-2-reteams-david.html)

***

100 best movie soundtracks (http://www.telegraph.co.uk/culture/film/3671089/100-best-movie-soundtracks.html)

***

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked sites.
If you have any legal issues please contact appropriate media file owners/hosters.

Bacite se u potragu:

FILM MUSIC (279) (http://chiefdundee.blogspot.com/search/label/00%20FILM%20MUSIC)
OUT OF PRINT (32) (http://chiefdundee.blogspot.com/search/label/03%20OUT%20OF%20PRINT)
BOOTLEG (40) (http://chiefdundee.blogspot.com/search/label/04%20BOOTLEG)
HARD TO FIND (14) (http://chiefdundee.blogspot.com/search/label/06%20HARD%20TO%20FIND)
COMPILATION (7) (http://chiefdundee.blogspot.com/search/label/07%20COMPILATION)
Hans Zimmer (114) (http://chiefdundee.blogspot.com/search/label/Hans%20Zimmer)
James Newton Howard (6) (http://chiefdundee.blogspot.com/search/label/James%20Newton%20Howard)
James Horner (4) (http://chiefdundee.blogspot.com/search/label/James%20Horner)
James Newton Howard (6) (http://chiefdundee.blogspot.com/search/label/James%20Newton%20Howard)
Jerry Goldsmith (9) (http://chiefdundee.blogspot.com/search/label/Jerry%20Goldsmith)
John Williams (12) (http://chiefdundee.blogspot.com/search/label/John%20Williams)
INDEX OF SOUNDTRACKS (http://chiefdundee.blogspot.com/p/index-of-soundtracks.html)

***

http://i44.tinypic.com/11htksl.jpg (http://avaxhome.ws/ebooks/Photo_related/PoliticsIranCinema.html)

Zeydabadi-Nejad, The Politics of Iranian Cinema: Films and society in the Islamic Republic (http://avaxhome.ws/ebooks/Photo_related/PoliticsIranCinema.html)
Routledge | 2010 | ISBN 0415455375 | 190 Pages | PDF OCR | 8.7 MB

Iran has undergone considerable social upheaval since the revolution and this has been reflected in its cinema. Drawing on first-hand interviews and detailed ethnographic research, this book explores how cinema is engaged in the dynamics of social change in contemporary Iran. The author not only discusses the practices of regulation and reception of films from major award winning directors but also important mainstream filmmakers such as Hatamikia and Tabizi.

Contributing to ethnographic accounts of Iranian governance in the field of culture, the book reveals the complex behind-the-scenes negotiations between filmmakers and the authorities which constitute a major part of the workings of film censorship. The author traces the relationship of Iranian cinema to recent social/political movements in Iran, namely reformism and women’s movement, and shows how international acclaim has been instrumental in filmmakers’ engagement with matters of political importance in Iran.

This book will be a valuable tool for courses on film and media studies, and will provide a significant insight into Iranian cultural politics for students of cultural studies and anthropology, Middle Eastern and Iranian studies.

Alberto Elena, The Cinema Of Abbas Kiarostami (http://avaxhome.ws/ebooks/artbook/elenakiarostami.html)
Saqi Books | 2005 | ISBN 0863565948 | 224 Pages | PDF | 16.5 MB

Abbas Kiarostami's films--Close-Up, Life and Nothing More, Through the Olive Trees, Taste of Cherry (winner of the 1997 Palme d'Or at Cannes), and Ten--have taken their place alongside the masterworks of world cinema. Yet Kiarostami, the most influential filmmaker of post-revolutionary Iran, has produced a body of work that is as rooted in contemporary Iran as it is universal in appeal. Respected cinema historian Alberto Elena has used Iranian sources wherever possible and sought to frame Kiarostami's oeuvre within the context of the rich artistic and intellectual Persian tradition that has nourished the director. He examines his blending of fiction and reality, and his recurring themes of death, meaning in life, isolation, solidarity and the lives of women. Kiarostami's career, from his early days as an illustrator and graphic designer to his current master-status, is also explored.

Star Wars: Behind the Magic | 1.3 GB (http://avaxhome.ws/misc/pm1_swb.html)

You've seen the movies and read the reference guides, novels and comic books. Now all of that information and more is included on two compact discs. Star Wars: Behind the Magic contains all of the facts, music, video clips, maps and interviews you could want involving the original trilogy of films.

Detailed information is included in a variety of categories: characters, locations, technology, events, behind the scenes, expanded universe (books, comics, toys and other media), and even a sneak peak at Star Wars: Episode I. In all, there are over 2,000 images, 20 3D models, 40 minutes of digitized video, 20 minutes of audio and 30 ship schematics. Many fans will also delight in seeing cut footage from the first film.

Behind the Magic also features added highlights that you won't find anywhere else, including a computer-generated Princess Leia fashion show and a 3D walkthrough of the Millennium Falcon. You can also visit the weapons test facility to compare the power of a lightsaber, blaster, Ewok rock, Death Star superlaser and thermal detonator by trying them out on a Stormtrooper. Then, test your Star Wars knowledge by answering 300 trivia questions placed throughout the two discs. ~ Jonathan Sutyak, All Game Guide.

LucasFilm SFX Library (http://avaxhome.ws/misc/LucasFilm_Sound_Effects_Library_6_CD.html)
MP3 192 Kbps | 6 CDs | 570 MB

Lucasfilm, the world's greatest innovator of sound design and Sound Ideas,the world's largest creator of sound effects have joined forces to produce a unique six CD sound effects collection. Now, for the first time ever, you can have Academy Award winning sound effects originally used in many of LucasFilm's major motion pictures, plus new effects specially created by Sound Ideas for this incredible co-production.

Sound Effects Content:

CD1 : Animal Sounds
CD2 : Elements (Wind, Rain, Fire)
CD3 : Industry Sounds
CD4 : Aircraft Carrier
CD5 : Helicopter & Private Jet
CD6 : Porsche 911 & Corvette

also contains a detailed list of all tracks sorted by name.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet (downarchive.com).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other
aspect of the content of other linked sites. If you have any legal issues please contact appropriate media
file owners/hosters.

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Hollywood Camera Work - The Master Course In High-End Blocking & Staging (http://www.downarchive.com/ebooks/video_training/114018-hollywood-camera-work-the-master-course-in-high.html) | 1.42GB | English | HF | ULD

A groundbreaking learning tool used by everyone from beginners to Academy Award winners, the course teaches high-end camera work through over 9 hours of 3D animated instruction on 6 DVDs.

Besides working with actors, blocking is one of the most important things a Director does, and should be really good at. Yet most books, videos and many film schools barely touch the basics.

A TOTAL LANGUAGE
The Master Course is a powerful system of single-camera blocking and an unprecedented language of camera work, that may fundamentally change the way you direct.

The course was created by director Per Holmes, who spent over half a decade developing an all-inclusive language of high-end feature camera work for personal use, and then realized how much others would benefit from these techniques.

The Master Course is far beyond any current filmmaking program, and is intended for professionals who want to take their blocking skills to the highest level, and those who are crossing over from another discipline, but can be used by filmmakers at any level who are committed to mastering high-end directing.

The primary goal of The Master Course in High-End Blocking and Staging is to do the most effective blocking with the highest production-value, and to build a vast repertoire of techniques to make Directing more expressive — and ultimately more fun.

The course also deals with the problem that blocking often grabs so much of our attention that we're forced to choose between doing camera work or nurturing great performances. If we choose acting, the camera work suffers. If we choose camera work, the actors are often left to direct themselves. One of the key goals of the course is to have great camera work become so automatic that we can do both at the same time.

When shooting, we also too often abandon many great shots we had planned. When we're under pressure, we revert to tried and tested techniques like two reverses and a master. Even if we know plenty of techniques, we often only use the ones we know extremely well, so another key goal of the course is to know techniques so well that we actually use them.

The higher purpose of the course is to do as meaningful and expressive camera work as possible. While the course spends a lot of time getting good at technical things like complex line-issues, the deeper goal is to have a profound understanding of the how and why of everything. Ultimately, the goal is to have as clear and precise an emotional impact as possible. All the hot moves we can create (and we do create a lot) are really means to that end.

Potrazite i:

http://i40.tinypic.com/65tt0g.jpg (http://www.downarchive.com/ebooks/video_training/24102-hollywood-camera-work-visual-effects-for.html)

Homepage (http://www.hollywoodcamerawork.us/)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://avaxhome.ws/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect
of the content of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.

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Cinema Scope - Spring 2010 (http://avaxhome.ws/magazines/CinemaScopeSpring2010.html)
English | 100 pages | PDF | 37.01 MB

With unparalleled depth and breadth, Cinema Scope is one of the most respected English-language publications on film worldwide. Cinema Scope unites experienced critics from across North America with up-and-coming writers. Packed with reviews, essays, festival reports, and interviews, we’re geared to cinephiles looking for an intelligent forum on world cinema. “Advocates for a passionate, poltical and purist engagement with the movies”—The New York Times

Stari brojevi (American Cinematographer nikada ne zastarjeva):

http://i42.tinypic.com/21kgigo.jpg (http://avaxhome.ws/magazines/mag_others/american_cinematographer_january_2006.html)

American Cinematographer Magazine January 2006 (http://avaxhome.ws/magazines/mag_others/american_cinematographer_january_2006.html)
13MB | rapidshare.com | 116 Page

About American Cinematographer: Serves filmmakers by exploring the artistic thought processes of the film industry's most innovative and talented directors of photography, and explaining the technical means by which they realize their artistic visions whether on film, video or with computers.

http://i39.tinypic.com/34o3ud1.jpg (http://avaxhome.ws/magazines/mag_others/american_cinematographer_march2006.html)

American Cinematographer Magazine March 2006 (http://avaxhome.ws/magazines/mag_others/american_cinematographer_march2006.html)
11MB | Rapidshare.com | 100 Page

http://i44.tinypic.com/iq92ir.jpg (http://avaxhome.ws/magazines/mag_others/american_cinematographer_april_2006.html)

American Cinematographer Magazine April 2006 (http://avaxhome.ws/magazines/mag_others/american_cinematographer_april_2006.html)
22MB | Rapidshare.com | 180 Page

REPLAY:

http://i43.tinypic.com/2gy5b20.jpg (http://www.mediafire.com/?wdzfbdeyttm)

Directing: Film Techniques and Aesthetics (http://www.mediafire.com/?wdzfbdeyttm) | Focal Press | English | ISBN-10: 0240808827 | 576 pages | PDF | 5.69 Mb

"Michael Rabiger's book "Directing: Film Techniques and Aesthetics" is the gold standard. His attention to the artistry of directing, not merely the technical concerns, puts him in the first rank. Rabiger's taste, knowledge, and insight are even more finely honed in this new edition. For the novice or the seasoned pro, this book is a joy and a must." -Jared Rappaport, Chair of the Department of Cinema and Television Arts, California State University - Northridge

"In its fourth edition, Directing remains as fresh and relevant as ever. Rabiger has devised a clear and eminently practical method for film directing which also promotes individual creative expression. By meticulously exploring drama, craft, process and artistic perspective, he demonstrates how to plunge into the heart of a screenplay and emerge with a film that reflects the heart of the director." -Mick Hurbis-Cherrier, Film Professor at Hunter College of the City University of New York, Filmmaker, and author of, "Voice & Vision: A Creative Approach to Narrative Film and DV Production"

"As he has in previous editions of "Directing," Michael Rabiger continues to offer a complete and comprehensive overview of virtually all aspects of directing, from ideas to budgeting, from casting to editing. From my viewpoint there is no comparable book on the market." -Eric Swelstad, Department Chair - Media Arts, Los Angeles Valley College

[La Familia]

http://i40.tinypic.com/atub8o.jpg (http://www.gointothestory.com/2010/04/billy-wilder-annotated-webliography.html)

"Billy Wilder: an Annotated Webliography (http://www.gointothestory.com/2010/04/billy-wilder-annotated-webliography.html)"

***

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://avaxhome.ws/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect
of the content of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.

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William Baer, "Classic American Films: Conversations with the Screenwriters (http://avaxhome.ws/ebooks/Photo_related/Classic_American_Films_Conversations_with_the_Scre enwriters.html)"
Praeger (November 30, 2007) | English | 0313348987 | 296 pages | PDF | 1.51 MB

Classic American Films explores the origin and development of many of the most influential and revered films in cinema history, and does so with the aid and insight of the people who actually wrote the screenplays. These lively, candid, in-depth interviews are filled with fascinating new material (details, anecdotes, judgments, and opinions) about the creative and collaborative processes that went into the making of these extraordinary films. In the past, Hollywood screenwriters - the original artists - have often been overlooked. This book is a special tribute to the invaluable contributions of these cinematic visionaries, many of whom are considered among the greatest screenwriters in American film history. As Orson Welles once said, In my opinion, the writer should have the first and last word in filmmaking. This book allows them to have that exciting opportunity.

Some of the highlights from these interviews include: Betty Comden and Adolph Green's explaining how a nightclub skit became the premise for Singin' in the Rain; Ernest Lehman's description of how, while in conversation with Hitchcock, his unconscious suddenly solved the plot problems in North by Northwest; Carl Gottlieb's remembrance of the terrible pressure involved with writing the script for Jaws while shooting was already underway; and Sylvester Stallone's account of how he received final approval to star in Rocky from studio executives who thought he was just another actor.

[La Familia]

http://i43.tinypic.com/2rxgnkm.jpg

Respectfully yours, Clint Eastwood (http://www.lettersofnote.com/2010/03/respectfully-yours-clint-eastwood.html)

October 26th, 1954: 24-year-old aspiring actor Clint Eastwood (http://en.wikipedia.org/wiki/Clint_Eastwood) - yet to make his debut on the big screen - pens an extremely polite letter to Billy Wilder (http://en.wikipedia.org/wiki/Billy_Wilder) in which he warns the director of his poor performance during an on-screen interview; footage he fears Wilder will use in lieu of a screen test. The week previous, Wilder had agreed to meet Eastwood on the recommendation of fellow director Arthur Lubin with a view to possibly using him in his forthcoming movie, The Spirit of St. Louis, a biographical feature film based on the life of aviator Charles Lindbergh. As we now know, James Stewart was eventually given the part, and Eastwood found another route to success.

Transcript follows. Enormous thanks to Geoff Harding.

http://i40.tinypic.com/35jdr1h.png

Transcript

Tuesday, October 26, 1954

Dear Mr. Wilder,

Thank you for taking your time to see me last Tuesday when Mr. Arthur Lubin was kind enough to introduce us on your set. Mr. Solly Baiano of Warner Brothers seemed quite enthusiastic about my possibilities for the Lindbergh role, when he met me here at Universal where I am under contract.

I was concerned when you mentioned to Mr. Lubin that you would like to see a test. The only one Universal has made was one of those difficult interviews in which I felt I was not very good, even though I was given a contract on the strength of it. When the time comes for casting, I would appreciate so much your letting me talk with you rather than seeing this test, for I have improved in every way since that time. I feel the qualities you might be seeking can better be found in a personal interview.

Again, may I thank you and trust I did not take too much of your time. I now look forward to our next meeting.

Respectfully yours,

Clint Eastwood

4020 Arch Drive
North Hollywood

***

http://i40.tinypic.com/6oe9g2.jpg (http://avaxhome.ws/ebooks/history_military/StagecoachTT.html)

Howard Hughes, "Stagecoach to Tombstone: The Filmgoer's Guide to Great Westerns (http://avaxhome.ws/ebooks/history_military/StagecoachTT.html)"
Publisher: I. B. Tauris | 2007 | ISBN 1845114981 | PDF | 304 pages | 10.4 MB

The true story of the American West on film, through its shooting stars and the directors who shot them…

Howard Hughes explores the Western, running from John Ford’s 'Stagecoach' to the revisionary 'Tombstone'. Writing with panache and fresh insight, he explores 27 key films, and draws on production notes, cast and crew biographies, and the films’ box-office success, to reveal their place in western history. He shows how through reinvention and resurrection, this genre continually postpones the big adios and avoids ending up in Boot Hill…permanently. Major films covered include the best from genre giants John Ford, Howard Hawks and John Wayne, plus classics 'High Noon', 'Shane', 'The Magnificent Seven' and 'Butch Cassidy and the Sundance Kid'. 'Stagecoach to Tombstone' makes many more stops along the way, examining well-known blockbusters and lowly B-movie oaters alike. It examines comedy westerns, adventures ‘south of the border’, singing cowboys and the varied depiction of Native Americans on screen. Hughes also engagingly charts the genre’s timely renovation by Sam Peckinpah ('Ride the High Country' and 'The Wild Bunch' ), Sergio Leone ('Once Upon a Time in the West') and Clint Eastwood ('The ****** Josey Wales' and 'Unforgiven'). Presented too are the best of western trivia, a filmography of essential films - and ten aficionados and critics, including Alex Cox, Christopher Frayling, Philip French and Ed Buscombe, give their verdict on the best in the west.

REPLAY:

http://i42.tinypic.com/96mgep.jpg (http://www.ebookee.com/Clint-Eastwood-Evolution-of-a-Filmmaker_334034.html)

John H. Foote, "Clint Eastwood: Evolution of a Filmmaker (http://www.ebookee.com/Clint-Eastwood-Evolution-of-a-Filmmaker_334034.html)"
Praeger | 2008-12-30 | ISBN: 031335247X | 224 pages | PDF | 1,1 MB

Now a two-time Academy Award winner for best director, twice winner of the Directors Guild of America Award for best director, and recipient of countless other critics prizes and nominations in multiple capacities, Clint Eastwood stands alongside Martin Scorsese and Steven Spielberg as one of the finest directors working in modern cinema. Here, John Foote examines the long, impressive, and unlikely film career of a man who fought against expectations to forge his own way and become one of this generation's finest filmmakers. Each chapter examines a different film, beginning with Play Misty for Me (1971) and High Plains Drifter (1973) and extending to his 21st-century films Space Cowboys (2000), Blood Work (2002), Mystic River (2003), Million Dollar Baby (2004), Flags of Our Fathers (2006), Letters from Iwo Jima (2006), and Changeling (2008). This book is, in the author's own words, a study of how Eastwood managed to quietly get to this level—and a celebration of his gifts as an artist. Eastwood has evolved not only as a director, but also as an actor, a screenwriter, a producer, and a score composer, to become one of the most revered figures in Hollywood.

Perhaps it is because he started out in Hollywood with such little influence on the final product that he now demonstrates such a strong desire to collaborate with others and provide help wherever he can. In addition to casting off his reputation as a hack and accumulating two Oscar nominations for Best Actor over the past 15 years, he has guided other actors to no less than three Academy Award wins. The executives love him because he has made them money over the years—occasionally even making one for them in exchange for financial backing on other projects. Critics love him because of the care he takes in creating his films. Audiences love him because he has never lost his sense of entertainment, even as his artistry has matured.

Film Voices: Interviews from Post Script (http://avaxhome.ws/ebooks/Photo_related/0791461556asdasd.html) (Suny Series, Cultural Studies in Cinema/Video) by Gerald Duchovnay (ed.)
Publisher: State University of New York Press | Number Of Pages: 346 | Publication Date: 2004-01-06 | ISBN: 0791461556 | PDF | 2 Mb

This collection of interviews brings together major Hollywood directors and actors, independent filmmakers, screenwriters, and others to discuss the art, craft, and business of making movies. Whether it be Clint Eastwood or Francis Ford Coppola, Vittorio Storaro or Dede Allen, these filmmakers detail how they strive for quality, the price they pay to do so, and how new technologies and the business aspects of filmmaking impact all aspects of their creativity. Taken together, the interviews reveal much about filmmaking practices in and out of Hollywood.

Michael Carlson - Clint Eastwood (http://avaxhome.ws/ebooks/Michael_Carlson_Clint_Eastwood.html)
Publisher: Pocket Essentials | 2002-01-01 | ISBN: 1903047811 | PDF | 96 pages | 1.10 MB

Pocket Essentials is a dynamic series of books that are concise, lively, and easy to read. Packed with facts as well as expert opinions, each book has all the key information you need to know about such popular topics as film, television, cult fiction, history, and more. Clint Eastwood was catapulted to film stardom as "The Man With No Name" in Sergio Leone's spaghetti westerns. Once established as a star, he became the John Wayne of his era, an American icon whose box-office drawing power remained undiluted three decades later, despite unfriendly critics, unfavourable gossip, and unspectacular forays into politics. Uniquely, Eastwood used his new-found star status to launch a second, and arguably more successful career as a director. This book analyzes all of Eastwood's films as a director, and includes information about his acting career, particularly those films directed by members of his "stock company," as well as tracing the influences of his work.

Clint Eastwood: Out of the Shadows (http://www.forum.hr/showpost.php?p=24850122&postcount=1314)

[koko&andry]

:s Molim pomoć (duboko sam uvjerena da će mi netko upućen u lingvistiku i entuzijastičan dati odgovor). Naime; u filmu"What dreams may come" (Ja ću budan sanjati, kojeg okorjeli filmski ent... sigurno zna), u kadrovima iz crkve na sahrani glavnog lika, umjesto hrv. prijevoda u titlu stoji:
"DE REPENTE UM DIA, SABEMOS Q SE SENTE UM MOMENTO EM QUE LA FE, LA ESPERANCA NOS POE UMA UNICA PROVA"
Što doslovno ili otprilike znače ove riječi? Hvala unaprijed prevoditelju entuzijastu. :s

[La Familia]

:s Molim pomoć (duboko sam uvjerena da će mi netko upućen u lingvistiku i entuzijastičan dati odgovor). Naime; u filmu"What dreams may come" (Ja ću budan sanjati, kojeg okorjeli filmski ent... sigurno zna), u kadrovima iz crkve na sahrani glavnog lika, umjesto hrv. prijevoda u titlu stoji:
"DE REPENTE UM DIA, SABEMOS Q SE SENTE UM MOMENTO EM QUE LA FE, LA ESPERANCA NOS POE UMA UNICA PROVA"
Što doslovno ili otprilike znače ove riječi? Hvala unaprijed prevoditelju entuzijastu. :s

Dobrodosla, koko&andry. :)

http://i41.tinypic.com/22di69.jpg

Dakle, svecenik na pogrebu Chrisa Nielsena/Robin Williams izgovara sljedece:

'SUDDENLY, ONE DAY,
WE KNOW THE FEELING
OF THAT.

A TIME WHEN MEANING
OF FAITH, HOPE...

[REVEREND SPEAKING SOFTLY]

...IS PUT TO
A ONCE-IN-A-LIFETIME TEST.

HR:

'ODJEDNOM, JEDNOG DANA,
ZNAMO OSJECAJ ZA TO.

VRIJEME KADA SE ZNACENJE
VJERE, NADE...

[VELECASNI GOVORI TIHO]

... SAMO JEDNOM U ZIVOTU
STAVLJA NA TEST.'

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://i42.tinypic.com/71n4tj.jpg (http://avaxhome.ws/ebooks/Photo_related/HigbeeKassovitz.html)

Will Higbee, Mathieu Kassovitz (French Film Directors) (http://avaxhome.ws/ebooks/Photo_related/HigbeeKassovitz.html)
Manchester UP | 2006 | ISBN 071907147X | 224 Pages | PDF | 3 MB

Mathieu Kassovitz is arguably the most important filmmaker to have emerged from French cinema in the past two decades. As a director, his work often engages with highly controversial socio-political issues while still managing to attract and connect with a popular audience--and, above all, with a youth audience. He is also one of the few contemporary French filmmakers who is capable of productively engaging with Hollywood, in terms of cinematic style, narrative and genre, yet still retaining his own identity as a French filmmaker. In addition to his directorial successes, Kassovitz has also achieved considerable critical and commercial success in France as a screen actor.

http://i44.tinypic.com/286v8l0.jpg (http://avaxhome.ws/ebooks/BillByrne1314.html)

Bill Byrne - The Visual Effects Arsenal: Vfx Solutions for the Independent Filmmaker (http://avaxhome.ws/ebooks/BillByrne1314.html)
Publisher: Focal Press | 2009-04-17 | ISBN: 0240811356 | PDF | 288 pages | 51.83 MB

Build your VFX arsenal with quick-access, step-by-step instruction on how to create today's hottest digital VFX shots. This essential toolkit provides techniques for creating effects seen in movies such as "300", "Spiderman 3", "Predator" and others, with lessons on how-to: splatter blood or digitally lop someone's arm off; create a scene with actors running from an explosion; create the 'twin effect' (same actor, same location, 2 performances); and, produce space-ship dog fights. Organized in a 'cookbook' style, this title allows you to reference a certain effect in the index and immediately access concise instructions to create that effect. In this title, techniques are demonstrated in each of the most popular software tools. After Effects, Final Cut Studio, Shake, Photoshop, and Combustion are all covered. Brilliant, 4-color presentation provides inspiration and stimulating visual guidance to the lessons presented, while the companion DVD contains project media files enabling you to put concepts learned into immediate practice. This title provides 4-color, step-by-step instruction for producing today's hottest digital VFX shots. VFX techniques are presented in each of the most popular software tools. Companion DVD features project media files allowing you to immediately implement techniques learned.

http://i40.tinypic.com/10da4jc.jpg (http://flmsdown.net/ebooks/131989-the-filmmakers-guide-to-final-cut-pro-workflow.html)

The Filmmaker's Guide to Final Cut Pro Workflow (http://flmsdown.net/ebooks/131989-the-filmmakers-guide-to-final-cut-pro-workflow.html)
Focal Press | 267 Pages | 2007 | ISBN:0240809866 | PDF | 8,8 MB

"Dale Angell's The Filmmaker's Guide to Final Cut Pro Workflow is the postproduction supervisor's equivalent to The Hitchhiker's Guide to the Galaxy. It provides a babel fish to translate geek-speak into plain English. His wealth of experience in editing and sound makes the book an invaluable aid to navigating the plethora of HD codecs and finishing workflows now available to editors. Don't leave home without it."
- Lois Freeman-Fox, A.C.E. (Fantasia 2000, Osmosis Jones)

"Dale's well thought out, 'user-centric approach' will guide you toward thinking like Final Cut Pro does. You will gain the confidence to take on the most complex editing projects. For years we have asked when would there be a workflow book to augment this powerful editing program. With The Filmmaker's Guide to Final Cut Pro Workflow, the book has arrived."
- Tom Anderson, professional Visual Effects artist (Dune, Star Trek)

The Filmmaker's Guide to Final Cut Pro Workflow is the comprehensive roadmap to affordable postproduction workflow using Final Cut Pro, Cinema Tools, and Pro Tools. Illuminating workflow and the interrelationship of these software applications, it also focuses on cost saving and efficiency, aiding low-budget, independent moviemakers as well as students trying to take their skills to the professional level.

Author Dale Angell offers a practical guide to complete film postproduction workflow, describing low-cost workflow that can be used for 35mm film, High Definition digital video, or DV/Red Camera.

The Filmmaker's Guide to Final Cut Pro Workflow will help the independent filmmaker working on a tight budget:
. Understand capturing picture when shooting on film or digital video
. Finishing the project on either film or video
. Audio edit workflows for both film and video
. Comprehend NTSC and PAL video as well as modern digital video formats
. Understand timecode and the file architecture in Final Cut Pro, Cinema Tools, and Pro Tools

Dale Angell is a lecturer at Brooks Institute of Photography, teaching video production and sound design. He has been using Final Cut Pro for many years and is both an experienced postproduction professional and academic.

http://i42.tinypic.com/vh8hhi.jpg

SFX is the Earth's greatest sci-fi and fantasy magazine. Covering all areas of sci-fi and fantasy across TV, movies, books, games, collectables and comics. Every month SFX delivers news, features, exclusive interviews, behind-the-scenes stories, star profiles and TV episode guides.

Sfx Magazine - January 2010 (http://flmsdown.net/magazines/232631-sfx-january-2010.html)
PDF | 147 pages | 86.6 Mb | English

Sfx Magazine - February 2010 (http://flmsdown.net/magazines/243531-sfx-magazine-february-2010.html)
English | PDF | 149 pages | 88.1 Mb

Sfx Magazine - April 2010 (http://flmsdown.net/magazines/243525-sfx-magazine-april-2010.html)
English | PDF | 149 pages | 87.8 Mb

SFX - May 2010 (http://flmsdown.net/magazines/241209-sfx-may-2010.html)
English | 148 pages | PDF | 61.64 MB

Sfx - June 2010 (http://flmsdown.net/magazines/247561-sfx-june-2010.html)
PDF | 149 pages | 73.8 Mb | English

http://i41.tinypic.com/jqmb6b.jpg (http://flmsdown.net/music/204448-ennio-morricone-super-gold-edition-6cd-2005.html)

Ennio Morricone - Super Gold Edition (6CD) 2005 (http://flmsdown.net/music/204448-ennio-morricone-super-gold-edition-6cd-2005.html)

Artist: Ennio Morricone
Titul: Super Gold Edition
Date of realise: 2005
Style: Soundtracks, Classical
Total time:100
Audio/Quality: 320 kbps
Size:795 Mb

CineMagic, No. 4 (http://flmsdown.net/magazines/22816-cinemagic-no.-4.html)
PDF | English | 23.2 MB

Aerial Image Optical Printer
Part one of a two-part article details the construction of your own Super-8 aerial image stand.

Constructing a Wire Animation Model
An easy alternative to ball-and-socket armatures for stop-motion models.

Hitting the Big Time
Young filmmakers are hired by Disney.

Electronic Special Effects
Further refinements on a light sequencer circuit for SF props and sets.

CineMagic, No. 5 (http://flmsdown.net/magazines/22907-cinemagic-no.-5.html)
CineMagic, No. 6 (http://flmsdown.net/magazines/23009-cinemagic-no.-6.html)
CineMagic, No. 7 (http://flmsdown.net/magazines/23040-cinemagic-no.-7.html)
CineMagic, No. 8 (http://flmsdown.net/magazines/23139-cinemagic-no.-8.html)

[La Familia]

Ovo se ne propusta:

Watch This Now: Carl Erik Rinsch’s The Gift (http://www.slashfilm.com/2010/04/07/carl-erik-rinschs-the-gift/)

http://i43.tinypic.com/qnmvqu.jpg (http://www.slashfilm.com/2010/04/07/carl-erik-rinschs-the-gift/)

Philips has just released Carl Erik Rinsch’s futuristic action thriller short film The Gift, which is about a robotic manservant who flees the police. Rinsch is not only Ridley Scott’s protege, but also a commercial director for Scott’s company RSA.

You might recognize Rinsch’s name as he was originally tapped (http://www.slashfilm.com/2009/05/27/carl-erik-rinsch-to-direct-alien-remake/) to direct a prequel/remake of Alien, but Fox convinced/pushed Ridley Scott to helm the project himself. I was one of the few people actually interested in Rinsch’s involvement. Rinsch’s commercials show an amazing sense of imagination, visual effects artistry and composition. We’ve profiled his amazing commercials on the site (http://www.slashfilm.com/2010/04/2009/05/27/the-commercials-of-carl-erik-rinsch/), more than once (http://www.slashfilm.com/2009/06/28/votd-carl-rinschs-exploit-yourself-spec-commercial/). If you havent checked his television spots out yet, you should do after watching this short film.

Watch the short film embedded after the jump.

http://i42.tinypic.com/34i4th1.png (http://www.youtube.com/watch?v=XOZkLIwbRrw)

I’ve watched this short like five times now and I’m amazed at how Rinsch has seemlessly blended computer generated worlds and characters with live-action. And I love how Rinsch used the project dialogue “It’s a unicorn, Never seen one up close before” to build a powerful macguffin that we never actually ever see, which becomes the impetus for this futuristic chase between the Russian police and a robot. I really wish we could see more of this world, and I’m excited to see what Rinsch might be able to do with a feature project.

Currently he is developing a remake of Creature From The Black Lagoon and is in preproduction on an epic period samurai film titled 47 Ronin to star Keanu Reeves (not to be confused with the adaptation of Frank Miller’s graphic novel Ronin), also for Universal.

In February, we wrote a piece (http://www.slashfilm.com/2010/02/26/teaser-trailer-five-short-films-from-rsas-carl-erik-rinsch-jake-scott-greg-fay-johnny-hardstaff-and-hi-sim/) about an upcoming collaboration between Philips and five filmmakers from Ridley Scott Associates, called Parallel Lines. Scott’s commercial division RSA was asked to create a series of groundbreaking short films in a genre of their choice, using the same unifying theme, and the same bits of dialogue. RSA directors submitted forty-five treatments and Philips selected five it believed were the most ground-breaking: Jake Scott, Greg Fay, Johnny Hardstaff, Carl Erik Rinsch, and Hi-Sim.

Last night Philips released the first two short films from the project, Johnny Hardstaff’s future film noir sci-fi thriller titled Dark Room and Hi-Sim’s computer animated adventure Jun & the Hidden Skies (http://www.slashfilm.com/2010/04/06/must-watch-johnny-hardstaffs-dark-room-and-hi-sims-jun-the-hidden-skies-parallel-lines/). If you haven’t yet watched Dark Room, I highly recommend you watch it today.

Najbolji dozivljaj gledanja ovdje (http://www.cinema.philips.com/).

[La Familia]

http://i39.tinypic.com/wji32d.jpg

2010 So Far, Part 1: Possible Narratives (http://www.theauteurs.com/notebook/posts/1705)

http://i41.tinypic.com/s49l55.jpg (http://www.oldmagazinearticles.com/home.php)

http://i39.tinypic.com/oz901.gif

Movies (http://www.oldmagazinearticles.com/articles.php?cid=111)
1929 -1930 (http://www.oldmagazinearticles.com/articles.php?cid=191)
Animation (http://www.oldmagazinearticles.com/articles.php?cid=123)
Gone with the Wind (http://www.oldmagazinearticles.com/articles.php?cid=136)
Hollywood Blacklist (http://www.oldmagazinearticles.com/articles.php?cid=182)
It's A Wonderful Life (http://www.oldmagazinearticles.com/articles.php?cid=185)

Silent Movie (http://www.oldmagazinearticles.com/articles.php?cid=2)
Cartoons (http://www.oldmagazinearticles.com/articles.php?cid=91)
Charlie Chaplin (http://www.oldmagazinearticles.com/articles.php?cid=58)
D.W. Griffith (http://www.oldmagazinearticles.com/articles.php?cid=179)
Douglas Fairbanks & Mary Pickford (http://www.oldmagazinearticles.com/articles.php?cid=146)

Ne propustite sjajan intervju s Maestrom:

Ennio Morricone Interviewed: "Compared To Bach, I'm Practically Unemployed (http://thequietus.com/articles/04050-ennio-morricone-interview-a-fistful-of-dollars-for-a-few-dollars-more-the-good-the-bad-and-the-ugly-once-upon-a-time-in-the-west-the-thing)"

John Doran asks the Maestro about heavy metal, his fearsome work ethic and his fusion of the avant garde and the mainstream. Translator: Roberta Rinaldi

A tek ovo, juhu - son of a bitch se vraca big time! Ima da i Papa padne na guzicu (ako ga prije ne uhapse :zubo:).

49 Minutes With Paul Verhoeven (http://nymag.com/news/intelligencer/encounter/65360/)

http://i43.tinypic.com/14ifnk0.jpg

The auteur of Showgirls and RoboCop wants to make a movie of what he sees as the historical, Che Guevara–like Jesus Christ, stripped of his miracle-working divinity.

Christopher Walken in Astoria, Queens : The New Yorker (http://www.newyorker.com/talk/2010/04/19/100419ta_talk_stevenson)

Christopher Walken buckled his seat belt as the Suburban with tinted windows sped up on the Queensborough Bridge. He was wearing a blue overcoat and a cashmere scarf over a black T-shirt and black pants. “When you came across this bridge, you could smell bread, twenty-four hours a day,” he said. “From the Silvercup bakery—now it’s Silvercup Studios, where they made ‘The Sopranos.’ ”

Zasto volim Christophera Nolana - coek je jebeni genijalac (i brat mu, naravno). Must read, ljudi, must read:

Christopher Nolan's 'Inception' -- Hollywood's first existential heist film | Hero Complex | Los Angeles Times (http://latimesblogs.latimes.com/herocomplex/2010/04/christopher-nolans-inception-hollywoods-first-existential-heist-film-.html)

http://i43.tinypic.com/fx5576.jpg

This is a longer version of my Los Angeles Times Sunday Calendar cover story on "Inception," the most ambitious film to date from director Christopher Nolan. Most of the interviews in the story were conducted last year on the set of the film in Cardington, England. I have also included a bit of video that shows my on-stage interview with Nolan and Emma Thomas, his producing partner and wife, at last weekend's WonderCon in San Francisco.

KinoKultura (http://www.kinokultura.com/2010/issue28.shtml)

KinoKultura, a journal of New Russian Cinema, April 2010 issue.

BFI | Sight & Sound | May 2010 (http://www.bfi.org.uk/sightandsound/issue.php)

Italian cinema, LA DANSE, VALLEY OF THE BEES. Selections from the May issue of SightSoundmag.

Watch ‘Tarantino Versus the Coen Brothers,’ a Masterful Narrative Mash-Up -- Vulture (http://nymag.com/daily/entertainment/2010/04/watch_tarantino_versus_coen_br.html)

Leandro Braga spent thirteen days watching Quentin Tarantino and Coen Brothers movies, then put this video together out of more than 500 carefully selected scenes. Impressive. Also a little nuts.

http://i44.tinypic.com/1zy93dt.png (http://nymag.com/daily/entertainment/2010/04/watch_tarantino_versus_coen_br.html)

Blog preporuka:

Star Wars Modern: The Architecture of Serial Killers (http://starwarsmodern.blogspot.com/2010/04/architecture-of-serial-killers.html)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://i44.tinypic.com/358nzpu.jpg (http://www.mypdfscripts.com/indexes/wga-101-greatest-scripts)

WGA 101 Greatest Screenplays DOWNLOAD (http://www.mypdfscripts.com/indexes/wga-101-greatest-scripts) (sve formatirano/.pdf)

The Writers Guild of America, west (WGAw) and the Writers Guild of America, East (WGAE) have announced the 101 Greatest Screenplays of all time – as voted on by members of the Writers Guilds, west and East.

“This list and the films on it are meant to be scrutinized and criticized, dissected and collected, viewed and reviewed,” said WGAw President Patric M. Verrone. “They are the literature of our industry and the legacy of our union.”

“It’s difficult to think of American life without the films on this list. Just reading the titles reminds us of the fantastic journeys they have provided. Thanks to all of the writers involved for a wonderful ride,” said WGAE President Chris Albers.

The 101 finalists were compiled from over 1,400 screenplays selected by members of the Writers Guild of America, west and the Writers Guild of America, East as their favorite works; the joint-guild balloting process took place during 2005.

Click here (http://www.wga.org/subpage_newsevents.aspx?id=1807) to view the list on the WGA website (http://www.wga.org/).

http://i41.tinypic.com/2it4qpl.jpg (http://avaxhome.ws/ebooks/Photo_related/0240806808.html)

The Art Direction Handbook for Film (http://avaxhome.ws/ebooks/Photo_related/0240806808.html)
Publisher: Focal Press | ISBN: 0240806808 | edition 2005 | PDF | 352 pages | 12,5 mb

This book is the ultimate guide for anyone who wants to work in the design aspect of the film and television industry." - Black Filmmaker "Mike Rizzo is a first rate talent; an artist and a craftsman. His writing is insightful, and provocative. He is uniquely suited to write a book like this, which fuses the wisdom of traditional filmmaking to the power and hope of the digital possibilities of 21st century filmmkaing.

http://i43.tinypic.com/357lt74.jpg (http://avaxhome.ws/ebooks/graphics_drawing_design/0321268717.html)

Apple Pro Training Series: Optimizing Your Final Cut Pro System (http://avaxhome.ws/ebooks/graphics_drawing_design/0321268717.html)
Publisher: Peachpit Press | ISBN: 0321268717 | edition 2005 | CHM | 912 pages | 14,4 mb

If it's good enough for the legendary Hollywood film editors, it's good enough for you! This guide is aimed squarely at Final Cut Pro users just like yourself--at corporate, commercial, and independent post-production houses--who want to move beyond simple Final Cut Pro installations for their film and video masterworks. Through project-based lessons and step-by-step instructions, this self-paced guide shows you how to integrate high-end capture cards, storage systems, and other industry-standard hardware into a Final Cut Pro workflow, as well as how to install and configure Final Cut Pro to make the most of your professional non-linear editing system. This is the technical information most frequently requested by Final Cut Pro users, pulled together into one book that is both a self-paced learning tool and the official curriculum for the Apple Pro Training and Certification Program. The guide covers everything from system configuration, storage, and device connectivity to the intricacies of SAN solutions, and includes special sections on optimizing short-form/broadcast workflows and long-form/HD workflows. It offers troubleshooting advice at every turn: for dropped frames, mismatched audio and audio distortion; imported graphic file issues, media management, file recovery and archiving strategies, and much more. DVD with lesson files and media included.

http://i41.tinypic.com/abgrp2.jpg (http://avaxhome.ws/ebooks/artbook/Directing_the_Story.html)

Directing the Story: Professional Storytelling and Storyboarding Techniques for Live Action and Animation (http://avaxhome.ws/ebooks/artbook/Directing_the_Story.html)
Focal Press | 2008 | ISBN: 0240810767, 978-0240810768 | 360 pages | PDF | 27MB

Professional storytelling tools, techniques and strategies clearly explained and put into practice - teaches by example!

Francis Glebas has put together a really comprehensive and thought-provoking look at the art and craft of film making, specifically directing. His approach, which is to ask a lot of seemingly innocent questions, has much the same effect as the good storytelling he is trying to teach us.it draws us in and makes us think. I can't imagine anyone, in or out of our business, who won't find any number of helpful ideas as they work their way through the filmmaking jungles!!
- Roy Disney, Director Emeritus and consultant for The Walt Disney Company

Francis Glebas was one of our most talented storyboard artists at Disney, and it was our great fortune to have him on the story team. He has a wealth of experience to share.
- Jeffrey Katzenberg, CEO, Dreamworks Animation

http://i42.tinypic.com/xerkzo.jpg (http://avaxhome.ws/ebooks/AlainSilverJamesUrsini1047.html)

Alain Silver, James Ursini - L.A. Noir: The City as Character (http://avaxhome.ws/ebooks/AlainSilverJamesUrsini1047.html)
Publisher: Santa Monica Press | 2005-10-28 | ISBN: 1595800069 | PDF | 176 pages | 19.08 MB

Film buffs explore the world of noir cinema in a Los Angeles context with this guide to noir films and their California settings. This book illustrates how these films use L.A.'s diverse cityscape and architecture to convey a unique vision of urban corruption and existential fatalism, in both the gritty downtown area and the outlying affluent communities like Malibu and Beverly Hills. Dozens of noir and neo-noir films are featured including classics such as Double Indemnity, Kiss Me Deadly, Sunset Boulevard, and Touch of Evil and more recent films such as Mulholland Drive and Pulp Fiction. More than 150 photographs—many never before published—further illustrate the rich and constantly changing backdrop of these movies.

http://i39.tinypic.com/dobdch.jpg (http://avaxhome.ws/magazines/cgarena_2008_2009_collection.html)

CGArena Magazine 2008 & 2009 (All Issues) (http://avaxhome.ws/magazines/cgarena_2008_2009_collection.html)
English | 13 issues | 447MB | PDF (rar)

http://i39.tinypic.com/8vzxqc.jpg (http://avaxhome.ws/ebooks/science_books/philosophy/zizekfright.html)

Zizek, The Fright of Real Tears: Krzystof Kieslowski between Theory and Post-theory (http://avaxhome.ws/ebooks/science_books/philosophy/zizekfright.html)
BFI | 2001 | ISBN 0851707548 | 240 Pages | PDF OCR | 4.3 MB

Film theory is in crisis. The dominant psychoanalytical paradigm is contested by cognitive models and post-theory. In the background is a wider crisis in cultural studies, particularly as regards the public role of the politically engaged intellectual.

In this major new study Slavoj Zizek challenges both cognitivist-historicist accounts of cinema and conventional film theory. Arguing that the reading of Lacan operative in the '70s and '80s was particularly reductive, Zizek asserts that there is "another Lacan," in reference to whom film theory, cultural studies, and critical thought as such can be transformed and revitalized. He supports and expands this argument with an extensive reading of the work of Kieslowski and, in a substantial appendix, with a discussion of the relationship between Christianity, Gothicism and the "progressive digitalisation of our life-world." Film theory is in crisis. The dominant psychoanalytical paradigm is contested by cognitive models and post-theory. In the background is a wider crisis in cultural studies, particularly as regards the public role of the politically engaged intellectual.

In this major new study Slavoj Zizek challenges both cognitivist-historicist accounts of cinema and conventional film theory. Arguing that the reading of Lacan operative in the '70s and '80s was particularly reductive, Zizek asserts that there is "another Lacan," in reference to whom film theory, cultural studies, and critical thought as such can be transformed and revitalized. He supports and expands this argument with an extensive reading of the work of Kieslowski and, in a substantial appendix, with a discussion of the relationship between Christianity, Gothicism and the "progressive digitalisation of our life-world."

http://i41.tinypic.com/34qmie0.jpg (http://avaxhome.ws/music/ost_soundtrack/Harry_Brown_Soundtrack_2009.html)

Harry Brown Soundtrack [2009] (http://avaxhome.ws/music/ost_soundtrack/Harry_Brown_Soundtrack_2009.html)
Genre Soundtrack | MP3 | 224-320kbps | 59MB
Various Artists

http://i44.tinypic.com/ibcu95.jpg (http://avaxhome.ws/magazines/.MOV-e_April_2010.html)

.MOV-e Issue 01 - April 2010 (http://avaxhome.ws/magazines/.MOV-e_April_2010.html)
English | PDF | 48 Pages | 39,6 Mb

[La Familia]

http://i40.tinypic.com/qosmlh.jpg (http://www.vanityfair.com/hollywood/classic/features/ciminos-final-cut-200203)


Michael Cimino’s Final Cut (http://www.vanityfair.com/hollywood/classic/features/ciminos-final-cut-200203)


Just two years after Michael Cimino’s 1978 Vietnam epic, The Deer Hunter, took five Oscars, Hollywood’s newestwonder boy/auteur made one of its biggest flops ever, the $44 million Heaven’s Gate. The fallout turned him into a pariah, and then into the Howard Hughes of directors, living in virtual seclusion and refusing to be photographed, which sparked endless rumors. Now, posing for his first portrait in 20 years, Cimino gives the author the lowdown on his radically altered appearance, his first novel, and his latest screenplay—as well as an unprecedented glimpse into his decidedly eccentric mind.

[La Familia]

http://i39.tinypic.com/vreb75.jpg (http://www.movieline.com/2010/04/a-full-year-of-virtual-newsstand.php)


A Full Year of Movieline's Virtual Newsstand (http://www.movieline.com/2010/04/a-full-year-of-virtual-newsstand.php)

[trgovčica]

Ko bi mi preporucia filmčinu tematike slavenske mitologije, trazila san nesto malo, ali spasia bi me konkretan savjet. ajmo pucajte, Slaveni.

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://i41.tinypic.com/i237dg.jpg (http://www.vanityfair.com/hollywood/classic/features/death-and-the-master-199904)

Death and the Master (http://www.vanityfair.com/hollywood/classic/features/death-and-the-master-199904)

Do you have a desire to be remembered?
I don’t think so.
I mean, do you think about posterity?
What did posterity ever do for me?
—Alfred Hitchcock, interviewed by Peter Bogdanovich, in Who the Devil Made It.

http://i41.tinypic.com/2lc8944.jpg (http://avaxhome.ws/ebooks/Photo_related/PagliaBirds.html)

Paglia, The Birds (BFI Film Classics) (http://avaxhome.ws/ebooks/Photo_related/PagliaBirds.html)
BFI | 2008 | ISBN 0851706517 | 96 Pages | PDF | 4 MB

Camille Paglia draws together in this text the aesthetic, technical and mythical qualities of Alfred Hitchcock's The Birds (1963), and analyzes its depiction of gender and familial relations.

http://i44.tinypic.com/1zafcp.jpg (http://avaxhome.ws/ebooks/cultures_languages/Paul2series.html)

Paul Duncan - Alfred Hitchcock (Pocket Essential series) (http://avaxhome.ws/ebooks/cultures_languages/Paul2series.html)
Pocket Essentials | 1999 | ISBN: 1903047005 | Pages: 70 | PDF | 1.06 MB

Who was Hitchcock? A fat man who played practical jokes on people? A control freak who humiliated others to make himself look better? A little boy afraid of the dark? One of the greatest storytellers of the century? He was all of these and more - twenty years after his death, he is still a household name; most people in the Western world have seen his film, and he popularised the action movie format we see every week on the cinema screen. He was both a great artist and dynamite at the box office. What's in this Pocket Essential guide? As well as an introductory essay, each of Hitchcock's films is individually reviewed and analysed. In addition, the effect he has had on the industry is explained - virtually every big action movie of the past three decades has been influenced by his work. And there's a handy multimedia reference guide.

Tom Ryall - Alfred Hitchcock and the British Cinema: With a New Introduction (http://avaxhome.ws/ebooks/Tom_Ryall_Alfred_Hitchcock_and_the_British_Cinema_ With_a_New_Introduction.html)
Publisher: Athlone Press | 1996-09 | ISBN: 0485121220 | PDF | 193 pages | 10.95 MB

An account of Hitchcock's British films and film-making, now in its second edition, this study discusses the man and his work in the context of the history of British cinema in the 1930s and 1940s.

Three Philosophical Filmmakers: Hitchcock, Welles, Renoir (http://avaxhome.ws/ebooks/mvjsdsa.html)
Publisher: The MIT Press | 2007 | ISBN: 0262195011 | PDF | 289 pages | 8.3 MB

Although Alfred Hitchcock, Orson Welles, and Jean Renoir do not pontificate about "eternal verities or analytical niceties," as Irving Singer remarks in Three Philosophical Filmmakers, each expresses, through his work, his particular vision of reality. In this study of these great directors, Singer examines the ways in which meaning and technique interact within their different visions. Singer's account reveals Hitchcock, Welles, and Renoir to be not only consummate artists and inspired craftsmen but also sophisticated theorists of film and its place in human experience. They left behind numerous essays, articles, and interviews in which they discuss the nature of their own work as well as more extensive issues. Singer draws on their writings, as well as their movies, to show the pervasive importance of what they did as dedicated filmmakers. Hitchcock used his mastery of contrived devices not as mere formalism divorced from content, Singer notes, but in order to evoke emotional responses that are meaningful in themselves and that matter greatly to millions of people. Singer's discussion of Hitchcock's work analyzes, among other things, his ideas about suspense, romance, and the comic. Singer also makes a detailed comparison of the original Psycho with Gus Van Sant's recent remake. Considering the work of Welles, Singer shows how and why the theme of vanished origins--"the myth of the past"--recurs in many of his films, starting with the Rosebud motif in Citizen Kane and continuing much later in his little-known masterpiece The Immortal Story. Expanding upon Renoir's comment that his own films were "always the same film," Singer studies his entire work as a coherent though evolving search for contact and "conversation" with the audience. While recognizing the primacy of technique, Renoir used cinematic artifice in the service of that humanistic aspiration.

Joe Mcelhaney "The Death of Classical Cinema: Hitchcock, Lang, Minnelli (http://avaxhome.ws/ebooks/artbook/0791468879.html)"
State University of New York Press | English | 2006-10-05 | ISBN: 0791468879 | 255 pages | PDF | 1,9 MB

The Death of Classical Cinema uncovers the extremely rich yet insufficiently explored dialogue between classical and modernist cinema, examining the work of three classical filmmakers—Alfred Hitchcock, Fritz Lang, and Vincente Minnelli—and the films they made during the decline of the traditional Hollywood studio system. Faced with the significant challenges posed by alternative art cinema and modernist filmmaking practices in the early 1960s, these directors responded with films that were self-conscious attempts at keeping pace with the developments in film modernism. These films—Lang's The Thousand Eyes of Dr. Mabuse, Hitchcock's Marnie, and Minnelli's Two Weeks in Another Town—were widely regarded as failures at the time and bolstered critics' claims concerning the irrelevance of their directors in relation to contemporary filmmaking. However, author Joe McElhaney sheds new light on these films by situating them in relation to such acclaimed modernist works of the period as Godard's Contempt, Fellini's La dolce vita, Antonioni's Red Desert, and Resnais's Last Year at Marienbad. He finds that these modernist films, rather than being diametrically opposed in form to the work of Hitchcock, Lang, and Minnelli, are in fact profoundly linked to them.

The Psycho File: A Comprehensive Guide to Hitchcock's Classic Shocker By Joseph Smith (http://avaxhome.ws/ebooks/science_books/psychology_behavior/0786444878.html)
Publisher: McFarland 2009 | 226 Pages | ISBN: 0786444878 | PDF | 2 MB

An examination of the groundbreaking 1960 film directed by Alfred Hitchcock, including the story's origins in real-life graverobber Ed Gein. The book presents material from the script and how it was adapted from Robert Bloch's novel; details of the film's production, particularly the shower scene and other technical difficulties; actors and the challenges of their roles; extended literary analysis of the film covering such devices as irony, symbol, theme, motif and foil; and the film's effect on audiences. Features 16 photographs, notes, bibliography and index.

REPLAY:

http://i27.tinypic.com/2w6gxaf.jpg

Hitchcock interview from 1964 (http://www.youtube.com/watch?v=ydvU64L758c) (part 1)

Hitchcock interview from 1964 (http://www.youtube.com/watch?v=WtWi3-eLQqY&NR=1) (part 2)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://i42.tinypic.com/14ieutv.jpg (http://parallax-view.org/2010/04/25/blood-of-a-poet-the-films-of-sam-peckinpah/)

Blood of a Poet: The Films of Sam Peckinpah (http://parallax-view.org/2010/04/25/blood-of-a-poet-the-films-of-sam-peckinpah/)

http://i43.tinypic.com/jfguhl.jpg (http://avaxhome.ws/ebooks/9053564934asdasd.html)

The Last Great American Picture Show: New Hollywood Cinema in the 1970s (http://avaxhome.ws/ebooks/9053564934asdasd.html)
(Amsterdam University Press - Film Culture in Transition) by Thomas Elsaesser (Editor), Noel King (Editor), Alexander Horwath (Editor)
Publisher: Amsterdam University Press (May 1, 2004) | ISBN-10: 9053564934 | PDF | 3,6 Mb | 348 pages

The French Connection, The Last Picture Show, M.A.S.H., Harold and Maude--these are only a few of the iconic films made in the United States during the 1970s. Originally considered a "lost generation," the 1970s are increasingly recognized as a crucial turning point in American filmmaking, and many films from the era have resurfaced from oblivion to become a reference for new directorial talents. The Last Great American Picture Show explores this pivotal era in American film history with a collection of essays by scholars and writers that firmly situates the decade as the time of the emergence of "New Hollywood."

Sam Peckinpah, Arthur Penn, Peter Bogdanovich, Monte Hellman, Bob Rafelson, Hal Ashy, Robert Altman, and James Tobac: these legendary directors developed innovative techniques, gritty aesthetics, and a modern sensibility in American film. Here, contributors compellingly argue that the cinema of today's major directors--Steven Spielberg, James Cameron, Quentin Tarantino, Ridley Scott, Robert Zemeckis--could not have come into existence without the groundbreaking works produced by the directors of the 1970s. A wholly engaging and long-overdue investigation of this important era in American film, The Last Great American Picture Show reveals how the films of the 1970s transformed the American social consciousness and influenced filmmaking worldwide.

http://i41.tinypic.com/65mru1.jpg (http://avaxhome.ws/ebooks/0385094418.html)

Donald Richie - Japanese Cinema: Film Style and National Character (http://avaxhome.ws/ebooks/0385094418.html)
Publisher: Doubleday | 1971-01 | ISBN: 0385094418 | PDF | 261 pages | 16.26 MB

It is common knowledge that Japan has produced one of the most extraordinary national cinemas in the history of film. This book, written by the internationally-recognized expert on the subject, makes Japanese movies accessible to Western audiences as never before. It is, first of all, a succinct history of Japanese film, from the beginning through 1970. It is also, however, an exploration of Japanese culture - and the Japanese mind.

The author relates the films to the other art forms, and the traditions and attitudes of the Japanese people. He is thus able to refute the occasional Wester objections that Japanese movies are sentimental, or boring, or full of cliches. The book discusses not only the well-known classics of such directors as Kurosawa and Mizoguchi, but also the popular 'entertainment' films as well. It establishes the historical basis for the important post-war films that first brought Japanese cinema to the attention of the world. Above all, this book explores the unique vision of the Japanese filmmakers, the vision 'which is the aesthetic of Japan - and which has created some of the most beautiful and truthful films ever made.

http://i44.tinypic.com/24ybrd3.jpg (http://avaxhome.ws/magazines/writtenby_0405_2010.html)

WrittenBy Magazine April/May 2010 (http://avaxhome.ws/magazines/writtenby_0405_2010.html)
English | 60 Pages | 12MB | True PDF

The magazine of the Writers Guild of America, West.

http://i43.tinypic.com/13z9xtw.jpg (http://avaxhome.ws/ebooks/Photo_related/0313298300.html)

Reel Black Talk: A Sourcebook of 50 American Filmmakers (http://avaxhome.ws/ebooks/Photo_related/0313298300.html) By Linda Allen, Spencer Moon
Publisher: Greenwood 1997 | 416 Pages | ISBN: 0313298300 | PDF | 17 MB

The first book by an African American on contemporary African American filmmakers; here directors and producers speak for themselves and pose challenges to current thinking in the field.

http://i43.tinypic.com/msyuqb.jpg (http://avaxhome.ws/ebooks/Photo_related/0275982572.html)

The Road to Comedy: The Films of Bob Hope By Donald McCaffrey (http://avaxhome.ws/ebooks/Photo_related/0275982572.html)
Publisher: Praeger 2004 | 216 Pages | ISBN: 0275982572 | PDF | 11 MB

The first book to focus on the film work of Bob Hope, this engaging assessment and history explores the comic persona this legendary star created. Drawing on archival materials, interviews with collaborators, and the films themselves, noted film comedy authority Donald W. McCaffrey establishes the reasons Hope is considered one of the greatest film comedians of his era.

http://i40.tinypic.com/34fcoq9.jpg (http://avaxhome.ws/ebooks/Photo_related/DabashiCloseup.html)

Hamid Dabashi, Close up: Iranian cinema, past, present, and future (http://avaxhome.ws/ebooks/Photo_related/DabashiCloseup.html)
Verso | 2001 | ISBN 1859843328 | 311 Pages | PDF OCR | 11.8 MB

Abbas Kiarostami planted Iran firmly on the map of world cinema when he won the Palme d'Or at the Cannes film festival for his film A Taste of Cherry in 1997. In this book Hamid Dabashi examines the growing reputation of Iranian cinema from its origins in the films of Kimiyai and Mehrjui, through the work of established directors such as Kiarostami, Beyzai and Bani-Etemad, to young filmmakers like Samira Makhmalbaf and Bahman Qobadi, who triumphed at the Cannes 2000 festival. Dabashi combines exclusive interviews with directors, detailed and insightful commentary, critical cultural context, an extensive filmography, and generous illustration to provide an indispensable guide to a globally celebrated but little-studied cinematic genre.

http://i39.tinypic.com/mljfrr.jpg (http://avaxhome.ws/ebooks/Photo_related/0275981444.html)

Becoming Film Literate: The Art and Craft of Motion Pictures (http://avaxhome.ws/ebooks/Photo_related/0275981444.html)
By Vincent A. LoBrutto
Publisher: Praeger 2005 | 404 Pages | ISBN: 0275981444 | PDF | 26 MB

"This book has merit as an introduction to the science and language of cinema."
–PublishersWeekly.com

"To introduce students to the basic tools of cinema, LoBrutto (editing, production design and cinema studies, School of Visual Arts) uses 50 landmark films as illustrations of concepts such as production design, cinematography, sound, narrative structure and genres. Readers learn about film authorship, for example, in a discussion of Citizen Kane and multiplot narrative in a chapter on Nashville. LoBrutto includes a glossary and suggestions for further viewing or reading."
–Reference & Research Book News/Art Book News Annual

“By embracing a range of filmmakers from Dreyer to Brakhage, LoBrutto's survey contributes to the argument that creating canons is one of the most vital tasks in today's world cinephilia.”
–Robert Koehler, film critic (Variety, CinemaScope magazine)

“This book has merit as an introduction to the science and language of cinema.”
–PublishersWeekly.com

“Vincent LoBrutto, already distinguished as an oral historian and biographer, has now written a book that for students and professors alike should become a definitive guide to film appreciation. Becoming Film Literate, shrewdly structured as a series of thoughtful essays on favorite works, is at once a primer and a master class for anyone aspiring to become a film know-it-all.”
–Patrick McGilligan, author of Alfred Hitchcock: A Life in Darkness and Light

***

Dr. Strangelove (http://www.gointothestory.com/2010/04/dr-strangelove.html)

Thanks to Filmmakeriq.com for finding this: Phone interviews (http://filmmakeriq.com/2010/04/dr-strangelove-original-split-screen-interview/%20) with George C. Scott and Peter Sellers in relation to Dr. Strangelove: Or How I Stopped Worrying and Loved the Bomb (http://en.wikipedia.org/wiki/Dr._Strangelove):

http://i39.tinypic.com/2mwuv74.jpg (http://www.gointothestory.com/2010/04/dr-strangelove.html)

Dr. Strangelove is one of my favorite top 5 movies of all-time, arguably the best satire ever produced. Plus Peter Sellers is probably my favorite comic actor. So whenever I see something on this movie, I take time to dip into it again. Here is something I found online: "Inside the making of 'Dr. Strangelove,' including the famous pie scene that was not included in the final cut of the movie:

... (http://www.gointothestory.com/2010/04/dr-strangelove.html)

***

Interesting short film: "The Raven (http://www.gointothestory.com/2010/04/interesting-short-film-raven.html)"

The trend of high-quality short films featuring superior post effects continues. Now there's "The Raven":

http://i42.tinypic.com/205zjno.jpg (http://www.gointothestory.com/2010/04/interesting-short-film-raven.html)

Director : Ricardo de Montreuil
Producers: Ricardo de Montreuil & Eliz Eskeranli
Writers: Ricardo de Montreuil & Antonio Perez
Cinematographer: Andres Sanchez
Music by: Angelo Milli
Special Effects Supervisor: Aaron Burns
3D Modeling and Animation: Juan Somarriba and Francisco Concha
Visual Effects and Compositing: Ricardo de Montreuil
Editing: Ricardo de Montreuil
Color Correction: Santiago Padilla
Sound Design and Mixing: Martin Seltzer
Budget: $5k
Format: RED 1920×1080
Special thanks: Filmosonido, CO3 and Converse

From Montreuil's Wikipedia page (http://en.wikipedia.org/wiki/Ricardo_de_Montreuil), there's this:

His newest work, "The Raven"- shortmovie was developed on April, 21st 2010. Story: "Chris Black possesses a power that could lead to the destruction of the current regime, and they will stop at nothing to destroy him."

The short film is essentially one long chase sequence. Narrative elements reminiscent of Blade Runner, Star Wars (the Raven's use of the 'force'), Robocop. Am I missing some?

I think there are several elements at play here re potential Hollywood interest: (1) 'Shiny object disease' where studio execs enjoy watching post effects; (2) Mythology of $5,000 budget: Visual FX for next to no money is even more enticing to a studio, however clearly Montreuil, like Alvarez with "Panic Attack" didn't include in their PR in-house costs at post facilities; (3) Alvarez, Rinsch ("The Gift"), and Montreuil all hail from countries outside the U.S., and that adds a 'fresh' factor to the narrative surrounding their projects; (4) Science fiction is hot.

Ricardo de Montreuil's IMDB page here (http://www.imdb.com/name/nm1662693/).

[La Familia]

http://i43.tinypic.com/315226a.jpg

KICK-ASS (2010) Screenplay (http://www.mediafire.com/download.php?ermqvkdngno)

DEATH AT A FUNERAL (2010) Screenplay (http://www.mediafire.com/download.php?lg2zujujqmm)

HOT TUB TIME MACHINE (2010) Screenplay (http://www.mediafire.com/download.php?5n0tzhnttye)

PAPER MAN SCREENPLAY (http://www.mediafire.com/?m1yyztjtjng)

Here is the script to the new Ryan Reynolds, Emma Stone, Jeff Bridges, and Lisa Kudrow. Enjoy!

THE LOSERS SCREENPLAY (http://www.mediafire.com/?tn3jjoi3ojz)

Here is the script for this weekends up coming movie, The Losers. Enjoy!

CHARLIE KAUFMAN DAY!

http://i39.tinypic.com/2co1zck.jpg

I was thinking after posting Being John Malkovich last night, and I decided that we would dedicate today to being Charlie Kaufman Day! He is one of the most influential writers of our day. His movies usually revolve around real people (Himself-Adaptation, Malkovich-Being John Malkovich, Chuck Barris-Confessions of A Dangerous Mind). He is one of the most inventive writers of all time with some of the most original stories. I give you, Charlie Kaufman. Enjoy!

HUMAN NATURE (http://www.mediafire.com/?uzmjn2zjd5l)

CONFESSIONS OF A DANGEROUS MIND (http://www.mediafire.com/?zuj1zjy2ymk)

ADAPTATION (http://www.mediafire.com/?zkjzlmz4dnw)

ETERNAL SUNSHINE OF THE SPOTLESS MIND (http://www.mediafire.com/?grmzqhodozz)

BEING JOHN MALKOVICH SCRIPT (http://www.mediafire.com/?20ymo3dgmnj)

SYNECDOCHE, NY (http://www.mediafire.com/?imzizru12ov)

A SCANNER DARKLY (unproduced, 1997) (http://www.mediafire.com/?k5jq3y2mt5z)

SHANE BLACK DAY!

http://i43.tinypic.com/6xt7ar.jpg

Here are some of the screenplays from my favorite screenwriter Shane Black. For those of you who do not know, Shane Black sold a spec script called Lethal Weapon at the age of 23. That's right, he was 23 when he wrote the screenplay for the much beloved Lethal Weapon. I hope to get an interview with him soon for you my fellow followers so keep coming back and keep an eye open. His most recent movie, Kiss Kiss Bang Bang, although not a box office success, was a very well written screenplay and is one of my favorite. If you haven't seen or read it I suggest you do. Enjoy.

The Monster Squad (http://www.mediafire.com/?lzmukq5jem5)

Lethal Weapon (http://www.mediafire.com/?rzqg0ywdojz)

The Last Action Hero (http://www.mediafire.com/?qdycunyzlnt)

The Last Boy Scout (http://www.mediafire.com/?nzzvij2uimn)

The Long Kiss Goodnight (http://www.mediafire.com/?nzzmhm5vtzh)

Kiss Kiss Bang Bang (http://www.mediafire.com/?z5mwz0mmthc)

Cold Warrior (http://www.mediafire.com/?zkfwhz2dyqz)
(This was not written by Shane Black, but he is set to direct and is currently rewriting it to his style)

EXTRACT SCREENPLAY (http://www.mediafire.com/?3wmjmde1mmy)

GARDEN STATE SCREENPLAY (http://www.mediafire.com/?gzlwt0ylyol)

FROM PARIS WITH LOVE SCREENPLAY (http://www.mediafire.com/?arjizmozenm)

AMERICAN GANGSTER SCREENPLAY (http://www.mediafire.com/?fmi5jywchgx)

THE USUAL SUSPECTS SCREENPLAY (http://www.mediafire.com/?0ntmukjb2mj)

TRAINING DAY SCREENPLAY (http://www.mediafire.com/?0nyxdvhzuui)

ANNIE HALL SCREENPLAY (http://www.mediafire.com/?tdnmqz4ji4m)

GREENBERG SCREENPLAY (http://www.mediafire.com/?ww3rhncowyz)

Here is the link to Ben Stiller's new movie, Greenberg. Enjoy.

MYSTIC RIVER SCREENPLAY (http://www.mediafire.com/?d3mz0ozmzoj)

THE CIDER HOUSE RULES SCREENPLAY (http://www.mediafire.com/?wjzhkimyyz2)

THE GODFATHER SCREENPLAY (http://www.mediafire.com/?yjjdmttymkj)

AMERICAN BEAUTY SCREENPLAY (http://www.mediafire.com/?dtqm2kuhmhc)

SCREENPLAY FOR MEET THE PARENTS!

This is a very rare screenplay that is almost impossible to find online. Well I've got it and am posting it. I've had several emails about it and decided to do some digging. Enjoy!

Meet The Parents
LINK (http://www.mediafire.com/?ojdyz25j34i)

Coen Brothers Collection

http://i40.tinypic.com/254wq3q.jpg

Here is a collection of some of the Coen's Brothers scripts. If you know nothing about them, they are into dark humor that really resonates with people. They've done movies such as Fargo, The Big Lebowski, No COuntry for Old Men, and most recently A Serious Man. Enjoy.

BLOOD SIMPLE SCREENPLAY (http://www.mediafire.com/?gb2fdmjjzww)

RAISING ARIZONA SCREENPLAY (http://www.mediafire.com/?ztn5xyydvgz)

MILLER'S CROSSING SCREENPLAY (http://www.mediafire.com/?gmeeaji5zmw)

BARTON FINK SCREENPLAY (http://www.mediafire.com/?ywm5zmc4zwy)

FARGO SCREENPLAY (http://www.mediafire.com/?e2xdmmmwmzu)

THE BIG LEBOWSKI SCREENPLAY (http://www.mediafire.com/?izmj3nnmgni)

NO COUNTRY FOR OLD MEN SCREENPLAY (http://www.mediafire.com/?omwlyyeowdj)

BURN AFTER READING SCREENPLAY (http://www.mediafire.com/?lc4yywgngvt)

A SERIOUS MAN SCREENPLAY (http://www.mediafire.com/?jmgm0rzmjkz)

SLING BLADE SCREENPLAY (http://www.mediafire.com/?2lnzgnik2lk)

http://i43.tinypic.com/mr8ikp.jpg

Here is a collection of some of the finest movies Robert De Niro has ever done. He is a two time Academy Award winner, once for The Godfather: Part II and once for Raging Bull. He's most memorable scene from Taxi Driver, "Are you talkin to me?" was an ad lib believe it or not. He is one of the greatest actors of all time and knows how to make a good movie. Enjoy.

TAXI DRIVER SCREENPLAY (http://www.mediafire.com/?ymzmqlizyln)

THE GODFATHER: PART II SCREENPLAY (http://www.mediafire.com/?tjtqq2myybg)

RAGING BULL SCREENPLAY (http://www.mediafire.com/?yzdnjzumnow)

GOODFELLAS SCREENPLAY (http://www.mediafire.com/?mwmxmbkyydg)

MEAN STREETS SCREENPLAY (http://www.mediafire.com/?jyhlx2kmtrd)

CASINO SCREENPLAY (http://www.mediafire.com/?ghtznt2yhyj)

ANALYZE THIS SCREENPLAY (http://www.mediafire.com/?nj4mmk12f0q)

THE MESSENGER SCREENPLAY (http://www.mediafire.com/?xggiqydwgwe)

THE WRESTLER SCREENPLAY (http://www.mediafire.com/?vmunzidqyyw)

+

24 Pilot Episode (http://www.mediafire.com/?tinnnmy05ej)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://i44.tinypic.com/2a6nhx3.jpg (http://avaxhome.ws/ebooks/Photo_related/0786434805.html)

Bela Lugosi and Boris Karloff: The Expanded Story of a Haunting Collaboration, with a Complete Filmography of Their Films Together By Gregory William Mank (http://avaxhome.ws/ebooks/Photo_related/0786434805.html)
Publisher: McFarland 2009 | 701 Pages | ISBN: 0786434805 | PDF | 21 MB

Dracula and Frankenstein's Monster are horror cinema icons, and the actors most deeply associated with the two roles also shared a unique friendship. Bela Lugosi and Boris Karloff starred in dozens of black-and-white horror films, and over the years managed to collaborate on and co-star in eight movies. Through dozens of interviews and extensive archival research, this greatly expanded new edition examines the Golden Age of Hollywood, the era in which both stars worked, recreates the shooting of Lugosi and Karloff's mutual films, examines their odd and moving personal relationship and analyzes their ongoing legacies. Features include a fully detailed filmography of the eight Karloff and Lugosi films, full summaries of both men's careers and more than 250 photographs, some in color.

Cinema: A Visual Anthropology By Gordon Gray (http://avaxhome.ws/ebooks/Photo_related/1845207939.html)
Publisher: Berg Publishers 2010 | 224 Pages | ISBN: 1845207939 | PDF | 2 MB

Cinema: A Visual Anthropology provides a clear and concise summary of the key ideas, debates, and texts of the most important approaches to the study of fiction film from around the world.

The book examines ways to address film and film experience beyond the study of the audience. Cross-disciplinary in scope, Cinema uses ideas and approaches both from within and outside of anthropology to further students' knowledge of and interest in fiction film.

Including selected, global case studies to highlight and exemplify important issues, the book also contains suggested Further Reading for each chapter, for students to expand their learning independently. Exploring fundamental methods and approaches to engage this most interesting and vibrant of media, Cinema will be essential reading for students of anthropology and film.

Edited by Marcus Banks, Key Texts in the Anthropology of Visual and Material Culture is an innovative series of accessible texts designed for students. Each volume concisely introduces and analyses core topics in the study of visual anthropology and material culture from a distinctively anthropological perspective.

http://i42.tinypic.com/mkb1qt.jpg (http://avaxhome.ws/ebooks/Photo_related/WorldCin.html)

Contemporary World Cinema: Europe, the Middle East, East Asia and South Asia (http://avaxhome.ws/ebooks/Photo_related/WorldCin.html)
Edinburgh University Press | 2006 | ISBN 0748617981 | 203 Pages | 5.7 MB

Since the start of the 1990s, despite tougher competition than ever before from Hollywood, a rebirth and flourishing of cinema has been taking place in parts of Europe, the Middle East, East Asia and South Asia. This book provides an overview of the cinemas of these regions, interpreting some of the recent developments as strategic responses to globalisation. Highlighting transnational and cross-cultural structures, influences and themes, it offers: * A broad critical context for the study of contemporary world cinema, introducing key concepts and issues including modes of production and distribution. * Cultural and historical background for the cinemas of each region, with analyses of regional aesthetic styles and comparisons with Hollywood models. * Case studies of Scandinavian, Iranian, Hong Kong and Indian cinema. * Close analysis of twelve landmark films, including Thomas Vinterberg's Festen, Samira Makhmalbaf's The Apple, Wong Kar-Wai's In the Mood For Love, and Ashutosh Gowariker's Lagaan. Contemporary World Cinemais vital for students and teachers of film, media, cultural studies and modern languages, as well as general world cinema enthusiasts.

http://i39.tinypic.com/kap6yc.jpg (http://avaxhome.ws/ebooks/Photo_related/0786447400.html)

World War II on the Big Screen: 450+ Films, 1938-2008 By Doris Milberg (http://avaxhome.ws/ebooks/Photo_related/0786447400.html)
Publisher: McFarland 2010 | 224 Pages | ISBN: 0786447400 | PDF | 12 MB

World War II has been an endlessly fertile film subject since the late 1930s--even before the United States entered combat. This sweeping study of Hollywood's depictions of the war, and of the motion picture industry during wartime, describes more than 450 films in roughly chronological order, while providing a historical perspective on the times and the events depicted. Included are such pictures as Casablanca, The Battle of Midway, Der Fuhrer's Face and Letters from Iwo Jima.

About the Author
Doris Milberg is a former teacher who has written two previous books and more than 100 articles about cinema history.

http://i40.tinypic.com/29pt0me.jpg (http://avaxhome.ws/magazines/language/m_french/StudioCineLive15.html)

Studio Cine Live N°15 Mai 2010 (http://avaxhome.ws/magazines/language/m_french/StudioCineLive15.html)
French | 140 pages | PDF | 30,1 MB

Sjajan cover story o neunistivom Lucu Bessonu. Na francuskom, tko vam je kriv. :p

Ponesto dobrog linkovlja:

Bright Lights #68 (May 2010) now live (http://www.brightlightsfilm.com/blog/2010/05/bright-lights-68-may-2010-now-live.html)

Teaser: Abbas Kiarostami's Certified Copy (http://www.stumbleupon.com/su/8ThZiM/www.ioncinema.com/news/id/5110/r:t)

Creative Capital, "Please Give," Michael Caine, More (http://www.theauteurs.com/notebook/posts/1773)

Star Wars Modern: The Urbanism of Superheroes (http://starwarsmodern.blogspot.com/2010/04/urbanism-of-superheroes.html)

A Soft Focus on War (http://www.inthesetimes.com/article/5864/a_soft_focus_on_war)
How Hollywood hides the horrors of war.
By Slavoj Žižek

Todd McCarthy's Deep Focus (http://blogs.indiewire.com/toddmccarthy)

The Big O | Features | Vanity Fair (http://www.vanityfair.com/hollywood/classic/features/the-big-o-199911)

30 Unexpected Movie Deaths (http://www.gointothestory.com/2010/05/30-unexpected-movie-deaths.html)

Cinema's Best Human Villains (http://www.gointothestory.com/2010/05/cinemas-best-human-villains.html)

A NIGHTMARE ON ELM STREET (2010) Screenplay (http://www.mediafire.com/download.php?vfjet2nnozm)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://i40.tinypic.com/14x07bm.jpg (http://avaxhome.ws/ebooks/Photo_related/1405184515.html)

Unraveling French Cinema: From L'Atalante to Cache By T. Jefferson Kline (http://avaxhome.ws/ebooks/Photo_related/1405184515.html)
Publisher: Wiley-Blackwell 2010 | 232 Pages | ISBN: 1405184515 | PDF | 2 MB

Unraveling French Cinema provides a much needed introduction to the complexities of French film for students, cineastes, and the movie-loving public. Looks at the differences between French and American national cinema Explores how French directors shape their films around two potentially divergent goals: the narration of a story and an elaboration of some theory about film itself.

Demystifies the “difficulty” of French cinema, allowing the American movie-goer to enjoy films that are too often perplexing at a first viewing. Offers extended analyses of classic, New Wave, and contemporary French films—including L’Atalante, Adele H., The Rules of the Game, and Cache.

http://i39.tinypic.com/23vgd3s.jpg (http://avaxhome.ws/ebooks/Photo_related/140516879X.html)

The Fantasy Film By Katherine A. Fowkes (http://avaxhome.ws/ebooks/Photo_related/140516879X.html)
Publisher: Wiley-Blackwell 2010 | 216 Pages | ISBN: 140516879X | PDF | 1 MB

The Fantasy Film provides a clear and compelling overview of this revitalized and explosively popular film genre.

Includes analyses of a wide range of films, from early classics such as The Wizard of Oz and Harvey to Spiderman and Shrek, and blockbuster series such as The Lord of the Rings trilogy and The Harry Potter films. Provides in-depth historical and critical overviews of the genre.

Fully illustrated with screen shots from key films.

Uistinu sjajna knjiga, dobrodosli u svijet Pixara:

http://i41.tinypic.com/314edyv.jpg (http://avaxhome.ws/ebooks/Photo_related/0811839753.html)

The Art of Finding Nemo By Mark Cotta Vaz, John Lasseter, Andrew Stanton (http://avaxhome.ws/ebooks/Photo_related/0811839753.html)
Publisher: Chronicle Books 2003 | 160 Pages | ISBN: 0811839753 | PDF | 12 MB

Pixar Animation Studios, the Academy Award®–winning creators of Toy Story, Toy Story 2, A Bug’s Life, and Monsters, Inc., are bringing a new animated movie, Finding Nemo, to the screen this summer. This visually stunning underwater adventure follows eventful and comic journeys of two fish—a father and his son Nemo—who become separated in the Great Barrier Reef. The underwater world for the film was conceptualized and developed by the creative team of artists, illustrators, and designers at Pixar, resulting in a lush landscape rich with detail.

The Art of Finding Nemo celebrates their talent, featuring concept and character sketches, storyboards, and lighting studies in a huge spectrum of media, from five-second sketches to intricate color pastels. This behind-the-scenes odyssey invites the reader into the elaborate creative process of animation films through interviews with all the key players at Pixar. There will be children’s books related to Finding Nemo, but no adult titles other than this definitive volume. Revealing, insightful, and awesomely creative, The Art of Finding Nemo will delight film-goers, artists, and animation fans alike.

http://i43.tinypic.com/s0xumg.jpg (http://avaxhome.ws/music/ost_soundtrack/Lock_Stock.html)

VA - Lock, Stock and Two Smoking Barrels (1998) (http://avaxhome.ws/music/ost_soundtrack/Lock_Stock.html)
EAC Rip | FLAC, IMAGE+CUE+LOG | Full scans | 421 MB
Electronic, Pop, Rock, Stage & Screen | Publisher: Island Records | Catalog Number: 524 578-2

The soundtrack to the edgy Tarantino-esque British film Lock, Stock and Two Smoking Barrels consists largely of vintage punk rock (the Stooges' "I Wanna Be Your Dog"), R&B (James Brown's "The Boss" and "The Payback"), and reggae (Junior Murvin's "Police and Thieves"), along with a few other oddities, such as Dusty Springfield's rendition of "Spooky," a song that was a hit for the Classics IV in the U.S. The songs are interspersed with obscenity-laced snippets of dialogue from the film that indicate its sarcastic, low-life nature.

Dva odlicna cover storyja:

http://i42.tinypic.com/ouy0wn.jpg (http://avaxhome.ws/magazines/m_music/Paste_03-2010.html)

Paste Magazine - March 2010 (http://avaxhome.ws/magazines/m_music/Paste_03-2010.html)
English | 84 Pages | 50,7 MB | PDF

Paste is a monthly music and entertainment magazine published in the United States by Paste Media Group LLC. Its tagline is "Signs of Life in Music, Film and Culture." Paste Magazine is your companion in discovering the best new music, movies, tv, books, games and more. Discover why the Wall Street Journal called Paste the 'Best American Music Magazine' and UTNE said Paste 'brings together the best elements of the mainstream and indie music press.'

http://i39.tinypic.com/2wnwd1y.jpg (http://avaxhome.ws/magazines/RollingStone13Ma2010.html)

Rolling Stone - 13 May 2010 (http://avaxhome.ws/magazines/RollingStone13Ma2010.html)
English | 82 pages | PDF | 27.7 MB

http://i40.tinypic.com/n4b39g.jpg (http://avaxhome.ws/magazines/Videography_April_2010.html)

Videography - April 2010 (http://avaxhome.ws/magazines/Videography_April_2010.html)
English | PDF | 36 Pages | 16,4 Mb

Videography's objective is to offer its readers—film, video and audio professionals in the production and post-production communities — a current, relevant resource for business and technology information. The magazine's readers depend on its combination of news, reviews, interviews and tutorials to keep them informed and connected to their industry.

http://i40.tinypic.com/hrk1v5.jpg (http://avaxhome.ws/magazines/LasVegasWeekly29April2010.html)

Las Vegas Weekly - 29 April 2010 (http://avaxhome.ws/magazines/LasVegasWeekly29April2010.html)
English | 72 pages | PDF | 28.4 MB

Las Vegas Weekly is a weekly newspaper with an emphasis on arts, entertainment and popular culture. The Weekly is the city's source for an utterly unique, combustible mix of embedded nightlife coverage, thoughtful arts and cultural criticism, sassy lifestyle features, provocative essays and edgy journalism. From the bottle-serviced tables of the latest ultra lounge to the front rows of the hottest concerts; wherever the movers are shaking, the Weekly is there, helping readers make sense of this crazy town.

[La Familia]

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25 tape audio interview series with Alfred Hitchcock


Otkrice dana!


:jumping:


Here's a gem. From Richard Brody at The New Yorker (http://www.newyorker.com/online/blogs/movies/2010/05/getting-hitched.html):

Last year, I recommended (http://www.newyorker.com/online/blogs/movies/2009/06/picks-of-the-pix.html) a virtual trip to the extraordinary pictorial treasure trove at Tom Sutpen’s terrific Web site (http://tsutpen.blogspot.com/), “If Charlie Parker Was a Gunslinger, There’d Be a Whole Lot of Dead Copycats.” Two years ago, I mentioned that among its other wonderful offerings was a selection from the audio tapes of François Truffaut’s interviews with Alfred Hitchcock that resulted in the remarkable book (http://www.amazon.com/Hitchcock-Revised-Helen-G-Scott/dp/0671604295/ref=sr_1_1?ie=UTF8&s=books&qid=1273267366&sr=1-1) that was voted, by Sight and Sound’s panel, one of the five best movie books ever published (http://www.newyorker.com/online/blogs/movies/2010/05/screen-texts.html).

Now my colleague Blake Eskin sends along word of a detail that, I’m embarrassed to say, has escaped my attention until now: Sutpen has put up on his site (and has, indeed, had there for four years) the complete tapes of these amazing interviews (http://tsutpen.blogspot.com/search/label/The%20Hitchcock%2FTruffaut%20Tapes), in twenty-five parts! Having just found out, I’ve only just started listening; what’s there is a cinematic event with many levels of intrigue, from their first-order revelations regarding Hitchcock’s art to the peculiar relationship between the two men to the historical passage from one to the other that their production embodies. Sutpen’s written commentary is exemplary; he sees deeply into the situation, and he carefully compares the published text to the spoken word, discovering surprising and revealing omissions as well as plausible motives for them. The listening and the reading are as essential as they are delightful.

Most excllent find. And here (http://tsutpen.blogspot.com/search/label/The%20Hitchcock%2FTruffaut%20Tapes) it is.

And what a great website (http://tsutpen.blogspot.com/) re culture and the arts.

:s

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.


http://i39.tinypic.com/691few.jpg (http://inceptionmovie.warnerbros.com/img/posters/04.jpg)
HD/klik za uvecanje fotke/plakata
Theatrical Trailer (http://movies.yahoo.com/summer-movies/inception/1810099246)
InceptionMovie.com (http://inceptionmovie.warnerbros.com/)
TV Spots HD
1 (http://www.youtube.com/watch?v=WAz5fD-cxuY)
2 (http://www.youtube.com/watch?v=Y73QQULSfZA)
3 (http://www.youtube.com/watch?v=FG6YljLStS4)


'Inception,' the only movie that matters? (http://latimesblogs.latimes.com/herocomplex/2010/05/inception-the-only-2010-movie-that-matters.html)


That's what I called "Inception" when I dropped by the KTLA morning show the other day to talk about the rest of 2010 from Hollywood. I didn't plan on that description -- it just kind of came out -- but I'm not going to back off of it now. I can honestly say there is no movie that I'm more eager to see, and (based on the script and the footage I've seen) I sure wouldn't bet against this movie picking up an Oscar for the best picture of 2010.


Konacno nesto pametno, intrigantno, odlicno napisano... Cekaj malo, hwoodski summer movie? :zubo: Jedva cekam(o).

Provjerite i linkove:

Christopher Nolan's 'Inception' -- Hollywood's first existential heist film (http://latimesblogs.latimes.com/herocomplex/2010/04/christopher-nolans-inception-hollywoods-first-existential-heist-film-.html)

Christopher Nolan Talks 3D, IMAX & ‘Inception (http://screenrant.com/christopher-nolan-talks-3d-imax-inception-mikee-50838/)’


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Iranska kinematografija ne prestaje me fascinirati, protagonisti takodjer:

Mihalkov nije jedini od redatelja koji u Cannes dolazi u trenutku kad - blago rečeno - nije popularan. Isti je slučaj i s Irancem Abbasom Kiarostamijem koji stiže s filmom “Ovjerena kopija” snimljenim - na francuskom, u Toskani. Kad je u Iranu izbila postizborna kriza, Kiarostami nije htio podržati prosvjednike i reformista Mussavija, a kad je njegov učenik (i puno bolji redatelj) Jafar Panahi uhićen, Kiarostami je doduše prosvjedovao, ali i Panahijeve filmove ocijenio kao “senzacionalističke i provokativne”. Stoga će biti zanimljivo vidjeti kako će zapadni mediji dočekati režisera koji je još nedavno bio egzotični heroj francuske filmske kulture.

http://i40.tinypic.com/290r8qq.jpg (http://avaxhome.ws/ebooks/Photo_related/DabIraCin.html)

Hamid Dabashi, Masters & Masterpieces of Iranian Cinema (http://avaxhome.ws/ebooks/Photo_related/DabIraCin.html)
Mage | 2007 | ISBN 093421185X | 456 Pages | PDF OCR | 12.7 MB

"Masters and Masterpieces of Iranian Cinema is narrated around fifteen of the best Iranian filmmakers of the past half-century and takes a close look at both their lives and their greatest works. In his vivid account, Hamid Dabashi explains how--despite the censorship of both the Pahlavi monarchy and the Khomeini Islamic Republic--the creativity of these filmmakers has transcended national and cultural borders. The author explores the rise and ascendancy of Iranian cinema in the more general context of modern Iranian intellectual history. He delves into the roots of Iranian cinema in Persian poetry and fiction and examines ways in which a rich cinematic tradition has been nourished. The book also studies the role that prominent film festivals have played in fostering the global success of Iranian cinema and it investigates the reception of these films withinIran, an intriguing story in its own right.

http://i42.tinypic.com/35l6mug.jpg (http://avaxhome.ws/ebooks/Photo_related/02408097342342342.html)

Archival Storytelling: A Filmmaker's Guide to Finding, Using, and Licensing Third-Party Visuals and Music by Sheila Curran Bernard (http://avaxhome.ws/ebooks/Photo_related/02408097342342342.html)
Publisher: Focal Press | Number Of Pages: 336 | Publication Date: 2008-09-29 | ISBN-10: 0240809734 | PDF | 4 Mb

Archival Storytelling is an essential, pragmatic guide to one of the most challenging issues facing filmmakers today: the use of images and music that belong to someone else. Where do producers go for affordable stills and footage? How do filmmakers evaluate the historical value of archival materials? What do vérité producers need to know when documenting a world filled with rights-protected images and sounds? How do filmmakers protect their own creative efforts from infringement?


3 REPLAY-a zlata vrijedna, :):


http://i39.tinypic.com/23u1pbl.jpg (http://avaxhome.ws/ebooks/biography/0571207081.html)

Herzog on Herzog (http://avaxhome.ws/ebooks/biography/0571207081.html)
Publisher: Faber & Faber | ISBN: 0571207081 | edition 2003 | PDF | 400 pages | 4.85 mb

An invaluable set of career-length interviews with the German genius hailed by François Truffaut as “the most important film director alive”Most of what we’ve heard about Werner Herzog is untrue. The sheer number of false rumors and downright lies disseminated about the man and his films is truly astonishing. Yet Herzog’s body of work is one of the most important in postwar European cinema.His international breakthrough came in 1973 with Aguirre, The Wrath of God, in which Klaus Kinski played a crazed Conquistador. For The Enigma of Kaspar Hauser, Herzog cast in the lead a man who had spent most of his life institutionalized, and two years later he hypnotized his entire cast to make Heart of Glass. He rushed to an explosive volcanic Caribbean island to film La Soufrière, paid homage to F. W. Murnau in a terrifying remake of Nosferatu, and in 1982 dragged a boat over a mountain in the Amazon jungle for Fitzcarraldo. More recently, Herzog has made extraordinary “documentary” films such as Little Dieter Needs to Fly. His place in cinema history is assured, and Paul Cronin’s volume of dialogues provides a forum for Herzog’s fascinating views on the things, ideas, and people that have preoccupied him for so many years.

http://i40.tinypic.com/23w5q9t.jpg (http://avaxhome.ws/ebooks/biography/Kieslowski_on_Kieslowski.html)

Kieslowski on Kieslowski (http://avaxhome.ws/ebooks/biography/Kieslowski_on_Kieslowski.html)
Publisher: Faber & Faber (April 13, 1995) | 224 pages | English | ISBN: 0571173284 | PDF | 46.3 MB

"Kieslowski is frequently cryptic in his responses to journalists, refusing to respond to questions about the meaning of a particular film. But in [this] fascinating new book, he reveals a little more of himself, and while his pessimism sometimes surfaces in odd, self-deprecating ways, the artist's warmth trickles through, too . . . Throughout the book, Kieslowski's practical observations about filmmaking suggest a concern for young filmmakers, an acute mind, a somewhat sad disposition, and a profound skepticism that nevertheless cracks open in the face of art, revealing a man capable of brilliant insight and poetic vision . . . An engrossing read for film buffs, students, or anyone interested in the cultural history of Eastern Europe."— --

"Stok has done a fine job of translating Kieslowski's Polish into idiomatic English without losing his personal tone of voice." --Sight & Sound

http://i43.tinypic.com/2nbc16r.jpg (http://avaxhome.ws/ebooks/0226182037.html)

Scorsese by Ebert (http://avaxhome.ws/ebooks/0226182037.html)
University Of Chicago Press | ISBN: 0226182037 | 2009-09-15 | PDF | 320 pages | 2 Mb

Roger Ebert wrote the first film review that director Martin Scorsese ever received—for 1967’s I Call First, later renamed Who’s That Knocking at My Door—creating a lasting bond that made him one of Scorsese’s most appreciative and perceptive commentators. Scorsese by Ebert offers the first record of America’s most respected film critic’s engagement with the works of America’s greatest living director, chronicling every single feature film in Scorsese’s considerable oeuvre, from his aforementioned debut to his 2008 release, the Rolling Stones documentary Shine a Light.

In the course of eleven interviews done over almost forty years, the book also includes Scorsese’s own insights on both his accomplishments and disappointments. Ebert has also written and included six new reconsiderations of the director’s less commented upon films, as well as a substantial introduction that provides a framework for understanding both Scorsese and his profound impact on American cinema.

"Given their career-long back-and-forth, this collection makes perfect sense. . . . In these reconsiderations, Ebert invites us into his thought processes, letting us see not just what he thinks, but how he forms his opinions. Ebert’s insights into Scorsese are terrific, but this book offers the bonus of further insights into Ebert himself."—Time Out Chicago

[La Familia]

DISCLAIMER: The following screenplay are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended.

http://i40.tinypic.com/212emus.jpg (http://www.mediafire.com/?oinlgitdjmy)

ROBIN HOOD (2010) Screenplay (http://www.mediafire.com/?oinlgitdjmy)

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The Godfather and the Mob (http://filmmakeriq.com/2010/05/the-godfather-and-the-mob/)

Originally airing on England’s Channel 4 TV, The Godfather And The Mob reveals the true life story of murder, mafia and mayhem that occurred behind the scenes of the most iconic gangster film ever made.

When plans were revealed to turn Mario Puzo’s bestselling novel into a film, the mafia claimed The Godfather to be anti-American-Italian and attempted to stop the film being made.

http://i41.tinypic.com/357egjc.jpg (http://filmmakeriq.com/2010/05/the-godfather-and-the-mob/)

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Ovo je skroz frisko, i neprocjenjivo:

http://i40.tinypic.com/2zsthzo.jpg

Stanley Kubrick's Boxes (http://www.youtube.com/watch?v=menZIC8gf-k)

A few years after his death, the widow of Stanley Kubrick (1928-1999) asks Jon Ronson to look through the contents of about 1,000 boxes of meticulously sorted materials Kubrick left. Ronson finds that most contain materials reflecting work Kubrick did after the release of "Barry Lindon " in 1975, when Kubrick's film output slowed down. Ronson finds audition tapes for "Full Metal Jacket," photographs to find the right hat for "Clockwork Orange" or the right doorway for "Eyes Wide Shut" -- thousands of details that went into Kubrick's meticulous approach. Ransom believes that the boxes show "the rhythm of genius." Interviews with family, staff, and friends are included.

imdb (http://www.imdb.com/title/tt1263704/)

The rhythm of genius. Every Kubrick fan will love this documentary.

To be quite honest, and I say this as a major Kubrick fan, hoping to direct films myself one day, that I learned more about the man from this one documentary than I have any other. It is short, yes, but it describes the genius and eccentricity of Kubrick so well.

http://i39.tinypic.com/2yknllx.jpg (http://www.youtube.com/watch?v=menZIC8gf-k)

[La Familia]

http://i42.tinypic.com/ei6qfp.jpg


Wall Street: Money Never Sleeps

Gordon Gekko se vratio. Nakon što je 1987. godine Oliver Stone režirao film „Wall Street" a Michael Douglas za ulogu Gordona Gekka u filmu „Wall Street" dobio Oscara, 23 godine kasnije u Cannesu je u petak ujutro premijerno prikazan nastavak filma nazvan „Wall Street: Money Never Sleeps". Gordon Gekko, grabežljivi financijski manipulator s Wall Streeta, je stariji, izašao je iz zatvora, a mladi glumci u ovom filmu su Shia LaBeouf i Carey Mulligan.

Naravno, film ima izuzetan tajming, Wall Street je u kaos, ekonomska kriza vlada gotovo svugdje na svijetu, a Gordon Gekko je simbol vremena kada se novac grabio na sve načine. Međutim, i Stone i Douglas danas se odupiru kapitalističkom životu, što su jasno dali do znanja na konferenciji za novinare održanoj u petak.

Ono što je Stonea brinulo prije 23 godine jest kako je moguće da Gordon Gekko, kojeg je stvorio kao negativca, postane heroj i uzor svim mladim brokerima koji su počeli raditi na Wall Streetu i koji su željeli biti pohlepni poput njega. „Nisam želio slaviti svijet bogatih", rekao je Stone objašnjavajući zašto prije nije snimio nastavak ovog filmskog hita, ali kako se ekonomska situacija u Americi polako destabilizirala, a on 2007. godine dobio odličan scenarij u ruke za drugi dio filma, tako je i krenuo u snimanje. On je, kaže, zbunjen što to kapitalizam znači danas. „Godine 1987. mislio sam da će se kapitalistički sustav korigirati sam od sebe, ali to se nije dogodilo. Danas imamo plaće na razini iz 1973. godine, ali imamo i produktivnost radnika koja je daleko viša no nekada", izjavio je Stone čiji je otac nekada davno bio broker, ali broker starog kova koji se brinuo da se klijenti obogate a današnje financijske korporacije gledaju prvo da se same obogate a tek zatim i da se klijenti obogate.

Michaela Douglasa, koji ima 65 godina, dvije više od Olivera Stonea, brine kapitalizam u Hollywoodu. Osim što, kako je rekao, kada ostariš više nema uloga u velikim filmovima, osim uloga negativaca, nije mu jasno kako velike filmske kompanije mogu potrošiti 35 milijuna dolara za marketing jednog filma ako se mali, nezavisni film snimi za 10 do 15 milijuna dolara. Uz to, istakao je da se kao veleposlanik UN-a najviše brine za razoružanje cijelog svijeta, ali je privatno jako sretan jer je oženjen i ima dvoje prekrasne djece.

Osim njih, na konferenciji za novinare je govorio i Shia LaBeouf, ali kako ovo nije Amerika da ga pitaju gluposti o glupom filmu „Transformersi" koji ga je proslavio, onda ništa pametno i nije imao za reći, a nešto je prozborila i Carey Mulligan, ali ništa što bih zapamtio. Govorio je i Josh Brolin kojeg sam u četvrtak uvečer sreo u baru hotela Carlton gdje je bio sa svojom predivnom suprugom, glumicom Dianom Lane. Zbog nje sam uvijek bio ljubomoran na Brolina, a kada sam je u hotelu Carlton po prvi puta vidio s naočalama za vid, postao sam još ljubomorniji. Kako ću u nedjelju intervjuirati Brolina za jedan drugi film, onaj od Woodyja Allena „You will meet a Tall Dark Stranger" tako razmišljam kako se suzdržati od pitanja o supruzi. Možda da mu čestitam na dobrom ukusu.

Izvor (http://www.nacional.hr/clanak/83563/cannes-2010-dan-3-michael-douglas-i-oliver-stone-u-borbi-protiv-kapitalizma)


Conference de presse (klik na fotku ispod):

http://i44.tinypic.com/2a7bn6g.jpg (http://www.festival-cannes.com/en/mediaPlayer/10456.html)

Ako vec ne mozemo gledati, tko kaze da ne mozemo citati?

http://i43.tinypic.com/140vgc8.jpg (http://www.mediafire.com/?wjxzgottykt)

MONEY NEVER SLEEPS (http://www.mediafire.com/?wjxzgottykt)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.



Wheeler Winston Dixon - Collected Interviews: Voices from Twentieth-Century Cinema (http://avaxhome.ws/ebooks/WheelerWinstonDixon1531.html)
Publisher: Southern Illinois University Press | 2001-11-29 | ISBN: 0809324075 | PDF | 256 pages | 5.74 MB

Noted film scholar Wheeler Winston Dixon offers a behind-the-scenes look into the lives of both major and marginalized figures who have dynamically transformed the landscape of international cinema in the twentieth century. Fifteen interviews spanning two decades of research are collected here, with many appearing in uncut form for the first time. Dixon’s interviewees represent a wide range of cinematic professions (directors, animators, actors, writers, and producers) from several branches of cinema (artistic, avant-garde, and commercial) with Dixon providing an introduction prior to each interview.

Purposeful in his selections, Dixon offers up voices from twentieth-century cinema that have never before had the chance to speak at such length and detail, as well as much more well-known figures addressing unique and obscure aspects of their respective careers. Collectively, this volume presents a treasure trove of firsthand information of keen interest to film scholars and movie buffs alike, while providing a glimpse into the future of cinema in the twenty-first century.



VFX Artistry: A Visual Tour of How the Studios Create Their Magic (http://avaxhome.ws/ebooks/AVisualTourofHowtheStudiosCreateTheirMagic.html)
Focal Press | ISBN: 0240811623 | 2009-11-02 | PDF | 192 pages | 12 Mb

Be inspired by the masters! This visually stunning book showcases the work and creative process of several of today's leading VFX studios. Over 1000 vibrant four color images provide great visual insight as to how the studios start with a concept then arrive at their finished VFX shot. includes insight into the production process and listings of the tools used to create each effect. Among the studios featured are Digital Kitchen, Trollback and Company, Eyeball, and nailgun*, among others.

* Artistic inspiration through a visual showcase of work from some of today's leading VFX studios
* Be captivated and find creative guidance with over 1000 radiant 4 color illustrations
* Companies featured include Digital Kitchen, Prologue, Thornberg and Forester, Trollback and more


Animation from Pencils to Pixels: Classical Techniques for the Digital Animator (http://avaxhome.ws/ebooks/graphics_drawing_design/0240806700234234.html)
Focal Press | August 4, 2006 | ISBN: 0240806700 | 528 pages | PDF | 60 MB

Just add talent. This comprehensive book gives today's digital animators all the lessons they never had - classical animation techniques used by the most original animators of our time.

Review
"From traditional to computer animation, from film to gaming, a great text for all who teach."
- Robert Adams, Walt Disney Productions/Warner Bros

"All encompassing"
- Brian Martin, FOX NET Animator

". this book is . a well-written, smart tomes that makes you wish the author was one of your teachers in school. Because the book resonates with wisdom that comes with spending years in the trenches of Toon Town, it should be a must-read for anyone who wants to brave the waters of digital animation. Overall, it's a handsome companion to White's earlier primer, The animator's Workbook." Animation, Nov. 2006


MovieScope - May-June 2010 (http://avaxhome.ws/magazines/mag_others/moviescope_05_06_2010.html)
English | PDF | 84 pages | 19,8 MB

MovieScope magazine provides a fresh perspective on the collaborative nature of filmmaking by offering informative content, sourced from an insider's point of view. Each 80 page issue features contributions by key industry professionals, established journalists and award-winning filmmakers from Hollywood, UK, Europe, the Indie film scene and other global movie hotspots. The result is an informative and entertaining read filled with practical advice, encouragement and behind-the-scenes information.


Creative Cow - Issue №19 (March-April 2010) (http://avaxhome.ws/magazines/language/m_english/Creative_Cow_03_04_2010.html)
English | PDF | 52 pages | 16,7 MB

Creative Cow – the magazine for media professionals, film, broadcast & production. Supports digital video, video editing, and media production professionals in broadcasting, motion graphics, special FX and film.


Vous parlez français? Tko vam je kriv - mama je rekla, francuski se nauciti mora. :)


Transfuge N°40 Mai 2010 (http://avaxhome.ws/magazines/language/m_french/Transfuge40.html)
French | 84 pages | PDF | 27,0 MB


Positif N°590 Avril 2010 (http://avaxhome.ws/magazines/language/m_french/Positif590.html)
French | 132 pages | PDF | 69,8 MB


Premiere N°399 Mai 2010 (http://avaxhome.ws/magazines/language/m_french/Premiere399.html)
French | 168 pages | PDF | 62,5 MB

[La Familia]

Ovo se cekalo, muchas gracias 593 (http://www.forum.hr/showpost.php?p=26799635&postcount=2895). :s


Shane Black ("Lethal Weapon"), John Carpenter ("Halloween"), Frank Darabont ("The Shawshank Redemption"), William Goldman ("The Princess Bride"), Paul Schrader ("Taxi Driver"), and dozens of other Hollywood screenwriters share hilarious anecdotes and penetrating insights in "Tales from the Script," the most comprehensive documentary ever made about screenwriting. By analyzing their triumphs and recalling their failures, the participants explain how successful writers develop the skills necessary for toughing out careers in one of the world's most competitive industries. They also reveal the untold stories behind some of the greatest screenplays ever written, describing their adventures with luminaries including Harrison Ford, Stanley Kubrick, Joel Silver, Martin Scorsese, and Steven Spielberg. The film was produced in tandem with the upcoming HarperCollins book of the same name.


Tales from the Script (2009) [DVDRip] Disc 1:

link (http://stagevu.com/video/abvhdojebasy)


Tales from the Script (2009) [DVDRip] Disc 2:

link (http://stagevu.com/video/qevaaoyfymsv)


Uostalom, potrazite torrent. :mig:

[La Familia]

Hard to Replicate: A Ridley Scott Profile


Our friend Trevor Hogg at FlickeringMyth.com has put together a nice 5-part profile on director Ridley Scott.

My favorite Ridley Scott story involves screenwriter Callie Khouri (http://www.imdb.com/name/nm0451884/). I don't have the source for this anecdote, but I think I remember it pretty clearly.

Before she broke into the business, Khouri wrote "Thelma & Louise" on spec. She got it to a friend who forwarded it to someone who slipped it to Scott Free, the production company for brothers Ridley and Tony Scott. Then Khouri got The Phone Call: "Mr. Scott would like to meet with you."

Imagine how nervous Khouri was as she entered the offices of Scott Free. She bided her time, then was ushered into Ridley's office. And the very first words he said to Khouri were, "Well, first off, the ending stays." He was referring to the ending of "Thelma & Louise" where the two Protagonists drive off the cliff together. And I remember reading Khouri recounting this story saying, "As soon as he said those words, I knew that Ridley 'got' the script."

Classic!

Next up for Trevor... Hayao Miyazaki. Very much look forward to that.


Part 1 (http://flickeringmyth.blogspot.com/2010/04/hard-to-replicate-ridley-scott-profile.html)

Part 2 (http://flickeringmyth.blogspot.com/2010/04/hard-to-replicate-ridley-scott-profile_28.html)

Part 3 (http://flickeringmyth.blogspot.com/2010/05/hard-to-replicate-ridley-scott-profile.html)

Part 4 (http://flickeringmyth.blogspot.com/2010/05/hard-to-replicate-ridley-scott-profile_12.html)

Part 5 (http://flickeringmyth.blogspot.com/2010/05/hard-to-replicate-ridley-scott-profile_19.html)


p.s. kako ovdje ne spomenuti naseg Branka Lustiga (http://www.imdb.com/name/nm0527322/). :s BTW, Branko je redovit gost na ovoj temi - ovim ga putem najsrdacnije pozdravljam i ponizno mu zahvaljujem na ukazanoj nam casti.

http://i46.tinypic.com/14ljbpz.jpg

Krenimo redom, nekoliko must read/see linkova:

Lustig: Hrvati u filmskoj ekipi »Gladijatora« dali su mi snagu da izdržim gladijatorske napore (http://www.vjesnik.hr/html/1999/06/13/Clanak.asp?r=kul&c=3)

http://i49.tinypic.com/25jifdz.jpg

Branko Lustig - povratak kući zagrebačkog oskarovca (http://www.nacional.hr/clanak/46275/branko-lustig-povratak-kuci-zagrebackog-oskarovca)

http://i45.tinypic.com/2hhg5ly.jpg (http://dnevnik.hr/showbizz/film-tv/b-lustig-moj-otac-je-ustrijeljen-u-glavu-iz-ciste-obijesti.html)

Poznati producent otkrio namn je i kako je počela njegova kanije uspješna hollywoodska karijera. Zašto je puklo prijateljstvo s Ridleyem Scottom s kojim je snimio osam blockbustera, a danas više ne razgovaraju. Zašto ga Russsel Crowe zove 'papa' i kako je raditi sa Stevenom Spilbergom. Iako će uskoro navršiti sedamdeset sedmu godinu, ne posustaje i otkriva planove za budućnost.

Sve ovo je ispričao na svojem imanju u Žumberku gdje je prvi puta dopustio ulazak televizijskih kamera. Nismo zaobišli ni Lustigovu uspješnu producensku karijeru ovjenčanu s više Oscara, Emmyja i Zlatnih globusa.

Kada je prije sedamdeset godina živio ova sjećanja, kao sedmogodišnje dijete, danas višestruko nagrađivani filmski producent Branko Lustig, nije ni slutio da će mu upravo ona, za manje od tri godine doslovno spasiti život.

'Jedne noću upozorili su mojeg tatu da bi bilo bolje da odemo jer da će skupiti sve Židove u Osijeku. I jednu smo se većer mi odvukli do Drave. Tamo smo se urcali na čamac u tvrđi i otišli, za Madžarsku, za Čakovec…'

Ovako započinje životna priča Branka Lustiga. Hrvatskog Židova, Osječanina i slavnog producenta mnogih filmskih blockbustera poput Hanibala, Mirotvorca, Gladijatora, Shindlerove liste i mnogih drugih. Za posljednja dva dobio je i Oscara. No kada bi snimio film o svom životu, ni tada ga zlatni kipići, sigurni smo, ne bi zaobišli. Još kao dijete, dva je puta izbjegao sigurnu smrt.

I čuda su mu se događala. U Čakovcu su relativno mirno živjeli gotovo do konca 1942. godine. Jedne noći, majku i tada desetogodišnjeg Branka deportirali su u njemački koncentracijski logor.

Dječak je čekao sigurnu smrt. Jednoga dana, umjesto kazne i smrti, dočekao je spas. I to nevjerojatno, spas je donio časnik najkrvoločnijih Hitlerovih jedinica, SS divizija.

http://i49.tinypic.com/s49que.jpg (http://www.insidefilm.com/spielberg.html)

Srcem sam uvijek u Zagrebu (http://www.hrt.hr/index.php?id=48&tx_ttnews%5Btt_news%5D=39170&cHash=e561beb0e0)

Poznati filmski producent, profesor na Akademiji dramskih umjetnosti u Zagrebu, dvostruki oskarovac Branko Lustig gostovao je u emisiji Nedjeljom u dva. Prisjetio se vremena kada je bio zatočenik koncentracijskog logora Auschwitza, u koji je dospio sa svojom majkom kao 10-godišnjak.

Lustig je direktor Festivala suvremenog židovskog filma koji počinje u Zagrebu, a ove je godine posvećen djeci žrtvama rata. Rekao je da mladi malo znaju o užasima holokausta i da treba raditi na njihovoj edukaciji.

Na pitanje vraća li se iz SAD-a u Hrvatsku, odgovorio je: Srcem sam uvijek u Zagrebu. Ne moram se vratiti, ja sam uvijek tu.

Govorio je o tome kako je raditi s filmskim zvijezdama poput Stevena Spielberga ili Russella Crowa. Ispričao je nekoliko anegdota s Georgeom Clooniem, Nicole Kidman i Anthonyjem Hopkinskom.

[SLIKA OBRISANA] (http://www.hrt.hr/index.php?id=48&tx_ttnews%5Btt_news%5D=39170&cHash=e561beb0e0)

[La Familia]

http://i46.tinypic.com/v2y62x.jpg


Ok, prvo dvije male zamolbe: pokusajte na trenutak zaboraviti da se radi o Oprah. Druga, cak i ako nikad niste voljeli Rogera Eberta, ili mozda nikad niste ni culi za njega - svejedno vas molim da kliknete na video ispod. Da, bas toliko je dobro - ovo svako normalno ljudsko bice treba odgledati. :)


http://i49.tinypic.com/2ise937.jpg (http://v.youku.com/v_show/id_XMTU1OTM1NzI4.html)


REPLAY:


Roger Ebert: The Essential Man (http://www.esquire.com/features/roger-ebert-0310)


It has been nearly four years since Roger Ebert lost his lower jaw and his ability to speak. Now television's most famous movie critic is rarely seen and never heard, but his words have never stopped.

[La Familia]

http://i49.tinypic.com/zv2ctt.jpg (http://mubi.com/notebook/posts/1938)


In Memory of Dennis Hopper, 1936 - 2010 (http://mubi.com/notebook/posts/1938)


Mislio je da mora biti lud, neposlušan i nepodnošljiv jer mu to daje kreativnost (http://www.jutarnji.hr/dennis-hopper---mislio-je-da-mora-biti-lud--neposlusan-i-nepodnosljiv-jer-mu-to-daje-kreativnost/804876/)

http://i50.tinypic.com/23ll2m9.jpg

Vjerovao sam da što si luđi, to si bolji umjetnik - izjavio je u jednom intervjuu 2002. Dennis Hopper, holivudski veteran koji je preminuo prije tri dana u 75. godini od posljedica raka, okružen članovima obitelji. Njegova peta supruga Victoria Duffy bila je daleko jer je imala sudsku zabranu prilaska.

O Hopperu su 70-ih i 80-ih pisali u trač rubrikama, ali i u rubrikama crne kronike pa se dugo nakon toga borio kako bi skinuo sa sebe etiketu razmaženog holivudskog ovisnika. Drogiranje je počelo 60-ih, a eskaliralo bizarnim pokušajem samoubojstva - omotao se dinamitom i želio raznijeti, a tijekom boravka u Novom Meksiku halucinirao je i jednom prilikom pucao iz strojnice po susjedstvu. Prije konačne rehabilitacije 1984. godine snimio je “Apokalipsu danas” (tumačio je hipijevskog fotoreportera), a Coppola se žalio da Hopper nikako ne može zapamtiti tekst.

No Hopper je bio multitalentirana umjetnička duša koju je dugo vodila pogrešna ideja da kokain i alkohol pospješuju kreativnost. Volio je glumu, režiju, pisao poeziju, slikao, izrađivao kipove...

Svoj je umjetnički rad učinio prepoznatljivim za sve vjekove kada je s Peterom Fondom osmislio scenarij za “Gole u sedlu” iz 1969. godine, odigrao jednog od glavnih likova, režirao film i još doveo na set Jacka Nicholsona koji je za sporednu mušku ulogu zaslužio Oscara, a film je u Cannesu bio proglašen za najbolji. “Goli u sedlu” je, podsjetimo, snimljen na koji dolar više od pola milijuna, a imao je basnoslovnu zaradu i danas se s odmakom zaključuje da je taj jeftini film o dva bikera i sitnim dilerima promijenio Hollywood.

Šefovi produkcijskih studija odjednom su prigrlili nove, mlade i neprovjerene filmaše, orijentirali se na mladu publiku. U konačnici, primjećuje američki filmski povjesničar Leonard Maltin, “Goli u sedlu” otvorili su vrata Hollywooda Stevenu Spielbergu, Georgu Lucasu, Martinu Scorseseu, Francisu Fordu Coppoli i Peteru Bogdanovichu.Sam Hopper nikada nije primio zlatni kipić, no kada je nekome u Hollywoodu zatrebao glumac da odigra psihički nestabilan i/ili pokvaren lik, najbolji je izbor uvijek bio Dennis Hopper. Kako ga je opisao filmski kritičar Roger Ebert, Hopper je “najpouzdaniji i najjeziviji zločinac u filmovima”.

- Ne trebaš me zvati na casting jer ja jesam Frank Booth - odgovorio je Hopper 1986. godine Davidu Lynchu kada mu je redatelj ponudio ulogu sadista u “Plavom baršunu”, koji je postao jedan od najpoznatijih zločinačkih likova američke filmografije. Hopper je to kratko objasnio: - Bez ikakvih sam problema razumio Bootha jer je, u osnovi, on tek sredovječni izrod. Ja sam tada bio upravo to, sredovječni izrod.

Ta ga je uloga vratila među najbolje glumce Hollywooda.

Sjetimo se i nekoliko komercijalnih uspjeha: u “Brzini” tumači bombaša koji zadaje muke Keanu Reevesu i Sandri Bullock, a u “Vodenom svijetu” kao zli vođa s povezom na oku proganja Kevina Costnera.

Taj je glumac i redatelj tijekom 50 godina ostvario zavidnu filmografiju s više od 200 filmskih i televizijskih većih i manjih uloga, osam je puta uzeo u ruke redateljsku palicu, a posthumno kreće u distribuciju njegov zadnji projekt - crtić “Alfa i Omega” u kojemu Hopper posuđuje glas glavnom liku Tonyju.

Prvih 25 godina karijere gradio je na imidžu divljeg, nesputanog i tvrdoglavog improvizatora jer je na setu “Buntovnika bez razloga” previše doslovno shvatio savjet prijatelja Jamesa Deana. Tada 19-godišnji ljubitelj Shakespearea bio je uvjeren da na svijetu nema tako dobroga glumca poput njega.

- Tijekom jedne scene zgrabio sam Deana, bacio ga u auto i rekao mu: ‘Znaš, mislio sam da sam ja najbolji, a onda sam vidio tebe i sad znam da si ti bolji, no nije mi jasno kako to uspijevaš’. Odgovorio mi je: ‘Pa gledaj, ne možeš samo glumiti da nešto radiš, nego to moraš i raditi. Nemoj imati unaprijed stvorene ideje kada glumiš, svaki put pokušaj napraviti nešto drugačije’. Od toga trenutka počeli su problemi između mene i redatelja s kojima sam radio - ispričao je Hopper.

“Problemi” na koje je mislio iskrsnuli su prvi put na setu “Diva” u kojemu je Hopper glumio sina ženi koju je tumačila Elizabeth Taylor. Hopper je jednu scenu ponavljao čak 87 puta dok redatelj Henry Hathaway nije zaprijetio da će mu uništiti karijeru. Hopper je dobio progon iz Hollywooda i otišao u New York gdje mu je karijeru spasila prva supruga Brooke Hayward 1961. godine. Bila je kći producenta Lelanda Haywarda koja mu je uspjela srediti veće uloge, a zaslužna je i za njegovo bavljenje fotografijom. Hopper je, primjerice, za album “River Deep, Mountain High” Tine i Ika Turnera napravio fotografije za cover.

Ovisnost o kokainu i alkoholu uništila mu je brak iz kojega ima kćer Marin, a zatim se naglo 1970. godine oženio s ikonom grupe “Mamas and Papas” Michelle Phillips.

- Prvih sedam dana braka bilo nam je odlično. Osmi dan bio je grozan - komentirao je Hopper jednom prilikom svoj drugi kratki brak.

S plesačicom i glumicom Darijom Halprin trajalo je nešto dulje (četiri godine), a u tom braku rodila mu se druga kći Ruthanna. Jednako je dugo bio oženjen s također plesačicom i glumicom Katherine LaNasa s kojom ima sina Henryja. Iz najdugovječnijeg braka, s Victorijom, ima šestogodišnju kćer Galen zbog koje je čak za jedan filmski magazin napravio intervju sa zvijezdom “Mladog mjeseca” Kristen Stewart. A taj razgovor razotkrio je Hopperovo ogorčenje spram “medijskog zlostavljanja slavnih”.


Roger Ebert: In Memory of Dennis Hopper (http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20100529/FEATURED/100529969)


Sjajan dokumentarac, preporuka:


Crazy About the Movies: Dennis Hopper (http://www.imdb.com/title/tt0362523/)

http://i47.tinypic.com/2ni2xp2.jpg (http://i50.tinypic.com/2nvac0.jpg)

A documentary on Dennis Hopper I recorded off TV a few years back, a bit rare I think. Having read recently that his cancer has spread and he most likely won't be around much longer, I wanted to upload again as he is a true original talent and lead an wild interesting life.

http://i47.tinypic.com/zk3k0y.jpg (http://www.youtube.com/watch?v=WXtci5tZks4)

Dennis Hopper Documentary - Part 2 (http://www.youtube.com/watch?v=1wz_OYSDdDI)
Dennis Hopper Documentary - Part 3 (http://www.youtube.com/watch?v=b_kU82dZ7VA)
Dennis Hopper Documentary - Part 4 (http://www.youtube.com/watch?v=0hxX4D2EQvk)
Dennis Hopper Documentary - Part 5 (http://www.youtube.com/watch?v=IqlfPOzmbPE)
Dennis Hopper Documentary - Part 6 (http://www.youtube.com/watch?v=nQmgTHm9mSo)


Isto tako vrijedi potraziti torrent (YT snimka prilicno je losa):

Inside The Actor's Studio Dennis Hopper (http://www.youtube.com/watch?v=9NeWt7zxviw)


http://i50.tinypic.com/11hfpye.jpg (http://i47.tinypic.com/j95yyd.jpg)

Dennis Hopper Tribute Montage (http://www.youtube.com/watch?v=qsElts0PIq8)

Ovo morate vidjeti:

Dennis Hopper - If (1976) (http://www.youtube.com/watch?v=4EZhc_YZ2fs)

Dennis Hopper reads a poem on The Johnny Cash Show (http://www.youtube.com/watch?v=xlfnm9gV52w)

Dennis Hopper - Tribute (1936-2010) (http://www.youtube.com/watch?v=TWhbL9Ne6rA)


Kaj morem ti neg rec:
Od vsega srca fala (http://www.youtube.com/watch?v=OtwzElDtxkc)!

:s

Pocivaj u miru.

[La Familia]

http://i48.tinypic.com/2qnze2q.jpg (http://www.littlewhitelies.co.uk/the-magazine/)


Sjajna View Digital Edition kolekcija meni strasno dragog filmskog magazina:


http://i45.tinypic.com/k1x4d0.jpg (http://www.littlewhitelies.co.uk/the-magazine/)

http://i45.tinypic.com/jt40wj.jpg (http://www.littlewhitelies.co.uk/the-magazine/)

[La Familia]

Slika 1 (http://i49.tinypic.com/sdkyo1.jpg)


Fantastic Mr. Fox: Wes Anderson at the NYPL:

http://i47.tinypic.com/2pq4c2a.jpg (http://fora.tv/2009/11/09/Fantastic_Mr_Fox_Wes_Anderson_at_the_NYPL#fullprog ram)


Jerry Weintraub: Hollywood Deal Maker Tells All:

Slika 3 (http://i49.tinypic.com/2ngejw2.jpg)


Tina Brown with Tom Ford: From Fashion to Film Making:

Slika 3 (http://i49.tinypic.com/2ngejw2.jpg)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Lesley Brill, "John Huston's Filmmaking (Cambridge Studies in Film) (http://avaxhome.ws/ebooks/John_Hustons_Filmmaking.html)"
Cambridge University Press | ISBN: 0521583594 | October 13, 1997 | 285 pages | PDF | 7.4 MB

John Huston's Filmmaking offers an analysis of the life and work of one of the greatest American independent filmmakers. Always visually exciting, Huston's films sensitively portray humankind in all its incarnations, chronicling the attempts by protagonists to conceive and articulate their identities. In this study, Lesley Brill shows Huston's films to be far more than formulaic adventures of masculine failure, arguing instead that they demonstrate the close connection among humanity, the natural world, and divinity.

Martin Rubin, "Thrillers (Genres in American Cinema) (http://avaxhome.ws/ebooks/Thrillers.html)"
Cambridge University Press | ISBN: 0521581834 | March 28, 1999 | 336 pages | PDF | 26.3 MB

The thriller is perhaps the most popular and widespread movie genre--and the most difficult to define. Thrillers can contain gangsters or ghosts, space helmets or fedoras. They charge our familiar world with a spirit of exotic, old-fashioned adventure. They give us pleasure by making us uncomfortable--on the edge of our seats. Thrillers provides a comprehensive treatment of this genre, from silent serials to stalker films, from Alfred Hitchcock to Quentin Tarantino, from The Great Train Robbery to L.A. Confidential. This accessible, wide-ranging volume is designed to appeal to students and general filmgoers alike, and shows how this visceral, double-faced film genre has aroused our intense sensations throughout decades of American cinema.

Jonathan Rosenbaum - Movie Wars: How Hollywood and the Media Limit What Movies We Can See (http://avaxhome.ws/ebooks/1556524544.html)
Publisher: Chicago Review Press | 2002-07-01 | ISBN: 1556524544 | PDF | 240 pages | 5.07 MB

Is the cinema, as writers from David Denby to Susan Sontag have claimed, really dead? Contrary to what we have been led to believe, films are better than ever-we just can't see the good ones. Movie Wars cogently explains how movies are packaged, distributed, and promoted, and how, at every stage of the process, the potential moviegoer is treated with contempt. Using examples ranging from the New York Times's coverage of the Cannes film festival to the anticommercial practices of Orson Welles, Movie Wars details the workings of the powerful forces that are in the process of ruining our precious cinematic culture and heritage, and the counterforces that have begun to fight back.

Richard Misek, "Chromatic Cinema: A History of Screen Color (http://avaxhome.ws/ebooks/Photo_related/Chromatic_Cinema_A_History_of_Screen_Color.html)"
Wiley-Blackwell | 2010-05-03 | ISBN: 1444332392 | 240 pages | PDF | 1,8 MB

Chromatic Cinema provides the first wide-ranging historical overview of screen color, exploring the changing uses and meanings of color in moving images, from hand painting in early skirt dance films to current trends in digital color manipulation.

# Offers both a history and a theory of screen color in the first full-length study ever published
# Provides an in-depth yet accessible account of color's spread through and ultimate effacement of black-and-white cinema, exploring the technological, cultural, economic, and artistic factors that have defined this evolving symbiosis
# Engages with film studies, art history, visual culture and technology studies in a truly interdisciplinary manner
# Includes 65 full-color illustrations of films ranging from Expressionist animation to Hollywood and Bollywood musicals, from the US ’indie' boom to1980s neo-noir, Hong Kong cinema, and recent comic-book films

Guy Austin, "Stars in Modern French Film (http://avaxhome.ws/ebooks/Stars_in_Modern_French_Film.html)"
Bloomsbury USA | ISBN: 0340760192 | June 27, 2003 | 192 pages | PDF | 8.9 MB

From the Cannes film festival and Brigitte Bardot to virtual film stars and Virginie Ledoyen, French film stars embody glamour and sex appeal and sometimes controversy. This text analyzes the major French stars of the last fifty years, paying detailed attention to screen performance, representation in the popular press, and social and political contexts of their work. Guy Austin's lucid and engaging account charts the making (and in some cases breaking) of the icons of French cinema, including such famous names as Catherine Deneuve, Gerard Depardieu, and Brigitte Bardot, as well as more recent stars like Beatrice Dalle, Emmanuelle Beart, and Samy Naceri.

Preporuka:

Tim Underwood, Stephen King, "Bare Bones: Conversations on Terror With Stephen King (http://avaxhome.ws/ebooks/biography/0446390577BareBones.html)"
Warner Books | 1989 | ISBN: 0446390577, 044639002X, 0070657599 | 211 pages | PDF | 11 MB

In this revealing and varied collection of interviews, Stephen King talks about his life, family, films and in particular about his macabre novels of the unknown that have made him so well known.

+

Jos malo pa na more. Tko prvi sretne 'malog' Brucea, nek' se obavezno javi s razglednicom:

Hunting Bruce, Or, On The Trail Of The 'Jaws' Shark (http://www.npr.org/templates/story/story.php?storyId=127370664)

link (http://www.npr.org/templates/story/story.php?storyId=127370664)

:zubo:

[La Familia]

http://i48.tinypic.com/29ntqmh.jpg (http://mysterymanonfilm.blogspot.com/)


Mystery Man: A Final Salute


S njim (http://mysterymanonfilm.blogspot.com/2009/03/raiders-story-conference.html) je ova tema i otvorena, zajedno s njegovim odlaskom ce se najvjerovatnije i ugasiti. Tesko mi je povjerovati u vijest koja je ovih dana u filmskim krugovima odjeknula poput groma:


I just received this email:

Hello, my name is Rebekah. I was “Mystery Man’s” administrative assistant for a number of years. Unfortunately, he passed away not long ago. I'm terribly sorry.

He made it his express wish not to reveal his identity.

Before he passed away, he had completed roughly 2/3 of his screenwriting book, and I am partnering with a couple of writers to finish the book using bits from his various articles. I will follow-up with one more e-mail advising how his fans can download his free screenwriting book. I really have no idea yet as to when it will be available.

Again, I'm very sorry to bring you this news, and if you could assist us in getting the word out, we would greatly appreciate it.

I emailed Rebekah back. She confirmed that Mystery Man had, indeed, passed away. I can only assume this is true. If so, it's awful news.


Razmijenili smo na desetke mailova, zadnji mi je stigao krajem veljace (priblizno u to vrijeme iznenadno je prestao i twittati (http://twitter.com/mmonfilm)).

Samo neki od komentara (https://www.blogger.com/comment.g?blogID=2558138195115442295&postID=3361294570189416453) s bloga (http://www.gointothestory.com/) Scotta Myersa:

He was inspiring. I found his posts always inspired me to think in deep and complex ways about film and screenwriting.

Not to mention he was generous in spirit, kind, funny, and sweet.

Simply one of my all-around favorite people I know - online or otherwise.

I really looked forward to the day we'd meet over martinis.

My condolences to every dreaming and aspiring screenwriter. We lost a great mentor.

MM

Thanks for your great legacy.

Mystery Man was one of the first blogs I ever read on screenwriting and was a big inspiration for me to start my own blog. He was a very insightful writer and his persona was full of intrigue. Like the first comment by James, I hope the report of his death—in Mark Twain style— is an elaborate hoax.

One thing that makes me think it isn’t a hoax is I traded emails with Mystery Man back in March and on March 16 he agreed via email to write a guest post for me and then I never heard from him again. He’s just busy I thought. But even more so, he once told me he was going to write a book and give it away. So when you report that his assistant says that his screenwriting book will be available as a free download it seems consistent with his desires.

In a day of $500 screenwriting seminars and even higher paid screenwriting consultants, Mystery Man’s approached to giving his knowledge away seemed unorthodox and generous. But unorthodox and generous sums up my experience with Mystery Man.

Like the passing of Blake Snyder (Save the Cat), this news—if true—is blow to the screenwriting community. But like Snyder, Mystery Man left a wealth of information and inspiration that hopefully will improve the quality of storytelling for years to come.

:(

Ako jos niste, svakako kliknite/bacite pogled na:


101 Best Of MM Articles (http://mysterymanonfilm.blogspot.com/2009/11/101-best-of-mm-articles.html)!

Mystery Man news (http://www.gointothestory.com/2010/06/mystery-man-news.html)

Mystery Man: A Final Salute (http://www.gointothestory.com/2010/06/mystery-man-final-salute.html)

Mystery Man posts #3 (http://www.gointothestory.com/2010/06/mystery-man-posts-3.html)

Mystery Man posts #2 (http://www.gointothestory.com/2010/06/mystery-man-posts-2.html)

Mystery Man posts #1 (http://www.gointothestory.com/2010/06/mystery-man-posts.html)

Mystery Man website (http://www.gointothestory.com/2010/06/mystery-man-website.html)

[La Familia]

http://i47.tinypic.com/2ztkmj7.jpg


myPDFscripts: Exclusive Screenplays


Naramak scenarija (http://www.mypdfscripts.com/category/exclusives/exclusive-screenplays) koje necete pronaci nigdje drugdje:

myPDFscripts.com has recently put up a great page: Exclusive Screenplays (http://www.mypdfscripts.com/category/exclusives/exclusive-screenplays), links to some awesome screenplays which, if true, are only available at the site. The scripts include:

The Accidental Tourist
Bonnie & Clyde
Carrie
Driving Miss Daisy
The Grifters
Midnight Express
The Pianist
Sling Blade
A Man for all Seasons

I've seen some of these titles elsewhere, so my guess is that there are draft versions that are unavailable elsewhere.

And for those who may not have downloaded The GITS Recommended Script List, go here:

GITS Recommended Script List (http://sites.google.com/site/scottdistillery/gits-recommended-scripts)

Grouped by genre and theme, each script on the list has an active link enabling you to download a PDF version of that script. I'm hearing rumors that the list has made the rounds at major studios and when we last communicated, Nate Winslow said there had been thousands of downloads from his MediaFire site.

Read scripts! It's a hugely valuable way to learn screenwriting.

[La Familia]

Prenosim svoj zadnji post s teme Film koji smo zadnji pogledali, 2010., neka se nadje - mozda nekoga inspirira. Da parafraziram Bandica: Idemo delat! :)

http://i49.tinypic.com/14j9kjq.jpg

Tulum (http://www.imdb.com/title/tt1461294/)

Kratki igrani film Dalibora Matanica, drugi iz omnibusa sest kratkih filmova cija je tema intima sest razlicitih djevojaka na sest razlicitih mjesta na planetu, u istome danu. Ta vukovarska prica o djevojci (glumi je Leona Paraminski) koja u jednom suncanom danu ponovno prozivljava horor unistene mladosti, poharala je festivalsku scenu zapocevsi s premijernim prikazivanjem u canneskom 'Tjednu kritike'. Od ostalih nagrada vrijedi istaknuti Sarajevo i Bilbao, a u manje od godinu dana sudjelovao je na 35 medjunarodnih festivala te dobio deset priznanja. Nagrada u Bruxellesu peti mu je medjunarodni Grand Prix za najbolji film (krepo dabogda :zubo:).

Da ga jebes, meni je to... lose? Njah, nije bas lose-lose, u zivotu vidjeh zilijun kratkih filmova, recimo da je Dadin Tulum podnosljivo osredanj (svakako inferioran u usporedbi s (A)torzijom (http://www.filmski.net/vijesti/kratki-film/654/atorzija_stefana_arsenijevica) Stefana Arsenijevica. YT 1 (http://www.youtube.com/watch?v=8gusAWwPBvw) i 2 (http://www.youtube.com/watch?v=rl6ys4B-VIA)). Fotografija i score odlicni, Leona Paraminski konacno (hvala dragim nebesima :moli:) glumi bez te svoje iritantne dikcije wartburga u rikvercu, scenografija da se smrznes (od grozote i zastrasujuce ljepote istovremeno, zar Vukovar jos uvijek izgleda tako tuzno? :().

Prica. 15 minuta sasvim je dovoljno za ispricati dobru pricu (ako je pritom i znas ispricati koristeci se audiovizualnim vjestinama, naravno). Vukovar je i dalje za sve nas strasno bolna tema, a upravo je bol najveci generator kreativnosti i inspiracije. Matanic se na tom skliskom terenu ne snalazi bas najbolje, cim Leona zalegne u travu znas sto ce se dogoditi/kako ce film zavrsiti. Sve mi to djeluje nekako prejeftino, kao da se i emocija negdje putem napila tog piva i jednostavno izgubila u rusevinama Vukovara. Lik starice ne funkcionira, na kraju i rusi film s tim dijaloskim ponavljanjem/nevjestim pokusajem zatvaranja narativne/dramaturske cjeline. Bas nedavno su bedaceki iz Globusa pitali (http://globus.jutarnji.hr/kultura/vozi-misko-bus-opet-pali?sid=569726786db1bb5d6230f5d7baccad3b) Slobodana Sijana/Ko to tamo peva:

U filmu se povremeno, u stražnjem dijelu autobusa, pojavljuje lik starice, no ona nije profiliran lik. Zašto?

“To me ljudi često pitaju. Filmovi koji se događaju u jednom prostoru poštuju pravilo da se svakim likom moraš baviti. Budući da ja uvijek imam poriv napraviti nekakvu malu subverziju, smislio sam lik kojim se uopće neću baviti. Uzeli smo neku seljanku koja je ondje živjela i naprosto bismo je ujutro – po dolasku na snimanje – pokupili. Takav postupak ima i prikrivenu metaforičku vrijednost o kojoj ne volim puno razglabati. Ako je očitate, u redu”, odgovara nam poznati redatelj.

Drugim rijecima, Matanic se - za razliku od Sijanove starice u autobusu - doista bavi likom te babe, no ovdje u konacnici ipak izostaje bilo kakva prikrivena metaforicka vrijednost. Sve ostaje na nekoj vrsti reverznog inzenjeringa te subverzije, dijaloskog skeca/bradonjinih mudiju u babinim ustima, you name it. Od Dade Matanica, nakon snimljenih pet dugometraznih filmova, ocekuje se vise, puno vise. Nakon lezbijstva, HIV-a i Like tema je – raspad braka (http://www.dalibormatanic.com/index.php/lang-hr/blog). :rolleyes:

Nda, Tulum mozete pogledati klikom na fotku ispod (H/T za Scarecrowa):

http://i46.tinypic.com/2ik45dd.jpg (http://www.2010lab.tv/video/party-hr-2009-dalibor-matanic)

@Dragonrage

Jebem ti sunac, tebi i tvojim akcijskim CGI vratolomijama. 15 minuta, troskovnik sake cavala i visokozapaljujuca audiovizualna mjesavina hiperrealizma od koje ima da popada pola Europe. Why (http://www.youtube.com/watch?v=mT984xEDHFU) are we (http://www.index.hr/vijesti/clanak/dr-gruden-brutalni-ubojica-s-jaruna-boluje-od-teske-psihicke-bolesti-i-mogao-bi-ponovno-ubiti/479955.aspx) so (http://www.casagrande-bih.com/bs/) blind (http://www.jutarnji.hr/eldorado-za-kilere/827639/) to see (http://www.lupiga.com/vijesti/index.php?id=4754)? A sve isprepleteno, savrseno isprepleteno sa Srbima i Hrvatima. Dovoljno je otvoriti prozor, samo na kipu (kompletna mi familija preko 20 godina od istog slasticara (http://www.24sata.hr/news/zagorski-dileri-u-pecenjari-uz-cevape-mijesali-i-heroin/172770/) kupuje kolace, torte, sladolede, bureke, peciva i cevape. Prije neki dan ga uvatilo u kuhinji slasticarnice, coek prepakiravo bijelo - iz bacve! :bonk: Rigao sam dva dana). Cronenberg/Eastern Promises i Ameri dusu bi dali za takvu jebacku premisu, o Europcanima da i ne govorim - albanska mafija u svijetu trenutno nema konkurencije (a prica nikad ispricana). Mislim na fikciju, naravno. Fikciju koja je istovremeno toliko stvarna (u istoj mjeri razarajuca po EU) da bi na jedan takav uradak (i autora istog) svi u toj usminkanoj Europi po defaultu skretali paznju. Docek sa zlatnim tepihom i pripitim tamburasima ispred HAVC-a, zagrljeni Niksa Svilicic i baja Biskupic u grlatoj pjesmi refrena Dobro mi dosel prijatel, spalir zagrebackih mazoretkinja, a Bandic i Ljustina plesu i pljescu ti sa strane. Mark my words.

http://i45.tinypic.com/xc92bp.jpg

:D

[Paskaneman]

sta se ovo događa sa studiom MGM?

..kako su dopustili da se nađu u takvoj banani..?

..nemogu ni Hobita financirati za kojega znaju da ce im vratiti duplo para..

[La Familia]

http://i50.tinypic.com/14x1g7d.jpg
imdb (http://www.imdb.com/title/tt1232207/)

http://i46.tinypic.com/2lbzvgp.jpg (http://vidbox.net/file.php?fd=5225917)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://i45.tinypic.com/xlvvb6.jpg (http://avaxhome.ws/ebooks/Photo_related/louismalle.html)

Hugo Frey, Louis Malle (French Film Directors (http://avaxhome.ws/ebooks/Photo_related/louismalle.html))
Manchester UP | 2004 | ISBN 0719064570 | 171 Pages | PDF OCR | 8 MB

Hugo Frey introduces Malle's work through a lucid analysis of his many masterpieces. The book focuses on the most challenging aspects of Malle's oeuvre, his aesthetic vision, his youthful attraction to a form of right-wing pessimism, and his 1970s libertarianism. By rethinking Malle's portrayals of Nazi-occupied France, Frey demonstrates that he is of equal importance to contemporary historians as to film studies. This is a nuanced study of an important filmmaker, and a critical intervention in the debates which surround Malle's work.

http://i48.tinypic.com/smdpo1.jpg (http://avaxhome.ws/ebooks/Gino_Moliterno_Historical_Dictionary_of_Italian_Ci nema.html)

Gino Moliterno - Historical Dictionary of Italian Cinema (http://avaxhome.ws/ebooks/Gino_Moliterno_Historical_Dictionary_of_Italian_Ci nema.html)
The Scarecrow Press, Inc. | ISBN: 0810860732 | 2008-09-29 | PDF | 520 pages | 1.55 Mb

The Italian cinema is regarded as one of the great pillars of world cinema. Films like Ladri di biciclette (1948), La dolce vita (1960), and Nuovo cinema Paradiso (1988) attracted unprecedented international acclaim and a reputation, which only continue to grow. Italian cinema has produced such acting legends as Sophia Loren and Roberto Benigni, as well as world-renowned filmmakers like Federico Fellini, Sergio Leone, Mario Bava, Dario Argento, and Lina Wertmüller, the first woman to ever be nominated for the Best Director award.

Driven to Darkness: Jewish Emigre Directors and the Rise of Film Noir (http://avaxhome.ws/ebooks/Photo_related/0813546303.html) By Vincent Brook
Publisher: Rutgers University Press 2009 | 256 Pages | ISBN: 081354629X , 0813546303 | PDF | 3 MB

Driven to Darkness explores the influence of Jewish directors and the development of this genre. While filmmakers such as Fritz Lang, Billy Wilder, Otto Preminger, and Edward G. Ulmer have been acknowledged as crucial to the noir canon, the impact of their Jewishness on their work has remained largely unexamined until now.

Australian Cinema After Mabo by Felicity Collins (http://avaxhome.ws/ebooks/Photo_related/0521834805234234.html) (Author), Therese Davis (Author)
Publisher: Cambridge University Press (February 21, 2005) | ISBN-10: 0521834805 | PDF | 1 Mb | 212 pages

Australian Cinema After Mabo is the first comprehensive study of Australian national cinema in the 1990s.

New Hollywood Cinema: An Introduction (http://avaxhome.ws/ebooks/Photo_related/1860647499.html)
Publisher: I B Tauris & Co Ltd | ISBN: 1860647499 | edition 2002 | PDF | 305 pages | 13,8 mb

A complex American ‘art’ cinema of innovation and experimentation, or the simplistic world of the comic-book blockbuster? The introverted obsessions of Travis Bickle and Harry Caul, or the action heroics of Luke Skywalker, Indiana Jones or Buzz Lightyear? Street-level independent production, or giant multimedia conglomerates? Radical visions or conservative backlash? Unsettling departures from ‘classical’ Hollywood style, or superficial glitz and over-insistent rhetoric drawn from advertising and MTV? Filmmakers as visionary artists, or as emptily stylish raiders of the cinematic past? ‘Modernism’ or ‘postmodernism’? Wholesale change, or important continuities with the past?

The Cambridge Companion to Shakespeare on Film By Russell Jackson (http://avaxhome.ws/ebooks/cultures_languages/052168501X.html)
Publisher: Cambridge University Press 2007 | 368 Pages | ISBN: 0521866006 , 052168501X | PDF | 1 MB

Film adaptations of Shakespeare's plays are increasingly popular and now figure prominently in the study of his work and its reception. An international team of leading scholars discuss Shakespearean films from a variety of perspectives: as works of art in their own right; as products of the international movie industry; and as the work of particular directors from Laurence Olivier and Orson Welles to Franco Zeffirelli and Kenneth Branagh.

http://i49.tinypic.com/wqx9nr.jpg (http://avaxhome.ws/ebooks/Photo_related/0240811372_Movie.html)

Bernard Mendiburu, "3D Movie Making: Stereoscopic Digital Cinema from Script to Screen (http://avaxhome.ws/ebooks/Photo_related/0240811372_Movie.html)"
Focal Press | 2009 | ISBN: 0240811372 | 232 pages | PDF | 4 MB

Filmska industrija odlučila je, po svemu sudeći, da će njezina budućnost biti u 3-D tehnologiji. Devedesetih godina, odnosno od širenja digitalizacije, isprva se mislilo da bi tzv. “virtualna stvarnost” mogla, nakon računalnih igara, postati i put kojima će industrija filma krenuti u novo tisućljeće, međutim iz raznoraznih razloga (npr. cyber vrtoglavice) tehnologija nije prošla prag kojim bi se dokazala kao moguća buduća dominanta.

Ako je sumnjičavaca u vezi tehnologije donedavno još i bilo, megauspjeh “Avatara” otklonio je svaku sumnju u to da hollywoodski filmaši polažu sve nade u 3-D kao svoj put u budućnost. Kao posljedica toga, ne samo da mnogi potencijalni budući hitovi snimaju u tehnici 3-D, poput završna dva nastavka “Harryja Pottera” ili Spielbergovih “Pustolovina TinTina” (da se o crtićima koji ciljano odgajaju nove generacije gledatelja ne govori), nego se planiraju 3-D verzije cijelog niza starih hitova i klasika: od “Titanika”, “Ratova zvijezda” do “Zameo ih vjetar” i “Građanina Kanea”.

Mala poskupljenja, velike zarade

Prema riječima Jeffreyja Katzenberga, troškovi produkcije u tehnici 3-D penju se za petnaest posto, što je zanemarivo povećanje u odnosu na zarade koje mogu biti i trostruko veće od njihovih “običnih” verzija (kada se filmovi proizvode u obje verzije).

Dodatna je prednost trodimenzionalnih filmova za filmsku industriju u tome što je njih daleko teže piratizirati.

Stručnjaci smatraju da je glavna atrakcija trodimenzionalnih filmova u tome da su najbliži stvarnim iskustvima, odnosno da podražavaju mozak na način na koji dvodimenzionalni ne mogu. Uvjereni su da stereoskopsko gledanje podražava više neurona, što znači da gledatelju ostavljaju dojam da su se bolje zabavljali gledajući ga. Stoga se smatra da nešto veće cijene ulaznica neće biti problem, jer je kino još uvijek vrlo jeftinija zabava.

Povratak u budućnost

Situacija u kojoj se nalazi filmska industrija opisuje naziv hollywoodskog hita “Povratak u budućnost”. Tehnika 3-D, naime, nije nova. Osobito se mnogo s njom eksperimentiralo u pedesetima, a kasnije i u osamdesetima, no zbog ograničenih mogućnosti (zbog kojih je izazivala glavobolje i vrtoglavice), a ni efekti zapravo nisu bili osobiti, bila je tek, kako je rekao Hitchcock , “čudo od devet dana”.

Nakon “Avatara” nemoguće je poricati tehničku savršenost, a treba vjerovati i u to da 3-D neće biti isključivo format za zabavu jer će uvijek biti umjetnika koji će nove tehnologije znati koristiti u dublje svrhe; npr. glasoviti kritičar Andre Sarris misli da nam 3-D omogućava da u svakom kadru tratimo vrijeme na detalje koji su apsolutno suvišni. No, slične su se sumnje javljale kada je film postao zvučan, pa kada je krenula boja, a opet su se nakon toga javljali cijeli umjetnički pravci.

Izvor: VL

Paul Wheeler "High Definition Cinematography, 2nd Edition (http://avaxhome.ws/ebooks/Photo_related/high_definition_cinematography_2nd_edition.html)"
Published by Focal Press | Publication date : May 2007 | ISBN : 024052036X | PDF | 267 pages | English | 6.17 MB

High definition is here to stay. HD changes the whole shooting and editing process in film and television production and this book is to satisfy your hunger for information.

Steve Hullfish, Jaime Fowler - Color Correction for Video, Second Edition: Using Desktop Tools to Perfect Your Image (http://avaxhome.ws/ebooks/SteveHullfishJaimeFowler1345.html)
Publisher: Focal Press | 2008-10-27 | ISBN: 0240810783 | PDF | 296 pages | 51.37 MB

http://i49.tinypic.com/15cikiw.jpg (http://avaxhome.ws/ebooks/engeneering_technology/0470521074GreenScreen.html)

Jeff Foster, "The Green Screen Handbook: Real-World Production Techniques (http://avaxhome.ws/ebooks/engeneering_technology/0470521074GreenScreen.html)"
Sybex | 2010 | ISBN: 0470521074 | 384 pages | PDF | 29,1 MB

Make movies and videos with green screen compositing technology with The Green Screen Handbook: Real-World Production Techniques. This unique guide is a comprehensive how-to of professional production techniques, step-by-step instruction, and tips that can save you time and money. Learn when to use green screens instead of blue, find out how the pros operate in professional studios, and get amazing results—even on a shoestring budget.


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The Simpsons: An Uncensored, Unauthorized History [Unabridged] by John Ortved (http://avaxhome.ws/ebooks/audiobook/1374599.html)
Publisher: Tantor Media; Unabridged CD edition (November 30, 2009) | ISBN: 1400114489 | Language English | Audio CD in MP3 | 249 MB

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://chiefdundee.blogspot.com/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the
content of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.

Attention, please
This blog is dedicated to bootlegs, out of print and rare soundtracks. Please do not ask for CDs that are still available at a fairly reasonable price, especially if they're new releases! Such requests will be ignored.
By purchasing new soundtracks, you will support the artists you love and the local music stores you don't want to see disappear.
Bootlegs and promo CDs are not for sale. They're meant to be shared. Avoid any site which asks money for those (you know who I'm talking about...)

http://i50.tinypic.com/f9k4di.jpg (http://chiefdundee.blogspot.com/2010/05/star-wars-revisited-episode-vi-return.html)

STAR WARS REVISITED: EPISODE VI RETURN OF THE JEDI - John Williams (http://chiefdundee.blogspot.com/2010/05/star-wars-revisited-episode-vi-return.html)
STAR WARS REVISITED: EPISODE V THE EMPIRE STRIKES BACK - John Williams (http://chiefdundee.blogspot.com/2010/05/star-wars-revisited-episode-v-empire.html)
STAR WARS REVISITED: EPISODE IV A NEW HOPE - John Williams (http://chiefdundee.blogspot.com/2010/05/star-wars-revisited-episode-iv-new-hope.html)
STAR WARS REVISITED: EPISODE III REVENGE OF THE SITH - John Williams (http://chiefdundee.blogspot.com/2010/05/star-wars-revisited-episode-iii-revenge.html)
STAR WARS REVISITED: EPISODE II ATTACK OF THE CLONES - John Williams (http://chiefdundee.blogspot.com/2010/05/star-wars-revisited-episode-ii-attack.html)
STAR WARS REVISITED: EPISODE I THE PHANTOM MENACE - John Williams (http://chiefdundee.blogspot.com/2010/05/star-wars-revisited-episode-i-phantom.html)

http://i46.tinypic.com/95yjnq.jpg (http://chiefdundee.blogspot.com/2008/12/dances-with-wolves-suite-john-barry.html)

DANCES WITH WOLVES Suite - John Barry (http://chiefdundee.blogspot.com/2008/12/dances-with-wolves-suite-john-barry.html)

http://i46.tinypic.com/2qtlcsg.jpg (http://chiefdundee.blogspot.com/2008/10/black-rain-complete-score-hans-zimmer.html)

BLACK RAIN Complete Score - Hans Zimmer (http://chiefdundee.blogspot.com/2008/10/black-rain-complete-score-hans-zimmer.html)

http://i48.tinypic.com/2dajclz.jpg (http://chiefdundee.blogspot.com/2008/07/dark-knight-suite-hans-zimmer-james.html)

THE DARK KNIGHT Suite - Hans Zimmer / James Newton Howard (http://chiefdundee.blogspot.com/2008/07/dark-knight-suite-hans-zimmer-james.html)

HANS ZIMMER LIVE IN CONCERT - Ghent, 10.10.2000 (http://chiefdundee.blogspot.com/2008/07/hans-zimmer-live-in-concert-ghent.html)

MAN ON FIRE Suite - Harry Gregson-Williams (http://chiefdundee.blogspot.com/2008/05/man-on-fire-suite-harry-gregson.html)

BLACK HAWK DOWN Suite - Hans Zimmer (http://chiefdundee.blogspot.com/2007/12/black-hawk-down-suite-hans-zimmer.html)

http://i48.tinypic.com/zks6t4.jpg (http://chiefdundee.blogspot.com/2007/12/searchers-max-steiner.html)

THE SEARCHERS - Max Steiner (http://chiefdundee.blogspot.com/2007/12/searchers-max-steiner.html)

THE TREASURE OF THE SIERRA MADRE - Max Steiner (http://chiefdundee.blogspot.com/2007/12/treasure-of-sierra-madre-max-steiner.html)

http://i46.tinypic.com/30wl8xe.jpg (http://chiefdundee.blogspot.com/2007/11/gladiator-suite-hans-zimmer-lisa.html)

GLADIATOR Suite - Hans Zimmer / Lisa Gerrard / Klaus Badelt (http://chiefdundee.blogspot.com/2007/11/gladiator-suite-hans-zimmer-lisa.html)

Slika (http://i48.tinypic.com/30lny34.jpg)

THE THIN RED LINE Suite - Hans Zimmer (http://chiefdundee.blogspot.com/2007/11/thin-red-line-suite-hans-zimmer.html)

http://i45.tinypic.com/2a4ydqr.jpg (http://chiefdundee.blogspot.com/2007/11/full-booklet-added-to-classic-film.html)

Full Booklet added to the CLASSIC FILM SCORES FOR HUMPHREY BOGART (http://chiefdundee.blogspot.com/2007/11/full-booklet-added-to-classic-film.html)

Soundtrack Compilation #4 : SEVEN SAMURAI & OTHER SCORES (http://chiefdundee.blogspot.com/2007/10/soundtrack-compilation-4-seven-samurai.html)

Soundtrack Compilation #3 : FORBIDDEN GAMES & OTHER SCORES (http://chiefdundee.blogspot.com/2007/10/soundtrack-compilation-3-forbidden.html)

http://i47.tinypic.com/ok5pqa.jpg (http://chiefdundee.blogspot.com/2007/10/soundtrack-compilation-2-high-noon.html)

Soundtrack Compilation #2 : HIGH NOON & OTHER SCORES (http://chiefdundee.blogspot.com/2007/10/soundtrack-compilation-2-high-noon.html)

Soundtrack Compilation #1 : THE PATRIOT & OTHER SCORES (http://chiefdundee.blogspot.com/2007/10/soundtrack-compilation-1-patriot-other.html)

THELMA & LOUISE Suite - Hans Zimmer (http://chiefdundee.blogspot.com/2007/10/thelma-louise-suite-hans-zimmer.html)

KINGDOM OF HEAVEN - Harry Gregson-Williams (http://chiefdundee.blogspot.com/2007/09/kingdom-of-heaven-harry-gregson.html)

http://i47.tinypic.com/2sayz55.jpg (http://chiefdundee.blogspot.com/2007/09/classic-film-scores-for-humphrey-bogart.html)

CLASSIC FILM SCORES FOR HUMPHREY BOGART - The National Philharmonic Orchestra Conducted by Charles Gerhardt (http://chiefdundee.blogspot.com/2007/09/classic-film-scores-for-humphrey-bogart.html)

UN GENIO, DUE COMPARI, UN POLLO - Ennio Morricone (http://chiefdundee.blogspot.com/2007/09/un-genio-due-compari-un-pollo-ennio.html)

INFERNAL AFFAIRS 1 Soundtrack - Kwong Wing Chan (http://chiefdundee.blogspot.com/2007/09/infernal-affairs-1-soundtrack-kwong.html)

[La Familia]

Tko se sjeca delicije zvane Tarantino Versus the Coen Brothers (http://nymag.com/daily/entertainment/2010/04/watch_tarantino_versus_coen_br.html), ne smije propustiti sljedece:

Watch ‘Kubrick Versus Scorsese (http://nymag.com/daily/entertainment/2010/06/watch_kubrick_versus_scorsese.html),’ an Epic Movie Mash-Up "25 days, 34 films, and 1 tribute": Another monster (and spoiler-y) montage from Leandro Braga, man behind the similarly epic "Tarantino Versus the Coen Brothers."

http://i47.tinypic.com/30u2x03.jpg (http://vimeo.com/12432238)


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Za prvi dan ljeta jedna raritetna fotografija (koja je bas ovih dana ugledala svjetlo dana):

Ingmar Bergman and the shark from “Jaws (http://travellinglight.tumblr.com/post/540853045/ingmar-bergman-and-the-shark-from-jaws-hollywood)” Hollywood 1975.

http://i49.tinypic.com/wbcgab.jpg (http://www.bukowskis.se/uploaded_images/0147/8515/H0220251.jpg)


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Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.


Pokusavam zamisliti svoj zivot bez slusanja dobrih OST-ova, no fucking way. Ako je glazba zvonka radost, onda je ona filmska sreca i od srece veca. Generator kreativnosti i inspiracije, neutralizator loseg raspolozenja (hm, sve ovisi o tome koji osjecaj zelite stvoriti). It's Brave New World! Svakako probajte. Dvije preporuke: GLADIATOR Suite - Hans Zimmer / Lisa Gerrard / Klaus Badelt (http://chiefdundee.blogspot.com/2007/11/gladiator-suite-hans-zimmer-lisa.html) (Lisa Gerrard i mrtve bi podigla iz groba) i THE THIN RED LINE Suite - Hans Zimmer (http://chiefdundee.blogspot.com/2007/11/thin-red-line-suite-hans-zimmer.html).

http://i48.tinypic.com/2porsw1.jpg (http://theplaylist.blogspot.com/2010/06/terrence-malick-brad-pitt-hanging-out.html)

U to ime, naramak OST-ova:

Borat (http://horrorphilesjukebox.blogspot.com/2008/01/thats-nice.html)

There's really nothing I can say about "Borat" that hasn't been said already. I haven't laughed this much at a movie since the early 80's. God, that sounds so long ago. Here's the soundtrack from one of the funniest movies ever made. If you live in a cave and haven't seen the movie yet, do so and then listen to the just as crazy soundtrack. Enjoy....

http://i45.tinypic.com/2vrwd43.jpg (http://horrorphilesjukebox.blogspot.com/2008/01/thats-nice.html)

Scarface (http://horrorphilesjukebox.blogspot.com/2008/01/say-hello-to-my-little-friends.html) (1983)

With exception of the "Godfather" films, This probably stands out as one of the greatest gangster films ever made. It's a pop culture gem also. Everyone from rappers to other filmmakers have directly quoted this film as a direct influence on their lives. The only bad thing aboout this is that they never put sound bites from the film on this soundtrack. That would have been a welcome extra due to Pacino having some great lines and monologues through the movie. Enjoy this gem from the eighties.....

http://i47.tinypic.com/2j2gk13.jpg (http://horrorphilesjukebox.blogspot.com/2008/01/say-hello-to-my-little-friends.html)

Stephen King Music (http://horrorphilesjukebox.blogspot.com/2008/01/stephen-king-music.html)

Enjoy these soundtracks....

http://i45.tinypic.com/4trimf.jpg (http://horrorphilesjukebox.blogspot.com/2008/01/stephen-king-music.html)

70's Disaster Movies (http://horrorphilesjukebox.blogspot.com/2008/01/oh-humanity.html)

I'm a fan of the great disaster flicks of the 1970's. These are the ground work for all of your CGI loaded movies that you enjoy today. Next time you see "Independence Day", "Twister", "Volcano", or anything else you see today, think of these. The fire and the water were all real thanks to the hard work of the crews involved. Enjoy these out of print gems.....

Batman Begins (http://horrorphilesjukebox.blogspot.com/2008/01/patience-is-virtue.html)

Sit back and wait for July 18th. "The Dark Knight" will be coming out that day. From what I've seen of it, this one's gonna rock. The Joker, as played by Heath Ledger, looks totally psycho. Just to keep you on the edge of your seat while waiting for this, here's the soundtrack for "Batman Begins"....

The Romero Dead Quadrilogy (http://horrorphilesjukebox.blogspot.com/2008/01/romero-dead-quadrilogy.html)

"They're coming to get you Barbara". That has to be without a doubt one of the greatest lines in any single horror film. I just sat and had a marathon session of watching all four of Romero's "Dead" films. To this day, it's still one of the best franchises to watch when you have the free time to do so. These films have some great soundtracks which I'm more than happy to post here for your audio enjoyment. Thanks and props go out to "The Long Island Ripper" over at the Inferno Music Crypt for posting an expanded version of the "Land Of The Dead" soundtrack. Check out his great blog and his posts. He seldomly disappoints......

Rob Zombie Movie Soundtracks (http://horrorphilesjukebox.blogspot.com/2008/01/eye-of-zombie.html)

Here are the soundtracks for Rob Zombie's three movies. This man truly has a sick and twisted vision (not that there's anything wrong with that). His films are truly ultra-violent and enjoyable for the blood and gore freaks out there. I did like his vision of "Halloween". I don't view it as a remake, but instead as his interpretation of John Carpenter's legendary 1978 masterpiece. Enjoy....

The Indiana Jones Trilogy (http://horrorphilesjukebox.blogspot.com/2008/01/keeping-up-with-joneses.html)

Here are the out of print soundtracks for the first three Indiana Jones films. I'm waiting for "Indiana Jones And The Kingdom Of The Crystal Skull" with great patience. I wish a trailer would be out already. Hopefully, a trailer will be shown on Super Bowl Sunday. Enjoy these John Williams classics....

John Carpenter Scores (http://horrorphilesjukebox.blogspot.com/2007/12/john-carpenter.html)

Not only has he directed some great movies, but he's also crafted some wonderful scores to go along with them. Enjoy the following....

Universal Horror Themes (http://horrorphilesjukebox.blogspot.com/2007/12/greatest.html)

I ran across this over at Unversal Horror Sounds and want to share it with everybody else. There's some great stuff over at that blog. The blogmaster has great taste because no one (and I mean no one) will ever top Universal as making some of the greatest Horror movies ever made. This contains themes from Dracula all the way through to Creature Fom The Black Lagoon. Stop over there and check out this great blog.....

Texas Chainsaw Massacre Trilogy (http://horrorphilesjukebox.blogspot.com/2007/11/theres-buzz-in-air.html)

I was sitting back and thinking about the good old days when I got my first VCR. The thing was a huge monster. It was so primative. It was so primative in the fact that it's remote was connected to it by a wire. That sounds so wrong nowadays. The first movie I rented was something I kept hearing and hearing about but had never seen. I was so happy that I saw "Texas Chainsaw Massacre" for the first time. Here's the soundtracks for the first three chainsaw massacres. Enjoy.......

[La Familia]

MartView: Slick Eye-Candy PDF Viewer & Downloader (http://www.addictivetips.com/windows-tips/martview-slick-eye-candy-pdf-viewer-downloader/#more-25541)

http://i47.tinypic.com/2qkkxp0.jpg (http://www.martview.com/what_is_mart_view.php)

http://i45.tinypic.com/14cxxy9.jpg (http://www.youtube.com/watch?v=1TP3wTLkEvI)

Svakako probajte otvoriti neki od .pdf dokumenata u Martviewu, stvar je besplatna i krajnje zarazna.

Jos se samo ceka:

http://i45.tinypic.com/262sem9.jpg (http://i47.tinypic.com/34o3eow.jpg)

WePad stiže u srpnju (http://www.pcchip.hr/vijesti/vijesti/hardver/wepad-stize-u-srpnju).

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Free Download American Cinematographer Magazine July 2010 (http://www.sosotech.com/html-magazine/american-cinematographer-magazine-july-2010.html):



American Cinematographer Magazine July 2010 (http://www.megaupload.com/?d=4ESHXLSG)

English | 92 Pages | 26MB | True PDF

American Cinematographer is a monthly magazine published by the American Society of Cinematographers. American Cinematographer focuses on the art and craft of cinematography, going behind the scenes on domestic and international productions of all shapes and sizes. The magazine features in-depth interviews with cinematographers, directors and some of their key collaborators at every stage of production. The magazine also features historical articles, technical how-to pieces, and information on the latest tools and technologies that impact the cinematographer's craft.



American Cinematographer Tackles Inception (http://www.nolanfans.com/2010/06/25/american-cinematographer-tackles-inception/)

It seems you can’t turn your head now-a-days without being bombarded with stuff on Inception, nor can you walk into a bookstore without seeing a row of magazines with Leonardo DiCaprio on the cover. The latest magazine to plaster Leonardo and Inception all over its front page is American Cinematographer. Inside is a sprawling 13-page write up on Christopher Nolan’s sci-fi action thriller that delves pretty deep into how Christopher and cinematographer Wally Pfister pulled off some of the film’s jaw-dropping and surreal visuals. Perhaps the most entertaining out of all the ways they managed to get some of the shots they did was when they strapped cameras to to skiers with “strong backgrounds in skiing and mountain travel.”

“Fundamentally, I wanted every shot to be moving,” says Nolan. “I wanted to base the photography in these scenes on what we’d done with vehicles in The Dark Knight. I wanted to always have a point of view for the camera, to always be moving with the action and putting the audience into the experience. Chris [Patterson] was able to pull off some really extraordinary shots. He was very receptive to putting more and more movement into shots, even little storytelling shots. That footage all cut together with what I like to call a ‘tumbling forward’ quality, where you’re being pulled along with the action.”

Craziness, right? Well there are many more awesome stories and facts revealed about how Christopher Nolan, Wally Pfister, and the rest of the Inception team approached different aspects of filming this movie. See if you can find American Cinematographer at your local bookstore, it’s more common than you think, and read the rest for yourself – you won’t regret it. Until then, here are some juicy pictures from the magazine spread to keep you happy.

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Novo, trece izdanje THE knjige:

http://i49.tinypic.com/j9q8sz.jpg (http://avaxhome.ws/ebooks/MichaelRabiger1335.html)

Michael Rabiger - Directing: Film Techniques and Aesthetics, Third Edition (http://avaxhome.ws/ebooks/MichaelRabiger1335.html)
Publisher: Focal Press | 2003-03 | ISBN: 0240805178 | PDF | 560 pages | 10.19 MB

Directing: Film Techniques and Aesthetics is a comprehensive manual that teaches the essentials of filmmaking from the perspective of the director. Ideal for film production and directing classes, as well as for aspiring and current directors, Directing covers all phases of preproduction and production, from idea development to final cut. Thoroughly covering the basics, Directing guides the reader to professional standards of expression and control, and goes to the heart of what makes a director. The book outlines a great deal of practical work to meet this goal, with projects, exercises.

Skromna preporuka vrijedi i za sjajnu knjigu/ne suditi po koricama:

http://i46.tinypic.com/2db9kys.jpg (http://avaxhome.ws/ebooks/economics_finances/100_best_movies.html)

Son of the 100 Best Movies You've Never Seen (http://avaxhome.ws/ebooks/economics_finances/100_best_movies.html)
ECW Press | 2008-09-01 | ISBN: 1550228404 | 275 pages | PDF | 2 MB

With titles that draw from the depths of obscurity, this collection features thoughtfully selected essays devoted to such films as Wladyslaw Starewicz’s 13-minute masterpiece The Cameraman’s Revenge (1912), the existential reinvention of the Western genre in El Topo (1970), and Stanley Kubrick’s early classic, The Killing (1956). Each essay features a detailed description of plot, notable trivia tidbits, critical reviews, and interviews with actors and filmmakers such as Francis Ford Coppola, Mario Van Peebles, and Billy Bob Thornton. Film aficionados who think that they’ve “seen it all” will enjoy referring to this enjoyable mix of movies that are gone—but no longer forgotten.

Sjajna 'BFI Film Classics' edicija:

http://i45.tinypic.com/6dwkr4.jpg (http://avaxhome.ws/ebooks/Photo_related/085170820X.html)

The Searchers (BFI Film Classics) By Edward Buscombe (http://avaxhome.ws/ebooks/Photo_related/085170820X.html)
Publisher: British Film Institute 2008 | 80 Pages | ISBN: 085170820X | PDF | 4 MB

This is a detailed commentary on all aspects of the film, "The Searchers", and makes full use of material in the John Ford archive in Indiana, including Ford's own memos and the original scripts, which differs in vital respects from the film he made.

Bicycle Thieves (Ladri di biciclette) (Bfi Film Classics) By Robert Gordon (http://avaxhome.ws/ebooks/Photo_related/1844572382.html)
Publisher: British Film Institute 2008 | 96 Pages | ISBN: 1844572382 | PDF | 10 MB

Bicycle Thieves (Ladri di biciclette) Vittorio de Sica, 1948 is unarguably one of the fundamental films in the history of cinema. It is also one of the most beguiling, moving and (apparently) simple pieces of narrative cinema ever made. The film tells the story of one man and his son, as they search fruitlessly through the streets of Rome for his stolen bicycle; the bicycle which had finally freed him from the poverty and humiliation of longterm unemployment.

One of a cluster of extraordinary films to come out of post-war, post-Fascist Italy after 1945 – loosely labelled ‘neo-realist’ – Bicycle Thieves won an Oscar in 1949, topped the first Sight and Sound poll of the best films of all time in 1952 and has been hugely influential throughout world cinema ever since. It remains a necessary point of reference for any cinematic engagement with the labyrinthine experience of the modern city, the travails of poverty in the contemporary world, the complex bond between fathers and sons, and the capacity of the camera to capture something like the essence of all of these.

Robert S. C. Gordon’s BFI Film Classics volume shows how Bicycle Thieves is ripe for re-viewing, for rescuing from its worthy status as a neo-realist ‘classic’. It looks at the film’s drawn-out planning and production history, the vibrant and riven context in which it was made, and the dynamic geography, geometry and sociology of the film that resulted.

L'Année dernière à Marienbad (Last Year in Marienbad) (BFI Film Classics) By Jean-Louis Leutrat (http://avaxhome.ws/ebooks/Photo_related/0851708218.html)
Publisher: British Film Institute 2008 | 72 Pages | ISBN: 0851708218 | PDF | 6 MB

Illustrated A quintessential work of 1960s European art cinema, L'Année dernière à Marienbad (Last Year in Marienbad, 1961) was a collaboration between director Alain Resnais and 'New Novel" enfant terrible Alain Robbe-Grillet. Three people, known only by their initials, move through the sprawling luxury of a mysterious hotel and its ornamental gardens. Perhaps M is A's husband and X her lover. Perhaps '"last year," A promised X she would leave with him. Or is there something more terrible in the past? An abstract thriller, a love story, a philosophical puzzle, the film's deviations are, for Jean-Louis Leutrat, as complex as those of the human heart.

Sunrise: A Song of Two Humans (BFI Film Classics) By Lucy Fischer (http://avaxhome.ws/ebooks/Photo_related/0851706681.html)
Publisher: British Film Institute 2008 | 79 Pages | ISBN: 0851706681 | PDF | 5 MB

Illustrated Sunrise: A Song of Two Humans (1927) is one of the most historically pivotal of all films. A lavish and sumptuous production, it was the first film made in America by the celebrated German director F.W. Murnau, who also directed Nosferatu (1922). Sunrise mediates between German expressionism and American melodrama, the Avant-Garde and popular fiction, silent cinema and "talkies." Lucy Fischer's book is a model of film analysis, locating Sunrise in a fascinating range of historical aesthetic and philosophical contexts.

The Night of the Hunter (BFI Film Classics) By Simon Callow (http://avaxhome.ws/ebooks/Photo_related/0851708226.html)
Publisher: British Film Institute 2008 | 79 Pages | ISBN: 0851708226 | PDF | 5 MB

Illustrated The Night of the Hunter was Charles Laughton's only film as director. Adapted from a bestselling novel by Davis Grubb, it is part expressionist horror movie, part luminous fairytale, and contains some of the most haunting images in cinema: Willa (Shelley Winters), her throat cut and hair streaming out like seaweed, sitting in a submerged Model T Ford; her children, framed by looming animals, in a downriver flight from Preacher (Robert Mitchum), a silhouetted threat on the horizon. The Night of the Hunter is revered today, but it failed on its first release, and Laughton never recovered from the disappointment. Simon Callow explores Laughton's transition between film actor and director, and examines the considerable influence the film has had on subsequent filmmakers such as Neil Jordan and even Callow himself.

L'Argent (BFI Modern Classics) By Kent Jones (http://avaxhome.ws/ebooks/Photo_related/0851707335.html)
Publisher: British Film Institute 2008 | 96 Pages | ISBN: 0851707335 | PDF | 10 MB

Illustrated The career of Robert Bresson (b. 1907) is one of the richest in the history of cinema, but also one of the most enigmatic. For some commentators, Bresson is a severe moralist who's almost medieval in his concern for the darker aspects of Catholic theology. For others, he's best seen as a stylist whose work has consistently anticipated cinematic trends. Just as Bresson's 1959 Pickpocket was remodelled by Paul Schrader as American Gigolo (1980), so L'Argent (1983) is a study of spontaneous murder and a meditation on evil that has a striking kinship with contemporary vigilante and serial killer films.

Coeni za pocetnike:

Ellen Cheshire, John Ashbrook - Joel and Ethan Coen (Pocket Essential series (http://avaxhome.ws/ebooks/cultures_languages/Ellen27series.html))
Pocket Essentials | 2004 | ISBN: 1904048390 | Pages: 160 | PDF | 1.31 MB

Pocket Essentials is a dynamic series of books that are concise, lively, and easy to read. Packed with facts as well as expert opinions, each book has all the key information you need to know about such popular topics as film, television, cult fiction, history, and more. Applying a quintessentially British mix of dry wit and black humor to all their work from the impossibly noir Blood Simple to the wonderful The Big Lebowski, Joel and Ethan Coen have crafted often hysterically funny, startlingly unpredictable, and surprisingly moving reworkings of the crime genre. In this book, Cheshire and Ashbrook tackle recurrent themes including family, dreams, religion, and references to the work of Stanley Kubrick with dry wit and erudition.

Martview (http://www.martview.com/what_is_mart_view.php). :mig:

[La Familia]

Ogromna isprika korisnicima Okorjelih na sranju s fotkama. TinyPic - Free Image Hosting, Photo Sharing & Video Hosting. :mad: Da imam vremena i para za angazirati onog americkog fiskala O.J. Simpsona, spicio bi im jednu intergalakticku tuzbu. Kako se samo usudjuju, jedna je stvar po User Agreementu uskratiti nekome uslugu hostanja njegovih fotki na serveru TinyPica (i ostaviti male prozorcice s porukom da je fotka izbrisana/premjestena), nesto sasvim drugo redirectirati postojece fotke korisnika na nesto sasvim trece (sva sreca da se ne radi o nekoj pornjavi).

WTF (http://www.forum.hr/showpost.php?p=26745997&postcount=1380)?

WTF (http://www.forum.hr/showpost.php?p=26876753&postcount=1382) again?!!

@Smoogj i Katatonicni

Najljepse vas molim da se te dvije fotke-uljezi izbrisu iz spornih postova (linkovi su iznad).

Ovo mi je skola, izbjegavajte TinyPic.

[La Familia]

DISCLAIMER: The following screenplays are uploaded for EDUCATIONAL PURPOSES ONLY and no copyright infringement is intended.

COEN BROTHERS TRUE GRIT

http://idology.files.wordpress.com/2009/04/coen_brothers.jpg

Here is the screenplay to the Coen Brother's upcoming movie, True Grit. Enjoy!

TRUE GRIT (http://www.mediafire.com/?jdonnw2zuq5)

Here is the script for the Tom Cruise, Cameron Diaz movie Knight and Day. Enjoy!

KNIGHT AND DAY (http://www.mediafire.com/?jjnyyhbjmmt)

Here is the screenplay for Three Kings. Enjoy!

THREE KINGS (http://www.mediafire.com/?zjnddmhnuag)

Here is the script for Stranger Than Fiction. Enjoy!

STRANGER THAN FICTION (http://www.mediafire.com/?etnmzzzmujn)

JJ ABRAMS DAY (http://movieman49.blogspot.com/2010/06/jj-abrams-day.html)

I figured I might as well make it JJ Abrams day considering I've posted three of his television scripts in the past week. A little history on our boy JJ.

http://lost-media.com/news/wp-content/uploads/2008/10/jj-abrams_l.jpg

While in college he studied the script of Ordinary People. He sold his first script at the age of 23. That script was Taking Care of Business. Through the early 90's Abrams slowly grew, writing everything from comedy, to drama, to sci fi. After writing Armageddon it was a couple years till he wrote and produced Joy Ride. And that put him back on the mark for films. While writing films, Abrams also had a successful television career which started in 1999. He created the show Felicity which went on to run for four season and was a big hit. Along with writing Joy Ride in 2001 he also created the show Alias. This put Abrams on the map for action writing. Although he had written things such as Armageddon, this pushed him into the realm of television even further. The show was a success and pushed Abrams stardom farther. In 2004 he created the show Lost, his third series. Lost would redefine the way we watched television. Abrams then went back to films where he wrote and directed Mission Impossible 3. For a first time director, it was the most expensive budget. And that secured Abrams as a go to film director. Now a days Abrams does everything. He created the show Fringe a few years back and has over a dozen projects slated fr the future. He has also exploded as a producer. He produced and directed Star Trek in 2009. His Production Company, Bad Robot, is one of the biggest production companies in film today. He has also created one of the most anticipated television series with his new Undercovers. Abrams has accomplished a lot so far, but I have a feeling there's a lot more in store in the future. Enjoy!

FILM
WRITTEN:
TAKING CARE OF BUSINESS
REGARDING HENRY
FOREVER YOUNG
GONE FISHIN
ARMAGEDDON
JOY RIDE
MI3

PRODUCED:
THE PALLBEARER
JOY RIDE
CLOVERFIELD
STAR TREK

DIRECTED:
MI3
STAR TREK

TELEVISION
FELICITY (Pilot)
ALIAS (Pilot, 115)
LOST (Pilot)
FRINGE (Pilot)
UNDERCOVERS

UNPRODUCED:
SUPERMAN
SHELTER

THE SHAWSHANK REDEMPTION

Here is the script to the Shawshank Redemption. Enjoy!

THE SHAWSHANK REDEMPTION (http://www.mediafire.com/?kt0ywizyqzz)

CALIFORNICATION

Here is the pilot scripts to the show Californication. It was almost impossible to find, but I did. Enjoy!

CALIFORNICATION PILOT (http://www.mediafire.com/?w1nozzfwzhm)

H/T za moviemana49 (http://movieman49.blogspot.com/). :s

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img444.imageshack.us/img444/7904/27340536.png (http://russiangreatmovies.blogspot.com/)

RUSSIAN GREAT MOVIES (http://russiangreatmovies.blogspot.com/)

Svi ruski filmovi na jednom mjestu, preporuka.

---

http://pixhost.ws/avaxhome/65/58/00155865_medium.jpeg

Birgit Beumers - Nikita Mikhalkov: The Filmmaker's Companion 1 (http://avaxhome.ws/ebooks/BirgitBeumers2152.html)
Publisher: I. B. Tauris | 2005-02-05 | ISBN: 1860647855 | PDF | 168 pages | 5.07 MB

Adored by Russian audiences for his commercially-oriented films, and loathed by the Russian intelligentsia for the same, Nikita Mikhalkov is one of the most successful, ambitious and controversial directors in the history of Soviet and Russian cinema. Revealing and discussing the key themes explored in his work, Birgit Beumers follows his career from his 1974 debut At Home Among Strangers, a Stranger at Home; to the French co-productions: the award-winning Urga and 1994's internationally renowned, Oscar-winning Burnt by the Sun.

http://pixhost.ws/avaxhome/07/66/00156607_medium.jpeg

R. Barton Palmer, Joel and Ethan Coen (Contemporary Film Directors (http://avaxhome.ws/ebooks/Photo_related/coenpalm.html))
University of Illinois Press | 2004 | ISBN 0252071859 | 220 Pages | PDF OCR | 8.3 MB

With landmark films such as Fargo, O Brother Where art Thou?, Blood Simple, and Raising Arizona, the Coen brothers have achieved both critical and commercial success. Proving the existence of a viable market for "small" films that are also intellectually rewarding, their work has exploded generic conventions amid rich webs of trans-textural references. In Joel and Ethan Coen, R. Barton Palmer argues that the Coen oeuvre also forms a central element in what might be called postmodernist filmmaking. Mixing high and low cultural sources and blurring genres like noir and comedy, the use of pastiche and anti-realist elements in films such as The Hudsucker Proxy and Barton Fink clearly fit the postmodernist paradigm. Palmer argues that for a full understanding of the Coen brothers unique position within film culture, it is important to see how they have developed a new type of text within general postmodernist practice that Palmer terms commercial/independent. Analyzing their substantial body of work from this "generic" framework is the central focus on this book.

http://pixhost.ws/avaxhome/6e/4f/00154f6e_medium.jpeg

The Many Faces of Weimar Cinema: Rediscovering Germany's Filmic Legacy By Christian Rogowski (http://avaxhome.ws/ebooks/Photo_related/1571134298.html)
Publisher: Camden House 2010 | 368 Pages | ISBN: 1571134298 | PDF | 3 MB

Traditionally, Weimar cinema has been equated with the work of a handful of auteurist filmmakers and a limited number of canonical films. Often a single, limited phenomenon, "expressionist film," has been taken as synonymous with the cinema of the entire period. But in recent decades, such reductive assessments have been challenged by developments in film theory and archival research that highlight the tremendous richness and diversity of Weimar cinema. This widening of focus has brought attention to issues such as film as commodity; questions of technology and genre; transnational collaborations and national identity; effects of changes in socioeconomics and gender roles on film spectatorship; and connections between film and other arts and media. Such shifts have been accompanied by archival research that has made a cornucopia of new information available, now augmented by the increased availability of films from the period on DVD. This wealth of new source material calls for a re-evaluation of Weimar cinema that considers the legacies of lesser-known directors and producers, popular genres, experiments of the artistic avant-garde, and nonfiction films, all of which are aspects attended to by the essays in this volume. Contributors: Ofer Ashkenazi, Jaimey Fisher, Veronika Fuechtner, Joseph Garncarz, Barbara Hales, Anjeana Hans, Richard W. McCormick, Nancy P. Nenno, Elizabeth Otto, Mihaela Petrescu, Theodore F. Rippey, Christian Rogowski, Jill Smith, Philipp Stiasny, Chris Wahl, Cynthia Walk, Valerie Weinstein, Joel Westerdale. Christian Rogowski is Professor of German at Amherst College.

Schirmer Encyclopedia of Film Vol 1 - 4 (http://avaxhome.ws/ebooks/Photo_related/0028657918.html)
Publisher: Schirmer Reference | ISBN: 0028657918 | edition 2006 | PDF | 1594 pages | 55,7 mb

Grade 9 Up—Drawing on authoritative, international contributors, information on film is extensively documented in this set, which is intended as a film-studies staple. The alphabetically arranged volumes are titled as follows: "Academy Awards—Crime Films"; "Criticism—Ideology"; "Independent Film—Road Movies"; and "Romantic Comedy—Yugoslavia." Subtopics include countries, history, philosophies, and more, with information on individual movies often spread over several entries. Articles range from as few as 5 pages ("Slapstick comedy") to 17 pages ("Italy"). Contemporary topics, such as "Gay, lesbian and queer cinema," are included along with more-expected entries on "Teen films" and "Cinematography." See-also references guide readers to one or more related topics or subtopics, while further-reading suggestions provided after every entry list academic and popular articles and books. The more than 16,000 index entries, with major topics in bold type, make access straightforward. The text is highlighted with photographs varying in size, color, and clarity, along with brief biographies on related figures. While there is a plethora of good publications on film, such as Ephraim Katz's single-volume The Film Encyclopedia (HarperCollins, 2005) and his The Macmillan International Film Encyclopedia (2001), this set is more comprehensive and current. Public libraries and secondary schools, especially those with a focus on filmmaking, should plan to include it in their collections
($506.00)

http://pixhost.ws/avaxhome/0f/68/0015680f_medium.jpeg

Little White Lies 29 - The Tetro Issue (http://avaxhome.ws/magazines/Little_White_Lies.html)
English | 124 pages | True PDF | 68.54 MB

LWLies is a bi-monthly, independent movie magazine that features cutting edge writing, illustration and photography to get under the skin of cinema.

[La Familia]

Theatre of the Mind: A Christopher Nolan Profile (Part 1) (http://flickeringmyth.blogspot.com/2010/06/theatre-of-mind-christopher-nolan.html)

http://4.bp.blogspot.com/__BqlxfEVGSg/TCdHbHoC4zI/AAAAAAAACjI/p-uFJVrSDfE/s400/christopher-nolan.gif

With his latest offering Inception hitting cinemas this July, Trevor Hogg profiles the career of British filmmaker Christopher Nolan in the first of a three part feature...

Dok cekamo Inception:

Movies... For Free! Following (1998) (http://flickeringmyth.blogspot.com/2010/07/movies-for-free-following-1998.html)

With Inception set to hit cinemas this month we continue our Christopher Nolan theme with his debut feature...

Following, 1998

Written and Directed by Christopher Nolan
Starring Jeremy Theobald, Alex Haw, Lucy Russell and John Nolan

http://3.bp.blogspot.com/__BqlxfEVGSg/TCdR5DzxGvI/AAAAAAAACko/baq-3SCpxC4/s400/following+poster.jpg

Inspired by a burglary at his home and shot on weekends over the space of a year, Christopher Nolan's self-financed feature debut Following is a neo-noir thriller centred on a young writer named Bill (Jeremy Theobald, star of Nolan's earlier short Doodlebug). Following strangers around the streets of London in search of inspiration for his latest novel, Bill is soon confronted by one of his targets, a well-dressed gentleman and professional thief named Cobb (Alex Haw). Fascinated by Cobb, Bill accepts an invitation to join him on a robbery and is quickly led into a dark criminal underworld as his curiosity turns into a voyeuristic obsession.

Shot in black and white on 16mm film-stock, Following adopts a non-linear plot structure which would become a staple of his later work, Nolan serves as writer, cinematographer and co-producer alongside Theobald and future wife and producing partner Emma Thomas. The film also features Lucy Russell and John Nolan (the director's uncle), who would make cameo appearances with Theobald in Nolan's acclaimed 2005 reboot Batman Begins.

http://img52.imageshack.us/img52/2019/36447663.png (http://video.google.com/videoplay?docid=6618880831029867065#)

+

Short Film Showcase - Doodlebug (1997) (http://flickeringmyth.blogspot.com/2010/06/short-film-showcase-doodlebug-1997.html)

With Inception set to hit cinemas in July we're running a number of features on director Christopher Nolan, beginning with this 1997 short...

Doodlebug, 1997

Written and Directed by Christopher Nolan
Starring Jeremy Theobald

The third of three short films made while studying at University College London, the three-minute Doodlebug stars Jeremy Theobald as a man attempting to squash a bug in his apartment but, in the process, could be hurting himself more than he realises. Shot in black and white on 16mm film stock, Doodlebug was produced by Nolan's future wife Emma Thomas, while Theobald would reunite with the director as both producer and star of his debut feature Following (1998) as well as a cameo appearance in Batman Begins (2005).

http://img337.imageshack.us/img337/7757/80125588.png (http://www.dailymotion.com/video/k55k1Uia5hkrfX8B0C)

[La Familia]

http://www.net.hr/2010/07/05/0268007.42.jpg (http://dl.net.hr/pdf/FILMONAUT_no1.pdf)

Besplatno skinite najbolji filmski magazin u regiji (http://www.net.hr/film-glazba/page/2010/07/07/0412006.html?pos=n0)

Novi, drugačiji i nabrijani filmski magazin Filmonaut na stotinjak stranica ugledao je svjetlost dana i dostupan je na stranicama net.hr-a, kao ekskluzivnoj download platformi!

Filmonaut će izlaziti dva puta godišnje, na proljeće i na jesen, a teme kojih se dotiče vezane su uz proces stvaranja filma i sve njegove kotačiće: od scenarija, glumaca, statista, producenta, postprodukcije…

U svom prvom broju obrađuje široku lepezu tema iz svijeta filma: tko su mlade glumačke zvijezde, tko je tko u doku-sceni, kako izgleda studiranje na zagrebačkoj filmskoj akademiji, novi dugometražni animirani film u produkciji izvrsnog Bonobo studija, hrvatske produkcijske tate-mate, sve o projektu međunarodne razmjene mladih filmaša Tko to tamo snima…

Filmonaut je opremljen visokokvalitetnim fotografijama, a tijekom čitavog prvog broja provlače se radovi Maje Jokić čiju izložbu možete pogledati u zagrebačkom kinu Europi do 22. srpnja.

Magazin želi biti i proaktivan, i kao takav pokreće platformu za međunarodnu razmjenu mladih filmaša Tko to tamo snima, čime se njegova ekipa posebno ponosi. Cilje im je ojačati suradnju između zagrebačkih filmaša i ostalih iz regije, a i šire.

Filmonaut radi ekipa iz Blanka_filmskog inkubatora, ista ona koja je već napravila vrlo uspješan donacijski filmski projekt Rentaj anđela.

Urednik: Dario Juričan
Zamjenik urednika: Jura Troje
Dizajn: Luka Sepčić
Grafička obrada: Ana Butković, Matija Andrić
Marketing i promocija: Tamara Čuček
Koordinatorica projekta Tko to tamo snima:
Nerma Mehadžić
Novinari: Igor Jelinović, Tomislav Luetić, Stela
Morović, Hani Domazet, Iva Šimunović,
Magdalena Katić, Toni Skorić, Karmen Farac,
Mario Kozina, Irena Has, Sunčica Fradelić,
Mario Fuš, Mina Đukić, Tina Šmalcelj
Promo video: Toni Skorić
Fotografkinja: Gabrijela Šitum

Nakon mnogo truda i muka, navedena je ekipa konačno došla do cilja, više nego zadovoljna napravljenim.

Na vama je da se udobno smjestite i prelistate jedan drugačiji i potpuno novi filmski magazin Filmonaut.

Skinite Filmonaut magazin u PDF formatu (13 MB) (http://dl.net.hr/pdf/FILMONAUT_no1.pdf)

H/T za 593.

[vihorsthename]

možda od ovog filmunauta i postane nešto, za godinu dvije recimo kad izađu iz pr i prepričavačke faze...

nadam se da su mladi barem.

[La Familia]

Konacno sve u kompletu:

Theatre of the Mind: A Christopher Nolan Profile (Part 1) (http://flickeringmyth.blogspot.com/2010/06/theatre-of-mind-christopher-nolan.html)

http://4.bp.blogspot.com/__BqlxfEVGSg/TCdHbHoC4zI/AAAAAAAACjI/p-uFJVrSDfE/s400/christopher-nolan.gif

Theatre of the Mind: A Christopher Nolan Profile (Part 2) (http://flickeringmyth.blogspot.com/2010/07/theatre-of-mind-christopher-nolan.html)

http://3.bp.blogspot.com/__BqlxfEVGSg/TCdMD0niGSI/AAAAAAAACj4/RH9t75om888/s400/insomnia+christopher+nolan.jpg

Theatre of the Mind: A Christopher Nolan Profile (Part 3) (http://flickeringmyth.blogspot.com/2010/07/theatre-of-mind-christopher-nolan_14.html)

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Sistemom spojenih posuda/neprocjenjivo*:

CHRISTOPHER NOLAN DAY (http://movieman49.blogspot.com/2010/07/christopher-nolan-day.html)

Alright people, this is what you've been waiting for... but you'll have to wait a little longer. I DO NOT have the Inception script yet. When I do, I'll post it. But that doesn't mean we can't pay tribute to one of the greatest directors in Hollywood at this time. What I love about Nolan more than his directing is his writing. I truly feel before he is a director, he's a writer. If you look at his films, they have such a solid script. That's what makes his movies so good. I recently found out that four of his six movies are in IMDB's top 250 films of all time. That is impressive. I can't think of any other director to have that.

A little history on Nolan. He began making movies at the the age of six or so with his father's 8mm camera. HE used his toy action figures as actors. Eventually he progressed to making shorts with real actors. Several of his shorts have been publically recognized. His short Tarantula was shown on PBS in 1989. He studied english literature at University of London. Throughout most of his childhood he traveled back and fourth from London to Chicago. He has dual citizenship and carries around both his passports on him at all times. In 1996 another short of his, Larceny, was shown at the Cambridge Film festival.

His first full length feature film, The Following, was made on a 6K budget. It can be found on Netflix instant Q if you're interested. It has some similarities to Memento his sophomore film. After showing The Following at the chinese film festival he raised almost all the money for Memento which was shot on a budget of 5 Million. And the rest is history. Here is to Christopher Nolan. Thank you for so many great films. Enjoy!

SCRIPTS:
THE FOLLOWING (http://www.mediafire.com/?31j2lw2dmw1) (scanned and in bad condition)
MEMENTO (http://www.mediafire.com/?akwnzzmkjg3)
INSOMNIA (http://www.mediafire.com/?zzwolvvhyumdgql) (director)
BATMAN BEGINS (http://www.mediafire.com/?y125y3yumjz)
THE PRESTIGE (http://www.mediafire.com/?zmyy1kjwftznidt)
THE DARK KNIGHT (http://www.mediafire.com/?mdymoyznkyj)
KEYS TO THE STREET (http://www.mediafire.com/?yqrdmjwynw2znnm) (unproduced)

*EXTRAS:
MEMENTO ANALYSIS (http://www.mediafire.com/?hwo1zjynmi1yhdg)
PRODUCTION NOTES FOR INCEPTION (http://www.mediafire.com/?dkkzjjmnw0zzdty)
THE DARK KNIGHT SCANNED BOOK (http://www.mediafire.com/?smigtcpyyod)
http://www.mediafire.com/?wzyhxk3qywmtndq
THE DARK KNIGHT STRUCTURE REPORT (http://www.mediafire.com/?dnuntrj4rdymizy)

+

Ovo jednostavno morate vidjeti, s jucerasnje premijere Inceptiona:

Hans Zimmer and Johnny Marr Performance (http://www.livestream.com/inceptionpremiere/video?clipId=pla_0297aee6-8513-421b-941f-8dcde00f6250&utm_source=lslibrary&utm_medium=ui-thumb)

http://a.imageshack.us/img692/3179/98931177.png (http://www.livestream.com/inceptionpremiere/video?clipId=pla_0297aee6-8513-421b-941f-8dcde00f6250&utm_source=lslibrary&utm_medium=ui-thumb)

Koji jebeni koncert, ludi Indijac na bubnjevima/Maharadja! :s

[tonchica*]

pozdrav svima,

molila bih da mi netko odgovori (da ne otvaram novu temu..!), di se mogu kupiti originalni DVD-ovi filmova?

moram priznat da nisam vidjela nigdje da se prodaju... sto se tice kupnje preko interneta, nemam karticu za to, znaci treba mi ime ducana ili slicno...

evo npr htjela bi imat ovaj film koji je veceras isao na novoj tv, Thunderheart s Val Kilmerom, pa jel neko zna di se to moze nac original???

ili da mi neko kupi preko interneta pa da mu ja platim pouzecem???

hvala!!!

t.

[vihorsthename]

da skratimo pricu: nabavi karticu. ili paypal racun. a za to ti opet treba kartica. ili neka netko kupi za tebe.

[Ono]

Da skratimo svaku buduću priču: na ovom topicu se ne pišu trivijalne stvari i ne postavljaju pitanja. Za to imate druge topice, chat za filmske entuzijaste na primjer. Možda zvuči malo grubo ili što god, ali ovaj topic doživljavam kao jedan veliki filmski magazin. Iznimno kvalitetan. Nadam se da govorim u ime većine kad kažem da nam ne trebaju 'obični' postovi ovdje :D
Zahvaljujem :)


PS. mod, prebaci :kava:

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://filmscorecatablog.blogspot.com/)
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of
other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.

Da se razumijemo, ovo valja kupiti (s moje strane kupnja je vec obavljena, vecinu toga i kupim/originalna izdanja). BTW, link vodi na blog powered by Google (music to my ears http://www.pic4ever.com/images/47b20s0.gif), da ne bi bilo: nismo znali. :)

http://img293.imageshack.us/img293/6035/inceptiond.jpg (http://filmscorecatablog.blogspot.com/2010/07/inception-hans-zimmer.html)
Inception (http://filmscorecatablog.blogspot.com/2010/07/inception-hans-zimmer.html)
Composed by Hans Zimmer
Year: 2010

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Tek danas otkrih da moj omiljeni...

http://2.bp.blogspot.com/_W_hPHI-p3O8/S_QasROaYiI/AAAAAAAAE4U/mOQCuTGLHCU/S1600-R/playlist-logo.gif (http://theplaylist.blogspot.com/)

... ima i rubriku: Playlist Soundtrack Series (http://theplaylist.blogspot.com/2007/05/soundtrack-series-back-online.html).

Provjerite, ludoodlicne stvari/download:

http://i205.photobucket.com/albums/bb52/The_Playlist/movies/playlist-soundtrack-series.jpg

Volume 1: Sofia Coppola (http://theplaylist.blogspot.com/2007/04/if-i-were-sofia-coppola-playlist.html)
Volumes 2, 3, 4: Jim Jarmusch, Cameron Crowe and Michel Gondry (http://theplaylist.blogspot.com/2007/04/soundtrack-series-volume-2-3-4-jim.html)
Volumes 5 & 6 : David Gordon Green (http://theplaylist.blogspot.com/2007/04/if-i-were-david-gordon-green-soundtrack.html) and Miranda July (http://theplaylist.blogspot.com/2006/12/soundtrack-series-volume-6-miranda-july.html)
Volumes 7 & 8: Noah Baumbach and Quentin Tarantino (http://theplaylist.blogspot.com/2007/04/soundtrack-series-moves-to-interweb.html)
Volume 9: Wes Anderson (http://theplaylist.blogspot.com/2007/09/if-i-were-wes-anderson-soundtrack.html)
Volume 10: Spike Jonze (http://theplaylist.blogspot.com/2008/04/if-i-were-spike-jonze-playlist.html)

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Idemo u skolu!

http://pixhost.ws/avaxhome/2c/15/000d152c_medium.gif (http://avaxhome.ws/video/eLearning/how-to-make-your-movie-an-interactive-film-school-v-20.html)

How to make your movie - An interactive Film School v2.0 (http://avaxhome.ws/video/eLearning/how-to-make-your-movie-an-interactive-film-school-v-20.html)
845 MB |

As you explore our School of Film, all the nooks and crannies contain the most useful secrets of filmmaking. In each classroom, leading film professionals and professors from the world's finest film schools share their knowledge and experience. The filmmaking process is demystified as you follow the step-by-step development of a short film.

The package includes 2 CD-ROMs which start with the fundamentals, then introduce each part of an actual film production (you'll see the finished film as well as the early rough edits). Watch the film develop from concept and research through production and the final cut. Included on the discs is raw digital footage from this project, so you can practice editing with your own software. The 2-disc set is priced at $59.95, and is available now. A free Production Notebook is offered here online to give you hands-on, practical experience to back up the concepts you're learning.

How to Make Your Movie has won eight awards, including the New York Festivals Grand Award for Best of Show. And after screenings at nearly 30 film festivals in 12 countries, it's clear that this program resonates with aspiring filmmakers, film and video professionals, and people who love film.

What's New in Version 2.0
We've upgraded How To Make Your Movie to Version 2.0 for newer Windows and Macintosh systems (it runs on most older systems)

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http://img204.imageshack.us/img204/4905/2dayfilmschool.jpg (http://www.rapidsharegfx.com/tutorials/3d_tutorials/107436-2-day-film-school-44-gb.html)

2 Day FILM SCHOOL | 4.4 GB (http://www.rapidsharegfx.com/tutorials/3d_tutorials/107436-2-day-film-school-44-gb.html)

This is an amazing series on how to make a low budget film. If you want to be a film maker you will want to add this to your collection.

Information presented:

How to direct
How to write a great screenplay
How to buy film
Everything you need to know to make a film is here
Very concise and to the point information

Once you watch the first video you wont want to stop until you
have watched the whole set.

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http://img196.imageshack.us/img196/7266/dvdsmall.jpg (http://www.rapidsharegfx.com/nonrs/nonrs_tutorials/109854-dov-s-s-simens-2-day-film-school.html)

Dov S-S Simens 2-Day Film School (http://www.rapidsharegfx.com/nonrs/nonrs_tutorials/109854-dov-s-s-simens-2-day-film-school.html)

One of the greatest filmmakers of all time, Orson Welles, said, "Everything you need to know about filmmaking can be learned in two to three days." Dov does it in two. From idea to final print, in just two days taking Dov S-S Simens' 2-Day Film School seminar, you will immediately learn and understand how to shoot, produce, direct, finance, market and distribute your film - whether your budget is $5,000, $500,000 or $5,000,000.

Sa sluzbene stranice (http://www.dovsimensfilmschool.com/dvd.html):

Dov S-S Simens' proudly announces the release of his famed 2-Day Film School on DVD. The 2-Day Film School box set contains 16 intensive one-hour Filmmaking Lessons with 4 thick, corresponding Filmmaker Workbooks. Also included are a "Producer's Diploma" and "Graduation Certificate."

You'll cover:

1. Independent Filmmaking
2. Screenwriting
3. Guilds and Unions
4. Pre-Production

5. Directing A to Z
6. Production basics: Shooting your film
7. Post Production: Finishing your film
8. Digital Filmmaking A to Z

9. Budgeting A to Z
10. Publicity and Marketing
11. Cable and Video Sales
12. Foreign Sales & Profits

13. Financing and Dealmaking
14. Distribution
15. Organization: Preparing a Shooting Schedule
16. The Filmmaker's Gameplan: A Roadmap to Success

Not everyone has the time or money to attend Dov's sold-out 2-Day Film School classes in person, but now you can get the entire class on DVD to follow along at your own pace and as time allows. This is an actual class in front of a live audience specifically shot and edited for this very special DVD release. This is a limited edition DVD set, so order now before supplies are gone.

Neprocjenjivo! I jedna zanimljivost, upravo je Oren Peli (http://www.imdb.com/name/nm2305431/) - u nekoliko svojih intervjua - naglasavao kako je rezirati ucio uz pomoc tog Dov S-S Simens seminara. Evo (http://boxofficemojo.com/movies/?id=paranormalactivity.htm) gdje ga je sve to odvelo (s proracunom od 15K$).

[tonchica*]

Da skratimo svaku buduću priču: na ovom topicu se ne pišu trivijalne stvari i ne postavljaju pitanja. Za to imate druge topice, chat za filmske entuzijaste na primjer. Možda zvuči malo grubo ili što god, ali ovaj topic doživljavam kao jedan veliki filmski magazin. Iznimno kvalitetan. Nadam se da govorim u ime većine kad kažem da nam ne trebaju 'obični' postovi ovdje :D
Zahvaljujem :)


PS. mod, prebaci :kava:

prije će bit da govoriš u ime većine masturbatora, a ne ljubitelja filma

postavila sam jednostavno pitanje, koje se ticalo fenomenalnog filma, dakle nije izvan teme, i na to pitanje dobila odgovor (hvala vihorsthename), tako da ne znam čemu sad netko ima onanirat po tome :)

[La Familia]

prije će bit da govoriš u ime većine masturbatora, a ne ljubitelja filma

postavila sam jednostavno pitanje, koje se ticalo fenomenalnog filma, dakle nije izvan teme, i na to pitanje dobila odgovor (hvala vihorsthename), tako da ne znam čemu sad netko ima onanirat po tome :)

No-no, tonchica - ovdje nitko nece onanirati/trolati/korisnike nazivati masturbatorima. :nono:

molila bih da mi netko odgovori (da ne otvaram novu temu..!), di se mogu kupiti originalni DVD-ovi filmova?

moram priznat da nisam vidjela nigdje da se prodaju... sto se tice kupnje preko interneta, nemam karticu za to, znaci treba mi ime ducana ili slicno...

Nema glupih pitanja, svako pitanje je dobrodoslo. Medjutim, za takva pitanja zaista je puno prikladniji chat ovog topica (http://www.forum.hr/showthread.php?t=484053) (gotovo uvijek ga mozes pronaci na prvoj stranici podforuma Film).

Uostalom, kakvo je to pitanje?

http://www.algoritam.hr/?m=7
http://www.profil.hr/index.php?cmd=show_naslovnica&naslovnica_id=3

Nikad cula? :confused: Osim hrvatskih izdanja, u istim ducanima (diljem Hrvatske) mozes pronaci i originalna, strana izdanja. Mozes cak i naruciti filmove koji te zanimaju/platiti ih u gotovini kad stignu.

evo npr htjela bi imat ovaj film koji je veceras isao na novoj tv, Thunderheart s Val Kilmerom, pa jel neko zna di se to moze nac original???

Kao sto rekoh, raspitaj se u Algoritmu/Profilu.

ili da mi neko kupi preko interneta pa da mu ja platim pouzecem???

Thunderheart (1992) (http://www.amazon.com/Thunderheart-Val-Kilmer/dp/0767812182)

Zar ti u obitelji ama bas nitko ne posjeduje kreditnu karticu? Prijatelji, poznanici? Tesko da ce ovdje itko pristati na takve zahtjeve.

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://pixhost.ws/avaxhome/7c/96/0015967c_medium.jpeg (http://avaxhome.ws/ebooks/1860649106.html)

Steve Chibnall - Get Carter: A British Film Guide (http://avaxhome.ws/ebooks/1860649106.html)
Publisher: I. B. Tauris | 2003-07-04 | ISBN: 1860649106 | PDF | 144 pages | 5.70 MB

Mike Hodges’ bleak gangster film was released in 1971 to controversy and mixed reviews. Three decades later in the British Film Institute’s millennial poll, the film was voted one of the 20 best British films of all time. Steve Chibnall’s enjoyable and fresh account relates the film to others in its genre like Point Blank and Dirty Harry, profiles the people involved in its making and presents a fascinating analysis of the film text itself. He completes the story-so-far, looking at the critical reception, and cultural context and the two remakes: the 1972 blaxploitation film Hit Man and the new Stephen T. Kay movie, set in the US.

http://pixhost.ws/avaxhome/07/a3/0015a307_medium.jpeg (http://avaxhome.ws/ebooks/0199570175.html)

Paisley Livingston - Cinema, Philosophy, Bergman: On Film as Philosophy (http://avaxhome.ws/ebooks/0199570175.html)
Publisher: Oxford University Press, USA | 2009-09-28 | ISBN: 0199570175 | PDF | 224 pages | 5.90 MB

The increasingly popular idea that cinematic fictions can "do" philosophy raises some difficult questions. Who is actually doing the philosophizing? Is it the philosophical commentator who reads general arguments or theories into the stories conveyed by a film? Could it be the film-maker, or a group of collaborating film-makers, who raise and try to answer philosophical questions with a film? Is there something about the experience of films that is especially suited to the stimulation of worthwhile philosophical reflections? In the first part of this book, Paisley Livingston surveys positions and arguments surrounding the cinema's philosophical value. He raises criticisms of bold theses in this area and defends a moderate view of film's possible contributions to philosophy. In the second part of the book he defends an intentionalist approach that focuses on the film-makers' philosophical background assumptions, sources, and aims.

Livingston outlines intentionalist interpretative principles as well as an account of authorship in cinema. The third part of the book exemplifies this intentionalist approach with reference to the work of Ingmar Bergman. Livingston explores the connection between Bergman's work and the Swedish director's primary philosophical source-a treatise in philosophical psychology authored by the Finnish philosopher, Eino Kaila. Bergman proclaimed that reading this book was a tremendous philosophical experience for him and that he "built on this ground." With reference to materials in the newly created Ingmar Bergman archive, Livingston shows how Bergman took up Kaila's topics in his cinematic explorations of motivated irrationality, inauthenticity, and the problem of self-knowledge.

Friski Ebertov twitt (http://twitter.com/ebertchicago/status/18859330967):

Hunter S. Thompson's birthday. "When the going gets weird, the weird turn pro." http://j.mp/aP8QBp

Najdrazi moj doktore (gdje god bio), sretan ti rodjendan!

Gonzo: The Life and Work of Dr. Hunter S. Thompson 2008 (http://stagevu.com/video/dlrdnutmlwwx):

http://img685.imageshack.us/img685/9486/29458904.png (http://stagevu.com/video/dlrdnutmlwwx)

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Ovo je ludnica:

http://3.bp.blogspot.com/_bHSVCs9rX0A/TDT2mOM4g-I/AAAAAAAAJnY/-PyfjIh-OL0/s400/ALTMAN+FILM.jpg

Seeing as that we seem to have Robert Altman on the brain around here this week, here’s a link to a terrific Tumbler site that should appeal to the would-be Altman archive diver in us all. It’s called Fuck Yeah Robert Altman (thanks so very much, Mssrs. Parker and Stone), and it’s loaded with goodies. My favorite so far? A headline that reads: “Boston Globe Doesn’t Mind Quintet,” a link to one of the few middling reviews of that much-lambasted 1979 Altman release. And there’s also a ton of great pictures (like the ones seen above) and links to the latest news, including this tidbit fresh off the presses about the upcoming Warners DVD release of Brewster McCloud. This new issue is a real dream come true for us Altman-heads who still love our MGM laserdisc but have long anticipated a clean anamorphic transfer, all the better to appreciate Sally Kellerman’s clipped wings, the popped contact lens revealing Michael Murphy’s true colors, the texture of the various stages of Rene Auberjonois’ feature-length transformation, and all the other joys of this weird and wonderful movie (which was Shelley Duvall’s movie debut, on top of everything else).

Click and enjoy, and remember… um, damn, I forgot the closing line…

Kliknite!

Fuck Yeah Robert Altman (http://fuckyeahrobertaltman.tumblr.com/)

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Ponesto dobrih OST-ova/download pod striktnim disclaimerom s pocetka upisa:

Welcome to the Film Score Catablog (http://filmscorecatablog.blogspot.com/2010/06/welcome-to-film-score-catablog.html)!

http://2.bp.blogspot.com/_gWjeO2HPw4M/TCDEWi_ZhZI/AAAAAAAAAH8/lT8MAshjY_U/s400/filmscorecatablog.jpg

Objective:

In the Film Score Catablog (FSC) we aim just one simple thing: make available to our readers every film score that exists.

Policy:

Here, you'll find donwload links to every score on the Catablog.

However, we assume that we share one aspect with our readers: the love for film scores. That's why we do not defend piracy.
We defend the ones who create the wonderful music that we all love.
That's why we ask you to use this site just to find out if a score is good and/or if you like it. If so, you should delete the file and buy the score.

It's the only way to support the wonderful artists in the film music industry.

We just want you to enjoy every score available in FSC and have fun listening to it.

"The Village" - James Newton-Howard (http://filmscorecatablog.blogspot.com/2010/07/village-james-newton-howard.html)
"The Curious Case of Benjamin Button" - Alexandre Desplat (http://filmscorecatablog.blogspot.com/2010/07/curious-case-of-benjamin-button.html)
"Up!" - Michael Giacchino (http://filmscorecatablog.blogspot.com/2010/07/up-michael-giacchino.html)
"Music From The Films Of James Cameron" - Various Artists (http://filmscorecatablog.blogspot.com/2010/06/music-from-films-of-james-cameron.html)
"The Omen" - Jerry Goldsmith (http://filmscorecatablog.blogspot.com/2010/06/omen-jerry-goldsmith.html)
"Crash" - Howard Shore (http://filmscorecatablog.blogspot.com/2010/06/crash-howard-shore.html)
"Bram Stoker's Dracula" - Wojciech Kilar (http://filmscorecatablog.blogspot.com/2010/06/bram-stokers-dracula-wojciech-kilar.html)
"Avatar" - James Horner (http://filmscorecatablog.blogspot.com/2010/06/avatar-composed-by-james-horner-year.html)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Za popizdit dobra knjiga:

http://pixhost.ws/avaxhome/b3/d2/0015d2b3_medium.jpeg (http://avaxhome.ws/ebooks/Photo_related/Hitchcock_Revised_Edition.html)

Hitchcock (Revised Edition) By Helen G. Scott, Francois Truffaut (http://avaxhome.ws/ebooks/Photo_related/Hitchcock_Revised_Edition.html)
Publisher: Simon & Schuster; Revised edition (October 2, 1985) | ISBN-10: 0671604295 | 367 pages | PDF | 60 MB

Any book-length interview with Alfred Hitchcock is valuable, but considering that this volume's interlocutor is François Truffaut, the conversation is remarkable indeed. Here is a rare opportunity to eavesdrop on two cinematic masters from very different backgrounds as they cover each of Hitch's films in succession. Though this book was initially published in 1967 when Hitchcock was still active, Truffaut later prepared a revised edition that covered the final stages of his career. It's difficult to think of a more informative or entertaining introduction to Hitchcock's art, interests, and peculiar sense of humor.

Nije ni ova daleko od toga:

http://pixhost.ws/avaxhome/6b/bc/0015bc6b_medium.jpeg (http://avaxhome.ws/ebooks/0691010463.html)

Stephen Prince - The Warrior's Camera (http://avaxhome.ws/ebooks/0691010463.html)
Publisher: Princeton University Press | 1999-10-25 | ISBN: 0691010463 | PDF | 432 pages | 53.64 MB

The Japanese film director Akira Kurosawa, who died at the age of 88, has been internationally acclaimed as a giant of world cinema. Rashomon, which won both the Venice Film Festival's grand prize and an Academy Award for best foreign-language film, helped ignite Western interest in the Japanese cinema. Seven Samurai and Yojimbo remain enormously popular both in Japan and abroad. In this newly revised and expanded edition of his study of Kurosawa's films, Stephen Prince provides two new chapters that examine Kurosawa's remaining films, placing him in the context of cinema history. Prince also discusses how Kurosawa furnished a template for some well-known Hollywood directors, including Martin Scorsese, Steven Spielberg, and George Lucas.

Svi vi koji nesto ceprkate po scenaristici, slusaj vamo: pretpostavljam da se sjecate one (meni jedne od najdrazih) THE scene iz Adaptacije Spikea Jonzea i Charliea Kaufmana. Gasimo svjetla i spustamo zastore na trenutak (ispod imate i titlove na eng., u slucaju da ste gluhi ili nagluhi):

http://img811.imageshack.us/img811/9365/75439721.png (http://www.youtube.com/watch?v=JHVqxD8PNq8)

:cerek:

Robert Mckee nije se slucajno nasao u tom sjajnom filmu, sada vam se pruza jedinstvena prilika slusati ga jos malo (vjerujte mi, isplati se):

http://pixhost.ws/avaxhome/3e/e1/0015e13e_medium.jpeg (http://avaxhome.ws/ebooks/audiobook/1433918.html)

Story CD: Style, Structure, Substance, and the Principles of Screenwriting by Robert Mckee (http://avaxhome.ws/ebooks/audiobook/1433918.html)
Publisher: ReganBooks (January 3, 2006) | ISBN: 0060856181 | Language English | Audio CD in MP3/160 kbps | 448 MB

Writing for the screen is quirky business. A writer must labor meticulously over his or her prose, yet very little of that prose is ever heard by filmgoers. The few words that do reach the audience, in the form of the characters' dialogue, are, according to Robert McKee, best left to last in the writing process. ("As Alfred Hitchcock once remarked, 'When the screenplay has been written and the dialogue has been added, we're ready to shoot.' ") In Story, McKee puts into book form what he has been teaching screenwriters for years in his seminar on story structure, which is considered by many to be a prerequisite to the film biz. (The long list of film and television projects that McKee's students have written, directed, or produced includes Air Force One, The Deer Hunter, E.R., A Fish Called Wanda, Forrest Gump, NYPD Blue, and Sleepless in Seattle.) Legions of writers flock to Hollywood in search of easy money, calculating the best way to get rich quick. This book is not for them.

McKee is passionate about the art of screenwriting. "No one needs yet another recipe book on how to reheat Hollywood leftovers," he writes. "We need a rediscovery of the underlying tenets of our art, the guiding principles that liberate talent." Story is a true path to just such a rediscovery. In it, McKee offers so much sound advice, drawing from sources as wide ranging as Aristotle and Casablanca, Stanislavski and Chinatown, that it is impossible not to come away feeling immeasurably better equipped to write a screenplay and infinitely more inspired to write a brilliant one.--Jane Steinberg --This text refers to the Hardcover edition.

Review:

"... stimulating, innovative, refreshingly practical." -- -- Lawrence Kasdan, Director

"...the best guide on writing you can find." -- Laurence Chollet, The Record, Northern New Jersey

"In difficult periods of writing, I often turn to Robert McKee's wonderful book for guidance" -- -- Dominick Dunne, Novelist

"McKee is the Stanislavski of writing." -- -- Dennis Dugan, Writer, NYPD Blue

"[Story is]an excellent instruction manual on the craft of storytelling." -- Austin American-Statesman

"to the people who write, direct and produce for Hollywood - or desperately wish they did - Bob McKee is a cross between E. F. Hutton and Sun Myung Moon. The man speaks, and people start to take furious notes - he is now the undisputed screenwriting king... for the legendary screenwriting boot camp that he runs. Thirty-thousand aspiring screenwriters have already taken McKee's 30-hour, three-day course..." -- Newsday --This text refers to the Hardcover edition.

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Ludi kuhar ChiefDundee (http://chiefdundee.blogspot.com/) spremio nam je jednu sasvim posebnu deliciju (i to u FLAC (http://en.wikipedia.org/wiki/Free_Lossless_Audio_Codec) umaku od fino zaprzenih snova).

Bon Appetit.

INCEPTION Suite - Hans Zimmer (FLAC) (http://chiefdundee.blogspot.com/2010/07/inception-suite-hans-zimmer.html)

http://4.bp.blogspot.com/_URIAyVxY7ZI/TEr85KoTPQI/AAAAAAAADYk/08dgDZnVlzE/s400/Inception.bmp (http://chiefdundee.blogspot.com/2010/07/inception-suite-hans-zimmer.html)

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Pogledao Šumu summarum u Puli. 124 minute cistog uzitka, nikad se nisam osjecao tako dobro, ludo i poremeceno (u najpozitivnijem smislu tih rijeci) gledajuci neki hrvatski film.

Politički i društveno najznačajniji naslov domaćeg filma (http://www.tportal.hr/kultura/kulturist/78350/suma-summarum-i-Predstava.html)

http://www.kinorama.hr/img.php?id=165&type=view&w=440&h=325

Od svih debitanata na ovogodišnjem Festivalu, ipak se s najvećom pozornošću očekivao film Ivana Gorana Viteza. Taj kontroverzni i politički i socijalno svjesni autor u svojoj je kratkometražnoj kinematografiji te televizijskim serijama 'Bitange i princeze' i 'Zakon!' iskazivao anarhoidni smisao za humor, političku nekorektnost, ali i društvenu kritičnost te nerijetku fascinaciju poetikom 'trasha' i 'campa'. U 'Šumi summarum' nije iznevjerio očekivanja.

Riječ je o filmu koji šira publika vjerojatno neće voljeti, ali će si svakako priskrbiti određeni krug obožavatelja, a hrvatskoj kinematografiji pomalo ogrezloj o sličnu autorsku žanrovsku poetiku osigurati dodatno provjetravanje.

'Šuma summarum' iznimno je slojevit film, i to na način srpskoga hita 'Život i smrt porno bande'. Žanrovski i metažanrovski obrasci, češanje o 'camp' i 'trash' Vitezu trebaju kako bi nam pametno podvalio jedan od politički i društveno najznačajnijih domaćih naslova u posljednjih nekoliko godina.

Skupina djelatnika hrvatske reklamne agencije, prevođena novim nizozemskim vlasnikom, odlazi na 'team building' vikend, a stvari kreću po zlu, ne slučajnim nizom bizarnosti, nego iskazivanjem prave prirode pojedinaca i njihovih međusobnih odnosa. A onda Vitez u svoj iznimni 'čušpajz' trpa sljedeće sastojke: sat prirode i društva, bahate Europljane koji će nas dovesti u red puštajući nas da se pobijemo, smrt je dodatak otpremnini zbog otkaza, militantni feminizam, pornografiju, pedofiliju, latentni homoseksualizam… Vitezova šuma tako postaje hrvatsko lice i naličje, Zapad stvara okvire za uskrsnuće balkanskih zloduha. Zvuči vam poznato?! Tko preživi, pričat će, a preživljavanje bi bilo olakšano da je Vitez malo skratio film izbacivanjem pokoje nepotrebne epizode.

Cak je i Curica priznala:

Vitezu treba priznati: film mu je sasvim drukčiji i ne sliči na ništa viđeno kod nas.

Vitezu treba priznati jos nesto: autorstvo. IMHO, u hrvatskoj kinematografiji trenutno ne postoji redatelj koji se tako dobro snalazi u pisanju scenarija (svojih filmova) i reziranju istih. Ta screenplay and directed by sinergija kod Viteza funkcionira savrseno. A ovo mu je tek prvi film.

INTERVJU: IVAN GORAN VITEZ
Radili smo kao konji, ali teambuilding je uspio (http://www.tportal.hr/kultura/kulturist/78439/Radili-smo-k-o-konji-ali-teambuilding-je-uspio.html)

http://img130.imageshack.us/img130/4837/60316239.png (http://www.tportal.hr/kultura/kulturist/78439/Radili-smo-k-o-konji-ali-teambuilding-je-uspio.html)

[La Familia]

http://img828.imageshack.us/img828/1331/30703756.png (http://www.nolanfans.com/screenplays/)

Jos samo malo. :D

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We Read It: Details On Terrence Malick's Long-Awaited 'The Tree Of Life' (http://theplaylist.blogspot.com/2010/07/we-read-it-details-on-terrence-malicks.html)

http://i205.photobucket.com/albums/bb52/The_Playlist/more/2009/tree-of-life-jessica-chastain.jpg (http://theplaylist.blogspot.com/2010/07/we-read-it-details-on-terrence-malicks.html)

http://www.pic4ever.com/images/bliss.gif

[La Familia]

Follow LaFamiliaFilm on Twitter (https://twitter.com/LaFamiliaFilm).

Pozivam i ostale forumase (korisnike teme pogotovo) da mi se pridruze, Twitter je neiscrpna linkoludnica na fantasticne stvari razbacane bespucima interneta.

Ludjaci koje trenutno pratim:

scriptcollector (https://twitter.com/scriptcollector)
movieman49 (https://twitter.com/movieman49)
Scriptshadow (https://twitter.com/Scriptshadow)
FilmmakerIQ (https://twitter.com/FilmmakerIQ)
JasonReitman (https://twitter.com/JasonReitman)
mypdfscripts (https://twitter.com/mypdfscripts)
StevenEdeSouza (https://twitter.com/StevenEdeSouza)
MMonFilm (https://twitter.com/MMonFilm)
filmstudiesff (https://twitter.com/filmstudiesff)
LATherocomplex (https://twitter.com/LATherocomplex)
GoIntoTheStory (https://twitter.com/GoIntoTheStory)
ebertchicago (https://twitter.com/ebertchicago)
DAVID_LYNCH (https://twitter.com/DAVID_LYNCH)
ConanOBrien (https://twitter.com/ConanOBrien)
[/URL]The_Pixar_Blog (https://twitter.com/DisneyPixar)
DisneyPixar (https://twitter.com/DisneyPixar)
johnaugust (https://twitter.com/johnaugust)
MakingOf (https://twitter.com/MakingOf)
JohnCleese (https://twitter.com/JohnCleese)
ScriptPhD (https://twitter.com/ScriptPhD)
AVARY (https://twitter.com/AVARY)
jeeemerson (https://twitter.com/jeeemerson)
William Gibson (https://twitter.com/GreatDismal)
FilmmakerMag (https://twitter.com/FilmmakerMag)

Tako malo vremena, tako puno ljudjaka. :)

Dobrodosli!

p.s.

Twitt (https://twitter.com/Scriptshadow/status/19691751476):

For the love of all that is Holy, stop the Inception requests! [url]http://scriptshadow.blogspot.com/2010/07/i-dont-have-inception.html

:rofl:

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://wetab.mobi/files/wetab_rt_4.png

http://wetab.mobi/sites/all/themes/wetab/wetab-logo.png

WeTAB (http://wetab.mobi/en) samo sto mi nije stigao, neka veselje i sluzbeno zapocne s novim otkricem/naramkom sjajnih filmskih knjiga:

http://img72.imageshack.us/img72/457/fb2fec4486aa3836221a2be.gif

The EDCF Guide to Digital Cinema Production by Lars Svanberg (http://www.gfxworld.ws/index.php?/news/comments/the_edcf_guide_to_digital_cinema_production_by_lar s_svanberg/)
Publisher: Focal Press | Number Of Pages: 192 | Publication Date: 2004-09-07 | ISBN-10: 0240806638 | PDF | 2 Mb

Steadicam: Techniques and aesthetics by Serena Ferrara (http://www.gfxworld.ws/index.php?/news/comments/steadicam_techniques_and_aesthetics/)
Publisher: Focal Press | Number Of Pages: 182 | Publication Date: 2000-11 | ISBN-10: 0240516079 | PDF | 2 Mb

http://gfxworld.ws/images/uploads/f39cfc1e5b052a93f71a8d291e08adc1.jpg

The Five C's of Cinematography: Motion Picture Filming Techniques by Joseph V. Mascelli (http://www.gfxworld.ws/index.php?/news/comments/the_five_cs_of_cinematography_motion_picture_filmi ng_techniques/)
Publisher: Silman-James Press | Number Of Pages: 251 | Publication Date: 1998-06 | ISBN: 187950541X | PDF | 60 Mb

Jay McRoy, "Nightmare Japan: Contemporary Japanese Horror Cinema" (http://www.gfxworld.ws/index.php?/news/comments/nightmare_japan_contemporary_japanese_horror_cinem a/)
Rodopi | ISBN: 9042023317 | 2007-11-19 | 232 pages | PDF | 4 MB

Tutorials by Academy of Motion Picture Arts and Sciences (http://www.gfxworld.ws/index.php?/news/comments/tutorials_by_academy_of_motion_picture_arts_and_sc iences/)

Film Directing Fundamentals, Third Edition: See Your Film Before Shooting by Nicholas Proferes (http://www.gfxworld.ws/index.php?/news/comments/film_directing_fundamentals_third_edition_see_your _film_before_shooting_by_/)
Publisher: Focal Press; 3 edition (July 11, 2008) | ISBN-10: 0240809408 | PDF | 10 Mb | 336 pages

Philip Gillett, "Movie Greats: A Critical Study of Classic Cinema" (http://www.gfxworld.ws/index.php?/news/comments/movie_greats_a_critical_study_of_classic_cinema/)
Berg Publishers | ISBN: 1845206525 | October 28, 2008 | 256 pages | PDF | ~1 MB

Steve Chibnall, "British Horror Cinema" (http://www.gfxworld.ws/index.php?/news/comments/british_horror_cinema/)
Routledge | ISBN: 0415230039 | 2001-12-14 | 256 pages | PDF | 2.2 MB

Nuts and Bolts Filmmaking: Practical Techniques for the Guerilla Filmmaker by Dan Rahmel (http://www.gfxworld.ws/index.php?/news/comments/nuts_and_bolts_filmmaking_practical_techniques_for _the_guerilla_filmmaker/)
Publisher: Focal Press | Number Of Pages: 360 | Publication Date: 2004-03-30 | ISBN-10: 0240805461 | PDF | 14 Mb

Anatomy of a Guerrilla Film: The Making of RADIUS by Helmut Kobler (http://www.gfxworld.ws/index.php?/news/comments/anatomy_of_a_guerrilla_film_the_making_of_radius/)
Publisher: Course Technology PTR | Number Of Pages: 391 | Publication Date: 2005-06-09 | ISBN-10: 1592009107 | PDF | 6 Mb

http://gfxworld.ws/images/uploads/d5d2ad01d0842ca8c313f2f53e7e96cf.jpg

Encyclopedia of Movie Special Effects, 2001-08, [Film History 1939 - 1998] (http://www.gfxworld.ws/index.php?/news/comments/encyclopedia_of_movie_special_effects_2001_08/)

Encyclopedia 2 Of Movie Special Effects | 35 Mb (http://www.gfxworld.ws/index.php?/news/comments/encyclopedia_of_movie_special_effects/)

How Not to Make a Short Film: Secrets from a Sundance Programmer by Roberta Marie Munroe (http://www.gfxworld.ws/index.php?/news/comments/how_not_to_make_a_short_film_secrets_from_a_sundan ce_programmer/)
Publisher: Hyperion | Number Of Pages: 288 | Publication Date: 2009-01-20 | ISBN-10: 1401309542 | PDF | 1 Mb

http://gfxworld.ws/images/uploads/ebb8a43e2ad58050ba47ee3011898d6a.jpg

William Baer, "Classic American Films: Conversations with the Screenwriters" (http://www.gfxworld.ws/index.php?/news/comments/classic_american_films_conversations_with_the_scre enwriters/)
Praeger Publishers | ISBN-10: 0313348987 | November 30, 2007 | 296 pages | PDF | 1.5MB

Mark Sawicki, "Filming the Fantastic: A Guide to Visual Effects Cinematography" (http://www.gfxworld.ws/index.php?/news/comments/filming_the_fantastic_a_guide_to_visual_effects_ci nematography/)
Focal Press | ISBN-10: 0240809157 | June 1, 2007 | 312 pages | PDF | 35.3MB

30 Dollar Film School (http://www.gfxworld.ws/index.php?/news/comments/30_dollar_film_school/)

http://gfxworld.ws/images/uploads/03c4dbf41d2071bebcc33fbaddf365e5.jpg

Geoff Mayer, Brian McDonnell “Encyclopedia of Film Noir" (http://www.gfxworld.ws/index.php?/news/comments/encyclopedia_of_film_noir/)
Greenwood Press | 2007-06-30 | ISBN: 0313333068 | 496 pages | PDF | 3.3MB

Single-Camera Video Production, Fourth Edition (Media Manuals) by Robert B. Musburger (Author) (http://www.gfxworld.ws/index.php?/news/comments/single_camera_video_production_fourth_edition/)
Publisher: Focal Press; 4 edition (March 2, 2005) | ISBN-10: 0240807065 | PDF | 2,1 Mb | 232 pages

Rocco Simonelli, Roy Frumkes, "Shoot Me: Independent Filmmaking from Creative Concept to Rousing Release" (http://www.gfxworld.ws/index.php?/news/comments/shoot_me_independent_filmmaking_from_creative_conc ept_to_rousing_release/)
Allworth Press | ISBN 1581152477 | November 1, 2002 | 240 Pages | PDF | 7.8MB

Tom Mes, Jasper Sharp, "The Midnight Eye Guide to New Japanese Film" (http://www.gfxworld.ws/index.php?/news/comments/the_midnight_eye_guide_to_new_japanese_film/)
Stone Bridge Press | ISBN: / 1880656892 | October 1, 2004 | 376 pages | PDF | 114.6 MB

Blain Brown, Cinematography: Theory and Practice: Image Making for Cinematographers, Directors, and Videographers (http://www.gfxworld.ws/index.php?/news/comments/blain_brown_cinematography_theory_and_practice_ima ge_making_for_cinematogra/)
Focal Press | 2002 | ISBN: 0240805003 | 303 pages | PDF | 59 Mb

Elliot Grove, "Raindance Producers' Lab Lo-To-No Budget Filmmaking" (http://www.gfxworld.ws/index.php?/news/comments/raindance_producers_lab_lo_to_no_budget_filmmaking/)
Focal Press | ISBN 0240516990 | August 10, 2004 | 416 Pages | PDF | 6.1 MB

THE knjiga:

http://gfxworld.ws/images/uploads/42a01191c4715488525dd19d1663dd35.jpg

Richard Aloysius Blake, "Street Smart: The New York Of Lumet, Allen, Scorsese, And Lee" (http://www.gfxworld.ws/index.php?/news/comments/street_smart_the_new_york_of_lumet_allen_scorsese_ and_lee/)
University Press of Kentucky | ISBN 0813123577 | September 30, 2005 | 335 Pages | PDF | 2MB

Steven Dillon, "The Solaris Effect: Art and Artifice in Contemporary American Film" (http://www.gfxworld.ws/index.php?/news/comments/the_solaris_effect_art_and_artifice_in_contemporar y_american_film/)
University of Texas Press | ISBN 0292713444 | November 1, 2006 | PDF | 280 Pages | 1.6MB

Drew Campbell, "Technical Film and TV for Nontechnical People"
Allworth Press | ISBN 1581152299 | June 1, 2002 | 256 Pages | PDF | 5.2MB (http://www.gfxworld.ws/index.php?/news/comments/technical_film_and_tv_for_nontechnical_people/)

http://gfxworld.ws/images/uploads/9c8d53b18be71f6e610024c5374b6213.jpg

Eve Light Honthaner, "The Complete Film Production Handbook, Fourth Edition" (http://www.gfxworld.ws/index.php?/news/comments/eve_light_honthaner_the_complete_film_production_h andbook_fourth_edition/)
Focal Press | 2010 | ISBN: 024081150X | 544 pages | PDF | 10,6 MB

Ima ih jos 100-njak:

Category: Ebooks Film, Filmmaking (http://www.gfxworld.ws/index.php?/list/category/film_filmmaking/)

[La Familia]

Sjajan, uistinu sjajan blog (http://vanchaaa.blogspot.com/search/label/cinema) nase drage vanchaaae (http://www.forum.hr/member.php?u=248782):

http://img213.imageshack.us/img213/4500/vanchaaabanner.jpg (http://vanchaaa.blogspot.com/search/label/cinema)

A ovako je bas nekako i zamisljam (:D):

http://img689.imageshack.us/img689/6472/rsztaa.jpg (http://vanchaaa.blogspot.com/2010/05/movies-im-in-love-with-1-lost-in.html)

Movies I'm in Love With #1 / Lost in Translation (http://vanchaaa.blogspot.com/2010/05/movies-im-in-love-with-1-lost-in.html)

Ovim me kupila, prodano:

20 Greatest Movies About Artists (http://vanchaaa.blogspot.com/2010/02/20-greatest-movies-about-artists.html)

Bright Star (http://vanchaaa.blogspot.com/2010/02/bright-star.html)

Hocemo jos!

http://www.pic4ever.com/images/bliss.gif

[La Familia]

http://www.thebigpicturemagazine.com/templates/bigpic/images/bigpic/hdr_spot.gif

http://img576.imageshack.us/img576/444/issue9download.jpg (http://www.thebigpicturemagazine.com/index.php?option=com_content&view=section&layout=blog&id=9&Itemid=57)

Free Downloads

Issue 1 (http://www.thebigpicturemagazine.com/images/stories/downloads/issue1.pdf) March 2009
Issue 2 (http://www.thebigpicturemagazine.com/images/stories/downloads/Issue2.pdf) May 2009
Issue 3 (http://www.thebigpicturemagazine.com/images/stories/downloads/Issue3.pdf) July 2009
Issue 4 (http://www.intellectbooks.co.uk//MediaManager/File/BigPicture4.pdf) Sept. 2009
Issue 5 (http://www.intellectbooks.co.uk//MediaManager/File/Bigpicissue5(lo-res).pdf) Nov. 2009
Issue 6 (http://www.intellectbooks.co.uk//MediaManager/File/Big_Picture_6.pdf) Jan. 2010
Issue 7 (http://www.intellectbooks.co.uk/MediaManager/File/Big_Picture_7.pdf) March 2010
Issue 8 (http://www.intellectbooks.co.uk//MediaManager/File/Big_Picture_8.pdf) May 2010
Issue 9 (http://www.intellectbooks.co.uk/MediaManager/File/Big_Picture_9.pdf) Now

[La Familia]

http://img833.imageshack.us/img833/5233/filmakeriq.png (http://filmmakeriq.com/)


The Cinematographer as Artist, Expert, Collaborator (http://filmmakeriq.com/2010/07/the-cinematographer-as-artist-expert-collaborator/)

Three-time Oscar nominee Wally Pfister, ASC (“Dark Knight,” “The Prestige,” “The Italian Job”) discusses the art, craft and realities of storytelling from behind the camera and beyond. While cinematographers are called upon to create compelling images for motion pictures, television, commercials and now even more, they are also required to be adept and fluent in the the tools, technologies and pragmatic processes that are a part of the creative process. This is a rare opportunity to hear one of the industry’s most renowned cinematographers discuss his collaborations, talk about why he made (or didn’t make) certain choices for artistic reasons, and how the tools of his craft have evolved. Moderated by: Peter Caranicas, Managing Editor, Variety.

FilmFellas Cast 6: The DP Edition – Living Your Passion (http://filmmakeriq.com/2010/07/filmfellas-cast-6-the-dp-edition-living-your-passion/)

FilmFellas Cast 6: “The DP Edition” features an eclectic mix of cinematographers from all spectrums of the independent film scene: Robert Primes, ASC (Thirty Something), Trent Opaloch (District 9), Philip Bloom (If I were Prime Minister) and first time host Jens Bogehegn, Cinematographer/Producer of FilmFellas/critics.

Jack Nicholson on One Flew Over The Cuckoo’s Nest (http://filmmakeriq.com/2010/07/jack-nicholson-on-one-flew-over-the-cuckoos-nest/)

Jack Nicholson reflects on his experiences making ONE FLEW OVER THE CUCKOO’S NEST at AFI’s NIGHT AT THE MOVIES in 2007.

McGuffin by Hitchcock (http://filmmakeriq.com/2010/07/mcguffin-by-hitchcock/)

http://img834.imageshack.us/img834/3320/76369563.png (http://filmmakeriq.com/2010/07/mcguffin-by-hitchcock/)

This is a video by Isaac Niemand on Vimeo where he animates Alfred Hitchcock in a MacGuffin.

Artifice and Truth with Martin Scorsese (http://filmmakeriq.com/2010/07/artifice-and-truth-with-martin-scorsese/)

Scorsese talks about his use of classic Hollywood studio techniques — mostly in “New York, New York,” but his love of movie artifice extends through “Shutter Island.”

[La Familia]

http://i44.tinypic.com/358nzpu.jpg

Scott Myers (http://www.gointothestory.com/) kaže:

What is "40 Days of Screenplays"?

It's simple. Members of the GITS community, myself included, are going to read, analyze, and comment on 40 scripts in 40 days, one great screenplay from a notable movie per day.

Why?

Here is my most basic mantra about learning the craft of screenwriting:

Read scripts.
Watch movies.
Write pages.

Those are the three single most important things you can do to learn how to write screenplays. And right there at the top is "read scripts."

Update: "40 Days of Screenplays (http://www.gointothestory.com/2010/07/update-40-days-of-screenplays_31.html)"

---

http://img62.imageshack.us/img62/4096/87074700.png (http://scriptshadow.blogspot.com/)

UNCONVENTIONAL WEEK - The Shawshank Redemption (http://scriptshadow.blogspot.com/2010/06/unco.html)
UNCONVENTIONAL WEEK - American Beauty (http://scriptshadow.blogspot.com/2010/07/unconventional-week-american-beauty.html)
UNCONVENTIONAL WEEK - Forrest Gump (http://scriptshadow.blogspot.com/2010/06/unconventional-week-forrest-gump.html)
Uncoventional Week - Star Wars (http://scriptshadow.blogspot.com/2010/06/uncoventional-week-star-wars.html)

Read scripts.
Watch movies.
Write pages.

:mig:

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet (http://kobunagaplace.blogspot.com/).
La Familia/Forum.hr is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content
of other linked sites. If you have any legal issues please contact appropriate media file owners/hosters.

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Svemocni Google (pogotovo njihov servis Blogspot) ne prestaje odusevljavati:

CATEGORIES:

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Thai (http://kobunagaplace.blogspot.com/search/label/Thai) (35)

I jedna 'Megaupload' caka, sve legalno: za demonstraciju iste posluzit ce scenarij The Shawshank Redemptiona. Download link scenarija: http://www.megaupload.com/?d=VFJ5EX6Z

Enter this...

Please wait... 45 seconds

Da se radi o vecoj kolicini podataka, moglo bi komotno i pisati: Skuhaj kavu, zavrsi rucak, operi sudje, pokupi klince iz vrtica, u medjuvremenu za svaku datoteku ponavljaj isti postupak, izludi od zivaca i umlati prvog susjeda... Nema potrebe.

mgr_dl.php

Samo kopipejstirati ispred upitnika Megaupload linka, link na taj scenarij Shawshanka sada izgleda ovako: http://www.megaupload.com/mgr_dl.php?d=VFJ5EX6Z

S jednom bitnom razlikom: bez unasanja bilo cega, bez cekanja na pocetak downloada, bez ogranicenja brzine skidanja... A i susjedu ne fali ni dlaka s glave. :zubo:

[La Familia]

http://ats.vimeo.com/561/710/56171020_200.jpg (http://vimeo.com/10627707)
Chinatown: Frames & Lenses, Doors & Windows (http://vimeo.com/10627707)

http://ats.vimeo.com/519/280/51928075_200.jpg (http://vimeo.com/10108031)
What is cinematography? Part 1 (http://vimeo.com/10108031)

http://ats.vimeo.com/526/851/52685144_200.jpg (http://vimeo.com/10198788)
What is cinematography? Part 2 (http://vimeo.com/10198788)

+

http://www.movingimagesource.us/images/articles/mystic-2-20091130-153000-medium.jpg
Kingdom of the Blind Pt 1 (http://www.movingimagesource.us/articles/kingdom-of-the-blind-pt-1-20091201)
Revenge missions in the films of Clint Eastwood
by Matt Zoller Seitz posted December 1, 2009
Kingdom of the Blind Pt 2 (http://www.movingimagesource.us/articles/kingdom-of-the-blind-pt-2-20091203)

REPLAY:

http://www.movingimagesource.us/images/articles/heat3_2-20090626-153356-medium.jpg
Zen Pulp, Pt 1 (http://www.movingimagesource.us/articles/zen-pulp-pt-1-20090701)

This is the first in a five-part series of video essays on Michael Mann, whose new film, Public Enemies, opens July 1. Part 2 can be viewed here (http://www.movingimagesource.us/articles/zen-pulp-pt-2-20090703); part 3 can be viewed here (http://www.movingimagesource.us/articles/zen-pulp-pt-3-20090709); part 4 can be viewed here (http://www.movingimagesource.us/articles/zen-pulp-pt-4-20090715); part 5 can be viewed here (http://www.movingimagesource.us/articles/zen-pulp-pt-5-20090723).

[La Familia]

http://img39.imageshack.us/img39/8617/screenplay.jpg

Novo-staro scenaristicko biserje/download (prvo procitati sjajan clanak: 'Apocalypse' writer: Most scripts today 'are garbage (http://edition.cnn.com/2009/SHOWBIZ/Movies/03/09/john.milius.movies/index.html)'):

Clear and Present Danger (1991.04.16 Draft)

Download Script (http://www.mypdfscripts.com/download/1199)
April 16, 1991 Second Draft by John Milius.
From the novel by Tom Clancy.
Synopsis: CIA Analyst Jack Ryan is drawn into an illegal war fought by the US government against a Colombian drug cartel.
Source: Scanned – Pages: 121 – Size: 3.4 MB – IMDb (http://www.imdb.com/title/tt0109444/)

Farewell to the King

Download Script (http://www.mypdfscripts.com/download/1197)
May 9, 1986 Revised Second Draft by John Milius.
From a novel by Pierre Schoendoerffer.
Synopsis: An American soldier who escapes the execution of his comrades by Japanese soldiers in Borneo during WWII becomes the leader of a personal empire among the headhunters.
Notes: Missing page 80.
Source: Scanned – Pages: 126 – Size: 8.9 MB – IMDb (http://www.imdb.com/title/tt0097334/)

Sgt. Rock (John Milius Draft)

Download Script (http://www.mypdfscripts.com/download/1196)
June 30, 1993 Third Draft Final Polish by John Milius.
Synopsis: Based on the DC Comics character.
Source: Scanned – Pages: 150 – Size: 4.9 MB

Big Wednesday

Download Script (http://www.mypdfscripts.com/download/1195)
Undated, unspecified draft by John Milius and Dennis Aaberg.
Synopsis: The lives of some California surfers from the early ’60s to the ’70s.
Notes: Scanned exclusively for this site.
Source: Scanned – Pages: 149 – Size: 5.2 MB – IMDb (http://www.imdb.com/title/tt0077235/)

Conan the Barbarian (1980.11 Draft)

Download Script (http://www.mypdfscripts.com/download/1193)
November, 1980 Second Draft by John Milius.
Synopsis: The epic tale of child sold into slavery who grows into a man who seeks revenge against the warlord who massacred his tribe.
Notes: Scanned exclusively for this site.
Source: Scanned – Pages: 121 – Size: 4.1 MB – IMDb (http://www.imdb.com/title/tt0082198/)

Dillinger

Download Script (http://www.mypdfscripts.com/download/1192)
Undated, unspecified draft by John Milius.
Synopsis: John Dillinger and his gang go on a bank robbing spree across the midwest, but one G-Man is determined to bring him down.
Notes: Scanned exclusively for this site.
Source: Scanned – Pages: 125 – Size: 4.1 MB – IMDb (http://www.imdb.com/title/tt0069976/)

Jeremiah Johnson

Download Script (http://www.mypdfscripts.com/download/1191)
Undated, unspecified draft by John Milius.
Synopsis: A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians when he proves to be the match of their warriors.
Notes: Scanned exclusively for this site.
Source: Scanned – Pages: 114 – Size: 3.8 MB – IMDb (http://www.imdb.com/title/tt0068762/)

Life and Times of Judge Roy Bean, The

Download Script (http://www.mypdfscripts.com/download/1190)
October 18, 1971 Final Draft by John Milius.
Synopsis: A no account outlaw establishes his own particular brand of law and order and builds a town on the edges of civilization in this farcical western.
Notes: Scanned exclusively for this site.
Source: Scanned – Pages: 122 – Size: 3.9 MB – IMDb (http://www.imdb.com/title/tt0068853/)

Texas Rangers (1993.09.17 Draft)

Download Script (http://www.mypdfscripts.com/download/1187)
September 17, 1993 Draft by John Milius.
Synopsis: A ragtag group of youngsters band together after the American Civil War to form the Texas Rangers, a group charged with the dangerous, ruthless duty of cleaning up the West.
Notes: Milius’ original version before it was drastically rewritten and released as the 2001 film. Scanned exclusively for this site.
Source: Scanned – Pages: 124 – Size: 3.3 MB – IMDb (http://www.imdb.com/title/tt0193560/)

Red Dawn (1984)

Download Script (http://www.mypdfscripts.com/download/1112)
(aka Ten Soldiers)
September 6, 1983 Shooting Script by Kevin Reynolds.
Synopsis: It is the dawn of World War III. In mid-western America, a group of teenagers bands together to defend their town, and their country, from invading Soviet forces.
Source: Scanned – Pages: 127 – Size: 3.1 MB – IMDb (http://www.imdb.com/title/tt0087985/)

Obje verzije/drafta THE scenarija:

Apocalypse Now (1969.12.05 Draft)

Download Script (http://www.mypdfscripts.com/download/949)
December 5, 1969 First Draft by John Milius.
Synopsis: During the on-going Vietnam War, Captain Willard is sent on a dangerous mission into Cambodia to assassinate a renegade Green Beret who has set himself up as a God among a local tribe.
Source: Scanned – Pages: 133 – Size: 5.2 MB – IMDb (http://www.imdb.com/title/tt0078788/)

Apocalypse Now (1975.12.03 Draft)

Download Script (http://www.mypdfscripts.com/download/948)
December 3, 1975 Revised Draft by John Milius.
This draft by Francis Ford Coppola. Inspired by Joseph Conrad’s “Heart of Darkness.”
Synopsis: During the on-going Vietnam War, Captain Willard is sent on a dangerous mission into Cambodia to assassinate a renegade Green Beret who has set himself up as a God among a local tribe.
Notes: Scanned by mypdfscripts.
Source: Scanned – Pages: 155 – Size: 4.9 MB – IMDb (http://www.imdb.com/title/tt0078788/)

Neprocjenjivo:

King Conan: Crown of Iron

Download Script (http://www.mypdfscripts.com/download/848)
May 24, 2001 Draft by John Milius.
Synopsis: An aging Conan, now King, must defend his land from an invading enemy.
Notes: Several drawings by Frank Frazetta are scattered throughout the script. Missing page 14.
Source: Scanned – Pages: 167 – Size: 5.5 MB

Wind and the Lion, The

Download Script (http://www.mypdfscripts.com/download/398)
Undated, unspecified draft by John Milius.
Synopsis: At the beginning of the 20th century an American woman is abducted in Morocco by Berbers. The attempts to free her range from diplomatic pressure to military intervention.
Source: Scanned – Pages: 113 – Size: 2.9 MB – IMDb (http://www.imdb.com/title/tt0073906/)

I jedan mali uljez/A must read:

On the Road (Coppola and Herr Draft)

Download Script (http://www.mypdfscripts.com/download/1189)
Undated Second Draft by Francis Ford Coppola and Michael Herr.
Synopsis: Based on the book by Jack Kerouac, a young man sets out to travel the roads and railways of America.
Notes: Scanned exclusively for this site.
Source: Scanned – Pages: 175 – Size: 5.4 MB

Napomena: sve via mypdfscripts.com (http://www.mypdfscripts.com/). :s

Kad malo bolje razmislim, John Milius isti je moj deda (samo sto je moj ludi deda u zivotu ubijao naciste, dodje vam skoro na isto).

http://img830.imageshack.us/img830/9972/241qpep.jpg

Lijepo moje momce.

REPLAY:

#59 (http://www.forum.hr/showpost.php?p=22502517&postcount=59) Screenwriter John Milius on Apocalypse Now (http://www.forum.hr/showpost.php?p=22502517&postcount=59)

Sistemom spojenih posuda:

#1053 Hearts of Darkness: A Filmmaker's Apocalypse (http://www.forum.hr/showpost.php?p=23817896&postcount=1053)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img291.imageshack.us/img291/7856/313mwcx.jpg (http://www.downarchive.com/ebooks/magazine/212341-american-cinematographer-magazine-august-2010.html)

American Cinematographer Magazine August 2010 (http://www.downarchive.com/ebooks/magazine/212341-american-cinematographer-magazine-august-2010.html)
English | 100 Pages | 24MB | True PDF

American Cinematographer is a monthly magazine published by the American Society of Cinematographers. American Cinematographer focuses on the art and craft of cinematography, going behind the scenes on domestic and international productions of all shapes and sizes. The magazine features in-depth interviews with cinematographers, directors and some of their key collaborators at every stage of production. The magazine also features historical articles, technical how-to pieces, and information on the latest tools and technologies that impact the cinematographer's craft.

http://img121.imageshack.us/img121/8153/2010299.jpg (http://www.free-ebook-download.net/magazine-subscriptions/34767-total-film-september-2010-a.html)

Total Film - September 2010 (http://www.free-ebook-download.net/magazine-subscriptions/34767-total-film-september-2010-a.html)
English | 172 pages | PDF | 47.60 Mb

Total Film is the UKs sharpest, funniest and most informative movie magazine, arming its readers each month with the definitive movie info they need to guide them through the latest theatrical and DVD releases. Covering everything from Hollywood blockbusters to independent, homegrown and world cinema, Total Film boasts trustworthy reviews, revealing features, exclusive photos and previews and unrivalled access to the hottest stars and filmmakers in the industry.

http://img175.imageshack.us/img175/1191/00160bcf1724133.jpg (http://www.downarchive.com/ebooks/magazine/222001-total-film-august-2010.html)

Total Film - August 2010 (http://www.downarchive.com/ebooks/magazine/222001-total-film-august-2010.html)
English | PDF | 206 pages | 54.60 MB

Total Film is the UKs sharpest, funniest and most informative movie magazine, arming its readers each month with the definitive movie info they need to guide them through the latest theatrical and DVD releases. Covering everything from Hollywood blockbusters to independent, homegrown and world cinema, Total Film boasts trustworthy reviews, revealing features, exclusive photos and previews and unrivalled access to the hottest stars and filmmakers in the industry.

POST Magazine - July 2010 (http://www.downarchive.com/ebooks/magazine/226355-post-magazine-july-2010.html)
English | 52 Pages | 13 MB | True PDF

POST MAGAZINE is dedicated to serving the most intensely dynamic segment of the entertainment industry: movie post production.

Za moje vjerne citateljice (ipak je Leo cover story :D):

Rolling Stone - 05 August 2010 (http://www.downarchive.com/ebooks/magazine/216215-rolling-stone-05-august-2010.html)
English | PDF | 96 pages | 40.8 MB

Every issue of Rolling Stone's is packed with cutting-edge reporting, provacative photos and raw interviews with the people who shape the scene and rock the world.

So Tunbridge Wells - August 2010 (http://www.downarchive.com/ebooks/magazine/212816-so-tunbridge-wells-august-2010.html)
English | True PDF | 124 pages | 69.11 MB

A distinctive town deserves a distinctive magazine… Welcome to So Tunbridge Wells.

[vanchaaa]

Sjajan, uistinu sjajan blog (http://vanchaaa.blogspot.com/search/label/cinema) nase drage vanchaaae (http://www.forum.hr/member.php?u=248782):

http://img213.imageshack.us/img213/4500/vanchaaabanner.jpg (http://vanchaaa.blogspot.com/search/label/cinema)

Movies I'm in Love With #1 / Lost in Translation (http://vanchaaa.blogspot.com/2010/05/movies-im-in-love-with-1-lost-in.html)

Ovim me kupila, prodano:

20 Greatest Movies About Artists (http://vanchaaa.blogspot.com/2010/02/20-greatest-movies-about-artists.html)

Bright Star (http://vanchaaa.blogspot.com/2010/02/bright-star.html)

Hocemo jos!

http://www.pic4ever.com/images/bliss.gif

la familia, pa ti mene reklamiras! :eek: :cerek:
tek sam sad vidjela, pa mucho zahvaljujem!! jos mi neki dan nije bilo jasno kako mi se poduplao broj hitova na statistikama :usporena:

sad se osjecam duznom prvi sljedeci post napisat na temu filma, imam jedan norveski (relativno nepoznat) u planu ovih dana...
btw, valjda smijem komentirat na ovoj temi?!

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img401.imageshack.us/img401/650/bookshalashby.jpg (http://www.sendspace.com/file/y4fd0x)

Klik na fotku za uvecanje:

http://img576.imageshack.us/img576/5176/67316628.png (http://img576.imageshack.us/img576/6088/66655514.png)

Being Hal Ashby: Life of a Hollywood Rebel (http://avaxhome.ws/ebooks/biography/0813125383.html)
Publisher: University Press of Kentucky | ISBN: 0813125383 | edition 2009 | PDF | 440 pages | 3,44 mb

Hal Ashby (1929–1988) was always an outsider, and as a director he brought an outsider’s perspective to Hollywood cinema. After moving to California from a Mormon household in Utah, he created eccentric films that reflected the uncertain social climate of the 1970s. Whether it is his enduring cult classic Harold and Maude (1971) or the iconic Being There (1979), Ashby’s artistry is unmistakable. His skill for blending intense drama with off-kilter comedy attracted A-list actors and elicited powerful performances from Jack Nicholson in The Last Detail (1973), Warren Beatty and Julie Christie in Shampoo (1975), and Jon Voight and Jane Fonda in Coming Home (1979). Yet the man behind these films is still something of a mystery.

DOWNLOAD LINK (http://www.sendspace.com/file/y4fd0x)

Za sve one koji ne znaju tko je Hal Ashby:

Fuck Yeah Hal Ashby (http://halashby.tumblr.com/)

Na ovo cemo jos malo pricekati:

http://img823.imageshack.us/img823/2110/9781604735642.jpg (http://www.amazon.com/Hal-Ashby-Interviews-Conversations-Filmmakers/dp/1604735651/ref=ntt_at_ep_dpi_2)

---

I jedna ekskluziva:

Soderbergh's next, Contagion, reviewed (http://scriptshadow.blogspot.com/2010/08/contagion.html)

A imamo i scenarij:

Name: CONTAGION (http://www.sendspace.com/file/7k887t).pdf
Size: 2.66MB

Nego, Arsene Antone Ostojicu (http://www.arsenantonostojic.com/), gdje je ta prokleta knjiga sa scenarijem Te divne splitske noci? Ja je nigdje ne vidim u knjizarama, nema je ni na webu, unatoc obecanju? :confused: Generalna, ne osobna opaska: Sram vas bilo! Tko vam financira te filmove, babe i stricevi? Drugim rijecima, sve te scenarije/filmove platili su hrvatski gradjani. Sramota, nesretne li kinematografije s takvim 'odgovornim' filmasima. :kava:

[La Familia]

Odlicna vijest:

Charlize Theron Teams Up With Jason Reitman And Diablo Cody

http://img193.imageshack.us/img193/1905/jasonreitmandiablocodyc.jpg

Now this is a trio I wouldn't have imagined! Deadline Hollywood reports that Charlize Theron has lined up her next project: 'Young Adult,' a script penned by 'Juno' writer Diablo Cody and to be directed by Jason Reitman, who also directed 'Juno.' 'Young Adult' is also being produced by the same company that produced 'Juno.'

Here's what 'Young Adult' is about:

The film centers on an attractive, but single — and misguided and lost — mid-thirties young adult novel writer living in Minneapolis. Divorced, but not entirely unhappy, this woman’s life is one day radically transformed when she receives a birth announcement from an old, still-idealized ex-boyfriend, triggering something deep inside her. Shook up from the announcement, the insecure and neurotic woman concocts an ill-conceived plan to go visit the small town where she grew up and where her ex-bf still lives with his new wife and child.

Nesto starija recenzija scenarija by The Playlist:

We've Read It: Is Diablo Cody's 'Young Adult' Her Most Mature Effort To Date (http://theplaylist.blogspot.com/2010/04/weve-read-it-is-diablo-codys-young.html)?

http://img18.imageshack.us/img18/9494/diablocodyyoungadult.jpg

Academy Award-winner Diablo Cody ("Juno" and "Jennifer's Body") recently announced her third project, a female anti-hero film titled, "Young Adult," a story about a divorced author of teen fiction who returns to her hometown to chase her ex-high school boyfriend, who’s now married with a kid. Mandate Pictures recently acquired the rights to the project, which has been described as a story about a woman who is "stalking her high-school sweetheart. It has elements of humor, but it's pretty serious and fucked up."

Opsirnija recenzija by ScriptShadow (Thursday, August 5, 2010):

Young Adult (http://scriptshadow.blogspot.com/2010/08/young-adult.html)

I sto nam sad sve to znaci ako nemamo i scenarij? Tko kaze da nemamo:

Young Adult (2013) [2010-04-10] [5th Draft] [Digital].pdf (http://www.mediafire.com/?5tnr5tmkmjm)

http://www.pic4ever.com/images/47b20s0.gif

[La Familia]

http://img213.imageshack.us/img213/9594/thx1138j.jpghttp://img840.imageshack.us/img840/8031/americangraffiti.jpghttp://img830.imageshack.us/img830/9319/thegodfather.jpghttp://img6.imageshack.us/img6/9136/thegodfatherpart2.jpghttp://img818.imageshack.us/img818/2025/theconversationposter.jpg


Assembly Required: A Walter Murch Profile (http://flickeringmyth.blogspot.com/2010/07/assembly-required-walter-murch-profile.html)


Trevor Hogg profiles the career of three time Academy Award-winning sound designer and film editor Walter Murch in the first of a five part feature...


Assembly Required: A Walter Murch Profile (Part 2) (http://flickeringmyth.blogspot.com/2010/07/assembly-required-walter-murch-profile_28.html)
Assembly Required: A Walter Murch Profile (Part 3) (http://flickeringmyth.blogspot.com/2010/08/assembly-required-walter-murch-profile.html)


For more on Walter Murch, be sure to visit FilmSound.org (http://filmsound.org/murch/murch.htm) and NPR (http://www.npr.org/templates/story/story.php?storyId=4994411), while Michael Ondaatje's The Conversations: Walter Murch and the Art of Editing Film (http://www.amazon.com/Conversations-Walter-Murch-Editing-Film/dp/0375709827?ie=UTF8&tag=flickmyth-20link_code=btl&camp=213689&creative=392969) provides a comprehensive analysis of Murch's career.


Walter Murch lecture - part one (http://video.google.com/videoplay?docid=-191686279668658526#) and part two (http://video.google.com/videoplay?docid=1514115308947975030#).


http://img293.imageshack.us/img293/3903/juliaposter.jpghttp://img193.imageshack.us/img193/49/apocalypsenowv.jpghttp://img94.imageshack.us/img94/1681/thegodfatherpartiii.jpghttp://img832.imageshack.us/img832/5087/theunbearablelightnesso.jpghttp://img30.imageshack.us/img30/4238/touchofevilposter.jpg

[La Familia]

Jos uvijek cekam(o) na ovo:

http://img14.imageshack.us/img14/8797/141309040.jpg

It's here! I couldn't be more excited. #inception (http://twitpic.com/2c4qr4)

Dreaming, Creating, Perceiving, and Filmmaking (http://www.nolanfans.com/2010/08/06/dreaming-creating-perceiving-and-filmmaking/)

http://img202.imageshack.us/img202/9553/inceptionchrisdirecting.jpg

The preface of INCEPTION: The Shooting Script (http://amzn.to/bR0BlT) contains an amazing 10-page interview with writer-director Christopher Nolan. Interviewed by his brother, author and screenwriter, Jonathan Nolan, the two delve into the story behind the genesis of the idea for the for film and the decade-long process it took to write it.

Christopher Nolan became fascinated by the idea that the human mind can play tricks with itself. “My interest in dreams came from this notion of realizing that when you dream you create the world that you are perceiving, and I thought that feedback loop was pretty amazing.” Mr. Nolan recalls a time in college where he was enjoying a mid-day siesta. “I remember having a dream and saying to myself, ‘Okay, there’s a bunch of books on the shelf. If I pull a book off the shelf and look at it, can I read the words in the book?’ And I could, because your brain is making up the words in the book.”

Always interested in making a heist film about corporate espionage, Christopher Nolan continued toying with the idea of a film involving dreams. Once he imagined combining the two, Inception started to become a reality.

After I finish every film, I look at what I might do next. I would get the draft of Inception out and would read it, again. I would show it to Emma [Emma Thomas] and sometimes show you [Jonathan Nolan] to get more thoughts on it. But I never knew quite how to finish it until I realized that the antagonist of the film should be the guy’s wife.

It completely unlocked the end of the film. It completely unlocked how you could make something that a wider audience might care about. Because to me, whenever you deal in the world of esoteric or overly complex science fiction, or heist movies, or film noir, you’re working for a smaller audience. If you’re going to do a massive movie, though, you’ve got to be able to unlock that more universal experience for yourself as well as for the audience. That’s what it took for me. As soon as I realized that Mal would be his wife, it became completely relatable.

Being that Inception is purely Christopher Nolan’s work, having written the entire screenplay himself, he continues on to discuss self-doubt during the production and his tricks for keeping a level head. The two continue further discussing the challenges and rewards in working with Inception’s stellar cast on such a grand-scale actioner.

Laced throughout this book (and the script) are inserts of some crazy Inception concept art along with hand-written notes, story outlines, and sketches made by Christopher Nolan during the development phase of this project. If you’ve fallen in love with Christopher Nolan’s (possibly greatest) film like the rest of us, INCEPTION: The Shooting Script is definitely worth.

Dok cekam(o):

http://img837.imageshack.us/img837/6531/0015a7b0medium.jpg (http://www.sharingmatrix.com/file/12940703/Inception_-_The_Cobo_Job_(2010).cbr)

Inception - The Cobo Job (http://www.sharingmatrix.com/file/12940703/Inception_-_The_Cobo_Job_(2010).cbr)
CBR | English | 25.5 MB | 32 pages

Trebat ce vam i eComic reader, jedan od najboljih/download:

http://img713.imageshack.us/img713/3311/reading.gif (http://comicrack.cyolito.com/)

Simply the best (http://comicrack.cyolito.com/)
ComicRack is the best eComic reader and manager for Windows computers. It is an all-in-one solution to read and manage your eComic library. It is actively maintained, has a strong user base and is FREE.

The Reader

Read your eComics the way you want: Fast navigation, auto scrolling, auto rotation, dynamic zooming, automatic page fitting, magnifier, manga mode, full screen reading, dual screen support, multi-tab interface.

Downloads (http://comicrack.cyolito.com/downloads)
Get it now!

[La Familia]

Soderbergh's next, Contagion, reviewed (http://scriptshadow.blogspot.com/2010/08/contagion.html)

http://img96.imageshack.us/img96/9169/stevensoderbergh4.jpg (http://scriptshadow.blogspot.com/2010/08/contagion.html)

Contagion

Genre: Thriller
Premise: A contagious and deadly disease confounds an international team of doctors who try desperately to contain it before it becomes a worldwide plague.
About: Contagion sold earlier this year with Steven Soderbergh attached to direct. Scott Z. Burns, the writer, was a producer on The Inconvenient Truth and is best known for writing The Bourne Ultimatum. He also penned The Informant. Set to shoot later this year, Soderbergh once again shows he can bring the talent. Matt Damon, Kate Winslet, Jude Law, Marion Cotillard, Lawrence Fishburne, and Gwyneth Paltrow are all a part of this amazing cast.
Writer: Scott Z. Burns
Details: 131 pages – January 14, 2009 draft (This is a very early draft of the script. The situations, characters, and plot may change significantly by the time the film is released. This is not a definitive statement about the project, but rather an analysis of this unique draft as it pertains to the craft of screenwriting).

Koji cast! Medjutim, ScriptShadow (opet) skrtari pri ocjeni/recenziji scenarija:

[ ] What the hell did I just read?
[x] wasn’t for me
[ ] worth the read
[ ] impressive
[ ] genius

What I learned: I have a theory about why this ending didn’t work. The climax of almost every good movie is tied to the main character’s inner conflict (or “thing” as I called it in yesterday’s “What I Learned” section). So in Inception, Cobb has to overcome his issues with his wife in order to finish the job with Robert Fischer. In The Matrix, Neo has to believe in himself before he can stop the bullets and defeat the agents. Since there isn’t a single character developed in Contagion, since we don’t know what’s going on under anyone’s surface, it's hard to construct an emotionally satisfying ending. Unlike Cobb and Neo, there’s nobody here with issues to overcome. That means the plot has to do it all by itself, and I don’t think any plot can hold that kind of weight. As a result, Contagion folds in the third act. So remember that a good climax usually involves a main character who’s finally overcoming his flaw. It’s by no means the only way to write your climax, but it usually works when done well.

Scenarij?

Name:
CONTAGION.pdf (http://www.sendspace.com/file/7k887t)
Size: 2.66MB

http://www.pic4ever.com/images/47b20s0.gif

[La Familia]

http://img39.imageshack.us/img39/8617/screenplay.jpg

Naramak novih scenarija (sve formatirano, .pdf download):

http://img375.imageshack.us/img375/4097/image4ld.png (http://www.mediafire.com/download.php?bhdvx6cf59xh62w)
THE OTHER GUYS (2010) Screenplay (http://www.mediafire.com/download.php?bhdvx6cf59xh62w)

http://img812.imageshack.us/img812/5207/image4ko.png (http://www.mediafire.com/download.php?0rgr7rx6org127q)
DINNER FOR SCHMUCKS (2010) Screenplay (http://www.mediafire.com/download.php?0rgr7rx6org127q)

http://img842.imageshack.us/img842/8955/theexpendables.jpg
FIRST DRAFT (http://www.mediafire.com/?nzch1wtdmts)
MAY DRAFT (http://www.mediafire.com/?9t2qw9vb61y05fx)

http://img413.imageshack.us/img413/8509/image4l.png (http://www.mediafire.com/download.php?08vwi7d4twjacj6)
MIDDLE MEN (2010) Screenplay (http://www.mediafire.com/download.php?08vwi7d4twjacj6)

Cast:
Luke Wilson ... Jack Harris
Giovanni Ribisi ... Wayne Beering
Gabriel Macht ... Buck Dolby
James Caan ... Jerry Haggerty
Jacinda Barrett ... Diana Harris
Kevin Pollak ... Curt Allmans
Laura Ramsey ... Audrey Dawns
Rade Serbedzija ... Nikita Sokoloff

Rade Serbedzija definitivno zasluzuje rusko drzavljanstvo. :zubo:

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img39.imageshack.us/img39/8617/screenplay.jpg

The thing about writing is you may never have written a thing in your life, and you can do it.
A lot of people are probably good writers who have never tried it, and there are other people
who have been doing it for 20 years and perhaps should stop. It's not a function of intelligence.
It's a function of story sense and an ear for dialogue.
-- David E. Kelley (http://www.imdb.com/name/nm0005082/)

http://img811.imageshack.us/img811/9365/75439721.png (http://www.youtube.com/watch?v=JHVqxD8PNq8)

Da bi rec rekel, tako prokleto istinito. Dakle, ovo je ULTIMATIVNI SCENARISTICKI THREAD, krenimo redom: knjige.

David Howard, Mabley, The Tools of Screenwriting: A Writer's Guide to the Craft and Elements of a Screenplay (http://www.sendspace.com/file/jnzsm2)
St. Martin's Griffin | 1995 | ISBN: 0312119089 | 298 pages | PDF | 3,9 MB

In The Tools of Screenwriting, David Howard and Mabley illuminate the essential elements of cinematic storytelling, and reveal the central principles that all good screenplays share. The authors address questions of dramatic structure, plot, dialogue, character development, setting, imagery, and other crucial topics as they apply to the special art of filmmaking.

Howard and Mabley also demonstrate how, on a practical level, the tools of screenwriting work in sixteen notable films, including Citizen Cane, E.T., One Flew Over the Cuckoo's Nest, Rashomon, The Godfather, North by Northwest, Chinatown, and sex, lies, and videotape.

Good Scripts, Bad Scripts: Learning the Craft of Screenwriting Through 25 of the Best and Worst Films in History (http://www.sendspace.com/file/yrd3vu)

Each chapter deals with a different component of the art of screenwriting, from character development, to the nurturing of subplots, to the fundamentals of good dialogue, illustrating everything through the virtues or mistakes of a particular film. The book encompasses the best and worst of films throughout the years, including Citizen Kane, Pulp Fiction, Chinatown, Singing in the Rain, Bonfire of the Vanities, and many others.

Screenplay: The Foundations of Screenwriting Revised Edition (http://www.sendspace.com/file/724reh)

A real gem on the craft of screenwriting, this fourth edition of Syd Field's preeminent book provides easily understood guidelines for writing a screenplay, from concept to finished product. This masterful book provides tips and techniques on screenplay format; collaborations; adaptations; what to do after your screenplay is written and more. The highly-regarded scripts of Chinatown and Silver Streak are used to illustrate concepts.

"Syd Field is the preeminent analyzer in the study of American screenplays." -- James L. Brooks, Academy Award-winning writer, director, producer.

http://img64.imageshack.us/img64/6673/0013de07.jpg (http://www.sendspace.com/file/2mt51i)

William Baer, "Classic American Films: Conversations with the Screenwriters" (http://www.sendspace.com/file/2mt51i)
Praeger (November 30, 2007) | English | 0313348987 | 296 pages | PDF | 1.51 MB

This book is a special tribute to the invaluable contributions of these cinematic visionaries, many of whom are considered among the greatest screenwriters in American film history. As Orson Welles once said, In my opinion, the writer should have the first and last word in filmmaking. This book allows them to have that exciting opportunity.

Some of the highlights from these interviews include: Betty Comden and Adolph Green's explaining how a nightclub skit became the premise for Singin' in the Rain; Ernest Lehman's description of how, while in conversation with Hitchcock, his unconscious suddenly solved the plot problems in North by Northwest; Carl Gottlieb's remembrance of the terrible pressure involved with writing the script for Jaws while shooting was already underway; and Sylvester Stallone's account of how he received final approval to star in Rocky from studio executives who thought he was just another actor.

Nista manje vrijedne knjige (ne suditi po coveru/naslovu, ovo je idealno za sve one koji se po prvi puta susrecu sa scenarijem/scenaristikom):

Screenwriting For Dummies®, 2nd Edition (http://www.sendspace.com/file/uegzdq)

So you want to be a screenwriter? Whether you want to write a feature film or a TV script or adapt your favorite book, this friendly guide gives you expert advice in everything from creating your story and developing memorable characters to formatting your script and selling it to the studios. You get savvy industry tips and strategies for getting your screenplay noticed!

Screenwriting For Dummies - New (http://www.ebookee.com/Screenwriting-For-Dummies-New_602489.html).

The Complete Idiot's Guide to Screenwriting (http://www.sendspace.com/file/1a0xnk)
By Skip Press
Publisher: Alpha | 2000 | 384 Pages | ISBN: 0028639448 | PDF | 3.7 MB

“This guide is for anyone who has ever thought of screenwriting. Written by someone who has "been there, done that," and lived to tell the tale, it reveals the most popular genres, explains how stories need to be structured for feature films and TV movies, offers the freshest look at workshops and online classes, and disusses how to set up a step-by-step path to success.

Multimedija:

http://img266.imageshack.us/img266/7967/51q02sycyflsl500aa280.jpg (http://www.ebookee.com/Syd-Field-s-Screenwriting-Workshop_479465.html)

Syd Field's Screenwriting Workshop (http://www.ebookee.com/Syd-Field-s-Screenwriting-Workshop_479465.html)

Syd Field's Screenwriting Workshop DVD: How to Write a Screenplay that Sells to Hollywood.

http://img299.imageshack.us/img299/8732/0015e13emedium.jpg (http://avaxhome.ws/ebooks/audiobook/1433918.html)

Story CD: Style, Structure, Substance, and the Principles of Screenwriting by Robert Mckee (http://avaxhome.ws/ebooks/audiobook/1433918.html)
Publisher: ReganBooks (January 3, 2006) | ISBN: 0060856181 | Language English | Audio CD in MP3/160 kbps | 448 MB

Tales from the Script (2009):

http://img62.imageshack.us/img62/7473/201008091430.png (http://stagevu.com/video/ujlhfezqgaqs)

Shane Black ("Lethal Weapon"), John Carpenter ("Halloween"), Frank Darabont ("The Shawshank Redemption"), William Goldman ("The Princess Bride"), Paul Schrader ("Taxi Driver"), and dozens of other Hollywood screenwriters share hilarious anecdotes and penetrating insights in "Tales from the Script," the most comprehensive documentary ever made about screenwriting. By analyzing their triumphs and recalling their failures, the participants explain how successful writers develop the skills necessary for toughing out careers in one of the world's most competitive industries. They also reveal the untold stories behind some of the greatest screenplays ever written, describing their adventures with luminaries including Harrison Ford, Stanley Kubrick, Joel Silver, Martin Scorsese, and Steven Spielberg. The film was produced in tandem with the upcoming HarperCollins book of the same name.

Tales from the Script (2009) [DVDRip] Disc 1 (http://stagevu.com/video/ujlhfezqgaqs)
Tales from the Script (2009) [DVDRip] Disc 2 (http://stagevu.com/video/qevaaoyfymsv)

Nekoliko korisnih linkova (na tisuce formatiranih scenarija/.pdf download):

My PDF Scripts (http://www.mypdfscripts.com/)
Script Collector (http://scriptcollector.blogspot.com/)
Movieman49 (http://movieman49.blogspot.com/)
Simply Scripts (http://www.simplyscripts.com/movie.html)

Scenaristicki blogovi (neprocjenjivo):

Go Into The Story (http://www.gointothestory.com/)
Mystery Man on Film (http://mysterymanonfilm.blogspot.com/)

http://a.imageshack.us/img695/8773/14316258.png (http://www.wordplayer.com/)
Wordplay (http://www.wordplayer.com/)

Preporuka da krenete od kolumni, progutati svako slovo (cisti adrenalinski kick po pitanju inspiracije):

We're Not Worthy (http://www.wordplayer.com/columns/wp36.Not.Worthy.html)
Screenwriting Column 36
by Terry Rossio

[La Familia]

http://img189.imageshack.us/img189/597/74103799.png (http://www.avantimedia.de/website/#/en/production_details/7507)

[La Familia]

http://img80.imageshack.us/img80/259/2007tellnoonewallpaper0.jpg

Tko nije pogledao Canetov Ne le dis à personne (http://www.imdb.com/title/tt0362225/)? Ili barem procitao knjigu:

http://img227.imageshack.us/img227/64/tellnoone.jpg

Forspan filma:

http://img830.imageshack.us/img830/337/201008122353.png (http://www.youtube.com/watch?v=jaKyv06NHDg)

Malo je reci da sam zaljubljen u taj film Guillaumea Caneta (http://www.imdb.com/name/nm0133899/), drzi me vec 10-ak dana... Kraj me ubio, soundtrack me lagano ubija i dalje (glazba u filmu tako prokleto dobro funkcionira):

Mathieu Chedid (M) - Ne le Dis a Personne (http://www.youtube.com/watch?v=uSfrA50rWPI)

Vijest od neki dan:

http://img443.imageshack.us/img443/3083/6a00d8341c630a53ef01348.jpg

'Tell No One's' attempt to relay the word to American audiences (http://latimesblogs.latimes.com/movies/2010/08/tell-no-one-remake-girl-dragon-tattoo.html)

As "The Girl With the Dragon Tattoo" continues to lock down cast, another U.S. remake of a movie based on an international bestseller quietly looks to find its way.

"Tell No One" -- which began life as an English-language bestseller, then was made into a French-language movie before getting snapped back up by American studios -- has slowly been taking shape. But slowly remains the operative word, as what final form it will take, and whether it will move toward production, remains a question.

Sources tell us that Andrew Dominik, the New Zealand filmmaker [Update: Per the comment below, the New Zealand-born Aussie filmmaker] who wrote and directed "The Assassination of Jesse James by the Coward Robert Ford," has been writing a draft of the script for the English-language version of the thriller.

Guillaume Canet's "Tell No One," the first movie to be made from a novel by bestselling author Harlan Coben, was a big hit in Europe (it won four Cesars in France) and a word-of-mouth hit here, earning $6 million at the U.S. box office two summers ago and landing on numerous end-of-year critics' lists. (Incidentally, it came to the States from the same distributor that released the Swedish-language "The Girl With the Dragon Tattoo.")

In the spring of 2009, Focus Features and Miramax Films bought remake rights to "Tell No One," with Hollywood uber-producer Kathleen Kennedy coming on board to produce. (Just to deepen the "Tattoo"-"Tell No One" connection, Kennedy at one point talked to David Fincher about directing the remake.) The idea was for Focus to handle international rights (everywhere but in France, where Europa Corp, which financed and co-produced the original, would handle). The incarnation of Miramax Films that optioned the rights is no longer in business, so Focus has since taken over the domestic side as well, according to insiders.

The Funny Thing is... Danas slucajno naletim na sljedeci post ScriptShadowa (http://scriptshadow.blogspot.com/):

Titan Week - "Tell No One" (http://scriptshadow.blogspot.com/2010/02/titan-week-tell-no-one.html)

Uhhhhh, can someone tell me WHERE THE HELL THIS SCRIPT WAS HIDING??? What a freaking gangbusters screenplay. I haven’t flown through a story that fast since The Cat In The Hat. And I thought The Grey was a good thriller (http://scriptshadow.blogspot.com/2010/02/grey.html). This is the executive suite of thrillers. 3000 square feet. Sweeping views of Vegas. TVs that pop out of the floor. Tell No One? Tell everyone!

I’m sure some of you will be comparing this to the French film, and with that film nabbing a 93% approval on Rotten Tomatoes, I’m preparing for the barrage of reasons why this doesn’t match up to it. But I’ve never seen the film, so this was a totally new experience for me, and I think they hit it out of the park. Really great script.

[ ] What the hell did I just read?
[ ] wasn’t for me
[ ] worth the read
[x] impressive (Top 10)
[ ] genius

Scenarij? Zar ste posumnjali/klik na fotku za download:

http://img69.imageshack.us/img69/6751/88413382.png (http://www.sendspace.com/file/dcgljv)

I pitanje za kraj, hoce li Andrew Dominik/The Assassination of Jesse James by the Coward Robert Ford - svojom intervencijom na rukopisu, naravno - uspjeti sjebati taj draft Roberta Orcia i Alexa Kurtzmana, ili ga jos samo poboljsati? :ne zna:

[La Familia]

http://img651.imageshack.us/img651/5498/leon1994tou01g.jpg

Reviewing the latest scripts in Hollywood:
Lockout (http://scriptshadow.blogspot.com/2010/08/lockout-section-eight.html) (Section Eight)

Genre: Sci-Fi Thriller
Premise: (from IMDB) A man is wrongly convicted of conspiracy to commit espionage against the U.S. He's offered his freedom if he can rescue the president's daughter from an outer space prison taken over by violent inmates.
About: This sci-fi actioner is being pitched as “Taken in outer space” but it appears that’s due more to whose involved (Luc Besson and Maggie Grace – both Taken alums) than the actual script itself. I’d probably call this more “Die Hard in space,” due to the contained nature of the story and the somewhat cartoonish aspect of the plot. It’s nice to see Guy Pearce getting some work again (he plays the lead – Miller). He’s one of the most underrated actors out there. This draft of the script was written back when the project was titled, “Section Eight.”
Writers: Luc Besson, James Mather, Stephen St. Leger
Details: 107 pages – 2nd draft, revisions March 2009 (This is an early draft of the script. The situations, characters, and plot may change significantly by the time the film is released. This is not a definitive statement about the project, but rather an analysis of this unique draft as it pertains to the craft of screenwriting).

http://img337.imageshack.us/img337/5334/5emeelement1997tou01g.jpg

Presuda?

[ ] What the hell did I just read?
[x] wasn’t for me
[ ] worth the read
[ ] impressive
[ ] genius

What I learned: A lot of people are intimidated by the second act. And they should be. It’s scary. I’m scared right now just thinking about it. But to ease the pain, I have a tip for you. It's called "Escalation Nation." Use the second act to place obstacles in front of your character’s goal with each obstacle being slightly bigger than the previous. At first all Miller has to do is find Emilie (obstacle) but then he learns that she’s in a room that’s running out of oxygen (bigger obstacle). Alex learns about their plans and sends his baddies after them (bigger obstacle). Alex makes an announcement over the speaker to all the prisoners that Miller and Emilie are trying to escape and to stop them at all costs (bigger obstacle). The escalation of these obstacles will keep the story moving at a brisk pace and since each problem is bigger than the last, we rarely get bored. Of course, this is assuming you’ve already developed characters that we want to root for.

Scenarij za plazu? Dabome.

http://img687.imageshack.us/img687/8009/201008131309.png (http://www.sendspace.com/file/c2hjhk)

[La Familia]

http://img708.imageshack.us/img708/1705/201008152050.png (http://www.worldscinema.com/)

Otkrice dana, fantasticno-krvavo-brutalno dobar blog (http://www.worldscinema.com/) (download blog :mig:).

Vise o blogu, i jedinstvenom sadrzaju s istog, nesto kasnije.

[La Familia]

Scenarij:

http://img825.imageshack.us/img825/5066/trailerinceptiony.jpg

Inception (2010) [Undated] [Shoot.] [Digital].pdf (http://www.mediafire.com/?2fxxnc6x1qp29fg)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img197.imageshack.us/img197/5651/01b670.jpg

Ovo se pogledati mora:

Directed by Andrei Tarkovsky (1988) documentary by Michal Leszczylowski (http://avaxhome.ws/video/directed_by_andrei_tarkovsky_documentary.html)
933 MB | 1:37:22 | XviD, 1200 Kb/s | 720x576 | Language: Swedish, Russian and English | Subtitles: English (embedded)

Documetary made during the shooting of Andrei Tarkovsky's last film Offret (Sacrifice). Made by Michal Leszczylowski. Dedicated to Maestro.

During the shooting of Andrei Tarkovsky's last film Offret, cameraman Arne Carlsson taped around 50 hours of behind the scenes footage. Editor Michal Leszczylowski took the material and added scenes of previous interviews and interesting statements from the script of Offret and from Tarkovsky's book 'Sculpting in Time'. The result is a documentary that shows the way Tarkovksy worked: carefully building each scene. Shows why he did the things he did: his vision on film. And shows the emotion of the man Tarkovsky: his great disappointment when the camera breaks while shooting the house going up in flames.

Video interview:

http://i26.tinypic.com/dot3qq.png (http://www.viddler.com/explore/Ms_Valerie/videos/34/)

DOWNLOAD:

Interviews with Tarkovsky (http://avaxhome.ws/misc/tarkovsky_interviews2.html)
| 189.1 MB | Runtime 0:18:21 | color |
Language : English / Russian
Forced subtitles : English
Audio : 48000 Hz , 128 Kb/s , 1-ch
Video : XviD , 1340 Kb/s , 29.97 frm/s , 512x384 (4:3)

A video essay on Tarkovsky's work by Harvard film Professor Vlada Petric with excerpts from "Un Poeta nel Cinema: Andreij Tarkovskij" (1984) by Donatella Baglivo.

Andrey Tarkovsky - Sculpting in Time (http://www.avaxhome.ws/ebooks/andrey_tarkovsky_sculpting_in_time_2nd_edition_198 7.html) ( 9Mb, ebook)

http://i34.tinypic.com/5yxd9u.png (http://www.avaxhome.ws/ebooks/andrey_tarkovsky_sculpting_in_time_2nd_edition_198 7.html)

Web preporuka:

http://img8.imageshack.us/img8/5783/34ewze8.png (http://www.acs.ucalgary.ca/~tstronds/nostalghia.com/index.html)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img84.imageshack.us/img84/9404/2gvv6mo.png (http://www.foriegnmoviesddl.com/)

Oh, mother fuck, this is a pussy blow out!

Dodje mi da vristim:

- festivalski filmovi
- kultni filmovi
- eksperimentalni (avangardni, alternativni) filmovi
- kratki filmovi
- svi ex-jugoslavenski filmovi
- kompletna filmografija Abbasa Kiarostamia

Chet Pussy (http://www.youtube.com/watch?v=dHn3FS0d1II): All right, pussy, pussy, pussy! Come on in pussy lovers! Here at the Titty Twister we're slashing pussy in half! Give us an offer on our vast selection of pussy, this is a pussy blow out! All right, we got white pussy, black pussy, Spanish pussy, yellow pussy, we got hot pussy, cold pussy, we got wet pussy, we got
[sniffs]
Chet Pussy (http://www.youtube.com/watch?v=dHn3FS0d1II): smelly pussy, we got hairy pussy, bloody pussy, we got snappin' pussy, we got silk pussy, velvet pussy, Naugahyde pussy, we even got horse pussy, dog pussy, chicken pussy! Come on, you want pussy, come on in, pussy lovers! If we don't got it, you don't want it! Come on in, pussy lovers!

HOME FOR DIFFERENT KIND OF MOVIES (http://www.foriegnmoviesddl.com/)

:s

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img805.imageshack.us/img805/6246/0015b4c1medium.jpg (http://avaxhome.ws/video/genre/horror/The_Short_Films_of_David_Lynch.html)

The Short Films of David Lynch (2002, 6 films) (http://avaxhome.ws/video/genre/horror/The_Short_Films_of_David_Lynch.html)
DVDRip | English | avi | 640-672x352-480 | XviD @ 612-1236Kbps | MP3 @ 79-145Kbps | 77:30 | 464 Mb
Genre: Animation, Documentary, Horror

The Short Films of David Lynch is a collection of the early student and commissioned film work of American filmmaker David Lynch. As such, the collection does not include Lynch's later short work, which are listed in the filmography.

IMDB 7.4/10 (http://www.imdb.com/title/tt0357173/)

Six Figures Getting Sick (Six Times)
1966 Six Figures Getting Sick (Six Times) Originally untitled, "Six Men Getting Sick" is a one-minute color animated film that consists of a continuous loop shown on a sculptured screen of three human shaped figures (based on casts of Lynch's own head as done by Jack Fisk) that intentionally distorted the film. Lynch's animation depicted six people getting sick: their stomachs grew and their heads would catch fire.

Lynch made this film during his second year at the Pennsylvania Academy of Fine Art. The school held an experimental painting and sculpture exhibit every year and Lynch entered his work in the Spring of 1966. The animated film was shown on "an Erector-set rig on top of the projector so that it would take the finished film through the projector, way up to the ceiling and then back down, so the film would keep going continuously in a loop. And then I hung the sculptured screen and moved the projector back till just what I wanted was on the screen and the rest fell back far enough to disappear" (Chris Rodley, editor, Lynch on Lynch). Lynch showed the whole thing with the sound of a siren as accompaniment. The film cost $200 and was not intended to have any successors. It was merely an experiment on Lynch's part because he wanted to see his paintings move. (1 minute animation loop repeated 6 times)

The Alphabet
1968 The Alphabet Combines animation and live action; A simple narrative structure relating a symbolically rendered expression of childhood and aging. (4 minutes).
The idea for "The Alphabet" came from Lynch's wife, Peggy Reavey, a painter whose niece, according to Lynch in Chris Rodley's Lynch on Lynch book, "was having a bad dream one night and was saying the alphabet in her sleep in a tormented way. So that's sort of what started 'The Alphabet' going." Based on the merits of this short film, Lynch was awarded an American Film Institute production grant and became a minor celebrity.

The Grandmother
1970 The Grandmother After the success of "The Alphabet", one of Lynch's friends, Bushnell Keeler recommended that he check out the American Film Institute. Keeler's brother-in-law had been involved in setting up the AFI. Lynch submitted "The Alphabet" and wrote a script for a short film entitled, "The Grandmother." He sent the script and a print of "The Alphabet" to the AFI in Washington. Lynch got a call from George Stevens, Jr. and Tony Vellani at the AFI who wanted to know if Lynch could make "The Grandmother" for $5,000 (it eventually cost $7,200).

The short film combines live action, and animation again. The story revolves around a boy who grows a Grandmother to escape neglect and abuse from his parents. Silent (no dialogue) with soundtrack cues used to convey story.

The music in the film was provided by a local group known as Tractor and marked the first time Lynch would work with Alan R. Splet who was recommended to the filmmaker by the soundman on "The Alphabet". Initially, Lynch and Splet intended to use a collection of sound effects records for the film but after going through them all they found that none of them were useful. So, Lynch and Splet took 63 days to make and record their own sound effects.

The Amputee
1974 The Amputee Made for the American Film Institute while Eraserhead was in financial limbo. The AFI was testing two different stocks of black and white video and enlisted Frederick Elmes to test each one. Lynch asked Elmes if he could shoot something with this stock and so he and Catherine Coulson stayed up all night writing script. The result was a one shot scene with Catherine Coulson about a woman attempting to write a letter while a female nurse (played by Lynch) tends to her leg stumps. (two versions 5 minutes/4 minutes).

The Cowboy and the Frenchman
1988 The Cowboy and the Frenchman Slapstick made for French Television as part of the series The French as seen by... by French magazine Figaro. With Harry Dean Stanton, Frederic Golchan, and Jack Nance. (26 minutes)

Premonitions Following an Evil Deed
1996 Lumière:Premonitions Following an Evil Deed Originally included in the 1995 film Lumière et compagnie. Forty acclaimed directors created works using the original Cinematographe invented by the Lumière brothers (52 seconds).

http://www.pic4ever.com/images/Ghelyon.gif

Malo je reci da obozavam Petera Weira i njegove filmove. Filmografija (http://www.imdb.com/name/nm0001837/) mu i nije bas brojna, svejedno naklon do poda. :s

U to ime:

http://img227.imageshack.us/img227/78/00149758medium.jpg (http://avaxhome.ws/video/genre/special/Peter_Weir_Short_Film_Collection.html)

Peter Weir - Short Film Collection (2005) (http://avaxhome.ws/video/genre/special/Peter_Weir_Short_Film_Collection.html)
English | 101 mins | DivX | 930MB | 720x575 | PAL | Video Rate: 1500 kbps | Audio MP3 (48000Hz 192 kb/s tot, Joint Stereo)
Genre: Short Films

Collected together for the first time are the early, seminal short films of internationally acclaimed Director Peter Weir (Picnic at Hanging Rock, Gallipoli, The Truman Show, Master and Commander).

Personally selected by Weir, this compilation includes: 3 To Go: Michael (1969), Three Directions in Pop Music (1971), Incredible Floridas (1972), and Homesdale (1971) - a 50 minute short starring Kate Fitzpatrick and Grahame Bond.

This DVD provides a rare opportunity to witness Weir's formative work, along with the themes and style that would ultimately propel him into the international spotlight and establish his reputation as one the most thoughtful and talented directors currently working in Hollywood.

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img208.imageshack.us/img208/964/directorstevenspielberg.jpg

Ako je netko pomisljao upisati ADU (smjer: filmska rezija), neka si skrati te muke:

http://img299.imageshack.us/img299/5153/actioncut.jpg (http://www.ebookee.com/Action-Cut-Film-School-Film-making-DVD-Set_690616.html)

Action Cut Film School - Film making DVD Set (http://www.ebookee.com/Action-Cut-Film-School-Film-making-DVD-Set_690616.html)

Type Video
Size 2.05 GB (2,200,830,192 bytes )
Description A 3-volume DVD set (ripped as Xvid) containing over 5-hour seminars on film making, plus support pdf material.

1st volume topics:
A Director's Journey
The Language & Tools of Film Directing
Working With All Departments
The Craft of Visualization
2nd volume topics:
How To Open A Movie & Set-up Your Story
Character Comedy In Drama
The One-shot Scene
Emotional Climar (Slingshot)
3rd volume topics:
The Flashback Scene
Resolution of Your Story
The Business of Directing

RECENZIJA (http://www.moviemaker.com/blog/item/action_cuts_crash_course_in_film/)

SLUZBENA WEB STRANICA (http://www.actioncut.com/)

Sama teorija ipak nije dovoljna, drzite se ovog, zlata vrijednog, savjeta (http://www.youtube.com/watch?v=MVE296BvOj4) Sama Raimia.

Za sve ostalo svakodnevno koristite (sva znanja ovog svijeta po pitanju pravljenja filmova na jednom mjestu, sve besplatno):

http://img833.imageshack.us/img833/5233/filmakeriq.png (http://filmmakeriq.com/)

[Dr.Sartorius]

Wow, ovo mi treba.

Hvala puno la Familia

[La Familia]

Wow, ovo mi treba.

Hvala puno la Familia

Nema na cemu, i drugi put. :)

Nda, baci pogled i na post: #1409 (http://www.forum.hr/showpost.php?p=27826206&postcount=1409). Imas Dov S-S Simens 2-Day Film School (preporuka) i Rajkov nagradjivani projekt: How to make your movie - An interactive Film School v2.0.

Od knjiga i inih multimedijalnih cudesa hrpu toga mozes pronaci ovdje (http://www.gfxworld.ws/index.php?/list/category/film_filmmaking/) (dusu dalo za WeTAB (http://wetab.mobi/en)).

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img85.imageshack.us/img85/9563/cin16.jpg (http://www.foriegnmoviesddl.com/2008/08/cinema16-european-short-films.html)

CINEMA16: EUROPEAN SHORT FILMS (http://www.foriegnmoviesddl.com/2008/08/cinema16-european-short-films.html)

CINEMA16 celebrates the short film by showcasing some of the best classic and award winning shorts on DVD. Aside from providing short films with a much needed platform CINEMA16 gives filmmakers and movie-lovers access to some great films that would otherwise be near impossible to see, from the fascinating early works of some of Europe's greatest directors to award-winning films from its most exciting new filmmakers. With over three and a half hours of films CINEMA16 is essential viewing for anyone with an interest in the moving image. All of the films are accompanied by audio commentaries (in English), almost always by the directors themselves.

http://shahlaz.persiangig.com/image/Cinema16/01-talk.jpg

Bara prata lite (1997) aka Talk
Director: Lukas Moodysson

Charlotte et Véronique, ou Tous les garçons s'appellent Patrick (1959)
Director: Jean-Luc Godard

Copy Shop (2001)
Director: Virgil Widrich
AU/2001/12mins/35mm/b&w

http://shahlaz.persiangig.com/image/Cinema16/04-secdleto.jpg

Secdleto de la tlompeta, El (1995)
Director: Javier Fesser
Spain/1995/18mins

http://shahlaz.persiangig.com/image/Cinema16/05-epilog.jpg

Epilog (1992)
Director: Tom Tykwer
Germany/20/12mins

Fridge (1995)
Director: Peter Mullan
Scotland/1996/20mins

Giorno della prima di Close Up, Il (1996) aka Opening Day of Close-Up
Director: Nanni Moretti
IT/1996/35mm/color/7mins

http://shahlaz.persiangig.com/image/Cinema16/08-gisele.jpg

Gisele Kerozene (1989)
Director: Jan Kounen
Holland-France/1999/4mins

Härlig är jorden (1991) aka World of Glory
Director: Roy Andersson
SE/1991/16mins/35mm/color

http://shahlaz.persiangig.com/image/Cinema16/10-concert.jpg

Koncert zyczen (1967) aka Concert of Wishes
Director: Krzysztof Kieslowski
Poland/1968/16mins

Batteur du boléro, Le (1992)
Director: Patrice Leconte
France/1992/8mins

Zvahlav aneb Saticky Slameného Huberta (1971) aka Jabberwocky
Director: Jan Svankmajer
CZ/1971/13mins/color

http://shahlaz.persiangig.com/image/Cinema16/13-manwithoutahead.jpg

Homme sans tête, L' (2003) aka The Man Without a Head
Director: Juan Solanas
Fr/2003/18mins/35mm/color

http://shahlaz.persiangig.com/image/Cinema16/14-mywrongs.jpg

My Wrongs 8245-8249 and 117 (2002)
Director: Chris Morris
UK/2003/12mins

http://shahlaz.persiangig.com/image/Cinema16/15-nocturne.jpg

Nocturne (1980)
Director: Lars Von Trier
DK/1980/8mins/color

http://shahlaz.persiangig.com/image/Cinema16/16-election.jpg

Valgaften (1998) aka Election Night
Director: Anders Thomas Jensen
DK/1998/11mins/35mm/color

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Mali filmovi velikih filmaša (http://www.filmski.net/vijesti/kratki-film/5934/mali_filmovi_velikih_filmasa)

'Cinema 16' je brand pod kojim se nalaze zbirke najvrednijih kratkih filmova koji nam pokazuju da najbolji redatelji sazrijevaju kroz kratku formu.

Najbolji europski kratki filmovi na DVDu (http://www.filmski.net/vijesti/3/1317/najbolji_europski_kratki_filmovi_na_dvdu)

Cinema 16 nudi najbolje klasične i nagrađivane nove kratke filmove na DVDu. Uz hvalevrijednu činjenicu da nam čini dostupnim nešto što je bilo nemoguće bilo gdje pogledati, a time jako vrijedno za sve filmoljupce. U ponudi su 2 DVDa, jedan sa britanskim, a drugi s europskim filmovima. Popis je stvarno impresivan, a DVDovi su dugački oko 3ipo sata svaki uz audio komentare najčešće samih redatelja.

Europski DVD je apsolutni must za sve koji se smatraju filmoljupcima. Kompilirana su djela Krzysztofa Kieslowskog (Concert of Wishes), Jean-Luc Godarda (Charlotte et Veronique), Jana Svankmajera (Jabberwocki), Lukasa Moodyssona (Talk), Virgila Widricha (Copy Shop), Juana Solanasa (The Man Without A Head), Larsa von Triera (Nocturne), Toma Tykwera (Epilog)... i još njih. Dakle, prava četa genija pa je razumljivo da su filmovi vrlo raznoliki i svi odreda vrhunski. Pravi vatromet vrhunske estetike i tehničkog čarobnjaštva.

Britanski dvd sadrži između ostalog 'Boy And Bicycle' film tada 19ogodišnjeg Ridleya Scotta u kojem u jednom dijelu rotira svoju bolex kameru i snima svog brata Tonyja, da bi kasnije nadosnimio mamu i tatu, odnosno njihovo gunđanje i zvuk poznat svakome tinejdžeru. Sa svojim filmovima tu su još Christopher Nolan (Doodlebug), Stephen Daldry (Eight) Mike Leigh (The Short and Curliest), njegov ženski pandan Lynne Ramsay (Gasman), Peter Greenaway (Dear Phone) i mnogi drugi.

http://img716.imageshack.us/img716/4780/cinema16british.jpg (http://www.foriegnmoviesddl.com/2008/09/cinema16-british-short-films-2003.html)

Cinema16: British Short Films (2003) (http://www.foriegnmoviesddl.com/2008/09/cinema16-british-short-films-2003.html)

About a Girl (2001)
Director: Brian Percival
Runtime: 9 min

A young girl talks candidly to camera about her life with her mum and dad and her hopes for the future. But she is hiding more than we think. Brian Percival was an established commercials director when he made his first film from a script by his wife Julie Rutterford. The film, with a standout performance from young actress Ashley Thewlis, won a multitude of awards in 2002 including the BAFTA for Best Short Film.

Boy and Bicycle (1965)
Director: Ridley Scott
Runtime:27 min

Using a Bolex camera borrowed from art school Ridley Scott (BLADE RUNNER, GLADIATOR) shot his first film over the summer of 1956 in his hometown of Hartlepool. Scott used his brother, Tony, then 16 years old, and his mother and father as actors. There are few signs of what audiences could later expect from a Ridley Scott film. It was shot over six weeks, with voice-over and synchronised dialogue added later. The first audiences for BOY AND BICYCLE were Scott's teachers and fellow students in the Theatre Design department of the Royal College of Art. Scott finished the film in 1958 with a £250 grant from the British Film Institute, following his graduation. He cites the experience of making this short the one that made him and his brother Tony Scott (ENEMY OF THE STATE, SPY GAME) want to become filmmakers.

"I was heavily into Kurosawa at the time. I knew he used certain filters for his monochrome films. So I was stuffing on red filters every chance I got. I used a lot of hand-held camera and even drafted my father to act as a camera-car driver."
-Ridley Scott on Boy and Bicycle

Dear Phone (1977)
Director: Peter Greenaway
Runtime:17 min

A surreal celebration of a former English icon ? the red phone box. DEAR PHONE is one of the early works of Peter Greenaway (THE PILLOW BOOK, THE COOK, THE THIEF, HIS WIFE AND HER LOVER). It questions film forms and documentary traditions, and displays an intriguing mix of method and madness, featuring a set of characters who all happen to share the initials H.C..

Doodlebug (1997)
Director: Christopher Nolan
Runtime:3 min

This early short film from the director of MEMENTO, INSOMNIA and BATMAN BEGINS was made when he was a student in London. Nolan was studying English Literature at University College London when he started to make 16mm films at the college film society, of which the surreal short DOODLEBUG was one. This early film shows the preoccupation with narrative boundaries Nolan would later explore in his feature films and has the simplicity common to many good shorts. The film was produced by his now-wife and producing partner, Emma Thomas. A man waits patiently in his apartment to squash a bug, but he could be hurting himself more than he realizes.

"We did the effects on the best machines we could at the time, for free. We painted our own blue screen with paint from John Lewis shop that doesn't actually work very well. It's worth paying for the proper paint it you're ever faced with a similar dilemma."
-Christopher Nolan on Doodlebug

Eight (1998)
Director: Stephen Daldry
Runtime:13 min

His name is Jonathan and he is eight. He loves football and he loves his Dad ? even though they've never met. EIGHT was the film debut from Stephen Daldry who was previously acclaimed for his work in theatre. He directed the film from a script written by Tim Clague, which won the Jerwood Film Prize in 1998. In many respects EIGHT is considered by Daldry and producer Jon Finn of Working Title to have been a rehearsal for BILLY ELLIOT, which they went on to make the following year. Daldry has been Oscar and BAFTA nominated for his recent film THE HOURS.

Gasman (1997)
Director: Lynne Ramsay
Runtime:15 min

The Girl Chewing Gum (1976)
Director: John Smith
Runtime:12 min
Winner of the Oberhausen short film festival in 76

Home (1998)
Director: Morag McKinnon
Runtime:11 min

Joyride (1995)
Director: Jim Gillespie
Runtime:10 min

Inside-Out (1999)
Director: Tom and Charles Guard
Runtime:7 min

Je t'aime John Wayne (2000)
Director: Toby MacDonald
Runtime:10 min

The Sheep Thief (1997)
Director: Asif Kapadia

The Short & Curlies (1987)
Director: Mike Leigh

Telling Lies (2001)
Director: Simon Ellis
Runtime:5 min

Who's My Favourite Girl? (1999)
Director: Adrian McDowall
Runtime:16 min

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Scorsese je snimio podosta sjajnih dokumentaraca, ovo su moja tri najdraza:

http://img823.imageshack.us/img823/8941/italianamerican.jpg (http://www.foriegnmoviesddl.com/2008/12/italianamerican-1974-martin-scorsese.html)

Vrativši se u Malu Italiju kako bi istražio svoje etničke korijene, Scorsese je snimio Italianamerican, dokumentarac u kojem su se pojavili i njegovi roditelji, Charles i Catherine Scorsese.

Italianamerican (1974) - Martin Scorsese (http://www.foriegnmoviesddl.com/2008/12/italianamerican-1974-martin-scorsese.html)

Italianamerican is a 1974 film directed by Martin Scorsese. Martin Scorsese's parents, Catherine and Charles Scorsese, feature in this homemade documentary acting as themselves. The Scorseses talk about their experiences as Italian immigrants in New York among other things, while having dinner at their flat on Elizabeth Street. Scorsese's mother also instructs how to cook her meatballs, a recipe later featured in the credits of the film. Among the subjects discussed in the film are family, religion, their origins, Italian ancestors, life in Italy after the war, the hardships of poor Sicilian immigrants in America striving to make ends meet.

http://img409.imageshack.us/img409/9294/apersonaljourneywithmar.jpg (http://www.foriegnmoviesddl.com/2008/09/personal-journey-with-martin-scorsese.html)

'A Personal Journey with Martin Scorsese Through American Movies' (1995) Scorceseovo je gotovo četverosatno prebiranje po biserima američke kinematografije i na koji su način utjecali na njega i njegovo stvaralaštvo, a sve začinjeno s gomilom filmskih klipova i intervjua.

A Personal Journey with Martin Scorsese through American Movies (1995) - Martin Scorsese - Michael Henry Wilson (http://www.foriegnmoviesddl.com/2008/09/personal-journey-with-martin-scorsese.html)

This is a truly fascinating documentary running nearly four hours long. As the title suggests this is a uniquely personal look at American movies from Martin Scorsese, one of the great directors and film historians of our times. Scorsese, who still describes himself as a “student”, discusses the movies that have influenced him and analyses the work of directors as diverse as D W Griffith, F W Murnau, Chaplin, Erich von Stroheim, Douglas Sirk, Sam Fuller, Vincente Minelli, Orson Welles, Elia Kazan, Stanley Kubrick, Arthur Penn, Sam Peckinpah, John Cassavetes and many others. Not intended as a linear history of American cinema, nor simply as a discussion of different genres, the documentary is divided into segments that group together the works of directors who share certain characteristics: “The Director as Storyteller”, “as Illusionist”, “as Iconoclast”, “as Smuggler” …

Release Date: 1995
Total runtime:225 min (in three parts)
Total size: 1400 MB

IMDb Rating: 8.7/10
http://www.imdb.com/title/tt0112120/

http://img26.imageshack.us/img26/113/itmyvoyage.jpg (http://avaxhome.ws/video/Format/documentary/Re_My_Voyage_To_Italy.html)

Ne smijemo ne spomenuti njegovo djelo iz 2001. koje se na sličan način bavi talijanskim filmskim klasicima - također četverosatni 'My Voyage to Italy'.

My Voyage To Italy (Il Mio Viaggio In Italia) (http://avaxhome.ws/video/Format/documentary/Re_My_Voyage_To_Italy.html)

DVD-Rip | AVI 480 x 352 (15:11) XviD | Audio: Dolby AC3, 48000 Hz, 192 Kbps | 4h:04min | 3CD's: 721+721+722 Mb (2,11 Gb total)
Studio: Mediatrade Gruppo Mediaset, Miramax Films | Language: English, Italian; Subtitle: English (.srt)
Genre: Documentary | IMDB: 8.2/10 | Director: Martin Scorsese; Writers: Suso Cecchi d'Amico, Raffaele Donato | 1999 Year

"I saw these movies. They had a powerful effect on me. You should see them." That's Martin Scorsese's message for this documentary. We meet his family on Elizabeth Street in New York; he's a third generation Italian with Sicilian roots. Starting in 1949, they watched movies on TV as well as in theaters, lots of Italian imports. Scorsese, with his narration giving a personal as well as a public context, shows extended clips of these movies. Films of Rossellini and De Sica fill part one; those of Visconti, Fellini, and Antonioni comprise part two. Scorsese takes time with emotion, style, staging, technique, political context, and cinematic influence. It's his movie family.

“This survey of Italian cinema by Martin Scorsese is a worthwhile follow-up to his 1995 documentary A Personal Journey Through American Movies. Packed with insight and film clips, Voyage covers Italian cinema from World War II through the early '60s, the time that the young Scorsese watched these films before starting his career. The heart of the documentary is the Neo-Realism movement – not the lightest of genres, but Scorsese's passion helps considerably. He introduces us to his family and Sicilian ancestors via photos and home movies allowing us to understand how powerfully these films affected him and his family. He talks about how he saw the films, often through inferior prints on television, and calls out details to observe. The filmmaker spends upwards of 15 minutes on a single film, with the bulk of the history centering on five powerhouse directors: Roberto Rossellini (“Open City”), Vittorio De Sica (“The Bicycle Thief”), Luchino Visconti (“Senso”), Federico Fellini (“8-1/2”), and Michelangelo Antonioni(“L'Avventura”).

Scorsese's four-hour-plus survey should come with a college credit for film history. He examines the major films but also spends time on films that may be hard to find on home video (at least at this time): Rossellini's six-part “Paisan”, a heart-breaking look at the last days of the war; De Sica's episodic “The Gold of Naples”; Fellini's atypical “I Vitelloni”, which was a major influence on Scorsese's own “Mean Streets”; Antonioni's “Eclipse” with its radical ending; and Rossellini's “Voyage to Italy”, an examination of a marriage that failed worldwide as a film but was a touchstone for the French New Wave movement. The final results are not as accessible as “Personal Journey” but, at worst, a viewer will have working knowledge of more than 20 Italian films (and be able to cheat their way through a discussion). At best, these are four hours that will end too soon and leave you hungry to view these films that have fueled Scorsese's cinematic vision.”

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img843.imageshack.us/img843/6496/201d.jpg

Michel Gondry
08.05.1963, Versailles, France

Vizionar i inovator odrastao je u slobodoumnoj obitelji na koju je uvelike utjecala pop glazba, što potkrepljuju podaci da je njegov djed izumio jedan od prvih sintesajzera, otac mu se bavio prodajom električnih gitara, a majka mu svirala klavir. Dok je još bio mali želio je postati slikar ili izumitelj, no život je pokazao da će nekako povezati oboje i premetnuo ga u art inovatora, pa je tijekom osamdesetih da bi postao baš taj upisao umjetničku školu u Parizu nastojeći razviti grafičke vještine. U Parizu upoznaje ljude s kojima kasnije osniva pop-rock band 'Oui-Oui' u kojem svira bubnjeve (iako mu je vlastiti otac uvijek spočitavao loše glazbene sposobnosti), te izdaje dva albuma i nekoliko singlova.

Njegovo bogato glazbeno iskustvo koje seže još u djetinjstvo i isprepliće se s njegovim ranim sjećanjima pokazalo se korisnim i za muzičko-filmske vode značajnim kada je mladi Michel nabavio kamericu i počeo se zezati okolo. Eksperimentira s tehnikama, pokazuje izrazitu naklonost geometrijskim formama, radi sam, a kasnije je čak izjavio da se nikad nije smatrao redateljem, on se kao, malo igrao animacije u svojoj sobi. Gondry tih godina počinje režirati minuciozne forme – vizionarske video klipove s muzikom svog benda u pozadini, u kojima je najjače prisutan duh šezdesetih.

Upravo ovdje počinje slavno i plodno partnerstvo – Bjork je zapazila jedan od njegovih videa na MTV-u te ga odlučila angažirati za spot 'Human Behaviour'. Za taj je spot osvojio praktički sve postojeće nagrade i lovorike. Naš je redatelj potpisao još pet njezinih spotova, zaradio šuškicu, pa krenuo na suradnju s drugim teškašima; navedimo Massive Attack, Rolling Stones, Daft Punk, Chemical Brothers te Lennyija Kravitza.

Isto tako, gospodin je interdisciplinarni majstor – prvi je koristio tehniku snimanja tijela pojedinca s više kamera a postavio je i temelje modernih vizualnih efekata koji su kasnije korišteni u famoznoj sceni izbjegavanja metaka u Matrixu. Okušao se i u svijetu reklama, te povećao prodaju Gapu, Smirnoffu, Air Franceu, Nikeu, Coca Coli, Adidasu i Levi' s. Upravo je za reklamu Levisa dobio najveće i najbrojnije nagrade (ušao je u Guinessovu knjigu rekorda) te postao najtraženiji redatelj spotova.

Uz sve navedeno ne začuđuje činjenica da je ovaj kreativni gigant odlučio proširiti polja interesa te počeo snimati filmove. Naravno, kao svaki pravi Francuz, nije bio toliko lud i zapičio u Hollywood, niti je ušao u neke studijske sustave, nego se iznova čudio koliko stupnjeva birokracije i politike čovjek mora proći da bi snimio film. Scenarij za njegov prvi film, komediju 'Human Nature' (2002) napisao je Charlie Kaufman s kojim će i poslije surađivati.

Već će u tom prvom filmskom ostvarenju ostaviti određen nadrealni potpis, veliku strast prema blago fantastičnim elementima, posebice snovima. Isto tako, već je u spotovima, pa onda i u svom prvom filmu zapamćen po poigravanju s koncepcijom, posebno s vremenskim segmentom ali i potrebom za psihološkim putovanjem mnogo dubljim od same interpretacije scenarija.

Dok su ga pitali o čemu se radi, Gondry je lijepo objasnio da ne želi biti dosadan i raditi ono što rade ostali. Njegov filmski prvijenac nije baš najbolje primljen, točnije, šira ga publika smatrala previše čudnim i zbog te je činjenice prošao relativno neprimijećen. Njegov drugi film 'Eternal Sunshine of the Spotless Mind' (2004) koji je također ekranizacija Kaufmanovog scenarija ubrao je dobre kritike i reakcije publike, a pozabavio se pričom para koji nakon prekida doslovno želi partnera obrisati iz glave. Najavljen je njegov slijedeći projekt, 'The Science of Sleep' za koji će sam napisati scenarij, već je angažirana glumačka ekipa, a snimanje bi trebalo početi rano slijedeće godine.

Sudeći po Gondryijevom nepresušnom vrelu ideja za spotove, možemo samo trljati ruke i očekivati još mnogo dobrih filmova iz njegove radionice snova. Pa ipak je čovjek tek snimio dva filma.

Izvor (http://www.filmski.net/dossier/201/michel_gondry)

Lovely jubbly, ovo je kao stvoreno za nedjeljnu vecer:

http://img839.imageshack.us/img839/1806/hx6kjs.jpg (http://www.foriegnmoviesddl.com/2010/05/work-of-director-michel-gondry-2003.html)

The Work of Director Michel Gondry (2003) - Michel Gondry (http://www.foriegnmoviesddl.com/2010/05/work-of-director-michel-gondry-2003.html)

Language: English | French
Country: USA
Genre: Documentary | Comedy | Music
Director: Michel Gondry

Description: French-born Michel Gondry is known for his visually groundbreaking imagery and re-interpretations of reality. A former drummer, his first collaboration with Björk for “Human Behaviour” (featuring Björk as a hunter who eventually winds up inside a bear’s stomach), helped revive what was then a dwindling music video industry, and went on to win nearly every music video award. The project sparked a creative relationship between Gondry and Bjork, which led to five more videos. Gondry has also directed the Rolling Stones’ “Like A Rolling Stone,” Beck’s “Deadweight” (set in a world in which everything is reversed); and Radiohead’s “Knives Out” (featuring a life-size version of the Operation board game where Thom Yorke and his “girlfriend” play out the demise of their relationship), as well as videos for the Chemical Brothers, the White Stripes, Daft Punk, and the Foo Fighters amongst others.

IMDB (http://www.imdb.com/title/tt0384700/) (8.5/10)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img835.imageshack.us/img835/6365/clinteastwood0109lg.jpg

That's the secret to life, really -- never stop learning.
It's the secret to career. I'm still working because I
learn something new all the time.
- Clint Eastwood (http://www.esquire.com/features/what-ive-learned/clint-eastwood-quotes-0109)

Huh? Da ti oci zasuze od poniznosti.

What if Clint was one of Us?
Just a slob like one of Us?
Just a Stranger on a bus,
trying to make His way Home...

http://img412.imageshack.us/img412/517/611d8g1sn1lss500.jpg (http://worldforfree.net/e-books/1146119834-the-ultimate-filmmaking-kit.html)

The Ultimate Filmmaking Kit (http://worldforfree.net/e-books/1146119834-the-ultimate-filmmaking-kit.html)

Absolutely the most in depth, informative and entertaining filmmaking serries out there. -- K. Cooper, Producer, "Second Hand Lions"

Jason proves that top-notch production values are within the reach of anyone who has dreamnt of making a movie. -- S. Skrovan, Producer, Everybody Loves Raymond

This series should, without a doubt be required viewing for everyone wanting to break into the industry. -- P. Falvey, screenwriter

The Ultimate Filmmaking Kit teaches you every step of the movie making process through a 31-part video series, comprehensive CD-ROM jam packed with information, contracts, forms and industry resource guides, and an elaborate 280-page companion book full of contact information, charts, illustrations and valuable insider techniques.

Unlike other videos on making movies, The Ultimate Filmmaking Kit isn't a boring videotaped lecture, but a comprehensive journey that takes you onto the set of Time and Again, a movie specifically made to demonstrate each of the principals taught. This system for making a movie is so effective, that Time and Again itself was picked up for international distribution and made a profit.

Learn from professional moviemakers as they reveal tricks of the trade, step-by-step techniques and information gathered from years of experience.

Disc 1: Time and Again

On the first disc, see the movie that made it all happen! Time and Again is the story of Bobby Jones, a convicted murderer, who has been sentenced to thirty years in prison for a crime he didn't even remember committing. Bent on finding the real killer, he escapes from prison only to be thrown back in time to July 14, 1958... the day of the murder. With six hours to work, he must reconstruct a forgotten past to save himself... until he meets the sexy diner waitress, Awanda. It is only then that his true priorities are tested.

* Time and Again the movie
* Complete Director's Commentary track unveiling the secrets behind the making of the movie
* Original Trailer for Time and Again
* Original Trailer for One, Jason J. Tomaric's blockbuster sci-fi feature
* Behind-the-Scenes photo gallery

Disc 2: How to Make a Hollywood Caliber Movie on a Budget Of Next To Nothing

On the second disc, you'll get THE ENTIRE 5-HOUR film school on DVD! With over 30 in-depth chapters from Directing and Acting to Digital Effects and Working with the Media--EVERYTHING you need to know from the people who started out in your shoes and actually made a Hollywood quality movie for no money! Learn step-by-step the process they went through to make a film that got Jason J. Tomaric a HOLLYWOOD DIRECTING DEAL!

Disc 3: The Producer's Notebook

On the third disc, you'll have in your hands, the ACTUAL shooting script with notes from director Jason J. Tomaric himself! Not only will you get inside Jason's head, but you will also have all the paperwork generated during the making of Time and Again, as well as blank templates you can use for your own projects! This Producer's Notebook is an invaluable tool that lays out the paper structure you need to make a Hollywood caliber movie on a budget of next to nothing.

* Shooting Script with director's notes
* Story Boards
* Contracts with cast, crew and locations
* Scene breakdowns
* Call Sheets
* Camera Logs
* Industry resource guides from Apple Computer, Audio-Technica, Panavision, Arri, Lowel, Matthews Studio Equipment on editing, lighting, camera gear and much more!
* Creative Notes and much, much more
* SPECIAL BONUS, you will also receive the complete rough footage from one of the scenes from Time and Again that you can load into your computer to practice editing! If you want to learn how to edit, here's your chance to use REAL movie footage completely UNEDITED to perfect your skills! Work off the actual camera logs generated on set and edit away! Never before has anyone has this unbelievable opportunity!

The Production Manual

270 information-packed pages full of must-know tips, tricks, diagrams, charts and resources tell you everything you need for your own production. Covering everything from insurance and distribution to fund-raising and budgeting to acting and directing to editing and MUCH, MUCH more, this complete guide is essential for every filmmaker, both on the set and off.

Ovo svi ludjacki hvale, i to unisono:

http://img822.imageshack.us/img822/3218/244y54l.jpg (http://www.gfxtoday.org/tutorials/other/84824-hollywood-camera-work-the-master-course-in-high-end-blocking-staging-142gb-english.html)

Hollywood Camera Work - The Master Course In High-End Blocking & Staging | 1.42GB | English (http://www.gfxtoday.org/tutorials/other/84824-hollywood-camera-work-the-master-course-in-high-end-blocking-staging-142gb-english.html)

A groundbreaking learning tool used by everyone from beginners to Academy Award winners, the course teaches high-end camera work through over 9 hours of 3D animated instruction on 6 DVDs.

Besides working with actors, blocking is one of the most important things a Director does, and should be really good at. Yet most books, videos and many film schools barely touch the basics.

A TOTAL LANGUAGE
The Master Course is a powerful system of single-camera blocking and an unprecedented language of camera work, that may fundamentally change the way you direct.

The course was created by director Per Holmes, who spent over half a decade developing an all-inclusive language of high-end feature camera work for personal use, and then realized how much others would benefit from these techniques.

The Master Course is far beyond any current filmmaking program, and is intended for professionals who want to take their blocking skills to the highest level, and those who are crossing over from another discipline, but can be used by filmmakers at any level who are committed to mastering high-end directing.

The primary goal of The Master Course in High-End Blocking and Staging is to do the most effective blocking with the highest production-value, and to build a vast repertoire of techniques to make Directing more expressive — and ultimately more fun.

When shooting, we also too often abandon many great shots we had planned. When we're under pressure, we revert to tried and tested techniques like two reverses and a master. Even if we know plenty of techniques, we often only use the ones we know extremely well, so another key goal of the course is to know techniques so well that we actually use them.

Homepage:
http://www.hollywoodcamerawork.us/mc_index.html

Recenzija (klik na fotku ispod):

http://img412.imageshack.us/img412/4265/picture1el.jpg (http://www.dvxuser.com/articles/hollywood/)

+

http://img839.imageshack.us/img839/148/nutsandboltsfilmmakingc.jpg (http://www.heroturko.org/ebooks/film-filmmaking/62910-nuts-and-bolts-filmmaking-practical-techniques.html)

Nuts and Bolts Filmmaking: Practical Techniques for the Guerilla Filmmaker by Dan Rahmel (http://www.heroturko.org/ebooks/film-filmmaking/62910-nuts-and-bolts-filmmaking-practical-techniques.html)
Publisher: Focal Press | Number Of Pages: 360 | Publication Date: 2004-03-30 | ISBN-10: 0240805461 | PDF | 14 Mb

Most books that describe low-budget moviemaking are either primarily inspirational or focus on writing scripts, handling actors, planning shooting logistics, camera selection, etc. These books rarely address the nuts and bolts of actual production. Equipment fabrication, effective lighting, authentic art direction, set decoration, basic makeup effects, and post-production techniques are traditionally ignored.

Nuts-and-Bolts Filmmaking provides how-to information for each of these areas. Construction details show you how to replicate many expensive professional film tools for under $30 a piece. The explosion in consumer and pro-sumer digital video cameras has supplied an opportunity for almost anyone to be a filmmaker -- if they have the right knowledge and equipment to realize their vision. This book provides quick and inexpensive remedies to the most common and difficult production challenges.

Kaj se ceka?

Seize the day, boys. Make your lives extraordinary.

I zapamtite rijeci velikog Dickyja Foxa (http://www.youtube.com/watch?v=LG-Wnd4Q41Q) (a to vam i zelim, od srca. A valjda i sebi). :)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img831.imageshack.us/img831/114/ej6gwg.jpg (http://www.foriegnmoviesddl.com/2010/03/tell-them-who-you-are-2004-mark-wexler.html)

Tell Them Who You Are (2004) - Mark Wexler (http://www.foriegnmoviesddl.com/2010/03/tell-them-who-you-are-2004-mark-wexler.html)

Mark Wexler's cinematic blend of biography and autobiography centers on his relationship with his father, legendary Oscar-winning cinematographer and filmmaker Haskell Wexler, whose long and illustrious career is a virtual catalogue of 20th-century classics. Haskell's collaborations with such world-class filmmakers as Elia Kazan, Milos Forman, George Lucas, Francis Ford Coppola and Mike Nichols include such works as WHO'S AFRAID OF VIRGINIA WOOLF?, AMERICAN GRAFFITI, COMING HOME, BOUND FOR GLORY and ONE FLEW OVER THE CUCKOO'S NEST.

The film features interviews with many of these artists, along with such luminaries as Jane Fonda, Michael Douglas and Sidney Poitier. But the true "star" of TELL THEM WHO YOU ARE is Haskell himself, a controversial, larger-than-life character who challenges his son's filmmaking skills while announcing with complete conviction that he could have done a better job directing most of the movies he's shot. As these two men swap positions on camera and behind it - sometimes shooting one another simultaneously - the film looks with honesty and compassion at their attempts to reconcile before it's too late.

IMDB (http://www.imdb.com/title/tt0420952/)

[La Familia]

Disclaimer: this post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img689.imageshack.us/img689/4606/000a6a27.jpg

Cinéastes de notre temps : John Cassavetes (1968) (http://avaxhome.ws/video/genre/art_house/cdnt_john_cassavetes.html)
Directed by André S. Labarthe & Hubert Knapp
DVDrip | English | Subtitles: FR (optional) | 0:48:22 | 624x480 | NTSC 23.97fps | XviD | Audio: MP3 128kbps | 700 MB

A documentary on John Cassavetes, shot in Hollywood in 1965, while he was editing "Faces", and then in 1968 in Paris when the film was finally completed. A french TV team is listening to the credo of Cassavetes that you can make independent, free films in America if you dare to follow your convictions and forget about the limits of your credit card.

http://img827.imageshack.us/img827/8234/000a6a30medium.jpg

"Cineastes de Notre Temps" is a French TV program that interviewed Cassavetes in '65 while he was making Faces and then again in '68 after it had been screened. The first interview finds him in a playful mood as he jokes about making a musical of Crime and Punishment. In the second interview he claims that he's the worst director but tries to create an environment that allows the actors to express themselves honestly. — Cubist, IMDB review

Picked up by the studios, Cassavetes made Too Late Blues then A Child is Waiting, which was Judy Garland’s last appearance on the big screen. The film did not appeal to the producer Stanley Kramer who had it re-edited against his director’s wishes. Cassavetes was done with studios.

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(...) Far from the Hollywood system, he made independent movies with his wife, actress Gena Rowlands, who he married in 1953, and his friends. The brilliant result was Faces. (...)

(...) Without having a definite subject at the start, Cassavetes’ creative spirit was in full swing. Ideas piled up. The first draft was 265 pages and only laid out half the film. Cassavetes feared it would last 10 hours and he started making the film with 10,000 dollars. (...)

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(...) In 1965, when Labarthe visited him in Los Angeles while he was editing, he was full of hope: “It’s one of the drawbacks of low-budget movies, made with non-professionals, but we prefer it that way (…) having the freedom. We don’t know if it’s any good. But it’s worth a year with no salary to say something. If we don’t have fun, we die… Laughing in the face of tragedy. Being able to film joy. It’s so much better than all the worries (politics, religion) that waste our time.” (...)

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(...) Cassavetes’ films would never be political. He even totally ignored the Vietnam War and the protests it sparked. Cassavetes’ aim was to “avoid self-censorship and find an inner truth. To do that means working on a subject whose truth is a little beyond us.” (...)

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(...) Six months of shooting, three years in post-production and a house mortgaged for a result unique in the history of cinema. Thierry Jousse described it like this: “A hand-held camera always moving, following the actors’ movements, seems to grope its way along, feverishly searching for faces and bodies in long sequence shots. It is not isolated but included in the action. The editing brings another type of freer movement, giving a sense of telescoping. We start with an actor’s vague movement, but then suddenly change angles. There are very fast panoramic shots, spasmodic series of close-ups with no continuity and inserts.” — Jean-Luc Lacuve, Dissidenz.com

http://img338.imageshack.us/img338/6861/000a6a3cmedium.jpg

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img26.imageshack.us/img26/7224/rogopag.jpg (http://www.foriegnmoviesddl.com/2010/08/rogopag-1963-rossellinigodardpasolinigr.html)

4 kratka filma 5 velicanstvenih - Jean-Luc Godard, Ugo Gregoretti, Pier Paolo Pasolini i Roberto Rossellini.

Fali peti?

Orson Welles u ulozi 'ghost directora' (The 'Director', segment "Ricotta, La").

Ro.Go.Pa.G. (1963) Rossellini/Godard/Pasolini/Gregoretti (http://www.foriegnmoviesddl.com/2010/08/rogopag-1963-rossellinigodardpasolinigr.html)

Illibatezza: The Alitalia flight attendant Anna Maria is harassed by the middle-aged American executive Joe. A psychiatrist gives an orientation to her fiancé Carlo, advising Ana Maria to behave like a slut, since the maniac is attracted by her chastity.

Il Nuovo mondo: The boy-friend of the gorgeous Alexandra is hardly sleeping, so obsessed he is for her. When she confesses that she is also in love with him, he sleeps for two consecutive days. When he wakes-up, he reads in the newspaper that there was an atomic super-explosion over Paris, but the specialists advise that without any effect in the population. However, Alessandra changes her behavior, ex-loving him, and he feels that a new world without logic and freedom may be arising.

La Ricotta: While shooting "The Passion of Christ" in the periphery of Rome, the arrogant director, actors, actresses and cast show their lack compassion with the poor and famine Stracci.

Il Pollo ruspante: While traveling to see a field nearby a lake, a family does not resist to the appeal of the consumerism. Meanwhile, a famous professor presents to the dominant classes, procedures to increase the consumerism of ordinary people.

IMDB
http://www.imdb.com/title/tt0056171/

Uzivajte. :)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Morris tvrdi da kod kratkih filmova možete primijetiti najzanimljivije režiranje, jer ljudi 'nisu sputani komercijalnim pritiscima' koji ograničavaju autore kod snimanja dugometražnih filmova. Umjesto toga, autori u sažetoj formi koncentriraju svoje ideje, pa tako u ranim radovima slavnih redatelja možemo vidjeti začetke budućih estetika.

I sami filmaši s ovih kompilacija trude se čim više promovirati ovu pomalo potcijenjenu formu. Jane Campion tako navodi da 'kratki filmovi nisu inferiorni, nego samo različiti', a 'privlačno je to što nemaš toliko odgovornosti za fabulu', što po njoj omogućava 'više kreativnosti', 'čak i za redatelje koji inače rade dosadne dugometražne filmove'. Guillermo Del Toro je još direktniji: 'Ako je nekompetentni kučkin sin poput mene napravio kratki film, izgradio karijeru i snima dugometražne filmove - onda ima nade za svakoga'. Evo motivacije i za hrvatske filmaše...

Izvor (http://www.filmski.net/vijesti/kratki-film/5934/mali_filmovi_velikih_filmasa)

Nekoliko sjajnih knjiga/preporuka:

http://img52.imageshack.us/img52/6098/14566527.png (http://www.sendspace.com/file/0kzst1)

Writing the Short Film (http://www.sendspace.com/file/0kzst1)
By Patricia Cooper, Tisch School of the Arts, New York University, New York
Ken Dancyger, Professor of Film and Television at Tisch School of the Arts at New York University as well as the author of numerous books on screenwriting, editing, and production.

The short film is a unique narrative art form that, while lending itself to experimentation, requires tremendous discipline in following traditional filmic considerations. This book takes the student and novice screenwriter through the storytelling process- from conception, to visualization, to dramatization, to characterization and dialogue- and teaches them how to create a dramatic narrative that is at once short (approximately half an hour in length) and complete. Exercises, new examples of short screenplays, and an examination of various genres round out the discussion. NEW TO THE THIRD EDITION: new screenplays, a chapter on rewriting your script, and a chapter on the future of short films

http://img690.imageshack.us/img690/1056/70763061.png (http://www.sendspace.com/file/1vhmcf)

How Not to Make a Short Film (http://www.sendspace.com/file/1vhmcf)

As I read “How Not to Make a Short Film” I felt more and more cheated, not by the book but by my film school. Why hadn’t my instructors taught me this stuff? This is a book every film student, every filmmaker must read before writing, producing, or directing a short film. It’s a must-have resource that guides one through filmmaking’s precarious decisions and shows how to avoid the many errors in judgment that mark mediocre films. Written by Roberta Marie Monroe, an award winning filmmaker and former Sundance Film Festival short film programmer, Roberta brings to the table a wealth of knowledge about every phase, from conception to production to distribution.

Opsirnije/recenzija knjige (http://www.filmnewsandviews.com/sects/insiders_viewpoints/page.php?pagenum=2297)

http://img214.imageshack.us/img214/7698/83076981.png (http://www.sendspace.com/file/pv74vx)

Crafting Short Screenplays That Connect (http://www.sendspace.com/file/pv74vx)

"Crafting Short Screenplays that Connect" introduces the essential element of 'human connection' - the ability to 'touch' the reader or observer - to the screenwriting and story creation process for short films. Claudia Hunter Johnson teaches the craft of short screenplay writing by guiding you through carefully focused writing exercises of increasing length and complexity. You will learn how to think more deeply about the screenwriter's purposes, craft an effective pattern of human change, and hone your vision and process for your short screenplays. It is a groundbreaking book that stresses human connection as the basis of a good screenplay-not conflict. It includes a website with short films of the screenplays which are analyzed in the book & ample exercises for practice and inspiration. It is recommended by the American Film Institute.

Video Production Handbook By Gerald Millerson, Jim Owens (http://avaxhome.ws/ebooks/eLearning_book/hobbies_Leisure_time_guides/0240520807.html)
Publisher: Focal Press; 4 edition 2008 | 352 Pages | ISBN: 0240520807 | PDF | 45 MB

Techniques matter! Great ideas don't automatically translate into great programs. It's not enough simply to show what is going on. The way you present your subject will influence how your audience responds. You need to choose your picture and sound carefully, to convey your ideas in an interesting, persuasive way. This book will show you how.

Video Production Handbook shows the full production process, from inception of idea to final distribution. The book focuses especially on why each step occurs as it does and provides guidance in choosing the simplest methods of creating the shots you want in your video project. Concentrating on the techniques and concepts behind the latest equipment, this book demonstrates the fundamental principles needed to create good video content on any kind of budget.

Suitable for students and beginning videographers, the new edition of this classic text retains its clarity and directness but has been completely revised and updated. This practical sourcebook has been specially prepared to give you an at-a-glance guide to quality video program-making on a modest budget. Emphasis throughout is on excellence with economy; whether you are working alone or with a small multi-camera group. The well-tried techniques detailed here will steer you through the hazards of production, helping you to avoid those frustrating, time-wasting problems, and to create an effective video program.

For many years Video Production Handbook has helped students and program-makers in a wide range of organizations. Now in its thoroughly revised 4th edition, Video Production Handbook guides you step-by-step, explaining how to develop your initial program ideas and build them into a successful working format. It covers the techniques of persuasive camerawork, successful lighting and sound treatment, and video editing. You will find straightforward up-to-the-minute guidance with your daily production problems, and a wealth of practical tips based on the authors' personal experiences.

* Highly visual: hundreds of full-color illustrations demonstrate techniques
* Modern: Up-to-date information on current equipment, techniques, and new distribution outlets such as the Web and mobile phones
* Balanced: Production techniques are covered in detail, but ideas and creative problem solving are given equal weight
* A complete resource: Detailed teaching ancillaries are available for instructors

Ostale korisne stvari/Resources:

The Best Short Film Websites (http://www.zeroland.co.nz/film_short.html)

http://img202.imageshack.us/img202/2852/profileheaderj.png (http://www.youtube.com/user/futureshorts)

Obavezno pogledati (snimljeno s CANON 5D mark II):

BESPLA / FOR FREE (http://vimeo.com/2681050)
by Marko Butrakovic

Official homepage - bespla.org (http://www.bespla.org/)
Official Facebook Group - facebook.com/group.php?gid=41645104106 (http://www.facebook.com/group.php?gid=41645104106)
The Making Of Bespla - vimeo.com/2859439 (http://vimeo.com/2859439)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img294.imageshack.us/img294/4629/16678469.png (http://www.sendspace.com/file/djkjhp)
Black Swan (2010).pdf (http://www.sendspace.com/file/djkjhp)
Size: 3.67MB
Official HD trailer (http://www.youtube.com/watch?v=5jaI1XOB-bs)

Recenzija scenarija by ScriptShadow ovdje (http://scriptshadow.blogspot.com/2009/08/black-swan.html).

http://img843.imageshack.us/img843/9527/42919545.png (http://www.sendspace.com/file/47xyyv)
The Social Network (2010).pdf (http://www.sendspace.com/file/47xyyv)
Size: 4.00MB
Official Trailer (http://www.youtube.com/watch?v=lB95KLmpLR4&)

Recenzija scenarija by ScriptShadow ovdje (http://scriptshadow.blogspot.com/2009/07/social-network-facebook-movie.html).

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img682.imageshack.us/img682/4533/directedbyjohnford.jpg (http://www.worldscinema.com/2010/08/peter-bogdanovich-directed-by-john-ford.html)

Peter Bogdanovich - Directed by John Ford (1971) (http://www.worldscinema.com/2010/08/peter-bogdanovich-directed-by-john-ford.html)

A documentary on the life and films of director John Ford.

In 1971, Peter Bogdanovich was, perhaps, America's most promising young filmmaker, having directed the remarkable "Targets" (1968) and "The Last Picture Show" (1971) earning him an Academy Award nomination for the latter. At this point, he chose to make a documentary about legendary film director John Ford. The result was a documentary that drew excellent reviews, following a screening at the 1971 New York Film Festival and a television broadcast. It was later withdrawn from circulation because of legal rights. It was only in early 2006 that Bogdanovich - who was reportedly never totally happy with the 1971 version - went back and revamped the documentary to his satisfaction.

He recorded totally new interviews with Martin Scorsese, Clint Eastwood and Steven Spielberg and incorporated a rare audio recording of Ford and his rumored 'significant other' Katharine Hepburn. He has integrated these new elements alongside the strongest sections from the first version - including extended interviews with Ford and collaborators such as John Wayne, Richard Widmark, James Stewart and Henry Fonda. The result is an entertaining, comprehensive and loving tribute to the man long regarded as one of America's greatest film directors.

"Directed By John Ford" reminds the viewer that Peter Bogdanovich, along with Martin Scorsese, Clint Eastwood and Steven Speilberg, is one of our most prominent and respected film historians to whom we all owe a great deal of gratitude.

Orson Welles... Narrator (voice)

IMDb (http://www.imdb.com/title/tt0066997/)

Amen to that.

[La Familia]

http://img833.imageshack.us/img833/8617/screenplay.jpg

Upravo uploadao jos nekoliko A must-read scenarija:

http://i205.photobucket.com/albums/bb52/The_Playlist/more/2009/guillermo-del-toro-at-the-mountains-of-madness.jpg

Guillermo del Toro's Next Film Announced: The James Cameron-Produced 'At The Mountains Of Madness (http://theplaylist.blogspot.com/2010/07/guillermo-del-toros-next-film-announced.html)'

Earlier today we were speculating what the next project from genre filmmaker Guillermo del Toro would be. He said at Comic-Con that it would be in 3D and that it would be "scary." The project that Deadline is breaking will be his next certainly falls into both categories.

It seems his long, long, long-in-the-works adaptation of the slender HP Lovecraft adventure/ horror novel "At The Mountains of Madness" will be the director's next project. It'll be shot in 3D and produced for Universal Pictures. The story goes (and is alluded to in the Deadline piece), that when del Toro came over to Universal to do the outstanding superhero fairy tale "Hellboy II: The Golden Army," Universal purchased the rights to "At the Mountains of Madness" from DreamWorks, where it was previously developed, to lure del Toro away from making "The Hobbit" films next. Well, now that "The Hobbit" has fallen through, "At The Mountains of Madness" moves forward.

The big story in all of this is that James Cameron, undisputed King of Pandora, will be producing the tale, which concerns an arctic expedition in the 1930s that uncovers something otherworldly. Hopefully the book's underlying anti-semitism has been cut out, leaving nothing but good, old fashioned spookhouse fun. Cameron doesn't throw his name out there willy-nilly, but he is willing to help out filmmakers whose genre projects need a little extra clout like Steven Soderbergh's overlooked "Solaris" remake at Fox, and ex-wife Kathryn Bigelow's apocalyptic "Strange Days" for the same studio, the latter for which he is also wrote.

Hopefully production will get underway next year and we'll all have a smart, brawny tentpole movie that is actually worth looking forward to.

http://img842.imageshack.us/img842/4888/96296832.png
At the Mountains of Madness.pdf
Size: 1.40MB (http://www.sendspace.com/file/maezro)

---

Ovo je (za mene) nesto skroz posebno: Redateljski prvijenac Philipa Seymoura Hoffmana!

http://img534.imageshack.us/img534/6545/jackgoesboatingposter01.jpg

Jack Goes Boating opens with two friends who are New York limo drivers. Jack (Philip Seymour Hoffman) is a reclusive bachelor, and Clyde (John Ortiz) and his wife Lucy (Daphne Rubin-Vega) are just about his only friends. He has a paralyzing shyness around women, so Lucy fixes him up with her friend Connie (Amy Ryan). Lucy and Connie work in phone sales for a funeral parlor. The first date ends promisingly, with Jack asking for and receiving "a little good night kiss." Their next big date involves Jack cooking dinner for them all at Clyde and Lucy's apartment, and it goes about as badly as possible -- through no fault of theirs.

Hoffman, Ortiz and Vega-Rubin played these roles in the original play by Bob Glaudini, which they produced at their off-Broadway theater, LAByrinth. Hoffman didn't intend for this to be his filmmaking debut, but it turned out that way, and he made adjustments to open it up and tune it down, as theater must usually be when faced with the intimacy of film. The work is endearing about Jack and Connie, but its complexity involves Clyde and Lucy, who have had, as they both note, to "work out a lot of things" during their marriage. The film's achievement is finding a balance between its good humor and its unhappy truths.

Jack Goes Boating - Trailer (HD 1080p) (http://www.youtube.com/watch?v=qy2LHwzPtno)

Scenarij:

Jack Goes Boating (http://www.sendspace.com/file/br07s1).pdf
Size: 760.45KB

A kad smo vec kod scene na bazenu...

http://1.bp.blogspot.com/_Ynrrr6220yU/TExOq00PZ0I/AAAAAAAACMo/zkcsFzEzcFE/s400/53633921.jpg

New 'Let Me In' Trailer Continues To Prove That lt Might Not Be Terrible (http://theplaylist.blogspot.com/2010/07/new-let-me-in-trailer-continues-to.html)

Fans of the clever and surprisingly moving Swedish vampire movie "Let The Right One In" have been up in arms ever since it was announced that it was going to be given an American makeover by none other than Matt Reeves ("Cloverfield"). However, upon the arrival of the first teaser, doubts have begun to diminish and with the latest trailer unveiled at Comic-Con, those naysayers may be quieted altogether.

Surprisingly low on jump scares and high on atmosphere, "Let Me In" seems to be reverential of its source material and directed with a subtle hand by Reeves. However, whether this will find an audience outside of core fans still remains a question as with no major stars on board and the storyline being kept a bit of mystery, it will be interesting to see how this one plays out. Our biggest complaint: where's the crazy cat lady?

The film starring Kodi-Smith McPhee, Chloe Moretz and Richard Jenkins opens on October 1st. And despite earlier rumors that Overture might not have the cash to give the film a proper release, it was announced late last week that Relativity Media would be stepping in to assist in the distribution.

Let me In New Trailer HD (http://www.youtube.com/watch?v=i9UlzQIysEk)

Pitanja ostaju, neka mu dragi Bog pomogne ako uspije sjebati taj remake (iako valja priznati da je scenarij odlican, Reeves se 'ko pijan plota' drzi svedskog originala. A i trailer je odlican).

Scenarij:

http://img442.imageshack.us/img442/6558/57144579.png
LET_ME_IN.pdf
Size: 319.29KB (http://www.sendspace.com/file/dj7ztw)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img227.imageshack.us/img227/5082/s1443658.jpg (http://www.worldscinema.com/2010/05/andrei-tarkovsky-tonino-guerra-tempo-di.html)
IMDb (http://www.imdb.com/title/tt0176227/)

Andrei Tarkovsky & Tonino Guerra - Tempo di viaggio aka Voyage in Time aka Travelling Time (1983) (http://www.worldscinema.com/2010/05/andrei-tarkovsky-tonino-guerra-tempo-di.html)

I have been looking EVERYWHERE for this documentary! It must be the most coveted biographical doc ever, I live in New York and anyone who knows what its like to live there knows that finding even the oldest, most obscure works is always possible, however, I could never get my hands on it. I have seen all of his films, read his book and his interviews, consider him a god of sorts, have never had a chance to see how he was in person, his mannerisms, his voice, his expressions, his tone... I finally found this in some small Virginia town and picked it up immediately and watched it. So fulfilling! It was made while he was in Italy scouting locations for 'Nostalghia' with screenwriter Toni Guerro. He speaks candidly and vulnerably about his past films, art, and fields questions from young filmmakers. Important document (and a beautiful film too!) and testament to one of the greatest geniuses that ever lived. Try and find it.

http://img825.imageshack.us/img825/8836/vlcsnap2010020716h36m05.png (http://www.worldscinema.com/2010/06/donatella-baglivo-andrey-tarkovsky-in.html)

Donatella Baglivo - Andrey Tarkovsky in Nostalghia (1984) (http://www.worldscinema.com/2010/06/donatella-baglivo-andrey-tarkovsky-in.html)

Donatella Baglivo's documentary during filming of Nostalghia. Shot on the film's set, gives a fascinating insight into the making of Nostalghia and includes interviews with Tarkovsky, the cast and crew.

BBC documentary, produced shortly after his death (http://www.foriegnmoviesddl.com/2010/06/andrei-tarkovski-1987.html).

I jedna odlicna knjiga/preporuka za kupnju (uz bok Sculpting in Time):

http://img841.imageshack.us/img841/5794/img001c.jpghttp://img137.imageshack.us/img137/4789/img002ly.jpg (http://www.worldscinema.com/2010/07/robert-bird-andrei-tarkovsky-elements.html)

Robert Bird - Andrei Tarkovsky: Elements of Cinema (2008) (http://www.worldscinema.com/2010/07/robert-bird-andrei-tarkovsky-elements.html)

A revered filmmaker, Andrei Tarkovsky is secure in the long and illustrious line of Russian masters in arts and letters. Linking cinematic technique to broader questions of meaning and intrepretation, Robert Bird offers a wholly original investigation into the aesthetic principles of Tarvkovsky's filmmaking. While providing a comprehensive analysis of his work in all media, including radio, theatre and opera, Bird argues that Tarkovsky was most at home in the cinema. Accordingly, the author dwells chiefly on Tarkovsky's major films: Ivan's Childhood, Andrei Rublev, Solaris, Mirror, Stalker, Nostalghia and Sacrifice. With its wealth of film stills and photographs, this book is a key text for all admirers of Tarkovsky and European cinema.

REPLAY (http://www.forum.hr/showpost.php?p=28399104&postcount=1438)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img833.imageshack.us/img833/7809/23420091934100363antich.jpg

Stig Björkman - Tranceformer - A Portrait of Lars von Trier (1997) (http://www.worldscinema.com/2010/08/stig-bjorkman-tranceformer-portrait-of.html)

A portrait of Denmark's most acclaimed and controversial director, Lars von Trier. A meeting with von Trier on a private level as well as with his film universe. Filmmaker Stig Björkman follow von Trier during a period of more than two years, meet him at work, at home and at leisure.

Sistemom spojenih posuda/ogromna preporuka:

http://img834.imageshack.us/img834/6531/thefiveobstructionsdefe.jpg (http://www.worldscinema.com/2010/07/jrgen-leth-lars-von-trier-de-fem.html)
IMDb (http://www.imdb.com/title/tt0354575/)

The Five Obstructions (2003) (http://www.worldscinema.com/2010/07/jrgen-leth-lars-von-trier-de-fem.html)

Lars von Trier, the Danish director of "Breaking the Waves," "Dancer in the Dark," and "Dogville" returns with a strange and brilliant meta-film. In 2000, he challenged his mentor, the veteran filmmaker Jorgen Leth, to a one-of-a-kind director's game: von Trier would give Leth rules, or obstructions, by which Leth would have to remake his own 1967 short film "The Perfect Human"--five times.

The first film, according to von Trier's rules, has to be composed of shots no longer than 12 frames and must be filmed in Cuba, without a set. Fast forward to Havana: Leth has found a solution to the difficulties and is making his film with confidence. With satanic glee, von Trier comes up with an even more constraining set of obstructions, clearly taking pleasure in torturing his former teacher. He attempts to find the most crippling rules and devises appropriate punishment when Leth fails to follow them.

Lars von Trier is no stranger to sadism: this is the man responsible for the abuse of Emily Watson, Bjork, and Nicole Kidman in his last three features. "The Five Obstructions" makes it clear that his apparent mean streak is considered, focused, and aimed at a kind of creative catharsis. His agenda is to strip away the pretense, to get from the "perfect" to the "human," as he puts it.

Von Trier is hoping to force his former teacher to make a bad movie, a "pile of crap," but the truth is that creativity feeds on limits: the resulting short films are all terrific. To see how Leth discovers ways to use the devilish obstructions to his advantage is nothing short of thrilling. "Everything inspires you!" the frustrated von Trier complains. The directors' game reveals itself as something more than an empty exercise in style: von Trier had a secret agenda all along, but by the time the fifth film unreels, the ambiguities have multiplied, and it's not clear anymore who exposed himself more, or who obstructed whom. In this creative mindgame, the only clear winner is the audience.

Sjecam se cudnog raspolozenja prije gledanja Dogvillea: Trieru, crna nesreco, kojeg slatkog, cokoladnog Isusa sad radis - glumci ce ti hodati po setu nacrtanom kredom? Gimme a fuckin' break, idi, bre, da se lecis ako si bolestan! Po gledanju samog filma 'pojeo sam govno', naravno. Sjedni, pet. Koji film, majstore!

http://img839.imageshack.us/img839/2529/dogvilleconfessions.jpg (http://www.foriegnmoviesddl.com/2010/04/dogville-confessions-2003-sami-saif.html)
IMDb (http://www.imdb.com/title/tt0357608/)

Dogville Confessions (2003) (http://www.foriegnmoviesddl.com/2010/04/dogville-confessions-2003-sami-saif.html)

"A hyper-intelligent child who is slightly disturbed, playing with dolls in a dollhouse, cutting their heads off with nail clippers." That's how actor Stellan Skarsgard describes his frequent director, Lars Von Trier, in one of many memorable scenes from "Dogville Confessions," a companion documentary to von Trier's Cannes competitor, compiled from candid homevideo footage recorded during the 2-month production of "Dogville" in 2002. Following in the tradition of such other on-the-set docus as "Burden of Dreams" and "Hearts of Darkness," pic is arguably less interested in the making of von Trier's film than in its frequent near-unmaking, as disgruntled actors and an oft-befuddled von Trier try to get a fix on the movie's vanguard style. Like those earlier docus, "Dogville Confessions" is inextricably connected to "Dogville" itself.

Opening with overhead shots of von Trier's enormous Copenhagen "Dogville" soundstage, docu's early sections deal with the arrival of the (mostly American) actors on location and the lengthy rehearsal process needed to work out the production's various kinks.

Given that the actors are working on a chalk-outlined set with only a few props and pieces of sets for reference, there's enormous time given to things that most film companies never have to worry about, like where exactly all the imaginary doors and windows are (so that the actors don't walk right through them).

Once production begins, there's humorous footage of von Trier (who also served as "Dogville's" cinematographer and camera operator) suited up in full steadicam regalia, nicknamed "Robodirector" by the crew.

The "Confessions" part of docu's title refers to a "confessional booth," akin to the ones popularized by MTV's "The Real World" series -- a small room installed by docu's director, Sami Saif, in a corner of the "Dogville" soundstage, where cast and crew come to "privately" express their feelings about the progress of the production. These confessional segments have been intercut with the more traditional behind-the-scenes footage, and there aren't nearly enough of them. An exhausted Nicole Kidman, a bitter Paul Bettany and, particularly, a delightfully acerbic Lauren Bacall are so refreshingly unguarded in these moments that you wish the entire film had been constructed only of them.

But it is von Trier himself whose shadow looms largest over "Dogville Confessions," inviting Saif along for endless rides in his infamous camper van (yes, the one von Trier regularly uses to make the trip from Copenhagen to Cannes). He waxes solipsistically about the rigors of the filmmaking process and a variety of paranoid fantasies (among them: the belief that the cast of his movie is conspiring against him). And, as with all things Lars, there is the suggestion that everything we are seeing in Saif's film could be an elaborate put-on, staged by von Trier as a way of maintaining the swirl of melodrama he seems to need in his life as much as in his films.

In keeping with the aesthetics of the film it's about, "Dogville Confessions" has been lensed in washed-out colors in widescreen digital video and then transferred to 35mm film.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img841.imageshack.us/img841/9282/michaelhanekelst067644.jpg (http://www.worldscinema.com/2010/07/nina-kusturica-eva-testor-24-realities.html)

Zao mi je sto mu je izmakao Oscar za Das weisse Band - Eine deutsche Kindergeschichte, je*** nagradu kao nagradu - taj pozlaceni celavac znatno bi mu olaksao financiranje novih filmova (a Haneke i njegovi filmovi to uistinu i zasluzuju).

Uzivajte u dokumentarcu.

24 Realities per Second: A Film About Michael Haneke (2005) (http://www.worldscinema.com/2010/07/nina-kusturica-eva-testor-24-realities.html)

http://img832.imageshack.us/img832/8697/24q4yrt.jpg (http://www.worldscinema.com/2010/07/nina-kusturica-eva-testor-24-realities.html)

"24 Realities per Second" portrays Michael Haneke's work and his view of cinema.

Nina Kusturica and Eva Testor accompanied and observed Michael Haneke over a period of two and a half years during his work. Location scouts, film premieres, public appearances, discussions with audiences, radio interviews, on set, editing rooms. The rare conversations occur almost incidentally in cars, trains and planes. The objective of the film is the precise observation in different situations, out of which emerges an obsessed filmmaker. The thoughts of a man become apparent through his actions and the nature of his activity.

http://img842.imageshack.us/img842/9291/83511092.jpg

"24 Realities per Second" sketches with many little episodes and a few conversations the working universe of Michael Haneke. In contrast to the numerous interviews that Haneke gave in the course of his career, the film does not focus on his eloquence but concentrates on his craftsmanship.

+

Michael Haneke - Michael Haneke interview (2002) (http://www.worldscinema.com/2010/07/michael-haneke-michael-haneke-interview.html)

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REPLAY: Michael Haneke Studies: videos, podcasts and article links (http://filmstudiesforfree.blogspot.com/2009/09/michael-haneke-ribbon-of-links.html).

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img409.imageshack.us/img409/8895/26lync600.jpg

Davida Lyncha nikad dosta, sve mi se vise cini da je njegov mozak pristekan na neki izvanzemaljski izvor (i da jos samo cekamo taj svecani trenutak otvaranja njegove glave):

http://img827.imageshack.us/img827/1871/meninblackalien.jpg

Uglavnom, sve što smo vam prešutjeli čekirajte na Davidovu homepage (http://www.lynchnet.com/ads/) lynku, a prije toga virnite i na apurdni sajt (http://www.thecityofabsurdity.com/index.html) koji se pozabavio svim aspektima Lynchova stvaralaštva, pa i reklamama.

Izvor (http://www.filmski.net/vijesti/kratki-film/2672/sto_biste_kupili_od_davida_lyncha)

http://img339.imageshack.us/img339/3350/lynchoneob8.jpg (http://www.worldscinema.com/2010/05/blackandwhite-lynch-2007.html)

Lynch (2007) (http://www.worldscinema.com/2010/05/blackandwhite-lynch-2007.html)

LYNCH Behind the curtain A film that gives us a rare glimpse into the fascinating mind of the man who created classic films such as Eraserhead, Mulholland Dr., Blue Velvet, Twin Peaks Fire Walk With Me, Wild At Heart, The Elephant Man and more...

Compiled from over two years of footage, the film is an intimate portrait of Lynch's creative process as he completes his latest film, INLAND EMPIRE. We follow Lynch as he discovers beauty in ideas, leading us on a journey through the abstract which ultimately unveils his cinematic vision. The director of the documentary immersed himself in David Lynch's world; living and working at Lynch's home. His unobtrusive style has captured a personal side of David Lynch not seen before. The film reveals Lynch not only as one of the most original and compelling directors of contemporary film but also as an artist who continues to explore and experiment in countless mediums. We witness his "hands on" approach to painting, sculpting, music and screenwriting. His enthusiasm is infectious; inspiring us to tap into the well of creativity that Lynch believes we all have.

IMDb (http://www.imdb.com/title/tt1032207/)
NYT recenzija dokumentarca (http://movies.nytimes.com/2007/10/26/movies/26lync.html)

Rabbits je serijal kratkih filmova koje je Lynch snimio odmah poslije Mulholland Drivea, koristeci se glumcima iz tog filma:

http://img90.imageshack.us/img90/4954/rabbitscustomcoveryw9.jpg (http://www.worldscinema.com/2010/04/david-lynch-rabbits-2002.html)

David Lynch - Rabbits (2002) (http://www.worldscinema.com/2010/04/david-lynch-rabbits-2002.html)

A story of a group of humanoid rabbits and their depressive, daily life. The plot includes Jane ironing, Suzie sitting on a couch, Jack walking in and out of the apartment, and the occasional solo singing number by Suzie or Jane. At one point the rabbits also make contact with their "leader". A really Lynch-esque series of episodes.

IMDb (http://www.imdb.com/title/tt0347840/)

Iste godine izbacio je i kratkis Darkened Room:

http://img64.imageshack.us/img64/3662/cover518526112009.jpg (http://www.worldscinema.com/2010/04/david-lynch-darkened-room-2002.html)

David Lynch - Darkened Room (2002) (http://www.worldscinema.com/2010/04/david-lynch-darkened-room-2002.html)

David Lynch's new short is a very "Lynchian" piece, full of darkness, tension, silences, discreet but very textured background music, and features again two beautiful actresses, a blonde and a brunette, a recurrent theme in his work. Both characters create a very intriguing slave-mistress relationship that could be seen as a direct follow up to the same kind of relationship featured in Mulholland Dr.

A ovo (http://ecomm.davidlynch.com/catalog/LimeGreen.php) je nesto sto bi svaki stovatelj Lyncha (mislim da je fan kriva rijec) trebao naruciti/kupiti i ponosno istaknuti negdje na polici/centralnom mjestu svoje kolekcije:

http://img163.imageshack.us/img163/5059/lynchlime.jpg (http://www.worldscinema.com/2010/04/david-lynch-lime-green-set-mystery-disc.html)

David Lynch - The Lime Green Set - Mystery Disc (2008) (http://www.worldscinema.com/2010/04/david-lynch-lime-green-set-mystery-disc.html)

C o n t e n t

DAVID LYNCH INTRO (04:46 min.)

WILD AT HEART DELETED SCENES (76 min.)

OUT YONDER:
- TEETH (13:28 min.)
- CHICKEN (17:10 min.)

RABBITS:
- New EPISODE 1 (14:52 min.)
- New EPISODE 2 (12:15 min.)
- SCOTT (06:27 min.) (= Rabbits Episode 6)
- NAOMI (07:02 min.) (= Rabbits Episode 7)

CAVELCADE:
- EARLY EXPERIMENTS 16MM (21:40 min.)
- ABSURD ENCOUNTER WITH FEAR (02:11 min.)
- FICTITIOUS ANACIN COMMERCIAL (01:06 min.)
- CANNES SHORT FILM "SCISSORS" (02:21 min.) (= Absurda)
- TWIN PEAKS FESTIVAL GREETING 2008 (04:21 min.)
- A REAL INDICATION VIDEOCLIP (05:36 min.)
- HOLLYSHORTS FESTIVAL GREETING (03:58 min.)

BTW, moja malenkost uskoro putuje za 'US and A', ako nekog zanima originalno izdanje (The Lime Green Set - Mystery Disc nije moguce naruciti iz Europe) - narudzbe na PM.

REPLAY:

Mashed in Plastic: The David Lynch mashup album (http://www.mashedinplastic.co.uk/)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Pet sjajnih knjiga/preporuka za kupnju:

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Luis Bunuel - My Last Breath (http://www.sendspace.com/file/qe4ndi)
Publisher: Flamingo (Fontana Paperbacks) | ISBN: 0006540880 | 1987 | PDF | 272 pages | language: english | 30 MB

A master filmmaker is intimitable, and unrelenting in his assault on bourgeois values. Bunuel's method is free from all artifice, and his honesty and humour are to extreme to accept any compromise in exposing our deceit and our decadence. Like Pasolini, his work offers a remarkably sophisticated political analysis, but remains based in the essentially peasant values of storytelling, and the purposefully unsystematic supervisions of laughter.

“In his book The Secret Life of Salvador Dali, I was described as an atheist, an accusation that at the time was worse than being called a Communist. Ironically, at the same moment that Dali's book appeared, a man named Prendergast who was part of the Catholic lobby in Washington began using his influence with government officials to get me fired. [At Bunuel's job at the Museum of Modern Art he was tasked with selecting and distributing anti-Nazi propaganda films to North and South America, and he was also supposed work on producing such films.] I knew nothing at all about it, but one day when I arrived at my office, I found my two secretaries in tears. They showed me an article in a movie magazine called Motion Picture Herald about a certain peculiar character named Luis Bunuel, author of the scandalous L'Age d'or and now an editor at the Museum of Modern Art. Slander wsn't exactly new to me, so I shrugged it off, but my secretaries insisted that this was really very serious. When I went into the projection room, the projectionist, who'd also read the piece, greeted me by wagging his finger in my face and smirking, "Bad Boy!"

"My Last Sigh: The Autobiography of Luis Bunuel", pages 182-183.”

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Every Frame a Rembrandt: Art and Practice of Cinematography By Andrew Laszlo, Andrew Quicke (http://avaxhome.ws/ebooks/Photo_related/024080399X.html)
Publisher: Focal Press 2000 | 272 Pages | ISBN: 024080399X | PDF | 5 MB

This book examines the art and craft of motion picture photography through a veteran professional cinematographer's personal experiences on five major motion pictures, each selected to illustrate a particular series of challenges for the photographer.

"Every Frame a Rembrandt" is an expression heard on sound stages and locations the world over. While in most cases the expression is used lightly and not infrequently with a certain amount of sarcasm, its true meaning speaks highly of most cinematographers' commitment to producing the best, most interesting, unusual and memorable images for the screen. Through the five films he selected for this book Laszlo is able to show the broad range of complexity in motion picture photography, from the relatively simple "point and shoot" in the typcal western to complex in-camera effects. In recounting his "war stories" Laszlo is able to show the day to day activities of a cinematographer before, during and after filming the project, discussing equipment, film stocks, testing, labs, unions, agents, budget requirements, and working with the director and producer. The five films discussed are Southern Comfort, The Warriors, Rambo: First Blood, Streets of Fire, and Innerspace. The book is illustrated throughout with production stills from Laszlo's extensive collection (12 in a color insert).

The "war stories" of a seasoned Hollywood professional cinematographer. Explains how specific problems and challenges were overcome for each film. Illustrated with production stills from the author's personal collection.

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"The Logic of Images: Essays and Conversations" by Wim Wenders (http://www.worldscinema.com/2010/06/wim-wenders-logic-of-images-1992.html).
Published by Faber and Faber on April 2, 1992. ISBN# 0-571-16517-6

A collection of Wenders essays discussing all his film work up to Until the End of the World. Imaginative, very accessible, never dry, Wenders reveals a lot of interesting background to his films. Definitely a treat if you're a Wenders fan.

http://img831.imageshack.us/img831/285/pagesfromprojections9.jpg

Projections 9: French Film-Makers on Film-Making (No. 9) (http://www.worldscinema.com/search?q=Projections9)

Foreword by John Boorman, vi
Introduction by Michel Ciment, vii

1 Robert Bresson: L'Argent, I
2 Eric Rohmer: Conte d'ete, 13
3 Claude Chabrol: La Ceremonie, 18
4 Alain Resnais: On connait la chanson, 26
5 Louis Malle: Au revoir les enfants, 33
6 Alain Cavalier: Therese, 51
7 Claude Sautet: Un Coeur en hiver, 64
8 Maurice Pialat: Van Gogh, 70
9 Bertrand Tavernier: Un Dimanche ala campagne, 83
10 Claude Miller: Garde a vue, 93
11 Patrice Leconte: Ridicule, 103
12 Marcel Ophuls: Hotel Terminus, 111
13 Otar Iosseliani: Les Favoris de la lune, 123
14 Olivier Assayas, 132
15 Catherine Breillat: 36 fillette, 138
16 Jean-Pierre Jeunet: Delicatessen, 144
17 Robert Guediguian: Marius et Jeannette, 152
18 Arnaud Desplechin: La Sentinelle, 160
19 Manuel Poirer: Western, 167
20 Jacques Audiard: Un Heros tres discret, 175
21 Mathieu Kassowitz: La Haine, 183

http://img844.imageshack.us/img844/1297/projectionsno11.jpg

Projections: A Forum for Film-Makers (http://www.worldscinema.com/2010/06/john-boorman-and-walter-donohue.html)

Projections is a forum for practitioners of the cinema to write about their work. The first issue includes a journal compiled by John Boorman which records his responses to the events and trends of 1991, and their implications for the future of cinema. Like his Emerald Forest diary, Money into Light, it is a fascinating mix of anecdote, personal reflections, thoughts on the nature of cinema, and comments on the practical business of making films.

Projections also contains contributions from cinematographer Nestor Almendros, who describes the craft of photographing the human face, and from Jonathan Demme, who traces the evolution of his career from his early days with Roger Corman to his chilling Silence of the Lambs. River Phoenix and Gus Van Sant discuss their work together on My Own Private Idaho; there is a script from one of the most original talents in American today, Hal Hartley, and a penetrating account by director Michael Mann of his startling new version of Last of the Mohicans.

Contents

List of Illustrations Vll
Acknowledgements IX

Fade In ...
John Boorman 1
1 Bright Dreams, Hard Knocks:
A Journal for 1991
John Boorman 5
2 The Burning Question:
Absolute Freedom? 121
3 Film Fiction: More Factual than Facts
Samuel Fuller 131
4 The Early Life of a Screenwriter
Emeric Pressburger 133
5 Demme on Demme 158
6 Matters of Photogenics
Nestor Almendros 198
7 My Director and I
River Phoenix 212
8 Knowing Is Not Enough
Hal Hartley 223
9 Surviving Desire
Hal Hartley 225
10 Losing Touch
Tony Harrison 260
11 Making Some Light:
An interview with Michael Mann
Graham Fuller 262
Filmography 279

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img819.imageshack.us/img819/4682/orsonwellescitizenkane.jpg (http://danielmlehman.files.wordpress.com/2008/11/orson-welles_citizen-kane.jpg)

http://img507.imageshack.us/img507/3889/snapshot20100127150321.jpg

With Orson Welles: Stories from a Life in Film (1988) (http://www.imdb.com/title/tt0362314/)

A two-and-a-half hour documentary retrospective on the career of Orson Welles. This is one of the finest, if not the finest, documentary on Welles' career. What makes this stand out from the rest is the huge amount of interview footage that shows Welles to be good-natured, open, and incredibly funny. He has lots of great stories about his career (one which involves him attending a party for L.B. Mayer with a rabbit in his pocket - absolutely hilarious) and each one is a joy.

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The documentary skips around his career a bit, breaking his career up not chronologically but more by sections of films he directed and films he appeared in. It will make you want to go out and see them all again, and even hunt up the rare ones like "The Immortal Story".

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Also included are good interviews with Charleton Heston, Anthony Perkins, Jeanne Moreau & John Huston. By the way, did you know that Welles turned down a role in "Caligula"? There are more juicy tidbits to be heard.

Cast (in alphabetical order)

Peter Bogdanovich... Himself
Charlton Heston ... Himself
Jeanne Moreau ... Herself
Anthony Perkins ... Himself
Orson Welles ... Himself (archive footage)
Robert Wise ... Himself

IMDb (http://www.imdb.com/title/tt0362314/)

DOWNLOAD:
Part One (http://www.megaupload.com/?d=FNL803M1)
Part Two (http://www.megaupload.com/?d=03J3A1HH)

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Orson Welles - The Orson Welles Sketchbook (1955) (http://www.worldscinema.com/2010/07/orson-welles-orson-welles-sketchbook.html)

Orson Welles' BBC series is basically a bunch of monologues by Welles, with some illustrations by Welles, about -- theatre; theatre critics; voodoo magic used to kill theatre critics; bullfighting; customs officers; the false nose; and many other topics, all connected to Welles' career in film, theatre and radio. Very very funny, charming as hell, and an absolute must for Wellesians.

Orson Welles' Sketchbook was directed by Huw Wheldon, 'producer' being 1950s BBC language for producer-director. There is a story that during the filming of one episode Orson ran out of ink and threw down his pen in irritation. By the time Wheldon had reached the set Orson has disappeared, telling a crew member that he was going to Paris. It turned out to be the case. Nevertheless, the two men became friends. Wheldon later conducted a celebrated interview with Welles on the legendary BBC arts programme 'Monitor'. Welles tried to persuade Wheldon to be his European manager. Wheldon was concerned both that he would never be paid and that Orson would have 'eaten him up'. Wheldon went on to become the Managing Director of BBC TV, and knighted for his services to broadcasting. He died in the same year as Welles, 1986. On his death the sketches Welles had done for the show were found among Wheldon's papers, a gift from the one man to the other.

Welles was an accomplished artist, and went to Ireland at the age of 16 in order to become a painter, not an actor.

IMDb (http://www.imdb.com/title/tt0166300/)

REPLAY:

Video interview with Orson Welles

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The Internet never ceases to amaze me. Below is an excerpt from an interview with Orson Welles. I've never seen it before today, never even knew of its existence until I started bumping around the web. Two things about the interview. First, Welles reveals that the idea of 'home' is very important to him because as a child, his family moved multiple times, so he never really had what he would call a home. Second, he confesses that his least favorite thing about Citizen Kane was Rosebud -- he calls it a "rather tawdry device."

May I humbly disagree. First, Rosebud serves numerous narrative functions: framing device for the narrative, source of a mystery as well as eventually the key to solving it, the sled and the snow globe powerful visual devices, taking on talismanic significance.

But beyond that, I wonder if Welles is doing a bit of deflection here. In response to the interviewer's question, "Is there anything that came out of that [i.e., Welles' family moving around so much] in the movie," Welles offers a definitive no. But isn't 'home' what Rosebud -- the sled / snow globe -- represents to Kane, that one time and one place where he was truly happy, his youthful winter wonderland, he and his friends, sledding in the snow, only to be yanked out of there by life's sudden turn? And so isn't it fair to think that Welles' desire to have a single place he could call home (he says so point blank in the interview) is reflected in the experience of young Charles Foster Kane? Therefore, Rosebud can be seen to be much more than a "tawdry device," it is precisely the whole point of Kane's existence, constantly attempting in all his life endeavors to find some thing, some place he could call 'home.' Yet he could never satisfy that almost infantile need, which is why it's so riveting to see him wandering the halls of Xanadu on the night of his death, clutching the snow globe, then offering up his final word, "Rosebud."

Watch this fascinating interview and see what you think.

Orson Welles on Citizen Kane and Rosebud (http://www.youtube.com/watch?v=mI3eBTMXSiU)

+

Orson Welles - The One Man Band (1995) (http://www.ubu.com/film/welles_oneman.html)

ORSON WELLES: THE ONE-MAN BAND is a fascinating glimpse at this extraordinary man's final years - made with the cooperation of Oja Kodar, Welles' longtime companion, to whom he bequeathed a wealth of unedited films and fragments when he died in 1985. Granted exclusive access to Welles' heretofore unseen archives - and drawing from almost two tons of film cans containing fragments, shorts, project ideas, and sketches - the filmmakers are led by Kodar through the rich but unfulfilled Welles legacy. Far from being the gloomy megalomaniac that Hollywood has sometimes branded him, Welles emerges here a protean creator, at times vulnerable and lonely, but always unshakeably optimistic and unfailingly innovative.

Among the many works included are:

A hilarious trailer for F FOR FAKE
Excerpts from THE DEEP, a thriller set in the Pacific Ocean, starring Jeanne Moreau and Laurence Harvey
SWINGING LONDON, a wacky sketch featuring Welles in drag as a housewife!
A clip from a one-man show of MOBY DICK, with Welles playing all parts sans makeup or costume
Footage of a charming and self-deprecating Welles meeting with American students after a screening of THE TRIAL ("I use my own work to subsidize my work; in other words, I am crazy!")
Highlights from THE OTHER SIDE OF THE WIND, the most prestigious production of Welles' later years: it's the story of an aging, egotistical director (played by John Huston) who rails against Hollywood. Shot in a jumpy, frenetic style, it's unlike anything Welles had done before.

"For Orson Welles buffs, THE ONE-MAN BAND will be the most exciting experience in years. It consists almost entirely of Welles-directed material that has never been seen before except by a tiny group of insiders. Here are scenes from almost all the legendary uncompleted Welles films....Director Silovic and his crew...have done a grand job in bringing some of this incredibly rare material to light, and have achieved a truly fascinating and well-constructed tribute to the master."
- David Stratton, Variety

ORSON WELLES: THE ONE-MAN BAND
(1995, 90 minutes)
Directed by Vassili Silovic.
Made possible by Oja Kodar.
Produced by Dominique Antoine, Fredy Messmer, and Roland Zag.
Executive Producer: Pit Riethmôller.
Screenplay: Silovic and Roland Zag.
Director of Photography: Thomas Mauch.
Editor: Marie-Joseph Yoyotte.
Music: Simon Cloquet.
Germany/France/Switzerland.
In English and German with English subtitles.
Dionne Sparks

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img443.imageshack.us/img443/9263/00158f21medium.jpg

Dobitnik Best Short Subject (Live Action) Oscara 2009.

Film je djelo njemačkog redatelja i scenarista Jochena Alexandra Freydanka koji je njime trijumfirao na ovogodišnjoj dodjeli Oscara osvojivši nagradu Američke filmske akademije u svojoj kategoriji. Redatelj je osobno predstavio svoj rad u Zagrebu obrativši se publici na otvaranju 3. festivala židovskog filma. Tako su Zemlja igračaka i Dječak u prugastoj pidžami na svojoj hrvatskoj premijeri ostvarili jedinstvenu sinergiju te, iako veoma slični, na vlastite, prepoznatljive načine rekonstruirali holokaust. U Freydankovom filmu prijateljuju mali Nijemac Heinrich i njegov susjed židov David kojega jednoga dana zajedno s roditeljima nacisti deportiraju prema logoru. Misleći da je Heinrich pobjegao s njima jer mu je objasnila da David ide u „zemlju igračaka“, Heinrichova majka postaje ono što će kasnije biti prepoznato kao pravednik među narodima. Jochan Alexander Freydank uspio je u svojoj namjeri da ispriča univerzalno razumljivu priču te 13 minuta njegovog filma realiziranog kroz više od tri godine djeluje znatno slojevitije od niza dugometražnih naslova. I ovaj film iznimno lako komunicira s djecom potvrđujući ono u čemu je uspjela i drama Marka Hermana. Metafore su najčešće najizravniji put do istine…

29/06/2009:::Boško Picula (http://www.film.hr/vijest.php?tekst_id=947)

Toyland | Spielzeugland (2007) (http://avaxhome.ws/video/tt1280548.html)
DVD-Rip | German | AVI | XviD @ 1300kbps | AR 1.818 | 640 x 352 | 25 fps | Mp3 @ 128kbps | 00:13:43 | 177 Mb
Subtitles (srt): English | German | Turkish
Genre: Short | Drama | War
IMDb Rating: 7.7/10 (628 votes)
Directed By: Jochen Alexander Freydank
Starring By: Julia Jäger, Cedric Eich, Tamay Bulut Özvatan, Torsten Michaelis, Claudia Hübschmann
Awards: Won Oscar. Another 23 wins & 2 nominations

'Yu Ming Is Ainm Dom' (http://www.flicksnews.net/2009/11/check-thisyu-ming-is-ainm-dom.html)

Yu Ming Is Ainm Dom AKA My Name is Yu Ming is a 2003 Irish short film filmed mainly in Gaeilge (Irish language), it tells the tale of a Chinese man who has learned to speak Irish, but encounters problems when he decides to locate to Ireland. The film was written and directed by Daniel O'Hara.

Oscar 2010. za animated short:

'Logorama' (http://www.flicksnews.net/2010/03/check-this-logorama.html)

'Logorama', directed by the French animation collective H5, François Alaux, Hervé de Crécy & Ludovic Houplain. It was presented at the Cannes Film Festival 2009. It opened the 2010 Sundance Film Festival and won a 2010 academy award under the category of animated short.

Aupickumaterinu, ovo Pixarovo cudo upravo pogledao, topim se. Ja sam taj oblak! :)

'Partly Cloudy' (http://www.flicksnews.net/2009/07/check-this-partly-cloudy.html)

'Partly Cloudy' is a Pixar short film directed by Peter Sohn that was shown before 'Up.'

'La Lettre' (http://www.flicksnews.net/2009/02/blog-post.html)

La Lettre (The Letter) is Michel Gondry's examination of childhood love. One evening at the turn of the century, Stephane discusses with his brother the end of the millenium, but also girls, particularly Aurelie, a classmate with whom he is secretly in love. The following day, Aurelie has a letter to give to him....

http://img832.imageshack.us/img832/6528/lumiere.jpg (http://www.worldscinema.com/2010/07/various-lumiere-et-compagnie-aka.html)

Lumière and Company (1995) (http://www.worldscinema.com/2010/07/various-lumiere-et-compagnie-aka.html)

From The Great Pyramids in Egypt to The Great Wall in China, from Los Angeles to Hiroshima, directors throughout the world took part in a unique celebration of cinema. To commemorate the Centennial of the Lumière Brothers’ first “motion picture”, David Lynch, Spike Lee, Wim Wenders, Zhang Yimou, John Boorman and a host of leading international filmmakers created their own one minute Lumière Film. Using the restored original camera, each director offered his own signature style to the film. These exciting eclectic shorts are combined with intriguing interviews with the filmmakers. A must for all movie fans, Lumière and Company speaks for the passion, beauty, and visionary dream of this hundred year old art form.

Directed by
Theodoros Angelopoulos (as Theo Angelopoulos)
Vicente Aranda
John Boorman
Youssef Chahine
Alain Corneau
Costa-Gavras
Raymond Depardon
Francis Girod
Peter Greenaway
Lasse Hallström
Hugh Hudson
Gaston Kaboré
Abbas Kiarostami
Cédric Klapisch
Andrey Konchalovskiy (as Andrei Konchalovsky)
Spike Lee
Claude Lelouch
Bigas Luna
Sarah Moon
Arthur Penn
Lucian Pintilie
Helma Sanders-Brahms
Jerry Schatzberg
Nadine Trintignant
Fernando Trueba
Liv Ullmann
Jaco Van Dormael
Régis Wargnier
Wim Wenders
Yoshishige Yoshida (as Kiju Yoshida)
Yimou Zhang
Merzak Allouache (segment "Merzak Allouache/Aubervilliers")
Gabriel Axel (segment "Gabriel Axel/Copenhague")
Michael Haneke (segment "Michael Haneke/Vienne")
James Ivory (segment "Merchant Ivory/Paris")
Patrice Leconte (segment "La Ciotat 1996/Patrice Leconte")
David Lynch (segment "Premonition Following An Evil Deed")
Ismail Merchant (segment "Merchant Ivory/Paris")
Claude Miller (segment "Claude Miller/Paris")
Idrissa Ouedraogo (segment "Idrissa Ouedraogo/Burkina Faso")
Jacques Rivette (segment "Jacques Rivette/Paris")

Desert...

http://img830.imageshack.us/img830/7863/bonvoyageiz7.jpg (http://www.worldscinema.com/2010/04/alfred-hitchcock-bon-voyage-1944.html)

Alfred Hitchcock - Bon Voyage (1944) (http://www.worldscinema.com/2010/04/alfred-hitchcock-bon-voyage-1944.html)

A young Scottish RAF gunner is debriefed by French officials about his escape from occupied territory, and in particular one person who may or may not have been a German agent.

Director: Alfred Hitchcock
Writers: Angus MacPhail, J.O.C. Orton

IMDb (http://www.imdb.com/title/tt0036659/)

+

Check This...Alfred Hitchcock Presents 'Lamb to the Slaughter' (http://www.flicksnews.net/2010/03/check-thisalfred-hitchcock-presents.html)

A tek ovo, neprocjenjivo! :D

Alfred Hitchcock Presents: Ghost Stories for Young People (http://avaxhome.ws/ebooks/alfredhitchcockpresents.html)
ASIN: B0000DBJ8E | Audio CD (August 20, 2003) | MP3 | 128 kbps | 58,7 Mb

I placed the record on my "Winnie the Pooh" turntable and was immediately taken by how strange Alfred's voice sounded. To me, it sounded as if he was trying to speak with 10 marshmallows stuffed in his mouth. Within minutes, he was teaching me how to "attract ghosts." I followed his instructions implicitly and a few stories later I was hiding under my bed! Ahhhhhh. This record (CD) is amazing. If you are thinking of purchasing it for children, you are making a great decision. If you want it for yourself, you are in for a treat, too. It is often hard to say where inspiration comes from. There have been many events in my life that were silently "life altering." I would point to this single record as the catalyst for my love of scary stories, haunted houses, reading mystery books and, as the years progressed, filmmaking. I would recommend this record (CD) to anyone. Please, help keep the art of great storytelling alive by exposing your children to recordings of this nature!

01. Hitchcock
02. The Haunted & The Haunters (The Pirate's Curse)
03. Hitchocok 2
04. The Magician (Til Death Do Us Part)
05. Hitchcock 3
06. Johnny Takes a Dare (The More the Merrier
07. Hitchcock 4
08. Hitchcock 5
09. The Open Window by Saki
10. Hitchcock 6
11. The Helpful Hitchhiker
12. Hitchcock 7
13. Jimmy Takes Vanishing Lessons
14. Hitchcock 8

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Odusevljen novim brojem Total Filma (opirem im se godinama), danas pade i (dvo)godisnja pretplata na print izdanje (reko 'ludom' dedi da se radi o pretplati na Guns Magazine (http://www.gunsmagazine.com/), kaze: 'Uzmi odmah za dvije godine, mater ti bozju, mozda zarati u medjuvremenu. Ja placam (lovi se za djep) - oruzje mi u krvi'). Zasluzili su.

http://img90.imageshack.us/img90/3418/32795642.jpg

Sjajan osvrt na Black Swan:

http://img101.imageshack.us/img101/4103/25765065.pnghttp://img85.imageshack.us/img85/8937/81712023.pnghttp://img26.imageshack.us/img26/8549/19333513.png

BTW, koga zanima - scenarij je ovdje (http://www.sendspace.com/file/djkjhp).

She's The One, jabuko moja:

http://img825.imageshack.us/img825/2160/83772265.pnghttp://img155.imageshack.us/img155/6920/54698868.png

Jos bolji MakingOf filma koji se ceka:

http://img13.imageshack.us/img13/698/49132277.pnghttp://img835.imageshack.us/img835/3227/43389536.png

Koga zanima, recenzija THE scenarija je ovdje (http://scriptshadow.blogspot.com/2009/06/buried.html), a scenarij mozete skinuti ovdje (http://www.sendspace.com/file/rp2bzl). Nda, bas porucih bedacekima na Twitteru: @hrvatskifilmasi Trebalo bi vas sve zakljucat u jedan sobicak i natjerati da 10 dana i noci dubite nad tim scenarijem.

Mislim ja i na vas, svi ste vi moja djeca - children of the night. :D

Total Film - October 2010 (http://www.downeu.com/magazine/161214-total-film-october-2010.html)
PDF | 173 pages | 68.6 Mb | English

Total Film is the definitive guide to movies. Vibrant, funny and accessible, mixing A-list glitz with indie attitude, instant hits with timeless classics. It's the insiders' guide to Hollywood and beyond...

[Dragonrage]

...Nda, bas porucih bedacekima na Twitteru: @hrvatskifilmasi Trebalo bi vas sve zakljucat u jedan sobicak i natjerati da 10 dana i noci dubite nad tim scenarijem.

Nego...kad smo već kod toga...jel se počelo???:D:D

[La Familia]

Nego...kad smo već kod toga...jel se počelo???:D:D

Dabome (http://www.forum.hr/showpost.php?p=28686932&postcount=7).

No soup for you (http://www.youtube.com/watch?v=M2lfZg-apSA)! :zubo:

[Dragonrage]

Dabome (http://www.forum.hr/showpost.php?p=28686932&postcount=7).

No soup for you (http://www.youtube.com/watch?v=M2lfZg-apSA)! :zubo:

Pa dobro...daj mi bar ocjenu na skali 1-5:D:D

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img835.imageshack.us/img835/3092/00155eeamedium.jpg

»Cinefex (http://www.cinefex.com/)« je američki tromjesečnik u potpunosti namijenjen području filmske umjetnosti najčešće nazivane specijalnim efektima. Dosad je izašlo 85 brojeva, pravih strukovnih leksikona, koji još od prvog izdanja iz ožujka 1980. nude cjelovit uvid u tehnološki najživlji segment rada na filmu. Aktualni je broj, uz izvrsne web-stranice, posvećen 2001.-oj: Odiseji u svemiru, čiji je jedini Oscar onaj za — specijalne efekte. Cijena je časopisa za naručitelje izvan SAD 13,50 dolara po primjerku.

Samo trenutak...

Deeeeeeeeeda, ima jos tih casopisa o oruzju - nas'o ti najdrazi unuk jos jednog, samo 13,50 dolara po primjerku. Dobijes i besplatne corke za tandjaru... Vidi, deda, cijeli broj posvecen herojskoj borbi partizana na makedonskoj Sar planini '44.

http://img10.imageshack.us/img10/5199/cshehe.gif

http://img339.imageshack.us/img339/5111/cinefex123.jpg

Sto kazu face:

http://img705.imageshack.us/img705/1350/91766596.pnghttp://img214.imageshack.us/img214/4401/60180324.pnghttp://img176.imageshack.us/img176/1386/45303590.png

Deda, odi vidi ovo, hitro - napravili intervju s Mosom Pijade!

Prodano!

CineFex Digital Magazine Bundle Jan 2000 to Oct 2009 Edition (http://avaxhome.ws/magazines/graphics_design/546798620.html)
6 Rar Files | Pdf and Jpeg Format | 125 Pages each edition | 575 Mb Size

Cinefex Magazine Collection (http://www.ebookee.com/Cinefex-Magazine-Collection_710162.html)
PDF | English | 602 MB

Cinefex (launched in 1980) is a quarterly professional movie special effects magazine. It is among the first dedicated special effects magazines ever produced, at a time where computer generated imagery effects were not as common.

Cinefex is also among the very few magazines which do not advertise inside material on the cover, though an alternate edition with this feature is also in publication to conform to this guideline among magazine publishers. Cinefex is also one of the few magazines that produces a separate version for subscribers that does not have a bar code printed on the front cover, allowing the cover image to be viewed unobstructed.

Within its pages can be found lengthy and detailed articles about the special effects (both physical and CGI) of a certain upcoming movie, composed mainly of various interviews with the people involved and coupled with extensive behind-the-scenes photographs. Being a professional industry publication, Cinefex also comprises full-page advertisements for special effects houses, as well as acknowledgement s and dedications, such as obituaries.

The Collection Includes:

-Cinefex_002-AUGUST_1980
-Cinefex_003-DECEMBER_1980
-Cinefex_009-JULY_1982
-Cinefex_013-JULY_1983
-Cinefex_024-NOVEMBER_1986
-Cinefex_065-MARCH_1996
-Cinefex_080-JANUARY_2000
-Cinefex_087-OCTOBER_2001
-Cinefex_092-JANUARY_2003
-Cinefex_097-APRIL_2004
-Cinefex_109-APRIL_2007
-Cinefex_118-JULY_2009
-Cinefex_119-OCTOBER_2009
-Cinefex_120-JANUARY_2010
-Cinefex_121-APRIL_2010

BTW, na ovo mi rastu zazubice:

http://img176.imageshack.us/img176/1998/000ce845medium.jpg

Cinefex: Visual Effects Magazine - March 1996 - Star Wars Mega-Issue (http://avaxhome.ws/magazines/language/m_english/Cinefex_Issue_65_March_1996_Star_Wars.html)
March 1996 | 148 pages | English | PDF | 50.2 MB

Contents:

- After the Rebellion: Industrial Light & Magic, then and now - two decades in the evolution of a technological titan. Article by Mark Cotta Vaz.
- 20 Years of Industrial Light & Magic: Established by George Lucas to insure himself first-rate effects for his own productions, Industrial Light & Magic has grown into a service organization that has supplied visual alchemy for every major studio and many of the world's top filmmakers. Survey by Jody Duncan.
- 30 Minutes With the Godfather of Digital Cinema: No one has done more to change the face of visual effects than George Lucas. In an exclusive interview, he discusses ILM and its contributions to the field - and drops a few hints of what to expect in the Star Wars special editions and the long-awaited prequels. Interview by Don Shay.
- War Stories: Twenty years ago, a group of young artists and technicians took over a vacant warehouse - and soon took over an industry. More than a dozen of the original Star Wars team members reminisce about making one of the most influential films of all time. Article by Kevin H. Martin.
- Dennis Muren - Playing It Unsafe: Though he now has eight Academy Awards - more than anyone else alive - Dennis Muren is down-to-earth in his insistence that the work is all that matters to him. A look back at his humble beginnings and celebrated achievements. Article by Don Shay.

http://www.pic4ever.com/images/bliss.gif

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Sadrzaj ovog posta mora stajati zasebno, sve drugo bilo bi kingohuljenje.

Rijeci su suvisne, kultna knjiga (koju se itekako isplati kupiti - ja kupih svoj primjerak u Algoritmu).

http://img816.imageshack.us/img816/5005/onwriting.jpg (http://www.sendspace.com/file/uut88z)

On Writing: A Memoir of the Craft (http://www.sendspace.com/file/uut88z)
Stephen King

On Writing: A Memoir of the Craft by Stephen King accomplishes what few books on writing have done before - it levels the playing field, so to speak, so that all would-be authors understand the rules of the game and their own potential in the field. Even as King simplifies writing so that it seems something just about anyone could do, he never gives the impression that writing creatively or even journalistically is an easy task and is careful to warn that good writing requires a certain amount of talent and the ability/willingness to read well. In fact, giving examples from his own career and featuring tidbits from the published works of others, King shows that even so-called experts may flub their task a bit if they forget certain rules and grow lazy in their writing.

Central to King's task here is his own experience as an evolving author. Sharing his past, telling of his earliest days in writing - from the days he copied verbatim the words of his favorite comics to those days when he self-published a satirical newspaper lampooning his high school administration to these days when he is a celebrated popular author - King engages his audience and proves that some people have a calling to write. Early in On Writing, King says, "The equipment comes with the original package." While this statement seems to challenge the notion that writing is a learned or teachable skill, King further asserts that a "large number of people have some talent as writers and storytellers, and that those talents can be strengthened and sharpened." Indeed, it seems that King knows his stuff as he gives both creative and practical advice to his readers who would be writers. His advice comes in the form of what he might call the "writer's toolbox."

Always the storyteller, King models his toolbox, the very one he would have his readers build, after his grandfather's toolbox. A carpenter, Fazza had a grand hand-constructed toolbox comprised of three levels. Using this as the prototype, King suggests, "yours should have at least four." Keeping the tools of writing simple, King fills the toolbox logically, placing the most commonly used tools at the top in clear order. King contends that the tools, and nuts, and bolts of writing are vocabulary, grammar, style and – finally - thematic thinking.

What the reader gets from King that she gets from few other authors is an honest sense of growth. As King describes the toolbox level by level, he also explains how to use the tools within the box. His wit and charm shine through in such passages, and the reader finds herself smiling rather than grimacing as she might while reading a traditional textbook on writing. For instance, choosing the works of noted authors such as H.P. Lovecraft and Tom Wolfe, King exploits the power of vocabulary. His example from Lovecraft sends his reader searching for a dictionary, while luckily the example from Wolfe needs no further explanation as no translation would be available. King's point is well made - language and presentation go hand-in-hand and the writer must present himself in a way that is readable and embraceable by an audience.

Although King is not yet taught on campuses nationwide, On Writing may be the world's most effective modern writing textbook as it engages the audience through poignant, expressive storytelling and introduces or reiterates notions of writing that must be in every writer's toolbox. King, a fiction author himself, has constructed a career based on the tools he suggests to his readers, and the readership he has garnered speaks volumes for his expertise in his field.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img97.imageshack.us/img97/6118/onedayinthelifessmall.jpg

Konacno pronasao jos jednu Significant dokumentarcinu:

http://img534.imageshack.us/img534/7278/tapatarkovskikp8.jpg

Une journée d'Andrei Arsenevitch (DVDrip - 2000) (http://avaxhome.ws/video/Format/documentary/chris_marker_une_journee_d_andrei_arsenevitch_2000 .html)
55 min | XviD 640x480 | 1522 kb/s | 118 kb/s mp3 VBR dual audio | 25 fps |700 MB

Through film clips, journal entries, and personal musings, ONE DAY IN THE LIFE OF ANDREI ARSENEVICH is renowned French filmmaker Chris Marker's homage to his friend and colleague, Andrei Tarkovsky, who died in 1986. Widely regarded as one of the greatest filmmakers of the 20th century, and certainly the most important post-War Russian filmmaker, Andrei Tarkovsky has achieved a mythic status with such visionary masterpieces as Andrei Rublev, Solaris and Stalker. His stylistic idiosyncrasies: minimal plots, fragmented narrative, and long takes have become staples of the modern art film. His confrontations with the Soviet government, the censorship of his films, and his eventual exile only contributed to his mystique. Through close readings of Tarksovsky's films - including rare scenes from his student film (an adaptation of Hemingway's The Killers) and a practically unknown production of Boris Goudonov - Marker attempts to locate Tarkovsky in his work. Parallels drawn by Marker between Tarkovksy's life and films offer an original insight into the reclusive director. Personal anecdotes from Tarkovsky's writings - from his prophetic meeting with Boris Pasternak (author of Dr. Zhivago) to an encounter with the KGB on the streets of Paris (he thought they were coming to kill him) - pepper the film.

With behind-the-scenes footage of Tarkovsky obsessively commanding his entire crew (including famed Bergman cinematographer Sven Nykvist, during the filming of a complicated sequence from his final film The Sacrifice), and candid moments of Tarkovsky with his friends and family, bedridden but still working on the editing of his final film, ONE DAY IN THE LIFE OF ANDREI ARSENEVICH is a personal and loving portrait of the monumental filmmaker.

Recenzije:

"**** (4 stars). A masterpiece! Marker's ONE DAY IN THE LIFE OF ANDREI ARSENEVICH [is] the best single piece of Tarkovsky criticism I know of, clarifying the overall coherence of his oeuvre while leaving all the mysteries of his films intact. The video interweaves biography and autobiography with poetic and political insight in a manner that seldom works as well as it does here."—Jonathan Rosenbaum, Chicago Reader

"A brilliant appreciation of the last great Soviet director, Andrei Tarkovsky. No less then Jean-Luc Godard or Martin Scorsese, Marker is an original and perceptive exegete of other filmmakers.... The most sustained and heartfelt tribute one filmmaker has paid another."—Jim Hoberman, Village Voice

"A sublime meditation on the poetic, surreal universe of Tarkovsky."—Los Angeles Times

"Fascinating! What makes Chris Marker's documentary such an invaluable gift is that his insights into the director are so accessible - and so provocative. Not only is it a remarkable analysis of Tarkvosky's brilliance; it's also a showcase for Marker's."—Time Out New York

"A superb analysis of Tarkovsky's lyrical vocabulary. You'll be hard pressed to find a more thorough explication of Tarkovsky's vision than the one provided by Marker here."—Dallas Observer

"A film that defies categorization as a documentary, or even as a 'film essay' ...A love letter is more like it: personal, passionate, unguarded. The meat of the film is a dazzling montage, drawn mostly from Tarkovsky's work, but reorganized into illuminating new patterns... inspiring us to make our own observations and connections."—LA Weekly

"Even those of us who find Tarkovsky's films more tedious than tantalizing will appreciate the care and love that went into this reflection on the man and his work. I can't remember any film capturing an artist more intimately..."—Detroit Free Press

"Chris Marker's informative tribute to the late Andrei Tarkovsky is an important contribution to film scholarship."—Variety

IMDb (http://www.imdb.com/title/tt0259701/)
Alternativni download (http://www.worldscinema.com/2010/04/chris-marker-cinema-de-notre-temps-une.html)

Ako netko pozeli kupiti svoj primjerak, moze to uciniti ovdje (http://icarusfilms.com/new2000/1day.html) (iako bi Tarkovski bio ljut da vidi tu cijenu od $390, i to jos na VHS-u. Srecom pa postoji internet).

U prethodnim upisima zaboravih na jos nesto, nista manje znacajno:

http://img59.imageshack.us/img59/8273/imgtarkovsky13582786570.jpg

Andrei Tarkovsky - Arena: Tarkovsky's Cinema (1987) (http://www.worldscinema.com/2010/04/andrei-tarkovsky-arena-tarkovskys.html)

Beyond the edges of the frame influential filmmaker Andrei Tarkovsky give the viewers a sense of time passing, time lost, and the relationship of one moment in time to another. Broadcast on BBC2 Arena, 13 March 1987. Contains interview footage with Tarkovsky as he discusses each of his seven major films. He also talks about his world-view and his philosophy of filmmaking. Tarkovsky candidly and articulately discusses the difficulties of making films under the censors of the Soviet Union. He explores his aesthetic ideology, filmmakers he admires, and his eventual self-exile from Russia. He talks about recurring images in his movies - water, horses, fire, snow - but adamantly refuses to divulge what they mean, as he feels that would impose his own meaning onto the audience. At times cagey and resistant to interviewers, Tarkovsky nevertheless reveals his vision and his rigorous devotion to his art.

The film also includes footage of a Tarkovsky lecture to young film students in which he expresses his thoughts on modern cinema. Tarkovsky's widow Larissa is also interviewed. Contains no original Tarkovsky footage/interviews.

A u jednom od narednih upisa na temi mozete ocekivati i recentni dokumentarac Meeting Andrei Tarkovsky:

Andrei Tarkovsky Will Change Your Life (http://www.interviewmagazine.com/blogs/film/2009-07-07/tarkovsky/)
Andrei Tarkovsky Film Archive (http://zakka.dk/euroscreenwriters/film_archive/tarkovsky_andrei.htm)

Povezane spojnice:

REPLAY: THREAD #1438 (http://www.forum.hr/showpost.php?p=28399104&postcount=1438)
REPLAY: THREAD #1456 (http://www.forum.hr/showpost.php?p=28546683&postcount=1456)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img842.imageshack.us/img842/7113/00115281medium.jpg (http://pixhost.info/avaxhome/81/52/00115281.jpeg)

Zlatko Vidackovic (http://www.vjesnik.com/html/2007/05/22/Clanak.asp?r=kul&c=2), Vjesnik, 22. svibnja 2007.:

Da pretjerano mučni i depresivni filmovi mogu biti pogubni i za njihove stvaratelje, svjedoči i slučaj slavnog danskog filmskog redatelja Larsa Von Triera, koji je krajem prošle godine hospitaliziran u jednoj danskoj psihijatrijskoj klinici, gdje su ga liječili zbog teške depresije, a prije nekoliko dana je izjavio da ga je razdoblje depresije onesposobilo za snimanje filmova i da sumnja da će se ikad dovoljno oporaviti. Ipak, za fascinantni omnibus snimljen u povodu 60. obljetnice festivala u Cannesu »Svakom njegov kino« (Chacun son Cinema) Von Trier dao je zamjetan prilog, nagrađen snažnim aplauzom. Riječ je o kratkom filmu o američkom biznismenu koji ga gnjavi pričama o svojim poslovnim uspjesima za vrijeme projekcija, nakon čega mu Von Trier glavu razmrska s nekoliko snažnih udaraca čekićem u maniri čiste horor-parodije.

Taj omnibus u slavu kinematografa u kojem su sudjelovala čak 34 vodeća svjetska neovisna redatelja zapravo je čista demonstracija moći Gilesa Jacoba, »doživotnog« predsjednika Festivala u Cannesu. Većina je autora snimila uspjele filmove na temu gledanja filmova u samostalnim kino dvoranama (od Dalekog istoka do Južne Amerike), kojima je u zadnjem filmu kontrastiran užas repertoara prosječnog multipleksa. Zvižduke su zasluženo dobili Izraelac Amos Gitai, koji je pobio svoje gledatelje kao nedužne žrtve u granatiranju kina, i Egipćanin Youssef Chanine, koji je u svoj film uklopio snimke dodjele nagrade za životno djelo u Cannesu. Patriotska jednostranost i osobna taština vratili su se u dvorani tim redateljima kao bumerang.

Zvuci vraski zabavno, pogledao samo segment brace Coen: World Cinema by Joel and Ethan Coen (http://www.youtube.com/watch?hl=hr&v=SMYAtgapMro) (YT).

Eto idealne prilike da se pogleda i ostatak.

Tatatatira (http://www.youtube.com/watch?v=4Kde-5JdYYg)! :)

To Each His Movie (Chacun Son Cinéma) (2007) VOSTFR (http://avaxhome.ws/video/quality/dvd_rip/Chacun_Son_Cinema_vostfr.html)
DVD rip | Audio : original languages | Subtitle : French (forced) | avi | 110 min | xvid 656x352 | 1387kbps | Dolby AC3@448 | 25 fps | 1,5 GB

- Trois minutes (Three Minutes) de Theo Angelopoulos
- Recrudescence (Upsurge) d'Olivier Assayas
- La séance du dernier rendez-vous (The Last dating show) de Bille August
- Lady Insecte (The Lady Bug) de Jane Campion
- 47 ans après (47 Years Later) de Youssef Chahine
- Sans traduction (No translation needed) de Michael Cimino
- Le suicide du dernier juif du monde dans le dernier cinéma du monde (At the suicide of the last Jew in the world in the last cinema in the world) de David Cronenberg
- Dans l'obscurité (Darkness) de Jean-Pierre et Luc Dardenne
- Rencontre unique (Sole Meeting) de Manoel de Oliveira
- Cinéma d'été (Open-Air Cinema) de Raymond Depardon
- Artaud Double Bill d'Atom Egoyan
- Le Dibbouk de Haïfa d'Amos Gitai
- The Electric Princess House de Hou Hsiao-Hsien
- Anna d'Alejandro Gonzalez Inarritu
- Au village (Zhanxiou Village) de Chen Kaige
- J'ai fait 9000 km… (I travelled 9 000 km to give it to you) de Wong Kar-Wai
- La Fonderie (The Foundry) d'Aki Kaürismaki
- Où est mon Roméo ? (Where is my Romeo ?) d'Abbas Kiarostami
- Une belle journée (One fine day) de Takeshi Kitano
- Dans le noir (In the Dark) d'Andrei Konchalovsky
- Cinéma de boulevard (The Cinema around the Corner) de Claude Lelouch
- Happy ending de Ken Loach
- C'est un rêve (It's a dream) de Tsai Ming-Liang
- Journal d'un spectateur (Diario di uno spettatore) de Nanni Moretti
- Cinéma érotique de Roman Polanski
- A 8944 de Cannes (5.557 Miles from Cannes) de Walter Salles
- Le Don (The Gift) de Raul Ruiz
- Maladresse (Irtebak) d'Elia Suleiman
- Premier baiser (First Kiss) de Gus Van Sant
- Occupations de Lars Von Trier
- En regardant le film (Movie Night) de Zhang Yimou
- Absurda de David Lynch
- Guerre en temps de paix (War in Peace) de Wim Wenders

Date(s) de Sortie(s) : 31 octobre 2007

Réalisé par : Theo Angelopoulos, Olivier Assayas, Bille August, Jane Campion, Youssef Chahine, Chen Kaige, Michael Chimino, Davide Cronenberg, Jean-Pierre & Luc Dardanne, Manoel de Oliviera, Raymond de Pardon, Atom Egoyan, Amos Gitai, Hou Hsiao-Hsien, Alejandro Gonsales, Aki Kaurismaki, Abbas Kiarostami, Takeshi Kitano, Andrei Konchalovsky, Claude Lelouch, Ken Loach, David Linch, Nanni Moretti, Roman Polanski, Raoul Ruiz, Walter Salles, Elia Suleiman, Tsai Ming-Liang, Gus Van Sant, Lars Von Trier, Wim Wenders, Wong Kar Wai, Zhang Yimou.

Avec : George Babluani, Cindy Beckett, Josh Brolin, Antoine Chappey, Farini Cheung, Casper Christensen, Yves Courbet, David Cronenberg, Anne-Marie Louise Curry...
Distributeur : Pyramide Distribution
Genre : Divers
Pays : France
Durée : 1h50

IMDb (http://www.imdb.com/title/tt0973844/)
Wiki (http://en.wikipedia.org/wiki/To_Each_His_Own_Cinema)

[La Familia]

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Mark Browning - Stephen King on the Big Screen (http://avaxhome.ws/ebooks/1841502456.html)
Publisher: Intellect Ltd | 2009-07-01 | ISBN: 1841502456 | PDF | 256 pages | 5.82 MB

The Shining. Carrie. Misery. These are just a few of the film adaptations that have been made from the terrifying and eerie work of novelist and short story writer Stephen King. It is nearly impossible to think of another author who has inspired so many, and such diverse filmmakers—yet there has never before been a work by a film specialist that focused solely on Stephen King. Mark Browning, in Stephen King on the Big Screen, takes a film-by-film approach to exploring why some adaptations of King’s work are more successful than others. Browning discusses every single film adaptation given a global cinematic release—including films by such well-known directors as Stanley Kubrick, George A. Romero, and David Cronenberg. His is the first book to consider in detail Sleepwalkers, Dreamcatcher, and 1408 as well as the much-neglected portmanteau films and touchstones like The Shawshank Redemption and The Green Mile. In a highly readable and engaging style, Browning examines how different film directors have interpreted and translated the original literary texts into a new medium. Throughout, he reveals the elements of style and approach that have helped make King one of the world’s best-selling authors. This entertaining and accessible guide to the complete corpus of Stephen King films is a must-have for fans of his fiction and of the many directors who have sought to capture his macabre stories and bizarre characters in cinematic form.

http://img837.imageshack.us/img837/4374/000c38ddmedium.jpg (http://avaxhome.ws/ebooks/cultures_languages/Tony10King.html)

Tony Magistrale - Hollywood's Stephen King (http://avaxhome.ws/ebooks/cultures_languages/Tony10King.html)
Palgrave Macmillan | 2003 | ISBN: 0312293208, 0312293216 | Pages: 256 | PDF | 5.07 MB

For the past three decades, Hollywood has faithfully adapted much of Stephen King's fiction into film. Of the many major films that have been made, not one has lost money. Part of this may be explained in terms of King's own popularity in American culture; he has been, after all, a best-selling writer since the late 1970s. But more interesting is what this cinematic fascination reveals about postmodern American culture. In the first overview of Hollywood's major cinematic interpretations of Stephen King, Tony Magistrale examines the various thematic, narrative, and character interconnections that highlight the relationships among his films. Opening with a revealing interview with Stephen King, the book takes us through chapters that explore such popular films as Stand By Me, Misery, The Shining, The Green Mile, and The Shawshank Redemption among others.

Tony Magistrale - Stephen King: America's Storyteller (http://avaxhome.ws/ebooks/Tony_Magistrale_Stephen_King_Americas_Storyteller. html)
Praeger | ISBN: 0313352283 | 2009-12-21 | PDF | 181 pages | 1.02 Mb

Stephen King: America's Storyteller explores the particular American-ness of Stephen King’s work. It is the first major examination to follow this defining theme through King’s 40-year career, from his earliest writings to his most recent novels and films made from them. Stephen King begins by tracing Stephen King’s rise from his formative years to his status as a one of the most popular writers in publishing history. It then takes a close look at the major works from his canon, including The Shining, The Stand, It, Dolores Claiborne, and The Dark Tower. In these works and others, author Tony Magistrale focuses on King’s deep rooted sense of the American experience, exemplified by his clear-eyed presentation of our historical and cultural foibles and scars; his gallery of unlikely friendships that cross race, age, and class boundaries; and his transcendent portrayals of uniquely American survival instincts, fellowship, and acts of heroism from the least likely of sources.

Stephen King (Who Wrote That?) (http://avaxhome.ws/ebooks/biography/0791098524.html)
Publisher: Chelsea House Publications | ISBN: 0791098524 | edition 2009 | PDF | 136 pages | 1.50 mb

Stephen King began writing and submitting stories for publication as a young teenager. It wasn't until 1973 when he was 26 years old, however, that his first novel, "Carrie", was accepted by a publisher. By the 1980s, his books were published at a rate of at least one per year. How did King, once a struggling writer, become one of the best-selling authors of all time? "Stephen King" explores his path from a childhood of poverty to success as a screenwriter, film producer, director, and author of classics of the horror genre like "The Shining" and "Cujo".

Tim Underwood, Stephen King, "Bare Bones: Conversations on Terror With Stephen King" (http://avaxhome.ws/ebooks/biography/0446390577BareBones.html)
Warner Books | 1989 | ISBN: 0446390577, 044639002X, 0070657599 | 211 pages | PDF | 11 MB

In this revealing and varied collection of interviews, Stephen King talks about his life, family, films and in particular about his macabre novels of the unknown that have made him so well known.

REPLAY: On Writing: A Memoir of the Craft by Stephen King (http://www.forum.hr/showpost.php?p=28695965&postcount=1468)

Sve ostalo (A Must-Read Classic Stephen King intervjui, recenzije knjiga, coveri, scenariji produciranih i neproduciranih filmova, kratke price...):

http://img839.imageshack.us/img839/93/57758248.png (http://www.liljas-library.com/)

Ljiljo (http://www.liljas-library.com/), u rosno celo te ljubim. :) Nemojte zaboraviti kliknuti i na brata mu po kameri:

Frank Darabont Interview (http://www.liljas-library.com/showinterview.php?id=55)
Posted: March 25, 2008
Frank Darabont Interview II (http://www.liljas-library.com/showinterview.php?id=49)
Posted: January 7, 2008

Dokumentarci u jednom od sljedecih postova. Sve ostalo-ostalo vec znate gdje (http://avaxsearch.com/avaxhome_search?q=Stephen+King&commit=Go) mozete pronaci. I kupiti nesto od toga, coeka prije nekoliko godina strmopizdio Cazmatransov autobus - mora i Kralj od necega zivjeti (BTW, moja malenkost potrosila je pravo bogatstvo na Kingova izdanja, eno jadni deda mi gladuje).

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
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sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img411.imageshack.us/img411/4917/mpw15005.jpg (http://www.sendspace.com/file/ak5x1q)


Scent of a Woman scenarij (http://www.sendspace.com/file/ak5x1q) velikog Boa Goldmana sve do jucer NIGDJE na mrezi nije bio dostupan. Konacno!


http://img827.imageshack.us/img827/9233/93906024.png (http://www.sendspace.com/file/ak5x1q)

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http://img641.imageshack.us/img641/3029/scentofawomancover.jpg (http://img255.imageshack.us/img255/3029/scentofawomancover.jpg)
http://img828.imageshack.us/img828/5759/scentofawoman.jpg (http://img718.imageshack.us/img718/5759/scentofawoman.jpg)

Scent of a Woman - Thomas Newman (http://megaupload.com/?d=PCBOG1FR)

http://www.pic4ever.com/images/47b20s0.gif

:cerek::cerek::cerek:

[La Familia]

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Francois Ozon
15.11.1967, Pariz, Francuska
Francois Ozon

Ozon bez kojega možemo preživjeti ali ne i pisati retke o novijoj povijesti francuske kinematografije.

http://img809.imageshack.us/img809/355/102dk.jpg

Ozon se vrlo rano počeo interesirati za filmsku industriju. Studirao je na prestižnoj francuskoj nacionalnoj školi FEMIS (La Femis) gdje je snimio mnogo kratkih filmova koji su prikazivani na francuskoj TV, ali i na internacionalnim filmskim festivalima. 1996. nagrađen je na Locarno Film Festivalu za 'Summer Dress', kratki film o mladom homoseksualcu koji je na ljetovanju sa svojim dečkom. Sljedeće godine taj film je izašao u SAD-u, zajedno s mračnim i psihološkim 'See the Sea' (1961) koji ga je predstavio kao novi veliki talent. Njegov prvi dugometražni film, crna komedija 'Sitcom' (1998), prikazana je na festivalu u Cannesu. Okarakterizirala ga je kao snimatelja kratkih filmova pa nije prihvaćena s naročitom pažnjom.

Sljedeći film, 'Les Amants Criminels' (1999), bio je daleko uspješniji. Film je dobio izvrsne kritike i uspoređivali su ga sa sličnim ostvarenjima poput 'Natural Born Killers' ili 'Bonnie and Clyde'. Adaptacija drame 'Water Drops on Burning Rocks' (2002) je dobila nagradu Teddy za najbolji Gay & Lesbian Film na Berlin International Film Festivalu. Iako su europske kritike bile prepune pohvala, američke nisu dijelile isto mišljnje pa je njegov rad okarakteriziran kao nezadovoljavajući. Svejedno je Ozon i dalje nosio titulu obećavajućeg talenta francuske filmske industrije.

Njegov sljedeći dugometražni film je drama 'Under the Sand' (2001), sa Charlotte Rampling u glavnoj ulozi, nominirana za najbolji film i najboljeg redatelja na Cesar Awards 2002. Pljesak je pokazao da je Ozon sazrio u odličnog redatelja. Za mjuzikl '8 Women' (2002) okupio je sve glumačke zvijezde u Francuskoj: Fanny Ardant, Emmanuelle Beart, Danielle Darrieux, Cathering Denuve, Isabelle Huppert, Virgine Ledoyen, Firmine Richard i Ludivine Sagnier. Posljednje Ozonovo ostvarenje, mistična drama 'Swiming pool', s Charlotte Rampling i Ludivine Sagnier, protkana finim humorom, prikazuje priču o dva različita karaktera, jedan hladan i konzervativan, a drugi mlad i razvratan.

Izvor: filmski.net (http://www.filmski.net/dossier/102/francois_ozon)

A kako je sve pocelo?

http://img693.imageshack.us/img693/4162/x2000.jpg (http://www.worldscinema.com/2010/06/francois-ozon-x-2000-1998.html)

François Ozon - The Collected Shorts of Francois Ozon (2001) (http://www.worldscinema.com/2010/06/francois-ozon-x-2000-1998.html)

Morning has broken on January 1, 2000. A man rises from his bed, leaving a woman asleep. He walks through an apartment littered with the detritus of last night's party. Twin men are asleep in a single sleeping bag on the floor. He sees a couple making love in an apartment across the way. The woman rises, sees him staring out the window, and runs a bath. As she soaks and the twins sleep, he makes a discovery beneath a wastebasket. Quiet morning-after ruminations continue...

1-Action vérité/Truth or Dare (1994)
http://imdb.com/title/tt0166471/ [User Rating:6.5/10]

2-La Petite mort/Little Death (1995)
http://imdb.com/title/tt0166765/ [User Rating:6.8/10]

3-Scènes de lit/Bed Scenes (1998)
http://imdb.com/title/tt0166793/ [User Rating:6.2/10]

4-X 2000 (1998)
http://www.imdb.com/title/tt0219414/ [User Rating:6.2/10]

IMDb (http://http//www.imdb.com/title/tt0219414)

+

François Ozon - Photo de famille (1988) (http://www.worldscinema.com/2010/06/francois-ozon-photo-de-famille-1988.html)

After a family dinner, the son poisons his mother, stabs his sister and chokes his father, then reunites the three of them on the living-room couch and takes a pictures of them, with him in the center, smiling, holding them still.

IMDb (http://www.imdb.com/title/tt0302917)

[La Familia]

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responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img29.imageshack.us/img29/3337/thenewtenants.jpg (http://i563.photobucket.com/albums/ss79/mymoviesoninternet/2010/The-new-tenants.jpg)

The New Tenants (2009) - USA/Denmark
Winner 2010 Academy Award - Best Live-Action Short Film

U priči o dvojici tipova koji se useljavaju u novi stan glume Vincent D'Onofrio ('Ćelija') i Kevin Corrigan ('Život u zaboravu'), a scenarist Anders Thomas Jensen je napisao originalnu 'Braću' i sudjelovao u pripremi 'Antikrista'.

DOWNLOAD:

The New Tenants (2009) - USA/Denmark (http://highratingmovies.blogspot.com/2010/04/new-tenants-2009.html)

Plot & Summary
It’s hard to know how exactly to describe The New Tenants. To relate the plot makes it sound like a violent American Pie sequel, but it’s much more sophisticated than that. It involves murder, adultery, drug use, and heroin spiked cinnamon buns – all in a mere twenty minutes. Peter and Frank have recently moved into a new apartment when they find out it has a disturbing history. In the course of the film, the apartment’s dirty past unravels and drops at their feet as they sit and watch. As dark as it sounds, it’s definitely a comedy. Crisp, clever dialogue, some outrageous plot twists; it earns a lot of laughs. Some great acting here too from some of the only actors we’d recognize, specifically Vincent D’Onofrio and Kevin Corrigan. The dark nature might be off-putting to some, but it’s unquestionably entertaining. And though it isn’t doling out deep life lessons, it makes you wonder: when the whole world seems to collapse around you, what else can you do but dance?

Rating
7.2/10; 202 votes

http://img713.imageshack.us/img713/6904/thenewtenantsscenes.jpg

IMDb (http://www.imdb.com/title/tt1520428/)

GLEDANJE (YT):

The New Tenants (2009) short film oscar winner 2010 - part 1 (http://www.youtube.com/watch?v=O3tMkI12DW4)
The New Tenants (2009) short film oscar winner 2010 - part 2 (http://www.youtube.com/watch?v=RQxXByWYZMU)

[La Familia]

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sites. If you have any legal issues please contact appropriate media file owners/hosters.

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Odlican broj!

Preview:

http://img401.imageshack.us/img401/1662/71237785.pnghttp://img203.imageshack.us/img203/3456/19359266.pnghttp://img217.imageshack.us/img217/9807/42835144.png

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American Cinematographer Magazine September 2010 (http://avaxhome.ws/magazines/american_cinematographer_09_2010.html)
English | 116 Pages | 17MB | True PDF

American Cinematographer is a monthly magazine published by the American Society of Cinematographers. American Cinematographer focuses on the art and craft of cinematography, going behind the scenes on domestic and international productions of all shapes and sizes. The magazine features in-depth interviews with cinematographers, directors and some of their key collaborators at every stage of production. The magazine also features historical articles, technical how-to pieces, and information on the latest tools and technologies that impact the cinematographer's craft.

[La Familia]

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sites. If you have any legal issues please contact appropriate media file owners/hosters.

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“Ne trudim se osvajati nagrade.
To je za konje i pse” – Werner Herzog

Obično se glumce povezuje s likovima koje igraju. No, u slučaju Wernera Herzoga očito je kako se na relaciji likovi-redatelji također može povući paralela sličnosti. Glasoviti njemački redatelj karakterno odgovara Fitzcarraldu (Klaus Kinski), protagonistu istoimena filma. Fitzcarraldo je odlučio sagraditi operu usred Amazonske prašume i za to će, ako treba, prevesti monstruozno velik parobrod preko brda. Slično Fitzcarraldu, najvažnija figura novog njemačkog filma (pored Fassbindera i Wendersa) također ima velike snove i odbija pokleknuti pred svim preprekama da ih ostvari. Pomoću filmova on uspijeva “artikulirati snove“. Za filmove je radio u čeličani. Za njih bi se “popeo u pakao i hrvao s vragom, glavom i bradom“, premda je, baš na setu “Fitzcarralda“ (1982.) izjavio kako “ne bi trebao više snimati filmove, nego poći u ludnicu“. Herzog smatra da su mu filmovi poput njegove djece, da imaju privilegij živjeti svoj život i razviti vlastiti lik.

Dokumentarist Errol Morris (“Standardni operativni postupak“) nazvao je Herzogove filmove “produženim esejom o značenju beznačaja“. Prokleto točno. Međutim, mnogi kritičari Herzogova novija ostvarenja drže beznačajnima, što je ipak pomalo pretjerano.

Da niste redatelj, čime biste se bavili?

- Bio bih matematičar. Vjerojatno ste čuli za brojne matematičare kao što je bio Pierre de Fermat koji su postavljali matematička pitanja koja su riješena tek stoljećima kasnije. I ja imam nekoliko takvih matematičkih pitanja, pitanja o hiperboličkom prostoru koja nitko do sada nije pitao i koja trenutačno intrigiraju matematičare. Ne znamo mnogo o prostoru a još manje o vremenu. Osim toga, volio bih biti arheolog, ali i ronilac jer volim uranjati u sve što je nepoznato. Volio bih svirati violončelo.

Izvori: SD (http://www.slobodnadalmacija.hr/Reflektor/tabid/92/articleType/ArticleView/articleId/91266/Default.aspx)-Nacional (http://www.nacional.hr/clanak/86242/werner-herzog-renesansa-genijalnog-filmskog-cudaka).

BBC - Werner Herzog: Beyond Reason (2008) (http://www.worldscinema.com/2009/10/bbc-werner-herzog-beyond-reason-2008.html)

http://img148.imageshack.us/img148/4500/5pqte8.jpg

Alan Yentob meets the renowned German film director Werner Herzog in this week's Imagine... Legendary for his refusal to compromise in his search for the 'real truth', Herzog has a reputation for pushing cast, crew and studios to the absolute limit. Stories from his best known film, Fitzcarraldo, are of a catastrophe-riddled shoot in the Peruvian jungle, which took three years to film and saw two plane crashes, a border war, and attacks from a hostile tribe. Herzog is as far from the mainstream as it is possible to be, so it is a surprise when Alan finds him living in the Hollywood Hills. Spending time with Werner at some of his favourite Los Angeles locations, Alan attempts to uncover whether Herzog is the maverick risk-taker he appears to be. He also questions what the future is for Herzog - will he succeed in bucking the Hollywood system, or will he be forced to compromise his unique vision and style?

With footage from Werner's extensive back-catalogue of work, including Rescue Dawn, Grizzly Man, Even Dwarfs Started Small and Fitzcarraldo, the documentary is a revealing insight into one of modern cinema's most surprising and complex filmmakers.

Werner Herzog: Beyond Reason, BBC One, 1 July 2008, 10.35pm.

Werner Herzog - Portrait Werner Herzog (1986) (http://www.worldscinema.com/2009/09/werner-herzog-portrait-werner-herzog.html)

http://img833.imageshack.us/img833/329/2005grizzlyman018.jpg (http://images.allmoviephoto.com/2005_Grizzly_Man/2005_grizzly_man_018.jpg)

Werner Herzog documentary about himself. Herzog narrates the film where he talks about his early childhood, his love of walking and his love of making movies. We get to see clips from various films including Signs of Life, Aguirre, the Wrath of God and Fitzcarraldo among others. The most interesting thing in the film is hearing Herzog talking about his love of walking and how one time he walked from Munich to Paris. He also claims that most of his movie ideas come during these walks.

“I see planets that don't exist and landscapes that have only been dreamed.” – Werner Herzog (http://alchemi.co.uk/archives/docs/herzog_quotes.html)

DOKUMENTARNI FILMOVI:

Malo je reci da su mi sjajni dokumentarci Wernera Herzoga oplemenili zivot. Beskrajno sam mu zahvalan na tome.

Ovo je idealna prilika da to ucine i za vas.

We are surrounded by worn-out images, and we deserve new ones. :s

La Soufriere (1977) - Werner Herzog (http://www.foriegnmoviesddl.com/2010/03/la-soufriere-1977-werner-herzog.html)
Les Blank - Werner Herzog Eats His Shoe (1980) (http://www.worldscinema.com/2010/07/les-blank-werner-herzog-eats-his-shoe.html)
Les Blank - Burden of Dreams (1982) (http://www.worldscinema.com/2009/12/les-blank-burden-of-dreams-1982.html)
Dark Glow of The Mountains (1985) - Werner Herzog (http://www.foriegnmoviesddl.com/2010/05/dark-glow-of-mountains-1985-werner.html)
Lektionen in Finsternis (1992) aka Lessons of Darkness - Werner Herzog (http://www.foriegnmoviesddl.com/2010/02/lektionen-in-finsternis-1992-aka.html)
Little Dieter Needs to Fly (1997) - Werner Herzog (http://www.foriegnmoviesddl.com/2010/06/little-dieter-needs-to-fly-1997-werner.html)
Mein liebster Feind - Klaus Kinski (1999) Werner Herzog (http://www.foriegnmoviesddl.com/2010/08/mein-liebster-feind-klaus-kinski-1999.html)
Wings of Hope (2000) - Werner Herzog (http://www.foriegnmoviesddl.com/2010/04/wings-of-hope-2000-werner-herzog.html)
Wheel of Time (2003) - Werner Herzog (http://www.foriegnmoviesddl.com/2010/04/wheel-of-time-2003-werner-herzog.html)
The White Diamond (2004) - Werner Herzog (http://www.foriegnmoviesddl.com/2010/03/white-diamond-2004-werner-herzog.html)
Grizzly Man (2005) - Werner Herzog (http://www.foriegnmoviesddl.com/2008/11/grizzly-man-2005-werner-herzog.html)
Encounters at the End of the World (2007) - Werner Herzog (http://www.foriegnmoviesddl.com/2010/03/encounters-at-end-of-world-2007-werner.html)

THE KNJIGA:

http://img237.imageshack.us/img237/5658/000cd09bmedium.jpg (http://avaxhome.ws/ebooks/biography/0571207081.html)

Herzog on Herzog (http://avaxhome.ws/ebooks/biography/0571207081.html)
Publisher: Faber & Faber | ISBN: 0571207081 | edition 2003 | PDF | 400 pages | 4.85 mb

An invaluable set of career-length interviews with the German genius hailed by François Truffaut as “the most important film director alive”. Most of what we’ve heard about Werner Herzog is untrue. The sheer number of false rumors and downright lies disseminated about the man and his films is truly astonishing. Yet Herzog’s body of work is one of the most important in postwar European cinema.His international breakthrough came in 1973 with Aguirre, The Wrath of God, in which Klaus Kinski played a crazed Conquistador. For The Enigma of Kaspar Hauser, Herzog cast in the lead a man who had spent most of his life institutionalized, and two years later he hypnotized his entire cast to make Heart of Glass. He rushed to an explosive volcanic Caribbean island to film La Soufrière, paid homage to F. W. Murnau in a terrifying remake of Nosferatu, and in 1982 dragged a boat over a mountain in the Amazon jungle for Fitzcarraldo. More recently, Herzog has made extraordinary “documentary” films such as Little Dieter Needs to Fly. His place in cinema history is assured, and Paul Cronin’s volume of dialogues provides a forum for Herzog’s fascinating views on the things, ideas, and people that have preoccupied him for so many years.

[bata konj harmonikas]

znas sta stari, da neko hoce sa istim zarom vodit ovu drzavu (ili igrat fudbal wink wink nudge nudge....) kao sto ti pratis ove pizdarije....nebo je granica. svaka cast:top:

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Muka je kroz svu tu kisu Isusovu gayish reklama stici do onoga sto vas uistinu zanima, no kad jednom stignete tamo - visprenim rjecnikom Del Boy's Foreign Lingoa (http://nelsonmandelahouse.blogspot.com/2010/01/del-boys-foreign-lingo.html) - vrijedi ona: 'Apres moi la deluge, au revoir, bonnet de douche!'

Moj najdrazi UK redatelj:

http://img204.imageshack.us/img204/8978/89261102.pnghttp://img405.imageshack.us/img405/2241/64809847.pnghttp://img259.imageshack.us/img259/2816/86334870.pnghttp://img535.imageshack.us/img535/3534/72628694.png

Ovog najdrazeg mi 'ludjaka' ni ne treba posebno predstavljati, prava jebena poslastica:

http://img259.imageshack.us/img259/3981/1001.pnghttp://img832.imageshack.us/img832/1099/2001d.pnghttp://img444.imageshack.us/img444/9646/3001.pnghttp://img830.imageshack.us/img830/2592/4001.png

Esquire UK - October 2010 (http://avaxhome.ws/magazines/for_men/Esquire_UK_10_2010.html)
PDF | 246 pages | English | 32.8 MB

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img39.imageshack.us/img39/8617/screenplay.jpg

The thing about writing is you may never have written a thing in your life, and you can do it.
A lot of people are probably good writers who have never tried it, and there are other people
who have been doing it for 20 years and perhaps should stop. It's not a function of intelligence.
It's a function of story sense and an ear for dialogue.
-- David E. Kelley (http://www.imdb.com/name/nm0005082/)

http://img811.imageshack.us/img811/9365/75439721.png (http://www.youtube.com/watch?v=JHVqxD8PNq8)

Idemo dalje, skola je pocela. Zapocinjemo s jednom sjajnom knjigom Elliota Grovea:

http://img443.imageshack.us/img443/867/000d9472medium.png (http://avaxhome.ws/ebooks/RaindanceWritersLab.html)

Raindance Writers' Lab, Second Edition: Write + Sell the Hot Screenplay (http://avaxhome.ws/ebooks/RaindanceWritersLab.html)
Elliot Grove | ISBN: 0240520793 | PDF | 273 pages | Nov 2008 | 5 MB

'This is an invaluable manual for the first time screenwriter. A guide that takes in every aspect of the screenwriting process.' Ayub Kahn-Din, writer for East is East
'An authoritative guide full of wit and wisdom, through which Grove's personality shines.' Justin Bower, Total Film
'A powerful and compelling read, containing many secrets and easily applied techniques to solving all the screenwriting dilemmas faced by new writers and not so new ones. As a produced screen writer myself, I can heartily recommend his candid and often witty approach to the realities of the industry - A complete guide to the movie business - Great stuff.

Nastavljamo s 'prodavanjem labudovih jaja' (tek naizgled, knjiga Linde James uopce nije losa - bavi se aspektom vizualnog prenosenja ideja na papir):

http://img687.imageshack.us/img687/682/000c99a9medium.jpg (http://avaxhome.ws/ebooks/business_job/WriteScreenplays.html)

Linda M. James, "How to Write Great Screenplays: And Get Them into Production" (http://avaxhome.ws/ebooks/business_job/WriteScreenplays.html)
How To Books Ltd | 2009 | ISBN: 1845283074 | 190 pages | PDF | 1,3 MB

Have you got a great idea for a screenplay, but don't know how to write it visually? Then this book is for you.

Ni ovo nije lose, horror je svuda oko nas (pogledajte samo vladu Jadranke Kosor, Vladimira Šeksa, Sanadera...). Samo ne u kinu - hocemo hrvatski horror bez hrvatskih politicara!

http://img22.imageshack.us/img22/5575/000cac50medium.jpg (http://avaxhome.ws/ebooks/programming_development/544448.html)

How to write horror (http://avaxhome.ws/ebooks/programming_development/544448.html) (bez hrvatskih politicara, prosim lijepo).
Publisher: horror-scripts | ISBN: N\A | edition 2008 | PDF | 12 pages | 1,14 mb

Ovo sto slijedi je nesto, pravi kolacic. Naime, formatirani scenariji produciranih (i neproduciranih) filmova danas su dostupni gotovo svima (ma kakve k****** knjige, nema boljeg nacina savladavanja scenaristickih vjestina - citajte scenarije, svaki dan (http://www.mypdfscripts.com/)!). S druge pak strane, postoje i specijalizirane scenaristicke publikacije (mozete ih kupiti u Algoritmu, moja malenkost Anticevicu ostavila pravo bogatstvo) koje - uz sam scenarij - nude i nesto vise: In-Depth intervju sa scenaristom, storyboard, izbrisane scene, pizdrije sa snimanja, bozicne pjesmice koje su - gle prokletog cuda - inspirirale mamlaza da napise taj scenarij. Svasta nesto. U ovom slucaju radi se Richardu Curtisu (tko ne zna tko je R. Curtis, sram vas bilo). Da nema Richarda THE Curtisa, svi Englezi mogli bi komotno skociti u Temzu, s vrecom cementa. Kolektivno.

http://img534.imageshack.us/img534/9477/000c3caamedium.jpg (http://avaxhome.ws/ebooks/others/Love_Actually.html)

Richard Curtis, Love Actually (Screenplay) (http://avaxhome.ws/ebooks/others/Love_Actually.html)
St. Martin's Griffin | 2003 | ISBN: 0312318499 | 240 pages | siPDF | 12.9 MB

Contents

Introduction by Richard Curtis
Film Family Tree
Love Actually – The Screenplay
'Christmas Is All Around' – The Lyrics
Deleted Scenes – The Ones That Didn't Make It
Behind the Scenes
Love Actually – The Quiz
Love Questionnaires
Some Strange Posters
Cast and Crew

Au, ovo je bomba - gledati i citati filmove!

http://img411.imageshack.us/img411/628/000b8412medium.jpg (http://avaxhome.ws/ebooks/science_books/philosophy/David17Line.html)

David Davies - Terrence Malick's The Thin Red Line (http://avaxhome.ws/ebooks/science_books/philosophy/David17Line.html)
Routledge | 2008 | ISBN: 0415773644 | Pages: 113 | PDF | 1.33 MB

Opening with a helpful introduction that places the film in context, five essays, four of which were specially commissioned for this collection, go on to examine the following: the exploration of Heideggerian themes - such as being-towards-death and the vulnerability of Dasein's world - in "The Thin Red Line" how Malick's film explores and cinematically expresses the embodied nature of our experience of, and agency in, the world Malick's use of cinematic techniques, and how the style of his images shapes our affective, emotional, and cognitive responses to the film the role that images of nature play in Malick's cinema, and his 'Nietzschean' conception of human nature."

Za desert:

http://img714.imageshack.us/img714/3190/0016c086medium.jpg (http://avaxhome.ws/ebooks/11111000010.html)

Quentin Tarantino - Death Proof: A Screenplay (http://avaxhome.ws/ebooks/11111000010.html)
Publisher: Weinstein Books | ISBN: 1602860092 | 144 pages | 2007 | PDF | 7 mb

Jos malo labudovih jaja, zlatnih:

Memo from the Trenches (http://www.wordplayer.com/pros/pr08.Darabont.Frank.html)
by Frank Darabont

My standard joke -- actually, I'm fairly serious -- is that there are potentially more talented writers and directors than I working in shoe stores and Burger Kings across the nation; the difference is I was willing to put in the nine years of effort and they weren't. More to the point, it took Thomas Edison a thousand attempts before he got that damn light bulb to turn on. Imagine if he'd gotten discouraged enough to quit after only nine hundred and ninety nine tries.

The message here is simple, and John F. Kennedy said it best: "We choose to go to the moon not because it is easy, but because it is hard." Rough translation? If you have a dream, get up off your ass and start putting one foot in front of the other. Me, I'll take Kennedy and Edison over Beavis and Butt-head any old day.

Vidi (http://www.deltorofilms.com/upload_images/3178ee012af6faae1ef655324bd61e531-image.png) nasta lici, poplava. Steven Spielberg na brzom mu je biranju, George Lucas kosi mu travu, zalijeva vrt i sisa zivicu - za 50 centi po satu! A lijepo je govorio moj pajdo:

Some people say that success is determined solely by the quality of your work. Others maintain, "It all depends on who you know." The truth is, it's the quality of your work that determines who you get to know. For myself, I'm intensely curious about big name famous folk. How are they different? What do they know that I don't? How did they get where they are? (And the usually unspoken, 'How can I get there, too?')

We're Not Worthy (http://www.wordplayer.com/columns/wp36.Not.Worthy.html)
Screenwriting Column 36
by Terry Rossio

BTW, isti taj Terry Rossio (http://www.wordplayer.com/company/welcome.html) do prije nekoliko godina lozio je kotlove i predavao klincima tehnicki i ONO i DSZ u jednoj americkoj osnovnoj skoli (ziva istina, jadni klinci), i to za crkavicu od $50K godisnje (kao da sljakate za Keruma u Jokeru, i jos vas budala udara po glavi). Potom su on i prijatelj mu Ted Elliott (http://www.wordplayer.com/company/te01.Elliott.Bio.html) (Ted je u toj istoj skoli meo stubiste) jednostavno odlucili dici sidro, iz cista mira. S jednim jedinim ciljem: 'Ako ne napravimo nista u narednih 12 mjeseci, vracamo se doma svojim dnevnim poslovima.' Sto su napravili? Cudo (http://www.imdb.com/name/nm0744429/). Bozje. Budale zajedno napisale Shreka, The Mask of Zorro, sve nastavke Pirates of the Caribbean za onog ludjaka Jerryja Bruckheimera (http://www.imdb.com/name/nm0000988/) (jos malo pa ce i Bruckheimer kositi travu, mark my words).

REPLAY: ULTIMATIVNI SCENARISTICKI THREAD: Vol. 1 (http://www.forum.hr/showpost.php?p=28233285&postcount=1432)

p.s.
Read scripts.
Watch movies.
Write pages.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img844.imageshack.us/img844/8459/tenminutesolderthecello.jpg (http://www.worldscinema.com/2009/10/various-ten-minutes-older-trumpet-2002.html)

http://img822.imageshack.us/img822/2516/thumbda.jpg

Omnibus od sedam kratkih filmova o protjecanju vremena, u kojem i deset minuta može imati presudnu ulogu. U Kaurismäkijevom filmu 'Dogs Have No Hell' glavni lik je u 15:22 pušten iz zatvora. Mora podići novac, kupiti poklon izabranici svog srca, pronaći je i stići na vlak za Sibir u 15:30. Ericeov crno bijeli film 'Lifeline' odvija se 1940. godine. Španjolski vojnici pridružuju se njemačkima na istočnom frontu, što saznajemo iz naslovnice nekih novina. Usporedo, jedna obitelj provodi običan dan na selu, u kojem je najznačajniji događaj kad novorođenčetu prokrvari pupak. 'Ten Thousand Years Older' dokumentarac je Wernera Herzoga o indijanskom plemenu u džunglama Amazone. Pleme po prvi put dolazi u kontakt s istraživačima, a preko njih i sa suvremenom civilizacijom te u desetak minuta preskače povijesni jaz od deset tisuća godina. Isto tako dolazi u kontakt s bolešću, na koju nije otporno i gotovo izumire. Jim Jarmusch u crno-bijelom 'Int. Trailer Night' prikazuje deset minuta odmora glumice na setu između snimanja dva kadra. U odmoru je neprestalno ometaju članovi filmske ekipe i telefonski pozivi. U Wendersovom 'Twelve Miles to Trona' glavni lik pokušava stići do bolnice, jer je na tulumu pojeo previše keksa, u kojima je bila droga. U kratkom dokumentarcu 'We Wuz Robed' Spikea Leea, vidimo kratke izjave novinara i sudionika Bushevih predjedničkih izbora. Smatra se da je Busheva pobjeda na Floridi krivotvorena. Chen Kaige pak u '100 Flowers Hidden Deep' prikazuje deset minuta uobičajenog posla oko raščićavanja terena i gradnje novih zgrada u Kini, koja strelovito gospodarski raste i čija tradicija se gubi.

Izvor: Desest minuta stariji: Truba (http://www.filmski.net/filmovi/2849)


DOWNLOAD:

Various - Ten Minutes Older: The Trumpet (2002) (http://www.worldscinema.com/2009/10/various-ten-minutes-older-trumpet-2002.html)

Kaige Chen "100 Flowers Hidden Deep"
Víctor Erice "Lifeline"
Werner Herzog "Ten Thousand Years Older"
Jim Jarmusch "Int. Trailer Night"
Aki Kaurismäki "Dogs Have No Hell"
Spike Lee "We Wuz Robbed"
Wim Wenders "Twelve Miles to Trona"

IMDb (http://www.imdb.com/title/tt0304808/)

Slije:

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http://img.photobucket.com/albums/v712/buttzilla/folder2/folder3/01-19-03.jpg

[La Familia]

http://img825.imageshack.us/img825/2285/wintersbone.png (http://img205.imageshack.us/img205/2285/wintersbone.png)

Recenzija filma (klik za uvecanje):

http://img97.imageshack.us/img97/7233/72058314.png (http://img251.imageshack.us/img251/8959/63605317.png)http://img831.imageshack.us/img831/9593/19013031.png (http://img443.imageshack.us/img443/6686/27289524.png)

WINTER'S BONE - Official US Theatrical Trailer in HD (http://www.youtube.com/watch?v=bE_X2pDRXyY)

Jennifer Lawrence. :cerek:

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img163.imageshack.us/img163/7695/0016e407.jpg (http://avaxhome.ws/magazines/cahiers_du_cinema_e_special_issue_2007.html)

Specijalno e-izdanja 'Cahiers du Cinema' (2007) posveceno dvojici besmrtnih velikana: Bergmanu & Antonioniu.

http://img688.imageshack.us/img688/5266/98772539.pnghttp://img444.imageshack.us/img444/1361/19590798.png
http://img517.imageshack.us/img517/2823/82426200.pnghttp://img525.imageshack.us/img525/7259/65680839.png

DOWNLOAD:

Cahiers du Cinema - e-Special Issue 2007
Two Great Moderns: Ingmar Bergman and Michelangelo Antonioni (http://avaxhome.ws/magazines/cahiers_du_cinema_e_special_issue_2007.html)
English | 102 pages | PDF | 105 Mb

Special issue of "Cahiers du Cinema" in memoriam Bergman & Antonioni.

The extraordinary coincidence of the deaths on the same day of Ingmar Bergman and Michelangelo Antonioni tends to render a little more mythological still the “great narrative” of which they will have truly been the heroes: that of the modernity of cinema. There might then be a great danger of becoming over-awed by the falling of this shadow that at the same time makes a statue out of the great artists and dismisses their works to a past as prestigious as it is by-gone. It’s for Bergman and for Antonioni that we have composed this special issue. And, thus, against such an embalming consecration, and its “wise” double that by categorizing and periodizing the history of cinema traps films and filmmakers in boxes – among them that of a modernity reduced to a system, – boxes from which they might never get out. This issue is thus done today, in the light of the present, to try to share why and how the works of the Swede and those of the Italian matter to us, touch us, serve us.

Since at least the end of the 1950s,Bergman and Antonioni made their way separately but on parallel paths. Innumerable are the documents of the period – of all periods – that, dedicated to one of them, end up evoking the other. Their progress was marked by films that were first moments of great joy for viewers, then important reference points in the torrential flood of cinematographic modernity, of which a certain new wave was one of the main currents. For more than a half century, this progress found a special echo at Cahiers. With Bergman first – and one must read how his films not only touch and inspire Rohmer,Rivette, and Godard, but soon stimulate in them a more ample reflection, on the nature and condition of cinema, on the stakes of critical work. A little more slowly with Antonioni. One finds,with both of them,André S. Labarthe scouting the terrain, and Godard posing the touchstone,with the major text that is “Bergmanorama,” then the great interview he solicits from Antonioni following Red Desert. The cinema of Ingmar Bergman and that of Michelangelo Antonioni thus mobilize a thought that is inscribed within a particular history, that of Cahiers. This is why we have chosen to republish, in the order of their appearance in the magazine, and not always in that of the realization or the diffusion of the films, the most important articles. It’s a matter of adding to the “mise en scène” of the correspondences between the journeys of the two filmmakers and which their shared day of death has strangely underlined, that of the correspondences between their films and a critical work of long duration.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img687.imageshack.us/img687/1489/thepixarstory.jpg
IMDb (http://www.imdb.com/title/tt1059955/)

U Pixaru ne rade ljudi, već neka potpuno druga bića koja su već sad na novoj razini evolucije.
- Vajta (http://www.forum.hr/showpost.php?p=22405609&postcount=5721)

http://img825.imageshack.us/img825/2618/11hzalu.jpg

The Pixar Story (http://www.filmedge.net/Pixar/story.htm)
Review by Scott Weitz
(5 stars)

In 2007, Leslie Iwerks unlocked the digital doorway to the world's most successful and prolific computer animation studio with her documentary THE PIXAR STORY. A thorough and thoroughly entertaining study of Pixar's company history and legacy, Iwerks' six-year project did not get the recognition it deserved in its limited release, but happily the Starz premium channel is now airing THE PIXAR STORY and anyone who appreciates the talent behind these digital tales should definitely see this film. This documentary's main strength is its complete access to Pixar's animation concept art for hit films like TOY STORY and candid interviews with the artists who created them. Indeed, the art of animation beats at the heart of Iwerks' film: this is not a short press kit video promoting Pixar's latest hit, nor is it a dissection of the studio politics which recently kept Pixar in the headlines as often as their theatrical releases.

Much like the wonderful tales told by this digital dream factory, THE PIXAR STORY focuses simply and effectively on the main characters and life stories they have to share with audiences. As with Pixar's previous hits, this strategy is a winning combination for writer-director-producer Leslie Iwerks as well. At the center of this story are a small band of the unlikeliest heroes: animator and chief visionary officer John Lasseter, computer science mastermind Ed Catmull, and funding entrepreneur Steve Jobs. It is the convergence of these three specific personalities and skillsets which created the first ambitious Pixar dreams two decades ago, and have since nurtured this digital dynasty into one of the greatest successes in cinematic history. Narrated by Stacy Keach, THE PIXAR STORY weaves together two tales of ambition: a forward-thinking pod of tech-heads inventing computer graphics while harboring an unrequited love of animation, and a CalArts student animator telling stories which begged to expand beyond the confines of their paper margins.

Ed Catmull created the very first crude 3D computer animation sequence ever featured in a film: a simple wireframe view of a human hand which briefly appeared in FUTUREWORLD. This short loop was state-of-the-art from an engineering standpoint, but Catmull and his team longed to create actual character animation, which was far beyond the capacity of their tools and artistic talent. Simultaneously, John Lasseter parlayed the success of his award-winning student films at CalArts into a position at the Walt Disney Studio as a staff animator. While his work with other future Disney mainstays like Glen Keane served Disney animated features well, their ambitions for technically expanding the artform met strong resistance from the old guard and entrenched mindset of the studio. Disney's TRON finally crystallized the potential of computer animation for Lasseter, but his own short film project intended to marry CG technology with traditional hand-animated characters was again squashed. Computer animation was misunderstood as a threat to classic animation by those who couldn't foresee its potential as a potent tool in an artist's hands, and Disney didn't renew Lasseter's contract. His feature film dreams were effectively erased before his eyes.

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Depressed, Lasseter moped around a Long Beach computer conference in 1983 where Ed Catmull was representing a tiny techno-research lab under the wing of Lucasfilm in Northern California. Producing animated films was still the lofty but unreachable goal of Catmull and his group, who had produced little more for owner George Lucas but a computer graphics software system (dubbed Pixar) which wasn't selling. Catmull jumped at the chance to hire Lasseter, the only true animator they could entice out of the Disney culture to help the Pixar division take its next evolutionary step into the future. Enter the final member of the troika, Apple computer owner and young multimillionaire Steve Jobs, who was the only investor to recognize Pixar's technical value and artistic vision. Jobs bought out Pixar for $10 million to create a stand-alone company with the mission to create computer-generated animation as its own commercial artform. While a string of highly-praised and award-winning short films ensued, including LUXO JR. and TIN TOY among others, Jobs was still losing a million dollars a year on his investment. Yet he never lost sight of Pixar's long term potential, and eventually Lasseter pitched a half-hour holiday TV special to his former employer Disney Studios, which had attempted to hire him back as a director several times. Finally the Burbank corporation recognized Lasseter's digital dream, and greenlit the project as a full-length feature film instead.

The end result after exhaustive technical development, hand labor and unfaltering love of animation was TOY STORY, Disney/Pixar's global mega-hit, and of course the rest was history as Catmull and Lasseter's ten-year struggle to re-invent animation suddenly made them overnight sensations. Yet the worldwide box office hit TOY STORY was, in reality, only the beginning of Pixar's trials and tribulations as a company always riding the fine line between exaltation and extinction. The pressure to recapture lightning in a bottle for their second do-or-die feature quadrupled the dramatic and artistic difficulties going forward. Iwerks' film visually presents Pixar's entire history in hundreds of never-before-seen stills of concept art, character designs and animation tests which will delight all fans of the studio and artform. This treasure trove of behind-the-scenes material, including interviews with voice actors Tom Hanks and Tim Allen, is so expansive that these rare glimpses of Pixar's hidden history demand a second viewing of the documentary just to appreciate the artwork alone. Through interviews with all the key Pixar figures plus other directors, producers, animators and performers, THE PIXAR STORY unfolds as a triumphant victory which almost didn't happen. As the mark of a great documentary, Iwerks tells Pixar's famous tale by creating interest and suspense about events despite us already knowing how they end. Pixar's unfaltering chain of box office hits with A BUG'S LIFE, TOY STORY 2, FINDING NEMO and onward prove to be hair-raising, risky gambles by the storytellers and studio. The only sure thing in Hollywood is that there is no sure thing, and the same rule definitely applies to this Bay Area anomaly of cinematic success. Iwerks not only illustrates how these artists crafted such animated classics on paper and pixels, but also details the interplay of creative and corporate personalities which shaped Pixar's explosive growth and partnership with Disney Studios.

Buzz Lightyear, Woody, Nemo and Mr. Incredible aren't the only heroes of animation in THE PIXAR STORY, and Leslie Iwerks provides fascinating insights about John Lasseter, Ed Catmull, Steve Jobs and their creative partners. This highly entertaining film which will have audiences saying "I didn't know that" with delight every few minutes as they learn more about the minds and hearts breathing life into these films. Iwerks' film undoubtedly merits a future and full-scale release on DVD to entertain an even broader audience of all ages who remain inspired by this new golden age of animation. For this documentary underscores the happy hope that the Pixar story is indeed only beginning.

DOWNLOAD:

The Pixar Story (2007) (http://avaxhome.ws/video/the_pixar_story_2007.html)
English | BDRip | 01:28:30 | 640x352 | XviD - 971Kbps | 23.976fps | MP3 - 128Kbps | 700MB
Genre: Documentary

A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.

ALTERNATIVNI DOWNLOAD:

The Pixar Story (http://www.megaupload.com/?d=IIJW271A) (Megaupload/1 datoteka).

ONLINE GLEDANJE:

http://img29.imageshack.us/img29/2272/64966513.png

The Pixar Story (2007) [BDRip] (http://stagevu.com/video/nioonvzekqtp)

REPLAY:

Andrew Stanton (PIXAR) - transcript - Keynote, Screenwriting Expo 5 (2006), "Understanding Story: or My Journey of Pain (http://www.forum.hr/showpost.php?p=22428655&postcount=26)"

Uzivajte. :)

[La Familia]

http://img541.imageshack.us/img541/5103/hereafterfirstlook.jpg
IMDb (http://www.imdb.com/title/tt1212419/)

Forspan (Hereafter HD):

http://img835.imageshack.us/img835/2627/46044113.png (http://www.youtube.com/watch?v=Pvgm0lgZwo8)

Scenarij:
HEREAFTER - Peter Morgan.pdf (http://www.sendspace.com/file/kifjdl)
Size: 3.25MB

Clint Eastwood's Hereafter considers the possibility of an afterlife with tenderness, beauty and a gentle tact. I was surprised how enthralling I found it. I don't believe in woo-woo, but there's no woo-woo anywhere to be seen. It doesn't even properly suppose an afterlife, but only the possibility of consciousness after apparent death. This is plausible. Many near-death survivors report the same memories, of the white light, the waiting figures and a feeling of peace. The subject lends itself to sensationalizing and psychic baloney. Eastwood has made a film for sensitive, intelligent people who are naturally curious about what happens when the shutters close. He tells three primary stories. Their three central characters meet at the end, but please don't leap to conclusions. This is not one of those package endings where all the threads come together in a Coincidence that makes everything clear. They meet in a perfectly explicable and possible way, they behave as we feel they might, and everything isn't tied up neatly. Instead, possibilities are left open in this world, which is as it should be, because we must live the lives we know and not count on there being anything beyond the horizon.

http://img836.imageshack.us/img836/5273/clint2beastwood2bhereaf.jpg

I said the film was made with tact. It is made with the reserve, the reluctance to take obvious emotional shortcuts, that is a hallmark of Eastwood as a filmmaker. This is the film of a man at peace. He has nothing to prove except his care for the story. The original screenplay is by Peter Morgan (who doesn't, Eastwood told me, believe in psychic powers). He gives us Matt Damon as a man who seems actually able to have communication with the dead, but has fled that ability and taken a low-profile job; Cecile de France as Marie, a newsreader on French television; Bryce Dallas Howard as a young cooking student with a fearful dark place inside; Richard Kind as a man mourning his wife; and Frankie McLaren as Marcus, a young boy whose twin brother has been struck by a truck and killed.

I won't describe here the traumatic surprises some of them have. In its surprises as in everything else, "Hereafter" is calmly believable. There are terrifying events, but not the manufactured ones common in lesser films. Eastwood handles them not for sensation but for realism. They lead to experiences that create powerful notions that something -- the movie doesn't declare precisely what -- happens after death. The powers of the Damon character seem to be authentic, although what they prove is hard to say. There is a moment handled with love and delicacy in which he says something that is either true or isn't, but is a kindness either way. Eastwood and his actors achieve a tone that never forces the material but embraces it. It is never dreamlike, but it could be described as evoking a reverie state. These people are not hurtling toward the resolution of a plot. There is no "solution" to their stories. There are various degrees of solace, or not. They don't punch the dialogue. They don't "act." They lack the certainty to impose themselves. Damon in particular is reserved and sad, because of a power that has become a burden to him. "Hereafter" is unlike any film Clint Eastwood has ever made, but you'd think he'd been preparing it for years.

Roger Ebert's Journal: The hereafter - Toronto Report #2 (http://blogs.suntimes.com/ebert/2010/09/post_2.html)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img651.imageshack.us/img651/4633/dvrebelsguidestumaschwi.jpg

Jos jedna hvaljena Book Video Training knjiga + DVD Stua Maschwitza, suosnivaca Orphanagea (http://www.linkedin.com/companies/the-orphanage) (the legendary guerrilla visual effects studio responsible for amazing and award-winning effects in such movies as Sin City, The Day After Tomorrow, and Harry Potter and the Goblet of Fire).

Written by Stu Maschwitz, co-founder of the Orphanage (the legendary guerrilla visual effects studio responsible for amazing and award-winning effects in such movies as Sin City, The Day After Tomorrow, and Harry Potter and the Goblet of Fire), this book is a must-have for all those budding filmmakers and students who want to produce action movies with visual effects but don't have Hollywood budgets. The Orphanage was created by three twenty-something visual effects veterans who wanted to make their own feature films and discovered they could do this by utilizing home computers, off the shelf software, and approaching things artistically. This guide details exactly how to do this: from planning and selecting the necessary cameras, software, and equipment, to creating specific special effects (including gunfire, Kung Fu fighting, car chases, dismemberment, and more) to editing and mixing sound and music. Its mantra is that the best, low-budget action moviemakers must visualize the end product first in order to reverse-engineer the least expensive way to get there. Readers will learn how to integrate visual effects into every aspect of filmmaking--before filming, during filming and with "in camera" shots, and with computers in postproduction. Throughout the book, the author makes specific references to and uses popular action movies (both low and big-budget) as detailed examples--including El Mariachi, La Femme Nikita, Die Hard, and Terminator 2.

"I'd been wanting to write a book for the new breed of digital filmmakers, but now I don't have to. My pal and fellow movie maker Stu Maschwitz has compressed years of experience into this thorough guide. Don't make a movie without reading this book!"
-Robert Rodriguez, filmmaker and author of Rebel Without a Crew

RECENZIJA:

Stu Maschwitz, co-founder of The Orphanage and creator of Magic Bullet Software, sets out to fill a niche in the microfilmmaking market: Making action movies for no money. Now, there are a plethora of both excellent and not so excellent books on making low budget films, so what makes DV Rebel stand out? Well, Stu Maschwitz wants you to blow stuff up. He wants you to have helicopter gun ships in your $500 short. He wants you to have downtown San Francisco that’s filmed in Oakland and Ninja fights taking place with a backdrop of 30 foot flames. And he’s going to show you how. This is a book aimed at the filmmaker who is director, producer, writer, effects supervisor, and editor rolled into one. As he explains very early in the book, his style of filmmaking is not for everyone. He uses an approach that is very postproduction heavy or in his own words ‘Computers are the Devil. And you will make a pact with them.’ If you are a filmmaker who does not intend to do your own post-production work, then the tech heavy second half of the book will be of limited value to you. Nevertheless, the first half of DV Rebel deals with production and planning with an eye to maintaining high production values. DV Rebel definitely subscribes to the Robert Rodriguez school of filmmaking, advocating detailed planning, shooting only what you need, using only what you have, then taking that right through to the final online and mastering process to produce a high quality finished product.

One of the most valuable aspects of the book is the workflow it offers, showing you how to plan and shoot for post. Stu applies the concept of reverse engineering to Indie filmmaking by taking big budget action sequences and discussing how to achieve the effects for minimal cash outlay. The trade off for low budget, of course, is time. Many of the post techniques presented by Stu are fairly time intensive. However, since time is often the one thing many of us microfilmmakers have in abundance, I didn’t find that much of a drawback. After Effects is his compositing and ‘onlining’ program of choice, so while many of his post production principles apply to other software, the specifics deal fairly exclusively with AE. The book also comes with a companion DVD containing quite a wealth of material. To help illustrate his techniques, Stu includes The Last Birthday Card, an action short he made in 1999 for $5000. He then explains, both in the book and on the DVD extras, how he achieved the effects, showing before and after, as well as the effect plates he grabbed. Considering he did this ten years ago, the effects are impressive.

The data section of the DVD includes some excellent animation pre-sets and AE scripts, extra chapter content (some of which I felt should have been included in the printed volume) as well as template projects for gunfire and bullet hits, letterboxing matte, gun scopes, night vision, handcranked film, and a sample project to practice online finishing. And as a final sweetener, there is also Rebel Café , a low budget filmmaking forum site, free to join, with regular contributions and participation by the author.

Comprehension
What this book screams above all other is ‘user friendly’. Stu Maschwitz has a wonderfully casual style that clearly conveys the information yet injects all the enthusiasm he so obviously feels for low budget filmmaking. Combine this conversational tone with an excellent layout; lots of color photos, clear diagrams and ‘jargon watch’ box inserts and you have an absolute winner in terms of accessibility.

Depth of Information
For a small size book that reads so easily and clearly, the amount and depth of information is deceptively large. It really covers a lot of ground from cinematic framing and lighting techniques through to compositing and onlining. The chapters involving editing and onlining are worth the price of the book alone, covering color grading/correction, digital mastering, digital re-lighting, workflow, software integration and more in a clear and logical fashion. Due to the breadth of information being covered, some subjects receive relatively cursory attention. Maschwitz however, points the reader in the direction of specialist books on these subjects where needed.

Interest Level
The casual conversational style works extremely well in maintaining interest. It’s more like having your entertaining filmmaking buddy sit down with you over a few beers and pour his knowledge out while saying ‘come on man, lets grab the camera now and go do it!’. What keeps you reading is the feeling that everything he’s telling you is eminently possible. What stops you reading is the desire to pick up the camera and start shooting.

Reusability
Stu really promotes his book as a field guide. He wants you to be out there making movies, not reading books about it. His final word in the book describes it as ‘not a book on how to fly a plane, it’s the emergency instructions in the seatback in front of you.’ To that end he has succeeded extremely well as it’s a volume I have already re-read in part and full several times.

Value vs. Cost
DV Rebel really feels like several books in one. The extra content and support material provided on the DVD combined with the excellent user forums at RebelCafe.com puts this squarely in the ‘Big Baz Bargain’ category. Although the MSRP is $49.99, I commonly found it on bookseller sites for around $30, which is quite frankly, a steal.

Overall Comment
Really an excellent book, and useful to all low budget filmmakers, not just those wanting to make action flicks. With the abundance of ‘how to’ filmmaking books in the world, what makes DV Rebel stand out is its marrying of guerilla filmmaking styles with high production values and the specifics of the post production process.

Stu Maschwitz’s no nonsense manner really allows his passion for low budget filmmaking to shine through. And with this book, Stu has created a wealth of material to both inspire and achieve your creative concepts.

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Comprehension 9.5
Depth of Information 9.5
Interest Level 9.0
Reusability 9.0
Value vs. Cost 10.0
Overall Score 9.4

Book Review: The DV Rebel's Guide: An all-digital approach to making killer action movies on the cheap (http://www.microfilmmaker.com/reviews/Issue45/DVRebel.html)!

DOWNLOAD:

Peachpit Press – The DV Rebels Guide Making Killer Action Movies DVD (http://booktraining.info/video-training/peachpit-press-the-dv-rebels-guide-making-killer-action-movies-dvd.html) | 1.3 GB

RS alternativa + knjiga (dolje u komentarima)

The DV Rebel's Guide: An All-Digital Approach to Making Killer Action Movies on the Cheap (DVD included) by Stu Maschwitz (http://www.gfxworld.ws/index.php?/news/comments/post_of_a_day_the_dv_rebels_guide/)
Publisher: Peachpit Press | Number Of Pages: 320 | Publication Date: 2007-01-01 | ISBN-10: 0321413644 | PDF + DVD | 50 Mb + 1.35 Gb

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img94.imageshack.us/img94/2563/parisvupar.jpg (http://www.worldscinema.com/2010/09/claude-chabrol-jean-douchet-jean-luc.html)

DOWNLOAD:
Claude Chabrol, Jean Douchet, Jean-Luc Godard, Jean-Daniel Pollet, Eric Rohmer, Jean Rouch - Paris vu par... (1965) (http://www.worldscinema.com/2010/09/claude-chabrol-jean-douchet-jean-luc.html)

Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are stories of love, flirtation and prostitution; Place d'Etoile (Rhomer) concerns a haberdasher and his umbrella; and La Muette (Chabrol), a bourgeois family and earplugs.

IMDb (http://www.imdb.com/title/tt0059565/)
Titlovi (http://rapidshare.com/files/98750037/PariVuPar.srt.rar) (eng)

http://img31.imageshack.us/img31/7844/claudechabrol718.jpg (http://mubi.com/notebook/posts/2277)

Claude Chabrol, 1930 - 2010 (http://mubi.com/notebook/posts/2277)
by David Hudson

RIP Claude. :(

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

A sada nesto sasvim drukcije: David Lynch kao gostujuci urednik kultnog Wallpaper* Magazina:

http://img801.imageshack.us/img801/5462/wallpapereditedbydavid0.jpg

David Lynch edits Wallpaper* section

Wallpaper* October issue sees Lynch share editor's chair with stage director Robert Wilson. Film director David Lynch has guest-edited a section of the October issue of IPC Media's design, fashion and lifestyle magazine Wallpaper*. Lynch, whose credits include Blue Velvet, Eraserhead and Twin Peaks, and stage director Robert Wilson have each edited a section of the magazine's latest issue, as well as creating their own covers. In a collaboration with creative communications agency Dentsu London, Wallpaper* readers will be able to animate Wilson's still images by using a striped sheet of acetate provided by the magazine. Readers can also use a QR code – a type of two-dimensional barcode that can be scanned by a smartphone - to go to a web page where they can view Wilson's films, which feature Isabella Rossellini, Brad Pitt, a sumo wrestling champion and snowy owls.

Izvor: guardian.co.uk (http://www.guardian.co.uk/media/2010/sep/08/david-lynch-wallpaper-guest-editor#)

PREVIEW:

http://img831.imageshack.us/img831/9296/61492906.pnghttp://img833.imageshack.us/img833/532/22396676.png

Wallpaper - October 2010 (http://avaxhome.ws/magazines/graphics_design/Wallpaper_10_2010.html)
PDF | 274 pages | English | 60.7 MB

Wallpaper – International, intelligent and influential, Wallpaper is at the cutting edge of design and style. Renowned for its beautiful features shot all over the world, Wallpaper is undoubtedly the official authority and commentator on design, and continuously champions the modern and the classic, the new and the rediscovered.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img830.imageshack.us/img830/1274/hddslr.jpg

Ruku na srce, filmska i TV rezija na ADU o ovakvim kvalitetnim predavacima moze samo sanjati (o kvaliteti njihovih workshopova da i ne govorim). Nazalost, o ADU i dalje citamo jedna te ista sranja/naslove: 'Gluma i rezija privilegij za djecu poznatih?' Ili kako bi to rekao vispreni Pavle Kalinic (nakon intervjua iznapadalo ga na pasja kola, covjek je samo rekao bolnu istinu, svidjelo se to nekome ili ne):

Još je jedna specifičnost Hrvatske – što je također neizdrživo – da prvo ADU završe mama ili tata, ili oboje, pa onda djeca, unuci, uža rodbina, svi su ludo daroviti od stoljeća sedmog, i baš svi žele raditi u kazalištu, na filmu, ili na ADU.

Izvor: U zagrebačkoj kulturi rade istaknuti neradnici (http://www.matica.hr/Vijenac/vijenac382.nsf/AllWebDocs/U_zagrebackoj_kulturi_rade_istaknuti_neradnici)

Vratimo se vedrijim temama...

HDDSLR Cinema with Vincent Laforet (http://creativelive.com/courses/vince_laforet/)

http://img842.imageshack.us/img842/4255/60567191.png (http://creativelive.com/courses/vince_laforet/)

Course: An introduction to HDDSLR Cinema.
Instructor: Vincent Laforet

In this course, first-time filmmakers and photographers making the transition into video will be introduced to many of the core building blocks necessary to make their first short films. Vincent will provide an introduction to cinema theory and present information about gear designed to provide consistent results when using the latest HDDSL cameras. We will explore the use of a variety of lenses, fluid heads, external monitors, follow focus units, JIBs and Sliders. Students will come away from this online workshop with a good understanding of what tools they need for their productions, and when and how to best use them.

Read Vincent's Blog: HDDSLR Cinema Workshop (http://blog.vincentlaforet.com/2010/04/21/free-3-day-hddslr-cinema-workshop-starts-streaming-on-april-30th/)

DOWNLOAD:

An Introduction to HDDSLR Cinema with Vincent Laforet (3 Days Course) (http://www.tkshare.com/an-introduction-to-hddslr-cinema-with-vincent-laforet-3-days-course/)
Rip version | English | H264 640x360 916 Kbps | AAC 128 kbps 48 KHz | 6.6 GB
Genre: eLearning

http://img684.imageshack.us/img684/3500/overviewofthefeaturefil.jpg (http://www.ebookee.com/Overview-of-the-Feature-Film-VFX-Process_714477.html)

Overview of the Feature Film VFX Process | 1.09GB (http://www.ebookee.com/Overview-of-the-Feature-Film-VFX-Process_714477.html)
Video: .FLV | 1024x640 | Audio: MP3 96kbps | Team: HELL | 5% Recovery
Genre: eLearning

From the job interview, to the script breakdown, the storyboards, the budgeting, the running amock on set, the politics, the editing room, the DI and the premier of the film, Jeff will share the dirty secrets that form a complete visual effects project. Jeff Okun has contributed visual effects and 2nd unit direction to a wide range of films such as The Day The Earth Stood Still, Blood Diamond, Stargate, Deep Blue Sea, The Last Starfighter, Lolita, Cutthroat Island, Sphere and Wes Craven's Shocker.

Preporuka, ogromna preporuka. Mnozina.

Svo znanje ovoga svijeta na dohvatu vam je ruke/misa - iskoristite ga! Zivimo u nevjerovatnim vremenima, danas je sve moguce napraviti, za saku cavala: Oren Peli tako je uspio sklepati svoj Paranormal Activity (u dnevnom boravku, s proracunom od $11 tisuca), Kanadjanin Mathieu Ratthe doslovno je posramio Spielberga (The Best Stephen King Remake in Years Is on YouTube (http://www.wired.com/underwire/2008/07/the-best-stephe/); Lovefield - Short Film by Mathieu Ratthe (http://www.youtube.com/watch?v=4meeZifCVro)), Ataque de Pánico (http://www.youtube.com/watch?v=-dadPWhEhVk)! Urugvajca Fede Alvareza (http://www.variety.com/index.asp?layout=print_story&articleid=VR1118011936&categoryid=1237) (snimljen za $300, odmah nakon prikazivanja tog filmica na YT dobio je proracun od $30 milijuna za dugometraznu verziju filma (http://www.variety.com/index.asp?layout=print_story&articleid=VR1118011936&categoryid=1237)), jos jedan Kanadjanin, Arev Manoukian i njegov Nuit Blanche (pogledajte (http://link.brightcove.com/services/player/bcpid27197670001?bclid=26524410001&bctid=73199837001) film, fascinantno nesto)...

Slow-Motion Car Crash Speeds Filmmaker’s Career (http://www.wired.com/underwire/2010/04/nuit-blanche/)

For Arev Manoukian, capturing the live action for his elegant short film Nuit Blanche came easy: He filmed two principal actors in four days on a green-screen soundstage in Toronto. The hard part happened over the next eight months, as the 28-year-old Canadian filmmaker hammered out densely layered digital effects shots culminating in a crushingly effective slow-motion car crash lavished with beautiful breaking glass. That attention to detail paid off. Within days of posting the four-minute, 41-second romantic drama (embedded above) on the Spy Films website, Manoukian says he got calls from Hollywood agents and managers. He signed with talent agency William Morris Endeavor last month and went on a two-week spree of meetings with studios and producers. “Needless to say, it’s very exciting,” Manoukian told Wired.com in an e-mail interview. In March, he brainstormed with Wanted director Timur Bekmambetov and 9 producer Jim Lemeley. “I just came back from some very promising meetings,” Manoukian says. “They are interested in producing my first feature!” As a primer for other tech-savvy filmmakers, Manoukian, who also shoots music videos and commercials, put together a making-of clip (embedded below) that showcases some of Nuit Blanche’s computer-generated effects. For Wired.com, Manoukian goes a step further to deconstruct the short film piece by piece.

Nadalje, pravo vrelo 'uradi sam' informacija mozete pronaci u specijaliziranim casopisima. Samo neki od njih:

http://img522.imageshack.us/img522/9486/0014ba6dmedium.jpg (http://www.avaxhome.ws/magazines/post_magazine_05_2010.html)

POST MAGAZINE is dedicated to serving the most intensely dynamic segment of the entertainment industry: movie post production.

POST Magazine September 2010 (http://avaxhome.ws/magazines/post_magazine_09_2010.html)
POST Magazine July 2010 (http://avaxhome.ws/magazines/post_magazine_07_2010.html)
POST Magazine June 2010 (http://avaxhome.ws/magazines/post_magazine_06_2010.html)
POST Magazine May 2010 (http://avaxhome.ws/magazines/post_magazine_05_2010.html)
POST Magazine April 2010 (http://avaxhome.ws/magazines/post_magazine_04_2010.html)
POST Magazine March 2010 (http://avaxhome.ws/magazines/post_magazine_03_2010.html)
POST Magazine February 2010 (http://avaxhome.ws/magazines/post_magazine_02_2010.html)
POST Magazine January 2010 (http://avaxhome.ws/magazines/post_magazine_01_2010.html)

http://img230.imageshack.us/img230/4651/001700a5medium.jpg (http://www.avaxhome.ws/magazines/computer_graphics_world_speical_2010.html)

Computer Graphics World Magazine 2010 Education Special Issue (http://www.avaxhome.ws/magazines/computer_graphics_world_speical_2010.html)
English | 24 Pages | 5MB | True PDF

CGW explores how leading-edge graphics techniques, including the 3D modeling, animation and visualization are used in such applications as CAD/CAM/CAE, architecture, scientific visualization, special effects, digital video, film, and interactive entertainment.

Computer Graphics World Magazine July 2010 (http://avaxhome.ws/magazines/computer_graphics_world_07_2010.html)
Computer Graphics World Magazine June 2010 (http://avaxhome.ws/magazines/computer_graphics_world_06_2010.html)
Computer Graphics World Magazine May 2010 (http://avaxhome.ws/magazines/computer_graphics_world_05_2010.html)
Computer Graphics World Magazine April 2010 (http://avaxhome.ws/magazines/computer_graphics_world_04_2010.html)
Computer Graphics World Magazine March 2010 (http://avaxhome.ws/magazines/computer_graphics_world_03_2010.html)
Computer Graphics World Magazine February 2010 (http://avaxhome.ws/magazines/computer_graphics_world_02_2010.html)
Computer Graphics World Magazine January 2010 (http://avaxhome.ws/magazines/computer_graphics_world_01_2010.html)

Computer Graphics World Magazine January-December 2009 (All Issues) (http://avaxhome.ws/magazines/computer_graphics_world_2009_collection.html)

+

CG Persia (http://cgpersia.com/)

http://img405.imageshack.us/img405/1884/25045752.png (http://filmmakeriq.com/)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img189.imageshack.us/img189/597/74103799.png (http://www.avantimedia.de/website/#/en/production_details/7507)

DOWNLOAD:

Into the Night with... (TV series documentary 2002–)
Harmony Korine und Gaspar Noé (TV episode 2010) (http://www.worldscinema.com/2010/09/bruce-labruce-durch-die-nacht-mit.html)

In this new episode of "Into the night with..." Gaspar Noé meets Harmony Korine in Nashville, Tennessee. Together they enjoy this country music metropole and begin with the premiere of Korine's newest film "Trash Humpers". After this, they visit a firing range, where Noé shoots the first time in his life with a real gun. Later they meet sponanously a preacher on the street, who announces the apocalypse...

IMDb (http://www.imdb.com/title/tt1664193/)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Tri sjajna dokumentarca:

http://img153.imageshack.us/img153/4351/woodyallenalifeinfilmfr.jpg (http://www.worldscinema.com/2010/09/richard-schickel-woody-allen-life-in.html)

Woody Allen: A life In Film (2002) (http://www.worldscinema.com/2010/09/richard-schickel-woody-allen-life-in.html)

A 90-minute documentary by film critic, author and historian Richard Schickel that is highlighted by a rare and candid interview with the writer, director and actor Woody Allen. The interview, shot exclusively for this documentary in New York in October 2001, marks the first time Allen has participated in an American documentary about his career. The program examines Allen's work on such landmark films as "Take the Money and Run" (1969), "Bananas" (1971), "Sleeper" (1973), "Love and Death" (1975), "Annie Hall" (1977), "Manhattan" (1979), "Hannah and Her Sisters" (1986) and "Crimes and Misdemeanors" (1989). The interview and film clips, including scenes from his most recent film at the time the interview was filmed, "Hollywood Ending," are used to highlight his prolific career and examine Allen's childhood and explore what drew him to writing and directing. One of the foremost American filmmakers of the 20th century...

IMDb (http://www.imdb.com/title/tt0320769/)

REPLAY: Video Interview -- Woody Allen (http://www.forum.hr/showpost.php?p=22399753&postcount=6)

http://img826.imageshack.us/img826/6568/0246601bigelia.jpg (http://www.worldscinema.com/2010/09/richard-schickel-elia-kazan-directors.html)

Elia Kazan: A Director's Journey (1995) (http://www.worldscinema.com/2010/09/richard-schickel-elia-kazan-directors.html)

Elia Kazan: A Directors Journey (1995) is a lean and compelling 1995 profile of the filmmaker, presented through well chosen clips from Kazans films, through a sympathetic narration written by noted critic Richard Schickel and delivered by Kazan friend Eli Wallach, and particularly through long interview segments with the older but sprightly Kazan. If one of the films intentions is to shift the focus from the more controversial aspects of Kazans life and career back to the work and the record left behind on film, the documentary is mostly successful. Schickel and producer Julian Schlossberg clearly had remarkable access to Kazan and his archives. We see a clip from a rarely seen short documentary, The People of the Cumberland (1937), in which Kazan looked at the effects of the Tennessee Valley Authority project, a topic he would revisit in his 1960 feature Wild River. Also on view is a brief screen test excerpt with Kazan and fellow actors at New Yorks Group Theater in the 1930s, made at the behest of producer Walter Wanger. A couple of years later the test would result in a few small but memorable Hollywood roles for Kazan, such as that of a small-time hood in the 1940 James Cagney Warner Bros. film, City for Conquest.

Kazans major film directing accomplishments are covered in chronological order, and for each movie mentioned Kazan reveals interesting tidbits of information or surprising levels of enthusiasm. For example, Kazan waxes nostalgic on Panic in the Streets (1950), his attempt to make a more purely visual narrative in sprawling outdoor locations (in and around New Orleans), following the dialogue-heavy feel of the award-winning Gentlemans Agreement (1947). Kazan also charmingly reveals a great fondness for Baby Doll (1956), regarded by many at the time as a misfire from the Kazan/ Tennessee Williams team. Kazan and Schickel devote the most commentary to the Marlon Brando-starring films A Streetcar Named Desire (1951), Viva Zapata! (1952), and On the Waterfront (1954), as well as to the Budd Schulberg-scripted study of fame and media manipulation, A Face in the Crowd (1957). Kazans enthusiasm is truly infectious as he discusses the rarely-seen film America, America (1963). Adapted from his own novel, it is an affectionate look at the life of Greeks living in Turkey at the turn of the last century, and of a particular immigrants dream of reaching the United States. The film is the story of Kazans fathers generation, and Schickel presents a generous number of clips and a director as surprised as anyone that such a personally-felt movie could get made.

Elia Kazan: A Directors Journey also manages to reveal much about its subject in what it omits. Several of Kazans films are not mentioned at all, including the Western melodrama The Sea of Grass (1947), and the daring-for-the-time race relations drama, Pinky (1949). Also noticeably absent is any mention of Kazans last three films: The Arrangement (1969), a drama based on another of Kazans novels; The Visitors (1972), one of the first movies to deal directly with the war in Vietnam; and his final film, The Last Tycoon (1976), an ambitious Harold Pinter adaptation of F. Scott Fitzgeralds unfinished novel. In particular, Kazans ruminations on Fitzgeralds somber Hollywood tale would have been illuminating, given his own rocky relationship with the community. Coloring forever any discussion of Kazans film career is the fact that he named names in 1952 during the House Un-American Activities Committees investigation into Communist influence in Hollywood, and the documentary does not try to avoid the topic. The HUAC testimony is brought up only fleetingly, though, and dealt with mostly as a factor in the making of On the Waterfront (1954). Kazan admits that the film partially acts as a justification for the act of informing, but he says that it wasnt the central thing.

IMDb (http://www.imdb.com/title/tt0246601/)

http://img291.imageshack.us/img291/1373/15u339.jpg (http://www.worldscinema.com/2010/09/nicholas-jarecki-outsider-2005.html)

The Outsider (2005) (http://www.worldscinema.com/2010/09/nicholas-jarecki-outsider-2005.html)

The Outsider gives a very inside look at what it means to be a filmmaker. Jarecki follows legendary writer/director James Toback (The Gambler, Two Girls and a Guy, Bugsy) through the insane making of his recent thriller When Will I Be Loved starring Neve Campbell. The documentary chronicles all phases of Toback's wild filmmaking journey as he shoots his movie in 12 days without a script and battles to get it distributed. Candid interviews with Woody Allen, Robert Downey, Jr., Mike Tyson, Harvey Keitel, Norman Mailer, Brooke Shields, Barry Levinson and more reveal the complex life and work of this compulsive gambler and exceptional film talent.

IMDb (http://www.imdb.com/title/tt0455989/)

Sistemom spojenih posuda (James Toback)...

Tyson (2008) (http://www.worldscinema.com/2010/03/james-toback-tyson-2008.html)

Uzivajte. :)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

The Intervju: Josh motherfucking Brolin.

http://img340.imageshack.us/img340/1884/35908525.png (http://avaxhome.ws/magazines/for_men/Playboy_Oct_2010_USA.html)
Playboy - October 2010 / USA (http://avaxhome.ws/magazines/for_men/Playboy_Oct_2010_USA.html)
English | 152 pages | PDF | 44.70 Mb

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Jos od Citizena Kanea Orsona Wellesa, Rashomona Akire Kurosawe, The Killing Stanleyja Kubricka, legendarnog citata Jeana-Luca Godarda: 'I agree that a film should have a beginning, a middle and an end but not necessarily in that order' (sto je QT kasnije prisvojio, parafrazirajuci upravo Godarda: 'Answers first, questions later') pa sve do fenomena zvanog 'Tarantino efekt' pocetkom 90-ih (Reservoir Dogs i Pulp Fiction), nelinearna naracija na filmu ne prestaje fascinirati.

It's not so much I don't believe in it [linear storytelling], it's not the fact that I'm on this big crusade against linear storytelling... but it's not the only game in town. If I had written Pulp Fiction as a novel... you would never even remotely bring up the structure... A novel can do that [non-linear storytelling], no problem. Novelists have always had just a complete freedom to pretty much tell their story any way they saw fit. And that's kind of what I'm trying to do. Now the thing is, for both novels and film, 75% of the stories you're going to tell will work better on a dramatically engaging basis to be told from a linear way. But there is that 25% out there that can be more resonant by telling it this [non-linear] way. And I think in the case of both Reservoir Dogs and Pulp Fiction, it gains a lot more resonance being told in this kinda, like, wild way.
--Quentin Tarantino

Quentin Tarantino did not invent non-linear storytelling in film, of course, but his first two films, Reservoir Dogs (1992) and Pulp Fiction (1994), did make playing with narration cool and fun, and no doubt emboldened a host of filmmakers to experiment. In the past fifteen years, Tarantino's "wild" techniques are probably the most visible influence on unorthodox film narration, and to that extent we can speak broadly of a "Tarantino effect" to indicate the rising number of alternative narratives over that time. This is not to say that other filmmakers like Richard Linklater (Slacker [1991], Dazed and Confused [1993], SubUrbia [1996], Waking Life [2001]), and before him Robert Altman (Nashville [1975], Short Cuts [1993]) as well as Krzysztof Kieslowski (Przypadek ) and Abbas Kiarostami (Nema-ye Nazdik [Close Up, 1990]), and before them, Orson Welles (Citizen Kane [1941]), Akira Kurosawa (Rashomon, 1951), and Stanley Kubrick (The Killing [1956]) all did not have an impact, just to credit Tarantino with leading the latest parade.

Izvor: A taxonomy of alternative plots in recent films: classifying the "Tarantino effect (http://findarticles.com/p/articles/mi_hb3076/is_1-2_31/ai_n29300976/)"

Ako se QT nelinearnom naracijom igrao na cool and fun nacin, Guillermo Arriaga (meksicki knjizevnik i scenarist, autor nagradjivanih scenarija Amores perros, 21 Grams, Babel i dojucerasnji prvi suradnik Alejandroa Gonzáleza Iñárritua) otisao je i korak dalje:

http://img842.imageshack.us/img842/3032/articlebig1255959443ari.jpg

[B]Vaš stil odlikuju nelinearna naracija, igra slagalice u stvaranju priče... Uvijek sam se pitao kako nastaju te priče? Pišete li ih odvojeno pa ih onda ispreplićete?

- Nikad ih ne pišem odvojeno. Ja sam pisac koji vjeruje da se priče ne pričaju linearno. Ja barem nikad ne pričam kronološki. Dok pričamo, uvijek mijenjamo teme, selimo se iz jednog mjesta u drugo i zato ne vjerujem u linearnu književnost. Evo, pogledajte samo naš razgovor, o čemu sve pričamo. Kada počinjem pisati, nikada nemam ni strukturu ni ideju, niti znam kako će se moje priče okončati. Ali zato uvijek imam mnogo verzija. Isto tako, uživam u pisanju o mjestima na kojima nikad nisam bio. Na primer, dvije priče u "Babilonu“ događaju se u Maroku i Japanu, a ja nikada nisam posjetio te zemlje. Sada pišem jedan scenarij o Rusiji, a ni ondje nikad nisam bio. Ali zato vjerujem da lovci u Sibiru reagiraju isto kao i lovci u Meksiku! Moja kći se ponaša isto kao i djevojčica iz japanske priče u "Babilonu“. I zašto bih onda istraživao što ljudi rade po drugim zemljama, kada u biti imamo mnogo toga sličnog. Svi narodi su svjesni osjećaja rata, gladi i smrti, i to mi je sasvim dovoljno za pisanje.

Izvor: GUILLERMO ARRIAGA, meksički književnik i scenarist: Kako me pisanje spasilo od smrti (http://globus.jutarnji.hr/zivot/kako-me-pisanje-spasilo-od-smrti)

Sve ovo trebalo bi posluziti kao uvod u jednu sjajnu knjigu (vrlo rijetku i tesko nabavljivu) na koju sasvim slucajno naletih ovih dana:

http://img828.imageshack.us/img828/7456/21627155.png

DOWNLOAD:

Puzzle Films: Complex Storytelling in Contemporary Cinema (http://www.sendspace.com/file/12xjic)
Wiley - Blackwell | 256 Pages | ISBN: 978-1-4051-6862-5 | Language: English | PDF | 1.5 MB

“In today’s culture dominated by new media, experiences are becoming increasingly ambiguous and fragmented.” A friend once said to me after experiencing David Lynch’s Mulholland Drive: I didn’t understand it, but I loved it. Is there a more tantalising genre than the puzzle film? In Puzzle Films: Complex Storytelling in Contemporary Cinema, Warren Buckland has deftly collected a series of essays that focus on films possessed by fractured narratives, metaphorical visuals and emotional double entendres. Authored by scholars from around the globe and covering output just as diverse, Buckland’s collection explores the complexities in films such as Memento, Lost Highway, The Sixth Sense and the Infernal Affairs trilogy. In his introduction, Buckland delves into the very nature of his collection by examining the essence of the term "complex", arguing that the "puzzle plot" is the third type of plot to come after the "complex plot"—you'll have to read the rest to discover the first. A puzzle plot is convoluted in the sense that events have been arranged in an intricate manner, also termed as "forking path plots", and illustrated by outings such as The Sixth Sense. In 'Twist Blindness,' Daniel Barratt outlines in his introduction that the narrative twist is riskily established early in that film when Cole (Haley Joel Osment) tells us that he "sees dead people" as the camera rests on Malcolm's (Bruce Willis) face. Barratt then examines why test audiences failed to pick up on this major clue, thus remaining "blind" to the now legendary twist; his primary objective is to examine the nature of an audience's comprehension or lack thereof.

In this reviewer's personal favourite, Buckland himself takes on David Lynch's Lost Highway, arguably the most sinister component of the director's canon, scene by scene. While obvious to the more ardent fans of the cult director, Buckland unearths the clues one by one, studies their significance and attempts to construct the towering jigsaw. Fans of the film may well move straight past Buckland's attempt since Lost Highway, much like Mulholland Drive—which astoundingly barely rates a mention anywhere in this collection—remains a beautiful mystery that few admirers want to see solved.

Naturally, the screenplays penned by Charlie Kaufman are given focus here with an appropriately complicated—yet cleverly concise—essay by Chris Dzialo. Kaufman, responsible for screenplays as diverse as Being John Malkovich, Eternal Sunshine of the Spotless Mind and Confessions of a Dangerous Mind, may well be the phantom of modern cinema as he joyfully toys with our perceptions of reality, while gleefully unearthing layers of the psyche the audience never considered visiting. Dzialo examines Kaufman's Adaptation, which is every level of the puzzle film rolled into one. While he gets right down to the core of the film, Dzialo states neatly in his introduction that while Kaufman's characters crave chronology and organisation in their lives, their author disables this element for our personal enjoyment. There's nothing Kaufman enjoys more than to soil a spotless mind and while his hero(es) scrambles to keep it clean, as author, he amusingly resets it to his own specifications. The temporal complexity of Adaptation can only be fully assessed at the end, if at all. There's no Donnie Darko here, no Vanilla Sky—thankfully—and no Fight Club, but what is here will be lapped up by the fans. If this collection has a shortcoming at all, it lies in the missing examinations. Still, what is here will fascinate; but open and read at your own peril. The films discussed here are some of the great unsolved mysteries of cinema, and when they're no longer mysteries… well.

Da vam knjiga bude od apsolutne koristi...

DOWNLOAD SCENARIJA (filmovi spominjani u knjizi):

Lost Highway (http://www.mypdfscripts.com/screenplays/lost-highway)
The Sixth Sense (http://www.mypdfscripts.com/screenplays/the-sixth-sense)
Memento (http://www.mypdfscripts.com/screenplays/memento)
The Screenplays of Charlie Kaufman (http://www.mypdfscripts.com/index.php?s=Charlie++Kaufman)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Tko ne voli Tokio? Moja malenkost bila dva puta, zivim za treci...

http://img710.imageshack.us/img710/7979/tokyocityattwilighthd.jpg
klikni za uvecanje (http://img705.imageshack.us/img705/7979/tokyocityattwilighthd.jpg)

Čudno, čudnije, Tokio!

Kakva sve čuda krije japanska metropola saznat ćemo u omnibusu trojice otkvačenih, originalnih i iznimno nadarenih redatelja. Na nadolazećem filmskom festivalu u Cannesu napokon će biti prikazan 'Tokyo!' - filmski triptih s fenomenalnim izborom redatelja. U sklopu programa Un Certain Regard vidjet ćemo što su zajedno skuhali sarkastični Bong Joon Ho ('Domaćin'), bajkovito uvrnuti Michel Gondry ('Vječni sjaj nepobjedivog uma') i poetični Leos Carax ('Bad Blood')! Koncept je sličan filmovima 'Pariz, je t'aime' ili nadolazećem 'New York, I Love You' ali je obrađen, naravno, na uvrnuti japanski način. Svaki redatelj će na svoj specifičan način ispričati jednu čudnu priču smještenu u japanskoj metropoli. Gondryjev polusatni segment 'Interior Design', rađen je po stripu 'Cecil i Jordan u New Yorku' autorice Gabrielle Bell i prati priču o paru koji se preselio u Tokio u potrazi za boljom budućnosti. Dečko ima jasnu ambiciju da postane filmaš, ali djevojka se postepeno gubi sve dok jednog dana ne shvati da se pretvorila u stolicu! Radnja priče je, očito, kao stvorena za Gondryja. Da bude još zabavnije i uvrnutije, glavna glumica u filmu Ayako Fujitani /naslovna/ je kćer zasigurno najproduhovljenijeg akcijskog junaka - Stevena Seagala!

Bongov segment 'Shaking Tokyo' prikazuje neobičnog čovjeka koji je hikikomori – izoliran je od vanjskog svijeta i zatvoren u četiri zida svoga stana. (Usput budi rečeno, u Japanu je ova pojava socijalne izolacije vrlo čest slučaj.) Njegovu svakodnevicu doslovno uzdrma jak potres tijekom kojega se dostavljačica pizze onesvijesti u njegovom stanu, a on se zaljubi u nju. No, je li to dovoljno ohrabrenje za izlazak na ulice Tokija? A ispod ulica Tokija živi stvor koji je glavni lik treće priče - Caraxovog 'Merde'. Neobičan deformirani čovjek iz kanalizacije terorizira stanovnike sve dok ga vojska ne zaustavi, a samo troje građana može razumjeti njegov jezik. Film koji je trenutno u fazi postprodukcije, već je proglašen antologijskim, a vrlo maštovit izbor i hrabra kombinacija redatelja garantira zaista zanimljivo filmsko iskustvo. I mi bi u Tokio!

Izvor: Čudno, čudnije, Tokio (http://www.filmski.net/vijesti/dugometrazni-film/5557)!

I vi bi u Tokio? Tko vam brani, tatatatira - svi u Tokio! :)

http://img148.imageshack.us/img148/8383/ftokyoposterm160d490.jpg (http://www.worldscinema.com/2010/09/joon-ho-bong-leos-carax-michel-gondry.html)

DOWNLOAD:
Joon-ho Bong, Leos Carax & Michel Gondry - Tokyo! (2008) (http://www.worldscinema.com/2010/09/joon-ho-bong-leos-carax-michel-gondry.html)

This triptych of tales set in the titular city of Tokyo suggests an Eastern version of NEW YORK STORIES, but there is a significant difference: in this case, none of the three writer-directors (two French and one Korean) are natives; consequently, their short films emerge less as love letters to the city than as skewed points of view from outsiders looking in on what what they consider to be a strange, exotic land, bordering on a freak show. With their surreal touches, fanciful symbolism, and at least one outright refernce to Japanese kaiju cinema, TOKYO! emerges as a boderline genre effort - not quite a fantasy film but definitely a curious piece of cinefantatique. Unfortunately, the weirdness is not always entertaining - in some cases it is merely boring - but there is enough going on to make this interesting for fans of art house cinema.

Complete review (http://cinefantastiqueonline.com/2009/03/tokyo-film-review/)
IMDb (http://www.imdb.com/title/tt0976060)

REPLAY: The Work of Director Michel Gondry (2003) - Michel Gondry (http://www.forum.hr/showpost.php?p=28468172&postcount=64)

[Yurinov]

[LEFT]

Tko ne voli Tokio? Moja malenkost bila dva puta, zivim za treci...




ae? dva puta u tokiju :eek::s jebeno buraz jebeno... kakav filmić inače ovaj tokyo, ima dvi godine da se natjeravam da ga pogledam a nikako da mi uleti u program :ne zna:

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img69.imageshack.us/img69/4024/00172c1f.jpg

Novi broj American Cinematographera, fantastican broj!

Fincherov The Social Network, sniman Red kamerom (bagra beta-testirala vec opjevani Mysterium-X sensor):


http://img824.imageshack.us/img824/5305/58834168.pnghttp://img25.imageshack.us/img25/7891/14947523.png


Wall Street: Money Never Sleeps, jedva cekam film pogledati u kinu (jebaji ga, Gordon Gekko se ceko, svih ovih godina - ljubav na prvi pogled):


http://img6.imageshack.us/img6/1712/1001x.pnghttp://img203.imageshack.us/img203/5568/2001m.png


Au, Let Me In Matta Reevesa. Ostavilo sve u remakeu: ispustanje krvi u hamper; ludu babu/staricu; zavrsnu vampirokolju na bazenu... Matt, u rosno celo te ljubim!


http://img842.imageshack.us/img842/7180/1002.pnghttp://img801.imageshack.us/img801/4112/2002c.png


Uzivajte.

American Cinematographer Magazine October 2010 (http://avaxhome.ws/magazines/american_cinematographer_10_2010.html)
English | 96 Pages | 14MB | True PDF

American Cinematographer is a monthly magazine published by the American Society of Cinematographers. American Cinematographer focuses on the art and craft of cinematography, going behind the scenes on domestic and international productions of all shapes and sizes. The magazine features in-depth interviews with cinematographers, directors and some of their key collaborators at every stage of production. The magazine also features historical articles, technical how-to pieces, and information on the latest tools and technologies that impact the cinematographer's craft.

Download scenarija:

The Social Network (2010) (http://www.sendspace.com/file/47xyyv)
Wall Street 2: Money Never Sleeps (2010) (http://www.sendspace.com/file/d5l0jg)
Let Me In (2010) (http://www.sendspace.com/file/dj7ztw)

p.s. preporuka za citanje:

http://img40.imageshack.us/img40/9601/cessfacebook02v.jpg

Friending Aaron Sorkin (http://www.wmagazine.com/celebrities/2010/10/facebook_film)

In Mark Zuckerberg and the founding of Facebook, the screenwriter behind The Social Network discovered a subject as compulsive and complicated as he is.

[Yurinov]

http://www.thechurchoflondon.com/imgs/2010/03/im-here-robots.jpg
:cerek::cerek::(:(:(

jonze - short movie "I'm here"

trejler (http://www.youtube.com/watch?v=Qow5_R0ab7w)
sajt (http://www.imheremovie.com/)

[La Familia]

Deda dijeli THE knjigu, samo danas - BESPLATNO!

http://img830.imageshack.us/img830/1484/awakeinthedarkrogereber.jpg (http://www.press.uchicago.edu/ebooks/free_ebook.html)
Today only! Get a free e-book by Roger Ebert! (http://www.press.uchicago.edu/ebooks/free_ebook.html)

REPLAY:

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http://img704.imageshack.us/img704/198/00101226medium.jpg (http://avaxhome.ws/ebooks/0226182037.html)

Scorsese by Ebert (http://avaxhome.ws/ebooks/0226182037.html)
University Of Chicago Press | ISBN: 0226182037 | 2009-09-15 | PDF | 320 pages | 2 Mb

Roger Ebert wrote the first film review that director Martin Scorsese ever received—for 1967’s I Call First, later renamed Who’s That Knocking at My Door—creating a lasting bond that made him one of Scorsese’s most appreciative and perceptive commentators. Scorsese by Ebert offers the first record of America’s most respected film critic’s engagement with the works of America’s greatest living director, chronicling every single feature film in Scorsese’s considerable oeuvre, from his aforementioned debut to his 2008 release, the Rolling Stones documentary Shine a Light. In the course of eleven interviews done over almost forty years, the book also includes Scorsese’s own insights on both his accomplishments and disappointments. Ebert has also written and included six new reconsiderations of the director’s less commented upon films, as well as a substantial introduction that provides a framework for understanding both Scorsese and his profound impact on American cinema.

"Given their career-long back-and-forth, this collection makes perfect sense. . . . In these reconsiderations, Ebert invites us into his thought processes, letting us see not just what he thinks, but how he forms his opinions. Ebert’s insights into Scorsese are terrific, but this book offers the bonus of further insights into Ebert himself."—Time Out Chicago

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

THE Cover Story:


http://img687.imageshack.us/img687/1226/86413061.pnghttp://img836.imageshack.us/img836/7369/52407791.png


THE Lista:


http://img408.imageshack.us/img408/1133/33966481.pnghttp://img163.imageshack.us/img163/2369/99484508.png


THE Intervju:


http://img189.imageshack.us/img189/7181/19363875.pnghttp://img15.imageshack.us/img15/1794/50152363.png

Total Film - November 2010 (http://avaxhome.ws/magazines/hobbies_leisure_time/Total_Film_11_2010.html)
PDF | 180 pages | English | 70.6 MB

Total Film is the definitive modern guide to movies. Vibrant, funny and accessible, mixing A-list glitz with indie attitude, instant hits with timeless classics. It’s the insiders’ guide to Hollywood and beyond…

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img84.imageshack.us/img84/7804/kdevanscopy.jpg (http://thecinematicglamorama.blogspot.com/)

Jos jedan kreativni ludjak (nalik Scriptshadowu (http://scriptshadow.blogspot.com/)) - The Cinematic Glamorama (http://thecinematicglamorama.blogspot.com/).

Recenzije (ne)produciranih scenarija i TV serija (uglavnom pilot epizode/teleplay).

S jednom bitnom razlikom, kod Scriptshadowa ih moras moljakat u komentarima, ovaj ludjak ih prilaze u 'Blog Logovima' (u sklopu postova). Svaka mu dala.

Samo neki od kolacica:

Spider-M4N (Raimi) [Treatment] [3rd] [5p].pdf (http://www.mediafire.com/?hah88co8g877rou)
Alien Harvest (2012) (Spaihts) [Undated] [Unspec.] [122p] [Scan] [Fake].pdf (http://www.mediafire.com/?p9cc4c44om70avk#1)
I'm.mortal (2011) (Niccol) [Undated] [Rev.] [128p] [Scan].pdf (http://www.mediafire.com/?gn89ell777eerye) (Andrew Niccol's sci-fi flick formerly titled I'm.mortal)
Farragut North (2011) (Williamson) [2007-09-08] [Unspec.] [128p] [Scan] .pdf (http://www.mediafire.com/?ejy3bejdpdxdiiu) (George Cloooney's forthcoming Farragut North)
Looper (2011) (Johnson) [Undated] (3.2) [118p] [Scan].pdf (http://www.mediafire.com/?u03uwao9nb84cr4) (Bruce Willis & Joseph Gordon Levitt on Rian Johnson's forthcoming sci-fi film Looper)

Ovo me posebno rajca (u kreativnom smislu, uozbiljite se malo):

http://img843.imageshack.us/img843/2703/natalieportman300.jpg

So it looks like [B]Natalie Portman will be taking the lead in Alfonso Curon's much hyped Gravity. In last 24 hours her status has gone quickly from "rumored" to "in advanced talks" on the project. The lead role in the $80 million Sci-Fi Thriller has been a highly sought after since Angelina Jolie dropped out of the $80 mil flick. Nearly every compatible actress you can think of has taken a stab at getting the gig in the last few months. This is a big role that amounts to about 95% of the films run time and a level of acting that can only be described as blatant Oscar Bait. Production should start fairly quick at this point. No specifics to when have been released at this time.

Scenarij:
Gravity (2011) (Cuaron's & Garcia) [2009-02-11] [Unspecified] [99p] [Scan].pdf (http://www.mediafire.com/?m1ru4xumk2xez9q)

Nova serija Stevena Spielberga:

http://img256.imageshack.us/img256/3082/thumbnaildm.jpg

STEVEN SPIELBERG ponovno će se baviti dinosaurima, no ovog puta nije riječ o još jednom nastavku "Jurassic Parka", već o visokobudžetnom televizijskom spektaklu nazvanom "Terra Nova". Skupi će projekt biti rađen za Fox televiziju koja je danas najavila nove projekte. Radi se o "epskoj obiteljskoj avanturi" koja se već sad najavljuje kao "jedan od najambicioznijih projekata ikad napravljenih za televiziju". Mnogi uspoređuju ovaj ambiciozni projekt s "Avatarom", jer se radnja jednog dijela filma odvija u budućnosti, otprilike 100 godina nakon našeg vremena. Mnogo će se uložiti u vizualni dojam cijele serije kojim će se pokušati dočarati idilični pejsaži, što također asocira na Cameronov film. Radnja će se fokusirati na obitelj koja živi u budućnosti, ali putuje u prošlost, 150 milijuna godina unatrag. Tada su Zemljom hodali dinosauri, a kolonije ljudi iz budućnosti dolaze kako bi se spasile od izumiranja. Navodno će svaka epizoda imati zasebnu radnju, a serija će imati i reference na mitologiju. Najavljeno je da će na projektu "Terra Nova" raditi pisci iz serije "24", a predsjednik Fox Entertainmenta Kevin Reilly tvrdi da će serija imati "ogromnu produkcijsku podršku". Prvi nastavci očekuju se 2011. godine. Nije poznato koliki je budžet odobren za "Terru Novu", ali ne bi čudilo kad bi serija postala jedna od najskupljih u povijesti televizije.

Pilot epizoda/Teleplay:
Terra Nova (Marcell & Silverstein) [2009-12-11] [Pilot] [60p] [Digital] [FOX].pdf (http://www.mediafire.com/?1zv6fqhf52hx2ca)

Ova generacija stvarno je blagoslovljena: imamo jedinstvenu priliku sve to citati (i nauciti ponesto iz toga, naravno). :)

[La Familia]

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sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img269.imageshack.us/img269/1953/mv5bmtyzmzg4otc1nf5bml5.jpg
IMDb (http://www.imdb.com/title/tt0251424/)

The Master of Suspense speaks from the grave, jos jedan neunistiv dokumentarac o Hitchu.

DOWNLOAD:

http://img339.imageshack.us/img339/2209/dvdmenularge.jpg

A Talk With Hitchcock (1964) (http://www.worldscinema.com/2010/10/fletcher-markle-talk-with-hitchcock.html)

A rare glimpse into the mind of the notorious cagey master filmmaker, this documentary was shot on the set of Alfred Hitchcock's Marnie. With remarkable candor Hitchcock discusses his career and his passion for movies.

This 1964, interview of Alfred Hitchcock was part of the CBC television series Telescope with host-director Fletcher Markle. It was conducted during or immediately after the filming of Marnie and also contains interesting stories and comments from Alfred Hitchcock and his associates Norman Lloyd, Joan Harrison and Bernard Herrmann. There are clips from and during the making of several Hitchcock movies. While some of the recollections are part of Hitch's standard interview material others are unique.