Samo za okorjele filmske entuzijaste (ulaz na vlastitu odgovornost)

[PilotInstruktor]

Zahvaljujem La Familiji na ovome. :s:s

http://www.forum.hr/showpost.php?p=28969569&postcount=1488

[greenrent]

Nice post...Thank you very much!!......http://greenrent.de/smileyhappy.ico

[La Familia]

http://img214.imageshack.us/img214/5025/20781989.png
50 Minute Interview With David Fincher (http://www.slashfilm.com/2010/09/28/50-minute-interview-with-david-fincher/)

David Fincher doesn’t do a lot of long form interviews, which is a shame. The filmmaker recently sat down with Todd McCarthy at the New York Film Festival for a 50 minute Question and Answer session which he talks about everything from his filmmaking influences to growing up living next door to George Lucas, to working at ILM, to shooting 99 takes of one scene, to his upcoming film The Social Network.

+

Sjajan blog, ludjak prati Finchera u stopu...

http://img821.imageshack.us/img821/5444/fightc.jpg

The Works and Genius of David Fincher (http://fincherfanatic.blogspot.com/)

Filmografija (download scenarija raznih autora):

The Social Network (http://www.mypdfscripts.com/screenplays/the-social-network)
The Curious Case of Benjamin Button (http://www.sendspace.com/file/vg592w)
Zodiac (http://www.mypdfscripts.com/screenplays/zodiac-aka-chronicles)
Panic Room (http://www.screenplaydb.com/film/scripts/panicroom20000223/)
Fight Club (http://www.mypdfscripts.com/screenplays/fight-club-1998-02-16-draft)
The Game (http://www.dailyscript.com/scripts/the-game_shooting.html)
Se7en (http://www.mediafire.com/?aymdynxtyaj)
Alien³ (http://www.mypdfscripts.com/screenplays/alien³-1991-01-31-draft)

[Leecher]

Ovo morate pogledat, posebno obratit pozornost na postere iza agenta:

http://www.youtube.com/watch?v=w4tLQxVoefI

[WHUFC]

Ispricavam se ako je vec bilo.

Ante Peterlić
http://img832.imageshack.us/img832/2377/otfi.jpg

http://www.forumteatar.com/teorija/osnove-teorije-filma/

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Nakon vec postanih Cinema 16: European Short Films (http://www.forum.hr/showpost.php?p=28444013&postcount=62) i Cinema16: British Short Films (http://www.forum.hr/showpost.php?p=28454942&postcount=63), na red stize i treca kompilacija kratkih filmova:

Mali filmovi velikih filmaša (http://www.filmski.net/vijesti/kratki-film/5934/mali_filmovi_velikih_filmasa)

'Cinema 16' je brand pod kojim se nalaze zbirke najvrednijih kratkih filmova koji nam pokazuju da najbolji redatelji sazrijevaju kroz kratku formu. Priznajmo, kratki filmovi nisu najgledanija stvar - čak se i hrvatskoj festivalskoj publici najlakše 'podmetnu' s projekcijama prije dugometražnih. Na pitanje može li se snimiti dobar film od 10 ili 15 minuta najbolje je odgovoriti primjerima najboljih kratkiša najvećih svjetskih redatelja. To radi Luke Morris, koji nije samo producent i redatelj kratkih filmova, nego i njihov najveći promotor. On pod etiketom 'Cinema 16' izdaje kompilacije kratkih filmova najznačajnijih filmskih autora. Četvrta, zadnja kompilacija pod oznakom 'Cinema 16' obuhvaća kratke filmove iz cijeog svijeta i sadrži radove Alfonsa Cuaróna, Guillerma Del Tora, Guya Maddina, Park Chan-Wooka, Jane Campion, Aleksandra Sukurova i ostalih autora čiji filmovi su stali na ovaj 2-struki DVD sa pet sati filmova. Na kompilaciji se nalaze razni zanimljivi filmovi, npr. 'My Father is 100 Years Old' koji je nastao tako da je Isabella Rossellini zamolila Guya Maddina da napravi posvetu njezinom ocu, Robertu Rosselliniju. Tu je i 'Dona Lupe' koji je 19-godišnjem Guillermu Del Toru bio već 9. film, a u njemu je taj autor već pokazivao sklonosti prema napetim, komornim pričama.

'Two Cars, One Night' je novozelandski film koji je dobio nominaciju za Oscara, a redatelja Waititija smo na prošlom ZFF-u upoznali kao autora simpatičnog 'Orla protiv Morskog psa'. Oscara je pak dobio hvaljeni 'Wasp' /naslovna/ iza kojeg stoji jedna hvaljena redateljica, Andrea Arnold ('Red Road'), a oskarovsku nominaciju i dosta nagrada ima i animirani 'Madame Tutli-Putli' o kojem smo dosta pisali. Prije ovog izdanja Morris je izdao slične veličanstvene kompilacije - američku (Tim Burton, George Lucas, Alexander Payne, Gus Van Sant, Todd Solondz, Mike Mills i Maya Deren), europsku (Lars von Trier, Jean Luc Godard, Jan Švankmajer, Lukas Moodysson, Tom Tykwer) i britansku (Chris Nolan, Ridley Scott, Mike Leigh, Stephen Daldry, Lynne Ramsay i Peter Greenaway). Izgleda kao ilustracija leksikona 'Tko je tko u svjetskoj kinematografiji', a pošto izdanja sadrže i brojne komentare redatelja, trebala bi biti obvezna lektira u svim filmskim školama.

Morrisov cilj je za kratkiše izboriti bolji status u svijetu filmu, baš kao što i kratke priče u svijetu literature imaju cjenjen odnos u odnosu na romane. Morris tvrdi da kod kratkih filmova možete primijetiti najzanimljivije režiranje, jer ljudi 'nisu sputani komercijalnim pritiscima' koji ograničavaju autore kod snimanja dugometražnih filmova. Umjesto toga, autori u sažetoj formi koncentriraju svoje ideje, pa tako u ranim radovima slavnih redatelja možemo vidjeti začetke budućih estetika. I sami filmaši s ovih kompilacija trude se čim više promovirati ovu pomalo potcijenjenu formu. Jane Campion tako navodi da 'kratki filmovi nisu inferiorni, nego samo različiti', a 'privlačno je to što nemaš toliko odgovornosti za fabulu', što po njoj omogućava 'više kreativnosti', 'čak i za redatelje koji inače rade dosadne dugometražne filmove'. Guillermo Del Toro je još direktniji: 'Ako je nekompetentni kučkin sin poput mene napravio kratki film, izgradio karijeru i snima dugometražne filmove - onda ima nade za svakoga'. Evo motivacije i za hrvatske filmaše...

http://img181.imageshack.us/img181/277/brwf0071.jpg

Various - Cinema16: American Short Films (2006) (http://www.worldscinema.com/2010/10/various-cinema16-american-short-films.html)

Cinema16 is a filmmaker driven initiative, produced by Luke Morris, who won the European Film Award and a BAFTA nomination for his first short Je t’aime John Wayne, and was BAFTA nominated again this year, with Toby MacDonald, for Heavy Metal Drummer. Aside from providing short films with a much needed platform Cinema16 gives filmmakers and movie-lovers access to some great films that would otherwise be near impossible to see. With over three and a half hours of films Cinema16 is essential viewing for anyone with an interest in the moving image. The 16 films include: Gus Van Sant's 1982 adaptation of a William S. Burroughs short story, The Discipline of DE; Tim Burton’s early stop motion animated classic Vincent; George Lucas’ USC short Freiheit; Alexander Payne’s previously unreleased UCLA graduation short Carmen; D.A. Pennebaker’s Duke Ellington scored Daybreak Express; Todd Solondz’ NYU short Feelings; along with Oscar winner The Lunch Date by Adam Davidson, Stefan Nadelman’s multi-award winning documentary Terminal Bar, Joe Nussbaum’s cult classic George Lucas in Love, and this year’s Sundance winner The Wraith of Cobble Hill by Adam Parrish King.

01 Adam Davidson - The Lunch Date (http://www.imdb.com/title/tt0100076/)
02 Peter Sollett - Five Feet High And Rising (http://www.imdb.com/title/tt0240507/)
03 George Lucas - Freiheit (http://www.imdb.com/title/tt0060432/)
04 Da Pennebaker - Daybreak Express (http://www.imdb.com/title/tt0045673/)
05 Tim Burton - Vincent (http://www.imdb.com/title/tt0084868/)
06 Stefan Nadelman - Terminal Bar (http://www.imdb.com/title/tt0344437/)
07 Rawson Marshall Thruber - Terry Tate Office Linebacker (http://www.imdb.com/title/tt0303402/)
08 Standish Lawder - Necrology (http://www.imdb.com/title/tt0355817/)
09 Gus van Sant - The Discipline Of D.E. (http://www.imdb.com/title/tt0409900/)
10 Adam Parrish King - The Wraith Of Cobble Hill (http://www.imdb.com/title/tt0493467/)
11 Joe Nussbaum - George Lucas In Love (http://www.imdb.com/title/tt0203523/)
12 Maya Deren - Meshes Of The Afternoon (http://www.imdb.com/title/tt0036154/)
13 Alexander Payne - Carmen (http://www.imdb.com/title/tt0872315/)
14 Todd Solondz - Feelings
15 Mike Mills - Paperboys (http://www.imdb.com/title/tt0372459/)
16 Andy Warhol - Screen Test: Helmut

IMDb (http://www.imdb.com/title/tt0913955)

Ako ste u mogucnosti, kupite originalne DVD-ove (ogromna preporuka, moja malenkost upravo narucila cetvrtu, zadnju kompilaciju pod oznakom 'Cinema 16: World Short Films').

Sve dodatne informacije mozete pronaci na adresi:

http://www.cinema16.org/home.php

[La Familia]

http://img291.imageshack.us/img291/8617/screenplay.jpg

60 Best Blogs for Aspiring Screenwriters (http://www.bachelorsdegree.org/2010/10/12/60-best-blogs-for-aspiring-screenwriters/)

REPLAY(S):

ULTIMATIVNI SCENARISTICKI THREAD: Vol. 1 (http://www.forum.hr/showpost.php?p=28233285&postcount=1432)
ULTIMATIVNI SCENARISTICKI THREAD: Vol. 2 (http://www.forum.hr/showpost.php?p=28814224&postcount=1479)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img838.imageshack.us/img838/9236/2zyez4g.jpg

Mljac!

The Art of the Dark Knight is the ultimate companion book to the movie, showcasing production ephemera including storyboard art, character sketches, Nolan’s original shooting script, still photos, and even personal behind-the-scenes material created by the Nolans and Crowley during the movie. The Art of the Dark Knight is certain to appeal to diehard and new fans alike.

Video (ae, ka neki forspan knjige):

http://img690.imageshack.us/img690/5196/16352589.png (http://www.flickr.com/photos/teohyc/2752426212/)

Fotke/preview (kako to izgleda i te sheme, onaj debil gore to malo prebrzo okrece):

http://img218.imageshack.us/img218/67/38856292.jpg (http://farm4.static.flickr.com/3194/2752287990_28d6d5e786.jpg)http://img153.imageshack.us/img153/3262/76221817.jpg (http://farm4.static.flickr.com/3126/2752290368_94fffd101d.jpg)http://img685.imageshack.us/img685/8740/17275173.jpg (http://farm4.static.flickr.com/3235/2752303574_e8aaf547ec.jpg)http://img822.imageshack.us/img822/8246/37259017.jpg (http://farm4.static.flickr.com/3221/2751475325_a8ff868398.jpg)http://img808.imageshack.us/img808/2216/88517835.jpg (http://farm4.static.flickr.com/3056/2751507761_2818f382cf.jpg)http://img829.imageshack.us/img829/6039/79621957.jpg (http://farm4.static.flickr.com/3291/2751477217_72b35100a7.jpg)

DOWNLOAD:

The Dark Knight: Featuring Production Art and Full Shooting Script (http://www.mediafire.com/?smigtcpyyod)

Ae, ako imas para, kupi/naruci knjigu na Amazonu (http://www.amazon.com/Dark-Knight-Featuring-Production-Shooting/dp/0789318121). Ako nemas, reci barem 'hvala' (nemojte tu sporkat, moze i na chatu). :)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img89.imageshack.us/img89/8036/talesfromthescript1.jpg (http://avaxhome.ws/video/tfts_2009.html)

Stari linkovi za online gledanje osli u vrazju mater, uzivajte.

DOWNLOAD:

Tales from the Script (2009) (http://avaxhome.ws/video/tfts_2009.html)
DVDRip | AVI | English | 1h 44min | 1.36 GB | 512×320 | XVID - 1700kbps | MP3 - 128kbps
Genre: Documentary
IMDB rating (http://www.imdb.com/title/tt1045642/): 7.7/10 (115 votes)
Directed by: Peter Hanson

Shane Black (Lethal Weapon), John Carpenter (Halloween), Frank Darabont (The Shawshank Redemption), William Goldman (Butch Cassidy and the Sundance Kid), Paul Schrader (Taxi Driver), and dozens of other Hollywood screenwriters share penetrating insights and hilarious anecdotes in Peter Hanson’s TALES FROM THE SCRIPT, the most comprehensive documentary ever made about screenwriting. By analyzing their triumphs and recalling their failures, the participants explain how successful writers develop the skills necessary for toughing out careers in one of the world’s most competitive industries. They also reveal the untold stories behind some of the greatest screenplays ever written, describing their adventures with luminaries including Harrison Ford, Morgan Freeman, Stanley Kubrick, Joel Silver, Martin Scorsese, and Steven Spielberg.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img299.imageshack.us/img299/939/43234335.jpg
IMDb (http://www.imdb.com/title/tt0996396/)

Jos jedan (meni strasno drag) dokumentarac... Uostalom, pozivam vas da prvo pogledate clip otvaranja istog (minuta i 40 sekundi, klik na fotku ispod):

http://img254.imageshack.us/img254/2895/78956753.png (http://vimeo.com/7825398)

Huh?

http://www.pic4ever.com/images/bliss.gif

Koga nisu prosli trnci?

http://img534.imageshack.us/img534/6653/25176545.png

Fog City Mavericks (2007)

Fog City Mavericks explores and applauds the extraordinary cinematic achievements of San Francisco Bay Area filmmakers, with notable attention to the way in which their lives and work mirror the spirit of invention and independence that makes the Bay Area such a unique cultural and artistic community.

http://img521.imageshack.us/img521/4623/54711259.jpg

One of the best documentaries about film and filmmakers

I just watched the documentary "Fog City Mavericks" on the Starz cable TV network. It is without a doubt, one of my most enjoyable viewing experiences ever! It chronicles the San Francisco Bay area artists and creative talent responsible for the some of the best films ever made. In addition to the well-known artists listed, t also includes segments with Irvin Kershner, Caleb Deschanel and a segment about Pixar Animation Studios. I hope it will be released on DVD-this is a must for any collection about cinema history and brilliant film-making. If you are even remotely interested in movies and the people who create them, you will not be disappointed.

Cast (in alphabetical order)

Carroll Ballard ... Himself
Brad Bird ... Himself
Ronald Colby ... Himself
Chris Columbus ... Himself
Bruce Conner ... Himself
Francis Ford Coppola... Himself
Sofia Coppola ... Herself
Peter Coyote ... Himself - Narrator (voice)
Robert Dalva ... Himself
Caleb Deschanel ... Himself
Michael Douglas ... Himself
Clint Eastwood ... Himself
Lucy Fisher ... Herself
Milos Forman ... Himself
Philip Kaufman ... Himself
Irvin Kershner ... Himself
John Korty ... Himself
John Lasseter ... Himself
George Lucas ... Himself
Anthony Minghella... Himself
Walter Murch ... Himself
Cash Peters ... Charlie Chaplin (voice)
Matthew Robbins... Himself
Richard Schickel ... Himself
Peter Shaffer ... Himself
Robin Williams ... Himself
Saul Zaentz ... Himself

DOWNLOAD:

Fog City Mavericks 2007 FESTIVAL DVDRip (http://www.megaupload.com/?d=OTWSKQZE)

Uzivajte u dokumentarcu. :)

[La Familia]

http://img294.imageshack.us/img294/7834/97413195.png (http://www.sendspace.com/file/k0sxbq)

Gaspar Noé - Enter the Void [Screenplay] (2009) (http://www.sendspace.com/file/k0sxbq)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Kiarostami time! :)

DOKUMENTARCI:

http://img233.imageshack.us/img233/5800/51mlhy1kdcl.jpg (http://www.worldscinema.com/2010/10/jean-pierre-limosin-abbas-kiarostami.html)

Jean-Pierre Limosin - Abbas Kiarostami - Verités et songes (1994) (http://www.worldscinema.com/2010/10/jean-pierre-limosin-abbas-kiarostami.html)

This documentary by French director Jean-Pierre Limosin is the first Spanish edition of the renowned "Cinéma, de notre temps" series. In this episode, Abbas Kiarostami talks about his life and work. Summarising his approach to filmaking, Kiarostami said: "A filmmaker has to be conscious about his responsibility. I always wish to remind the audience that they are watching a film. You see, it is very dangerous to make the audience more emotionally engaged than they need to be. In the darkness of the cinema, people are so innocent. It makes them feel that everything is closer and stronger. That is why we should not make them even more emotional: People need to think when they watch films, not to be robbed of their reason ... I make half movies. The rest is up to the audience to create for themselves."

IMDb (http://www.imdb.com/title/tt0208055/)

http://img541.imageshack.us/img541/1571/poster10onten1.jpg (http://www.worldscinema.com/2009/09/abbas-kiarostami-10-on-ten-2004.html)

Abbas Kiarostami - 10 on Ten (2004) (http://www.worldscinema.com/2009/09/abbas-kiarostami-10-on-ten-2004.html)

Ten masterly lessons of cinema by Abbas Kiarostami, whose metaphysical work is characterized by his unique poetry and his sense of purity. In addition to the rigor of his frame, the Iranian filmmaker imposes the physical immediacy of his shots, inspired by the magnificence his landscapes and depth of field. His naturalist fictions are spread majestically in the election sets. Besides, nature is the starting point of this documentary, as the auteur lightheartedly enjoys pointing out: "During the debates which followed screenings of Ten, certain movie goers said to me that in my films I had accustomed them to seeing landscapes and nature and that they had still come to see the landscapes and nature. Actually, each film requires its own place. Ten had to be filmed in such a confined space". 10 on Ten or the time of return, is at the same time about where the film Taste of Cherry was made, and overall, on the "Kiarostami method". With the pedagogy which characterizes his characters, the filmmaker films himself, using a mini DV camera, at the wheel of his car, following the example of a number of his heroes. The passenger seat, a privileged set, is entirely inhabited by the fluid and luminous word of Kiarostami.

IMDb (http://www.imdb.com/title/tt0407467)

On the Road with Kiarostami (2005) (http://www.worldscinema.com/2010/10/mark-cousins-on-road-with-kiarostami.html)

Abbas Kiarostami is the most acclaimed Iranian film director whose films have won prizes all around the world. In this film he gives a rare and frank interview about his work, and journeys out of Tehran to meet Babak Ahmadpoor the now grown up star of his famous trilogy, which started with WHERE IS THE FRIENDS HOUSE. On the journey Kiarostami picks up the camera himself , producing images of pure poetry.

http://img245.imageshack.us/img245/6043/abbaskiarostamiabbaski0.jpg (http://www.worldscinema.com/2010/04/abbas-kiarostami-roads-of-kiarostami.html)

Abbas Kiarostami - Roads of Kiarostami (2006) (http://www.worldscinema.com/2010/04/abbas-kiarostami-roads-of-kiarostami.html)

Abbas Kiarostami has recently been exhibiting his black-and-white landscape photographs at venues around the world, and Roads of Kiarostami is both a companion piece to these exhibits and an extension of them. Static shots of his photos alternate with footage of Kiarostami's car winding through mountain roads, as the Iranian filmmaker muses in voice-over on the significance of the journey and on the path of his work and Persian literature as a whole.

KNJIGE:

http://img230.imageshack.us/img230/658/000be92dmedium.jpg (http://avaxhome.ws/ebooks/artbook/elenakiarostami.html)

Alberto Elena, The Cinema Of Abbas Kiarostami (http://avaxhome.ws/ebooks/artbook/elenakiarostami.html)
Saqi Books | 2005 | ISBN 0863565948 | 224 Pages | PDF | 16.5 MB

Abbas Kiarostami's films--Close-Up, Life and Nothing More, Through the Olive Trees, Taste of Cherry (winner of the 1997 Palme d'Or at Cannes), and Ten--have taken their place alongside the masterworks of world cinema. Yet Kiarostami, the most influential filmmaker of post-revolutionary Iran, has produced a body of work that is as rooted in contemporary Iran as it is universal in appeal. Respected cinema historian Alberto Elena has used Iranian sources wherever possible and sought to frame Kiarostami's oeuvre within the context of the rich artistic and intellectual Persian tradition that has nourished the director. He examines his blending of fiction and reality, and his recurring themes of death, meaning in life, isolation, solidarity and the lives of women. Kiarostami's career, from his early days as an illustrator and graphic designer to his current master-status, is also explored.

http://img508.imageshack.us/img508/1038/000cb04emedium.jpg (http://avaxhome.ws/ebooks/science_books/philosophy/nancykiarostami.html)

Jean-Luc Nancy, Kiarostami Abbas: The Evidence of Film (http://avaxhome.ws/ebooks/science_books/philosophy/nancykiarostami.html)
Yves Gevaert | 2001 | ISBN 2930128178 | 110 Pages | PDF | 10 MB

What Nancy aims to achieve, therefore, is to define a new essence or form of film that has always been there but only appears now for itself in Kiarostami's work. The central idea of this new essence is that cinema is fundamentally an art of looking at the world. To develop this unsurprising statement into an innovative path for film theory, Nancy uses two concepts. One is the concept of gaze or way of looking ('regard' in French); the other is a conception of the world. These two concepts are inextricably linked since the definition of film, as an art of looking is only made possible through the understanding of how Nancy conceives the world. And the latter is at the heart of Nancy's innovative purpose.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img246.imageshack.us/img246/9409/85310089.jpghttp://img80.imageshack.us/img80/103/59192834.jpghttp://img812.imageshack.us/img812/9360/52252378.jpghttp://img51.imageshack.us/img51/5969/62172189.jpghttp://img145.imageshack.us/img145/4520/84803191.jpg

Jos jedan strukovni casopis, mnogo dobar - British Cinematographer.

DOWNLOAD:

British Cinematographer Magazine Issue 41 (http://avaxhome.ws/magazines/british_cinematographer_41.html)
British Cinematographer Magazine Issue 40 (http://avaxhome.ws/magazines/british_cinematographer_40.html)
British Cinematographer Magazine Issue 39 (http://avaxhome.ws/magazines/british_cinematographer_39.html)
British Cinematographer Magazine Issue 38 (http://avaxhome.ws/magazines/british_cinematographer_38.html)
British Cinematographer Magazine Issue 37 (http://avaxhome.ws/magazines/british_cinematographer_37.html)

[La Familia]

http://img59.imageshack.us/img59/5827/o6e1zm.jpg

A Seminar with Billy Wilder (http://filmmakeriq.com/2010/10/a-seminar-with-billy-wilder/)

Master director/writer of such Hollywood classics as “Sunset Blvd.”, “Some Like it Hot”, “One, Two, Three”, “The Apartment” and “Double Indemnity”, Billy Wilder leads the AFI Harold Lloyd Master Seminar in 1976.

Courtesy of AFI.

http://img514.imageshack.us/img514/9096/201010261954.png

Wilder says that while it’s not necessary for a Director to know how to write, it is necessary for him to know how to “read”. (http://www.youtube.com/watch?v=8PW8vf6_hvo)
Wilder on how he prepares to shoot a film (http://www.youtube.com/watch?v=O0xd1aRLKQo)
Wilder on the Pacing of a Film (http://www.youtube.com/watch?v=3Mv4f_kFHHM)
Wilder talks about shooting multiple endings for films (http://www.youtube.com/watch?v=sRXW-OaXzJ0)
Wilder talks on career paths (http://www.youtube.com/watch?v=Rt_yYspA3z4)
Billy Wilder talks about the approach of director Ernst Lubitsch, which became widely known as “The Lubitsch Touch” (http://www.youtube.com/watch?v=7jOVRKzwURY)
Billy Wilder talks about working with Jack Lemmon and Shirley MacLaine (http://www.youtube.com/watch?v=Pj6zV5k00PQ)

REPLAY:

Video interview: Billy Wilder (http://www.forum.hr/showpost.php?p=22455681&postcount=43)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img840.imageshack.us/img840/7754/81194808.png

Hereafter (http://www.imdb.com/title/tt1212419/) (2010). :cerek:

http://img25.imageshack.us/img25/412/71014544.pnghttp://img502.imageshack.us/img502/553/95551060.pnghttp://img708.imageshack.us/img708/5438/49440223.pnghttp://img132.imageshack.us/img132/7287/33525624.png

American Cinematographer Magazine November 2010 (http://avaxhome.ws/magazines/american_cinematographer_11_2010.html)
English | 104 Pages | 14MB | True PDF

American Cinematographer is a monthly magazine published by the American Society of Cinematographers. American Cinematographer focuses on the art and craft of cinematography, going behind the scenes on domestic and international productions of all shapes and sizes. The magazine features in-depth interviews with cinematographers, directors and some of their key collaborators at every stage of production. The magazine also features historical articles, technical how-to pieces, and information on the latest tools and technologies that impact the cinematographer's craft.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img191.imageshack.us/img191/2237/334768077350f07c2216.jpg

Fascinantna knjiga, svi materijali (conceptual drawings, storyboards, shooting script) s kojim su braca Wachowski dosli pred celnike Warner Bros-a: 'Dame i gospodo, dobrodosli u Matrix'.

Beautiful. Simply astonishing. A visual feast of stylish imagery. This book is a masterpiece of illustrative storytelling. Can you tell I liked it?

The Art of the Matrix is a huge, hardbound, coffee table book that tells the story of The Matrix, and more importantly, shows the difficult path the creators followed in getting the studio to greenlight the movie. The script for The Matrix (included in full) proved to be insufficient to fully demonstrate the Wachowskis' vision to the Warner Bros. executives, so they commissioned a number of artists (several from the comic book world) to produce detailed conceptual drawings, storyboards, and other illustrations. These illustrations proved essential to explaining the movie to the decision-makers at the studio.

The Wachowskis also broke from storyboard tradition and instructed the artists to use their comic book experience and graphic story-telling techniques to indicate movement, action, and other dynamic elements of the scenes. Normally in storyboarding, drawings are produced with copious use of arrows to illustrate movement and action. Feeling this was insufficient to truly demonstrate the level of action they had in mind, the Wachowskis corrected each artist once they produced their first drawing using the industry standard arrows…and they never used another arrow. This led to the dynamic, action-packed illustrations that fill over 300 pages of this 488-page volume.

And these illustrations are impressive, especially if you're a fan of graphic art, visual storytelling, or comic books. In fact, if you're a comic book/graphic novel fan, just go buy this book now. It's not cheap, but there are so many reasons that you won't regret it: the sense of movement in Steve Skroce's B&W storyboards, the beautifully colored art of Tani Kunitake's storyboards, and the incredibly detailed conceptual illustrations by Geof Darrow all add to this book's uniqueness and value. In fact, some of Geof Darrow's work on the 4 double-sided gatefolds in the center of the book are suitable for framing, and I would have done just that, but I don't want to cut my book up!

In addition to all the art, you get commentary by all the artists about their work on the film, the complete screenplay by the Wachowskis with scene notes by Phil Oosterhouse (assistant to the Wachowskis), thumbnail sketches by the Wachowskis, deleted script excerpts, & three cut storyboard sequences.

I hate to repeat myself, but this book is now one of my favorite Matrix items in my collection, and it's just about the only one I drag out to show everyone who visits. It's that good. Here's hoping we'll see The Art of The Matrix Reloaded soon!

Get The Art of The Matrix for yourself today!

PREVIEW:

http://img204.imageshack.us/img204/4170/57654426.jpg (http://farm4.static.flickr.com/3545/3347677155_1ac5779236.jpg)http://img513.imageshack.us/img513/3152/57946436.jpg (http://farm4.static.flickr.com/3646/3348513758_affbe3ebb3.jpg)http://img714.imageshack.us/img714/125/50135327.jpg (http://farm4.static.flickr.com/3460/3347678435_0108001c9e.jpg)http://img809.imageshack.us/img809/1226/31611835.jpg (http://farm4.static.flickr.com/3428/3348514946_f44e973c14.jpg)http://img168.imageshack.us/img168/4043/37799644.jpg (http://farm4.static.flickr.com/3615/3347679641_d6bf4e79c1.jpg)http://img151.imageshack.us/img151/2411/97058689.jpg (http://farm4.static.flickr.com/3574/3347680253_6c79278bd2.jpg)

VIDEO:

http://img229.imageshack.us/img229/6631/201010300222.png (http://www.flickr.com/photos/teohyc/3347676023/)

DOWNLOAD:

The Art of the Matrix (http://avaxhome.ws/ebooks/artbook/artmatrx.html)
Publisher: Newmarket Press | ISBN: 1557044058 | December 11, 2000 | 488 pages | PDF | 58MB

This book is definitely a must-have for any Matrix fan. This book goes in depth about each scene in the 1999 Blockbuster hit movie. It includes mostly black and white illustrations and some colored ones of each and every scene. It's as if you're watching the movie in a book. Along with the illustrations are many commentaries to let you know what the Wachowski brothers were trying to accomplish. If this isn't enough, even the Wachowski brothers have commentaries in this book. There are also illustrations in this book that are NOT in the movie. Commentaries will tell you why these scenes were omitted. The Art of the Matrix is exactly that, an ART book. The storyboards are incredibly detailed and look fantastic. The majority of the drawings are done in black and white but there are some in color and color picture stills from the movie as well. The artist comments are fun to read and provide some insight as to what they and the directors were thinking.

Ako ste u mogucnosti, svakako kupite knjigu (http://www.amazon.com/exec/obidos/ASIN/1557044058/thematrix101-20).

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img513.imageshack.us/img513/5168/34534188.png

Novi film velikog Jamesa L. Brooksa, nikako docekati:

http://img149.imageshack.us/img149/9726/62640528.pnghttp://img202.imageshack.us/img202/4739/98684144.png

Sjajan clanak o filmografiji Harrisona Forda:

http://img576.imageshack.us/img576/3287/10048716.pnghttp://img121.imageshack.us/img121/7113/91319172.png

Veeeeliki intervju s Hilary Swank (carica):

http://img180.imageshack.us/img180/7126/98093380.pnghttp://img401.imageshack.us/img401/3669/81012445.png

DOWNLOAD:

Total Film – December 2010 (http://avaxhome.ws/magazines/hobbies_leisure_time/Total_Film_12_2010.html)
PDF | 172 pages | English | 69.1 MB

Total Film is the definitive modern guide to movies. Vibrant, funny and accessible, mixing A-list glitz with indie attitude, instant hits with timeless classics. It’s the insiders’ guide to Hollywood and beyond…

Razmislite o pretplati (ako si to mozete priustiti, naravno), Total Film vrijedi svake lipe.

[La Familia]

http://img834.imageshack.us/img834/2724/stevenspielbergjaws.jpg

A Seminar with Steven Spielberg… from 1978 (http://filmmakeriq.com/2010/11/a-seminar-with-steven-spielberg-from-1978/)

Going all the way back before “Minority Report”, “Saving Private Ryan”, “Schindler’s List”, “Jurrasic Park” and even before “Indiana Jones”… Here is a young Spielberg in 1978 at an AFI’s seminar fresh from three major features, “The Sugarland Express” (1974), “Jaws” (1975), and “Close Encounters of the Third Kind” (1977).

http://img201.imageshack.us/img201/4404/201011032236.png (http://www.youtube.com/watch?v=ucalufZoCYY)

Spielberg talks about working with François Truffaut (http://www.youtube.com/watch?v=dWnCvVGODmE)
Spielberg talks about how a film director needs to handle different actors in different ways (http://www.youtube.com/watch?v=_Fi5OxVI8mk)
In this clip he talks about how some films can benefit from shooting in continuity (http://www.youtube.com/watch?v=TyUW9nwwP00)
Spielberg talks about how he approaches storyboarding (http://www.youtube.com/watch?v=nBH89Y0Xj7c)
Spielberg talks about the special effects for CLOSE ENCOUNTERS OF THE THIRD KIND (http://www.youtube.com/watch?v=C0Cemb5HY7E)
Spielberg talks about the prospect of making films that might be characterized as smaller in scope (http://www.youtube.com/watch?v=44nSe6ubHgc)
Spielberg talks about his contemporaries and why he would never take a respite from making movies (http://www.youtube.com/watch?v=PDLHow-bXug)

[gordon1hr]

odlicni postovi! keep up the good work! :top:

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img585.imageshack.us/img585/3469/empireofthesun.jpg

Konacno, scenarij najdrazeg mi filma Stevena Spielberga (sve do danas bio je prakticki nenabavljiv).

Jos da mi se samo ispuni zelja, vrlo skromna - stisnuti ruku Christianu Baleu na fantasticnoj ulozi Jima 'Jamiea' Grahama.

P-51- Cadillac of the skies!

http://img180.imageshack.us/img180/5351/86442795.png (http://www.youtube.com/watch?v=02BBtN-P0lc)

Scenarij (klik na fotku za download):

http://img543.imageshack.us/img543/2121/68222467.png (http://www.mypdfscripts.com/screenplays/empire-of-the-sun)

http://www.pic4ever.com/images/bliss.gif

Ovo uistinu zasluzuje biti special presentation, u to ime:

http://img824.imageshack.us/img824/408/frontalempireofthesun19.jpg (http://img820.imageshack.us/img820/408/frontalempireofthesun19.jpg)
http://img703.imageshack.us/img703/7259/traseraempireofthesun19.jpg (http://img99.imageshack.us/img99/7259/traseraempireofthesun19.jpg)

Empire Of The Sun OST - John Williams (1987) (http://soundtrackzone.blogspot.com/2010/04/empire-of-sun-john-williams-1987.html)

Kupite originalno OST izdanje, vrijedi svake lipe.

[La Familia]

http://img812.imageshack.us/img812/5859/02973small.jpg
Download 72dpi (http://www.maplepictures.com/uploadedImages/Film_Catalogue/B__/Biutiful/02973small.jpg) | 300dpi (http://www.maplepictures.com/uploadedImages/Film_Catalogue/B__/Biutiful/02973.jpg)
Director Alejandro González Iñárritu on the set of BIUTIFUL
Photo credit : Jose Haro

Ovo je nesto, jednosatni BFI Masterclass seminar (http://www.bfi.org.uk/live/video/516) s Alejandrom Gonzálezom Iñárrituom:

http://img152.imageshack.us/img152/345/26110420.png (http://www.bfi.org.uk/live/video/516)

Uzivajte! :)

Biutiful (http://www.maplepictures.com/publicity_detail.aspx?id=40102)

Information

Trailer: Biutiful Trailer 2010 HD (http://www.youtube.com/watch?v=fdWz1IFEv4k)
Production Notes: Download (http://www.maplepictures.com/uploadedFiles/Film_Catalogue/B__/Biutiful/BIUTIFULprod%20notes%20FINAL%20FINAL.doc)
Images (http://www.maplepictures.com/publicity_detail.aspx?id=40102)

:cerek:

[La Familia]

http://img31.imageshack.us/img31/8886/91326382.png

Hitchcock’s Storyboards from 13 Classic Films (http://filmmakeriq.com/2010/11/hitchcocks-storyboards-from-13-classic-films/)

[La Familia]

http://img844.imageshack.us/img844/8617/screenplay.jpg

Prvi ovogodisnji Awards Watch Roundtable: Michael Arndt (Toy Story 3), Simon Beaufoy (127 Hours), David Lindsay-Abaire (Rabbit Hole), Todd Phillips (Due Date), Aaron Sorkin (The Social Network) and John Wells (The Company Men).

Awards Watch Roundtable: The Writers (full video) (http://www.hollywoodreporter.com/news/awards-watch-roundtable-writers-full-43455)

Putting six intelligent, opinionated screen writers in a room usually produces one of the most interesting discussions in The Hollywood Reporter’s Awards Season Roundtable Series. But this year’s panel was especially pointed, with spirited debates about the ethics of writing and the effectiveness of the WGA. Michael Arndt (Toy Story 3), Simon Beaufoy (127 Hours), David Lindsay-Abaire (Rabbit Hole), Todd Phillips (Due Date), Aaron Sorkin (The Social Network) and John Wells (The Company Men) gathered at Capital Grille in West Hollywood for a conversation moderated by THR’s Matthew Belloni and Stephen Galloway.

http://img210.imageshack.us/img210/3188/32343522.png (http://www.hollywoodreporter.com/news/awards-watch-roundtable-writers-full-43455)

Trenutno dostupni scenariji (download):

Toy Story 3 (http://www.sendspace.com/file/qjzc63)
Social Network, The (http://www.sendspace.com/file/9sqw71)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img716.imageshack.us/img716/1432/91600390.png

28 godina kasnije...

http://img707.imageshack.us/img707/2825/35202861.png

Odlican one-on-one intervju s Johnom Ajvideom Lindqvisteom, svedskim autorom romana Let The Right One In:

http://img163.imageshack.us/img163/6069/1001f.png

Sfx - January 2011 (http://avaxhome.ws/magazines/hobbies_leisure_time/Sfx_Jan_2011.html)
English | 148 pages | PDF | 53.00 Mb

SFX is the Earth's greatest sci-fi and fantasy magazine. We cover all areas of sci-fi and fantasy across TV, movies, books, games, collectables and comics. We bring you news, features, exclusive interviews, behind-the-scenes stories, star profiles and TV episode guides. All this stuff makes us the market-leading genre magazine.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img209.imageshack.us/img209/8031/tumblrkvi1s4vpvj1qa9lxc.jpg (http://img230.imageshack.us/img230/8031/tumblrkvi1s4vpvj1qa9lxc.jpg)

Gdje je sad ona 'visprena' forumasica:

Đurđa kaže:
'Odlucila ja snimiti film, jos uvijek razmisljam kako. Kaj, kakav direktor? Cega, fotografije? Jeste vi normalni, jos da placam i direktora - kameru mi moze drzati i susjeda!'

Cerce moje drago, neka ti je sa srecom. :cerek:

http://img593.imageshack.us/img593/8721/0011ead8medium.jpg

DVD1:
Dean Semler (Road Warrior, City Slickers, Dead Calm) demonstrates the techniques that won him an Academy Award for the cinematography of "Dances With Wolves." Dean's background in documentary films is a major influence on his visuals. This workshop recreates the lighting of an interior fireside scene from "Wolves", using an exact replica of the teepee set. The workshop footage was shot anamorphical, using a Panavision camera and a crane. Part of the Kodak Cinematography Masterclass Series.

DVD2:
John Seale (Rainman, Gorillas in the Mist, Witness) conducts an intensive and inspirational lighting workshop in the studios of the Australian Film, Radio and Television School. The dormitory set from "Dead Poets Society" was painstakingly reconstructed for this workshop. Even more important than the technical knowledge it contains is the insight this program gives into Seale's working philosophy. Part of the Kodak Cinematography Masterclass Series. 28 mins.

DVD3:
Two internationally renowned cinematographers light the same shots from the same dramatic script in this back-to-back workshop. Don McAlpine (Patriot Games, Breaker Morant and My Brilliant Career) and Denis Lenoir (Monsieur Hire, Clear and Present Danger and Mrs. Doubtfire) vividly demonstrate how differences in creative style and approach affect the impact and tone of the scene. This program is packed with technical information, demonstrations & insights into the role of the cinematographer

DVD4:
Location lighting, utilizing the equipment one truck can carry, is the most common task a young cinematographer will face. Geoff Burton (The Year My Voice Broke, Flirting, Wide Sargasso Sea) condenses his many years of location lighting experience in this highly practical and useful workshop. Geoff's approach emphasizes maximum use of natural lighting resources (daylight and practical) and imitating these sources with the light he adds. Geoff shows how to work with the limitations of locations space and design (in this case three rooms of a cramped apartment) rather than against them. He demonstrates how fast stocks and fast work can be critical to success.

Kodak Cinematography Master Class 4 DVDs | 1.4 GB (http://avaxhome.ws/ebooks/eLearning/Kodak.Cinematography.Master.Class.html)

[La Familia]

http://img844.imageshack.us/img844/8617/screenplay.jpg

Sjajne vijesti iz BAFTA-e: pokrenut je Screenwriters’ Lecture Series. David Hare, Peter Morgan, Aline Brosh McKenna, Simon Beaufoy, Christopher Hampton i Ronald Harwood (ciji creditsi ukljucuju Atonement, The Devil wears Prada, Frost/Nixon, Slumdog Millionaire, i The Reader) iznose svoja profesionalna iskustva, govore o filmovima/scenarijima na kojima su radili...

The result is a series of exclusive videos, clips and profiles providing a fascinating insight into the discipline and culture of screenwriting. It’s a great and rare opportunity for all types of screenwriters out there to listen in on the experiences and advice of these recognised Screenwriters.

http://img293.imageshack.us/img293/5879/65374684.png

Screenwriters on Screenwriting’ channel on BAFTA (http://www.bafta.org/access-all-areas/screenwriting/)

Uzivajte, besplatno je. :)

[salt and pepa]

Filmski entuzijasti, posebice poklonici klasičnog (ljubavnog) vesterna, molim vas pomozite mi pronaći ovaj film, sjećam se samo radnje...

dakle, gledao sam ove subote Belle Star i onda se podsvjesno sjetio jednog filma, isto američkog klasika, kojeg sam doduše gledao dosta davno, pa se nikako ne mogu sjetit ni glumaca ni naslova ni išta...

Dakle, filma se sjećam kroz maglu i dijelova radnje... u biti je ljubavni moglo bi se reć vestern...

Radnja počinje da se banda od nekoliko tipova u bijegu sakrije u štali/konjušarnici jedne bogate gđice koja se zaljubi u jednoga od njih, dalje ide ta interesantna ljubavna priča, do dijela kad tog razbojnika trebaju smaknuti.
Ona misli da su ga upucali i zapravo počne ga žaliti, a da ni ne zna da je on i dalje živ.
Izdaje knjigu o njihovoj ljubavi, njezinu kuću dolaze posjećivati grupe ljudi, postaju legende, itd itd

U jednom momentu on se odluči javiti joj se da je živ. Dolazi sa tom grupom ljudi koja svakodnevno posjećuje njenu kuću... U početku ga ona niti ne prepoznaje, konačno ga prepozna, ali odluči da i dalje taje njegovu smrt kako bi legenda o njihovoj ljubavi živjela... ...on na to ne pristane pa ga naposljetku ona ubije...

U biti slabo se sjećam radnje pa pišem ovako nepovezano a ne mogu se niti sjetiti glazbe, zbog čega želim ovaj film ponovo pogledati, a mislim da je sigurno nagrađivana, jer ima jedna melodija koja prati film, na koju oni plešu (valcer čini mi se)...

Eto, ne sjećam se ni imena uloga, ni glumaca, ni naslova ni ničeg ali se nadam da ćete mi moći nekako nekako pomoć ili reći kome da se obratim.:s

[La Familia]

http://img844.imageshack.us/img844/8617/screenplay.jpg

Novi scenariji (download):

Animal Kingdom (http://www.sonyclassics.com/awards-information/animalkingdom_screenplay.pdf)
127 Hours (2009 Draft) (http://www.mypdfscripts.com/screenplays/127-hours)
Due Date (http://www.mypdfscripts.com/screenplays/due-date)
Skyline (2010.03.10 Draft) (http://www.mypdfscripts.com/screenplays/skyline-2010-03-10-draft)
Unstoppable (http://www.mypdfscripts.com/screenplays/unstoppable)
Red (http://www.mypdfscripts.com/screenplays/red)
Somewhere (Revised Draft by Sofia Coppola) (http://www.mypdfscripts.com/screenplays/somewhere)
Toy Story 3 (http://www.mypdfscripts.com/screenplays/toy-story-3)
Enter the Void (http://www.mypdfscripts.com/screenplays/enter-the-void)
Stone (http://www.mypdfscripts.com/screenplays/stone)
Secretariat (http://www.mypdfscripts.com/screenplays/secretariat)
Social Network, The (http://www.mypdfscripts.com/screenplays/the-social-network)
Town, The (2009.01.05 Draft) (http://www.mypdfscripts.com/screenplays/the-town-2009-01-05-draft)
Wall Street: Money Never Sleeps (http://www.mypdfscripts.com/screenplays/wall-street-money-never-sleeps)

Eto, ne sjećam se ni imena uloga, ni glumaca, ni naslova ni ničeg ali se nadam da ćete mi moći nekako nekako pomoć ili reći kome da se obratim.:s

Pogrijesili ste kat, ured za Filmove kojima ne znamo ime nalazi se ovdje (http://www.forum.hr/showthread.php?t=592705). :)

[La Familia]

Zaboravih, ovih dana postani su i nesto stariji scenariji (neki od njih do sada nisu bili dostupni nigdje na mrezi):

Narc http://t.co/JLVy9lG
Paths of Glory http://t.co/nKlWeG8
Pi http://t.co/7Exbfq5
12 Angry Men (1997) http://t.co/Zpx05LJ
Burning Plain, The http://t.co/BBlF574
Blood Creek http://t.co/G3pQsOb
Cop Land http://t.co/FLIeStj
Days of Thunder http://t.co/rPXaOdG
Deer Hunter, The http://t.co/lE69K6b
Descent: Part 2, The http://t.co/KPzViBc
Flight of the Phoenix (2004) http://t.co/8HC6kyd
Superbad http://t.co/Eb1hyF6
Dune (1982.05.29 Draft) http://t.co/Q76D3U5
Erin Brockovich http://t.co/vpBdBg6
Gone Baby Gone http://t.co/roEebps
Fog, The (1980) http://t.co/81v0Uke
Trick 'r Treat http://t.co/BelRnzE
In Bruges http://t.co/902ENwc
Minority Report (2001.05.16 Draft) Revised Draft by Scott Frank http://t.co/cm4ZPsT
Others, The http://t.co/g79hUQB
Harry Brown http://t.co/6Q1km8t

Storyboards:

Alien: Resurrection (Storyboards) http://t.co/noIjDT2
Mothman Prophecies, The (Storyboards) http://t.co/LhJku7C

[horacije]

Filmski entuzijasti, posebice poklonici klasičnog (ljubavnog) vesterna, molim vas pomozite mi pronaći ovaj film, sjećam se samo radnje...

dakle, gledao sam ove subote Belle Star i onda se podsvjesno sjetio jednog filma, isto američkog klasika, kojeg sam doduše gledao dosta davno, pa se nikako ne mogu sjetit ni glumaca ni naslova ni išta...

Dakle, filma se sjećam kroz maglu i dijelova radnje... u biti je ljubavni moglo bi se reć vestern...

Radnja počinje da se banda od nekoliko tipova u bijegu sakrije u štali/konjušarnici jedne bogate gđice koja se zaljubi u jednoga od njih, dalje ide ta interesantna ljubavna priča, do dijela kad tog razbojnika trebaju smaknuti.
Ona misli da su ga upucali i zapravo počne ga žaliti, a da ni ne zna da je on i dalje živ.
Izdaje knjigu o njihovoj ljubavi, njezinu kuću dolaze posjećivati grupe ljudi, postaju legende, itd itd

U jednom momentu on se odluči javiti joj se da je živ. Dolazi sa tom grupom ljudi koja svakodnevno posjećuje njenu kuću... U početku ga ona niti ne prepoznaje, konačno ga prepozna, ali odluči da i dalje taje njegovu smrt kako bi legenda o njihovoj ljubavi živjela... ...on na to ne pristane pa ga naposljetku ona ubije...

U biti slabo se sjećam radnje pa pišem ovako nepovezano a ne mogu se niti sjetiti glazbe, zbog čega želim ovaj film ponovo pogledati, a mislim da je sigurno nagrađivana, jer ima jedna melodija koja prati film, na koju oni plešu (valcer čini mi se)...

Eto, ne sjećam se ni imena uloga, ni glumaca, ni naslova ni ničeg ali se nadam da ćete mi moći nekako nekako pomoć ili reći kome da se obratim.:s

Glavna uloga je Charles Bronson, ne mogu se sad sjetiti imena filma, al vjerujem da ćeš se sad sam snaći na imdb-u. Inače, ima jedna genijalna scena u filmu, gđica spisateljica cjelo vrijeme misli da je Charles pročitao njenu knjigu pa je zahebava. Sigurna je da je to on tek kad skine hlaće, i gaće, dabome, i kaže joj "Ovog nema u knjizi, sjećaš li se?"
I ona se sjeti :D

[Dragonrage]

Glavna uloga je Charles Bronson, ne mogu se sad sjetiti imena filma, al vjerujem da ćeš se sad sam snaći na imdb-u. Inače, ima jedna genijalna scena u filmu, gđica spisateljica cjelo vrijeme misli da je Charles pročitao njenu knjigu pa je zahebava. Sigurna je da je to on tek kad skine hlaće, i gaće, dabome, i kaže joj "Ovog nema u knjizi, sjećaš li se?"
I ona se sjeti :D

Joj...ma to je ovaj From Noon Till Three (http://www.imdb.com/title/tt0074553/)!! Isuse kako me taj film ubio u pojam..al ono, skroz....

[horacije]

E, to je to, iako sam mislio da je stariji film bar 15 godina, pa mi se ta scena sa skidanjem hlača činila mucho subverzivnom za vestern s početka 60- ih.

Al svejedno, film je jako dobar, i ima još tih momenata.

Uh, zadnji put sam ga gledao valjda prije 10 godina

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img405.imageshack.us/img405/6528/thewaybackposter01404x6m.png
The Way Back (HD Trailer) (http://www.youtube.com/watch?v=aOKwLOHZEuE)

For Your Consideration: Scenarij Petera Weira.

The Way Back (Peter Weir).pdf (http://www.sendspace.com/file/rpf9hp)

---

Novi film oskarovca redatelja Dannyja Boylea iznosi jednu vrlo iznimnu istinitu priču o hrabrosti i preživljavanju. James Franco glumi mladog planinara koji donosi upravo nevjerojatnu odluku nakon što mu ruka bude prikliještena ogromnim kamenom u jednom zabitom kanjonu. U travnju 2003., Aron Ralston je na samotnjačkoj planinarskoj ruti, duboko u Nacionalnom parku kanjona, u saveznoj državi Utah. Jedna gromada, odlomljena od stijene, odbaci ga u duboki procjep u stijenju i prikliješti mu ruku uz zid kanjona. Bez obzira što on pokušavao, gromadu ne uspijeva pomaknuti ni za milimetar. Prvih 24 sata produže se na 48, pa na 72. Nikome nije rekao kamo ide na planinarenje, te tako Aron zna da su mu šanse za spas praktički nikakve. O svojoj nezgodi vodi video dnevnik na kameri koju je nosio u naprtnjači. Konačno, nakon pet dana, on odluči da si mora odrezati ruku ako se želi spasiti. Sve što ima je jedan tupi nož, no, uspije izvesti jezivu amputaciju, izvući se iz svog stjenovitog zatvora i zaputiti se ka sigurnosti civlizacije.

Aron Ralston je napisao knjigu sjećanja, naslovljenu "Između stijene i još tvrđega". Kaže da mu je promatranje stvaranja filma iz tih sjećanja predstavljalo unekoliko nadrealni događaj: "Za mene je to vrlo emocionalna stvar, premda je bilo fascinirajuće gledati kako se pretvara iz misli u žive slike. No, najdirljivije su mi vinjete koje prizivaju zahvalnost koju osjećam prema mojoj obitelji. Uspio sam gledati scene prikliještenosti i amputacije i doživjeti ih kao dobro i autentično ispričanu priču, ali kad se radilo o mojoj obitelji, emocije bi me preplavile". Scenarij je, prema Ralstonovoj knjizi, napisao Simon Beaufoy, čija ranija suradnja s redateljem Dannyjem Boyleom uključuje i film iz 2008., nagrađen oskarom, "Slumdog Millionaire". Obojica, i redatelj i scenarist, bili su svjesni da je scena amputacije kritičan dio filma, koji će predstavljati podjednako izazov i za stvaratelje filma i za publiku u kinima. Na koncu, taj je dio - koji je u stvarnosti trajao više od 40 minuta - na ekrane doveden ne samo s pravom dozom mjere nego i način koji čitav film čini inspirirajućim.

Najveći dio filma, glavni protagonist James Franco sam je na ekranu, s tek povremenim scenama njegovih razmišljanja o životu prije udesa i o tome kakav bi mu život mogao biti ako se spasi. Danas, koristeći prostetičku ruku, Aron Ralston i dalje planinari i istražuje kanjone. Ali, takođet putuje svijetom i drugima pripovijeda svoju nevjerojatnu životnu priču.

http://img526.imageshack.us/img526/5581/22662425.pnghttp://img221.imageshack.us/img221/900/97664358.png

James Franco FTW...

http://img140.imageshack.us/img140/6700/55681197.pnghttp://img821.imageshack.us/img821/5324/19314870.png

Outside - December 2010 (http://avaxhome.ws/magazines/for_men/Outside_Dec_2010.html)
English | 170 pages | PDF | 42.80 Mb

[salt and pepa]

Joj...ma to je ovaj From Noon Till Three (http://www.imdb.com/title/tt0074553/)!! Isuse kako me taj film ubio u pojam..al ono, skroz....



ajme da genijalci moji, puno vam fala, vec sam odustao trazeci, nitko mi nije mogao pomoc

prvo fala tebi sto si se sjetio imena glumca, ja sam trazio nisam mogao naci, ali da to je taj (fala i tebi sto si se sjetio naslova)

to je ta glazba koju sam trazio

http://www.youtube.com/watch?v=ii3eew2orcU

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img441.imageshack.us/img441/9457/43916698.pnghttp://img832.imageshack.us/img832/2928/79891200.pnghttp://img264.imageshack.us/img264/6617/18363557.png

http://img99.imageshack.us/img99/623/00183ba1medium.jpg

Total Film - January 2011 (UK) (http://avaxhome.ws/magazines/hobbies_leisure_time/Total-Film-January-2011-UK.html)
PDF | 180 Pages | English | 58.5 Mb

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img831.imageshack.us/img831/648/0017c3eemedium.jpg (http://pixhost.info/avaxhome/ee/c3/0017c3ee.jpeg)

Izniman dokumentarac o zivotu i filmskoj karijeri velikog Jacka Cardiffa, ogromna preporuka za gledanje.

Synopsis

In 2001 Jack Cardiff (1914-2009) became the first director of photography in the history of the Academy Awards to win an Honorary Oscar. But the first time he clasped the famous statuette in his hand was a half-century earlier when his Technicolor camerawork was awarded for Powell and Pressburger’s Black Narcissus.

http://img194.imageshack.us/img194/3703/31249934.jpg

Beyond John Huston’s The African Queen and King Vidor’s War and Peace, the films of the British-Hungarian creative duo (The Red Shoes and A Matter of Life and Death too) guaranteed immortality for the renowned cameraman whose career spanned seventy years. More than a decade in the making, this documentary portrait of the Technicolor master (who died last year) is composed of intriguing interviews with Cardiff himself, as well as with his colleagues and admirers (Martin Scorsese, Kirk Douglas, Lauren Bacall, Thelma Schoonmaker, and Richard Fleischer, among many others).

http://img530.imageshack.us/img530/6663/99310655.jpg

The amazing story of the legendary cameraman’s life and work is rounded out with numerous clips from movies that today would not be half so famous without Cardiff’s eye and creative inventiveness.

IMDb (http://www.imdb.com/title/tt1626811/)

Cameraman The Life and Work of Jack Cardiff (2010) (http://avaxhome.ws/video/genre/Biography/cameraman_the_life_and_work_of_jack_cardiff_2010.h tml)
DVDRip | Lang: English | Subs: English | avi | 624x352 | XviD @ 1061Kbps | mp3 VBR @ 114Kbps | 01:22:27 | 707 MB
Genre: Biographical, Documentary

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img207.imageshack.us/img207/2322/fellini.jpg

Redateljev notes (A Director’s Notebook) dokumentarni je film koji je Federico Fellini snimio 1969. u Americi o sebi i svojim najblizim suradnicima na filmu (Marcello Mastroianni, Giulietta Masina, Pasqualino De Santis, Nino Rota...).

http://img534.imageshack.us/img534/6282/61148803.jpg

Fellini discusses his views of making motion pictures and his unorthodox procedures. He seeks inspiration in various out of the way places. During this film viewers go with him to the Colisseum at night, on a subway ride past Roman ruins, to the Appian Way, to a slaughterhouse, and on a visit to Marcello Mastroianni's house. Fellini also is seen in his own office interviewing a series of unusual characters seeking work or his help.

IMDb (http://www.imdb.com/title/tt0206601/)

Federico Fellini - Block-notes di un regista (1969) (http://www.worldscinema.com/2010/11/federico-fellini-block-notes-di-un.html)

+

http://img140.imageshack.us/img140/7691/29ffu4x724orig.jpg

'Fellini - I'm a Born Liar' (2003) redatelja Damiana Pettingrewa govori o osebujnom Fellinijevom filmskom svijetu i to ne preko nekog trećeg, već sve doznajemo od samoga autora. Intervjui su nastali nekoliko mjeseci prije no što je velikan umro, u listopadu 1993.

Filmski.net: Kako se radi film (http://www.filmski.net/vijesti/dokumentarni-film/1034/kako_se_radi_film)?

IMDb (http://www.imdb.com/title/tt0314062/)

A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.

FELLINI, Sono un Gran Bugiardo (I'm a Born Liar) (http://avaxhome.ws/video/language/italian/fellini_sono_un_gran_bugiardo_dvdrip.html)

[La Familia]

http://img844.imageshack.us/img844/8617/screenplay.jpg

Novi scenariji (download):

Amélie (http://www.mypdfscripts.com/screenplays/amelie)
Apollo 13 (1994.11.17 Draft) (http://www.mypdfscripts.com/screenplays/apollo-13-1994-11-17-draft)
Before the Devil Knows You’re Dead (http://www.mypdfscripts.com/screenplays/before-the-devil-knows-youre-dead)
Before the Devil Knows You’re Dead (2006.02.23 Draft) (http://www.mypdfscripts.com/screenplays/before-the-devil-knows-youre-dead-2006-02-23-draft)
Charlie Wilson’s War (2006.09.21 Draft) (http://www.mypdfscripts.com/screenplays/charlie-wilsons-war-2006-09-21-draft)
Descent, The (http://www.mypdfscripts.com/screenplays/the-descent)
Defiance (2007.11.01 Draft) (http://www.mypdfscripts.com/screenplays/defiance-2007-11-01-draft)
Eastern Promises (2006.12.10 Draft) (http://www.mypdfscripts.com/screenplays/eastern-promises-2006-12-10-draft)
Frost/Nixon (2007.08.24 Draft) (http://www.mypdfscripts.com/screenplays/frostnixon-2007-08-24-draft)
Idiocracy (http://www.mypdfscripts.com/screenplays/idiocracy)
Pineapple Express (http://www.mypdfscripts.com/screenplays/pineapple-express)
Planes, Trains & Automobiles (http://www.mypdfscripts.com/screenplays/planes-trains-automobiles)
Hunger (http://www.mypdfscripts.com/screenplays/hunger)

[izravno_split]

čisto iz radoznalosti, zanima me koliko ste najviše filmova pogledali u jednom danu? :)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img24.imageshack.us/img24/280/78393666.jpg

Dokumentarac u kojem filmski kritičar Richard Schickel otkriva priču Clinta Eastwooda, a Eastwoodov prijatelj Morgan Freeman je pouzdani narator.

http://img84.imageshack.us/img84/1817/42083717.jpg

Clint Eastwood je 35 godina Warner Bros. nazivao svojim domom. 'Eastwoodov faktor' vodi gledatelje s druge strane Eastwoodovih filmskih uloga i otkriva ga kao jednostavnog i obazrivog čovjeka.

Morgan Freeman pripovjeda priču o Eastwoodu koja uključuje nezaboravne isječke iz filmova, lokacije na kojima su snimani filmovi, Eastwoodov dom, grad Carmel gdje on, svojim humorom, otvorenošću i inteligencijom, otkriva tajne svog rada s obje strane kamere i omogućuje nam doživljaj čistog, iskonskog Clinta.

Eastwoodov faktor (http://www.filmski.net/filmovi/5230/eastwoodov_faktor)
IMDb (http://www.imdb.com/title/tt1661274/)

The Eastwood Factor (2010) (http://avaxhome.ws/video/1501843.html)
Genre: Documentaire

Dokumentarac inace dolazi u sklopu posebnog izdanja Clint Eastwood: 35 Films 35 Years at Warner Bros. (mozete ga naruciti/kupiti ovdje (http://www.amazon.com/Clint-Eastwood-Films-Years-Warner/dp/B002Z7FN7Q)).

http://img88.imageshack.us/img88/5907/454611266245053.jpg (http://img101.imageshack.us/img101/5907/454611266245053.jpg)http://img528.imageshack.us/img528/8425/35356872.jpg (http://img530.imageshack.us/img530/8579/83171468.jpg)

Recenzija izdanja: Clint Eastwood 35 Films 35 Years certainly something to be honored (http://digitalchumps.com/movie-news/92-unofficialmovienews/4546-clint-eastwood-35-films-35-years-certainly-something-to-be-honored-.html).

Sto reci, a Must-Have.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img204.imageshack.us/img204/9708/97139434.jpg

Iako je javnost često percipira kao Australku, jer je tamo počela svoju filmsku karijeru, ona je Novozelanđanka, rođena u Wellingtonu gdje je diplomirala antropologiju te se preselila u Australiju, završila slikarstvo, a zatim i Australsku školu za film, televiziju i radio. Tamo je napravila i svoje prve kratke filmove. Ona je također i prva žena u povijesti Canneskog filmskog festivala koja je osvojila Zlatnu palmu 1986., i to za svoj prvijenac 'Peel' kojeg je napravila 1982. godine.

U tom devetominutnom filmu Jane prilično upečatljivo prikazuje tročlanu obitelj koja se vraća sa izleta jednog vrućeg ljetnog dana na australskoj cesti. Napetost između roditelja raste kad otac zaustavi automobil i natjera sina da pokupi koru naranče koju je bacao tijekom vožnje.

Zatim radi još tri kratka filma, sva odreda priznata i nagrađivana na filmskim festivalima. 'Passionless Moments' je trinaestominutni uradak koji se sastoji od neprekidne serije svakodnevnih misli, riječi ili djela koje su prezentirane na iznimno zanimljiv način. Tu su još 'After Hours' i 'A Girl's Own Story', koji je najduži od navedenih filmova, i u 27 crno bijelih minuta dočarava na i danas svjež način usamljen svijet odrastanja jedne djevojke i njenu opčinjenost Beatlesima.

Istinskim poklonicima Jane Campion koji se požele uvjeriti u kvalitetu njenih kratkih filmova, biti će drago čuti da su 'Peel', 'Passionless Moments' i 'A Girl's Own Story' dostupni.

Izvor: filmski.net (http://www.filmski.net/specials/655/expendables_nagradjuju)

An Exercise in Discipline - Peel (http://www.imdb.com/title/tt0083910/) (IMDb)

http://img718.imageshack.us/img718/202/24446591.png (http://www.youtube.com/watch?v=Z9lVexu0GOg)

Passionless Moments (http://www.imdb.com/title/tt0086084/) (IMDb)

http://img703.imageshack.us/img703/2169/81319890.png (http://vimeo.com/9906528)

A Girl's Own Story (http://www.imdb.com/title/tt0087335/) (IMDb)

http://img100.imageshack.us/img100/2600/54079684.png (http://video.google.com/videoplay?docid=-4591499619093715306#)

DOWNLOAD:

A Girl's Own Story - by Jane Campion (1984) (http://avaxhome.ws/video/genre/art_house/AGirlsOwnStorybyJaneCampion1984.html)

[La Familia]

Pogled na život iz perspektive atipičnog ratnog invalida Srećka koji dokoličari na najrazličitije moguće načine te se prisjeća ratnih dana. Film pokušava prikazati što se skriva iza čovjeka teškog 202 kg, prekrivenog nekolicinom nacističkih tetovaža, koji boluje od teškog stupnja PTSP-a, a pritom nikada ne skida smiješak s lica.

Režija, scenarij
Dario Lonjak
Fotografija
Davor Klarić
Montaža
Vedran Štefan
Producent
Marko Sušac
Produkcija
ADU

O autoru filma:

Dario Lonjak rođen je 1987. godine u Karlovcu, gdje završava osnovnu školu i Opću gimnaziju. Od 2001. godine član je Kinokluba Karlovac, u čijoj produkciji radi nekolicinu kraćih filmova (uglavnom igranih te videospotova), od kojih neki dobivaju nagrade na domaćim i inozemnim festivalima. Nakon završetka srednje škole, 2006. godine, upisuje Akademiju dramske umjetnosti. Radio je kao asistent režije na dugometražnom filmu Branka Schmidta, kratkom filmu Kristijana Milića, projektu Dubravka Merlića itd. Trenutačno studira na 5. godini filmske i televizijske režije te priprema diplomski film.

Izvor: Fak-tvojfilm.net

http://img600.imageshack.us/img600/9125/40717747.png (http://vimeo.com/16290742)

Mlad, nabrijan, iznimno talentiran (cujem da ga i Zrinko Ogresta hvali). Vrijedi zapamtiti to ime - Dario Lonjak.

BTW, svakako pogledajte i Dan mrtvih:

Synopsis
‘Day of the Dead' is a short feature trash comedy. The main protagonist, Robert, has a very unusual day. On that day, for the first time he drives his new limo to the office. But, when he arrives there he gets fired, goes back home and finds out that his wife cheats on him and finally a local thief attempts to steal his car. Robi takes justice in his own hands and solves the problems in a simpler way.

Directed by: Dario Lonjak
Script: Robert Roklicer
Producer: Vedran Suvar
Cinematography: Darko Heric
Editing: Miro Manojlovic
Cast: Robert Ugrina, Robert Roklicer, Mario Kovac, Srecko Vucic
Production company: Akademija dramske umjetnosti, Zagreb

Format: 16 mm
Running time: 10'
Country: Croatia
Year: 2008.

http://img641.imageshack.us/img641/4609/29231527.png (http://vimeo.com/8267114)

Jako dobro. :) Robert Roklicer. :s

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img227.imageshack.us/img227/6420/63994506.jpg
IMDb (http://www.imdb.com/title/tt0966582/)

Naš dragi Pasolini
Pasolini prossimo nostro
Režija: Bertolucci, Giuseppe, 2006, dokumentarni, HD/35mm, c/b, 63 min.
Sadržaj: Na setu smo filma Salò i 120 dana Sodome. Iako je film pokrenuo brojne polemike, smiren i pomalo veseo Pasolini dopušta maloj ekipi da ga slijedi na setu pod vodstvom novinara Gideona Bachmanna s kojim se upušta u dug i neobičan razgovor.

Nedavno je u kinu Tuškanac, u okviru Smotre suvremenog talijanskog filma, prikazan zanimljiv dokumentarac «Naš dragi Pasolini» redatelja Giuseppea Bertoluccija, brata poznatijeg Bernarda, koji otkriva nove stvari o snimanju filma «Salo». Također, ovaj jednosatni uradak pokazuje još jednom kako je Pasolini, koji je ubijen 1975. godine, i danas iznimno aktualan kao politički angažirani umjetnik. Zagrebačkoj premijeri nazočio je producent ovog dokumentarca, Andrea Crozzoli, koji kaže kako je početni impuls za snimanje filma došao iz Pasolinijeva arhiva: “Mislili smo da je najbolje na neki način pokrenuti sve te statične slike, a dokumentarni film se onda ispostavio kao jako dobro riješenje. Također, imali smo snimljene i sate razgovora s Pasolinijem koji nikada nisu bili objavljeni, te smo sve to odlučili spojiti, a svemu i dodati glazbu iz filma «Salo».”

Crozzoli je inače jedan od vlasnika produkcijske kuće CinemaZero, koja stoji iza ovoga filma, a Bertolucci je angažiran kako bi se probio kroz nikada objavljeni materijal, tisuće fotografija i sate razgovora s Pasolinijem. Razgovore s Pasolinijem vodio je Gideon Bachman, dok je za fotografije zaslužna Engleskinja Deborah Beer. Jedna od stvari koja se može otkriti u «Našem dragom Pasoliniju» jest i autorova namjera da svojim posljednjim filmom komentira mentalitet potrošačkog društva, koje je tada tek bilo u nastajanju. Pasolini se u ovom slučaju pokazuje kao vizionar, te otvoreno komentira kako nam se svima serviraju govna, koja skupo plaćamo i u kojima, nažalost neizbježno, svi podjednako uživamo. Time se scene koprofagije iz «Salo» mogu iščitati doslovno, a osim očite alegorije na fašizam, jednu manje-više poraženu ideologiju, Pasolini se obrušava i na konzumerizam.

Izvor: 101/dnevnikulturni.info (http://www.dnevnikulturni.info/vijesti/film/562/pier_paolo_pasolini_jedan_je_od_najvaznijih_filmsk ih_autora_dvadesetog_stoljeca./)

DOWNLOAD:
Giuseppe Bertolucci - Pasolini prossimo nostro - Pasolini next to us (2006) (http://www.worldscinema.com/2010/11/giuseppe-bertolucci-pasolini-prossimo.html)

http://img10.imageshack.us/img10/4518/18557566.jpg (http://www.cinemavalencia.com/public/caratulas/a/A_PROPOSITO_DE_BUÑUEL.JPG)
IMDb (http://www.imdb.com/title/tt0243739/)

Synopsis: Surrealist master Luis Bunuel is a towering figure in the world of cinema history, directing such groundbreaking works as Un Chien Andalou, Exterminating Angels, and That Obscure Object of Desire, yet his personal life was clouded in myth and paradox. Though sexually diffident, he frequently worked in the erotic drama genre; though personally quite conservative, his films are florid, flamboyant, and utterly bizarre. This documentary, directed Jose Luis Lopez Linares, tries to illuminate some of these contradictions. It features interviews ranging from the historical -- Mexican writer Carlos Fuentes -- to the personal -- his wife and children. Different people explain in this fine documentary how Luis Buñuel started to invent surrealist cinematic imagery and why he wanted to shock people and why he despises organized religion, faith and of course certain bourgeoisie. The importance of Toledo (to Jose Bello, Dali, Buñuel and Lorca) is explained and what impact Velazquez, Goya and Cervantes had in Buñuel's films. Also explained is why the acting in his films is always sober and never over-acted (i.e. use of eyebrows and nodding etc.).

DOWNLOAD:
A propósito de Buñuel (Speaking of Buñuel) [2000] (http://www.foriegnmoviesddl.com/2010/11/proposito-de-bunuel-speaking-of-bunuel.html)
A propósito de Buñuel (Speaking of Buñuel) [2000] [DVD5] (http://avaxhome.ws/video/quality/dvd/p_bunuel.html)

http://img256.imageshack.us/img256/2066/48203923.png
IMDb (http://www.imdb.com/title/tt1134614/)

A new standard which changes the art of western movies.

http://img202.imageshack.us/img202/1007/89541417.png

DOWNLOAD:
A new standard (2007) (http://avaxhome.ws/video/A.New.Standard.2007.DOCU.html)

Clinta nikad dosta. :)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img809.imageshack.us/img809/7711/80859629.jpg

Ladies and gentlemen, I give you Black Swan. :)

Brojcina!

http://img88.imageshack.us/img88/4465/75535238.pnghttp://img46.imageshack.us/img46/7788/78127463.pnghttp://img219.imageshack.us/img219/420/65782899.pnghttp://img153.imageshack.us/img153/6237/83026104.png

American Cinematographer Magazine December 2010 (http://avaxhome.ws/magazines/american_cinematographer_12_2010.html)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img88.imageshack.us/img88/4815/44588497.jpg (http://avaxhome.ws/magazines/american_cinematographer_2009_2010.html)

American Cinematographer Magazine 2009 - 2010 Full Collection (http://avaxhome.ws/magazines/american_cinematographer_2009_2010.html)

---

Postprodukcija, dva nova broja:

http://img408.imageshack.us/img408/2487/35816160.jpghttp://img84.imageshack.us/img84/9835/67393273.jpg

Computer Graphics World Magazine November 2010 (http://avaxhome.ws/magazines/computer_graphics_world_11_2010.html)
POST Magazine November 2010 (http://avaxhome.ws/magazines/post_magazine_11_2010.html)

[La Familia]

David Poland rastura. DP/30 (http://moviecitynews.com/dp30), sve samo ne press junket intervjui.

The Way Back, director/co-writer Peter Weir:

http://img42.imageshack.us/img42/8102/28400604.png (http://moviecitynews.com/2010/11/the-way-back-directorco-writer-peter-weir/)

Black Swan, actor Natalie Portman.

SPOILER WARNING: We discuss the ultimate scenes in the film in this conversation.

http://img220.imageshack.us/img220/7366/11354784.png (http://moviecitynews.com/2010/11/black-swan-actor-natalie-portman/)

:cerek:

REPLAY:

http://img405.imageshack.us/img405/6528/thewaybackposter01404x6m.png
The Way Back (HD Trailer) (http://www.youtube.com/watch?v=aOKwLOHZEuE)

For Your Consideration: Scenarij Petera Weira.

The Way Back (Peter Weir).pdf (http://www.sendspace.com/file/rpf9hp)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img560.imageshack.us/img560/2374/12840226.jpg (http://avaxhome.ws/ebooks/reflections_twenty_one_cinematographers_at_work.ht ml)

Odlicna knjiga (definitivno kupujem/preporucujem):

Reflections: Twenty-One Cinematographers at Work

Reflections examines the practice of cinematography for cinema lovers, students, and film professionals from the perspective of those artists who paint within the medium of light to dark. It is divided into seven sections: cinematography basics, the key light, portraits, day interiors, night interiors, lab techniques, and the designing sequences. Each section contains extraordinary material in the form of illustrations, diagrams, reproductions of 35-mm film frames and scholarship of twenty such "masters of light". And they are: Stephen Burum, ASC, Jordan Cronenweth, ASC, John Hora, ASC, Owen Roizman, ASC, Phillippe Rousselot, ASC, Michael Hugo, ASC, Stephen Goldblatt, ASC, Steven Poster, ASC, Frederick Elmes, ASC, Tony Pierce-Roberts, BSC, Vilmos Zsigmond, ASC, Haskell Wexler, ASC, Laszlo Kovacs, Yves Angelo, ASC, Jack Green, ASC, Denis Lenoir, ASC, AFC, Raoul Coutard, AFC, Allen Daviau, ASC, Darius Khondji, ASC, AFC and Vittorio Storaro, ASC, AIC.

Reflections: Twenty-One Cinematographers At Work (http://avaxhome.ws/ebooks/reflections_twenty_one_cinematographers_at_work.ht ml)
A S C Holding Corp | 2002 | ISBN: 0935578161 | 268 pages | PDF | 103.85 Mb

http://img210.imageshack.us/img210/4468/44933877.jpg (http://avaxhome.ws/ebooks/Photo_related/filmmakerseye.html)

The Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition (http://avaxhome.ws/ebooks/Photo_related/filmmakerseye.html)
Elsevier Science Ltd | 2010 | ISBN: 0240812174 | English | Pages: 216 | PDF | 30 MB

This is the only book that combines conceptual and practical instruction on creating polished and eloquent images for film and video with the technical know-how to achieve them. Loaded with hundreds of full-color examples, "Composing the Shot" is a focused, easy-to-reference guide that shows you how to become a strong visual storyteller through smart, effective choices for your shots. After a short introduction to basic principles, a variety of shots are deconstructed in the following format: - Why It Works: an introduction to a particular type of shot - How It Works: callouts point out exactly how the shot works the way it does--the visual rules and technical aspects in action - Technical Considerations: the equipment and techniques needed to get the shot. - Breaking the Rules: examples where the "rules" are brilliant subverted * Make smart visual choices with this quick, focused, and visual guide to cinematic composition. * Shows you how to master the rules, then break them. * Includes examples and discussions from a range of international films.

http://img695.imageshack.us/img695/2571/60871248.jpg (http://avaxhome.ws/ebooks/Photo_related/Jane_Campion_s_The_Piano.html)

Jane Campion's The Piano by Jane Campion and Harriet Margolis (http://avaxhome.ws/ebooks/Photo_related/Jane_Campion_s_The_Piano.html)
CU Press | 220 pages | English | 1999 | ISBN: 0521592585 | PDF | 8,7 MB

Jane Campion's The Piano is one of the most unusual love stories in the history of cinema. This volume examines the film from a variety of critical perspectives. In six essays, specially commissioned for this project, an international team of scholars examine topics such as the controversial representation of the Maori, the use of music in the film, the portrayal of the mother-daughter relationship, and the significance of the film in terms of international cinema, the culture of New Zealand, and the work of Jane Campion.

http://img522.imageshack.us/img522/5355/97064652.jpg (http://avaxhome.ws/ebooks/Photo_related/Martin_Scorsese_s_Raging_Bull.html)

Martin Scorsese's Raging Bull by Kevin J. Hayes (http://avaxhome.ws/ebooks/Photo_related/Martin_Scorsese_s_Raging_Bull.html)
CUP | 178 pages | English | 2005 | ISBN: 0521536049 | PDF | 4,0 MB

Since its initial release, Raging Bull has been called the greatest film of the 1980s, the greatest boxing film ever made, the greatest sports film ever made, and, indeed, one of the greatest films of all time. The introduction to this study tells the story of how the film came about, examining its inspirations and positioning the film within the history of cinema. Subsequent chapters, each written by contributors from different disciplines, critique the film from a variety of perspectives.

The Rough Guide to Comedy Movies By Bob McCabe (http://avaxhome.ws/ebooks/Photo_related/1843534649.html)
Publisher: Rough Guides 2005 | 312 Pages | ISBN: 1843534649 | PDF | 8 MB

The Rough Guide to Comedy Movies uncovers cinema's funniest and most varied genre, from silent slapstick, to 90s gross-out and the dark indie humour of today. The canon of fifty greatest funnies runs from The Gold Rush and Duck Soup to Airplane and Shaun of the Dead, plus double-acts, drag-acts and ensembles from Laurel & Hardy and the Marx Bros, to the Pythons and the Coen Brothers. Seeking out the films that have amused people the most - or simply amused the most people - the Rough Guide gives you the ultimate lowdown on laughter in the movies from Wes Anderson's Rushmore to Withnail and I, and from John Belushi to Billy Wilder.

The Technique of Special Effects of Cinematography, 4 Edition (http://avaxhome.ws/ebooks/technique_of_special_effects_of_cinematography.htm l)
Focal Press | 1985 | ISBN: 0240512340 | 472 pages | PDF | 42.05 Mb

For many years, Raymond Fielding's "Techniques of Special Effects Cinematography" was the quintessential "how'd they do that?" manual for the field of Visual Effects. Apart from back issues of American Cinematographer magazine, if you lived outside the Los angeles area, this was your best source of info on everything from stop-motion and front screen projection to matte paintings and miniatures. Since many of the techniques in the book are now accomplished digitally, it makes this book a great film HISTORY book as well. But even still, for the filmmaker who wants to utilize tried & true, old school effects techniques (out of curiosity, artistic choice or necessity) this is THE book that covers it all.

Digital Moviemaking: All the Skills, Techniques and Moxie You'll Need to Turn Your Passion Into a Career, 2 Edition (http://avaxhome.ws/ebooks/Photo_related/0941188809Moviemaking.html)
Michael Wiese Productions | 2004 | ISBN: 0941188809 | 300 pages | PDF | 66,5 MB

This is not another 'how-to-make-a-movie' book. This book is about how to be successful at making your movies sell in a very competitive market. This book will kick your professionalism, tool set and image quality up a notch so that you can compete in the real world of cinema. This book is geared to professional minded people who have hopefully had some prior experience in production and who understand the fundamental difference between a hobby and a career. There are no simple solutions, secret tricks, or instant remedies that will turn you into a moviemaker, but this book will help point you on the path to professionalism. Scott Billups, who lives in Los Angeles, is an award-winning director/producer who has produced, directed and written countless feature films, television programs, and commercials.

Television, Tabloids, and Tears: Fassbinder and Popular Culture (http://avaxhome.ws/ebooks/fassbinder_and_popular_culture.html)
Digital Compositing for Film and Video (http://avaxhome.ws/ebooks/Photo_related/024081309X.html)
Inside the Worlds of Star Wars: The Complete Guide to the Incredible Locations (http://avaxhome.ws/ebooks/eLearning_book/hobbies_Leisure_time_guides/078949227X.html)
Cahiers du Cinema:1973-1978: History, Ideology, Cultural Struggle (http://avaxhome.ws/ebooks/Photo_related/cahiers_du_cinema_1973_1978.html)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img15.imageshack.us/img15/6725/93111063.jpg (http://images.allmoviephoto.com/2007_Youth_Without_Youth/2007_youth_without_youth_001.jpg)

Jos jedan sjajan profil Trevora Hogga (http://flickeringmyth.blogspot.com/):

The Man and His Dream: A Francis Ford Coppola Profile (Part 1) (http://flickeringmyth.blogspot.com/2010/11/man-and-his-dream-francis-ford-coppola.html)
The Man and His Dream: A Francis Ford Coppola Profile (Part 2) (http://flickeringmyth.blogspot.com/2010/11/man-and-his-dream-francis-ford-coppola_10.html)
The Man and His Dream: A Francis Ford Coppola Profile (Part 3) (http://flickeringmyth.blogspot.com/2010/11/man-and-his-dream-francis-ford-coppola_17.html)
The Man and His Dream: A Francis Ford Coppola Profile (Part 4) (http://flickeringmyth.blogspot.com/2010/11/man-and-his-dream-francis-ford-coppola_24.html)
The Man and His Dream: A Francis Ford Coppola Profile (Part 5) (http://flickeringmyth.blogspot.com/2010/12/man-and-his-dream-francis-ford-coppola.html)

REPLAY:

http://img199.imageshack.us/img199/3866/65541183.jpg
IMDb (http://www.imdb.com/title/tt0102015/)

Prica o izletu u epicentar ludila; besmislu rata; 'suludoj' viziji jednog covjeka (koja ga je u konacnici skoro pa kostala i glave/zdravog razuma). Za mene je ovo prica veca i od zivota, bez ikakve patetike. Uostalom, Ebert i pokojni Siskel upravo su ovaj dokumentarac 1991. - za sve nas itekako bolne godine - proglasili najboljim filmom.

Film je trebao režirati George Lucas, koji je bio Coppolin suradnik u studiju American Zoetrope. Coppola je Zoetrope zamislio kao alternativu velikim holivudskim studijima koji bi davao podršku filmskim diplomcima koji su poslije postali poznati po kolokvijalnom nazivu "filmska djeca". Vijetnamski rat još je bio aktivan, a film se trebao snimati u samom Vijetnamu. Warner Bros., koji je imao ugovor sa Zoetropeom, odbio je financirati projekt zbog komercijalnih razloga i straha da će filmska ekipa poginuti na terenu na kojem se odigrava rat. Lucas je tvrdio da su on, studio i njegovi kolege nazvale projekt luđačkim. Nakon što je Lucas postigao uspjeh s filmom Američki grafiti, Coppola je odlučio sam snimiti film. Odluka je prouzročila neke poteškoće u njihovu odnosu. Coppola je odlučio da će financirati film svojim vlastitim sredstvima, novcem koji je zaradio od dva Kuma i onim koji podigne u banci na kredit, kako bi zadržao umjetničku slobodu u svojim rukama. Na Apokalipsi danas Coppola je prvi put radio sa snimateljem Vittorijom Storarom, koji je radio na nekoliko fimova Bernarda Bertoluccija. Film je sniman na Filipinima, a snimanje je postalo legendarno zbog dužine i poteškoća tijekom snimanja; snimanje je trajalo toliko dugo, da su kritičari počeli pisati o filmu kao "Apokalipsa kad?". Film je premašio budžet i raspored zbog nekoliko razloga. Tajfun je uništio mnoge setove, koji su morali biti ponovno sagrađeni, za što je bilo potrebno još novca. Za snimanje scena o napadu helikopterske jedinice pukovnika Kilgorea, korišteni su helikopteri filipinskih zračnih snaga, što je prouzročilo nove poteškoće jer je filipinski predsjednik Ferdinand Marcos tražio helikoptere za pravu borbu protiv pobunjenika u svojoj zemlji.

Ovo nije samo film o snimanju filma, radi se o opseznoj studiji ljudske psihe. Fascinantno je promatrati nekontrolirano ludilo Martina Sheena prilikom snimanja legendarne scene u hotelu. Svega nekoliko dana kasnije dozivio je i srcani udar na setu - u 36. godini zivota! Ili pokojni Dennis Hopper/American Photojournalist. Njegova nemogucnost pamcenja dvije recenice teksta (Coppola: 'Ah, za njega smo bili pripremljeni - znali smo da je lud'). Sto nas dovodi i do Marlona Branda/Colonel Walter E. Kurtz. 200-ti je dan snimanja, proracun odavno probijen, jos svega nekoliko dana i gotovo. Je vraga, tko bi rekao da ce najveci problem produkciji zadati bas Brando. :cerek:

Nakon visestrukog gledanja filma, i ovog sjajnog dokumentarca, covjek nekako postane svjesniji danasnjeg trenutka.

The rush of battle is a potent and often lethal addiction, for war is a drug.
-Chris Hedges, WAR IS A FORCE THAT GIVES US MEANING.

Nista se od tada nije promijenilo, ama bas nista. :tuzni:

Preporuka za gledanje, naravno.

http://img139.imageshack.us/img139/5650/36743096.png (http://www.megavideo.com/?v=71L1P7AD)

DOWNLOAD:

Hearts of Darkness: A Filmmaker's Apocalypse (1991) (http://www.megaupload.com/?d=F6MJO1GQ)
Alternativni download (http://avaxhome.ws/video/genre/art_house/HeartsofDarknessAFilmmakersApocalypse1991.html)

EXTRAS:

http://img574.imageshack.us/img574/1161/11661818.jpg

Three of the greatest films of all time were made by one guy, in one seven-year span. In 1974, two of the nominees for Best Picture were directed by that same guy. Francis Ford Coppola (Apocalypse Now, The Godfather films, come on, you know who he is) has been coasting on it ever since. That's why no list of unmade masterpieces would be complete without Megalopolis, Coppola's pet project about a futuristic New York that's had pretty much every Oscar winner of the last decade attached to it at some point or another (including Nicolas Cage, Russell Crowe, and even some talented actors like Robert De Niro, Paul Newman, and Kevin Spacey). This, dear readers, was the mythical Good New Coppola Movie that Hollywood, and America, had been waiting three decades for. They've probably already etched the name of this thing onto a whole box of awards, just waiting for Coppola to actually make the damn film. Why it didn't get made: Too ambitious, too expensive, maybe too much to undertake for an aging, talent-atrophying Coppola. They did some shoots in New York at some points, but were put on hold by 9/11; then the film's distributor went broke. It just seems like one of those cursed projects. And while we're on the subject: George Lucas, not Coppola, was originally hired to direct Apocalypse Now. Considering what a drawn-out torture the Apocalypse production turned out to be, there's a good chance that in that alternate universe, Star Wars never happened. Dude.

Megalopolis
Download Script (http://www.mypdfscripts.com/download/732)
Undated, unspecified draft by Francis Ford Coppola.
Synopsis: The story of one man’s battle to build an ideal world.
Source: Scanned – Pages: 212 – Size: 6.3 MB

Film Voices: Interviews from Post Script (http://avaxhome.ws/ebooks/Photo_related/0791461556asdasd.html)
Publisher: State University of New York Press | Number Of Pages: 346 | Publication Date: 2004-01-06 | ISBN: 0791461556 | PDF | 2 Mb

This collection of interviews brings together major Hollywood directors and actors, independent filmmakers, screenwriters, and others to discuss the art, craft, and business of making movies. Whether it be Clint Eastwood or Francis Ford Coppola, Vittorio Storaro or Dede Allen, these filmmakers detail how they strive for quality, the price they pay to do so, and how new technologies and the business aspects of filmmaking impact all aspects of their creativity. Taken together, the interviews reveal much about filmmaking practices in and out of Hollywood.

http://img600.imageshack.us/img600/5152/53314926.jpg

Easy Riders, Raging Bulls (2005) (http://avaxhome.ws/video/Format/documentary/Easy_Riders_Raging_Bulls.html)
English | 118 mins | DivX | 1.98 GB | 720x575 | PAL | Video Rate: 1502 kbps | Audio MP3 (48000Hz 192 kb/s tot , Joint Stereo)
Genre: Documentary | Video

Based on Peter Biskind's bestselling book, the documentary examines the raucous, inspired and occasionally sordid cultural revolution of 1960s and 70s Hollywood. This was a new Golden Age of American cinema. Dennis Hopper, Martin Scorsese and Francis Ford Coppola were among its heroes. With each success the filmmakers were allowed more creative control. However this newfound freedom gave birth to an explosion of excess, ego, soaring budgets and a seemingly endless supply of drugs; and the filmmakers' mutual support and encouragement degenerated into intense competition and bitter rivalries. As well as clips from the era's iconic films, Easy Riders, Raging Bulls features exclusive interviews with key players including Hopper, Peter Bogdanovich, Peter Fonda and Cybill Shepherd. This is a unique portrait of an iconoclastic period of movie history.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Odlicna vijest! Douglasu je bolje, puno bolje.

Glumac koji vodi bitku s opasnom bolešću priznaje da je nakon osam tjedana kemoterapije i terapije radijacijom počeo razmišljati i o mogućnosti da ipak neće pobijediti zloćudni tumor. 'Međutim, nisam si dopustio da ovu bolest gledam kao borbu između života i smrti, već kao bilo koju drugu bolest koju trebam pobijediti', kaže Michael Douglas, dodajući: 'Nevjerojatno je da te gotovo moraju ubiti da bi te uspjeli vratiti u život.' Iako mu liječnici trenutno daju 80 posto šanse da će pobijediti zloćudnu bolest, slavni glumac će tek u siječnju znati je li uspio. Konačno mu je dopušteno hraniti se uobičajenom hranom, a i glas mu se vratio. 66-godišnji dobitnik Oscara otkriva i da se veseli ulozi Liberacea u filmu Stevena Soderbergha.

I mi zajedno s njim. http://www.pic4ever.com/images/47b20s0.gif

http://img408.imageshack.us/img408/3430/41756849.jpg

The Hollywood Reporter - 8 December 2010 (http://avaxhome.ws/magazines/The_Hollywood_Reporter_8_December_2010.html)
English | 82 pages | PDF | 18.34 Mb

The all-new Hollywood Reporter offers unprecedented access to the people, studios, networks and agencies that create the magic in Hollywood. Published weekly, the oversized format includes exceptional photography and rich features.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img694.imageshack.us/img694/4149/goodtastebad.jpg (http://img225.imageshack.us/img225/3365/66955640.jpg)
IMDb (http://www.imdb.com/title/tt0366529/)

Peter Jackson karijeru je počeo 1987. filmom "Bad Taste" koji je započeo snimati s vlastitih 11.000 dolara i koji je postigao kultni status među onima koji su ga imali prilike vidjeti. Radi se o hororu s raspolovljenim glavama, gdje se djelovi lubanje, utrobe prosipaju ekranom i koji je pomaknuo neke granice dozvoljenog na filmu. Na Bad Taste (Limited Edition) DVD (http://www.amazon.com/exec/obidos/ASIN/B00005OCK5/qid=1010006896/sr=1-1/ref=sr_1_66_1/104-8241613-8283131)-u s 2 diska nalazi se i Good Taste Made Bad Taste (1988), poucan dokumentarac za svakog mladog filmasa.

Anyone that knows anything about film, will tell you that Bad Taste is a brilliant piece of celluloid. Anyone who disagrees with that, needs to see this making-of documentary. Today Peter Jackson is one of the most successful film directors in the world. Few big name directors get to do whatever they want, but when mr. Jackson said he wanted more than 200 million dollars to spend on remaking his all time favorite film, there were no objections, and King Kong came to be. This 25 minute film explains how he made it to where he is today. He started with no budget. No studio. No professional equipment. No professional crew. No special effects wizards. No make-up department. No creature creators. No props. No locations. Nothing but his own love for film, and film making. And after four years of nothing but hard work and raw passion, he had produced the coolest, goriest and funniest low budget film in history.

DIRECT DOWNLOAD (http://bit.ly/bArpDL)
(right-click & "save as")

[horacije]

Uh, naklon na ovom zadnjem, Bad Taste u ovom izdanju tražio sam dugo jedno vrijeme :s

Već sam i zaboravio da sam ga tražio, al sad je uletilo super. Thanks, i nastavi s dobrim poslom, svaka čast :s

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Uh, naklon na ovom zadnjem, Bad Taste u ovom izdanju tražio sam dugo jedno vrijeme :s

Već sam i zaboravio da sam ga tražio, al sad je uletilo super. Thanks, i nastavi s dobrim poslom, svaka čast :s

I drugi put. :)

http://img340.imageshack.us/img340/89/15790454.png (http://www.cultcinema.net/)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img59.imageshack.us/img59/4319/802m0.jpg

Dokumentarcina koja se cekala:

This is the documentary that was shown directly after the TV premiere of the new "Metropolis" restoration. It tells the exciting story of how Fritz Lang's masterpiece got shortened and how people around the world tried to restore it. Interestingly enough, a first attempt was already made in the Soviet Union in the 1960s, and people involved with that attempt are interviewed as well as those employees of the Buenos Aires archive who finally managed to find that much talked about 16mm copy that helped to finally get "Metropolis" back to its near-original form and which made us all swoon when we saw it here or directly on TV. The film also considers the steps in-between, such as the Moroder version and the 2001 resto. There are also some screen comparisons to highlight the different footage of the same scene that survives in different prints. The film contains interviews with Enno Patalas, Manfred Koerber and many others, and also some documentary footage of Lang himself.

IMDb (http://www.imdb.com/title/tt1590010/)

http://img842.imageshack.us/img842/3496/81005532.jpghttp://img16.imageshack.us/img16/3699/56856864.jpghttp://img249.imageshack.us/img249/7985/76432981.jpghttp://img829.imageshack.us/img829/6761/81561814.jpg

DOWNLOAD:

Die Reise nach Metropolis aka Voyage to Metropolis (2010) (http://www.worldscinema.com/2010/12/artem-demenok-die-reise-nach-metropolis.html)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img204.imageshack.us/img204/558/forgottensilverpeterjac.jpg
IMDb (http://www.imdb.com/title/tt0116344/)

Urnebesan hard to find mockumentarac Petera Jacksona o Colinu McKenzieu. Tko je Colin McKenzie?

This hour-long documentary details the amazing work of the nearly unknown Colin McKenzie, the first man to film movies with sound or in color. He documented the first man to ever fly (before the Wright Brothers, even!) and filmed a biblical epic on a massive set he built single handedly in the mountainous forests of New Zealand. So why haven't you heard of him? It might be because most people are biased against New Zealand film-makers, or it could be because this movie is entirely fictitious. The very real, very brilliant director Peter Jackson fashioned this very funny and touching film for New Zealand television, and it's worth checking out for many reasons. First of all, it's technically amazing - the vintage film scenes are very convincing and well thought out. Second of all, the movie is very funny, including the hilarious antics of Stan the Man, a mean spirited prankster who is kind of like Tom Green, only much less annoying because he's silent. Finally, this movie has real heart, and gets you to care about the eccentric MacKenzie. As a bonus, this movie also features (and was co-conceived by) the guy from "Bad Taste" who threw the pine cone at Derik. This movie is kind of hard to find, but well worth hunting down, especially if you are a fan of Jackson's work (and everyone should be).

DOWNLOAD:
Costa Botes & Peter Jackson - Forgotten Silver (1995) (http://www.worldscinema.com/2010/05/costa-botes-peter-jackson-forgotten.html)

http://img189.imageshack.us/img189/2813/19854261.jpg
IMDb (http://www.imdb.com/title/tt1352717/)

Dokumentarcina!

Ako vec ne znate tko je (bio) legendarni John Cazale, krajnje je vrijeme da se prisjetite:

Nije zapamćen samo po svojim ulogama, nego i po otkrivanju svog prijatelja iz djetinjstva, Pacina, kazališnog kolege Roberta De Nira i svoje zaručnice u vrijeme kad je umro, Meryl Streep. Na filmu je debitirao s prijateljem Alom Pacinom, kao Fredo Corleone u Kumu Francisa Forda Coppole. Film je srušio sve rekorde na box-officeu i stvorio od Pacina, Cazalea i još nekih anonimnih glumaca zvijezde. Cazale je nakon toga ponovno nastupio s Pacinom u filmu Sidneyja Lumeta, Pasje poslijepodne (za tu ulogu je nominiran za Zlatni globus) i reprizirao svoju ulogu Freda u Kumu II. Tijekom ovog vremena, nastupio je i s Geneom Hackmanom u Coppolinom filmu Prisluškivanje. Cazale je poseban u smislu da je svaki njegov film bio nominiran za Oscara. Svi njegovi filmovi nalaze se na IMDb-ovom popisu 250 najboljih filmova svih vremena. Unatoč ulogama očajnih, nasilnih likova, bio je draga i pristojna osoba u stvarnom životu - mnogi koji su ga bolje poznavali govorili su da je bio "stidljiv" i "vrlo osjetljiv" te da je bio dobar prijatelj s mnogim glumcima s kojima je radio. Dobar prijatelj i česti suradnik Pacino nastupio je s njim u tri filma i nekoliko kazališnih produkcija, a nazivao ga je "svojim glumačkim partnerom". Godinama nakon njegove smrti, pojavio se i u svojem šestom filmu, Kumu III (1990.), ali u arhivskim materijalima. Kum III također je bio nominiran za najbolji film. Nedavno je Cazaleov lik, Fredo, upotrijebljen za video-igru Kum. Po njemu je nazvano i kazalište, McGinn/Cazale Theatre, smješteno na 2162 Broadway u 76. ulici.

http://img46.imageshack.us/img46/8735/56142459.jpg

DOWNLOAD:
I Knew It Was You: Rediscovering John Cazale (2009) (http://downloadbox.org/movies/i-knew-it-was-you-rediscovering-john-cazale-2009-dvdrip-xvid-fragment_84439.html)

John Cazale. :s

[horacije]

Uhuhuhhhh, skida se već.

Ne smeta ti ako ti izjavilm ljubav? Ovako javno?

Čisto platonski :mig:

Ipak ne znam kako izgledaš :p

Samo nastavi, ovu zadnju stranu topica si rasturio :s

[vanchaaa]

An Exercise in Discipline - Peel (http://www.imdb.com/title/tt0083910/) (IMDb)

http://img718.imageshack.us/img718/202/24446591.png (http://www.youtube.com/watch?v=Z9lVexu0GOg)

Passionless Moments (http://www.imdb.com/title/tt0086084/) (IMDb)

http://img703.imageshack.us/img703/2169/81319890.png (http://vimeo.com/9906528)

A Girl's Own Story (http://www.imdb.com/title/tt0087335/) (IMDb)

http://img100.imageshack.us/img100/2600/54079684.png (http://video.google.com/videoplay?docid=-4591499619093715306#)

DOWNLOAD:

A Girl's Own Story - by Jane Campion (1984) (http://avaxhome.ws/video/genre/art_house/AGirlsOwnStorybyJaneCampion1984.html)

pridruzujem se hvalospjevima :cerek: :s
veliko hvala na ovome!

[rimman]

Zna li neko neki horor crtani film, ili horor animirani? :D
Ozbiljno pitam :)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img406.imageshack.us/img406/6498/62548619.png
IMDb (http://www.imdb.com/title/tt0823715/)

Fascinantan dokumentarac Volkera Schlöndorffa (http://www.imdb.com/name/nm0772522/):

Several years ago, Volker Schlondorff (The Tin Drum) made a three-hour interview-format documentary on Billy Wilder called Billy, How Did You Do It? I've been entrusted with the task of reworking the epic documentary into a compact 70 minutes (for American television). Retitled Billy Wilder Speaks, it will air Thursday, June 22 on Turner Classic Movies (consult local listings for details). The documentary's pretty amazing. Imagine sitting at Wilder's desk for more than an hour while he gives you lessons in filmmaking, reveals fascinating details about the making of his films and his clashes with the studios, skewers Hollywood's pomposity, and constantly spits out the screenplay-worthy wisecracks. I've always liked Wilder's work, but to be honest, I was always troubled by the melancholy cloud that hangs over so many of his films. Kiss Me, Stupid and The Apartment are great comedies... but they're also heartbreaking in ways that are not easy to define. There is a sense of lovesick yearning that pervades The Seven Year Itch and Some Like It Hot and lingers well after the movie has ended.

In Schlondorff's documentary, Wilder talks about how films shouldn't be neatly stitched up at "The End." The story should be resolved, but the viewer should be left with the sense that the characters' lives will continue... and they will live on beyond the closing credits. He resisted the impulse to nail the narrative shut at the end of the movie... and maybe that's why he and so-screenwriter I.A.L. Diamond ended some of their films with very unromantic, unsentimental last lines (as if refusing to cave in to the neat, tidy meaningful ending). "Kiss Me, Stupid." "Shut up and deal." "Nobody's perfect." Once you become aware of that dark lining of malaise, you learn to savor it, because it's truthful, it's affecting and it's something that cannot be found in Hollywood pictures (then or now). I agree with him that love is not about happiness and laughter, but about anxiety and desire and trying to reach a point of emotional security in someone else's company. Movies that try to sell you on the idea of "Happiness ever after" are pure bunk.

DOWNLOAD:

Billy Wilder Speaks (TV 2006) (http://www.megaupload.com/?d=CTSVREG8)

Napomena: upload je friski, download link trebao bi proraditi u toku dana.

---

Ne smeta ti ako ti izjavilm ljubav? Ovako javno?

Čisto platonski :mig:

Ipak ne znam kako izgledaš :p

http://img143.imageshack.us/img143/4883/asgood3.jpg

MELVIN
Where'd they teach you to talk
like this -- some Panama City
"Sailor want to hump-hump bar"?
Or was today getaway day and your
last shot at his whiskey. Sell
crazy some place else -- we're all
stocked up here.

Salim se, ne smeta mi...

Jos da imas sise, i beavera (i izgledas ko Claudia Schiffer).

Samo nastavi, ovu zadnju stranu topica si rasturio :s

To Be Continued…

pridruzujem se hvalospjevima :cerek: :s
veliko hvala na ovome!

Hm, zasto tvoj post nije horacijev. :) Opet se salim. Zahvaljujem na hvalospjevima, hvala tebi. BTW, tek danas spazio mail (pola toga iz PM pretinca ionako mi promakne). Oprosti.

Nda, novi blog postovi by vanchaaa (http://vanchaaa.blogspot.com/) (odlicni kao i uvijek):

Space & Time (http://vanchaaa.blogspot.com/2010/11/space-time.html)
Trois couleurs: Bleu Blanc Rouge (http://vanchaaa.blogspot.com/2010/10/trois-couleurs-bleu-blanc-rouge.html)
Christophe Honoré (http://vanchaaa.blogspot.com/2010/10/christophe-honore.html)
Movies I'm in Love With #4 / Before Sunrise & Before Sunset (http://vanchaaa.blogspot.com/2010/08/movies-im-in-love-with-4-before-sunrise.html)
Movies I'm in Love With #3 / Reprise (http://vanchaaa.blogspot.com/2010/06/movies-im-in-love-with-3-reprise.html)

Zna li neko neki horor crtani film, ili horor animirani? :D
Ozbiljno pitam :)

Probaj pitati na chatu, tamo ces sigurno prije dobiti odgovor(e).

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img593.imageshack.us/img593/7701/88892453.jpg

Sequel odlicne knjige intervjua Stephena Lowensteina:

Kao i svaki hit film, tako i hit knjiga zaslužuje svoj sequel, prigodno označen brojem koji označava kronološki redoslijed. Moj prvi film 2 (u izdanju Propeler Filma) zbirka je intervjua koje je sa svjetskim redateljskim zvijezdama vodio britanski redatelj Stephen Lowenstein. Lowenstein, koji je svoju knjigu nedavno predstavio i u Booksi intervjuirajući Dalibora Matanića, prošao je sito i rešeto da bi svoja pitanja o procesu stvaranja prvog filma postavio redom Richardu Linklateru (Slacker), Richardu Kellyju (Donnie Darko), Alejandru Gonzálezu Iñárrituu (Pasja ljubav/Amores perros), Takeshiju Kitanu (Nasilni policajac/Sono otoko, kyobo ni tsuki), Sherkaru Kapuru (Nevin/Masoom), Emiru Kusturici (Sjećaš li se Dolly Bell), Agnes Jaoui (Okus drugih/Le goût des autres), Lukasu Moodyssonu (Pokaži mi ljubav/Fucking Amal), Terryju Gilliamu (Jabberwocky) i Samu Mendesu (Vrtlog života/American Beauty). Dok je u prethodnoj knjizi intervjua, izdanoj u Hrvatskoj prije dvije godine, Lowenstein intervjuirao mahom angloameričku redateljsku elitu, u drugom dijelu došao je red i na dašak Bollywooda, Balkana i Japana. Tako možete čitati urnebesnu životnu i redateljsku priču Sherkara Kapura, dosadnjikavi intervju s Kusturicom koji se odvijao u jurećem autu na putu iz Beograda prema srpskoj provinciji i razgovor s azijskim superstarom Kitanom koji je prilično tajanstven, ne otkrivajući puno o svojem stvaralačkom procesu. Upravo je otkrivanje detalja redateljskog zanata ono što čini glavnu razliku među intervjuima. Gilliam, Mendes i Linklater otkrivaju najsitnije potankosti vezane uz režiranje svojih dugometražnih igranih prvijenaca, dok su, primjerice, Jaoui, Kitano i Kusturica distancirani u svojoj bjelokosnoj kuli - njima je režiranje filma jednostavna i gotovo prirođena osobina. Vjerojatno smatraju da su neke tajne zanata namijenjene samo miljenicima muza.

http://img812.imageshack.us/img812/5859/02973small.jpg (http://www.maplepictures.com/uploadedImages/Film_Catalogue/B__/Biutiful/02973.jpg)

Centralno mjesto u knjizi zauzima omašni intervju sa Richardom Linklaterom, koji do u tančine opisuje produkciju i distribuciju kultnog nezavisnog Slackera, filma koji svoj glazbeni pandan nalazi u Nirvani, a obilježava cijelu jednu generaciju s početka devedesetih. Autor bizarnog Donnieja Darka, Richard Kelly, na polovici svog intervjua je otišao, obećavši Lowensteinu da će intervju nastaviti sljedećeg dana, međutim to se nije dogodilo, pa smo tako ostali zakinuti za informacije o distribuciji fima u kojem glavne uloge imaju Jake Gyllenhaal i veliki plišani zeko. Od pythonovca Terryja Gilliama možete, primjerice, saznati kako izgraditi dvorac od kartonskih kutija, a od Iñárritua pak kako preživjeti kada vam otac, inače bogati bankar, bankrotira.

Iz pogovora Nenada Polimca:

"U odnosu na prvu knjigu važnost druge Lowensteinove zbirke intervjua nije u tome što se proširila geografski, nego tematski. U njezinim najboljim dijelovima (razgovori s Linklaterom, Inarrituom i Mendesom) razlaže se misterij stvaranja, a to bi čitatelja itekako trebalo fascinirati."

Izvor: Začitavanje: 'Moj prvi film 2 (http://www.booksa.hr/vijesti/hot-spot/1215)'

Intervju s Alejandrom Gonzálezom Iñárrituom stvarno je nesto posebno. BTW, hrvatski prijevod knjige/izdanje (preciznije, oba izdanja) mozete kupiti u svim boljim knjizarama (ucinite to, ogromna preporuka), ili naruciti na stranici izdavaca http://www.propelerfilm.com/.

DOWNLOAD:

My First Movie: Take Two: Ten Celebrated Directors Talk About Their First Film By Stephen Lowenstein (http://avaxhome.ws/ebooks/Photo_related/0375423478.html)

[vanchaaa]

Hm, zasto tvoj post nije horacijev. :) Opet se salim. Zahvaljujem na hvalospjevima, hvala tebi. BTW, tek danas spazio mail (pola toga iz PM pretinca ionako mi promakne). Oprosti.

:facepalm:
nakon tvoje dodatne reklame (i ponovnog neocekivanog drasticnog skoka statistika na blogu)
mogu se komotno povesti za horacijem i izjavljivati ti ljubav. :cerek:
(i nadam se da znas da mi nikakva reklama nije bila namjera, tj da ne moras to raditi)
ugh, nevermind, javi kako napreduje projekt, bas me zanima :)

vezano za jane campion, ako ikog zanima, njen noviji manje poznat uradak - segment filma 8 (The Water Diary) (http://www.imdb.com/title/tt0493101/)

http://i53.tinypic.com/11uummo.jpg

http://i53.tinypic.com/34hgod4.jpg

ovdje (http://www.youtube.com/watch?v=G7Kk_mkUUN8) (neznam smijem li linkati samo tako na film bez nekog prethodnog disklejmera) if that is so, ispravite me...

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

S malim zakasnjenjem. :)

http://img841.imageshack.us/img841/3167/29739392.jpghttp://img198.imageshack.us/img198/7161/64580550.jpghttp://img253.imageshack.us/img253/2724/12674205.jpghttp://img823.imageshack.us/img823/1228/46920359.jpghttp://img130.imageshack.us/img130/6706/35908820.jpg
http://img132.imageshack.us/img132/9522/32124508.jpghttp://img12.imageshack.us/img12/7085/15388609.jpghttp://img571.imageshack.us/img571/1006/26182434.jpghttp://img196.imageshack.us/img196/7968/16511082.jpg

"Sam Peckinpah's The Wild Bunch" by Stephen Prince (http://avaxhome.ws/ebooks/Photo_related/Sam_Peckinpah_s_The_Wild_Bunch.html)
"John Ford's Stagecoach" by Barry Keith Grant (http://avaxhome.ws/ebooks/Photo_related/John_Ford_s_Stagecoach.html)
"Roberto Rossellini's Rome Open City" by Sidney Gottlieb (http://avaxhome.ws/ebooks/Photo_related/Roberto_Rossellini_s_Rome_Open_City.html)
"Ozu's Tokyo Story" by David Desser (http://avaxhome.ws/ebooks/Photo_related/Ozu_s_Tokyo_Story.html)
"Ingmar Bergman's Persona" by Lloyd Michaels (http://avaxhome.ws/ebooks/Photo_related/Ingmar_Bergman_s_Persona.html)
"Stanley Kubrick's A Clockwork Orange" by Stuart Y. McDougal (http://avaxhome.ws/ebooks/Photo_related/Stanley_Kubrick_s_A_Clockwork_Orange.html)
The Rough Guide to Crime Fiction By Barry Forshaw (http://avaxhome.ws/ebooks/Photo_related/1843536544.html)
Mysterious Skin: Male Bodies in Contemporary Cinema (http://avaxhome.ws/ebooks/Mysterious_Skin_Male_Bodies_in_Contemporary_Cinema .html)

I kinematografija na koju bi se itekako trebala ugledati nasa/hrvatska:

Contemporary New Zealand Cinema: From New Wave to Blockbuster (http://avaxhome.ws/ebooks/Contemporary_New_Zealand_Cinema_From_New_Wave_to_B lockbuster.html)

[OGM SA86]

E to se trazi Familijo. :) Ovaj N.Z. i Crime vodic sam upravo preuzeo. Odlicne knjige!

[La Familia]

Ovo vrijedi vidjeti:

http://img826.imageshack.us/img826/1448/73888006.png (http://www.nytimes.com/interactive/2010/12/12/magazine/14actors.html?hp#index)

Ne znam koga bi izdvojio, svi su mi sjajni. :s

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Blog je turski, sve krcato slatkisima (na ovo prvo zatitralo mi srce):

http://img535.imageshack.us/img535/2390/40113777.jpg

Films About Filmmaking (http://arananfms.blogspot.com/2009/11/filmcilik-hakknda-filmler.html)

http://img191.imageshack.us/img191/7875/jeanpierrejeunet445.jpg

Jean-Pierre Jeunet Collection (http://arananfms.blogspot.com/2009/09/jean-pierre-jeunet-collection.html)
(ukljucujuci dva kratkisa koje trazim vec danima)

http://img827.imageshack.us/img827/9939/images1gt.jpg

Luis Bunuel Collection (http://arananfms.blogspot.com/2010/08/luis-bunuel-collection.html)

http://img401.imageshack.us/img401/4120/salvadordali.jpg

Salvador Dali Movie Collection (http://arananfms.blogspot.com/2009/11/salvador-dali-filmleri.html)

[OGM SA86]

Dobar blog.

Ja cesto skoknem na:
http://www.worldscinema.com/
http://scalisto.blogspot.com/

Kao i na vodic za Ruse:
http://russianfilm.blogspot.com/

[La Familia]

http://img809.imageshack.us/img809/7171/89030834.jpg

Cinjenica da je neki film režirao Walter Hill brojnim je gledateljima prije 20-ak godina bila važnija od one da u njemu nastupa neka velika glumacka zvijezda. Walter Hill nikada nije bio hitmaker kategorije Spielberga ili Lucasa, no njegovo je ime predstavljalo garanciju vrhunskog filmskog užitka svim onim gledateljima kojima su od posebnih efekata ili pomodnih tema važnije bile snažne price i još snažniji likovi. U Hillovoj filmografiji nemoguce je pronaci prijelomno ostvarenje koje bi u raznim filmskim povijestima i periodizacijama zauzelo onakvo mjesto kakvo zauzimaju Hopperovi "Goli u sedlu" ili Pennov "Bonnie i Clyde". Njegovi se filmovi ne pojavljuju na top 10 ljestvicama poput Coppolinih "Kumova" i "Apokalipse danas", no opus Waltera Hilla jedan je od kljucnih za razumijevanje tzv. novog Hollywooda.

Nerijetki kriticari omalovažavaju današnju americku kinematografiju zazivajuci doba "novog Hollywooda". Istina je zapravo da su kasne 60-e i rane 70-e godine, kojima se cesto pridaje golema važnost, zapravo jedno od najtmurnijih razdoblja americkog filma. Filmovi koji u raznim enciklopedijama i leksikonima stoje kao meðaši, poput "Bonnie i Clyde", "Golih u sedlu", "Ponocnog kauboja" ili "Diplomca", uglavnom su drugorazredna roba, djelca koja sracunato urušavaju klasicnu americku narativnu tradiciju, ali ne uspostavljaju nikakvu novu, gubeci se u nihilizmu svojih autora i njihovu pomodnom pristajanju uz tada aktualna društvena i umjetnicka strujanja, posebice banalno koketirajuci sa supkulturom. Pravi "novi Hollywood" donose tek oni koji staro nisu rušili nego promišljeno obnavljali - odlicni pripovjedaci John Carpenter, Peter Bogdanovich, John Milius, Lucas, Spielberg i mnogi drugi velikani, poput recimo Briana De Palme i Martina Scorseseja, koji su se od kratkotrajnih dekonstruktora ubrzo preobrazili u obnovitelje klasicne narativne tradicije, ili danas posve zaboravljenog Dicka Richardsa. Važnu ulogu u svemu tomu odigrao je i Walter Hill, uz Miliusa najveci tradicionalist meðu svim spomenutim filmašima, cija "Južnjacka utjeha", upravo objavljena na DVD-u, zorno svjedoci o svemu najboljem što je pravi "novi Hollywood" ponudio.

http://img543.imageshack.us/img543/8977/37908508.jpg

Prica "Južnjacke utjehe" dobro je poznata svakom imalo upucenijem filmofilu: tijekom rutinske vojne vježbe u mocvarama Louisiane, rezervisti americke Nacionalne garde isprovociraju lokalno stanovništvo Cajune ukravši im camce i pucajuci na njih corcima, nakon cega ih ovi pocnu surovo proganjati i jednog po jednog ubijati. Poput svih najboljih "novohollywoodskih" i "starohollywoodskih" filmova, i Hillov odlicno funkcionira na nekoliko razina. Najšira publika u "Južnjackoj utjesi" može uživati kao u prvorazrednom akcijskom trileru, savršeno režiranoj igri macke i miša progonitelja i progonjenih, krcatoj antologijskim scenama egzekucije. Na tematskoj razini, "Južnjacku utjehu" moguce je išcitavati kao suptilnu studiju nemogucnosti komunikacije, kako meðu razlicitim civilizacijama, tako i pojedincima unutar njih. Osim toga, "Južnjacka utjeha" je iznimno uspjela alegorija americke intervencije u Vijetnamu: skupina nepripremljenih Amerikanaca iz srednje i niže klase bez nekog razloga baulja po šumetinama, skrivajuci se pred tehnicki inferiornijim ali inteligentnijim neprijateljem, koji se odlicno snalazi na vlastitom terenu. "Južnjacka utjeha" je, nadalje, iznimno podatan materijal za analizu strukturalne povezanosti price i putovanja, no isticanje svakog djelica bogatog znacenjskog potencijala "Južnjaèke utjehe" ne smije se dogaðati na štetu stilsko-tematskog jedinstva Hillova filma. Ni jedan element "Južnjacke utjehe", od briljantne fotografije i glazbe do povremeno baroknog stila, ne upada u oci upucujuci sam na sebe: svaki je djelic Hillova kozmosa funkcionalno uklopljen u cjelinu.

Nekoc velik autor, Walter Hill danas uglavnom životari na televiziji (za nagradu pilot-epizode serije "Deadwood" nagraðen je Emmyjem!). Posljednji pravi film Hill je režirao prije 10, ako ne i 20 godina. Mnogo se toga u americkoj kinematografiji promijenilo od vremena kada je Hill bio jedan od njezinih najzanimljivijih protagonista, no krivca za propast Waltera Hilla zasigurno ne valja tražiti u drukcijoj strukturi današnje kinopublike niti meðu hollywoodskim producentskim sumanutostima. Hill je jednostavno davno izgubio autorsko nadahnuce i posve je nevjerojatno kako je savršenu "Južnjaèku utjehu", Ratnike podzemlja", "Jahace na duge staze", "Vozaca" ili debitantsko remek-djelo "Teška vremena" mogao režirati isti covjek koji potpisuje boksacku glupost "Nepobjedivi" ili "Divljeg Billa".

Izvor: Dean Šoša/Nacional (http://www.nacional.hr/clanak/21922/hillova-igra-macke-i-misa)

Preporuka za citanje:

Writer’s Style: Walter Hill (http://www.mypdfscripts.com/thelatest/writers-style-walter-hill)

Scenariji Waltera Hilla (download):

Thief Who Came to Dinner, The (http://www.mypdfscripts.com/screenplays/the-thief-who-came-to-dinner)
Southern Comfort (http://www.mypdfscripts.com/screenplays/southern-comfort)
Warriors, The (http://www.mypdfscripts.com/screenplays/the-warriors)
Streets of Fire (http://www.mypdfscripts.com/screenplays/streets-of-fire)
Red Heat (http://www.mypdfscripts.com/screenplays/red-heat)
Driver, The (http://www.mypdfscripts.com/screenplays/the-driver)
Getaway, The (1972) (http://www.mypdfscripts.com/screenplays/the-getaway-1972)
Getaway, The (1993) (http://www.mypdfscripts.com/screenplays/the-getaway-1993)
Hard Times (http://www.mypdfscripts.com/screenplays/hard-times)
Last Man Standing (http://www.mypdfscripts.com/screenplays/last-man-standing)
Revenge (http://www.mypdfscripts.com/screenplays/revenge)
Wild Bill (http://www.mypdfscripts.com/screenplays/wild-bill)
48 Hrs. (http://www.mypdfscripts.com/screenplays/48-hrs)

[La Familia]

http://img109.imageshack.us/img109/8617/screenplay.jpg

Zanimljiv post Johna Augusta (http://www.imdb.com/name/nm0041864/), radi se o coverageu Tarantinovog scenarija NATURAL BORN KILLERS (prije nego se istog docepao Oliver Stone i njegovi ljudi/producenti):

A visit from the ghost of coverage past (http://johnaugust.com/archives/2010/a-visit-from-the-ghost-of-coverage-past)

http://img337.imageshack.us/img337/5761/nbklong.jpg (http://johnaugust.com/Assets/nbk.pdf)

[La Familia]

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http://img403.imageshack.us/img403/6859/26651647.png

YT je nedavno sa svojih servera uklonio sve video materijale vezane uz legendarni televizijski serijal Inside the Actors Studio (http://en.wikipedia.org/wiki/Inside_the_Actors_Studio) (a time i 'sjebao' dobar dio postova na ovoj temi).

Nista zato, uzvracamo udarac:

Robert Redford (double runtime)
Al Pacino (double runtime)
Dustin Hoffman (double runtime)
Robin Williams (double runtime)
Eddie Murphy (double runtime)
Anthony Hopkins
Kevin Spacey
Johnny Depp
Will Smith
100th Guest Special
Morgan Freeman
Harrison Ford
Samuel L. Jackson
Tom Cruise
Kate Winslet
Kevin Costner
Natalie Portman
Tom Hanks
John Travolta (double runtime)
Hugh Laurie
Tim Allen
Alan Alda
Law & Order Cast And Creator
Mark Wahlberg
Mark Ruffalo
Jodie Foster
Angelina Jolie
Ben Kingsley
Naomi Watts
Kiefer Sutherland
Matt Damon
George Carlin
Chris Rock

http://img403.imageshack.us/img403/928/72113452.jpghttp://img140.imageshack.us/img140/9071/93935507.jpg
http://img258.imageshack.us/img258/3074/16768559.jpghttp://img704.imageshack.us/img704/3299/15380568.jpg

DOWNLOAD:

Inside the Actors Studio (http://www.sarajevo-x.com/forum/viewtopic.php?f=10&t=53428)

Hvala Sarajevu. :s

p.s. sve ostale epizode/gostovanja u narednim postovima na temi.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img152.imageshack.us/img152/3929/33126502.jpg (http://img196.imageshack.us/img196/2259/84768293.jpg)

John Carpenter i Franka Potente bauljaju Los Angelesom, secu nocu po groblju i pricaju o Argentu. Zakon.
- Velimir Grgic (http://velimir-grgic.com/tekstovi/nekoliko-dobrih-dokumentaraca-41.html#jc_allComments)

DOWNLOAD:

Durch die Nacht mit… – HDTVRip – Xvid (http://dokujunkies.org/dokus/menschen/durch-die-nacht-mit-dtv-divxxvid.html)

REPOST:

http://img189.imageshack.us/img189/597/74103799.png (http://www.avantimedia.de/website/#/en/production_details/7507)

Harmony Korine und Gaspar Noé (TV episode 2010) (http://www.forum.hr/showpost.php?p=28973338&postcount=1489)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img577.imageshack.us/img577/5771/26619434.jpg
IMDb (http://www.imdb.com/title/tt0313741/)

Ovo bi moglo biti strasno korisno svima onima koji namjeravaju upisati preddiplomski studij glume, i ne samo njima (skolovanje glumca ne zavrsava s Akademijom, tek zapocinje). Neke od najpoznatijih glumackih radionica u svijetu oslanjaju se na metode Konstantina Sergejevica Stanislavskog, Mihaila Cehova (www.michaelchekhov.org) i Leea Strasberga (www.strasberg.com). Rijecima Leona Luceva (http://www.nacional.hr/clanak/74996/leon-lucev-samozatajna-zvijezda-u-cetvrtom-pohodu-na-berlinale): 'Dakle, ne mogu reci da je to bila moja svjesna odluka, nego sam se osjecao kao da me netko gurnuo u glumu i ja sam to prihvatio kao nesto zanimljivo, gdje mogu biti kreativan. Nakon toga upisao sam glumacku akademiju, ali moja ozbiljna glumacka edukacija zapocela je nakon akademije, kada je Suzana Nikolic u Groznjanu predstavila metodu glume Mihaela Cehova, pa preko mnogih drugih metoda, sve do Feldenkraisove metode koja me zanima u posljednje vrijeme. Dogadjalo mi se puno stvari, puno segmenata, tako da sam se kao glumac paralelno razvijao, glumio sam na filmu i skolovao se. Meni je to trebalo da me se razmeksa. Cuj, zajeban je to posao.'


Kroz ruke legendarne Ute Hagen (http://en.wikipedia.org/wiki/Uta_Hagen) prosli su mnogi glumci i glumice, samo neki od njih: Matthew Broderick, Christine Lahti, Jason Robards, Sigourney Weaver, Liza Minnelli, Whoopi Goldberg, Jack Lemmon, Charles Nelson Reilly, Manu Tupou, Debbie Allen, Al Pacino...

Sto reci, osim: Carpe, carpe diem, seize the day boys and girls, make your lives extraordinary. :)

DOWNLOAD:

Uta Hagen's Acting Class (http://avaxhome.ws/ebooks/eLearning/UtaHagenActingClass.html)
AVI | English | Length: 01:32:09 | 640x480 | 29.98 fps | XviD 3035 Kbps | MP3 128 kbps 44.1 KHz Stereo | 3.90 GB
Genre: e-Learning

[La Familia]

http://img263.imageshack.us/img263/8616/60576998.png (http://film.lzmk.hr/abecedarij.aspx)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img262.imageshack.us/img262/7137/64385257.jpg
IMDb (http://www.imdb.com/title/tt0876257/)

film noir (franc. crni film), pov. stilska struja (katkad se smatra podžanrom) u amer. igr., pretežito krim. filmu 1940-ih i 1950-ih. Naziv su prvi upotrijebili franc. kriticari. Filmovi ocrtavaju, uz znatan udio društv. i etickog relativizma, mracan i brutalan kriminalni polusvijet amer. gradova i periferije s cinicnim protagonistima, stilski pod utjecajem njem. ekspresionizma (nocna atmosfera, fotografija niskog kljuca, manje uobicajeni rakursi). Gl. predstavnici bili su F. Lang (› Žena u izlogu), B. Wilder (› Dvostruka obmana), O. Preminger (› Laura), R. Siodmak, E. G. Ulmer, J. Tourneur (› Iz prošlosti), H. Hawks (› Duboki san), J. Huston (› Malteški sokol), N. Ray, O. Welles i dr. Struja je zadržala utjecaj na pojedine filmove i autore i poslije gašenja te postala omiljenom stilskom referencom u suvr. filmu (› Istrebljivac, › L. A. povjerljivo).

Bringing Darkness to Light is one of the most in-depth looks at Film Noir that has been made. The production team dug deep into the vaults for the miles of clip footage. And it is great to see scholars and stars debate what film noir even is. To this day some people refuse to call it a genre. Well, this well-done intelligent documentary lets the art-form speak for itself. The doc is part of B rate films - but still a collection worth the clams if you consider yourself a Noir buff. Besides, the James Ellroy interview is worth all the bucks in-tself. This DVD compilation of various '40s-'50s movie clips that explore dark themes culled from M-G-M, RKO, and Warner Bros. (since Warners and/or Turner own the films they're from) explores, from multiple viewpoints, the impact Film Noir has had on future filmmakers and the world at large. Among the people interviewed: the departed like Edward Dmytryk, Jane Greer, and Sydney Pollack (as of last week). Also Brian Hegeland, James Ellroy, Paul Schrader, and Frank Miller among others. They talk about music, the men, and, of course, the fem fatale. And they talk about films outside of the library that have no clips shown (such as Paramount's Double Indemnity).

http://img576.imageshack.us/img576/7158/81620778.jpghttp://img194.imageshack.us/img194/8840/26207591.jpghttp://img34.imageshack.us/img34/5659/94531703.jpghttp://img543.imageshack.us/img543/7669/33209726.jpg

MEGAVIDEO (http://www.megavideo.com/?v=7F57I6J5)

DOWNLOAD:

Film Noir: Bringing Darkness to Light (2006) (http://forums.foriegnmoviesddl.com/viewtopic.php?f=21&t=12209)

KNJIGE (download):

The Philosophy of Film Noir (http://avaxhome.ws/ebooks/The_Philosophy_of_Film_Noir.html)
More than Night: Film Noir in Its Contexts (http://avaxhome.ws/ebooks/More_than_Night_Film_Noir_in_Its_Contexts.html)

http://img809.imageshack.us/img809/7689/84951364.jpg

Encyclopedia of Film Noir (http://www.gfxworld.ws/index.php?/news/comments/encyclopedia_of_film_noir/)
Film Noir: Films of Trust and Betrayal (http://avaxhome.ws/ebooks/cultures_languages/Paul19Essential.html)
Driven to Darkness: Jewish Emigre Directors and the Rise of Film Noir (http://avaxhome.ws/ebooks/Photo_related/0813546303.html)
The Philosophy of Neo-Noir (http://avaxhome.ws/ebooks/science_books/philosophy/Mark_T._Conard_-_The_Philosophy_of_Neo-Noir_the_Philosophy_of_Popular_Culture.html)
The Street Was Mine: White Masculinity in Hardboiled Fiction and Film Noir (http://avaxhome.ws/ebooks/cultures_languages/Megan26Noir.html)
Unless the Threat of Death Is Behind Them: Hard-Boiled Fiction and Film Noir (http://avaxhome.ws/ebooks/history_military/UnlessTT-1287071711.html)

http://img823.imageshack.us/img823/3043/32829121.jpg

Dreams and Dead Ends: The American Gangster Film (http://avaxhome.ws/ebooks/0195142918asdsad.html)
Encyclopedia of French Film Directors (http://www.gfxworld.ws/index.php?/news/comments/encyclopedia_of_french_film_directors/)
Cinema Genre (http://www.gfxworld.ws/index.php?/news/comments/cinema_genre/)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
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sites. If you have any legal issues please contact appropriate media file owners/hosters.

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IMDb (http://www.imdb.com/title/tt0447372/)

Jos jedan Hard to Find dokumentarac o legendarnom Billyju Wilderu.

http://img547.imageshack.us/img547/7001/58708941.png

This is Wilder on Wilder, really, even though he's intelligently interviewed by Michel Ciment (film critic from Positif), affectionately talked about by Lemmon and Matthau, and the whole is filmed with style by Annie Tresgot. Because the cunning old professional knows exactly where he wants the film to go: he's as capable of directing, with humour, from in front of as from behind the camera. Lovely stuff.

ONLINE GLEDANJE (http://www.megavideo.com/?v=EIJKDZBR)

DOWNLOAD:

Portrait of a '60% Perfect' Man: Billy Wilder (1980) (http://www.vagos.es/showthread.php?p=1055350993)

REPOST:

Billy Wilder Speaks (TV 2006) (http://www.forum.hr/showpost.php?p=30386098&postcount=1558)

Locirana je i integralna verzija dokumentarca Volkera Schlöndorffa iz 1992. godine: Billy Wilder, wie haben Sie's gemacht? (http://www.imdb.com/title/tt0103366/)

Runtime: 264 (44/part)
Language: German, English
Country: Germany
Color: color

Download Links:
Part 1+2
http://www.megaupload.com/?d=I999ZK9W
http://www.megaupload.com/?d=GGK3MCCG

Part 3+4
http://www.megaupload.com/?d=Z1KXPV71
http://www.megaupload.com/?d=7PQW4KEK

Part 5+6
http://www.megaupload.com/?d=IP03IYM3
http://www.megaupload.com/?d=NRF29QYV

Rar Password: None

TV-Rip VHS
The 6 parts are combined as aired in 1993

Hat tip kolegi MEDIA BLITZ.

I THE KNJIGA (http://www.cameroncrowe.com/books/index.html) Camerona Crowea (vrijedna svake lipe/centa, ogromna preporuka za kupnju):

Conversations with Wilder (http://www.amazon.com/Conversations-Wilder-Cameron-Crowe/dp/0375406603)

http://img403.imageshack.us/img403/9599/10233309.jpg

Between work on Jerry Maguire and Almost Famous, Cameron Crowe spent over a year conducting interviews with the legendary filmmaker Billy Wilder, who wrote and directed such classics as Double Indemnity, Some Like it Hot and Sabrina. In these open, honest encounters, Crowe expertly poses question after question to get the lowdown on what made Wilder's hits work, why his flops flopped and a glimmer or two of what never made it to celluloid. Featuring over 650 black and white photos, this invaluable compilation captures the essence and wit of one of the greatest filmmakers of the 20th century.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Preozbiljni smo, nesto iz kategorije 'Let's Have Some Fun' (a opet edukativno):

http://img600.imageshack.us/img600/3052/21032507.jpg

A talking, self-driving car that carries Will Smith in I ROBOT. A gadget-packed Aston Martin with a license to kill. The personal jet packs used in Minority Report. These may seem like pure fiction? But we show how some have already become or have the potential to be a reality in Amazing Vehicles. For more than a century, the car chase has been a staple of big-screen action. But how realistic are they? And what’s the automotive science behind these spectacular sequences? Director James Cameron and stunt experts explain the tricks behind those all-action high-speed scenes in Car Chases. Films such as The Poseidon Adventure, Titanic and The Perfect Storm, all inspired by actual events, have cashed in on audiences’ primal fears. Thrilling onscreen highlights and interviews illuminate the fine line of maintaining scientific integrity while achieving maximum entertainment value when depicting Disasters at Sea. From Enemy of the State to the adventures of James Bond, Hollywood spies have fascinated us for decades. In part because of the amazing Spy Gadgets: a video camera the size of a pinhead, an exploding briefcase, instant tracking devices. But how much of this is Hollywood creativity? And how do these fictional gadgets inspire real-world inventors? Jan de Bont’s Twister. Roland Emmerich’s The Day After Tomorrow. Wolfgang Petersen’s The Perfect Storm. For decades, filmmakers have taken their cues from the Forces of Nature. We look at the films that accurately reflect scientific data and a platoon of others that sacrifice plausibility for unadulterated entertainment.

National Geographic – Hollywood Science: Car Chases (http://www.mytvblog.org/?p=6573)
HDTV 720p | English | 47mins | 1280×720 | MPEG4 | 25 fps | AC3 – 384 kbps | 1.09 Gb

http://img143.imageshack.us/img143/7769/17287776.jpg

Can the amazing vehicles featured in “I, Robot” “Batman,” “The Abyss,” and “Minority Report” really enter 21st-century life? Explore the science behind Hollywood’s futuristic cars, submersibles and jet packs to discover what’s possible — and impossible.

National Geographic – Hollywood Science: Amazing Vehicles (http://www.mytvblog.org/?p=6570)
HDTV 720p | English | 47mins | 1280×720 | MPEG4 | 25 fps | AC3 – 384 kbps | 1.09 Gb

http://img225.imageshack.us/img225/9717/69611779.jpg

Watch as pop culture's most baffling urban myths and legends are debunked, decoded and demystified by MythBusters Adam Savage and Jamie Hyneman, who blow the lid off Hollywood's biggest secrets in tests that separate the real from the really out there. Could an awning have really broken the fall of Indiana Jones and the Temple of Doom when he made that top-floor leap? Is it actually possible to slice an opponent's sword clean in half with another sword? Can a locked door be opened with one gun shot? And what would happen if someone really flew out of a car ejector seat?

IMDb (http://us.imdb.com/title/tt0852842/)

MythBusters: Mega Movie Myths (2006) (http://forums.foriegnmoviesddl.com/viewtopic.php?f=21&t=6286)

http://img443.imageshack.us/img443/7508/35168986.jpg

Language: English
Country: USA
Genre: Documentary
Director: Nina Davenport

Synopsis: Touched by the plight of an aspiring Iraqi filmmaker whose dreams of working in Hollywood seemed to fall with Baghdad, American filmmaker Liev Schreiber invites the ambitious wannabe director to intern on Everything Is Illuminated, to unexpected results. In 2004, just one year after the United States launched a devastating attack on Baghdad, MTV ran a story about a 25-year-old Iraqi film student named Muthana Mohmed, who remained determined not to let the strife that consumed his country consume his dreams as well. At the time, American actor Schreiber was preparing to make his directorial debut with the film Everything Is Illuminated. After seeing the documentary on television, Schreiber was consumed by guilt for having so many amazing opportunities in the film industry and determined to give Mohmed the chance of a lifetime by inviting him to join the production of Everything Is Illuminated in the Czech Republic. Common wisdom dictates that "the road to hell is paved with good intentions," however, and as Mohmed attempted to balance the complications of living away from home for the first time with the cultural issues that arise while working with an all-American film crew, the situation quickly began to deteriorate.

IMDB (http://www.imdb.com/title/tt0984213/) (7.0/10 - 205 votes) | RottenTomatoes (http://www.rottentomatoes.com/m/1194483-operation_filmmaker/) (90% - 29 Reviews Counted)

Operation Filmmaker (2007) (http://forums.foriegnmoviesddl.com/viewtopic.php?f=21&t=10179)

[La Familia]

George Lucas sits down with AFI (http://filmmakeriq.com/2010/12/george-lucas-sits-down-with-afi/)

We’ve collected 17 short interviews with George Lucas produced by AFI:

http://img33.imageshack.us/img33/1498/77528900.png (http://filmmakeriq.com/2010/12/george-lucas-sits-down-with-afi/)

[La Familia]

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sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img594.imageshack.us/img594/5929/65886563.jpg

Steve McQueen rođen je 1930. u predgrađu Indianapolisa. Odrastao je u Missouriju s djedom i bakom, budući da je majku alkoholičarku otac napustio kad je Steve imao svega šest mjeseci. Od osme do četrnaeste godine nekoliko je puta pokušavao živjeti s majkom, no sukobljavao se s njezinim partnerima (kasnije ju je u intervjuima čak i otvoreno nazivao prostitutkom!). S nepunih 15 godina pridružio se cirkusu i družio s bandama u Los Angelesu, s kojima je sudjelovao u nekoliko razbojstava, a nakon žestoke tučnjave s očuhom smješten je u dom Junior Boys Republic gdje je ostao do punoljetnosti. Nakon doma prijavio se u mornaričku pješadiju, a 1952. počinje studirati glumu i za stotinjak dolara kupuje svoj prvi motocikl, rabljeni Harley-Davidson. U početku dobiva male uloge grubijana u vesternima, a 1959. ga primjećuje Frank Sinatra uz čiju pomoć dobiva prvu ozbiljniju ulogu u ratnoj drami Nikad tako malo te velikom hitu Sedmorica veličanstvenih.

McQueenova karizma, buntovni karakter i specifični rockabilly/bikerski stil ubrzo ga promoviraju u hollywoodskog akcijskog (anti)heroja broj 1 pa nakon ratnog epa Veliki bijeg, snima Bullitt, svoj najveći hit u kojem je osobno odradio sve scene auto jurnjava osim jedne za koju je pomoć zatražio od svog velikog osobnog prijatelja i suvozača na utrkama, kaskadera Bada Ekinsa, koji je izveo i dramatičnog skok motociklom preko ograde od bodljikave žice u Velikom bijegu (sve ostale scene vožnje u tom filmu snimio je osobno McQueen pa je tako neobičan kuriozitet u jednoj sceni u kojoj ga, dok bježi motociklom a na drugom ga motociklu proganja neki njemački časnik, McQueen zapravo u različitim kostimima vozi oba motocikla...). Pamtimo ga odlično i po filmu Leptir, u kojem zajedno s Dustinom Hoffmanom glumi robijaša, a za ulogu hrabrog inženjera na američkom ratnom brodu u filmu Misija u Kini (čiji bi korektniji prijevod trebao glasiti Kamenčići u pijesku) nagrađen je i Oscarom. Čitav niz uloga koje je odbio koštale su ga još veće slave, a neki od filmova koje je propustio su i prva verzija Oceanovih 11, Doručak kod Tiffanyja, Butch Cassidy i Sundance Kid te Tjelohranitelj u kojem je trebao nastupiti s Dianom Ross, a koji je snimljen tek 12 godina nakon njegove smrti s Whitney Houston i Kevinom Costnerom u glavnim ulogama. Kao veliki ljubitelj auto i moto utrka, jedno se vrijeme i profesionalno bavio off road moto utrkama pa je zbog svojih uspjeha 1978. primljen i u američku Motociklističku kuću slavnih. Posjedovao je impresivnu kolekciju trkaćih automobila, između ostalih Porsche 356, Ferrari 512 i Jaguar D-Type.

Zanimljivo je i da su ga Bruce Lee i Chuck Norris poučavali borilačkim vještinama, te da je baš on Norrisa nagovorio da se okuša na filmu.
Umro je u 51. godini od rijetke vrste raka želuca, koju je nekonvencionalnim metodama pokušao izlijećiti kod travara u Meksiku, u gradu Ciudad Juárez gdje nitko nije znao tko je on uistinu jer se tamo svima predstavljao kao Sam Shepard. Po nekim njegovim biografima ta se bolest dobiva zbog pretjeranog izlaganja azbestu, pa nije posve nemoguće da ju je dobio baš zbog svoje ljubavi prema utrkama, jer su se u to doba kacige i zaštitna odijela trkača radila upravo od azbesta! Nakon kremiranja, u skladu s njegovim posljednjim željama, njegov pepeo bačen je u Tihi ocean, no njegov duh, očito je, još uvijek i dan-danas i te kako prisutan među nama...

http://img406.imageshack.us/img406/5406/56120638.jpg
IMDb (http://www.imdb.com/title/tt0430874/)

From filmmaker Mimi Freedman, this all-new documentary uncovers the complex man behind the image by watching McQueen’s life and career through the eyes of the people who knew him best and extensive use of film and television clips. Friends, co-stars and admirers of actor Steve McQueen - including first wife, actress and dancer Neile Adams, and third wife, model Barbara Minty - discuss his life in relation to his movie career. His screen persona was one where women loved him, in part because of his piercing blue eyes, and men both wanted to emulate him and be his buddy. Despite having screen presence even in early bit parts, he didn't start to hone his craft of acting until he was accepted into the Actor's Studio. In what some consider his breakthrough movie, he took the sure thing of a meager paycheck instead of taking a percentage of the movie's profits, as he thought the movie would be a commercial flop. That movie was The Blob. Although he made a name as the rebel loner and an action hero in the television show Wanted: Dead or Alive and smaller parts in movies such as The Magnificent Seven, his status as such, but in a movie starring capacity.

ONLINE GLEDANJE (http://www.megavideo.com/?v=R0K1GYD5)

DOWNLOAD:

Steve McQueen-The Essence of Cool (http://www.furk.net/Steve_McQueen-The_Essence_of_Cool.avi.html?INVITE=838359)

http://img574.imageshack.us/img574/7001/76727336.jpg
IMDb (http://www.imdb.com/title/tt0149143/)

An in depth profile of a true Hollywood legend. Looking closely at his career, this documentary follows the life of Steve McQueen from being abandoned as a baby to the on screen idol of the hit movies Bullit, Papillion and The Great Escape. It includes TV clips, trailers, film out takes and home movies of the very private man, some of which have never been seen before. This documentary sheds light on a career that ended too early. Co-stars like James Coburn and Robert Wagner share stories of McQueen's life. Documentary explores the hardships that McQueen went through in his days as a child and a young adult. The audience also learns about the personal demons McQueen faced as his popularity rose. This documentary also shows how the star battled cancer until the very end, and how his movies impacted some of today's top stars.

Narrated by Kevin Spacey

ONLINE GLEDANJE (http://www.mcqueenonline.com/kingdoc.htm):

http://img813.imageshack.us/img813/4876/40612339.png (http://www.mcqueenonline.com/kingdoc.htm)

The E! True Hollywood Story (1998) (http://www.mcqueenonline.com/tethsdoc.htm)

OSTALI DOKUMENTARCI (traze se):

Man on the Edge (1986) (http://www.mcqueenonline.com/moedoc.htm)
Filming At Speed (2001) (http://www.mcqueenonline.com/fasdoc.htm)
An American Rebel (2007) (http://www.mcqueenonline.com/aarsm.htm)

http://img651.imageshack.us/img651/7640/17907771.jpg

[La Familia]

http://img440.imageshack.us/img440/6044/72755503.jpg (http://www.michaelmunn.co.uk/images/steve/STEVE-McQueenbig.jpg)

U novoj biografiji slavnog glumca Michael Munn otkriva nepoznate detalje iz glumčeva života, a većinu stvari koje Munn donosi u knjizi “Living on the edge” Steve McQueen mu ih je sam ispričao kada ga je upoznao u Cornwallu u kući redatelja Sama Peckinpaha. Munn se prisjeća kako je te noći kada je došao kod svog prijatelja Peckinpaha, McQueen već sjedio u kuhinji mrtav pijan, te je izgledao kao da ga je poplava izbacila. Kasnije je saznao da je to bilo vrijeme kada se McQueen razvodio od supruge, a Peckinpahu je uletio nenajavljen, što se redatelju nije svidjelo i jedva je čekao da ga se riješi. Munnov dolazak mu je dobro došao, jer se pisac sprijateljio s holivudskom legendom i tako je počela nastajati biografija koja je ovih dana objavljena u Velikoj Britaniji. Steve McQueen je imao djetinjstvo kakvog se većina ljudi zgraža. Kada je imao samo šest mjeseci, njegov otac je napustio njega i njegovu majku, koja je, kako je McQueen sam rekao, bila kurva. - Ja nisam bio rođen, nego izbačen iz utrobe. Mrzio sam svoju majku od onog trenutka kada sam shvatio da imam emocije. Bila je kurva, a kaže se da svi grijesi majke prelaze na djecu. Ja sam dobio sve njezine grijehe - ispričao je Steve. Njegova je majka preživljavala baveći se prostitucijom i plešući po barovima. “Jedne noći sam je čuo kako je vrištala kao da je netko ubija. Potrčao sam u njezinu sobu, a ona je bila s jednim mornarom koji joj je platio da je može ozlijediti. Nikada tu scenu nisam zaboravio.” Slična se epizoda dogodila i u njegovom životu, kada je imao 16 godina. Jedne je večeri pokupio kurvu i odveo je u sobu. I ona je, poput njegove majke, bila spremna za novce podnjeti bilo kakvu fizičku bol. No, Steve je pretjerao i na kraju se rasplakao i otjerao ju iz svoje sobe. - Nikada nisam želio ozlijediti ženu ili bilo koga drugoga. Ali, kada u sebi osjetim bijes ne mogu se kontrolirati i onda sam u stanju prebiti svakoga. Tukao sam i svoju ženu, Neile Adams - priznao je McQueen.

Steve McQueen je za svoje problematično ponašanje uvijek krivio teško djetinjstvo i svoju majku, koja je više bila s drugim muškarcima nego što je vodila brigu o njemu. Već s pet godina je sam tumarao ulicama, a kada je imao šest godina počeli su živjeti s ujakom njegove majke. No, majka ga je ubrzo ostavila bez da je pozdravila Stevea, koji je postao vrlo agresivan. Više nikako nije mogao kontrolirati bijes koji je tinjao u njemu , a jednog dana, zaslijepljen od bijesa i boli gotovo je na smrt prebio jednog dječaka njegovih godina. Nije imao gotovo nijednog prijatelja, a ni u školi nije postizao bog zna kakve rezultate, pa su i učitelji vrlo brzo digli ruke od njega. S 10 godina je počeo piti i postao je član bande iz kvarta s kojom je krao i pljačkao kuće, trgovine i benzinske pumpe. - Nikada nisam uzeo više od onog što mi je trebalo. Često sam gladovao, morao sam kopati po kantama za smeće da nađem nešto za jesti - ispričao je Steve, koji je nekoliko puta završio po popravnim domovima i uvijek iz njih bježao. Ni to mu nije pomoglo, pa je dok se nije upisao u glumačku školu još radio i kao svodnik i slučajno završio u marincima, ali kratko je trajalo pa se vratio pljačkama i krađama. - Osjećao sam se kao Humphrey Bogart - rekao je Steve, a onda odlučio upisati satove glume, jer je pretpostavljao da će tako lakše upoznati zgodne žene. Ispalo je malo drukčije - nakon što je dobio ulogu u Sedmorici veličanstvenih postao je najplaćeniji glumac na svijetu. McQueen nije imao poštovanja prema ženama, već ih je vidio samo kao stvorenja koja se moraju brinuti o djeci, kuhati i da budu spremne na seks kada to muškarac od njih traži. To nije značilo da nije volio svoje supruge, Neile Adams, Ali MacGraw i Barbaru Minty, ali je od njih izričito tražio da zbog njega žrtvuju svoje karijere. Sve redom su to i učinile, ali nijedan brak se nije održao, no ne zbog toga, već zato jer nijedna više nije mogla podnijeti njegovo ponašanje neandertalca.

A personal note on the book by Michael Munn (http://www.michaelmunn.co.uk/stevemcqueen.html)

Fascinantna (i prokleto tuzna) biografija. Download linka nema, nesto treba i kupiti (http://www.amazon.com/Steve-McQueen-Living-Michael-Munn/dp/1906779791). :)

Posluzit ce i Shooting script (http://swamptales.us/wp-content/uploads/2008/09/bullitt-1968-shooting-script.pdf) Bullitta.

http://img143.imageshack.us/img143/1217/42801434.pnghttp://img163.imageshack.us/img163/1042/94867892.png (http://www.sendspace.com/file/1nkgmg)

[horacije]

Opet te moram poljubit, Familija :top:

Jedino što si me ubacio u opak problem s vremenom, treba to sve pogledat.

Thanks, zbilja radiš odličan posao :s

[OGM SA86]

Opet te moram poljubit, Familija :top:



Ljudi nemojte vise, bar ne na forumu:o Vas privatni zivot je vasa stvar!

p.s. Ova enciklopedija o francuskim redateljima ko stvorena za trazenja opskurnih filmova :)

[horacije]

Ma i za tebe gajim nekakve osjećaje :)
Odmah se naljutio, ne bud ljubomoran, to ja za Familiju čisto platonski

( Platon, starogrčki filozof, definirao je kao neku ljubav u kojoj se uopće ne dira, nego onako, ne dirate se, al titrate si......)

[La Familia]

http://img413.imageshack.us/img413/3483/59462292.jpg
IMDb (http://www.imdb.com/title/tt0478304/)

Forspan:

http://img219.imageshack.us/img219/7846/96489294.png (http://www.youtube.com/watch?v=fLPe0fHuZsc)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Sjajna edicija knjiga BFI Classics/Modern Classics:

http://img694.imageshack.us/img694/9489/57698689.jpghttp://img140.imageshack.us/img140/6752/46626280.jpghttp://img530.imageshack.us/img530/2307/15786339.jpghttp://img143.imageshack.us/img143/6439/29306195.jpghttp://img148.imageshack.us/img148/6238/95631281.jpghttp://img18.imageshack.us/img18/1720/67757230.jpg

Michael Eaton, Chinatown (BFI Film Classics) (http://avaxhome.ws/ebooks/Photo_related/eatonchinatown.html)
Suzanne Liandrat-Guigues, Red River (BFI Film Classics) (http://avaxhome.ws/ebooks/Photo_related/redriver.html)
Metropolis (BFI Film Classics) (http://avaxhome.ws/ebooks/Photo_related/metropolisbfi.html)
Braudy, On the Waterfront (BFI Film Classics) (http://avaxhome.ws/ebooks/Photo_related/Waterfront.html)
Paglia, The Birds (BFI Film Classics) (http://avaxhome.ws/ebooks/Photo_related/PagliaBirds.html)
L'Année dernière à Marienbad (Last Year in Marienbad) (BFI Film Classics) (http://avaxhome.ws/ebooks/Photo_related/0851708218.html)
The Night of the Hunter (BFI Film Classics) (http://avaxhome.ws/ebooks/Photo_related/0851708226.html)
Sunrise: A Song of Two Humans (BFI Film Classics) (http://avaxhome.ws/ebooks/Photo_related/0851706681.html)
Sean French, The Terminator (BFI Modern Classics) (http://avaxhome.ws/ebooks/Photo_related/TerminatorBFI.html)
Bicycle Thieves (Ladri di biciclette) (Bfi Film Classics) (http://avaxhome.ws/ebooks/Photo_related/1844572382.html)
Geoff Andrews - 10 (BFI Modern Classics) (http://avaxhome.ws/ebooks/Geoff_Andrews_10_BFI_Modern_Classics.html)
L'Argent (BFI Modern Classics) (http://avaxhome.ws/ebooks/Photo_related/0851707335.html)
The Searchers (BFI Film Classics) (http://avaxhome.ws/ebooks/Photo_related/085170820X.html)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img805.imageshack.us/img805/3703/84518754.jpg (http://freshdownloads.org/movies/145720-inception-making-of-film-2010-bluray-720p-ac3-x264.html)

Inception Making of film 2010 BluRay 720p AC3 x264 (http://freshdownloads.org/movies/145720-inception-making-of-film-2010-bluray-720p-ac3-x264.html)
English | 50m 23s | x264 | 1280x720 | 6350kbps | 23fps | AC3 | 640kbps | 1.45 GB
Genre: Documentary

In a world where technology exists to enter the human mind through dream invasion, a highly skilled thief is given a final chance at redemption which involves executing his toughest job till date, Inception.

Chapters:

The inception of Inception
The Japanese castle: The dream is collapsing
Disintegration of the Paris cafe
Constructing paradoxical architecture
The freight train
Ambush on the city streets
The tilting bar
The rotating corridor
The mountain fortress
Simulating zero-g
Limbo: The design of unconstructed dream space
The fortress explosion
The music of dreams
The dream share
Credits

http://img841.imageshack.us/img841/5403/71375701.jpg (http://bitcast-a-sm.bitgravity.com/slashfilm/wp/wp-content/images/inception-dream-layers-map.jpg)

POTD: Christopher Nolan’s Map of the Dream Layers in ‘Inception’ (http://www.slashfilm.com/potd-christopher-nolans-map-dream-layers-inception/)

Christopher Nolan’s interview with brother Jonathan in the ‘Inception’ shooting script (http://incontention.com/2010/12/07/christopher-nolans-interview-with-brother-jonathan-in-the-inception-shooting-script/)

Inace, Nolan se raspricao (preciznije, nije se raspricao). Dakle, did the top stop spinning or what?

“I’ve been asked the question more times than I’ve ever been asked any other question about any other film I’ve made,” Nolan laughs. “That’s definitely the question. It keeps coming back to that. What’s funny to me is that people really do expect me to answer it.” This surprises him, he says, because he thought he had firmly established with his equally trippy breakthrough flick Memento that he likes to remain mum on matters of “proper” interpretation. “With this film, though, people really think I’m going to tell, ” he says. “I get a lot of questions like, ‘Okay, did this thing earlier in the film mean that it’s all true, or does this other thing at another point in the film mean that it’s all a dream?’” Nolan says there’s no definitive answer to that question, because then his choice at the end of the movie to cut away from the spinning top — used by lead character Cobb (Leonardo DiCaprio) to know whether he’s in the real world (the top falls) or the dream world (the top doesn’t) — would have been an error on his part. “There can’t be anything in the film that tells you one way or another because then the ambiguity at the end of the film would just be a mistake,” he says. “It would represent a failure of the film to communicate something. But it’s not a mistake. I put that cut there at the end, imposing an ambiguity from outside the film. That always felt the right ending to me — it always felt like the appropriate ‘kick’ to me….The real point of the scene — and this is what I tell people — is that Cobb isn’t looking at the top. He’s looking at his kids. He’s left it behind. That’s the emotional significance of the thing.”

Izvor (http://insidemovies.ew.com/2010/11/30/christopher-nolan-batman-inception/)

http://img502.imageshack.us/img502/2415/42730411.gif

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img443.imageshack.us/img443/809/33187783.jpg (http://avaxhome.ws/magazines/hobbies_leisure_time/SFX-February-2011-UK.html)

Odlican (i nadasve informativan) Q&A s Guillermom del Torom:

http://img440.imageshack.us/img440/237/25486770.png

SFX - February 2011 (UK) (http://avaxhome.ws/magazines/hobbies_leisure_time/SFX-February-2011-UK.html)
PDF | 148 Pages | English | 69.5 Mb

[La Familia]

http://img560.imageshack.us/img560/1262/20975398.jpg

Novi masterpis starog genijalca Johna Pilgera! Genijalno seciranje smrti korporativnog novinarstva i rođenja nezaustavljive korumpirane hobotnice vojno-industrijske propagande CNN-a, Foxa, BBC-ja...
-Velimir Grgic (http://velimir-grgic.com/tekstovi/the-war-you-dont-see-odli-an-dokumentarac.html#jc_allComments)

Upravo pogledao. John Pilger. :s

The new film is a powerful and timely investigation into the media's role in war, tracing the history of 'embedded' and independent reporting from the carnage of World War One to the destruction of Hiroshima, and from the invasion of Vietnam to the current war in Afghanistan and disaster in Iraq. As weapons and propaganda become even more sophisticated, the nature of war is developing into an 'electronic battlefield' in which journalists play a key role, and civilians are the victims. But who is the real enemy? John Pilger says in the film: "We journalists... have to be brave enough to defy those who seek our collusion in selling their latest bloody adventure in someone else's country... That means always challenging the official story, however patriotic that story may appear, however seductive and insidious it is. For propaganda relies on us in the media to aim its deceptions not at a far away country but at you at home... In this age of endless imperial war, the lives of countless men, women and children depend on the truth or their blood is on us... Those whose job it is to keep the record straight ought to be the voice of people, not power."

YT linkove skidaju brzinom svjetlosti. Nista zato, dokumentarac mozete pogledati na:

Megavideo (http://www.megavideo.com/?v=DP4HWOZR)

Ili..

Vidxden (http://www.vidxden.com/21rlh0yd3y9a/The_War_You_Dont_See_.thebox.hannibal.flv.html)
Vidbux (http://www.vidbux.com/rvibvspk4q45/The_War_You_Dont_See_.thebox.hannibal.flv.html)
Wisevid (http://www.wisevid.com/gate-way?v=0Ab9_-zb9535)
zSHARE (http://www.zshare.net/video/83980161bee2e570/)
Wootly (http://www.wootly.com/vgyitukh3myc)
videoweed (http://www.videoweed.com/file/6ppmg5iceptjz)
Novamov (http://www.novamov.com/video/emua5nd92vewq)

Spread the word! :)

p.s. strasno korisna stvarcica: Remove Video Streaming Restriction From MegaVideo, MegaUpload, And Veoh http://t.co/3p50tnt

[La Familia]

Repost s Ostalih medija (ima poveznica s filmskom tematikom, neka se nadje i ovdje):

http://img263.imageshack.us/img263/3700/tedlogo.gif (http://www.ted.com/)

http://www.ted.com/
http://www.ted.com/talks

TED je konferencija koja je nastala 1984 godine i kratica je od Technology Entertainment Design, koja se transformirala u jedan vrhunski event i grupu ljudi – “thinkera” koji su na ovaj ili onaj način bitni. Lista sudionika je u najmanju ruku impresivna i sastoji se od najpametnijih do najbogatijih ljudi svijeta i ono što je najbitnije ni na koji način nisu odvojenih od nas običnih smrtnika. Ove godine osim multimilijardera iz Microsofta, Googlea, Facebooka tu su i nobelovci, umjetnici i općenito sjajni ljudi poput npr. akademika Ken Robinsona, komičara Ze Franka i mnogih drugih.

Shekhar Kapur: We are the stories we tell ourselves (http://www.ted.com/talks/shekhar_kapur_we_are_the_stories_we_tell_ourselves .html)

James Cameron: Before Avatar ... a curious boy (http://www.ted.com/talks/james_cameron_before_avatar_a_curious_boy.html)

Ed Ulbrich: How Benjamin Button got his face (http://www.ted.com/talks/ed_ulbrich_shows_how_benjamin_button_got_his_face. html)

J.J. Abrams' mystery box (http://www.ted.com/talks/j_j_abrams_mystery_box.html)

Uskoro bi trebao profunkcionirati i hrvatski prijevod svih Talksa.

http://img522.imageshack.us/img522/8516/92701809.gif (http://fora.tv/)

http://fora.tv/

Konacno jedna TV po mom gustu. Fora.tv stvarno je fora: Videos on the People, Issues, and Ideas Changing the Planet.

Programs on Film (http://fora.tv/tag/film)

http://img812.imageshack.us/img812/9564/71364998.gif (http://comment.rsablogs.org.uk/videos/)

http://comment.rsablogs.org.uk/videos/

Oprez, RSA Animate stvara ovisnost. Probajte sa Zizekom: RSA Animate – First as Tragedy, Then as Farce (http://comment.rsablogs.org.uk/2010/07/29/rsa-animate-tragedy-farce/). I ova animacija obara s nogu: RSA Animate – Changing Education Paradigms (http://comment.rsablogs.org.uk/2010/10/14/rsa-animate-changing-education-paradigms/) (Another inspiring RSA Animate taken from a speech given at the RSA by Sir Ken Robinson, world-renowned education expert and recipient of the RSA Benjamin Franklin award).

Sto nas dovodi do ultimativnog informativnog medija.

http://img52.imageshack.us/img52/8945/10304225.png (http://www.utorrent.com/)

http://www.utorrent.com/

Ova mocna aplikacija majka je svih informativnih medija (u ne tako dalekoj buducnosti osigurat ce da nam se vise NIKADA ne dogodi neki novi The War You Don't See (http://www.forum.hr/showpost.php?p=30616896&postcount=1585)). Valja odmah napomenuti da µTorrent ne sluzi samo za skidanje ilegalnih torrenata, kajgod. µTorrent je puno vise od toga. Ako jos niste, nadogradite svoj µTorrent verzijom 2.2. i bacite pogled na:

http://www.utorrent.com/apps

Sadrzaj sa svih ovih aplikacija je legalan, naravno. A aplikacije prebijaju: od mogucnosti skidanja svih TED Talks videa; legalnog gledanja free-to-share content filmova (http://vodo.net/) i TV serija (http://vodo.net/pioneerone)... Welcome to the Brave New World. :)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img404.imageshack.us/img404/2631/91741192.jpg
IMDb (http://www.imdb.com/title/tt1230441/)

Vrlo ambiciozan dokumentarac o Warner Bros.-u, jednoj od najznacajnijih filmskih kompanija u Hollywoodu.

Jack L. Warner, Harry Warner, Albert Warner and Sam Warner were siblings who were born in Poland and emigrated to Canada near the turn of the century. In 1903, the brothers entered the budding motion picture business, first running a traveling show that brought movies to small towns in the Midwest and then opening a theater in Newcastle, Pennsylvania. In time, the Warner Brothers moved into film production, and would open their own studio in 1923. Warner Brothers quickly established itself as a studio with both nerve and vision; they were the first studio to enjoy major success with talking pictures and musicals, they were an early supporter of color films, they took on the censors with gangster films that dealt with violent crime in a realistic manner, and were unafraid to make movies that confronted the major issues of the day, such as racism, anti-Semitism, governmental corruption, abuses in the prison system and freedom of the press. Warner Brothers also made stars out of unconventional talents such as James Cagney, Humphrey Bogart, Edward G. Robinson, Bette Davis and Paul Muni, and hosted a cartoon studio that gave birth to Bugs Bunny, Daffy Duck, Sylvester the Cat and Elmer J. Fudd. Film historian and filmmaker Richard Schickel pays homage to the formative years of one of Hollywood's greatest entertainment empires in You Must Remember This: The Warner Bros. Story 1923-1949, a documentary that features plentiful film clips as well as the behind-the-scenes story of how the studio's great films came to be. Clint Eastwood narrates.

Clint Eastwood ... Himself - Narrator
Carroll Baker ... Herself - Interviewee
Jeanine Basinger ... Herself - Interviewee
Warren Beatty ... Himself - Interviewee
Rudy Behlmer ... Himself - Interviewee
Andrew Bergman ... Himself - Interviewee
Busby Berkeley ... Himself - Interviewee (archive footage)
Ray Bradbury ... Himself - Interviewee
James Cagney ... Himself - Interviewee (archive footage)
John Calley ... Himself - Interviewee
Charlotte Chandler ... Herself - Interviewee
George Clooney ... Himself - Interviewee
Richard Corliss ... Himself - Interviewee
Stanley Cortez ... Himself - Interviewee (archive footage)
Stanley Donen ... Himself - Interviewee
Julius J. Epstein ... Himself - Interviewee (archive footage)
Neal Gabler ... Himself - Interviewee
Gary Giddins ... Himself - Interviewee
Molly Haskell ... Herself - Interviewee
Howard Hawks ... Himself - Interviewee (archive footage)
Alfred Hitchcock ... Himself - Interviewee (archive footage)
Kim Hunter ... Herself - Interviewee (archive footage)
Elia Kazan ... Himself - Interviewee (archive footage)
Margot Kidder ... Herself - Interviewee
Howard Koch ... Himself - Interviewee (archive footage)
Eric Lax ... Himself - Interviewee
Mervyn LeRoy ... Himself - Interviewee (archive footage)
Leonard Maltin ... Himself - Interviewee
Jack Nicholson ... Himself - Interviewee
Pat O'Brien ... Himself - Interviewee (archive footage)
Susan Orlean ... Herself - Interviewee
Gregory Orr ... Interviewee
William T. Orr ... Himself - Interviewee (archive footage)
Arthur Penn ... Himself - Interviewee
Frank Pierson ... Himself - Interviewee
Peter Rainer ... Himself - Interviewee
Ronald Reagan ... Himself - Interviewee (archive footage)
Robert Redford ... Himself - Interviewee
Edward G. Robinson ... Himself - Interviewee (archive footage)
Andrew Sarris ... Himself - Interviewee
Martin Scorsese ... Himself - Interviewee
A.O. Scott ... Himself - Interviewee
Vincent Sherman ... Himself - Interviewee (archive footage)
Alexis Smith ... Herself - Interviewee (archive footage)
Steven Spielberg ... Himself - Interviewee
David Thomson ... Himself - Interviewee
Robert Towne ... Himself - Interviewee
Claire Trevor ... Herself - Interviewee (archive footage)
Stephen Tropiano ... Himself
Kenneth Turan ... Himself - Interviewee
Hal B. Wallis ... Himself - Interviewee (archive footage)
Raoul Walsh ... Himself - Interviewee (archive footage)
Jack Warner Jr. ... Himself - Interviewee (archive footage)
William A. Wellman ... Himself - Interviewee (archive footage)
Richard D. Zanuck ... Himself - Interviewee

http://img152.imageshack.us/img152/5825/80312058.jpghttp://img64.imageshack.us/img64/1600/21820344.jpghttp://img695.imageshack.us/img695/4452/12166589.jpg
http://img403.imageshack.us/img403/5250/74424135.jpghttp://img574.imageshack.us/img574/2522/29852154.jpghttp://img837.imageshack.us/img837/3562/77475166.jpg

You Must Remember This: The Warner Bros. Story (2008) (http://arananfms.blogspot.com/2010/09/you-must-remember-this-warner-bros.html)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img814.imageshack.us/img814/5941/74793986.jpg
IMDb (http://www.imdb.com/title/tt0346794/)

Jos jedna dokumentarcina o zivotu i radu/filmskoj karijeri velikog Johna Cassavetesa.

Apsolutna preporuka za gledanje.

A CONSTANT FORGE
CHARLES KISELYAK, 2000 - 200 minutes - Color - 1.33:1 (#256)

Charles Kiselyak’s A Constant Forge—The Life and Art of John Cassavetes is a detailed journey through the career of one of film’s greatest pioneers and iconoclasts. Assembled from candid interviews with Cassavetes’ collaborators and friends, rare photographs, archival footage, and the director’s own words, the film paints a revealing portrait of a man whose fierce love, courage, and dedication changed the face of cinema forever. Luxuriously Elegant and Passionate Doc about the Master. Beautiful documentary about John Cassavettes that allows you to really take the time to listen to these fascinating people reliving some of the happiest times that they ever had - seemingly both professionally and personally. Bravo to the filmmaker for taking the time (his and ours) to give Cassavettes the attention he deserved and not a 90 minute piece where it is all shoe-horned in. If you love film and get a chance to see this, grab it.

Cast (in alphabetical order)
Lynn Carlin... Herself
John Cassavetes... Himself
Seymour Cassel... Himself
Lenny Citrano... Narration (voice)
Peter Falk ... Himself
John A. Gallagher... Himself
Ben Gazzara... Himself
Lelia Goldoni... Herself
Annette Insdorf... Herself
Carol Kane... Herself
Sean Penn... Himself
Gena Rowlands... Herself
Jon Voight... Himself

PART ONE (http://www.snagfilms.com/films/title/constant_forge_part_one/)
PART TWO (http://www.snagfilms.com/films/title/constant_forge_part_two/)

Online gledanje, dokumentarac se inace nalazi u sklopu sjajnog Criterion izdanja (http://www.criterion.com/boxsets/558-john-cassavetes-five-films):

http://img691.imageshack.us/img691/1216/15218461.jpg (http://www.criterion.com/boxsets/558-john-cassavetes-five-films)

Preporuka za kupnju.

REPOST:

http://flavienbau.com/images/John_Cassavetes.jpg

awwwwwwwwww :cerek::cerek::cerek:

I'm Almost Not Crazy - John Cassavetes - The Man and His Work (1984) - Part 1 (http://www.youtube.com/watch?v=gSZVYOgKIwE&feature=related)

part 2 (http://www.youtube.com/watch?v=STLmzSgWNnE&feature=related)

part 3 (http://www.youtube.com/watch?v=Fe_BJZgnBDc&feature=related)

part 4 (http://www.youtube.com/watch?v=CEOV2ZhWipw)

part 5 (http://www.youtube.com/watch?v=BqaaAXg3b98&feature=related)

part 6 (http://www.youtube.com/watch?v=55hiwOeF5EM&feature=related)


http://www.ifc.com/blogs/thedaily/images/cassavetes310.jpg

ps. stiv mekvin ubio :s :o

A mene ubio tvoj odlazak s teme. Gdje si ti, sestro, nisi valjda hmrla? :ne zna:

[La Familia]

David O. Russell, Darren Aronofsky, Lisa Cholodenko, Derek Cianfrance, Peter Weir, i Tom Hooper raspravljaju o umjetnickim vizijama svojih filmova, svadji s glumcima ('opralo' Davida O. Russella (http://www.youtube.com/watch?v=E4Qls1rAfYs&t=1m6s) zbog one svadje s Clooneyjem na Three Kings) i sto uciniti s MPAA.

Preporuka za gledanje.

http://img29.imageshack.us/img29/1641/23784289.png

Awards Watch Roundtable: The Directors (full video) (http://www.hollywoodreporter.com/gallery/awards-watch-roundtable-directors-61706#4)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img832.imageshack.us/img832/2466/31667217.jpg (http://thedialogueseries.com/)

The Dialogue Series (http://thedialogueseries.com/) naziv je odlicne kompilacije video intervjua s najvecim scenaristickim njuskama danasnjice: Stuart Beattie, Sheldon Turner, David Goyer, Paul Haggis, Jim Uhls, Ted Griffin, Ganz Mandel, Jose Rivera, Scott Rosenberg, Callie Khouri, John Hamburg, Nick Kazan, Jonathan Hensleigh, Robin Swicord, Marshall Herskovitz, Nia Vardalos, Billy Ray, Paul Attanasio, Susannah Grant, Bruce Joel Rubin, Kurtzman-Orci, David Seltzer, Simon Kinberg, Jeff Nathanson, Ed Solomon, Peter Tolan, Farrelly Bros...

The 70-90 minute long-form interview series features interviews conducted/hosted by Mike De Luca (former president of production at DreamWorks Pictures and New Line Cinema, where he produced American History X, Magnolia, Boogie Nights) and Jay Fernandez, and feauring interviews with some of the most interesting screenwriters today. Unlike the how-to books, these interviews focus on how some of the most successful professional screenwriters in the business today create their stories, made it to where they are, and work in the industry.

When do they write? Where do they write? How do they self-edit? Where do they look for inspiration? How do they survive bouts of writer’s block? Do they do readings of their work? What’s their process? How important is structure? How do they develop a character? What kinds of research do they do? How do they prepare for a pitch meeting? How do they measure success? ??In these interviews you’ll get answers to these questions and hundreds more.

I’ve watched a few episodes of the series and learned a great deal about the process of a working professional screenwriter. Imagine it to be a more informative/less dramatic version of Inside The Actors studio, but with screenwriters instead of actors. Interviews like Jay Fernandez’s one hour and sixteen minute talk with Alex Kurtzman and Roberto Orci is something I’ve been looking to watch for years now. And the DVDs are pretty affordable – only $8.95 each. They even offer a DVD club where you can receive one or two DVDs a month over a year. Click over to TheDialogue.com to learn more or buy dvds. Here are a few clips from the DVDs.

The Dialogue Series – “Like Inside The Actors Studio For Screenwriters” http://t.co/JQ0VKjl

DVD-i vrlo su povoljni, isplati ih se naruciti/kupiti. Familia misli i na one koji si to ne mogu priustiti. :)

Napomena: radi se o audio .MP3 datotekama, 70-90 minuta po svakom intervjuu.

http://img510.imageshack.us/img510/5825/41638359.jpg

THE DIALOGUE - Vol 1.1 - PAUL HAGGIS.mp3 (http://www.sendspace.com/file/zd0jc6)

http://img406.imageshack.us/img406/4721/67893540.jpg

THE DIALOGUE - Vol 4.1 - CALLIE KHOURI.mp3 (http://www.sendspace.com/file/mmh6p2)
THE DIALOGUE - Vol 1.3 - STUART BEATTIE.mp3 (http://www.sendspace.com/file/yuly8b)
THE DIALOGUE - Vol 8.2 - ED SOLOMON.mp3 (http://www.sendspace.com/file/g2lxjm)
THE DIALOGUE - Vol 6.2 - BRUCE JOEL RUBIN.mp3 (http://www.sendspace.com/file/njy135)
THE DIALOGUE - Vol 3.3 - SCOTT ROSENBERG.mp3 (http://www.sendspace.com/file/tcdo2h)

[La Familia]

http://img90.imageshack.us/img90/1861/56265416.jpg

FAIRYTALE OF NEW YORK
the lyrics

It was Christmas Eve babe
In the drunk tank
An old man said to me, won't see another one
And then he sang a song
The Rare Old Mountain Dew
I turned my face away
And dreamed about you

Got on a lucky one
Came in eighteen to one
I've got a feeling
This year's for me and you
So happy Christmas
I love you baby
I can see a better time
When all our dreams come true

They've got cars big as bars
They've got rivers of gold
But the wind goes right through you
It's no place for the old
When you first took my hand
On a cold Christmas Eve
You promised me
Broadway was waiting for me

You were handsome
You were pretty
Queen of New York City
When the band finished playing
They howled out for more
Sinatra was swinging,
All the drunks they were singing
We kissed on a corner
Then danced through the night

The boys of the NYPD choir
Were singing "Galway Bay"
And the bells were ringing out
For Christmas day

You're a bum
You're a punk
You're an old slut on junk
Lying there almost dead on a drip in that bed
You scumbag, you maggot
You cheap lousy faggot
Happy Christmas your arse
I pray God it's our last

I could have been someone
Well so could anyone
You took my dreams from me
When I first found you
I kept them with me babe
I put them with my own
Can't make it all alone
I've built my dreams around you

copyright 1988 Shane MacGowan & Jem Finer

http://img695.imageshack.us/img695/833/69323209.png (http://www.youtube.com/watch?v=HwHyuraau4Q)

Slazem se s odabirom Domagoja Bebica (http://www.studosfera.net/blog/2010/12/22/prof-domagoj-bebic-moj-bozicni-glazbeni-odabir/): Niti sam prvi niti zadnji koji ce odabrati bas ovu pjesmu. Fantasticna, romanticna gorko-slatka bajka o nesretnoj vezi (ili zamisljenoj vezi) o kojoj razmislja pijanac na zatvorskom trijeznjenju dok slusa bozicne pjesme kroz prozor.

Uzivajte u sjajnom dokumentarcu BBC-a: The Story of Fairytale of New York (http://www.imdb.com/title/tt0495631/).

The Story Of...Fairytale of New York (Part 1 of 6)
http://img145.imageshack.us/img145/3354/69126347.png (http://www.youtube.com/watch?v=SW_WSQpewNY)

The Story Of...Fairytale of New York (Part 2 of 6)
http://img196.imageshack.us/img196/639/32747767.png (http://www.youtube.com/watch?v=5j_ZcdxAAkc)

The Story Of...Fairytale of New York (Part 3 of 6)
http://img121.imageshack.us/img121/3066/13241346.png (http://www.youtube.com/watch?v=t-2iAkqtylY)

The Story Of...Fairytale of New York (Part 4 of 6)
http://img600.imageshack.us/img600/3825/29557084.png (http://www.youtube.com/watch?v=d11s0w9UNlg)

The Story Of...Fairytale of New York (Part 5 of 6)
http://img688.imageshack.us/img688/3177/52282339.png (http://www.youtube.com/watch?v=Knau6er2yow)

The Story Of...Fairytale of New York (Part 6 of 6)
http://img257.imageshack.us/img257/5828/78555445.png (http://www.youtube.com/watch?v=47lNr5jK8QE)

Sretan i blagoslovljen Bozic svima koji ga slave sutra, ili po julijanskom kalendaru.

Ostalima sretan Festivus (http://www.youtube.com/watch?v=dS7-jcsB_WQ).

As-Salamu Alaykum.

http://img35.imageshack.us/img35/89/47530330.jpg

I jedna preporuka, Bad Santa (Director's Cut). Zavrtite na svojim plazmama ovu toplu ljudsku pricu o onim pravim, izgubljenim vrijednostima Bozica. Ukucani ce vam biti zahvalni. :zubo:

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img406.imageshack.us/img406/7690/82631468.jpg

Svaki novi broj Total Filma uspije me *oduseviti (BTW, vec me nekoliko korisnika pitalo na sto se isplati pretplatiti od stranih filmskih casopisa: Sight & Sound (http://www.bfi.org.uk/sightandsound/subscribe/), Film Comment (http://www.filmlinc.com/fcm/subscribe.htm), Total Film (http://www.totalfilm.com/magazine) i Empire Magazine (http://www.empireonline.com/magazine/). S time da su Total i Empire cista gresna zadovoljstva, *nepogresivo bude u vama filmsko dijete).

Totalova recenzija True Grita:

http://img18.imageshack.us/img18/9978/36047855.jpg

http://www.pic4ever.com/images/47b20s0.gif

Mali razgovor s tatom:

http://img600.imageshack.us/img600/6063/46936975.png

Making of - Darren Aronofsky i David O. Russell:

http://img607.imageshack.us/img607/7918/77699010.png

Veeeeeliki intervju s Billyjem Bobom Thorntonom (obozavam tog covjeka):

http://img813.imageshack.us/img813/6584/76148554.jpg

Uzivajte!

I razmislite o pretplati, vrijedi svakog centa/lipe.

Total Film - February 2011 (http://ebook-free-download.net/post/2010/12/24/Total-Film-February-2011.aspx)
English | PDF | 165 pages | 62.6Mb

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img413.imageshack.us/img413/5093/32313497.jpg (http://avaxhome.ws/ebooks/biography/0275987051Scorsese.html)

Strasno zabavna (a bogami i informativna) biografija Martina Scorsesea.

http://img560.imageshack.us/img560/7876/91668736.pnghttp://img256.imageshack.us/img256/1300/84073362.pnghttp://img651.imageshack.us/img651/1238/23460274.png

Vincent LoBrutto, "Martin Scorsese: A Biography" (http://avaxhome.ws/ebooks/biography/0275987051Scorsese.html)
Pr-ger | 2007 | ISBN: 0275987051 | 464 pages | PDF | 2,3 MB

Martin Scorsese's current position in the international film community is unrivaled, and his name has become synonymous with the highest standards of filmmaking excellence. He is widely considered America's best living film director, and his Taxi Driver and Raging Bull appear frequently on worldwide surveys of the best films of all time. Here, in the first biographical account of this artist's life, Vincent LoBrutto traces Scorsese's Italian-American heritage, his strict Catholic upbringing, the continuing role of religion in his life and art, his obsessive love of cinema history, and the powerful impact the streets of New York City had on his personal life and his professional career. Meanwhile, the filmmaker's humble, soft-spoken public persona tells only part of the story, and LoBrutto will delve into the other side of a complex and often tortured personality. Scorsese's intense passion, his private relationships, his stormy marriages, and his battles with drugs and depression are all chronicled here, and, in many cases, for the first time. In addition, the book includes an interview with the director, as well as filmographies cataloging his work as a director, producer, actor, and presenter. As his Best Director award at the 2007 Oscars clearly demonstrated, Scorsese has become something like Hollywood royalty in recent years, finally enjoying the insider status and favor that eluded him for most of his career. But these recent developments aside, Scorsese is also notable as a distinctly American type of artist, one whose work-created in a medium largely controlled by commercialism and marketing-has always been unmistakably his own, and who thus remains a touchstone of artistic integrity in American cinema. In Martin Scorsese: A Biography, readers can examine not only the work of one of the form's genuine artists, but also the forces that have propelled the man behind it. BLNo real biography of Scorsese has ever been published: the existing literature comprises critical studies and compilations of interview BLLoBrutto is an experienced writer and teacher, with an encyclopedic knowledge of his subject and proven ability in the biographic genre.

REPOST(S):

http://img577.imageshack.us/img577/8163/70244749.jpg

Scorsese by Ebert (http://avaxhome.ws/ebooks/0226182037.html)
Martin Scorsese (Pocket Essential series) (http://avaxhome.ws/ebooks/cultures_languages/Paul21series.html)
Street Smart: The New York Of Lumet, Allen, Scorsese, And Lee (http://avaxhome.ws/ebooks/Street_Smart.html)
City That Never Sleeps: New York and the Filmic Imagination (http://avaxhome.ws/ebooks/NYCityNeverSleepsgPG.html)

DOKUMENTARCI:

Italianamerican (1974) - Martin Scorsese
A Personal Journey with Martin Scorsese through American Movies (1995) - Martin Scorsese
My Voyage To Italy (Il Mio Viaggio In Italia) (http://www.forum.hr/showpost.php?p=28460383&postcount=1446)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img340.imageshack.us/img340/4376/26683803.jpg

Malo je filmova koje me u posljednjem desetljeću, nakon premijernog gledanja, ostavilo prikovanog za sjedalo u kino dvorani, daleko je više onih zbog čega sam se pitao što ja radim u toj dvorani. Nakon dužeg vremena, u ponedjeljak ujutro ostao sam prikovan za sjedalo glavne dvorane Lumiere u Cannesu nakon što sam odgledao briljantan film meksičkog redatelja Alejandra Inarritua „Biutiful". Nema sumnje, film će osvojiti neku nagradu, samo je pitanje hoće li to biti najbolji film, hoće li Inarritu biti najbolji redatelj ili će Javier Bardem dobiti nagradu za najboljeg glumca. Osjećaj je bio sjajan, ustao sam se rano, obrijao, i sav dotjeran religioznom fanatičnošću došao ujutro u osam sati na novinarsku projekciju da bi u slijedećih dva sata i dvadeset minuta Inarritu potpuno protresao moje emocije pričom o Uxbalu (Javier Bardem), sitnom krimosu iz Barcelone koji zarađuje organizirajući poslove ilegalnim imigrantima iz Kine, koji brine za svoje dvoje djece dok njihova majka, koja boluje od manične depresije, spava sa Uxbalovim bratom, i koji otkrije da boluje od raka prostate te mu ostaje još samo nekoliko mjeseci života. Uxbal želi popraviti sve što se može tih posljednjih mjeseci života, ali stvari se ne popravljaju, već se tragedije nižu jedna za drugom. Za razliku od prethodna tri filma Alejandra Inarritua „Pasja ljubav", „21 gram" i „Babel", ovog puta je priča pravolinijska, ne miješaju se vremena i likovi, sve je kristalno jasno i fenomenalno depresivno. Izašao sam iz kina samo s jednim pitanjem, je li moguće da Inarritu svaki puta režira tako dobre filmove?
-Dean Sinovčić (http://www.nacional.hr/clanak/83730/cannes-2010-dan-6-film-javiera-bardema-mora-osvojiti-nagradu)/Nacional

http://img258.imageshack.us/img258/4035/99162257.pnghttp://img88.imageshack.us/img88/2193/54167854.pnghttp://img121.imageshack.us/img121/833/92990479.png

American Cinematographer Magazine January 2011 (http://avaxhome.ws/magazines/american_cinematographer_01_2011.html)
English | 100 Pages | 15MB | True PDF

American Cinematographer is a monthly magazine published by the American Society of Cinematographers. American Cinematographer focuses on the art and craft of cinematography, going behind the scenes on domestic and international productions of all shapes and sizes. The magazine features in-depth interviews with cinematographers, directors and some of their key collaborators at every stage of production. The magazine also features historical articles, technical how-to pieces, and information on the latest tools and technologies that impact the cinematographer's craft.

TOPIC FILMA (http://www.forum.hr/showthread.php?t=590830)
by Dragonrage

Nikako docekat film. :)

[Anton]

Nikako docekat film. :)

Gledao sam ga, dobar, no težak film.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img291.imageshack.us/img291/9441/52348269.jpg

Rijeci su suvisne - Orson Welles.

http://img214.imageshack.us/img214/6772/75501441.pnghttp://img340.imageshack.us/img340/4651/36798070.pnghttp://img145.imageshack.us/img145/623/48483003.png

The Encyclopedia of Orson Welles (Great Filmmakers) (http://avaxhome.ws/ebooks/Photo_related/0816043906.html)
Facts on File | 2003-01 | ISBN: 0816043906 | 480 pages | PDF | 5,6 Mb

"Citizen Kane" is often considered the greatest masterpiece of the cinema, hailed for its story, dramatic technique, and filmmaking innovations. The film should have launched its director, Orson Welles, to superstar heights, instead, this singular filmmaker spent his career facing constant financial and organizational struggles. Yet despite these obstacles, Welles managed to produce two other successful films - "The Magnificent Ambersons" and "Touch of Evil". This encyclopaedia follows Welles' career from his early days as a radio performer with "Mercury Theater on the Air" to his rise and prolonged decline in Hollywood. More than 300 entries cover all aspects of Welles' life and career, including all of his film projects - even those never realized - major performers in his films; key crew members; sources of inspiration; music and composers; and television, stage, and radio appearances.

Ogromna preporuka za gledanje:

http://img130.imageshack.us/img130/1736/38501922.png (http://www.ubu.com/film/welles_oneman.html)

Orson Welles - The One Man Band (1995) (http://www.ubu.com/film/welles_oneman.html)

ORSON WELLES: THE ONE-MAN BAND is a fascinating glimpse at this extraordinary man's final years - made with the cooperation of Oja Kodar, Welles' longtime companion, to whom he bequeathed a wealth of unedited films and fragments when he died in 1985. Granted exclusive access to Welles' heretofore unseen archives - and drawing from almost two tons of film cans containing fragments, shorts, project ideas, and sketches - the filmmakers are led by Kodar through the rich but unfulfilled Welles legacy. Far from being the gloomy megalomaniac that Hollywood has sometimes branded him, Welles emerges here a protean creator, at times vulnerable and lonely, but always unshakeably optimistic and unfailingly innovative.

Among the many works included are:

- A hilarious trailer for F FOR FAKE
- Excerpts from THE DEEP, a thriller set in the Pacific Ocean, starring Jeanne Moreau and Laurence Harvey
- SWINGING LONDON, a wacky sketch featuring Welles in drag as a housewife!
- A clip from a one-man show of MOBY DICK, with Welles playing all parts sans makeup or costume
- Footage of a charming and self-deprecating Welles meeting with American students after a screening of THE TRIAL ("I use my own work to subsidize my work; in other words, I am crazy!")
- Highlights from THE OTHER SIDE OF THE WIND, the most prestigious production of Welles' later years: it's the story of an aging, egotistical director (played by John Huston) who rails against Hollywood. Shot in a jumpy, frenetic style, it's unlike anything Welles had done before.

"For Orson Welles buffs, THE ONE-MAN BAND will be the most exciting experience in years. It consists almost entirely of Welles-directed material that has never been seen before except by a tiny group of insiders. Here are scenes from almost all the legendary uncompleted Welles films....Director Silovic and his crew...have done a grand job in bringing some of this incredibly rare material to light, and have achieved a truly fascinating and well-constructed tribute to the master."
- David Stratton, Variety

ORSON WELLES: THE ONE-MAN BAND
(1995, 90 minutes)
Directed by Vassili Silovic.
Made possible by Oja Kodar.
Produced by Dominique Antoine, Fredy Messmer, and Roland Zag.
Executive Producer: Pit Riethmôller.
Screenplay: Silovic and Roland Zag.
Director of Photography: Thomas Mauch.
Editor: Marie-Joseph Yoyotte.
Music: Simon Cloquet.
Germany/France/Switzerland.
In English and German with English subtitles.
Dionne Sparks

IMDb (http://www.imdb.com/title/tt0117262/)

[Tenedor]

Whooooooooooa, hvala ti na ovome - Terrence Malick ultimativna je inspiracija. I enigma, baš zato (čovjek jednostavno odlutao, nitko nije znao gdje se nalazi, čak ni njegova obitelj. I onda se odjednom pojavi ("Tanka Crvena Linija"), novinari ga u čudu pitaju: Pa gdje ste vi, čovječe, punih 20 godina??? A Terrence im odgovori: Šetao sam po Aziji, spavao po poljima i promatrao ptice (!!!) :s Za mene apsolutni Car, Gospodar svemira, jedan od najboljih (ako ne i najbolji) redatelj svih vremena. Nda, nikad ne odlazi na filmske festivale/ne sudjeluje u promociji svojih filmova, ne daje intervjue/ne slika se za novine... I Sean Penn je u više navrata izjavio da će u njegovim filmovima glumiti za jedan cent honorara... Malick, the man, the legend. Hebo ja Spielberga i Lucasa...

Izuzetak, bio je na Berlinaleu tamo mislim 2001 ako se ne varam, na projekciji svoga filma "Days of Heaven" a ja nisam imao pojma o tom filmu ali sam ga imao na tren prilike vidjeti nakon projekcije (kasnije sam jedno desetak i više puta gledao "Days of Heaven", to je film za studiranje kamere, montaže, dramaturgije... :s

[La Familia]

Izuzetak, bio je na Berlinaleu tamo mislim 2001 ako se ne varam, na projekciji svoga filma "Days of Heaven" a ja nisam imao pojma o tom filmu ali sam ga imao na tren prilike vidjeti nakon projekcije (kasnije sam jedno desetak i više puta gledao "Days of Heaven", to je film za studiranje kamere, montaže, dramaturgije... :s

Prvi glas, znam da se iznenadno pojavio u Berlinu 2004., na projekciji Badlandsa (Appeared as unannounced guest on the screening of Badlands in the retrospective section of the 54th. Berlin film festival 2004). Mislim da cak nije dosao pokupiti Zlatnog Medvjeda za Tanku crvenu liniju 1999.

I ti to tajis od nas? Vidio si enigmu zvanu Terrence Malick, covjece! :s

Preporuka za citanje:

The Terrence Malick Enigma (http://www.nytimes.com/2005/11/06/movies/moviesspecial/06jame.html)

Slazem se za Days of Heaven, lijepo receno.

Nda, dobrodosao na podforum Film. :)

+

Novi poster:

http://img193.imageshack.us/img193/573/18638358.jpg (http://www.liveforfilms.com/wp-content/uploads/2010/12/tree-of-life-poster.jpg)

[Tenedor]

Prvi glas, znam da se iznenadno pojavio u Berlinu 2004., na projekciji Badlandsa (Appeared as unannounced guest on the screening of Badlands in the retrospective section of the 54th. Berlin film festival 2004). Mislim da cak nije dosao pokupiti Zlatnog Medvjeda za Tanku crvenu liniju 1999.

I ti to tajis od nas? Vidio si enigmu zvanu Terrence Malick, covjece! :s



Da, samo nažalost, tada nisam znao o kome se radi i prvo puta gledao "Days of Heaven", mada muzika u filmu mi je bila poznata od prije. Inače, taj film je ušao u zbirku mislim bijele kuće kao važan povijesni dokument koji realno prenosi situaciju toga doba u Americi. Film je na Berlinaleu bio prikazan u nekoj retrospektivi.

[Tore]

The Cube (1969)

Vjerojatno je većina vas čula za SF triler Kocka (http://www.imdb.com/title/tt0123755/) (u originalu Cube) Vicenza Natalija iz 1997. godine. E, pa koliko god se ideja činila originalna ona to ipak nije. Krajem 60-ih i početkom 70-ih NBC je emitirao tv seriju pod nazivom NBC Experiment in Television. U jednoj od epizoda tog projekta, činilo se, osvanula je ideja čovjeka zarobljenog u prostoriji šest jednakih ploha - kocki. Tu, oko sat vremena dugu epizodu režirao je, nećete vjerovati, Jim Henson, puno poznatiji kao kreator The Muppeta Showa (http://www.imdb.com/title/tt0074028/). No, kako sam ''kopao'' internet tražilicama sve dalje i dalje saznao sam da je ideja s istom osnovom postojala nešto godina ranije, u Zoni Sumraka (http://www.imdb.com/title/tt0052520/). Pomislih, nije zgoreg i to spomenuti...

IMDb (http://www.imdb.com/title/tt0291118/)
Wikipedia (http://en.wikipedia.org/wiki/The_Cube_%281969_film%29)


http://img513.imageshack.us/img513/9734/thecube.jpg (http://video.google.com/videoplay?docid=3907143513685066286&q=source%3A012548278483389840673&hl=en#)


Kliknite na sliku da biste vidjeli film.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img692.imageshack.us/img692/3663/13332116.jpg

Ono sto ovu knjigu cini posebnom (ni eseji nisu nista manje vrijedni) je intervju s Rogerom Deakinsom (http://www.imdb.com/name/nm0005683/), 'kucnim' direktorom fotografije brace Coen.

No Country for Old Men: From Novel to Film (http://avaxhome.ws/ebooks/history_military/fdghe56ytghsdfgfhdf.html)
Publisher: The Scarecrow Press, Inc. | ISBN: 081086729X | edition 2009 | PDF | 262 pages | 1,7 mb

In No Country for Old Men: From Novel to Film, scholars offer varied approaches to both the novel and the award-winning film. Beginning with several essays dedicated entirely to the novel and its place within the McCarthy canon, the anthology offers subsequent essays focusing on the film, the adaptation process, and the Coen Brothers more broadly. The book also features an interview with the Coen brothers' long-time cinematographer Roger Deakins. This entertaining and enriching book for readers interested in the Coen Brothers' films and in McCarthy's fiction is an important contribution to both Literature and Film Studies.

REPOST(S):

Joel and Ethan Coen (Contemporary Film Directors) | 220 Pages | PDF OCR | 8.3 MB http://bit.ly/cu6QN1
The Coen Brothers: The Story of Two American Filmmakers | PDF | 178 pages | 11.43 MB http://bit.ly/b9bIzF
The Philosophy of the Coen Brothers | PDF | 304 pages | 1.20 MB http://bit.ly/g5lw4w
10 Best Coen Brothers Characters: The Dude, Barton Fink and Other Classic Roles http://t.co/5tfEMpN
Required Reading: The Coen Brothers’ Favorite Authors http://bit.ly/fLlRR8

The Coen Brothers Big Lebowski interview (http://www.forum.hr/showpost.php?p=22424236&postcount=24)

[La Familia]

http://img17.imageshack.us/img17/7616/58618618.png

Leandro Copperfield (http://leandrocopperfield.blogspot.com/), zvuci poznato?

Kubrick vs Scorsese (2010) (http://vimeo.com/12432238)
Tarantino vs Coen Brothers (2010) (http://www.youtube.com/watch?v=2_tg8fMcpTc)
The Ecstasy of Cinema (2009) (http://www.youtube.com/watch?v=UW5scnLJXz0)
"What The Fuck" - Coen Brothers films (2009) (http://www.youtube.com/watch?v=0INWRpI_I2o)

Copperfieldov najnoviji uradak: 11 dana, 11 Pixarovih filmova, 500 scena, 7 minuta - The Beauty of Pixar (http://vimeo.com/18251660).

After spending 11 days revisiting Pixar Animation Studios’ eleven feature films, video editor Leandro Copperfield hand-selected 500 scenes and edited together a 7-minute tribute titled “The Beauty of Pixar”.

http://img407.imageshack.us/img407/3306/94432343.png (http://vimeo.com/18251660)

:cerek:

[La Familia]

http://img149.imageshack.us/img149/9094/95463790.png
IMDb (http://www.imdb.com/title/tt0410554/)

Sam Peckinpah, treba li ista vise reci.

Spattered with blood and controversy, Sam Peckinpah's Westerns revolutionized their genre. SAM PECKINPAH'S WEST: LEGACY OF A HOLLYWOOD RENEGADE goes in search of the man behind these legendary films. Through a poignant array of film clips and rare interviews, the documentary reveals a tortured artist whose genius and demons changed the Western forever. Interviewees include actor/director Billy Bob Thornton, Benicio Del Toro, Paul Schrader, film critic Roger Ebert, actors who worked with Peckinpah such as Harry Dean Stanton, Stella Stevens, L.Q. Jones and others. The personal side of Peckinpah will feature interviews with family members, sister Fern Lee, son Mathew Peckinpah, plus exclusive home movies and photos.

GLEDANJE (komplet):

Sam Peckinpah's West: Legacy of a Hollywood Renegade (http://documaniatico.blogspot.com/search/label/SAM%20PECKINPAH´S%20WESTERN%20A%20HOLLYWOOD%20RENE GADE)

[La Familia]

http://img412.imageshack.us/img412/4261/11102018.jpg (http://www.ifc.com/news/2010/12/the-top-ten-films-of-2011-or-a.php)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img823.imageshack.us/img823/8650/17390250.jpg
IMDb (http://www.imdb.com/title/tt0469772/)

Fascinantna dokumentarna trilogija o velikom Ingmaru Bergmanu, apsolutna preporuka za gledanje.

All three documentaries is mainly shot in the home of Ingmar Bergman. This is the first time ever that a film maker has access to Ingmar Bergman in his home at the small island Farö in the Baltic Sea. Bergman and the Cinema starts with Frenzy from 1944 and ends with Saraband from 2003. It contains unique behind-the-scenes material from Bergman's private archive. Bergman and the Theatre is about some of Bergman's 125 theatrical stagings and about his delight with the TV medium with successes as Scenes from a marriage. In Bergman and Farö Island he talks about the childhood that shaped him. He shows where he shot his film Persona and fell in love - and he lists his worst demons! Brilliant documentary/interview with the legendary Ingmar Bergman has the director talking about a wide range of subjects. Topics include his childhood, his movies, religion, death and various demons that haunt him. For the most part the documentary takes place on Faro Island, the place the director would call home. Having gone through many of the director's most famous works, I've often asked myself what type of mind it would take to create such emotional pain and beauty on the screen and each time I see the director interviewed I can see why his films were so special and why no other filmmaker could have made them the same way. Bergman once again packs a real punch with the various answers he gives to the questions being asked. Perhaps I'm wrong but I can't help but feel that he was a troubled and haunted man up until the day he died and some of the pain is on full display here. This includes his talk about being close to his mother as well as the his feelings on the possibility of seeing his dead wife Ingrid again in some sort of after life. His thoughts on religion are quite deep and interesting as are various things said in regards to his films and how they came to be. The stuff dealing with SCENES FROM A MARRIAGE and CRIES AND WHISPERS are the most interesting. Fans of the director or those just getting into his work will certainly be entertained by this thing as you really can't take your eyes or ears off the director.

http://img197.imageshack.us/img197/955/21392326.jpghttp://img141.imageshack.us/img141/9538/34378863.jpg
http://img408.imageshack.us/img408/4242/86434775.jpghttp://img259.imageshack.us/img259/7093/47556728.jpg

DOWNLOAD:

Ingmar Bergman - 3 dokumentärer om film, teater, Farö (2004) (http://scalisto.blogspot.com/2010/12/marie-nyrerod-ingmar-bergman-3.html)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Godina nova, misija stara. Rijecima velikog Andreja Tarkovskog (http://www.viddler.com/explore/Ms_Valerie/videos/34/): ''All of us are infected today with an extraordinary egoism. And that is not freedom; freedom means learning to demand only of oneself, not of life and others, and knowing how to give: sacrifice in the name of love. To pass experience to others or learn from others.''

http://img24.imageshack.us/img24/2956/51248336.jpg
IMDb (http://www.imdb.com/title/tt1433528/)
Trailer (http://www.youtube.com/watch?v=QydnBIOwoFc)
Henri-George Clouzot's Inferno (2009) By A. O. SCOTT (http://movies.nytimes.com/2010/07/16/movies/16henry.html)

Henri-Georges Clouzot's Inferno najbolji je dokumentarac o filmovima (meni definitivno najbolji), beskrajno fascinantan making-of film o klasiku koji nikada necemo vidjeti - Clouzotov Pakao.

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Henri-Georges Clouzot, "francuski Hitchcock", autor trilera a la Nadnica za strah, Demoni, Gavran, Ubojica stanuje na broju 21 i Quai des Orfèvres, 1964. godine - četiri godine nakon smrti svoje žene, glumice Vere Clouzot, četiri godine nakon svoje velike depresije, četiri godine nakon samoubilačkih fantazija i godinu dana nakon što se ponovno oženio - odlučio je da će snimiti ultimativni film: film koji će revolucionirati film. Film koji će film odvesti u budućnost. Film o muškarcu (Serge Reggiani) koji sa ženom (Romy Schneider) preuzme hotel na jugu Francuske, a onda posumnja da ga žena vara s drugim muškarcima - ljubomora ga tako izjeda, ždere, muči, guta, rastura i terorizira da počne patološki fantazirati i halucinirati, zbog čega ubrzo više nije jasno što je realnost, a što samo pijani udar njegove paranoje. Trik je u tome da film nikad nije dovršio. Ali vrijeme je bilo pravo. Šezdesete - sve se mijenjalo. Svi su htjeli revolucionirati film. Svuda po svijetu tutnjali su "novi valovi", posvuda su potkopavali "kinematografiju otaca".

TAJ MRAČNI PREDMET FILMOFILSKE KONSPIROLOGIJE

I stvarno, Pakao je bio kolekcija ideja - film koji proviruje u budućnost. Tu imate golu Romy Schneider koja leži na tračnicama po kojima joj se približava vlak. Tu imate Reggianija koji se s ubilačkim, daviteljskim, silovateljskim pogledom približava uspavanoj Romy Schneider, ali ne može do nje jer se pokaže da ih razdvaja staklo. Tu imate azurnoplavo jezero po kojem se kliže Romy Schneider i koje odjednom promijeni boju - pocrveni, zakrvavi se. Tu imate optičke koituse, orgazmička zumiranja, deformirana lica, holograme, kaleidoskope, prizme, op-art, psihodelično bljeskanje i jezik Romy Schneider koji se trza kao vagina. Oh, i Romy Schneider koja „uvlači" dim i cigaretu - i Romy Schneider koja "nateže" faličnu oprugu - i celofaniranu Romy Schneider - i Romy Schneider po kojoj "šprica" ulje - i Romy Schneider koja liže objektiv.

A onda je filmsku revoluciju sustigla realnost: Clouzot, control-freak, počeo je kasniti, postajao je sve nesigurniji, počeo je ponavljati scene koje je već snimio, raspored snimanja počeo se raspadati, novac je curio, glumce i ekipu je manično iscrpljivao i dovodio do ruba živaca, njegovo eksperimentiranje pretvorilo se u teror, neki su počeli odlaziti, Reggiani se najprije razbolio, a onda u bijesu otišao. Revolucija je pojela svoju djecu. Pakao su abortirali. Veliko pitanje glasi: zašto ga Clouzot nije dovršio? Nije ga dovršio zato što ga nije htio dovršiti? Jer se htio unedogled igrati svojim fantazijama, opsesijama i Romy Schneider koja je za njega bila voljna tada - i ne samo tada! - napraviti sve? Nije ga dovršio zato što se bojao da će na kraju ta revolucija izgledati prebanalno, samo kao patetični egotrip? Nije ga dovršio zato što više nije znao što je htio reći - jer više nije razumio samoga sebe, svoju opsjednutost, jer se, dakle, bojao da je pomalo i sam poludio? Nije ga dovršio zato jer nije htio da ga bilo tko vidi, jer je dakle izgledao kao dokumentiranje njegove vlastite patološke opsjednutosti, psihoze i ludila, kao perverzni home-movie u kojem je "poševio" Romy Schneider? Ili ga nije dovršio zato jer je to bio jedini način da financijski pokrije film? Ne zaboravite: osiguravateljsko društvo pokriva investiciju u film samo pod uvjetom da je film ostao nedovršen iz objektivnih razloga, kao što je bolest. I Clouzot se razbolio - blagi infarkt, pogoršanje zdravstvenog stanja i liječnikov savjet da miruje bili su dovoljno objektivni razlozi da se polica osiguranja može unovčiti.

Povijest filma puna je filmova koji je nisu promijenili - i ujedno puna nedovršenih filmova koji su je htjeli promijeniti. Povijest nedovršenih filmova je tajna povijest filma - povijest malih urota, pučeva i revolucija koje su propale. I upravo veliki režiseri, auteuri, koji su stvarali filmsku povijest (i mijenjali je), uvijek su slovili po nedovršenim filmovima: Erich von Stroheim, Josef von Sternberg, Hans Richter, Alberto Cavalcanti, Sergej Jutkevič, Lev Kulešov, Robert Flaherty, Marcel Carné, René Clair, Marcel Pagnol, G.W.Pabst, Alfred Hitchcock, Ruy Guerra, Charles Chaplin, Maya Deren, Germaine Dulac, Yasujiro Ozu, Sergej Eisenstein, Abel Gance i Orson Welles. Nedovršeni filmovi - taj mračni predmet filmofilske konspirologije - su klasici za sebe. S jedne strane zato što stoje i padaju s režiserovom fiks-idejom - a s druge strane zato što uvijek izgledaju kao filmovi koji su previše znali. Kod nedovršenih filmova uvijek imaš osjećaj da bi povijest filma bila drukčija da su bili dovršeni.

Izvor: Marcel Štefancic, Jr.; Klasici koje nikad necete vidjeti (http://www.h-alter.org/vijesti/kultura/klasici-koje-nikad-necete-vidjeti)

DOWNLOAD:

O Inferno De Henri-Georges Clouzot (L'Enfer D'Henri-Georges Clouzot) 2009 (http://myonethousandmovies.blogspot.com/2010/09/o-inferno-de-henri-georges-clouzot.html)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img406.imageshack.us/img406/4613/88306446.jpg

Stanleys Room (http://www.bowkera.com/stanleys_room.htm)
Stanleys Computer (http://www.bowkera.com/stanleys_computer.htm)

http://img827.imageshack.us/img827/6240/59615826.jpg
IMDb (http://www.imdb.com/title/tt1263704/)
Stanley Kubrick's Boxes trailer (http://www.youtube.com/watch?v=htQq3oYO5sI)
Citizen Kubrick by Jon Ronson (http://www.guardian.co.uk/film/2004/mar/27/features.weekend)

Jezivo dobar dokumentarac Jona Ronsona (http://www.guardian.co.uk/film/2004/mar/27/features.weekend):

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Rating: 8.6/10
Runtime: 48 min
Language: English
Country: UK
Color: Color

Director:
Jon Ronson

Cast:
Anthony Frewin ... Himself (as Tony Frewin)
Anya Kubrick ... Herself
Christiane Kubrick ... Herself
Stanley Kubrick ... Himself (archive footage)
Jon Ronson ... Himself
Vincent Tilsley ... Himself
Leon Vitali ... Himself

Description:
A biography of a remarkably talented man as seen though the rich collection of material he left behind. Stanley Kubrick's films were landmark events – majestic, memorable and richly researched. But, as the years went by, the time between films grew longer and longer, and less and less was seen of the director. What on earth was he doing? Two years after Kubrick's death, Jon Ronson was invited to the director's estate to explore the hundreds of boxes the legendary film director had collected during his decades at Childwick Manor in Hertfordshire. He's been returning ever since, and the story of Kubrick and the archive, now housed at University of the Arts London, is revealed in this fascinating documentary. Ronson asks: is it possible to get to understand such a man – and his extraordinary working methods – by looking through the hundreds of boxes he left behind?

ONLINE GLEDANJE (http://www.megavideo.com/?d=52TVPHQ7)

DOWNLOAD:

Stanley Kubrick's Boxes (2008) (http://documentary-reality.blogspot.com/2010/09/stanley-kubricks-boxes-2008.html)

[Anton]

Meni osobno najdraži redatelj. Genije. :s

[La Familia]

http://img195.imageshack.us/img195/6338/63860545.png (http://bluetoad.com/publication/?i=55930&p)

S naglaskom na sjajan first-person clanak Aarona Sorkina: "My Partner, the Director," o iskustvu rada na filmu s Davidom Fincherom (Sorkin je cak i rezirao jednu scenu The Social Networka).

http://img59.imageshack.us/img59/4337/14399586.pnghttp://img59.imageshack.us/img59/5469/81303815.png (http://bluetoad.com/publication/?i=55930&p=18)

After fine-tuning the script for a couple of weeks in New York with our producer, Scott Rudin... we delivered it to Amy Pascal at Sony on a Thursday afternoon. Friday morning, it was messengered to our first and only choice of director, David Fincher... I got an email. "Sorkin. Fincher. I'm directing The Social Network. Can I come over?"

The first scene of The Social Network is snappy banter between a guy and a girl.

For nine-and-a-half pages.

David would tell me later that when he was on page eight of that nine-page opening scene, he thought to himself, If this girl doesn't punch this guy in the face in the next 60 seconds I'm not reading any more of this. He turned the page and at the top was:

ERICA
You are probably going to be a very
successful computer person. But you're
gonna go through life thinking that
girls don't like you because you're a
nerd. And I want you to know, from the
bottom of my heart, that that won't
be true. It'll be because you're an
asshole.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Kompilacija Moviemaking dokumentaraca koje morate vidjeti.

Odabrao La Familia (jebi ga, Djelo je u penziji).

http://img52.imageshack.us/img52/1899/67247845.jpg
IMDb (http://www.imdb.com/title/tt0181288/)

Ako ste mladi redatelj koji zeli biti novi Alfred Hitchcock ili barem Antun Vrdoljak, sigurno cete shvatiti Marka Borchardta o kojem govori film 'American Movie' Chrisa Smitha i Sarah Price. Glavna poruka koju film nosi moze se ukratko sazeti u 'slijedi svoj san'. Na meniju ovog dokumentarca su sudbina, padovi, obitelj, prijateljstvo i humor – sasvim dovoljno da biste suosjecali s Markom, cak iako vas ne zanima stvaranje filmova. Mark zivi u Menomonee Fallsu, pripizdini u Wisconsinu i opsjednut je snimanjem filmova, tocnije crno-bijelih horora. Suocivši se sa stvarnoscu, shvaca da da nece uspjeti dovrsiti projekt na kojem radi dok ne nabavi novac te se usredotocava na to – dovrsavanjem prethodnog filma 'Coven'. I to s financijskom potporom 82-godisnjeg ujaka, prijatelja, majke i nekoliko piva. Najmanje sto mozete ocekivati od ovog filma je infuzija inspiracije.

Izvor: FILMSKI.NET (http://www.filmski.net/vijesti/dokumentarni-film/1034/kako_se_radi_film)/Kako se radi film?

American Movie (1999) (http://documentary-reality.blogspot.com/2010/03/american-movie-1999.html)

http://img339.imageshack.us/img339/9755/91220630.jpg
IMDb (http://www.imdb.com/title/tt0379730/)

Narrated by Sydney Pollack, film critic Richard Schickel's dazzling two-hour plus documentary to one of the towering figures in film: Charles Chaplin. Hardcore Chaplin fans may not find much new material here, but more unfamiliar admirers will gain some valuable information about one of the most famous personalities of the 20th century. Schickel has constructed the documentary as a chronological survey of Chaplin's work, starting with his most significant shorts and covering all of his features. Schickel supports his narration with testimony from artists familiar with Chaplin's work and family members who offer personal insights into the comedian's life. The documentary plays down but doesn't ignore the controversies that swirled around Chaplin's private life. But the main focus is on the films. They include some of the best-loved movies of all time. Clips from "Kid Auto Races at Venice," the 1914 Keystone short in which Chaplin first used his Tramp costume, reveal a startlingly modern technique and sensibility, as if the filmmakers were predicting and mocking reality TV. Subsequent shorts show Chaplin refining his 'Little Tramp' character while absorbing the essentials of filmmaking. By the time he made "Easy Street," in 1917, Chaplin had perfected a combination of knockabout farce and Victorian sentiment that still proves irresistible. Chaplin's early features, including "The Kid," "The Gold Rush" and "City Lights," were such blockbuster hits that he could essentially ignore the coming of sound for almost a decade. Those making appearances on the program include Woody Allen, Richard Attenborough, Jeanine Basinger, Claire Bloom, Geraldine Chaplin. Sydney Chaplin, Johnny Depp, Robert Downey Jr., Milos Forman, Bill Irwin, Norman Lloyd, Marcel Marceau, David Raksin, David Robinson, Andrew Sarris, Martin Scorsese and Jeffrey Vance.

Charlie: The Life and Art of Charles Chaplin (2003) (http://documentary-reality.blogspot.com/2010/09/charlie-life-and-art-of-charles-chaplin.html)

http://img220.imageshack.us/img220/4387/24876178.jpg
IMDb (http://www.imdb.com/title/tt0109474/)

This is a fascinating documentary about the Chilean writer, director, artist Alexandro Jodorowsky. The interviewer Louis Mouchet asks Jodorowsky a potpourri of questions about his films, philosophy, art, and his opinion and feelings on a host of subjects. Mouchet begins the interview with the simple, but spellbinding, inquisition: "who are you?", to which Jodorowsky replies with a tale of the Emperor of China. He states that when we can define ourselves we cease to be. He shares with us his thoughts and definitions of his lifelong quest for knowledge and the unknown, and his exploits into the Panic Movement in France, and his drawings and art and how he avoided the lynching by the audience at the premiere of Fando and Lis. There are also interviews with his associates Fernando Arrabal, Marcel Marceau, Jean Giraud and the musician Peter Gabriel. We also learn of his plans of the project of Dune, which fell through and was later made by David Lynch. There is also an interesting and amusing look at Jodorowsky as an orator in a class of students, in which Mouchet is invited to join in. It is a fascinating and enlightening look at the life and works of this creative and artistic guru.

The Jodorowsky Constellation (1994) (http://documentary-reality.blogspot.com/2010/07/jodorowsky-constellation-1994.html)

http://img513.imageshack.us/img513/1637/70259500.jpg
IMDb (http://www.imdb.com/title/tt0810887/)

A retrospective of the films of Britain's Hammer Studios, renowned for making stylish horror films in the 1950s, '60s and '70s. Included are clips from Hammer productions and interviews with actors, actresses, directors and producers who worked on these films. It's odd to consider that out of all the films by Hammer which have found their way onto DVD with all of the "Making Of" featurettes and Behind The Scenes films, nobody has bothered to re-release this nearly definitive British television hour long special dedicated to the 40th anniversary of Hammer From from 1987. It is absolutely essential viewing for any horror fan weaned on Britain's finest independent film studios, featuring priceless interview segments with not only a grandfatherly Peter Cushing and Christopher Lee -- Hamming it up inside of a ring of lit candles -- but many of Hammer's own best & brightest stars from behind the camera: Jimmy Sangster, Anthony Hinds, producer Aida Young, Michael Carreras, composer James Bernard. Even Martin Scorcese gets a word or two in edgewise praising Hammer for many a misspent afternoon as a youth. My own favorite segment is an outtake from a film showing an early Hammer production in progress with good old James Needs editing film right there on his Moviola machine. Nobody else did it quite like Hammer, they had many imitators and influenced many others, and this glimpse at their history will delight any fan.

Hammer: The Studio That Dripped Blood! (1987) (http://documentary-reality.blogspot.com/2010/09/hammer-studio-that-dripped-blood-1987.html)

http://img534.imageshack.us/img534/7894/25962398.jpg

Virtually a crash course on the most important and talented living Japanese filmmaker after Kurosawa and related aspects of contemporary Japanese politics and culture. This superb feature-length documentary made in 1984 by Paul Joyce for England’s Channel Four offers an indispensable look at a fearlessly innovative and political filmmaker who is all but unknown in this country today, thanks to the reluctance of his U.S. distributor to make such vital works as Boy, Death by Hanging, and The Ceremony available on video. Making intelligent use of Anglo-American commentators (writers Donald Richie, Roger Pulvers, and Paul Mayersberg) as well as Oshima himself, this film somehow manages to cover everything in Oshima’s career from his early youth shockers to In The Realm of the Senses and Merry Christmas, Mr. Lawrence–including his fame as a Japanese TV personality (at the outset we see him acting in a commercial for bug spray). Essential viewing.

Nagisa Oshima: The Man Who Left His Soul on Film (1984) (http://documentary-reality.blogspot.com/2010/10/nagisa-oshima-man-who-left-his-soul-on.html)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Idemo dalje, opet odabrala moja malenkost (jebi ga, Djelo je i dalje u penziji).

http://img255.imageshack.us/img255/5380/24258208.jpg
IMDb (http://www.imdb.com/title/tt0302750/)

Lloyd Kaufman and the Troma Team struggle against incompetence, conflict and "the man" in order to complete their latest piece of art, Terror Firmer. The documentarians hold nothing back in the fight for truly independent cinema. The documentary is set behind the scenes of making one of Lloyd Kaufman movies called Terror Firmer. Though it is supposed to be a horror movie this documentary is more hilarious than terrifying. The real precious part of it is when the actors and staff are preparing themselves for shooting a scene and then the whole thing goes to hell.

Farts Of Darkness: The Making Of Terror Firmer (2001) (http://documentary-reality.blogspot.com/2010/05/farts-of-darkness-making-of-terror.html)

http://img821.imageshack.us/img821/7300/57808216.jpg
IMDb (http://www.imdb.com/title/tt1010379/)

Blood, Boobs and Beast tells the compelling story of Don Dohler, whose movies have been called everything from oddly brilliant to some of the worst films of all time. Despite his critics, Dohler has gotten all 9 of his sci-fi and horror films distributed internationally, as well as TV syndication for his first film, The Alien Factor. Dohler has also inspired artists and filmmakers such as Robert Crumb (Fritz the Cat), J.J. Abrams (Creator of TV show Lost ) and Art Speigelman (Maus) with his underground comix character ProJunior, and his DIY filmmaking magazine, Cinemagic. Mild-mannered and unassuming, Dohler started making wholesome sci-fi films in the Baltimore area in 1976, but recently began including nudity and gore in his movies to please distributors. At age 59 he's just finished his most gratuitous movie to date and it's selling well, yet Dohler feels "sick of the exploitative stuff" and is considering giving up the Blood, Boobs and Beast formula. However, Dohler's recent partner Joe Ripple disagrees and views these components as essential to gaining distribution. Since the pair's filmmaking philosophies have begun to differ, it's possible that their current film could be their last. Shot and edited over two and a half years, Blood, Boobs and Beast provides a fresh and humorous look at low-budget filmmaking through the unassuming eyes of Don Dohler. With revealing interviews and beautiful cinematography, Blood, Boobs and Beast is a touching portrait of Dohler's career, his family, and his struggle to just make a good movie.

Blood, Boobs & Beast (2007) (http://documentary-reality.blogspot.com/2010/04/blood-boobs-beast-2007.html)

http://img573.imageshack.us/img573/3056/70511884.jpg
IMDb (http://www.imdb.com/title/tt1034469/)

After the U.S. and India, the world’s third largest producer of feature films is Nigeria. Barely a decade old and already generating over $286 million for the Nigerian economy, "Welcome to Nollywood" explores this burgeoning industry, from its unique challenges to its diverse array of films that both mirror and comment upon the social issues of the continent. As countries across Europe and Asia continue to grapple with the influence of American movies, the Nigerian film industry has been quietly undergoing an unprecedented boom. “Nollywood,” as its come to be known, is the most popular cinema in all of West Africa, more popular even than Hollywood or Bollywood films. This dramatic growth can be attributed as much to the Afro-centric storylines and themes, as to the easy availability and affordability of new technology. All Nollywood films are shot on digital video, completed within several days, and immediately distributed to consumers. They are sold at markets and bazaars for a few dollars each. The sheer volume of production is staggering: one estimate has a film being produced for each day of the year. "Welcome to Nollywood" offers a fascinating look inside this newly emerging industry. The documentary follows three of the country's hottest directors as they shoot their films about love, conflict, and the supernatural – including an epic war film about Liberia and Sierra Leone – while incorporating interviews with scholars, actors, and journalists who celebrate Nollywood as a whole, its unique character and genres, as well as its impact on the culture of West Africa and Africans at home and abroad.

Welcome to Nollywood (2007) (http://documentary-reality.blogspot.com/2010/04/welcome-to-nollywood-2007.html)

http://img692.imageshack.us/img692/2223/17705645.jpg
IMDb (http://www.imdb.com/title/tt0397380/)

The inspiration that you need. This movie is not "Making Art for Dummies." This movie is more appropriately "Go Out and Make Some Art, You Dummy!" If you are a creative person, or you think that you may be a creative person, then you need to see this movie, and then you have to go and do something about it. This film is an inspiration to me, and will be an inspiration to anyone who struggles with the demon of creation. There are many cool people that I had heard of in the movie. Everyone in it, whether famous or yet to be famous, has something important to say to you, the viewer. It is an amazing message, and it should spark an outpouring of creativity and art in any and all who view it. I know that it did in me. Now I have to get back to making my own damn movie!

D.I.Y. or Die: How to Survive as an Independent Artist (2002) (http://documentary-reality.blogspot.com/2010/04/diy-or-die-how-to-survive-as.html)

http://img524.imageshack.us/img524/6330/30408915.jpg
IMDb (http://www.imdb.com/title/tt0150338/)

The life and times of Baltimore film maker and midnight movie pioneer, John Waters. Intercut with a 1972 interview of Waters are clips from his first films and recent interviews with his parents, his brother, Divine's mom, actors and crew, other directors, film critics, a film curator, psychologists, and Maryland's last censor, who shudders at the memory of Waters's pictures. Also included is footage of Waters making his early movies, culminating in an up-close and in-depth look at Pink Flamingos: the script, the set, the filming conditions, its editing, its distribution, and its impact. In sweet ways, this documentary is also a celebration of Divine (1945-1988).

Divine Trash (1998) (http://documentary-reality.blogspot.com/2010/04/divine-trash-1998.html)

[La Familia]

http://i48.tinypic.com/2ex92yd.jpg (http://www.sonyclassics.com/awards-information/)

Ekipa iz Sony Pictures Classicsa casti rundom friskih scenarija (Animal Kingdom, ogromna preporuka za citanje/gledanje):

2010-2011 Screenplays:

http://www.sonyclassics.com/awards-information/animalkingdom_title.gif (http://www.sonyclassics.com/awards-information/animalkingdom_screenplay.pdf)

http://www.sonyclassics.com/awards-information/anotheryear_title.gif (http://www.sonyclassics.com/awards-information/anotheryear_screenplay.pdf)

http://www.sonyclassics.com/awards-information/barneysversion_title.gif (http://www.sonyclassics.com/awards-information/barneysversion_screenplay.pdf)

http://www.sonyclassics.com/awards-information/getlow_title.gif (http://www.sonyclassics.com/awards-information/getlow_screenplay.pdf)

http://www.sonyclassics.com/awards-information/insidejob_title.gif (http://www.sonyclassics.com/awards-information/insidejob_screenplay.pdf)

http://www.sonyclassics.com/awards-information/madeindagenham_title.gif (http://www.sonyclassics.com/awards-information/madeindagenham_screenplay.pdf)

http://www.sonyclassics.com/awards-information/motherandchild_title.gif (http://www.sonyclassics.com/awards-information/motherandchild_screenplay.pdf)

http://www.sonyclassics.com/awards-information/pleasegive_title.gif (http://www.sonyclassics.com/awards-information/pleasegive_screenplay.pdf)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img202.imageshack.us/img202/3632/34610552.jpg (http://www.immigrantmagazine.com/wp-content/uploads/2009/09/NSN-Poster-2009.01.jpg)
Sluzbena stranica/Preview (http://www.pbs.org/independentlens/no-subtitles-necessary/)
IMDb (http://www.imdb.com/title/tt1054118/)

Konacno se docepao THE dokumentarca: No Subtitles Necessary: Laszlo & Vilmos. The Deer Hunter; Close Encounters of the Third Kind; Deliverance; Paper Moon; Five Easy Pieces; What’s Up, Doc; New York, New York; Heaven’s Gate; Frances... Treba li ista vise reci, osim - pogledajte i uzivajte u ovom sjajnom dokumentarcu.

The icons of the American New Wave in the late 1960s and early 1970s moviemaking are generally held to be directors—your Robert Altmans and your Peter Bogdanoviches. But when you summon the gritty feel of that cinematic era, chances are the images that leap to mind are the handiwork of either Laszlo Kovacs or Vilmos Zsigmond. NO SUBTITLES NECESSARY: Laszlo & Vilmos is an ode to those two great Hungarian cinematographers and to their remarkable friendship, which survived wars, spanned continents and endured the capriciousness of Hollywood during the Me Decade and beyond. Kovacs and Zsigmond met in film school in Budapest and became fast friends. When the Soviets invaded in 1956, the two young men grabbed an Arriflex camera and, all the 35 mm film they could carry, and surreptitiously filmed the brutal crackdown and desperate efforts by civilians to escape. Ultimately, they shot thousands of feet of film and smuggled it out of the country, barely dodging suspicious Russian soldiers. The aspiring cinematographers made their way to the United States and struggled to break into the film industry. Early on, the only work they could find was shooting extremely low-budget films, including the subtly titled features The Girl in the Invisible Bikini and The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies?!! In 1967, Kovacs worked on a biker-themed film called Hell’s Angels on Wheels, which happened to feature a young actor named Jack Nicholson. That led to his big break, when Dennis Hopper convinced him to sign on for an edgy new take on the biker film, called Easy Rider. “He was the best telephoto operator I’ve ever seen, no doubt about it,” Dennis Hopper said of Kovacs. On the heels of that film’s success, Laszlo recommended his friend Zsigmond to Peter Fonda for a new production called The Hired Hand. Suddenly, both were the most sought-after lensers in the new, young Hollywood.

http://img706.imageshack.us/img706/1116/52376553.jpg

Both had a painter’s eye for light and angle, and they applied their sense of realism to the method they developed and used. The combination of their naiveté and their stubborn pursuit of their dream meant they broke all of the rules, simply because they didn’t know what the rules were in the first place. Producer/director Irwin Winkler said, “They were at the forefront of the change in filmmaking from the studio system to the independent system and maybe now back to the studio system, frankly.” Between them, they would shoot some of the most notable films in American cinematic history: The Deer Hunter; Close Encounters of the Third Kind; Deliverance; Paper Moon; Five Easy Pieces; What’s Up, Doc; New York, New York; Heaven’s Gate; Frances; and dozens more. Through it all, Kovacs and Zsigmond maintained a close friendship that, to those with whom they worked, appeared more like a sibling relationship—albeit minus the rivalry. “They have the same blood in them,” said Kovacs’ wife Audrey. NO SUBTITLES NECESSARY: Laszlo & Vilmos introduces those outside of the film community to the two Hungarians who made the 60s and 70s look like they do in our collective memories. Through interviews with the two men’s colleagues and clips from their wildly eclectic filmographies, filmmaker and fellow cinematographer James Chressanthis constructs an homage to his heroes and forerunners. The film features appearances and insights by Karen Black, Peter Bogdanovich, Sandra Bullock, Richard Donner, Peter Fonda, Dennis Hopper, Tatum O’Neal, Jon Voight, John Williams and Sharon Stone and a host of other colleagues.

DOWNLOAD:

No Subtitles Necessary: Laszlo & Vilmos (2008) (http://www.freshwap.net/forums/tv-shows/477496-independent-lens-no-subtitles-necessary-lszl-vilmo-s-ws-dsr-xvid-futv.html)

U funkciju su jedino RS linkovi.

[La Familia]

http://img194.imageshack.us/img194/8784/61382063.png

Francis Ford Coppola: On Risk, Money, Craft & Collaboration (http://the99percent.com/articles/6973/Francis-Ford-Coppola-On-Risk-Money-Craft-Collaboration)

Odlican intervju.

Over the course of 45 years in the film business, Francis Ford Coppola has refined a singular code of ethics that govern his filmmaking. There are three rules: 1) Write and direct original screenplays, 2) make them with the most modern technology available, and 3) self-finance them.

The Blood Is the Life: The Making of 'Bram Stoker's Dracula' (http://stagevu.com/video/hpcncmktwhgp)
(IMDb (http://www.imdb.com/title/tt0892040/))

Fifteen years after this stunning reinterpretation of Dracula was released (1992), we go behind the scenes and watch master director Francis Coppola reinvent a classic with screenwriter James V. Hart, and cast members Gary Oldman, Winona Ryder, Anthony Hopkins, Keanu Reeves, Richard E. Grant, Tom Waits and Sadie Frost. "Bram Stoker's Dracula was filmed entirely on the sound-stages of MGM (then recently acquired by Sony and Columbia pictures) and the visual style included vintage special effects and screen magic at a scale not seen in decades.

http://img192.imageshack.us/img192/9210/27310468.png (http://stagevu.com/video/hpcncmktwhgp)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img521.imageshack.us/img521/4131/38724044.jpg (http://abraxas365dokumentarci.blogspot.com/)


Vristite, braco i sestre - stize Abraxas! Apsolutno fantastican blog (http://abraxas365dokumentarci.blogspot.com/)! Radi se o impresivnoj kolekciji dokumentaraca, filmofilskih rariteta, making of filmova, svakojakih cudesa... Nti krvi (I surrender, ovaj je 'ludji' od mene), ne zna covjek od kud krenuti...

Vezite se, krecemo s Herzogom, svim onim materijalima koji jos nisu postani na temi. Linkovi vode na sve dodatne informacije:


http://img146.imageshack.us/img146/2135/38916136.jpg (http://abraxas365dokumentarci.blogspot.com/search/label/werner%20herzog)

Herzog Gets Shot (2006) (http://abraxas365dokumentarci.blogspot.com/2010/10/herzog-gets-shot-2006.html)
The Making of Nosferatu (1979) (http://abraxas365dokumentarci.blogspot.com/2010/10/making-of-nosferatu-1979.html)
Pilgrimage (2001) (http://abraxas365dokumentarci.blogspot.com/2010/10/pilgrimage-2001.html)
On The Ecstasy Of Ski-Flying: Werner Herzog In Conversation With Karen Beckham (2007) (http://abraxas365dokumentarci.blogspot.com/2010/04/on-ecstasy-of-ski-flying-werner-herzog.html)
Walking to Werner (2006) (http://abraxas365dokumentarci.blogspot.com/2010/02/walking-to-werner-2006.html)
Bells from the Deep: Faith and Superstition in Russia (1995) (http://abraxas365dokumentarci.blogspot.com/2010/02/bells-from-deep-faith-and-superstition.html)
The White Diamond (2004) (http://abraxas365dokumentarci.blogspot.com/2010/01/white-diamond-2004.html)
Intervju sa Herzogom (http://abraxas365dokumentarci.blogspot.com/2009/12/intervju-sa-herzogom.html)
How much Wood would a Woodchuck chuck (1976) (http://abraxas365dokumentarci.blogspot.com/2009/12/how-much-wood-would-woodchuck-chuck.html)
The Great Ecstasy of Woodcarver Steiner (1974) (http://abraxas365dokumentarci.blogspot.com/2009/12/great-ecstasy-of-woodcarver-steiner.html)

OSTALO:

http://img9.imageshack.us/img9/9825/17447441.jpg (http://abraxas365dokumentarci.blogspot.com/2011/01/making-taxi-driver-1999.html)

Making Taxi Driver (1999) (http://abraxas365dokumentarci.blogspot.com/2011/01/making-taxi-driver-1999.html)

http://img641.imageshack.us/img641/9059/94420222.jpg (http://abraxas365dokumentarci.blogspot.com/2010/11/once-upon-time-sergio-leone-2001.html)

Once Upon a Time: Sergio Leone (2001) (http://abraxas365dokumentarci.blogspot.com/2010/11/once-upon-time-sergio-leone-2001.html)
The Making of 'Psycho' (1997) (http://abraxas365dokumentarci.blogspot.com/2010/09/making-of-psycho-1997.html)
Raspakivanje - Emir Kusturica (http://abraxas365dokumentarci.blogspot.com/2010/04/raspakivanje-emir-kusturica-svakog-dana.html)
The Eldritch Influence: The Life, Vision, and Phenomenon of H.P. Lovecraft (2003) (http://abraxas365dokumentarci.blogspot.com/2010/03/eldritch-influence-life-vision-and.html)
Lovecraft: Fear of the Unknown (2008) (http://abraxas365dokumentarci.blogspot.com/2010/03/lovecraft-fear-of-unknown-2008.html)
Pretty as a Picture: The Art of David Lynch (1997) (http://abraxas365dokumentarci.blogspot.com/2010/02/pretty-as-picture-art-of-david-lynch.html)
Giger's Alien (1979) (http://abraxas365dokumentarci.blogspot.com/2009/05/gigers-alien-1979.html)
Breakfast with Hunter (2003) (http://abraxas365dokumentarci.blogspot.com/2009/02/breakfast-with-hunter-2003.html)
The Mark Of Cain (2000) (http://abraxas365dokumentarci.blogspot.com/2008/10/mark-of-cain-2000.html)
Marilyn Monroe: The Final Days (2001) (http://abraxas365dokumentarci.blogspot.com/2010/07/marilyn-monroe-final-days-2001.html)
Woody Allen: A Life in Film (2002) (http://abraxas365dokumentarci.blogspot.com/2010/03/woody-allen-life-in-film-2002.html)
Nice to Meet You, Please Don't Love Me! (2004) (http://abraxas365dokumentarci.blogspot.com/2010/03/nice-to-meet-you-please-dont-love-me.html)
The Men Who Made the Movies: Alfred Hitchcock (1973) (http://abraxas365dokumentarci.blogspot.com/2010/02/men-who-made-movies-alfred-hitchcock.html)
Dario Argento's World of Horror (1985) (http://abraxas365dokumentarci.blogspot.com/2010/01/dario-argentos-world-of-horror-1985.html)
John Carpenter: Fear Is Just the Beginning... (2004) (http://abraxas365dokumentarci.blogspot.com/2009/10/john-carpenter-fear-is-just-beginning.html)
Nightmares in Red, White and Blue (2009) (http://abraxas365dokumentarci.blogspot.com/2010/08/nightmares-in-red-white-and-blue-2009.html)
Dangerous Days: Making Blade Runner (2007) (http://abraxas365dokumentarci.blogspot.com/2010/07/dangerous-days-making-blade-runner-2007.html)
Please Kill Mr. Kinski (1999) (http://abraxas365dokumentarci.blogspot.com/2010/03/please-kill-mr-kinski-1999.html)
Zodiac Deciphered (2008) (http://abraxas365dokumentarci.blogspot.com/2010/03/zodiac-deciphered-2008.html)

http://img690.imageshack.us/img690/5346/59015629.jpg

Great Bolshy Yarblockos! Making 'A Clockwork Orange' (2007) (http://abraxas365dokumentarci.blogspot.com/2010/02/great-bolshy-yarblockos-making.html)
Baadasssss Cinema (2002) (http://abraxas365dokumentarci.blogspot.com/2010/02/baadasssss-cinema-2002.html)
Zabranjeni Bez Zabrane (2007) (http://abraxas365dokumentarci.blogspot.com/2010/02/zabranjeni-bez-zabrane-2007.html)
Alan Yates (2005) (http://abraxas365dokumentarci.blogspot.com/2010/01/alan-yates-2005.html)
Jim Jarmusch Interview (2000) (http://abraxas365dokumentarci.blogspot.com/2010/01/jim-jarmusch-interview-2000.html)
Schlock! The Secret History of American Movies (2001) (http://abraxas365dokumentarci.blogspot.com/2009/12/schlock-secret-history-of-american.html)
Horror Business (2005) (http://abraxas365dokumentarci.blogspot.com/2009/11/horror-business-2005.html)
The American Nightmare (2000) (http://abraxas365dokumentarci.blogspot.com/2009/08/american-nightmare-2000.html)
Texas Chain Saw Massacre: The Shocking Truth (2000) (http://abraxas365dokumentarci.blogspot.com/2009/07/texas-chain-saw-massacre-shocking-truth.html)
Going to Pieces: The Rise and Fall of the Slasher Film (2006) (http://abraxas365dokumentarci.blogspot.com/2008/10/going-to-pieces-rise-and-fall-of.html)

http://img401.imageshack.us/img401/4241/48217069.jpg

The Pervert's Guide to Cinema (2006) (http://abraxas365dokumentarci.blogspot.com/2008/10/perverts-guide-to-cinema-2006.html)


Hat tip, jedno veliko HVALA (velicine Aljaske) i srdacan pozdrav carobnjaku Abraxasu i svim filmofilima iz regiona.

[Das Modell]

La Familia!Ti si zakon!:s

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img547.imageshack.us/img547/6963/66116164.png

Jos jedan sjajan 'Profil' Trevora Hogga - Darren Aronofsky.

Visual Linguist: A Darren Aronofsky Profile (Part 1) (http://flickeringmyth.blogspot.com/2010/12/visual-linguist-darren-aronofsky.html)

http://img140.imageshack.us/img140/2615/82741644.png

“When I was a kid, me and my sister and friends used to put on these little shows,” recalled American moviemaker Darren Aronofsky, the son of two school teachers. “We used to put on records and lip-sync or dance to them. We’d invite the parents up and during this one show, I’ll never forget, I turned off the lights and… had the spotlight [a big flashlight] on my sister dancing to some music… And my Dad screamed at me, ‘Turn on the lights!’ What I learned from that is that if it gets in the way of the performance, then don’t do it.” Along with a fascination with black and white photography, the young Brooklyn native found himself drawn to a controversial work by legendary director Stanley Kubrick. “When I was growing up, the films that I liked, movies like A Clockwork Orange [1971], I used to go to midnight screenings of it in Manhattan and get blown away. I always wanted to make a film that was as exciting and challenging as it for an audience.” Another influential picture for Aronofsky was She’s Gotta Have It (1986) which introduced him to the concept of “guerilla filmmaking.”

Visual Linguist: A Darren Aronofsky Profile (Part 2) (http://flickeringmyth.blogspot.com/2010/12/visual-linguist-darren-aronofsky_29.html)

http://img833.imageshack.us/img833/2986/66071300.png

“The idea of doing a movie about a wrestler had been floating around in my head for six or seven years,” remarked Darren Aronofsky who made the observation upon graduating from film school that no one had given the sport a serious cinematic treatment. “I started to develop some of the ideas with producer Scott Franklin and discovered he was a bigger wrestling fan as a kid than I was.” Aronofsky added, “When you meet someone who ten or fifteen years ago was playing in front of 50,000 people and now they’re suddenly in front of 200 people, they’re not just doing if for the money. They’re doing it also to hold onto their craft and the glory. It’s really dramatic.” The Wrestler (2008) revolves around a retired professional wrestler who is drawn back to the ring with the goal of making a comeback. “It was a very hard role to cast,” admitted the Brooklyn native. “[I needed] someone to pull off the humour as well as the sadness and tragedy.” Aronofsky made a controversial choice. “No one believed in Mickey Rourke [The Rainmaker]. He has no value as a commodity. Well, I sat with him and looked into his eyes. His eyes aren’t dead. They’re alive, yearning, thinking.” The director did have some doubts about his leading man. “He’s a big guy but he’s nowhere the size of these wrestlers; he had to put on thirty-five pounds of muscle. So when I first met him, I didn’t know if he could do something like that, and [after] six months of lifting and five thousand calories, he did it.” Rourke impressed the filmmaker with his acting talent. “When you meet him, he has all this armor on him, but that’s because inside he is soft as jelly and he has such a big heart. Technically, he’s an incredible actor and completely in control of his craft.”

SCENARIJI (.pdf download):

Pi (http://www.mypdfscripts.com/screenplays/pi)
Requiem for a Dream (http://www.raindance.org/site/picture/upload/Requiem%20For%20A%20Dream%20(2000)(1).pdf)
Fountain, The (http://www.mypdfscripts.com/screenplays/the-fountain)
Below (http://swamptales.us/wp-content/uploads/2008/09/below.pdf)
Wrestler, The (2007.10.14 Draft) (http://www.mypdfscripts.com/screenplays/the-wrestler-2007-10-14-draft)
Black Swan (2009.10.05 Draft) (http://www.mypdfscripts.com/screenplays/black-swan-2009-10-05-draft)

KNJIGE (.pdf):

Steven Dillon, "The Solaris Effect: Art and Artifice in Contemporary American Film" (http://avaxhome.ws/ebooks/language/english/The_Solaris_Effect.html)

CASOPISI:

http://img607.imageshack.us/img607/7918/77699010.png (http://www.forum.hr/showpost.php?p=30731956&postcount=1592)

American Cinematographer Magazine December 2010 (http://www.forum.hr/showpost.php?p=30206668&postcount=1544)

VIDEO:

Darren Aronofsky: Reel Life, Real Stories (http://www.makingof.com/posts/watch/2284/darren-aronofsky-reel-life-real-stories)

OSTALO LINKOVLJE:

Darren Aronofsky - official website (http://www.darrenaronofsky.com/DA.html)
Darren Aronofsky - official blog (http://darrenaronofsky.blogspot.com/)
Darren Aronofsky Online (http://aronofksy.tripod.com/)
Aronofsky Films (http://aronofskyfilms.com/)
The Fountain graphic novel (http://www.dccomics.com/vertigo/graphic_novels/?gn=4287)
Press kit - WRESTLER (http://www.wildbunch.biz/images/9537bd48-31ba-4829-9027-31f4b3162e94.pdf)
Darren Aronofsky and cinematographer Maryse Alberti discuss scenes on the set of The Wrestler (http://motion.kodak.com/motion/uploadedFiles/theWrestler.pdf)

La Familia! Ti si zakon! :s

Zakon, dabome. One eyed man, a man with true grit.

Salim se, hvala. :)

[cowgir|]

Izvin'te što ovako upadam, ali morala sam reći reč-dve.

La Familia, ne mogu dovoljno da ti se zahvalim na temi koja je, for real, najbolja stvar na internetu ikad (prvo sam ogradila to s 'vezana za film', ali onda sam se vratila i obrisala, jer je ovako bliže istini), a zbog ovog (http://forum.hr/showpost.php?p=30778668&postcount=1601) posta te Nebo voli i vazda će te voleti, večni život zagarantovan. :cerek: Naime, filmografija braće C mi je tema diplomskog i ovo što si tu otkrio (da se razumemo, bilo je značajnih doprinosa throughout The Topic) mi je fucken priceless! Naročito mi je milo što si brat ljubitelj njihovog opusa, i tvoji su mi tekstovi o njima i njinim filmovima bili baš...inspiring. :mig:

Lurkam temu već mesecima i nikad neću zaboraviti osećaj kad sam ju otkrila (onaj nakon http://www.pic4ever.com/images/eek5.gif), it kept me up all night, i bila sam usplahirena poput... ne znam, citiram Blackadder: I'm as excited as a terribly excited person who has a special reason for being terribly excited. :D

Nema dovoljno velikih esova za ovo, te ću se suzdržati.
Ne znam, imam neodoljivu potrebu da ti nešto poklonim zauzvrat , nešto...lepo i bitno. http://www.pic4ever.com/images/hanghead.gif :zubo:

Još jednom, veliko hvala! za sve. http://www.pic4ever.com/images/4lqqtqv.gif

EDIT: Sad mi je pogled pao na Abraxasov sajt u gornjim postovima; otkrila sam ga negde prošle godine tragajući za mrvicama o omiljenoj mi TV emisiji o filmu ikad, Šok Koridoru - primer/DL (http://abraxas365dokumentarci.blogspot.com/2009/09/sok-koridor-religijski-sok.html). Topla preporuka. :top:

[La Familia]

Izvin'te što ovako upadam, ali morala sam reći reč-dve.

La Familia, ne mogu dovoljno da ti se zahvalim na temi koja je, for real, najbolja stvar na internetu ikad (prvo sam ogradila to s 'vezana za film', ali onda sam se vratila i obrisala, jer je ovako bliže istini), a zbog ovog (http://forum.hr/showpost.php?p=30778668&postcount=1601) posta te Nebo voli i vazda će te voleti, večni život zagarantovan. :cerek: Naime, filmografija braće C mi je tema diplomskog i ovo što si tu otkrio (da se razumemo, bilo je značajnih doprinosa throughout The Topic) mi je fucken priceless! Naročito mi je milo što si brat ljubitelj njihovog opusa, i tvoji su mi tekstovi o njima i njinim filmovima bili baš...inspiring. :mig:

Lurkam temu već mesecima i nikad neću zaboraviti osećaj kad sam ju otkrila (onaj nakon http://www.pic4ever.com/images/eek5.gif), it kept me up all night, i bila sam usplahirena poput... ne znam, citiram Blackadder: I'm as excited as a terribly excited person who has a special reason for being terribly excited. :D

Nema dovoljno velikih esova za ovo, te ću se suzdržati.
Ne znam, imam neodoljivu potrebu da ti nešto poklonim zauzvrat , nešto...lepo i bitno. http://www.pic4ever.com/images/hanghead.gif

Još jednom, veliko hvala! za sve. http://www.pic4ever.com/images/4lqqtqv.gif

http://www.pic4ever.com/images/rainbowf.gif

I'm speechless. http://www.pic4ever.com/images/wow.gif

Hvala ti na ovim lijepim rijecima, you just make my day. http://www.pic4ever.com/images/4chsmu1.gif

Napisem nesto vise dok se malo priberem (:rofl:), citamo se.

[La Familia]

http://img692.imageshack.us/img692/2863/92027840.jpg

The Hollywood Reporter u posjetu Aaronu Sorkinu, fascinantan clanak (pogotovo za one koji se bave scenaristikom):

“Writing never comes easy. The difference between Page 2 and Page Nothing is the difference between life and death.”
– Aaron Sorkin

Inside Aaron Sorkin's Writing Process (http://www.hollywoodreporter.com/news/aaron-sorkins-writing-process-69586)

http://img821.imageshack.us/img821/8617/screenplay.jpg

Scenariji Aarona Sorkina:

Social Network, The (http://www.mypdfscripts.com/screenplays/the-social-network)
Charlie Wilson’s War (2006.09.21 Draft) (http://www.mypdfscripts.com/screenplays/charlie-wilsons-war-2006-09-21-draft)
A Few Good Men (http://www.godamongdirectors.com/scripts/fewgood.shtml)

Novi naramak For Your Consideration scenarija (neki od njih vec su postani na temi u raznim draftovima, ovo su originalne shooting script verzije sa sluzbenih stranica producenata/distributera):

The Town screenplay – For Your Consideration (http://warnerbros2010.warnerbros.com/hfpa/assets/screenplay_the-town.pdf)
Inception screenplay – for your consideration (http://warnerbros2010.warnerbros.com/hfpa/assets/screenplay_inception.pdf)
The American (http://www.focusawards2010.com/workspace/the_american_screenplay.pdf)
Blue Valentine (http://twcawards.com/assets/downloads/pdf/blue-valentine1.pdf)
The Company Men (http://twcawards.com/assets/downloads/pdf/the-company-men.pdf)
Let Me In (http://www.overturefilms.net/awards/media/pdf/let_me_in_final_script.pdf)
Hereafter (http://warnerbros2010.warnerbros.com/bafta/assets/screenplay_hereafter.pdf)
Jack Goes Boating (http://www.overturefilms.net/awards/media/pdf/jgb_final_script.pdf)
The King's Speech (http://twcawards.com/assets/downloads/pdf/the-kings-speech1.pdf)
The Kids Are All Right (http://www.focusawards2010.com/workspace/the_kids_are_allright_screenplay.pdf)
Somewhere (http://www.focusawards2010.com/workspace/somewhere_screenplay.pdf)
Toy Story 3 (http://www.waltdisneystudiosawards.com/toystory3/script-toystory.pdf)
Winter's Bone (http://www.roadsideattractionsawards.com/dl/screenplay-wintersbone.pdf)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://www.thebigpicturemagazine.com/templates/bigpic/images/bigpic/hdr_spot.gif (http://www.thebigpicturemagazine.com/index.php?option=com_content&view=section&layout=blog&id=9&Itemid=57)

Novi Digital Editioni:

http://img24.imageshack.us/img24/5476/92567090.jpg (http://www.intellectjournals.co.uk/MediaManager/File/issue11(web).pdf)

http://img153.imageshack.us/img153/4073/62029337.png
View Digital Edition (http://www.littlewhitelies.co.uk/the-magazine/issue-32/)

http://img197.imageshack.us/img197/7813/19541708.png
View Digital Edition (http://www.littlewhitelies.co.uk/the-magazine/issue-31/)

http://img683.imageshack.us/img683/8490/30919363.jpg

The Hollywood Reporter - 19 January 2011 (http://avaxhome.ws/magazines/hobbies_leisure_time/The-Hollywood-Reporter-19-January-2011.html)
PDF | 84 Pages | English | 43.8 Mb

Kao sto rekoh (http://www.forum.hr/showpost.php?p=30872071&postcount=88) (odmah po gledanju True Grita brace Coen): Nti krvi! Citav svoj zivot (a mogao bi mu unuk biti) trubim da je Jeff Bridges jebeni fenomen! Nista manje od toga, Ameri ce plakati za Jeffom tek onda kad ga vise ne bude. Prosle godine stigla je potvrda te glumacke izvrsnosti, vec ove dobili smo novog Roostera Cogburna. Ali kakvog Cogburna, Bridgesov 'Rooster' ne jebe zivu silu! Da vidim tog glumca koji moze uci u te cizme i isporuciti ovu legendarnu recenicu/scenu...

Rooster
Fill your hand, you son of a bitch!

He puts the reins in his teeth, grabs his other revolver with the hand now free, and spurs his horse. (http://www.youtube.com/watch?v=bSELRi1EoQk)

... ali bez ikakvog pribjegavanja parodiji/imitaciji legendarnog Waynea u toj Oscarom mu nagradjenoj ulozi. Odgovorno tvrdim (a kad vidite tu Coenovu scenu s Bridgesom sve ce vam biti jasno), ma da se i pokojni The Duke sada digne iz groba i prisloni mi svoj Red River D™ Classic na celo - Bridgesov 'Rooster' jednako je dobar (ako ne i bolji). Ruku na srce, bolji je i Portisov/Coenov 'Rooster', sam prikaz tog lika - sa svim karakternim slojevima (scena u kojoj trci s malom Mattie u narucju emocionalno me dokosurila) - funkcionira puno bolje od onog iz '69. Eto, rekao sam. :)

http://img341.imageshack.us/img341/7060/44322773.png (http://www.ropeofsilicon.com/article/i-love-the-coens-true-grit-but-this-is-hilarious)

One of the main complaints against Joel and Ethan Coen's True Grit (a.k.a. my #1 film of 2010 (http://www.ropeofsilicon.com/article/top-ten-movies-of-2010/)) is that you can't understand what Jeff Bridges as the drunken US Marshall Rooster Cogburn is saying. While this College Humor video may take a few liberties in what you can and cannot easily understand it is absolutely hilarious.

Have a watch.

I Love the Coens' 'True Grit' but This is Hilarious – http://bit.ly/h0t24d

Aupicku, u-m-i-r-e-m! :rofl:

Jeff. :cerek:

BTW, True Grit (http://www.truegritmovie.com/) (preveden kao Covjek zvan Hrabrost) mozete pogledati u hrvatskim kinima od 24. 2. Ogromna preporuka da to i ucinite - svakako pogledajte film.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img89.imageshack.us/img89/9979/39437115.jpg (http://img843.imageshack.us/img843/1022/75709407.jpg)
IMDb (http://www.imdb.com/title/tt1144539/)
Trailer (http://www.youtube.com/watch?v=kcRyNY13Nnc)
The best documentaries of 2010 By Roger Ebert (http://blogs.suntimes.com/ebert/2011/01/the_best_documentaries_of_2010.html)

Direktno s Ebertove liste (http://blogs.suntimes.com/ebert/2011/01/the_best_documentaries_of_2010.html) najgorih... Ne, najboljih dokumentaraca 2010. :)

Najbolji najgori film

http://img19.imageshack.us/img19/2647/0018434bmedium.jpg

Što napraviti kad ti film uðe na listu najgorih filmova svih vremena? Snimiti dokumentarac o tome i promovirati svoj kultni trash! Michael Paul Stephenson jako je loše poceo filmsku karijeru - s 10 godina snimio je katastrofalan film! Stephenson je 1990. kao djecak nastupio u niskobudžetnoj horor komediji Troll 2 koja je s vremenom ušla na IMDB-ovu listu 100 najgorih filmova svih vremena. Iako se zove 'Troll 2', film nije nastavak 'Trolla', fantasy filma iz 1986., vec su distributeri namjerno stavili takav naslov - iako se u filmu uopce ne pojavljuje nijedan mitski trol! Odjednom, poceo je dobivati poruke obožavatelja koji su mu javljali kako znaju 'Troll 2' u detalje, a dobio je i pozive za specijalne projekcije i okupljanja ekipe. Uskoro se Stephenson opet sreo s Georgeom Hardyjem, zubarom koji je u filmu igrao njegovog oca, a na okupljanjima su ih tretirali kao prave zvijezde. Kao što svaki ljubitelj trash filmova zna, s vremenom oni najlošiji filmovi dobiju status 'kultnog trasha' u stilu Eda Wooda i to se dogodilo i s ovim filmom. Stephenson priznaje da su i gluma i režija i scenarij i specijalni efekti 'Trolla 2'- jednostavno ocajni! Ipak, Kada je par desetljeca kasnije Stephenson odlucio nastaviti svoju filmašku karijeru, nije u CV-u prikrivao cinjenicu da je glumio u filmu koji je izišao direktno na DVD i dobio katastrofalne kritike. Stoga je Stephenson snimio 'Best Worst Movie (http://bestworstmovie.com/)', dokumentarac koji pokazuje kako i loš film za nekoga može biti dobar. Trud se ocito isplatio - redatelj i koscenarist 'Trolla 2' Claudio Fragasso najavio je kako bi mogao snimiti nastavak s istim glumcima! Filmofili možda ocajavaju nakon ove najave, ali ljubitelji trasha zadovoljno trljaju ruke.

NAJBOLJI NAJGORI FILM - DOKUMENTARNI FILM - FILMSKI.NET http://bit.ly/eza2jm

Best Worst Movie (2009) (http://avaxhome.ws/video/Format/documentary/Best_Worst_Movie_2009.html)

[La Familia]

http://img263.imageshack.us/img263/2455/24366152.jpg
IMDb (http://www.imdb.com/title/tt0800022/)

Elektr(k)oma by Daft Punk

http://img269.imageshack.us/img269/3948/92503501.jpg

Francuski duo Daft Punk je na redateljskom predstavljanju minulog canneskog festivala, Director's Forthnightu, predstavio svoj novi uradak 'Electroma'. Na ponos francuske nacije i na užas filmskih kritičara... Za razliku od scenarija za 60 minutnu animu iz 2003. 'Interstella 5555: The 5tory of the 5ecret 5tar 5ystem' u režiji Leijija Matsumota, kojeg su fanovi Daft Punka i spomenutog žanra obožavali, a kritika nabila na kolac nazvavši ga idiotskim, režiju 'Electrome' su Thomas Bangalter i Guy-Manuel de Homem-Christo uzeli u svoje ruke. Electroma je jednostavna priča bez dijaloga o dva robota u kacigama, Robotu 1 i Robotu 2, koji se voze kroz pustinju na putu prema kalifornijskoj oblasti Inyo u kojoj svi stanovnici nose kacige. U lokalnoj Hi Tech ustanovi, znanstvenici im zaliju lica tekućim lateksom ne bi li poprimili ljudska obilježja. Novonastala situacija, tj, njihova različitost razljuti lokalni živalj, pa dvojac bježi u pustinju. To što su Daftpankovci uzeli stvar u svoje ruke, nije im pomoglo da izbjegnu prijeki sud kritike, npr. Leslie Felerpin s Varietya koja ih je sasjekla. Prema riječima nešto blažeg Andrewa Pulvera s Guardiana film je odlično snimljen i na momente vrlo smiješan, no s golemom narativnom rupom u sredini filma kad robotski duo luta pustinjom, a najjači je kraj u kojem se raznesu.

Elektr(k)oma by Daft Punk - Dugometražni -FILMSKI.NET http://bit.ly/hoS5Ea

Daft Punk Electroma Full

http://img440.imageshack.us/img440/4193/24671708.png (http://www.youtube.com/watch?v=1n_hrbDcIlk)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img266.imageshack.us/img266/3499/31406816.jpg

Konacno se netko sjetio. Uz britanski Sight & Sound najbolji filmski casopis.

January/February 2011 (http://www.filmlinc.com/fcm/jf11/index.htm)

FEATURES

Final Cut 2010
Includes the Best Films of the Year Poll, 10-Best Lists, State of the Art, Terra Incognita, and Wesley Morris on Tyler Perry
Bonus: see the Top 50 released and Top 30 unreleased films of 2010 and vote in our Readers’ Poll

James L. Brooks
The maestro of West Coast neurotic comedy talks about his new film How Do You Know
by Gavin Smith
Plus, Jonathan Rosenbaum on the musical version of I’ll Do Anything

Mike Leigh
England’s greatest living filmmaker discusses Another Year’s dance of the contented and the depressed
by Amy Taubin
Also, Graham Fuller supplies an anatomy of melancholy. Plus, a Mike Leigh star chart

DEPARTMENTS

Brief Encounters
Harlan Jacobson interviews Paul Giamatti

Film Comment - January/February 2011 (http://avaxhome.ws/magazines/hobbies_leisure_time/Film-Comment-January_February-2011.html)
PDF | 84 Pages | English | 35.1 Mb

http://img15.imageshack.us/img15/8318/52024148.jpghttp://img401.imageshack.us/img401/7646/27084360.jpg

Los Angeles Confidential - February 2011 (http://avaxhome.ws/magazines/fashion_lifestyle/Los-Angeles-Confidential-February-2011.html)
PDF | 140 Pages | English | 54 Mb

The Hollywood Reporter - Special Reports January 2011 (http://avaxhome.ws/magazines/daily_news/The-Hollywood-Reporter-Special-Reports-January-2011.html)
PDF | 36 Pages | English | 19 Mb

[Anton]

http://img440.imageshack.us/img440/4193/24671708.png[/URL]

Uredi ovu poruku jer ima spoiler na kraju.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img808.imageshack.us/img808/1994/64988484.jpg (http://artandseek.net/files/2010/07/DTPoster_Grimonprez.jpg)
Double Take - trailer 1 (http://www.youtube.com/watch?v=VWyhI4XWoKM), 2 (http://www.youtube.com/watch?v=dvsGSrS-9_M), 3 (http://www.youtube.com/watch?v=j61Ntb8UyZ4), 4 (http://www.youtube.com/watch?v=NDZ2Ujyv_nw) i 5 (http://www.youtube.com/watch?v=HE9d1ClO4LU)
Sluzbena stranica (http://www.doubletakefilm.com/)
IMDb (http://www.imdb.com/title/tt1386926/)

Ovo se cekalo.

"If you ever meet your doppelgänger, you're supposed to kill him - or he's supposed to kill you. I forget which way round it is, but the point is, two of you is one too many."
- Alfred Hitchcock presents...

http://img228.imageshack.us/img228/2516/22876679.png (http://img145.imageshack.us/img145/1613/40300612.png)

Based on the Jorge Luis Borges essay 25 August, 1983, Double Take is set in 1962 - or possibly 1980, as will become clear - when the master of suspense is filming The Birds. As fans will know, Hitchcock liked to have a cameo role in all his films. In this instance he is directing a body double in his role as he sets up an early shot, when a mysterious phone call lures him away to a lonely production office. "That's odd sir," says the doorman. "I thought you'd already gone up." Adapting The Birds from Daphne du Maurier's novel, Hitchcock drew upon a real life incident in the California town of Capitola where poisoning apparently drove local birds mad and sent hem slamming into rooftops. Despite recognising their peril, the birds were unable to steer any other course. At first the course that Double Take steers will seem haphazard. Alfred Hitchcock (or one of several people who can be Alfred Hitchcock as the occasion requires) narrates the increasingly sinister story of his encounter with an older man who claims to be him, and who insists it is 1980. Elsewhere, the world of 1962 is troubled. The Russians are ahead in the space race. Never fear, Nixon boasts, for America has the miracle of colour television. It's television that sinks Nixon, who came across so well on radio, in his famous debate with Kennedy. Meanwhile, The Bay of Pigs debacle ensues. Families stock up on food and learn the drill for retreating to nuclear fallout shelters whilst politicians from either side match each other's insincere grins in a curious doppelgänger effect. The tension is escalating, real and fictional. To increase our viewing pleasure, Mr Hitchcock explains, advertisements will appear at intervals throughout this film. They're knowingly twee, stereotypical, comic. The audience I saw this with laughed out loud. Gradually they, too, become more sinister. Not everybody will cope with Double Take. Some will find the apparently random nature of its early scenes so irritating that they'll just give up. But there will almost certainly be others who will consider this to be one of the best films they have ever seen. Like the best Hitchcock thrillers, it will have you glancing nervously over your shoulder. What is the familiar silhouette near the fire exit? A rotund looking man with a cigar... no, wait! It shifts. It might just be your own shadow.

Double Take 2009 (http://scenereleases.info/2011/01/double-take-2009-dvdrip-xvid-vomit.html)

Hat tip za Sherlocka (http://www.forum.hr/member.php?u=18733).

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img545.imageshack.us/img545/1103/29118786.jpg

“I thought the best performance of the last decade was Mike White
in Chuck & Buck. I dug that performance.” – Jeff Bridges

W (http://www.wmagazine.com/celebrities/2011/02/best_performances_ss) ga upravo uvrstio na svoju Best Performances (http://www.wmagazine.com/celebrities/2011/02/best_performances_ss) listu (The most remarkable moments in film this past year weren’t 3-D action sequences but characters so real they hurt. Here, the actors who made us believe).

Ima nesto jos bolje. Conan?

http://img831.imageshack.us/img831/145/75640207.png (http://www.tbs.com/video/conan.jsp?oid=239480)

Nije ni Conan. PBS je 12. sijecnja emitirao 90-minutni dokumentarac Jeff Bridges: The Dude Abides (http://www.pbs.org/wnet/americanmasters/episodes/jeff-bridges-the-dude-abides/about-the-film/1727/). :cerek:

BTW, radi se o epizodi hvaljenog serijala American Masters (http://www.pbs.org/wnet/americanmasters/).

Prvo forspan/preview (obratite pozornost na reakciju likova u ducanu, heads explode when the proprietors of the store realize who just walked through the door):

http://img208.imageshack.us/img208/6669/94995015.png (http://www.youtube.com/watch?v=kENCU5cLBJU)

About the Film (http://www.pbs.org/wnet/americanmasters/episodes/jeff-bridges-the-dude-abides/about-the-film/1727/)

American Masters opens its 25th season with Jeff Bridges: The Dude Abides giving viewers an unexpected window into the life of the actor whose easy going style has endeared him to audiences for almost 40 years. The 90-minute film, airing nationally Wednesday, January 12 at 8 p.m. (ET) on PBS (check local listings), debuts less than a year after Bridges’ game-changing Best Actor Academy Award-winning role as Bad Blake in Crazy Heart. It also coincides with his return to the screen in Tron Legacy – reprising his role as Kevin Flynn from Tron (1982) – and as Rooster Cogburn in the remake of True Grit, directed by the Coen Brothers, reuniting him with The Big Lebowski (1998) writer-directors, where his iconic role as “the Dude” originated. “Jeff Bridges is one of our greatest screen actors,” says Susan Lacy, series creator and executive producer of American Masters, a seven-time winner of the Emmy Award for Outstanding Primetime Non-Fiction Series. “He has an incredible body of work but most of us didn’t know that he is, truly, a modern Renaissance Man, widely and wildly talented in, seemingly, all of the arts.” Once called “the most natural and least self-conscious screen actor that has ever lived” by the über-critic Pauline Kael, Jeff Bridges has been plying his craft most of his life. With his first role as an infant in The Company She Keeps and a childhood television debut in his father Lloyd’s television series Sea Hunt, he burst onto the silver screen in The Last Picture Show in 1971 and was immediately recognized with a Best Supporting Actor nomination – the first of his five Oscar nominations.

http://img808.imageshack.us/img808/6223/53725584.jpg

Bridges has created original and memorable characters in notable films, emblematic of every generation and genre. To name but a few – The Last Picture Show (1971), Starman (1984), The Fabulous Baker Boys (1989), The Fisher King (1991), The Big Lebowski (1998) … and, of course Crazy Heart (2009). Featured in The Dude Abides are clips from these and several other Bridges’ films, including Against All Odds (1984), Tucker (1988), Texasville (1990), The Contender (2000), Tron Legacy and True Grit. Helping to illuminate time and place in Bridges’ work are on-screen interviews with the directors Terry Gilliam, Taylor Hackford and Peter Bogdanovich; the actors Robin Williams, Robert Duvall, John Goodman and Stacey Keach; the actresses Cybil Shephard, Mercedes Ruehl and Karen Allen; the musicians T-Bone Burnett and Michael McDonald. Hailing from an illustrious Hollywood family, with the pervasiveness of the ‘business’ all around him, Bridges was raised with values and an authenticity that negated Tinsel Town’s influences and, by all accounts, retains a genuine and unaffected demeanor, despite his celebrity. His firm and steady ties to his parents and siblings is replicated in his own decades-long marriage, his relationship with his three daughters and strong friendships that date back to childhood. His brother Beau, his wife Susan and his sister Cindy are among those who add their personal touches to Bridges’ story.

Bridges exemplifies traits and interests far beyond his brilliance as an actor. He is a talented musician – recently touring with his band The Abiders – a photographer, painter, potter and occasional vintner. He helped found the End Hunger Network in 1983 and continues to work with Share Our Strength, a foundation trying to eradicate childhood hunger. Known for taking on-set still photographs of cast and crew during all of his recent movies, Bridges puts together an original album after wrapping and presents a copy to everyone. His photographs have been shown in galleries in Los Angeles, New York and London. He uses the Widelux camera, pioneered in France, and wrote about it in his 2003 volume Pictures. “It is a fickle mistress ….. it has arbitrariness to it, a capricious quality. I like that. It’s something I aspire to in my work …. a willingness to receive what’s there in the moment …. getting out of the way seems to be one of the main tasks for me as an artist.” Jeff Bridges: The Dude Abides is a production of THIRTEEN’s American Masters for WNET. Gail Levin is director and writer. The producers are Neil Koenigsberg, Nikki Silver and Orly Wiseman. Susan Lacy is the series creator and executive producer of American Masters. American Masters is made possible by the support of the National Endowment for the Arts and by the Corporation for Public Broadcasting. Additional funding for American Masters is provided by Rosalind P. Walter, The Blanche & Irving Laurie Foundation, Jack Rudin, Rolf and Elizabeth Rosenthal, The André and Elizabeth Kertész Foundation, and public television viewers.

American.Masters.S23E09.Jeff.Bridges.The.Dude.Abid es.HDTV.XviD-FQM (http://hotfile.com/dl/96398320/78f5434/american.masters.s23e09.hdtv.xvid-fqm.avi.html)

Google pretraga: American Masters S23E09 Jeff Bridges The Dude Abides HDTV (http://www.google.hr/search?hl=hr&q=American+Masters+S23E09+Jeff+Bridges+The+Dude+Ab ides+HDTV+XviD-FQM&btnG=Tra%C5%BEi&aq=f&aqi=&aql=&oq=)

Uzivajte, ja sigurno hocu. :)

[La Familia]

http://img412.imageshack.us/img412/6550/45040259.jpg (http://www.lettersofnote.com/2011/01/we-will-never-get-past-viet-nam-if-we.html)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img96.imageshack.us/img96/715/72075745.jpghttp://img829.imageshack.us/img829/2276/45286443.jpghttp://img710.imageshack.us/img710/6479/18887802.jpghttp://img521.imageshack.us/img521/3276/39599067.jpghttp://img69.imageshack.us/img69/5745/77686490.jpg

Naramak novih knjiga...

American Cinema 1890-1909: Themes and Variations - http://bit.ly/f6AO3G
American Cinema of the 1910s: Themes and Variations - http://bit.ly/gEnewl
American Cinema of the 1960s: Themes and Variations - http://bit.ly/h1fuAG
American Cinema of the 1970s: Themes and Variations - http://bit.ly/gWWY6v
American Cinema of the 1980s: Themes and Variations - http://bit.ly/hquIGG
Looking at Movies: An Introduction to Film, 3 Edition - http://bit.ly/frn3Fn
Motion Picture and Video Lighting, Second Edition - http://bit.ly/fAYjV2
Film Music: A Very Short Introduction - http://bit.ly/hWcxol
Lloyd Kaufman, Ashley Wren Collins, "Produce Your Own Damn Movie!" - http://bit.ly/gGx8Fp

http://img715.imageshack.us/img715/1668/70843907.jpg

Science Fiction Film (Genres in American Cinema) - http://bit.ly/exfN3R
Producing and Directing the Short Film and Video, Third Edition - http://bit.ly/eweUcJ
Contemporary American Cinema - http://bit.ly/ikb3iC
Producing and Directing the Short Film and Video - http://bit.ly/hmnnKC
The Films of Jean-Luc Godard: Seeing the Invisible - http://bit.ly/gwjiTA
The Films of Woody Allen - http://bit.ly/hRXKXK
Secrets of Hollywood Special Effects - http://bit.ly/dE2ND1
The Films of Joseph Losey - http://bit.ly/dXfhdq
The Films of Paul Morrissey - http://bit.ly/hAK36O
The Films of Roberto Rossellini - http://bit.ly/fFtc55
The Films of Ingmar Bergman - http://bit.ly/gsRTbL
Everything You Always Wanted to Know about Lacan: But Were Afraid to Ask Hitchcock - http://bit.ly/hesyAb
Cinema 1: The Movement-Image & Cinema 2: The Time-Image - http://bit.ly/efbtZ3

http://img821.imageshack.us/img821/8617/screenplay.jpg

Scenarija...

Inside Moves http://t.co/5jgTfrq
King's Speech, The (2010.01.20 Draft) http://t.co/UJ7H4Lg
Never Let Me Go (2009.03.24 Draft) http://t.co/VltpkRl
Nowhere Boy (2009.02.11 Draft) http://t.co/GmkYyQX
Terminator, The (1983.04.20 Draft) http://t.co/XvzIUNl
Terminator, The (1984.03.11 Draft) http://t.co/oqzBAf9
Terminator 2: Judgment Day http://t.co/jPts124
T2-3D: Battle Across Time http://t.co/WfGOdR3
Terminator 3: Rise of the Machines http://t.co/0iT2h5R
Troy (2003.02.21 Draft) http://t.co/APziuKI
Black Swan (2009.03.25 Draft) http://t.co/RIAyiRM
Bullitt http://t.co/eUBWp2m
Burlesque (2009.05.21 Draft) http://t.co/niv2PJR
Catch Me if You Can (2000.02.25 Draft) http://t.co/SwKgqNM
I Love You Phillip Morris (2008.04.27 Draft) http://t.co/yAK081R
Payback http://t.co/nsn8p23
Rabbit Hole http://t.co/pWU4YK7
Tourist, The http://t.co/UO1GcSe
True Grit (2010) http://t.co/S9nxPVX

Specijaliziranih casopisa...

http://img547.imageshack.us/img547/6915/17332998.jpghttp://img191.imageshack.us/img191/9889/69591613.jpg

POST Magazine December 2010 - http://bit.ly/iaswdk
POST Magazine January 2011 - http://bit.ly/e3jsqw


"Carpe diem. Seize the day, boys. Make your lives extraordinary." :)

[La Familia]

http://img197.imageshack.us/img197/20/81431312.jpg (http://www.lettersofnote.com/2011/01/ill-be-waiting-to-see-your-names.html)

Transcript

February 6, 2003

Dear Chris,

Wanted to write and let you know how impressed I was with your very loving and detailed tribute to our RAIDERS OF THE LOST ARK. From the hugely imaginative substitution of a dog for a monkey that your Indy carries around on his shoulder to the smallest detail of Indiana's voice rising when he says, "It's a date...you eat 'em." (Which, by the way, is something I asked Harrison to do when he had to recreate the line in the ADR room.)

But beyond all the mimicry of the original RAIDERS, I saw and appreciated the vast amounts of imagination and originality you put in your film. Again, congratulations. I'll be waiting to see your names someday on the big screen.

All my best,

(Signed, 'Steven Spielberg')

Klikom na gornju fotku/link mozete pogledati kratki film Raiders of the Lost Ark: The Adaptation (IMDb (http://www.imdb.com/title/tt0772251/)).

REPOST:

RIJETKI DOKUMENTI:

http://i31.tinypic.com/2v0od5i.jpg

What may be a holy grail of Indiana Jones artifacts was posted online on Monday: a 125-page transcript of the original story-conference meeting involving producer George Lucas, director Steven Spielberg, and writer Lawrence Kasdan. The blog, Mystery Man on Film, somehow got its hands on the alleged transcript, which features the filmmakers talking at great length in January 1978 about what would eventually become Raiders of the Lost Ark. The thing's a pure joy to read. In it, you can find the genesis of everything from Indiana Jones' name to his fear of snakes to his (possibly risque) romantic history with Marion Ravenwood.

http://i31.tinypic.com/23m32uc.jpg

Klink! (http://mysterymanonfilm.blogspot.com/2009/03/raiders-story-conference.html)

DIREKTNI DOWNLOAD:

RaidersStoryConferenceTranscript(-101&116).pdf (http://www.sendspace.com/file/cnoe3r)

[La Familia]

http://img408.imageshack.us/img408/7636/35418315.jpg (http://nymag.com/daily/entertainment/2011/01/peckinpah.html)

Vulture (http://nymag.com/daily/entertainment/2011/01/peckinpah.html) se docepao strasno zanimljive ekskluzive:

How's this for true grit? Famously combative, alcoholic, and drug-addled filmmaker Sam Peckinpah (The Wild Bunch, Straw Dogs) is, as Chevy Chase might joke, “still dead” (he passed away in 1984 at the age of 59) — but that doesn’t mean Bloody Sam can't make a comeback. Vulture has learned exclusively that producer Al Ruddy (The Godfather, Million Dollar Baby) recently unearthed a script for a Western called The Texans that Peckinpah wrote in 1980 but never got around to making. Ruddy said he found the "new" Peckinpah script in his office in the midst of dissolving his longtime partnership with fellow producer Andre Morgan and dividing up their assets. (Morgan is not producing it.) Ruddy recalls that he first hired screenwriter John Milius to write The Texans in the late seventies, but pre–Apocalypse Now, “when John was still living in this crappy apartment over on Fountain [Avenue]. He had this Rhodesian Ridgeback that was taking up half the place, and he said, ‘I’ll do the script for you, but you gotta take this fucking dog off of my hands.’" Ruddy got the dog, and soon enough, a draft, too. But he wound up preferring the canine.

http://img149.imageshack.us/img149/9094/95463790.png

The producer then approached Peckinpah, who’d just suffered the worst professional defeat of his career with 1978's Convoy, which came in late and over budget, and was eviscerated by critics (it also happened to be the highest-grosser of his career, but more people remember the film for its director's erratic on-set behavior). So Peckinpah was desperate, and with The Texans, hoped to return to the genre he'd almost single-handedly reinvented; he approached the job with gusto — almost too much gusto, according to Ruddy: When Peckinpah turned in a draft in November 1980, it came in at 250 pages. Ruddy developed it for a decade, even after Peckinpah’s death, but after City Slickers came out in 1991, Ruddy felt the Zeitgeist had changed, put The Texans in a drawer, and eventually forgot about it. But in recent weeks, Ruddy turned to his old friend Jim Byrnes (a writer of TV Westerns stretching back from How the West Was Won and The Gambler all the way to Gunsmoke and Daniel Boone) to whittle The Texans down to 150 pages in hopes of attracting a proper writer-director to take its reins. We’re in the middle of reading the forest-slaying screenplay for The Texans now, but rather than spoiling it by telling you all about it, Ruddy’s agreed to let us to post the first fiften pages, which we suspect you'll enjoy. See below.

http://img411.imageshack.us/img411/7820/84908495.png (http://nymag.com/daily/entertainment/2011/01/peckinpah.html)

REPOST:

Sam Peckinpah's West: Legacy of a Hollywood Renegade (http://www.forum.hr/showpost.php?p=30801887&postcount=1603)

[La Familia]

http://img695.imageshack.us/img695/6341/72038998.png (http://www.kriscramer.com/)

Jos jedan Great writing resource blog zlata vrijedan (a otkriven sasvim slucajno (http://www.forum.hr/showpost.php?p=31158953&postcount=177)).

Ljubav na prvi pogled, dovoljno je baciti pogled na prvi post:

http://img268.imageshack.us/img268/3043/1001hr.png (http://www.kriscramer.com/francis-ford-coppola-discusses-the-writing-process/)

Francis Ford Coppola discusses the writing process (http://www.kriscramer.com/francis-ford-coppola-discusses-the-writing-process/)

In this video, Francis Ford Coppola discusses the creative process and describes the steps he went through to write one of his recent projects. I like how he points out early in the video that he's confident he can make a good film with good cinematography but it all comes down to the writing.

http://img97.imageshack.us/img97/8784/61382063.png
Francis Ford Coppola: On Risk, Money, Craft & Collaboration (http://www.forum.hr/showpost.php?p=30958084&postcount=1614)

One of the most important points Coppola makes is this: writers can get better with practice. If you learn only one thing from this video, let it be that.

Sistemom spojenih posuda, The Vulture (http://nymag.com/daily/entertainment/2011/01/read_bill_murrays_hilarious_sp.html) je objavio transkript Hilarious Speech govora Billa Murrayja u cast Sophie Coppole (National Board of Review awards):

http://img718.imageshack.us/img718/1222/82940006.jpg (http://nymag.com/daily/entertainment/2011/01/read_bill_murrays_hilarious_sp.html)

"They told me I have two minutes. I'm going to pop this Red Hot [candy, pops in mouth] so I'll be finished in two minutes [mumbling with candy in mouth]. Why do you give this award? Why? Because you have to throw a party. Because you have to compete with the Golden Globes. [Cheers.] We all asked that question. You're able to get out tonight, celebrate — without your relatives — you earned, you deserve it.

But why do you give it to Sofia Coppola? Why? Because you want to encourage her, I think. I think that's the real reason. Look at her. Look at her! She comes from a family, mother and father both very successful, creating entertainments, amusements and thought-provoking work. She wrote a spec script for The Virgin Suicides. The ambition of these young people! Can you believe it? The ambition! She got the job as the director. She directed Lost in Translation in another country in another language, and got a prize for it. [Pause.] God, this is a hot, hot Red Hot. But I'm not going to quit on you people, because I've got another half in my pocket. [Pulls out of pocket and puts in mouth.] I got one-and-a-half in my mouth right now. [Mumbling.]

Then she decided to work in France to do Marie Antoinette, a woman who was beheaded. Not a sympathetic creature, you know what I mean? A lot of directors would pass on that. Who do you root for? You know? She did a beautiful, beautiful movie. And now she did this Somewhere, which takes place ... somewhere. I know — it's the West Coast, Southern California based.

----

So why do you encourage these people? Because now she's had this success, she's had this work, she has this life, she has this family, she has this thing going, and now is when people like you have chosen well to say, 'Let's give this person another boost, let's give this person another boost to say keep going, because now life will come to you hard, like it's come to everyone that's lived long enough. It comes hard and it gets in the way of your career; it stops your career, it stunts your life — not necessarily your life, but it definitely will make your career go left. You show me an actor doing a shit movie, I'll show you a guy with a bad divorce. [Audience laughs.] Right? Right? [Looking around the room.] You know who I'm talking about.

"You show me an actor doing a shit movie, I'll show you a guy with a bad divorce."

Classic. :cerek:

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img443.imageshack.us/img443/9959/12522323.jpg (http://avaxhome.ws/magazines/hobbies_leisure_time/total_film_-_march_2011.html)

Total Film – ozujak 2011.

http://img152.imageshack.us/img152/4992/24268236.pnghttp://img152.imageshack.us/img152/3208/63615606.pnghttp://img834.imageshack.us/img834/6619/60111782.pnghttp://img26.imageshack.us/img26/4697/6001f.pnghttp://img21.imageshack.us/img21/6401/70561635.png

Total Film – March 2011 (http://avaxhome.ws/magazines/hobbies_leisure_time/total_film_-_march_2011.html)
PDF | 164 pages | English | 80 MB

[La Familia]

http://img546.imageshack.us/img546/4428/50438967.png (http://www.youtube.com/watch?v=nwbmx6NS9N0)

Orson Welles reads from Charles Lindbergh's "The Spirit of St. Louis" in this, supposedly the last footage of the great artist before he died.

Stvarno dirljivo, mocno i dirljivo istovremeno.

Orson. :s

[dimis1]

Gledao sam True grit i mogu ga svima preporučiti

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

The Visions of Stanley Kubrick – “The Shining” (http://filmmakeriq.com/2011/01/the-visions-of-stanley-kubrick-the-shining/)

A concise look at some of the more bizarre visual aspects of The Shining. Through interviews with collaborators, current filmmakers and authors, we’ll examine how Kubrick used his unique brand of visual storytelling to convey madness, evil, and the power of the supernatural without relying on dialog or conventional exposition. As much as any film he ever made, The Shining illustrates Kubrick’s talent for using the language of pure cinema to tell his stories.

http://img718.imageshack.us/img718/4217/34040991.png (http://www.youtube.com/watch?v=R23oXwCqZcM)

http://img703.imageshack.us/img703/6338/75201677.png (http://www.youtube.com/watch?v=knOI6STltbE)

----

http://img233.imageshack.us/img233/2117/24909920.jpg (http://avaxhome.ws/ebooks/Photo_related/AlternativeScriptwriting.html)

Odlicna knjiga, one of the few books on the subject that doesn't make you feel stupid while you're reading it. Istini za volju, vecina scenaristickih knjiga je njesra (ovih dana iznapadalo i McKeea da ljudima za $800 prodaje muda pod bubrege: ‘Why Were They There?’: Screenwriting Guru Robert McKee Takes on Right-Wing Attackers http://bit.ly/fI1gKX).

"Alternative Scriptwriting," by Ken Dancyger and Jeff Rush, is one of the few books on the subject that doesn't make you feel stupid while you're reading it. Instead of the usual boring list of "tricks of the trade" that replaces a real table of content in so many "How To Write A Screenplay And Sell It For A Lot Of Money To An Even Bigger Lot Of Talentless Hopeful People" Dancyger & Rush offer real insight for those who take their screenwriting seriously and are not afraid to venture a little bit "beyond the rules". Both as a filmmaker and as a teacher I have found this volume very precious because what the authors do best is mix American craftsmanship with European sensibility. An excellent cocktail, if you ask me. And you did." –Marc Didden – Head Of Screenwriting at St. Lukas Hogeschool, Brussels , Writer/Director ( "Brussels By Night", "Istanbul", "Sailors Don't Cry")

"Alternative Scriptwriting is invaluable to anyone interested in screenwriting or in directing fiction. Using plain language it demystifies storytelling for the screen, and opens up myriad possibilities for using the cinema with invention, freshness, and imagination." –Michael Rabiger, Professor Emeritus, Film/Video Department, Columbia College Chicago.

"Just as Aristotle's "Poetics" and André Bazin's "What is Cinema" are an inseparable part of a Screenwriting reading list, Ken Dancyger and Jeff Rush's "Alternative Scriptwriting" is an absolute must read for a deeper understanding of the structure of Screenwriting. –Dr. John Bernstein, Director, Graduate Program in Screenwriting, Department of Film and Television, Boston University

Alternative Scriptwriting (http://avaxhome.ws/ebooks/Photo_related/AlternativeScriptwriting.html)
Focal Press | September 26, 2006 | ISBN-10: 0240808495 | 424 pages | PDF | 1.4 MB

[bogswama]

hvala ti La_familia što si mi ispunio život svojim smjernicama/linkovima!1

genijalan si i vrijedan!

znaj da se trud cijeni! :cerek::s:top:

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img255.imageshack.us/img255/88/39575941.jpg (http://avaxhome.ws/magazines/american_cinematographer_02_2011.html)

American Cinematographer Magazine, veljaca 2011.

http://img38.imageshack.us/img38/1206/41725208.pnghttp://img11.imageshack.us/img11/844/20592007.pnghttp://img339.imageshack.us/img339/8348/99133663.pnghttp://img443.imageshack.us/img443/6492/42089315.png

American Cinematographer Magazine February 2011 (http://avaxhome.ws/magazines/american_cinematographer_02_2011.html)
English | 88 Pages | 13MB | True PDF

----

Jucer se na YT-u pojavio fascinantan komentar (the last footage of Orson Welles). Doznajemo kome se Orson obraca na samom pocetku te snimke (ja isprva pomislih da su te rijeci 'Don't cry. Please, baby' upucene Oji Kodar), i ono najvaznije - tko je zasluzio takvo neizmjerno postovanje Orsona Wellesa, tko je bio taj Bill?

http://img546.imageshack.us/img546/4428/50438967.png (http://www.youtube.com/watch?v=nwbmx6NS9N0)

Orson Welles reads from Charles Lindbergh's "The Spirit of St. Louis" in this, supposedly the last footage of the great artist before he died.

"Welles sent this filmed letter to his longtime London manager Bill Cronshaw in 1984, who was dying of aids at the time. Cronshaw was also married to Welles longtime London secretary, Mrs. Rogers. In LA, Stefan revealed that Orson's line "Don't Cry Baby" was directed at his cat, apparently sitting beside him, just off screen. A very sad piece, not only because Welles was sending it to his dying friend, but also because Welles himself looks very frail and is obviously not in the best of health. Below is the prologue, which I think, quite appropriately, can also be applied to Welles:

OW: "There are never many, never enough of them, but there are men born into the world with a gaze fixed on the widest possible horizon. Men who can see without strain beyond the most distant horizon into that unconquered country we call the future. Here are some words by one such man, which I'd like to dedicate to another such man."

hvala ti La_familia što si mi ispunio život svojim smjernicama/linkovima!1

genijalan si i vrijedan!

znaj da se trud cijeni! :cerek::s:top:

Hvala tebi, od srca. :)

[late bloomer]

http://img233.imageshack.us/img233/2117/24909920.jpg (http://avaxhome.ws/ebooks/Photo_related/AlternativeScriptwriting.html)

Odlicna knjiga, one of the few books on the subject that doesn't make you feel stupid while you're reading it. Istini za volju, vecina scenaristickih knjiga je njesra (ovih dana iznapadalo i McKeea da ljudima za $800 prodaje muda pod bubrege: ‘Why Were They There?’: Screenwriting Guru Robert McKee Takes on Right-Wing Attackers http://bit.ly/fI1gKX).

počeo sam čitati ovo, ali stvarno tek počeo. tako da nemam ništa za napisati osim da sam počeo. hvala. :D

[La Familia]

počeo sam čitati ovo, ali stvarno tek počeo. tako da nemam ništa za napisati osim da sam počeo.

Bitno je poceti, uistinu odlicna knjiga (ja je progutao u sat vremena, uvijek joj se vracam).

'Alternative Scriptwriting' savrseno funkcionira u kombinaciji s jos jednom sjajnom knjigom:

http://img808.imageshack.us/img808/9082/11661245.png
#1492 (http://www.forum.hr/showpost.php?p=29042315&postcount=1492)

Ogromna preporuka za citanje.

Tek sad vidim da je download link mrtav (cudne se stvari dogadjaju s tom knjigom: em je tesko nabavljiva; em je netko promptno skida sa svih upload servisa).

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Jos jednom (direktni download, desni klik misa/'save as'):

Puzzle Films: Complex Storytelling in Contemporary Cinema (http://dl.dropbox.com/u/16410792/Puzzle%20Films%20-Complex%20Storytelling%20in%20Contemporary%20Cinem a.pdf)
Wiley - Blackwell | 256 Pages | ISBN: 978-1-4051-6862-5 | Language: English | PDF | 1.5 MB

“In today’s culture dominated by new media, experiences are becoming increasingly ambiguous and fragmented.” A friend once said to me after experiencing David Lynch’s Mulholland Drive: I didn’t understand it, but I loved it. Is there a more tantalising genre than the puzzle film? In Puzzle Films: Complex Storytelling in Contemporary Cinema, Warren Buckland has deftly collected a series of essays that focus on films possessed by fractured narratives, metaphorical visuals and emotional double entendres. Authored by scholars from around the globe and covering output just as diverse, Buckland’s collection explores the complexities in films such as Memento, Lost Highway, The Sixth Sense and the Infernal Affairs trilogy. In his introduction, Buckland delves into the very nature of his collection by examining the essence of the term "complex", arguing that the "puzzle plot" is the third type of plot to come after the "complex plot"—you'll have to read the rest to discover the first. A puzzle plot is convoluted in the sense that events have been arranged in an intricate manner, also termed as "forking path plots", and illustrated by outings such as The Sixth Sense. In 'Twist Blindness,' Daniel Barratt outlines in his introduction that the narrative twist is riskily established early in that film when Cole (Haley Joel Osment) tells us that he "sees dead people" as the camera rests on Malcolm's (Bruce Willis) face. Barratt then examines why test audiences failed to pick up on this major clue, thus remaining "blind" to the now legendary twist; his primary objective is to examine the nature of an audience's comprehension or lack thereof. In this reviewer's personal favourite, Buckland himself takes on David Lynch's Lost Highway, arguably the most sinister component of the director's canon, scene by scene. While obvious to the more ardent fans of the cult director, Buckland unearths the clues one by one, studies their significance and attempts to construct the towering jigsaw. Fans of the film may well move straight past Buckland's attempt since Lost Highway, much like Mulholland Drive—which astoundingly barely rates a mention anywhere in this collection—remains a beautiful mystery that few admirers want to see solved. Naturally, the screenplays penned by Charlie Kaufman are given focus here with an appropriately complicated—yet cleverly concise—essay by Chris Dzialo. Kaufman, responsible for screenplays as diverse as Being John Malkovich, Eternal Sunshine of the Spotless Mind and Confessions of a Dangerous Mind, may well be the phantom of modern cinema as he joyfully toys with our perceptions of reality, while gleefully unearthing layers of the psyche the audience never considered visiting. Dzialo examines Kaufman's Adaptation, which is every level of the puzzle film rolled into one. While he gets right down to the core of the film, Dzialo states neatly in his introduction that while Kaufman's characters crave chronology and organisation in their lives, their author disables this element for our personal enjoyment. There's nothing Kaufman enjoys more than to soil a spotless mind and while his hero(es) scrambles to keep it clean, as author, he amusingly resets it to his own specifications. The temporal complexity of Adaptation can only be fully assessed at the end, if at all. There's no Donnie Darko here, no Vanilla Sky—thankfully—and no Fight Club, but what is here will be lapped up by the fans. If this collection has a shortcoming at all, it lies in the missing examinations. Still, what is here will fascinate; but open and read at your own peril. The films discussed here are some of the great unsolved mysteries of cinema, and when they're no longer mysteries… well.

hvala. :D

I drugi put (ujedno isprika na onom sarkazmu). :D

---

Jos jedna preporuka:

http://img713.imageshack.us/img713/1477/91080767.pnghttp://img402.imageshack.us/img402/6473/93405425.pnghttp://img13.imageshack.us/img13/406/61710420.png

http://img255.imageshack.us/img255/8900/81534908.png

koobits – Download, Manage And Sync Your eBooks http://bit.ly/dHjRNp

Gledao sam True grit i mogu ga svima preporučiti

Bravo, sine - svi u kino na True Grit!

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img836.imageshack.us/img836/1940/23009886.jpg
IMDb (http://www.imdb.com/title/tt0808245/)

Scorsese ne snima samo filmove. On ih voli, zasticuje, istrazuje i konzervira. Njegova ‘putovanja’ u sedmu umjetnost neka su vrsta neponovljivih pedagoskih iskustava. Sada je u tandemu s filmskim kriticarem Kentom Jonesom snimio filmsku biografiju Elie Kazana naslovljenu ‘A Letter to Elia’.

Scorsese’s very personal tribute to a film master (http://flickfeast.co.uk/reviews/film-reviews/letter-elia-2010/)

http://img593.imageshack.us/img593/3720/24172131.jpg

This 60-minute documentary is a love-letter, really, from Martin Scorsese, perhaps the most celebrated major American filmmaker of today, to his controversial hero, artistic model, and emotional influence, once the greatest American filmmaker (they called them directors back then) of his day, Elia Kazan. Kazan of course is the author of three great movies of their time, On the Waterfront, A Streetcar Named Desire (the latter not much discussed here), and East of Eden, showcasing the Actors Studio talents of Marlon Brando and James Dean. Kazan was a co-founder of the Actors Studio. But Kazan’s favorite film was his black and white immigrant epic, America America, which opens this film (in a gorgeous pristine restoration), and emerges as deeply significant to Scorsese too. A celebration of the films of Elia Kazan (very selectively considered), Letter to Elia goes over Kasan’s personal history, his rise as an actor on Broadway, then as a theatrical director, finally as a maker of what at first were mostly filmed plays in Hollywood. The reach of Kazan’s whole career is considered. And that includes his very questionable “outing” of 8 fellow leftists to HUC Congressional witchhunters in the Fifties. Scorsese describes this, which meant even the Academy’s very late lifetime achievement award was much questioned; but he doesn’t justify or even explain it. Why did Kazan do that? How could he do it? The only implication is that for Scorsese, Kazan was too important an early influence to become a fallen idol, so he straddles the fence. This is a panegyric, not a cool-headed analysis. Interestingly enough, Kazan did do his best film work after this betrayal. But where his films may seem dated today, Scorsese prefers to see them as he did when young, vibrant, exiting, and personally significant. Scorsese’s later personal friendship with Kazan is documented with many stills and his loyalty and support movingly shown by their embrace at the Academy Awards honorary Oscar time, when many refused to stand to celebrate the old man in 1999 when he was 90. He died in 2003.

http://img694.imageshack.us/img694/9365/63436639.png

This is also very much a spoken and illustrated tribute to Scorsese’s lonely cinephile youth and to the old classic New York movie houses, now all gone, where he sat alone after buying a ticket for 12 or 15 cents and sighed and sobbed with the family conflicts of Brando and Steiger in Waterfront and Dean in Eden. Scorsese goes over specific scenes in some detail, playing the whole speech by Brando that leads up to “I coulda been a contenda.” The director is talking about love of movies, but first and foremost he recounts how these films were personal psychodramas for him, and also in the case of On the Waterfront significantly drew realistically on the “mean streets” world he himself grew up in, in Little Italy. It’s only later, the director suggests, that he went back and studied the technical aspects, the camerawork and editing of these for him seminal films. It’s not noted by Scorsese, but where Kazan made stars of Brando and Dean, he created idols himself like Di Nero and DiCaprio. My own favorite is America America, whatever the social or artistic significance of Kazan’s better known films; so it’s nice to know it was the one that mattered most to him, and to understand why. It was based on the life of an uncle, and he, and Scorsese too, he says, as (in Kazan’s case) from a Greek family out of Turkey, always saw the world as an outsider. Made as one of the American Masters series for American public television. Narrated, written and directed by Martin Scorsese. Co-authored and co-directed by Kent Jones, a former member of the selection committee of the New York Film Festival and the Film Society of Lincoln Center and Associate Director of Programming there. Jones has collaborated with Scorsese on other documentaries, including My Voyage in Italy. The voice of Kazan in dramatized quotations is performed by Elias Koteas. Seen and reviewed as a sidebar item, a Masterworks series Special Event, as part of the New York Film Festival at Lincoln Center. Debuted simultaneously Sept. 4 at Venice and Telluride, scheduled for Sept. 27 at the NYFF.

A Letter to Elia + Reflecting on Kazan (Ext. Materials) - by Martin Scorsese & Kent Jones (2010) (http://avaxhome.ws/video/genre/Biography/LettertoliaeflectingonKazanxt.MaterialsbyMartncors esentJone2010.html)
DVD5| DVD-Video | English | Subs: English + Russian + French | Run time : 60 min +20 min | 3.95 GB
Audio (English): Dolby AC3 | 2 ch | 192Kbps | video: NTSC | 16:9 (720x480) | VBR
Martin Scorsese, Elia Kazan
Art-House, Biography, Documentary

A very personal film by Martin Scorsese about the role of films Elia Kazan for the American cinema and for him personally.
Additionally, attending twenty-minute interviews with the actors who starred in Kazan's movies, and his wife.

Run time: 60 +20 min

+

http://img838.imageshack.us/img838/7175/28886896.jpg
IMDb (http://www.imdb.com/title/tt0440780/)

http://img546.imageshack.us/img546/1623/64075095.png
Scorsese on Scorsese Part 1 (http://www.youtube.com/watch?v=ZBd4lUJSbDE)

Scorsese on Scorsese Part 2 (http://www.youtube.com/watch?v=sxGD1qnxHKo)
Scorsese on Scorsese Part 3 (http://www.youtube.com/watch?v=RiJ5wYCqt5I)
Scorsese on Scorsese Part 4 (http://www.youtube.com/watch?v=UX4IgnIMFds)
Scorsese on Scorsese Part 5 (http://www.youtube.com/watch?v=_ww4xomLrt8)
Scorsese on Scorsese Part 6 (http://www.youtube.com/watch?v=tZuKBIPGcSQ)
Scorsese on Scorsese Part 7 (http://www.youtube.com/watch?v=ENOOpit5jsk)
Scorsese on Scorsese Part 8 (http://www.youtube.com/watch?v=Jy3-SKv7bXk)
Scorsese on Scorsese Part 9 (http://www.youtube.com/watch?v=JG1zcUpLu6A)

[Anton]

La Familia, ajde molim te stavi opet iduće linkove, ako ti nije problem iz ove poruke (http://www.forum.hr/showpost.php?p=31155738&postcount=1629):

American Cinema of the 1910s: Themes and Variations
Film Music: A Very Short Introduction
Secrets of Hollywood Special Effects

Ovi više ne rade, niti jedan mirror.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img96.imageshack.us/img96/3072/76528383.jpghttp://img21.imageshack.us/img21/5287/91834785.jpghttp://img404.imageshack.us/img404/3223/10021617.jpghttp://img99.imageshack.us/img99/5080/68463047.jpg

Videography Magazine January 2011 - http://bit.ly/dT2hiL
Film Journal International - February 2011 - http://bit.ly/gzaCYE
The Hollywood Reporter, 2 February 2011 - http://bit.ly/fHhBum
Between a Rock and a Hard Place By Aron Ralston - http://bit.ly/hDeFf8

In a moving account of strength in the face of adversity, Ralston presents the full story behind the 2003 event that became worldwide news: his self-amputation of his right arm after it was caught between a boulder and a canyon wall during what began as a routine day hike in the Utah Canyons. An experienced climber, Ralston, 28, effectively shows he wasn't a risk-taker, and alternates between describing how his jaunt turned into a nightmare when a huge stone suddenly came unstuck as he used it to climb down a ledge, and recalling early experiences that changed his novice attitudes toward hiking, which he admits "were not intrinsically safe." Ralston candidly renders the details of six days of entrapment, using transcribed monologues from videotapes he made while trapped, including his increasingly exhausted thoughts as well as poignant farewells to his family. But his best writing details his self-amputation and his subsequent march to safety, in which he rappelled one-armed down a hill and then hiked six miles before someone found him. Ralston's prose is never gruesome, nor is it used to shock, even as he describes first breaking his forearm, and then slipping "into some sort of autopilot" as he cuts through muscle fibers to detach the arm. It's truly thrilling when he finishes and is free: "A crystalline moment shatters and the world is a different place."

Preporuka. 'Between a Rock and a Hard Place' potrazite u Algoritmu/Profilu, film Dannyja Boylea (127 sati) svakako pogledajte u hrvatskim kinima (upravo se prikazuje).

@Anton

American Cinema of the 1910s: Themes and Variations - http://bit.ly/hh8UPQ
Film Music: A Very Short Introduction - http://bit.ly/hRnsTJ
Secrets of Hollywood Special Effects - http://bit.ly/g9XuN8

+

http://img267.imageshack.us/img267/6490/63276665.png

The Philosophy of Stanley Kubrick - http://bit.ly/h2UuKD

[Anton]

@Anton

American Cinema of the 1910s: Themes and Variations - http://bit.ly/hh8UPQ
Film Music: A Very Short Introduction - http://bit.ly/hRnsTJ
Secrets of Hollywood Special Effects - http://bit.ly/g9XuN8

+

http://img267.imageshack.us/img267/6490/63276665.png

The Philosophy of Stanley Kubrick - http://bit.ly/h2UuKD

:s

Jesi to slučajno stavio Stanleya, ili si negdje pročitao da ga obožavam. :D Hvala na linkovima! :top:

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img816.imageshack.us/img816/1199/80322142.jpg

The Movies Begin DVD Box Set

Kino's treasury of early cinema is now available in DVD format. The Movies Begin recreates the dawn of the movies with archival 35mm prints. Produced by Film Preservation Associates and the British Film Institute, the 133 complete motion pictures are spread over five individual volumes. Various directors. U.S./Western Europe. 1894-1913. Total time: approx. 380 mins. (6+ hours) B&W, Color. various musical accompaniment.

http://img21.imageshack.us/img21/3729/58171688.jpghttp://img513.imageshack.us/img513/8867/11220548.jpghttp://img256.imageshack.us/img256/2695/687i.jpghttp://img32.imageshack.us/img32/6966/689a.jpghttp://img39.imageshack.us/img39/4969/691x.jpg

The Movies Begin [1893-1913] (http://www.beer2pando.com/08/foro/index.php?topic=13095.0)

Jesi to slucajno stavio Stanleya, ili si negdje procitao da ga obozavam. Hvala na linkovima!

Vraga slucajno, nista u zivotu ne dogadja (ti) se slucajno. :) Znao sam da volis Kubricka (iz prijasnjig postova), no za knjigu 'The Philosophy of Stanley Kubrick' nije znala ni moja malenkost. Upravo si me ti doveo do nje. Naime, trazeci novi download link za 'American Cinema of the 1910s: Themes and Variations', Google me odveo do foldera nekog Poljaka: http://chomikuj.pl/MKTK/Film. Stanley me cekao tamo. Preporuka da prozujis kroz taj folder, ima sjajnih knjiga (BTW, taj poljski upload/download servis funkcionira tako da se prethodno moras regati. Srecom bez verificationa, prilikom registracije samo upisi neku izmisljenu e-mail adresu, korisnicko ime i zaporku, i dobivas 50MB downloada).

Pa onda reci da Familia ne valja. :D

Pozdrav, namjeravam napraviti dokumentarac (sa snimanjem bi poèeo na jesen) pa me zanima koji su preduvjeti za to što se tièe opreme i ljudstva. Za kameru namjeravam iæi raditi (do tad æu valjda naæi neki posao) i skupiti 15 do 20 tisuæa kuna. To bi trebalo biti dosta za opremu. Plan je da taj dokumentarac nakon što ga snimim prodam nekoj TV kuæi i tako ostvarim nekakav profit i poticaj za nastavak posla u toj branši. Projekt koji veæ duže zamišljam trajao bi jednu cijelu školsku godinu. Tražio bi dopuštenje od srednje škole da snimim ponašanje i razvoj odreðene skupine uèenika kroz cijelu godinu. Projekt bi ukljuèivao intervjue i s profesorima i s uèenicima. Ušao bi duboko u njihove živote, probleme, a da se pritom držim glavne teme - život uèenika u srednjoj školi. Tema djeluje vrlo sterilno i dosadno, ali pošto sam sam nedavno izašao iz srednje škole znam koliko dobrog materijala se tu može snimiti. Problem je naravno u tome što moram dobiti pristanak svih tih ljudi na suradnju i isplativost cijelokupnog procesa snimanja. Na takvim projektima želim raditi cijeli život i zato moraju biti financijski isplativi. Za materijal se ne brinem. Ako ideja proðe, bit æe to odlièan socijalni epizodni dokumentarac o mladima. Ako netko ima ikakvog iskustva s tim molio bi da se javi pa da porazgovaramo. Ovo nije nekakav hir ili trenutna želja pa bi molio da me se shvati ozbiljno. Projekt koji sam naveo nije striktan i u biti imam više ideja, ali ta mi se za sada najviše sviða za poèetak.

Sine, budi realan. Za pocetak 'progutaj' svako slovo iz ove knjige (od korica do korica):

http://img823.imageshack.us/img823/119/58675754.jpg (http://avaxhome.ws/ebooks/Photo_related/0240809351Documentary.html)

Anthony Q. Artis, "The Shut Up and Shoot Documentary Guide: A Down & Dirty DV Production" (http://avaxhome.ws/ebooks/Photo_related/0240809351Documentary.html)
Focal Press | 2007 | ISBN: 0240809351 | 296 pages | PDF | 11,7 MB

So you want to make a documentary, but think you don't have a lot of time, money, or experience? It's time to get down and dirty! Down and dirty is a filmmaking mindset. It's the mentality that forces you to be creative with your resources. It's about doing more with less. Get started NOW with this book and DVD set, a one-stop shop written by a guerrilla filmmaker, for guerrilla filmmakers. You will learn how to make your project better, faster, and cheaper. The pages are crammed with 500 full-color pictures, tips from the pros, resources, checklists and charts, making it easy to find what you need fast. Here's just a small sampling of what's inside the book:

* Putting together a crew
* Choosing a camera
* New HDV and 24P cameras
* Shooting in rough neighborhoods
* Interview skills and techniques
* 10 ways to lower your budget
* Common production forms
* Pull off your vision in creative and cost-effective ways
* Bonus DVD with video and audio tutorials, interviews, bonus pages with forms and checklists, and more
* 500+ full color illustrations: this book shows you, not tells you, how it's done

Nego, kakve su mi šanse da HAVC preuzme financiranje cijelog projekta?

Ama bas nikakve. Sam si, pouzdaj se samo u sebe, vuci za rukav frendove, nauci sto vise putem... Sretno. :)

[Anton]

Vraga slucajno, nista u zivotu ne dogadja (ti) se slucajno. :) Znao sam da volis Kubricka (iz prijasnjig postova), no za knjigu 'The Philosophy of Stanley Kubrick' nije znala ni moja malenkost. Upravo si me ti doveo do nje. Naime, trazeci novi download link za 'American Cinema of the 1910s: Themes and Variations', Google me odveo do foldera nekog Poljaka: http://chomikuj.pl/MKTK/Film. Stanley me cekao tamo. Preporuka da prozujis kroz taj folder, ima sjajnih knjiga (BTW, taj poljski upload/download servis funkcionira tako da se prethodno moras regati. Srecom bez verificationa, prilikom registracije samo upisi neku izmisljenu e-mail adresu, korisnicko ime i zaporku, i dobivas 50MB downloada).

Svaka čast, dobro oko i pamćenje. :top:

He he, eto i neke koristi od mene. :D Hvala na linku, baš ću provjeriti ove Poljake.

Pa onda reci da Familia ne valja. :D

Bože sačuvaj. Ako vodimo malo vatrenije rasprave, ne znači da se ne volimo. :rofl:

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img146.imageshack.us/img146/9855/66739020.jpg
IMDb (http://www.imdb.com/title/tt0365908/)
Stand By Me (trailer) (http://www.youtube.com/watch?v=FUVnfaA-kpI)

U šumi koja okružuje Castle Rock, gradić u Oregonu, četiri dječaka, najbolja prijatelja, često se nalaze u jednoj kolibici naslonjenoj na drvo. Gordie Lachance je senzibilni pisac, Chris Chambers je najzreliji i najuravnoteženiji, Teddy Duchamp je ekstroverzan i brbljav, a Vern Tessio je bojažljiv i povučen u sebe. Sva četiri dječaka imaju komplicirane odnose sa svojim očevima.

http://img513.imageshack.us/img513/4889/35396688.jpg (http://www.aleka.org/phoenix/filmo/sbm-3g.jpg)

Vern je jednom prilikom čuo tajni razgovor starijeg brata s prijateljem o tijelu koje su našli u šumi, kad su ukrali neki auto i krenuli ga sakriti. Tijelo pripada lokalnom momku, nestalom prije nekoliko dana. Dečki se dogovore da će probati pronaći tijelo i time zaraditi medijsku pozornost. Upute se u šumu, gdje ih očekuju razne anegdote, a na kraju ugledaju tijelo skriveno u grmlju, povodeći se za smjernicama starijih dečkiju. Nakon pronalaska tijela, život ih razdvaja. Teddy i Vern ostaju u Castle Rocku, Chris postaje odvjetnikom, a Gordie vrlo uspješnim piscem. No nijedan od njih nikad neće zaboraviti avanture i prijateljstva iz djetinjstva.

http://img262.imageshack.us/img262/3377/57451154.jpg (http://www.aleka.org/phoenix/filmo/sbm-5g.jpg)

'Stand by me' je film rađen po kratkoj priči 'The Body' Stephena Kinga. Teško je naći bolji film od ovoga s toliko mladih glumaca koji jednostavno briljiraju u svojim ulogama. Najviše se ističe odlični River Phoenix koji je već tada pokazivao da će biti velika zvijezda (s 33 g. je umro od predoziranja), a ostala trojica glumaca su ovdje vjerojatno ostvarili ulogu života. Također priča je toliko zrela i životna da se svaki gledatelj u nekom dijelu može poistovjetiti s njom. Odnosi između prijatelja, starijih dječaka te problematičnih roditelja su ovdje dovedeni do savršenstva te put koji dječaci prelaze kako bi našli tijelo nesretno stradalog dječaka je svojevrsni put odrastanja i shvaćanja jedni drugih. Ovaj film preporučujem svima!

Stand by me Orginal inclusiv with River Phoenix (http://www.youtube.com/watch?v=FX--7gFHkU0)

Svakih 5-6 godina vratim se ovom dragulju Roba Reinera (bas neki dan ga pogledao zajedno s necakom, vec dva dana prica o filmu).

Gordie, Chris, Teddy i Vern, fascinantno je da u svakom od njih mozete pronaci nekog svog prijatelja, komadic djetinjstva, cak i sebe.

Uzivajte u dokumentarcu.

http://img18.imageshack.us/img18/9338/76386190.jpg
The Summer of Stand by Me (http://www.youtube.com/view_play_list?p=B7C50BBD534630DE)

OSTALO:

Screenplay by RAYNOLD GIDEON & BRUCE A. EVANS (http://www.godamongdirectors.com/scripts/trans/standbyme.shtml)
Stand By Me - Study Guide (http://www.freshfilmfestival.net/images/studyguides/FFF_1999_Stand_By_Me.pdf)
Stephen King - Different Seasons (http://www.epubbud.com/book.php?g=6JMHGN6Q)
Stephen King - "Different Seasons" (http://www.filesonic.com/folder/22456)
Audiobook | English | mp3 56-256 Kbps | 976 Mb

[evamattiolo]

Pozdrav ljudi!:D

Zanima me jel ima na ovom podforumu tema sa topicom filma Il Portiere Di Notte od Liliane Cavani? u njemu glumi Charlotte Rampling :cerek:

ja ga nisam nigdje nasla...:ne zna:

gdje mogu raspravljati o tom filmu? uzasno mi je intrigantan i fascinantan, a istodobno nisam sigurna da ga kuzim, pa bi htjela cuti vase misljenje o tom filmu, bas me zanima....:D

[La Familia]

@evamattiolo

Ovako ces najlakse (i najbrze) pronaci neku temu na (pod)forumu (interna trazilica bas i nije od neke koristi):

Il portiere di notte site:forum.hr (http://www.google.hr/search?q=Il+portiere+di+notte+site:forum.hr&hl=hr&prmd=ivns&ei=MUBFTdPjAsHDswagxbXEDg&start=0&sa=N)

Topic ne postoji, film se spominje u sljedecim temama: Najbolji erotski filmovi (http://www.google.hr/url?sa=t&source=web&cd=2&ved=0CBsQFjAB&url=http%3A%2F%2Fwww.forum.hr%2Fshowthread.php%3Ft %3D241953%26page%3D18&ei=O0BFTZThDsX2sgbvmtWhDg&usg=AFQjCNHIbo6QTnjXtCIAiun1L8nJSq9HCw) (LJES); Redateljice (http://www.google.hr/url?sa=t&source=web&cd=3&ved=0CB8QFjAC&url=http%3A%2F%2Fwww.forum.hr%2Fshowthread.php%3Ft %3D153708%26page%3D3&ei=O0BFTZThDsX2sgbvmtWhDg&usg=AFQjCNGn0Qk4Sky93nyQnEj0p-DuNihTdA) i Koji je zadnji film koji ste pogledali? - Stranica 662 (http://www.google.hr/url?sa=t&source=web&cd=6&ved=0CDEQFjAF&url=http%3A%2F%2Fwww.forum.hr%2Fshowthread.php%3Ft %3D57472%26page%3D662&ei=O0BFTZThDsX2sgbvmtWhDg&usg=AFQjCNHeF9Jjg5jqO4mVSDmoDDZKSKOFEQ).

Otvori temu filma i zapocni tu raspravu. :)

[evamattiolo]

Otvori temu filma i zapocni tu raspravu. :)

hvala na linkovima, ja bi najradije da postoji tema bas o tom filmu, ali ne znam kako to lijepo napraviti i opisati....:p:D

jel se tebi da otvoriti tu temu? Pliiiiz? :D

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img96.imageshack.us/img96/2093/48555077.jpg

Rani Hitch – britanski filmovi iz tridesetih

U povijesti filma bilo je to uistinu vrijeme medijske revolucije, vrijeme prijelaza na zvučnu tehnologiju, što je uzrokovalo velike mijene u filmu. Uzdrmalo je to i Hitchcocka, koji se našao pred mnogim stvaralačkim dvojbama. U sjeni američkih uspjeha zaboravljaju se pomalo Hitchcockovi britanski filmovi iz razdoblja prije II. svjetskog rata. U sjeni remekdjela nastalih između 1958. i 1963. (od Vrtoglavice do Ptica) pomalo tonu u zaborav izvrsni filmovi kao Trideset i devet stepenica, Sabotaža i Gospođa koja nestaje. A budući da je Hitchcock uvijek bio ljubimac gledatelja, može se pogrešno zaključivati da su tridesete prošlog stoljeća bile i relativno nezanimljiva ili nevažna etapa njegove karijere. Ali, u povijesti filma bilo je to uistinu vrijeme medijske revolucije, vrijeme prijelaza na zvučnu tehnologiju, što je uzrokovalo velike mijene u poetici i retorici filma. Uzdrmalo je to i Hitchcocka, koji se tada našao pred mnogim teškoćama, stvaralačkim dvojbama, raznim nemilim iznenađenjima. Tako, njegov prvi film zvučni film Ucjena (1929) zapravo započet kao nijemi, a onda, kad se primijetilo da gledateljstvo više ne podnosi nijeme filmove, moralo ga se dovršiti kao zvučni film kome se početak doima kao euforična nijemofilmska egzibicija. Bilo je to vrijeme kad se tragalo za novim stilskim i retoričkim finesama, a Hitchcock u toj potrazi nije bio osobito brz. Tako, na primjer, oklijevao je s uporabom off dijaloga, pa tako npr. u filmu Bogati i čudni (1932) postoji samo jedno zvučno (dijaloško) preklapanje. Naprotiv, Fritz Lang u toj situaciji upravo briljira. Lang, a i Renoir, stvorili su tih istih tridesetih uspjelije filmove od najboljeg redatelja XX. Stoljeća.

http://img826.imageshack.us/img826/7735/75917398.jpg

No, nova filmska retorika problematizirala je i pitanje o najpogodnijim vrstama literarnih predložaka za filmove. A da je to za Hitchcocka moralo biti i područje frustracija, vidi se na prividno paradoksalan način. Naime, Hitchcock upravo u tom razdoblju adaptira najveće pisce u karijeri - Seana O'Caseyja, W. Somerseta Maughama i Josepha Conrada. Vjerojatno se i njemu, i to pogrešno, činilo da je veliko književno djelo poprilična garancija za nastajanje velikoga filma; kasnije će mu, pak, inferiorni pisci poslužiti za stvaranje uspjelijih filmova. Usput, pisac koji se tada u Engleskoj najbolje razumio u film i koji je tada djelovao kao filmski kritičar – Graham Greene nije cijenio ondašnje sunarodnjakove filmove. Pretpostavljao mu je Fritza Langa, Juliena Duviviera a i druge. Trebalo je tih godina ponovo se odlučiti i u svezi s vrstom priče i žanrom, i tu Hitchcock otkriva pravi put. U toj fazi on se i dalje oslanja na klasično fabuliranje, a za nj tipična priča postaje ona koje nije samo rudimentarno vezana uz filmove potjere. Hitchcock otkriva koje pogodnosti imaju događanja vezana uz neko putovanje (bježanje i/ili traženje) koje može učvrstiti faze u razvijanju fabule i olakšati uporabu elipsa. Stoga, ne tek kuriozitetno, u više tih filmovima, kao i kasnije, veliku ulogu ima vlak. Hitchcock je umjetnik dvadesetoga stoljeća, ali nije redatelj aviona kao npr. Hawks. Ništa to ne smeta; i Dickens pisac iz vremena vlaka bio je više pisac diližanse, pa je on svejedno neponovljivi Dickens. S obzirom na žanr vlada tada pomama za prilagodbama detektivskih romana kao i za sličnim scenarijima. I Hitchcock režira detektivske filmove, ali se onda opredjeljuje za vrstu koja se najčešće naziva triler. Naime, veli on, može djelovati proizvoljno, a i publici može dojaditi da čeka kraj filma kada će sveznajući i neugroženi detektiv u nekoga uprti prstom kao u ubojicu. Uzbudljivije je da se u neobičnoj situaciji nađe običan čovjek, nevino optužena osoba prisiljena poduzeti istragu, jer će se gledatelji s njom lakše i više identificirati nego s institucijski zaštićenim profesionalcem. Što se, pak, tiče misterija, umjesto rješavanja klasične detekcijske enigme gledatelja će ponekad više uzbuditi, ako u pojedinim fazama radnje zna više od svojega junaka: tada će zbog njega strepiti i tako onda nastaje prava napetost. Sadržajno i stilsko bogatstvo filma naziru se i u domeni tko što i tko više zna. Sve u svemu, znači to da Hitchcock pretpostavlja postojanje aktivnijega gledatelja. I ukratko, iako se Hitchcock u to vrijeme još ne zaokuplja privlačivim motivom zbilja – privid, ako još i nije dotakao sfere iracionalne uzročnosti događanja, ako i nije otkrio lik antagonista koji je u mnogu čemu superioran lakomislenom protagonistu, već sredinom tridesetih postaje prvi u svom žanru. I tako se čini da je i to vrijeme bilo za Hitchcocka vrijeme bez potresa. Ali, razdoblje između 1930. i 1933. bilo je za nj vrijeme prije katastrofe, vrijeme vrludanja i neuspjeha, nervoznih ulijetanja i u glazbene filmove. Prethodno opisani recept Hitchcock pronalazi nakon što je sebe tražio u punih osam filmova i to filmom Čovjek koji je suviše znao (1934) kada počinje raditi za producenta Michaela Balcona. Do tada on je bio samo velika nada. (Ante Peterlić (http://www.filmski-programi.hr/tekst.php?id=80))

Ako vas rani Hitch uistinu zanima (a svakog filmofila trebao bi zanimati), ogromna preporuka da pogledate sjajan dokumentarac BBC-a:

BBC – Paul Merton Looks At Alfred Hitchcock (2008)
x264 | 1280×576 | 59 min | 842MB

http://img809.imageshack.us/img809/5779/84987706.png

Documentary in which Paul Merton explores Alfred Hitchcock’s early British films. Merton sees Hitchcock as a man immersed in the visual language of cinema, who understood how to use camera movement and lighting for dramatic effect. Using clips and archive interviews with Hitchcock and those who worked with him, including actress Anna Massey and cinematographer Gil Taylor, Merton weaves together a playful narrative of the director’s early career, revealing a man with a great sense of humour.

BBC – Paul Merton Looks At Alfred Hitchcock (2008) (http://www.mytvblog.org/?p=8448)

Free Hitchcock Movies Online via @openculture http://t.co/YKJkGuC
Unproduced Scripts of Alfred Hitchcock - http://bit.ly/eIX1Ph
In Celebration of Hitchcock - http://bit.ly/ejOpLg
Script Review: Hitch’s “Short Night” - http://bit.ly/i1t4KC
Alfred Hitchcock @myPDFscripts - http://bit.ly/fAOhLQ

REPOST(S):

Hitchcock interview from 1964 (http://www.forum.hr/showpost.php?p=22395660&postcount=3)
Video interview: Alfred Hitchcock (1973) (http://www.forum.hr/showpost.php?p=23040750&postcount=601)
Hitch o svojim filmovima (http://www.forum.hr/showpost.php?p=8571112&postcount=103)
The Key to Reserva (http://www.scorsesefilmfreixenet.com/video_eng.htm)

KNJIGE & MULTIMEDIJA:

Hitchcock (Revised Edition) By Francois Truffaut - http://bit.ly/idBpCj
Alfred Hitchcock Presents: Ghost Stories for Young People - http://bit.ly/hdQgy3
Alfred Hitchcock (Pocket Essential series) - http://bit.ly/e2KiQi
Alfred Hitchcock and the British Cinema: With a New Introduction - http://bit.ly/fugxWg
Three Philosophical Filmmakers: Hitchcock, Welles, Renoir - http://bit.ly/gGa6OC
The Death of Classical Cinema: Hitchcock, Lang, Minnelli - http://bit.ly/eEm44D
The Psycho File: A Comprehensive Guide to Hitchcock's Classic Shocker - http://bit.ly/hJkH7j
Great British Movies (Pocket Essential series) - http://bit.ly/gEopG6

[La Familia]

I jedna odlicna vijest za sve Hitchove fanove:

Dugo očekivani biopic o Alfredu Hitchcocku napokon se pokrenuo s mjesta te uskoro kreće u realizaciju. Film će se snimati po knjizi Stephena Rebelloa, Alfred Hitchcock and the Making of Psycho, koja se bavi razdobljem njegovog života kad je snimao svoje najveće remek djelo – Psiho. Knjiga je izdana 1990. te je zabilježila svaki detalj vezan za izradu gore spomenutog hita, od trenutka kad je Hitchcock nabavio prava za ekranizaciju romana Roberta Blocha, pa sve do promocije samog filma koji je bio, i još je, strašno različit od dotadašnjeg stila njegovih filmova koji su odisali napetošću i elegancijom. Psiho je po mnogima započeo jedan slobodniji i brutalniji stil snimanja koji je ispunio 60-e. Produkcijska kuća Ivana Reitmana – Montecito Pictures glavni je pokretač projekta te je trenutno u pregovorima sa Sachom Gervasijem oko režije i pisanja scenarija, čovjekom koji je pod povećalo studija došao nakon odličnog dokumentarca pod imenom Anvil! The Story of Anvil…

Izvor (http://www.fak-tvojfilm.net/novosti/hitchcock-biopic/)

Glavni kandidat za ulogu majstora napetosti nitko je drugi doli Sir Anthony Hopkins.

http://img441.imageshack.us/img441/2418/24109833.jpg

Hopkins: Hitchcock role not certain (http://www.google.com/hostednews/ukpress/article/ALeqM5jvp8rZumzkQLv-MFvy5vq6IoYUMg?docId=N0388461296117543398A)

"Yes sometime this year maybe, maybe not, it depends if they get the money to put it together," he revealed.

Sir Anthony explained: "You know making movies today is so weird because sometimes you get to the brink of being about to make them and then suddenly they all fall apart.

"I don't know, I'll see how it goes. I'll believe it when I'm standing in front of the camera and even then I might not believe it!"

:moli:

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img577.imageshack.us/img577/4292/45620200.jpg (http://avaxhome.ws/magazines/for_men/esquire_uk_january_2011.html)

http://img692.imageshack.us/img692/9436/92378012.pnghttp://img59.imageshack.us/img59/7171/48204434.png

Esquire UK – January 2011 (http://avaxhome.ws/magazines/for_men/esquire_uk_january_2011.html)
PDF | 168 pages | English | 59.3 MB

---

http://img337.imageshack.us/img337/7458/222fz.jpg

Film Studies For Free (http://filmstudiesforfree.blogspot.com/2011/01/sound-on-screen-exorcist-haneke-j.html) podsjetio na proljetni broj Cinephilea (Vol. 6 No. 1).

Sound on Screen: THE EXORCIST, Haneke, J-Horror, Warner Bros., animation, APOCALYPSE NOW http://bit.ly/g7kLj7

Table of Contents

- 'William Friedkin’s The Exorcist and the Proprietary Nature of Sound' by Jay Beck
- 'Acoustic Infidelities: Sounding the Exchanges between J-Horror and H-Horror Remakes' by William Whittington
- 'Listening to Silence: The Films of Michael Haneke' by Lisa Coulthard
- 'Audiovisual Ecology in the Cinema' by Randolph Jordan
- 'Lunacy at Termite Terrace: The Slapstick Style of Warner Bros. Animation' by Andres Lombana Bermudez
- 'On the Occult Nature of Sound-Image Synchronization' by K. J. Donnelly
- 'The New Scene Canon - Chopping Choppers Unforgettably: The "Nowhere to Go but Down" Scene in Apocalypse Now' by Mark Harris

http://img189.imageshack.us/img189/983/45516173.pnghttp://img227.imageshack.us/img227/1554/28612235.pnghttp://img546.imageshack.us/img546/8458/89357794.pnghttp://img717.imageshack.us/img717/6130/19767738.png (http://www.cinephile.ca/files/vol6no1-complete-withbleed.pdf)

Apocalypse Now - Helicopter Attack - Kilgore (http://www.youtube.com/watch?v=vHjWDCX1Bdw)

Glazba je zvonka radost, uzivajte.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img545.imageshack.us/img545/1439/18760743.gif

Danas (http://www.youtube.com/watch?v=vQtGBdNbBbQ) na jelovniku svasta-nesto, krecemo s cika Wernerovom pecinom: Werner Herzog's Cave: videos and links - http://bit.ly/f9pGzG

Dvije cuke razgovora s ludim Herzogom, neprocjenjivo.

http://img517.imageshack.us/img517/8432/52275200.png (http://www.youtube.com/user/UCtelevision#p/c/6F11EC8D9AD3CB53/0/Px4cPMMn2HU)

Dodatna cuka razgovora s glumackim cunkama u trci za plasticno-pozlacenu cunku zvanu Oscar: Jesse Eisenberg ('The Social Network'), James Franco ('127 Hours'), Mark Ruffalo ('The Kids Are All Right'), Colin Firth ('The King's Speech'), Ryan Gosling ('Blue Valentine'), i Robert Duvall ('Get Low'). Hat tip za Hedonism_Girl.

http://img684.imageshack.us/img684/6069/62049364.png (http://www.youtube.com/watch?v=_59dVv5aQlw)

Ravnopravnost spolova, prosim lijepo. Dodatna cuka razgovora s Kick-Ass curkama: THR Actress Roundtable (Full Hour) - http://bit.ly/iknDRe (a gdje je mala Hailee Steinfeld?).

http://img692.imageshack.us/img692/1337/45308299.jpg

Newyorkerov profil velecasnog del Tore i svih njegovih bestija: Show The Monster Guillermo del Toro’s quest to get amazing creatures onscreen - http://nyr.kr/hr0jV9 + Video: Monsters in the Making - http://nyr.kr/eUOcDU Fale jos samo Vladimir Šeks i Papa Ratzinger.

David O. Russell and Spike Jonze Catch Up - http://bit.ly/evyVuv
A chat with Nick Cave about his nipples, his music and his new movie script - http://bit.ly/ffVE52
Michael Caine doesn’t blink for nine-and-a-half hours - http://bit.ly/gIn7id Jebote, ja hipnotizirano zurio u taj video vise od pola sata (hoces trepnut vise, p**** li ti materina!) i tek onda skuzih da me netko zajebava. :rofl:

http://img84.imageshack.us/img84/1762/tumblrlcraugpvna1qe0ecl.gif

Naramak Making Of dokumentaraca:

A look at the making of Conan The Barbarian - http://bit.ly/eGLsF5
Batman Unmasked: The Psychology Of The Dark Knight - http://bit.ly/fMmBfh
Fear Of The Flesh: The Making Of 'the Fly' (2005) - http://bit.ly/gqAEqU
How's It Going To End? The Making Of 'The Truman Show' (2005) - http://bit.ly/hnOCp5
The Making of Total Recall (1990) - http://bit.ly/eYRmLW
Indiana Jones: The True Story (2008) - http://bit.ly/edo9es
Seven Samurai: Origins and Influences (2006) - http://bit.ly/dMLM6Z
The Making Of Jurassic Park (1995) - http://bit.ly/h4iHMG
Through The Eyes Of Forrest Gump (1994) - http://bit.ly/g0rM1U
Making of - Inception [HD] - http://bit.ly/gb3jQ5
The Snowball Effect: The Making of Clerks - http://bit.ly/gCcTWT

http://img832.imageshack.us/img832/5673/tumblrlbtmzn1gjf1qe0ecl.gif

Ostali dokumentarci:

The Beatles Anthology, ABC (1995) - http://bit.ly/i5Jr5E
Johnny Cash In San Quentin (1969) - http://bit.ly/hpMj0P
Johnny Cash: The Last Great American (2004) - http://bit.ly/fPw6af
BBC – Rowan Atkinson’s Guide To Visual Comedy (1992) - http://bit.ly/fOwkhy
F for Fake By Orson Welles (1973) - http://bit.ly/eH58K4
Werner Herzog - Precautions Against Fanatics (1969) - http://bit.ly/hwbW4b
Teenage Paparazzo (2010) - http://bit.ly/gSUBnC
The 50 Worst Movies Ever Made - http://bit.ly/hEX7yE
Judge Not: In Defense Of Dogma (2001) - http://bit.ly/gNJP7c
BBC Horizon Doku: – “What is Reality?”

http://img714.imageshack.us/img714/7280/75000657.png (http://www.misterhonk.de/blog/15651/bbc-horizon-doku-what-is-reality/)

Filmski ponedjeljak Velimira Grgica (http://velimir-grgic.com/tekstovi/filmski-ponedjeljak-mad-dog-morgan.html#jc_allComments): Toliko je cijelih, dobrih filmova na YouTubeu da je šteta pustiti ih da 'propadnu'. Pa dok ih netko ne ukloni, eto prilike za gledanje - poèinjemo 'projekcije' s prvim u nizu klasika.

http://img195.imageshack.us/img195/9817/95969146.png (http://www.youtube.com/watch?v=QdDr9T5aYt0)

[La Familia]

Za ovo nisam ni znao, tko bi rekao da se u Hrvatskoj rade tako dobri spotovi. Toliko pozitivnih vibracija u svega 4 minute trajanja (u trenutku zaboravite i na crnog Šeksa, Kosoricu, Sanadera, povampireni HDZ, zadnje filmove Matanica i Svilicica...), svi recentni hrvatski filmovi ne postizu ni priblizno slicnu emocionalnu strukturu (Film Structure And The Emotion System (http://www.mediafire.com/?2i231rduxgr3ooy)). Da slicnu, cijepljeni su od bilo kakvih emocija.

http://img8.imageshack.us/img8/6857/62756038.png (http://www.youtube.com/watch?v=TGAA0Ak_3UQ)

Radislav Jovanov Gonzo rastura (ima moj naklon i neizmjerno postovanje), cudi me da nitko od vrlih hrvatskih (filmskih) redatelja s njim ne suradjuje.

http://img404.imageshack.us/img404/8736/34158130.jpg (http://img695.imageshack.us/img695/8736/34158130.jpg)

U svijetu već više od 15 godina postoji trend u kojem uspješni redatelji videospotova postaju redatelji igranih filmova. Zašto nikada niste odlučili režirati igrani film?

- Nisam se okrenuo režiji igranog filma jer previše respektiram film. Mislim da je i Krešo Dolenčić rekao nešto slično. S druge strane, morao bih biti redatelj koji bi kroz film rekao nešto, ne novo, nego na drugačiji način. Ja nemam šanse reći nešto novo, možda mogu reći nešto na svoj način. Volim mnoge redatelje, Martina Scorseseja, Jima Jarmuscha, Pedra Almodóvara, ali teško je reći što bih ja rekao u svom stilu, možda se previše podcjenjujem, to je ful zajebano početi raditi, poslije je sigurno lakše. Zato nikad ne pljujem po našim redateljima sve dok sam ne probam biti u njhovoj koži. Meni su bitni scenariji a ja nikada nisam dobio scenarij od nekoga. Prije šest, sedam godina probao sam ga napisati i nije mi išlo. Režirat ću kratku priču po scenariju mlade scenaristice Jasne Žmak. To mi je prilika da napravim ljubavnu priču o dvije djevojke i jako mi je drago što sam je dobio. Dosta dobro poznajem kompleksnost produkcije, a život me jednostavno nosio tako da se nisam posvetio igranom filmu. Da bi radio film, moraš se odmaknuti od obiteljskog života, bar na neko vrijeme. Nisam želio biti sebičan prema obitelji, iako mi je supruga rekla da to nije baš tako, i da ću, ako doista želim, i napraviti taj film.

Ipak, bili ste snimatelj na filmu “Rezervni dijelovi” slovenskog redatelja Damjana Kozolea i to je vaše jedino iskustvo rada na dugometražnom filmu.

- To je nešto što sam mogao kontrolirati, bez obzira na to što se film snimao u Sloveniji. Bio je to tromjesečni posao i tada moraš maknuti od sebe egotrip, nisam bio redatelj nego dio redateljeva tima kao direktor fotografije. Hrvatski redatelji nikada nisu tražili da im budem snimatelj na njihovim filmovima. Jedini hrvatski redatelj s kojim sam radio bio je Hrvoje Hribar, napravili smo nekoliko reklama, recimo prošle godine za Hrvatsku turističku zajednicu. Hribar mi je jako drag redatelj, volim njegov način rada a i to što je gurman i voli putovati. Svaki je redatelj kompleksna osoba, i ja sam zeznut na neku foru, ali što sad? Hrvatski redatelji možda misle da ne želim raditi na filmu, možda nisu ni gledali taj slovenski film, valjda misle da sam pun sebe i ne želim biti snimatelj. To je greška. Puno redatelja ima svoje snimatelje.

Radislav Jovanov Gonzo - Marulić kroz objektiv kralja videospotova (http://www.nacional.hr/clanak/91711/radislav-jovanov-gonzo-marulic-kroz-objektiv-kralja-videospotova)

Nadasve skroman, nezloban ('Zato nikad ne pljujem po našim redateljima sve dok sam ne probam biti u njhovoj koži', kao da covjek nije iz Hrvatske), o svim njegovim snimateljskim kvalitetama da i ne govorim. I ono najbitnije, Gonzo ima taj redateljski senzibilitet ('snimatelj danas ima na raspolaganju bogatu paletu tehnika i iskustva ne samo iz filmske, vec iz citave vizualne povijesti'), sposoban je kamerom uhvatiti tu emociju (a da je pritom ne unakazi). Kratkometrazni film je na putu, od srca mu zelim (i) taj dugometrazni redateljski prvijenac.


N.B. No money changed hands during the writing of this eulogy.

[Tore]

Teorija filmske dramaturgije: Ritam

http://www.forum.hr/showpost.php?p=31506225&postcount=181

http://www.forum.hr/showpost.php?p=31506240&postcount=182

http://www.forum.hr/showpost.php?p=31506260&postcount=183

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img141.imageshack.us/img141/73/89796945.jpg
Ingmar Bergman na filmskom setu Ralja (http://www.bukowskis.com/uploaded_images/0147/8515/H0220251.jpg)

+

http://img6.imageshack.us/img6/284/69234528.jpg
IMDb (http://www.imdb.com/title/tt1701999/)

Recenzija dokumentarca:

Thirty-five years later, 'Jaws' still has bite (http://www.austin360.com/movies/thirty-five-years-later-jaws-still-has-bite-737835.html?page=2&viewAsSinglePage=true)

http://img248.imageshack.us/img248/4754/42951788.jpg

Everyone thought "Jaws" would sink like a fat dead fish. Filled with sickening certitude, cast, crew and a green, 27-year-old director named Steven Spielberg believed they had a fiasco on their hands. But they were so far along in the way-over-budget production that they couldn't turn back. Like a shark, they had to keep moving or the film, and a few careers, would die. An impossible battery of problems plagued the making of "Jaws," which turns 35 this summer. This isn't news. In mid-1974, as the production choked and spluttered, the movie became a lightning rod for Hollywood gossip and finger-pointing schadenfreude, an example of a show out of control, with a 55-day shooting schedule distending to 159 days and the original $2.5 million budget mushrooming to a jaw(s)-dropping $10 million. It was the "Titanic" of its time, both in its sensationally publicized birthing pains and its global cultural triumph. The mass of troubles, including, most excruciatingly, a cantankerous mechanical shark, elicits an amused wince in the neatly demystifying documentary "Jaws: The Inside Story," premiering at 8 p.m. Wednesday on cable's Bio. It goes in enough different directions and depth to make a solid companion piece to the excellent "Making of Jaws," a two-hour feature included on the 30th anniversary edition DVD of the film. Both are rewarding behind-the-scenes peeks for fans of the movie and to rank-and-file filmies. From the start, "Jaws" was a dubious proposition. Based on Peter Benchley's best-selling phenom — the novel sold 20 million copies — independent producing team Richard Zanuck and David Brown, high off the success of 1973's "The Sting," hungered for another hit. Working with Universal, they bought the rights to the book with hopes of turning it around as a low-budget quickie before the book lost heat. Spielberg was tapped to direct. He had a few movies to his credit — notably the made-for-TV thriller (and now-classic) "Duel" and the Texas-shot feature film "The Sugarland Express," with Goldie Hawn and Ben Johnson. He'd also directed episodes of television's "Night Gallery" and "Columbo." Unimpressed by the idea, Spielberg recalls thinking "Jaws" would be "an exploitation movie, ‘Moby-Dick' without Melville, without the eloquence. I was just making a Roger Corman movie." He was finally persuaded by a trusted friend to direct "Jaws" instead of the Gene Hackman-Liza Minnelli comedy "Lucky Lady."

http://img8.imageshack.us/img8/5570/81883315.jpg

"Jaws: The Inside Story" unpacks the little-known — the money shot of the shark's head exploding was done with fake blood, pyrotechnics and pounds of squid — and the legendary, such as the crafting of Quint's magnificent soliloquy about the sinking of the U.S.S Indianapolis. The speech remains a wrenching stretch of seabound poetry that many in the documentary agree made the movie what it is: a supreme showcase of character acting, at once profoundly human and exhilaratingly scary. Some of the talking heads in the Bio documentary, from Spielberg and many of the actors and producers, believe Quint's speech is one of the greatest scenes of 1970s cinema. What can be said of John Williams' iconic, "Stravinskyesque" score that hasn't been said before? Williams says, the "insistent repetition of just two or three notes gives a sense of not just propulsion, but an unstoppable primeval force." "Jaws" was exactly that — an unstoppable, primeval force that became the highest-grossing movie of all time, until another force — THE Force — surpassed it two years later. "Jaws" and "Star Wars" spawned the summer blockbuster — deep-pocket event films engineered to make a bundle in tickets and merchandising — a phenomenon we've dealt with ever since. This we know. What some don't recognize, however, is how great, how nearly perfect "Jaws" as cinematic art is. It synthesizes the surgically staged thrills of "Psycho," the complex humanity of "The Godfather" and the full-throated adventure of "Gunga Din." It endures, a shark moving, moving, moving, never to die.

ONLINE GLEDANJE:

http://img840.imageshack.us/img840/4638/32288304.png (http://www.megavideo.com/?v=VXQMJTYB)

Mirrors:
http://www.novamov.com/video/040577e8dbdf1
http://www.novamov.com/video/658588d56edad
http://www.divxstage.net/video/y643lrgz8tkkj


DOWNLOAD:

Jaws: The Inside Story (TV 2010) (http://filefair.net/movies/115223-jaws-the-inside-story-2010-jon.html)

Scenarij (Undated Final Draft by Peter Benchley) - http://bit.ly/fsIabv

Remember the line in "Jaws" when Robert Shaw, playing the shark hunter, talks about his buddies being eaten alive by sharks during World War II? That was Milius.

The USS Indianapolis speech - http://mysp.ac/eaiPFF
'Apocalypse' writer: Most scripts today 'are garbage' - http://bit.ly/f0sDwH

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

@Tore (Teorija filmske dramaturgije: Ritam)

Briljantno, svaka ti cast. You make me want to be a better man (http://www.youtube.com/watch?v=ezRrQZnuCNM). Naime, ovaj sjajan clanak/odlomak iz knjige Yvette Biró (http://yvettebiro.com/) podsjetio me na Andréa Bazina. Mislim da ne treba objasnjavati tko je bio André (http://www.bfi.org.uk/sightandsound/feature/176) Bazin (http://www.brightlightsfilm.com/64/64bazinfrenchcinema.html), eventualno se ispricati sto ova tema nije otvorena s njegovom kultnom knjigom bezvremenskih eseja - What Is Cinema?

http://img404.imageshack.us/img404/264/11070100.jpghttp://img684.imageshack.us/img684/1018/61333242.jpg

André Bazin's What Is Cinema? (volumes I and II) have been classics of film studies for as long as they've been available and are considered the gold standard in the field of film criticism. Although Bazin made no films, his name has been one of the most important in French cinema since World War II. He was co-founder of the influential Cahiers du Cinéma, which under his leadership became one of the world's most distinguished publications. Championing the films of Jean Renoir (who contributed a short foreword to Volume I), Orson Welles, and Roberto Rossellini, he became the protégé of François Truffaut, who honors him touchingly in his forword to Volume II. This new edition includes graceful forewords to each volume by Bazin scholar and biographer Dudley Andrew, who reconsiders Bazin and his place in contemporary film study. The essays themselves are erudite but always accessible, intellectual, and stimulating. As Renoir puts it, the essays of Bazin "will survive even if the cinema does not."

Andre Bazin, What Is Cinema? Vol. 1 - http://bit.ly/fvHH5M
Andre Bazin, What Is Cinema? Vol. 2 - http://bit.ly/fAY5zg

http://img819.imageshack.us/img819/4889/37049694.gif

Film Genre Reader III - http://bit.ly/fxvzzs
Inside the Hollywood Fan Magazine: A History of Star Makers, Fabricators, and Gossip Mongers - http://bit.ly/fcibq2
Video Shooter, Second Edition: Storytelling with HD Cameras - http://bit.ly/hegW3M
Taiwan Film Directors: A Treasure Island - http://bit.ly/gRvuuy
Killer Camera Rigs That You Can Build - http://bit.ly/fkVlwy

http://img821.imageshack.us/img821/4455/97339775.jpg

The Hollywood Reporter 09 February 2011 - http://bit.ly/e9noNp

http://img248.imageshack.us/img248/1061/tumblrlf4h43bftu1qe0ecl.gif

Happy Birthday to Pixar which turns 25 today! - http://bit.ly/hnjFRb
"How Harvey Got His Groove Back" - http://bit.ly/gxqS4s
John Boorman and James Dickey on the making of DELIVERANCE (1972) - http://bit.ly/eaXjmG
Video: Trent Reznor's Oscar Nominated Score - http://nyti.ms/epHS3C

A evo i zasto ce Colin Firth osvojiti tog Performance by an Actor in a Leading Role Oskara:

THE KING'S SPEECH video newsreel film (1938) - http://bit.ly/gJpF5Z

Apsolutno zasluzeno, savrsena uloga. Colin FTW!

[La Familia]

http://img706.imageshack.us/img706/4659/39929901.jpg
Stanley Kubrick on the set of 2001: A Space Odyssey (1968, dir. Stanley Kubrick) (http://oldhollywood.tumblr.com/post/3050568113/stanley-kubrick-on-the-set-of-2001-a-space)

“One day I said: ‘I got a joke for you - you’re dead.’ [Kubrick] said, ‘It’s not funny.’ I said: ‘Let me tell the joke. Steven Spielberg’s dead, too.’ He said, ‘Steven’s dead, oh, that’s funny.’ And I said: ‘You’re dead and you’re up in heaven and Steven Spielberg has just died and he’s being greeted at the gate by Gabriel and Gabriel says: ‘God’s really dug a lot of your movies and he wants to make sure that you’re comfortable. If there’s anything you need, you come to me, I’m your man.’ And Steven says, ‘Well, you know, I always wanted to meet Stanley Kubrick, do you think you could arrange that?’

And Gabriel looks at him and says: ‘You know, Steven, of all the things that you could ask for, why would you ask for that? You know that Stanley doesn’t take meetings.’ He says, ‘Well, you said that if there was anything I wanted.’ Gabriel says: ‘I’m really sorry. I can’t do that.’ So now he’s showing him around heaven and Steven sees this guy wearing an army jacket with a beard riding a bicycle. And Steven says to Gabriel: ‘Oh, my God, look, over there, that’s Stanley Kubrick. Couldn’t we just stop him and say hello?’ And Gabriel pulls Steven to the side and says, ‘That’s not Stanley Kubrick; that’s God — he just thinks he’s Stanley Kubrick.’

Stanley liked that joke.”

-Matthew Modine

Steven Spielberg’s dead, too.’ He [Kubrick] said, ‘Steven’s dead, oh, that’s funny.’ :rofl:

Stanley. :cerek:

[Anton]

‘Oh, my God, look, over there, that’s Stanley Kubrick. Couldn’t we just stop him and say hello?’ And Gabriel pulls Steven to the side and says, ‘That’s not Stanley Kubrick; that’s God — he just thinks he’s Stanley Kubrick.’

:lol::rofl:

:s :s

[La Familia]

@Anton

Taj vic je Matthew Modine ispricao Kubricku na setu Full Metal Jacketa.

Instant rimshot (http://instantrimshot.com/)!

http://www.pic4ever.com/images/4chsmu1.gif

http://img96.imageshack.us/img96/5959/72174626.jpg

Ima jos tih rariteta...

http://img202.imageshack.us/img202/3051/67177483.png (http://video.google.nl/videoplay?docid=8573044396498461503)

Rare footage of Stanley Kubrick (http://video.google.nl/videoplay?docid=8573044396498461503)
(12:52)

This is a Dutch TV program ("Stardust") about Kubrick I taped the week after he died. I did the translation and subtitle timing myself,and as a result of that there are quite a few of typos and grammatical errors (one subtitle is even missing, I noticed). Anyway, it's pretty interesting for other Kubrick fans, so enjoy!

I ovo je cisti uzitak: A fascinating 75 minute interview with Stanley Kubrick conducted by Jeremy Bernstein in 1966.

http://img132.imageshack.us/img132/5823/88305835.png (http://www.youtube.com/watch?v=gzO_sLnfrg8)

Absolutely unparalleled access to the creative soul of this “reclusive” genius. This is far greater than an internet jewel. It provides greater insight into Kubrick, in 75 minutes, than any biography ever could.

Hearing him speak at length also makes me believe that Peter Sellars’ “voice” as President Merkin Muffley in STRANGELOVE was surely an impression of Stanley Kubrick himself.

AUDIO SNIMKA (http://www.filmdetail.com/2009/10/01/stanley-kubrick-interview-from-1966/) (komplet).

Flying Padre (http://www.imdb.com/title/tt0043548/), kratki film Stanleyja Kubricka iz 1951.

GLEDANJE (http://il.youtube.com/watch?v=4SfLE4CATlk)

http://img828.imageshack.us/img828/5669/20112876.jpg (http://www.lettersofnote.com/2011/01/i-expect-to-make-best-movie-ever-made.html)

I secer na kraju:

http://img18.imageshack.us/img18/9648/78016163.jpg (http://www.taschen.com/pages/en/catalogue/film/all/03844/facts.stanley_kubricks_napoleon_the_greatest_movie _never_made.htm)

Kubrick’s Napoleon (http://www.mypdfscripts.com/unproduced/napoleon)
September 29, 1969 Draft by Stanley Kubrick.
Synopsis: The life of Napoleon.
Source: Digital – Pages: 148 – Size: 204 kb

A new book has been released called Stanley Kubrick’s Napoleon: The Greatest Movie Never Made (http://www.taschen.com/pages/en/catalogue/film/all/03844/facts.stanley_kubricks_napoleon_the_greatest_movie _never_made.htm). (Get it now for the low-low price of $560! I dare you to click the link and buy it. I double dog dare you! Hehehe…) This bad boy features the complete original treatment, essays examining the screenplay in historical and dramatic contexts, transcripts of Kubrick interviews, and exclusive online access to Kubrick’s complete database of nearly 17,000 Napoleonic images. Yet, that doesn’t even begin to scratch the surface of Kubrick’s obsession. The man sifted through more than 18,000 documents and books about Napoleon. He constructed a monster index file of the 50 principal characters in his movie, which were all written on 3×5 cards and organized by the dates of all the key events in Napoleon’s life from his birth all the way to his death. He had a different card for each character. That way, Kubrick could quickly determine where, during any given period in Napoleon’s life, each character was and what that character was doing. He had 25,000 index cards. The finished result, perhaps the most famous unproduced screenplay in the history of cinema, is nothing less than one genius’s survey of the life of another genius. The story is far from perfect, epic in scope, exhilarating in places while also sleep-inducing in other places, and never fails to fascinate. We follow Napoleon’s life from his birth all the way to his death. We start with a few pages on his childhood. We move on to his quick rise to military power and then on to become head of an empire that ruled over much of Europe. And then we witness Napoleon’s stunning, heart-wrenching downfall. He loses everything that’s precious to him. In Act Three, Napoleon mounts his final comeback. He regains power, which lasts briefly, and then we observe the whole world take up arms against him and crush him. Make no mistake. There is a point and a reason for every creative choice and for every single detail in Kubrick’s screenplay – from the young Napoleon cradling a “well worn teddy bear” (perhaps symbolic of his desire to possess Russia, aka, “the Russian Bear”), to the two bullies Napoleon fights as a kid (foreshadowing, I suspect, his final battles against Wellington and Blucher), to his encounter with a prostitute revealing Napoleon’s extraordinary naiveté about women and sex.

http://img153.imageshack.us/img153/8513/54113942.jpg

But what fascinates me most is the way Stanley attempts to show us one thing on the screen but make us hear something very different that undercut the meaning of what we are seeing. For example, while we see the happy wedding of Napoleon and Josephine, we hear in voice over Josephine reveal her true feelings of lukewarm indifference to Napoleon. Later, we would hear Napoleon pour his heart out in love letters to Josephine as we watch her have an affair with Captain Hippolyte Charles. During the Italian campaign, we hear the Narrator tell us about all the glories and victories of Napoleon while we see French troops pillage small Italian towns and take away food and livestock from poor farmers. We hear Napoleon tell his party guests about how “authority’s main job is to keep man from being at his worst,” but we see Napoleon behaving at his worst by conspiring to have an affair with another woman right in front of Josephine. We hear Josephine read her statement declaring how she feels pleasure giving Napoleon “the greatest proof of attachment and devotedness that was ever given on earth,” that is, a divorce, but yet, we also see her sobbing uncontrollably. In one of the last scenes in which we would see Napoleon still in Tuileries Palace, Stanley shifts poetic gears once again. We see Napoleon sitting at a large table eating alone, and we hear the Narrator tell us that all of the allies had refused to have any diplomatic dealings with Napoleon. You see, in a stark contrast to all of the previous scenes in which we saw one thing but heard something different, this, my friends, THIS is one of the only scenes in which we see and hear something that has the very same meaning – that is, Napoleon has become completely and hopelessly alone.

Mystery Man’s Seven Scripts You Gotta Read (http://www.mypdfscripts.com/seven-scripts/mystery-mans-seven-scripts-you-gotta-read)!

[Anton]

Uuuu....Ovo je stvarno sočno. Još nisam uspio pročitati ni ono prethodno, ali arhiviram i ovo, pa će doći na red. Hvala. :top:

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img810.imageshack.us/img810/2595/48284804.png
IMDb (http://www.imdb.com/title/tt1657302/)
Trailer (http://www.youtube.com/watch?v=GmPEYssU5vQ)

35 godina Lucasovih carolija, odlican dokumentarac Leslie Iwerks (The Pixar Story).

Since its founding 35 years ago, Industrial Light & Magic has been the movie industry's undisputed leader in groundbreaking visual effects, thrilling audiences and making hits into blockbusters. On Sunday, November 14 at 8:00 p.m. (et/pt), Encore presents an original documentary celebrating that legacy. Industrial Light & Magic: Creating the Impossible is directed by Academy Award and Emmy nominated director Leslie Iwerks and is narrated by Tom Cruise. The hour-long special has interviews with filmmakers George Lucas, Steven Spielberg, Ron Howard, J.J. Abrams and Jon Favreau, actors Samuel L. Jackson and Robin Williams, producer Jerry Bruckheimer and John Lasseter, the chief creative officer at Walt Disney and Pixar Animation Studios. Film and television shows featured in the special include The Abyss, Avatar, Forrest Gump, Jumanji, Jurassic Park, Pirates of The Caribbean, Raiders Of The Lost Ark, Robot Chicken, Star Trek (2009), Star Trek II: The Wrath of Khan, Terminator 2: Judgement Day, Transformers, Twister and War of the Worlds (2005), which starred narrator Tom Cruise. Leslie Iwerks' documentary takes audiences behind the scenes at ILM with in depth interviews with some of the company's top talent and showcases never before seen footage highlighting many of their pioneering milestones.

http://img821.imageshack.us/img821/1251/ij4ia1281r.jpg

From creating the first ever computer generated character in a feature film to the latest advancements in visual effects for film franchises like Transformers and Iron Man, ILM has created some of the most memorable movie moments in recent history. Industrial Light & Magic (ILM) is a division of Lucasfilm Ltd. and was founded by George Lucas in 1975 to create the visual effects for his space epic Star Wars. The studio originated in Van Nuys, California but moved to San Rafael, California to work on The Empire Strikes Back and is now headquartered at the Letterman Digital Arts Center in the Presidio of San Francisco with a sister studio in Singapore. ILM has worked on nearly 300 films in its 35 year history and has largely been the driving force behind the evolution of modern visual effects. From the liquid metal man in Terminator 2: Judgement Day to the lifelike digital dinosaurs in Jurassic Park, ILM has created some of the most iconic moments in cinematic history. ILM has received 15 Best Visual Effects Oscars and 25 additional nominations. It has also received 23 Scientific and Technical Awards from the Academy of Motion Picture Arts and Sciences in recognition of the critical role the company's advances in technology have played in the filmmaking process. ILM is also the only entertainment company to be recognized with the National Medal of Technology.

Industrial Light and Magic: Creating the Impossible to Debut on Encore http://t.co/APSykCR

Industrial Light & Magic: Creating The Impossible 720P (http://www.downarchive.com/ebooks/video_training/337256-ilm-industrial-light-magic-creating-the.html)

ONLINE GLEDANJE (http://www.youtube.com/watch?v=oOga2Mf8KQI)

Wired Screen: Celebrating 35 Years of ILM Magic - http://bit.ly/9ml05X
Peter Hricak - racunalni mag Georgea Lucasa - http://bit.ly/hWS8pz
The One 'Star Wars' Documentary You Definitely Don't Want to Miss - http://aol.it/hOxXTS

This post was lovingly crafted with Pawsoft Fass (http://www.pawsoft.com/fass), the (F)orum (ass)istant

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img225.imageshack.us/img225/5024/14453857.jpg
IMDb (http://www.imdb.com/title/tt1813561/)

Guess what? Idemo u Pixar!

http://www.pic4ever.com/images/bliss.gif

Through 25 key moments, this programme takes a look at the highs and lows of the multi award-winning animation studio Pixar as it celebrates its 25th birthday, and discovers the secrets of how to make a Pixar movie. With unique access to Pixar HQ and the creative team, it features memorable moments from hits such as Toy Story, Finding Nemo and Monsters Inc, as well as exclusive interviews with Billy Crystal, Tim Allen, Holly Hunter, Kelsey Grammer, Michael Keaton, George Lucas and others.

BBC - Pixar: 25 Magic Moments (2010) WS PDTV XviD-DMZ (http://www.allulook4.com/movies/464486-bbc-pixar-25-magic-moments-2010-ws-pdtv-xvid-dmz.html)
Pixar: 25 Magic Moments (BBC3) (http://avaxhome.ws/video/quality/TVRip_VHSRip/Pixar_25_Magic_Moments.html)

ONLINE GLEDANJE (komplet):

http://img844.imageshack.us/img844/5950/46764483.png (http://stagevu.com/video/spcofogigguy)

REPOST(S):

Andrew Stanton (PIXAR) - "Understanding Story: or My Journey of Pain"- http://bit.ly/eVTK3F
The Pixar Story (2007) - http://bit.ly/ffqDuR

Uzivajte u dokumentarcu.

This post was lovingly crafted with Pawsoft Fass (http://www.pawsoft.com/fass), the (F)orum (ass)istant

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img810.imageshack.us/img810/9506/54456768.jpg

http://img155.imageshack.us/img155/7308/iconimdb2.png (http://www.imdb.com/title/tt0105764/)

Visions of Light is not just for film buffs. In fact, if the presentation of the Oscar for Best Cinematography is your cue to take a bathroom break from the Academy Awards, then this exhilarating documentary will help you see movies in a whole new light. Named Best Documentary by the National Society of Film Critics as well as several film-critic associations, Visions of Light traces the history and illuminates the art of cinematography. It profiles the cameramen who pioneered the visual language of cinema (such as D.W. Griffith's cameraman Billy Bitzer and Gregg Toland, who shot Orson Welles's Citizen Kane), as well as the masters they influenced, among them Nestor Alemendros (Days of Heaven), Vilmos Zsigmond (McCabe and Mrs. Miller), and Gordon Willis, the affectionately nicknamed 'Prince of Darkness' who shot the Godfather films. From Birth of a Nation to Blade Runner, from Gone with the Wind to GoodFellas, this feast for the eyes spans nearly a century with sequences from more than 125 movies made immortal by the artful use of light and shadow to realize the director's vision. William Fraker, who shot Rosemary's Baby, recalls filming the scene in which Ruth Gordon's sinister character is seen in a bedroom talking on the phone at the far end of a corridor. Director Roman Polanski suggested that Fraker move his camera so her body would be concealed by a door and audiences could only see her back. Fraker remembers later watching this scene in theaters and seeing the audiences shift in their seats trying to peek around the door. Experience the dazzling story of cinematography as seen through the lenses of the world's greatest filmmakers and captured in classic scenes from over 125 immortal movies. Discover Gordon Willis's secrets of lighting Marlon Brando in 'The Godfather' and Greg Toland's contributions to 'Citizen Kane.' Hear William Fraker on filming 'Rosemary's Baby,' Vittorio Storaro on his use of color and light in 'Apocalypse Now' and much, much more. From black and white to Technicolor, silent to 'talkie,' glittering Hollywood musical to film noir and art film to blockbuster, this critically acclaimed masterpiece presents movies in a new and unforgettable light!

Visions of Light: The Art of Cinematography (http://www.ebooksx.com/Visions-of-Light-The-Art-of-Cinematography_371575.html)

REPOST(S):

http://img687.imageshack.us/img687/6807/77434189.jpg (http://www.forum.hr/showpost.php?p=30051781&postcount=1536)http://img199.imageshack.us/img199/7405/34678604.jpg (http://www.forum.hr/showpost.php?p=28477400&postcount=1449)http://img651.imageshack.us/img651/8606/75735483.jpg (http://www.forum.hr/showpost.php?p=30934612&postcount=1613)

Cameraman The Life and Work of Jack Cardiff (2010) - http://bit.ly/i8QnEL
Tell Them Who You Are (2004) Mark Wexler - http://bit.ly/e7nmmT
No Subtitles Necessary: Laszlo & Vilmos (2008) - http://bit.ly/ei0bkL

This post was lovingly crafted with Pawsoft Fass (http://www.pawsoft.com/fass), the (F)orum (ass)istant

[La Familia]

http://img822.imageshack.us/img822/2104/94461197.png (http://www.hfs.hr/hfs/ljetopis_list_pdf.asp)

Hrvatski filmski ljetopis (http://www.hfs.hr/hfs/ljetopis_detail.asp), casopis za filmologiju i filmsku kritiku HFS-a konacno je dostupan (http://www.hfs.hr/hfs/ljetopis_list_pdf.asp) i u pdf formatu (arhiva).

Hrvatski filmski ljetopis, broj 9 (1997) (http://www.hfs.hr/doc/ljetopis/hfl09-web.pdf)
Hrvatski filmski ljetopis, broj 10 (1997) (http://www.hfs.hr/doc/ljetopis/hfl10-web.pdf)
Hrvatski filmski ljetopis, broj 11 (1997) (http://www.hfs.hr/doc/ljetopis/hfl11-web.pdf)
Hrvatski filmski ljetopis, broj 12 (1997) (http://www.hfs.hr/doc/ljetopis/hfl12-web.pdf)
Hrvatski filmski ljetopis, broj 13 (1998) (http://www.hfs.hr/doc/ljetopis/hfl13-web.pdf)
Hrvatski filmski ljetopis, broj 14 (1998) (http://www.hfs.hr/doc/ljetopis/hfl14-web.pdf)
Hrvatski filmski ljetopis, broj 15 (1998) (http://www.hfs.hr/doc/ljetopis/hfl15-web.pdf)
Hrvatski filmski ljetopis, broj 16 (1998) (http://www.hfs.hr/doc/ljetopis/hfl16-web.pdf)
Hrvatski filmski ljetopis, broj 17 (1999) (http://www.hfs.hr/doc/ljetopis/hfl17-web.pdf)
Hrvatski filmski ljetopis, broj 18 (1999) (http://www.hfs.hr/doc/ljetopis/hfl18-web.pdf)
Hrvatski filmski ljetopis, broj 19/20 (1999) (http://www.hfs.hr/doc/ljetopis/hfl19-20-web.pdf)
Hrvatski filmski ljetopis, broj 21 (1999) (http://www.hfs.hr/doc/ljetopis/hfl21-web.pdf)
Hrvatski filmski ljetopis, broj 22 (2000) (http://www.hfs.hr/doc/ljetopis/hfl22-web.pdf)
Hrvatski filmski ljetopis, broj 23 (2000) (http://www.hfs.hr/doc/ljetopis/hfl23-web.pdf)
Hrvatski filmski ljetopis, broj 24 (2000) (http://www.hfs.hr/doc/ljetopis/hfl24-web.pdf)
Hrvatski filmski ljetopis, broj 25 (2001) (http://www.hfs.hr/doc/ljetopis/hfl25-web.pdf)
Hrvatski filmski ljetopis, broj 26 (2001) (http://www.hfs.hr/doc/ljetopis/hfl26-web.pdf)
Hrvatski filmski ljetopis, broj 27/28 (2001) (http://www.hfs.hr/doc/ljetopis/hfl27-28-web.pdf)
Hrvatski filmski ljetopis, broj 29 (2002) (http://www.hfs.hr/doc/ljetopis/hfl29-web.pdf)
Hrvatski filmski ljetopis, broj 30 (2002) (http://www.hfs.hr/doc/ljetopis/hfl30-web.pdf)
Hrvatski filmski ljetopis, broj 31/32 (2002) (http://www.hfs.hr/doc/ljetopis/hfl31-32-web.pdf)
Hrvatski filmski ljetopis, broj 33 (2003) (http://www.hfs.hr/doc/ljetopis/hfl33-web.pdf)
Hrvatski filmski ljetopis, broj 34 (2003) (http://www.hfs.hr/doc/ljetopis/hfl34-web.pdf)
Hrvatski filmski ljetopis, broj 35 (2003) (http://www.hfs.hr/doc/ljetopis/hfl35-web.pdf)
Hrvatski filmski ljetopis, broj 36 (2003) (http://www.hfs.hr/doc/ljetopis/hfl36-web.pdf)
Hrvatski filmski ljetopis, broj 37 (2004) (http://www.hfs.hr/doc/ljetopis/hfl37-web.pdf)
Hrvatski filmski ljetopis, broj 38 (2004) (http://www.hfs.hr/doc/ljetopis/hfl38-web.pdf)
Hrvatski filmski ljetopis, broj 39 (2004) (http://www.hfs.hr/doc/ljetopis/hfl39-web.pdf)
Hrvatski filmski ljetopis, broj 40 (2004) (http://www.hfs.hr/doc/ljetopis/hfl40-web.pdf)
Hrvatski filmski ljetopis, broj 41 (2005) (http://www.hfs.hr/doc/ljetopis/hfl41-web.pdf)
Hrvatski filmski ljetopis, broj 42 (2005) (http://www.hfs.hr/doc/ljetopis/hfl42-web.pdf)
Hrvatski filmski ljetopis, broj 43 (2005) (http://www.hfs.hr/doc/ljetopis/hfl43-web.pdf)
Hrvatski filmski ljetopis, broj 44 (2005) (http://www.hfs.hr/doc/ljetopis/hfl44-web.pdf)
Hrvatski filmski ljetopis, broj 45 (2006) (http://www.hfs.hr/doc/ljetopis/hfl45-web.pdf)
Hrvatski filmski ljetopis, broj 46 (2006) (http://www.hfs.hr/doc/ljetopis/hfl46-web.pdf)
Hrvatski filmski ljetopis, broj 47 (2006) (http://www.hfs.hr/doc/ljetopis/hfl47-web.pdf)
Hrvatski filmski ljetopis, broj 48 (2006) (http://www.hfs.hr/doc/ljetopis/hfl48-web.pdf)
Hrvatski filmski ljetopis, broj 49 (2007) (http://www.hfs.hr/doc/ljetopis/hfl49-web.pdf)
Hrvatski filmski ljetopis, broj 50 (2007) (http://www.hfs.hr/doc/ljetopis/hfl50-web.pdf)
Hrvatski filmski ljetopis, broj 51 (2007) (http://www.hfs.hr/doc/ljetopis/hfl51-web.pdf)
Hrvatski filmski ljetopis, broj 52 (2007) (http://www.hfs.hr/doc/ljetopis/hfl52-web.pdf)
Hrvatski filmski ljetopis, broj 53 (2008) (http://www.hfs.hr/doc/ljetopis/hfl53-web.pdf)
Hrvatski filmski ljetopis, broj 54 (2008) (http://www.hfs.hr/doc/ljetopis/hfl54-web.pdf)
Hrvatski filmski ljetopis, broj 55 (2008) (http://www.hfs.hr/doc/ljetopis/hfl55-web.pdf)
Hrvatski filmski ljetopis, broj 56 (2008) (http://www.hfs.hr/doc/ljetopis/hfl56-web.pdf)
Hrvatski filmski ljetopis, broj 57/58 (2009) (http://www.hfs.hr/doc/ljetopis/hfl57-58-web.pdf)
Hrvatski filmski ljetopis, broj 59 (2009) (http://www.hfs.hr/doc/ljetopis/hfl59-web.pdf)
Hrvatski filmski ljetopis, broj 60 (2009) (http://www.hfs.hr/doc/ljetopis/hfl60-web.pdf)

Recenzija br. 57-58: Od Sibenske luke do Odiseje u svemiru, Dejan Duric - http://bit.ly/eQ8kBd

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img265.imageshack.us/img265/6789/31209052.jpg (http://avaxhome.ws/ebooks/Photo_related/The_Cinema_Of_George_Lucas_2005.html)

Zgodna knjiga, lijepo sroceni predgovor Rona Howarda. In the end, the book is a voluminous look at George Lucas in general and the filmmaking process at the student and professional level in a broader sense. Every fan of Lucas should own this book. Every person interested in how a film empire is formed should read this for inspiration. Ujedno preporuka da pogledate i Fog City Mavericks (ovdje (http://www.forum.hr/showpost.php?p=29549359&postcount=1510)).

For fans of Star Wars, Indiana Jones and filmmaker George Lucas in general, The Cinema of George Lucas chronicles the life and work of the man who revitalized science-fiction films and revolutionized the vfx industry. The coffee table book is broken up into eight chapters — the first follows Lucas through his childhood into the completion of his first film THX 1138. The book dedicates the next two sections to the films, American Graffiti and Star Wars. The third chapter looks at the rest of the original Star Wars trilogy, the Indiana Jones franchise as well as other films Lucas produced such as Labyrinth and Willow. For visual effects fans and pros, the “Immaculate Reality” section will be of most interest, as it covers the immergence of digital effects and the growth of Industrial Light & Magic. Parts six through eight return to the Star Wars universe, recounting the production of the prequels and beyond. When one first opens the book, you are instantly drawn in by the plethora of wonderful images. The pages are filled with large color and black-and-white film images, behind-the-scenes pictures and personal snapshots. Some of the pictures from Lucas’ early student work have never been seen before. For the text, writer Marcus Hearn drew upon exclusive interviews and the vast Lucasfilm archives. The book not only looks at how Lucas created his art, but also delves a bit into the experiences in his life that shaped it. Amazingly, the book actually has a picture from The Modesto Bee newspaper of the horrific auto accident that Lucas survived when he was 18, which changed his mind about becoming a racecar driver. Setting the tone for the entire book is a wonderful personal foreward from director Ron Howard, who starred in Lucas’ American Graffiti and later directed the Lucas-produced-written fantasy film, Willow. Hearn uses a biography tone to the text, which is engaging. The tome is very detailed, but not so that it’s bogged down. The story of Lucas’ life moves quickly and one is struck by all he has accomplished and all that he has been witness to in the history of cinema. For film buffs, one of the most interesting parts of the book will be the shooting schedules for all of the films Lucas directed. (The only exception is Revenge of the Sith.) Likewise, Hearn fills the book with details that can be a great encouragement to any aspiring filmmaker on how the process is done and what can — and inevitably — goes wrong. The tome delves into all the aspects of creating film from casting to budgets to visual and special effects. Moreover, the book is filled with wonderful sidebars, which divulge trivia from the list of names Universal approved for American Graffiti to various deleted scenes to profiles on Lucas’ influences. Some of the other sidebars of note are the actual images of the first page of Lucas’ handwritten treatments for his films. For trivia hounds, knowing that Episode I was tentatively titled The Beginning and Episode II was Jar Jar’s Great Adventure will make them the envy of other fans at cocktail parties for years to come.

http://img716.imageshack.us/img716/4563/74604256.jpg (http://pixhost.info/avaxhome/38/c5/0019c538.jpeg)

Beyond just trivia, some of the sidebars highlight interesting changes made throughout the filmmaking process. For instance, in an early draft of Star Wars, Obi-Wan Kenobi does not die and goes on to give the weaknesses of the Death Star to the Rebel Alliance. Additionally, Lucas gives reasons for cutting three scenes that intercut Luke Skywalker and his friends with the space battle taking place overhead. These scene were actually filmed, but were later removed. Likewise, Indiana Jones was originally named Indiana Smith and it was director Philip Kaufman (The Unbearable Lightness of Being, Quills) who brought the supernatural twist to the idea. In addition, the asides highlight many of the accomplishments and advancements that Lucas was involved in. Before Star Wars, only 20 or so films had used Dolby Stereo. The success of the film spurred many theaters to demand Dolby equipment. Many know that Lucas formed ILM to handle the effects for Star Wars, but he also formed Sprocket Systems to handle the editing. The film and sound editing company helped form Lucas’ idea that “sound is 50% of the motion-picture experience.” Sprocket helped launch THX Sound System in 1982 and later became what is now known as Skywalker Sound. Moreover, Lucas formed the George Lucas Educational Foundation to help advance education techniques, believing that “the way we are educated is based on 19th-Century ideas and methods.” He also won the Academy of Motion Picture Arts and Science’s Irving G. Thalberg award for his body of work without having been a member of the Academy. More recently, Lucas has been at the forefront in the implementation of digital projection as part of a total digital cinema. The “Immaculate Reality” chapter should be the most interesting to the audience of VFXWorld, since it begins with Lucasfilm’s original creation of EditDroid, the first disc-based nonlinear editing system, which was developed with the oversight of Ed Catmull, who would head up the early creation of Pixar at Lucasfilm. The chapter focuses a good portion of time on the TV series, The Young Indiana Jones Chronicles, which featured the first digital character. It also delves rather briefly into the digital changes made in the original trilogy, quoting Lucas as saying, “We called it an experiment in learning new technology and hoped that the theatrical release would pay for the work we had done. It was basically a way to take this thorn out of my side and have the thing finished the way I originally wanted it to be finished.” In the end, the book is a voluminous look at George Lucas in general and the filmmaking process at the student and professional level in a broader sense. Every fan of Lucas should own this book. Every person interested in how a film empire is formed should read this for inspiration.

The Cinema of George Lucas by Marcus Hearn, foreward by Ron Howard; Harry N. Abrams; New York, 2005; ISBN: 0-8109-4968-7, hard cover, $50; 264 pages.

Book Review: The Cinema of George Lucas (http://www.awn.com/articles/review/book-review-ithe-cinema-george-lucasi/page/2%2C1)

The Cinema of George Lucas (2005) (http://avaxhome.ws/ebooks/Photo_related/The_Cinema_Of_George_Lucas_2005.html)
PDF | ISBN: 0810949687 | Hardcover | 264 pages | 92.9 MB
Author: Marcus Hearn; Publisher: Harry N. Abrams (Mar 2005)

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"Alfred Hitchcock: Filming Our Fears" by Gene Adair - http://bit.ly/eNFeCC
"Cinema and Nation" by Mette Hjort and Scott Mackenzie - http://bit.ly/hW1GEP
The Rough Guide to Film 1 - http://bit.ly/gqYF9w
"Cyborg Cinema and Contemporary Subjectivity" by Sue Short - http://bit.ly/gE7Tni
"Fifty Contemporary Filmmakers" by Yvonne Tasker - http://bit.ly/fZbu54
Sfx April 2011 - http://bit.ly/epm8DB
Cinemags February 2011 - http://bit.ly/gJTcOn

http://img135.imageshack.us/img135/6751/41975079.gif

Fog City Mavericks (2007) - http://bit.ly/i1HS30

This post was lovingly crafted with Pawsoft Fass (http://www.pawsoft.com/fass), the (F)orum (ass)istant

[La Familia]

79-minutni dokumentarac Roberta Altmana o Jamesu Deanu (snimljen dvije godine nakon Deanove smrti):

http://img59.imageshack.us/img59/1098/60524611.png

James Dean: Life and Career Documentary Directed by Robert Altman - The James Dean Story (1957) (http://www.youtube.com/watch?v=OgMZcYZs9k8)

On James Dean’s 80th birthday, this film probably deserves its own little mention. The James Dean Story, a 79 minute documentary chronicling the life and times of Jimmy Dean, came out two years after the young actor’s death. Most notably, the film was directed by Robert Altman, a young director who would eventually make MASH, Nashville, The Player, Gosford Park, etc. You can find a downloadable version of the documentary over at the Internet Archive (http://www.archive.org/details/TheJamesDeanStory).

DOWNLOAD (http://www.archive.org/details/TheJamesDeanStory)

James Dean at 80 http://t.co/v6JTztY

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img823.imageshack.us/img823/2499/91330932.jpg (http://img23.imageshack.us/img23/6091/92344923.jpg)

Nicole LaPorte podigla je dosta prasine sa svojom knjigom “The Men Who Would Be King: An Almost Epic Tale of Moguls, Movies and a Company called DreamWorks”. Sve detalje iz knjige Nicole LaPorte nije dobila izravno od sudionika, nego u razgovorima s “insiderima” koji su joj prepricali zanimljive stvari koje se dogadjaju na snimanjima. U centru knjige je producentska kuca DreamWorks, ciji je vlasnik Steven Spielberg, te njegovi partneri Paul Allen i David Geffen. LaPorteova je ovom knjigom usla u najekskluzivniji i najmocniji holivudski “osinjak” s kojim je u vise navrata suradjivao i nas Branko Lustig.

http://img59.imageshack.us/img59/9144/29100100.jpg

Speaking of which...

Dio knjige bavi se likom i djelom Russella Crowea, poznatog kao bahatog i vrlo neugodnog suradnika, a prema LaPortinoj knjizi, Lustig je bio mozda i najveca zrtva Croweovih divljanja. Crowe je, sto je takodjer istaknuto u knjizi, bio najgori glumac za suradnju tijekom snimanja blockbustera iz 2000. godine i cak je dva puta odlazio sa snimanja te prijetio da se vise nece vratiti. Oba puta je to, pise LaPorte, ucinio zbog Lustiga, kojeg je vise puta verbalno napao i prijetio mu. Prvo je jednom nazvao Lustiga u tri sata ujutro, nezadovoljan placom koju su dobili njegovi asistenti. Kada se Lustig javio, Russell Crowe mu je rekao: “Seronjo, ubit cu te golim rukama!” Lustig je nakon tog incidenta nazvao Stevena Spielberga, prepricao mu sto mu je Crowe rekao na telefon i porucio da zbog Croweovih prijetnji napusta snimanje filma. Branko Lustig je ispricao da se taj incident uistinu dogodio, ali istice da je s Russellom danas najbolji prijatelj. - Russell Crowe ima takav temperament i kada me taj put nazvao, nisam ni znao zasto me zove jer ga do tada nisam ni vidio, bio sam u Londonu. Bio je ljut jer je smatrao da osoba koja je zaduzena za njegovu odjecu nije dovoljno placena. Na setovima postoje pravila o tome koliko se koga placa, ali Crowe je mislio da je njegov garderobijer potplacen. No, znam ga i on je poznat po tome da se uvijek bori za ‘radnicka prava’ na snimanjima, da mu je stalo da svi budu dobro placeni - kaze Branko Lustig. Nakon što je snimanje zavrseno, Lustig je gotovo zaboravio na tu situaciju i jednom se slucajno s glumcem susreo u Santa Monici. - Setao sam gradom i odjednom je netko iza mene poceo vikati: ‘Papa! Papa!’ Crowe me, naime, tako uvijek zvao. Okrenuo sam se i vidio ga, jako se udebljao i bio je s dvoje djece.

http://img824.imageshack.us/img824/5294/54876142.jpg

Prvo sam se pravio da ga ne poznajem, a onda mi je rekao: ‘Pa to sam ja! Russell!’ Ispricao mi se zbog svega, bilo mu je jako zao. S njegovom djecom smo otisli na sladoled i dugo razgovarali. Od tada smo odlicni prijatelji - nastavlja Lustig i napominje da je narav slavnog glumca naprosto takva i da je to za njega potpuno normalno. Zbog svoje agresivne naravi Crowe je nebrojeno puta završio na naslovnicama svjetskih novina, tako da je zapravo iskusni Lustig napravio ono sto je u tim situacijama najbolje - saslusao je glumca i nastavio sa svojim poslom. Kao dokaz da mu je iskreno zao sto se posvadjao s Lustigom, Russell Crowe ga je proglasio pocasnim clanom svog rugby kluba Rabbitohs, koji je trenutno na petom mjestu australske rugby lige. Russell mu je osobno u Sydneyju dao siltericu i majicu kluba, a Lustig kaze da je s njim u stalnom kontaktu. A da je Crowe uistinu “tezak” za suradnju, potvrdjuje jos jedan detalj iz knjige, takodjer zabiljezen na snimanju “Gladijatora”. Opet se na neki nacin Crowe indirektno “zakacio” s nasim producentom, ali tada nije bilo prijetnji, nego se pozalio redatelju Ridleyju Scottu zbog jedne recenice koju je morao izgovoriti u filmu. Croweu se, naime, nije svidjela recenica: “Osvetit cu se, u ovom ili sljedecem zivotu”. Scottu je rekao da je recenica smijesna i trazio da se izbaci iz scenarija. No, scena s tom recenicom ipak je snimljena, iako Crowe nije bio bas sretan sto ju je morao izgovoriti. Nakon sto su je snimili, Scott ga je pitao je li zadovoljan, a Crowe mu je odgovorio: “Recenica je bila sranje, ali ja sam najbolji glumac na svijetu i iz mojih usta cak i sranje dobro zvuci”. Možda jos samo treba istaknuti da je film na kraju dobio sedam Oscara, ukljucujuæi i Russellova za najbolju ulogu.

Izvor: JL

http://img684.imageshack.us/img684/1851/1101950327400.jpg

Nicole LaPorte has found a big story—this is the great part—that is even bigger than first appears, the story of DreamWorks being the story of modern Hollywood, which is the dream life of the world. Steven Spielberg, Jeffrey Katzenberg, and David Geffen—is a gripping saga of changing economic times. Wary of corporate inroads and catalyzed by Katzenberg’s troubled departure from Disney, the three had independently come to a point where they wanted to run their own show. In 1994, without even a name for their venture, they announced the formation of a company that would break the mold on corporate ownership of entertainment-making, respecting creativity above all else. Spielberg was coddled and cosseted as the ultimate artiste. Katzenberg, who headed the animation division at Disney, was motivated as much by vengeance against CEO Michael Eisner when he set about luring away Disney’s animators. Billionaire Geffen was looked on as the businessman who would bring together disparate parts of the company. What followed was a clash of multiple cultures and visions, within and outside of DreamWorks. LaPorte, a former film industry reporter for Variety, offers a deliciously detailed look at the trials, triumphs, and fumbles of DreamWorks—from the complicated story behind Shrek, a CGI pioneer, to the courting of stars Nicole Kidman and George Clooney and soothing of Russell Crowe. This unauthorized chronicle of DreamWorks will no doubt seal LaPorte’s status as persona non grata in Hollywood, but readers will love it.

The Men Who Would Be King: An Almost Epic Tale of Moguls, Movies, and a Company Called DreamWorks (http://www.ebookee.net/The-Men-Who-Would-Be-King-Audiobook-_1044565.html)

A treba reci i sljedece, SKG boysi dobrano su razjebali DreamWorks, kompanija je naposljetku prodana Relianceu (neki India-based korporativni bedacek) za tricavih $500 milijuna (usporedbe radi, Disney je bas nedavno prodao Miramax za $660 milijuna).

DreamWorks, Reliance close deal - http://bit.ly/hIvurv
How Harvey Got His Groove Back - http://bit.ly/fT5TpB

Zaboravih spomenuti, audiobook BTW (18 hrs 03 mins). Idealno za ribiciju, spancirung po Sljemenu, vjezbanje engleskog... Multipraktik.

REPOST(S):

http://img201.imageshack.us/img201/1820/22585929.jpghttp://img20.imageshack.us/img20/1728/73708232.jpg

Steven Spielberg and Philosophy: We're Gonna Need a Bigger Book - http://bit.ly/esx3Ne
Steven Spielberg (Pocket Essential series) - http://bit.ly/fC1Mbe
On Film (Thinking in Action), 2nd edition - http://bit.ly/hQERea
The Last Great American Picture Show: New Hollywood Cinema in the 1970s - http://bit.ly/hPSY9k
Scenarij najdrazeg mi filma Stevena Spielberga - http://bit.ly/enFjXl
The “Raiders” Story Conference - http://bit.ly/hF89e4

VIDEO:

A Seminar with Steven Spielberg… from 1978 - http://bit.ly/fPHYbu
Remembering Stanley Kubrick: Steven Spielberg - http://bit.ly/hStxSy
A biography of Steven Spielberg - http://bit.ly/hoAetT
Spielberg on Spielberg - http://bit.ly/dQHHv2
Jaws: The Inside Story (TV 2010) - http://bit.ly/e5EAxT

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img51.imageshack.us/img51/9653/68556692.jpg (http://img203.imageshack.us/img203/845/78913907.jpg)

Ubiytsy (http://www.imdb.com/title/tt0052330/) [The Killers] prvi je (studentski) film Andreja Tarkovskog.

'The Killers' was Andrei Tarkovsky's first film, co-directed by classmates Alexander Gordon and Marika Beiku in the autumn of 1956 while attending grade three of the All-Russian State Institute of Cinematography (VGIK). E. Hemingway's collected works had just been published for the first time in the Soviet Union and Tarkovsky suggested that they base their film school short on 'The Killers' 'a very tragic story, filled with deeper truth.' VGIK formally approved the project, thus for the first time allowing students to make a film based on a foreign work. This nineteen minute film is divided into three scenes. The first and the last scenes at the cafe were directed by Tarkovsky; the middle, in Andresen's room, was directed by Gordon. All parts were played by fellow students. Gordon played the shopkeeper, and Tarkovsky played the customer whistling 'Lullaby of Birdland', a tune they were acquainted with through listening to 'Voice of America' broadcasts. This 1950's tune was widely regarded as a symbol of freedom and its inclusion in the film adaptation of a 1920's Hemingway story was Tarkovsky's idea. The film was highly praised by class instructor Mikhail Romm.

DOWNLOAD:

Ubiytsy [The Killers] (1958) (http://forums.foriegnmoviesddl.com/viewtopic.php?f=21&t=10296)
Language: Russian
Video: DivX 5 576x432 29.97fps
Audio: MPEG Audio Layer 3 48000Hz stereo 107kbps
Length: 00:21:18
351 MB

Ubiytsy (1958) - Hrvatski titlovi (http://hr.podnapisi.net/ubiytsy-1958-titlovi-p742191)

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Aventure malgache (http://www.imdb.com/title/tt0036621/) Alfreda Hitchcocka iz 1944.

Aventure Malgache, 1944. (http://flickeringmyth.blogspot.com/2011/02/short-film-showcase-aventure-malgache.html)

Originally entitled Madagascar Landing, Aventure Malgache is the second of two British propaganda films produced by Alfred Hitchcock for the British Ministry of Information. Shot in French and intended as a morale booster for the Resistance, Hitchcock used his experience with the French government on the preceeding short Bon Voyage to explore the disjointed nature of the Resistance movement and its infiltration by Nazi spies and Vichy collaborators. Aventure Malgache's government backers were unimpressed with Hitchcock's numerous jokes and stereotypes, not to mention his depiction of the French as 'anti-British', and the film was never released for public screening until it reemerged in the early 1990s as part of a double-bill with Bon Voyage.

http://img152.imageshack.us/img152/4170/25327706.png (http://flickeringmyth.blogspot.com/2011/02/short-film-showcase-aventure-malgache.html)

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Jos nekoliko kratkisa Francoisa Ozona:

Francois Ozon - Une robe d'ete / The summer Dress (1996) (http://avaxhome.ws/video/genre/drama/FrancoisOzonUnerobdetThesummerDress1996.html)
Francois Ozon - Scenes de lit / Scenes in a bed (1998) (http://avaxhome.ws/video/genre/art_house/FrancoisOzonScenesdelitScenesinabe1998.html)
Francois Ozon - Un lever de rideau (2006) (http://avaxhome.ws/video/genre/art_house/FrancoisOzonUnleverderideau.html)

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U jednom od sljedecih postova na temi - 2011 Academy Award-Nominated Live-Action Short Films (http://www.ifccenter.com/films/2011-academy-award-nominated-live-action-short-films/) (mislim da su svi dostupni, treba ih samo potraziti).

THE CONFESSION – Quiet and sincere 9-year-old Sam is worried about making his first confession. His conscience is clear, therefore he cannot hope for any relief from the experience. He and his friend Jacob decide to remedy that situation, but their initially innocent prank turns unexpectedly tragic. (UK, 26 min., Director: Tanel Toom)

WISH 143 – A fifteen-year-old boy with only months to live is granted one wish from the Dreamscape Charity. But David doesn’t want to go to Disneyland or meet Gary Neville; what he really wants is an hour alone with a naked woman. (UK, 24 min., Director: Ian Barnes)

NA WEWE – 1994: There is civil war in Burundi, a small country of Central Africa directly bordering Rwanda. A near genocidal confrontation opposes rebels mainly composed of ethnic Hutus and a national army with a majority of Tutsis. This short film relates a sadly frequent episode of this fratricidal conflict: the attack by rebels of a minivan carrying ordinary citizens. (Belgium, 19 min., Director: Ivan Goldschmidt)

THE CRUSH – Ardal Travis is in love. There’s just one problem. He’s an 8 year old schoolboy and the object of his affection is his Second Class teacher, Miss Purdy. But when her boyfriend arrives on the scene Ardal is heartbroken. His reaction, though, is a little unexpected. He challenges Miss Purdy’s boyfriend to a duel. To the death. (Ireland, 15 min., Director: Michael Creagh)

GOD OF LOVE – Lounge-singing darts champion Raymond Goodfellow finds his prayers are answered — literally — when he receives a mysterious package of passion-inducing darts. The catch is that the one woman he loves — Kelly, a drummer in his band — is already in love with Ray’s best friend Fozzie, the guitarist in the band. But when Ray uses the darts in a loony scheme to resolve this strange romantic triangle, he learns a surprising lesson about unrequited love and discovers his own place in the universe. Romance is in the air in this bohemian charmer. (USA, 18 min., Director: Luke Matheny)

Osvajanje Oscara za najbolji kratki film san je svakog filmasa, instantni wild card za prve dugometrazne filmove.

This post was lovingly crafted with Pawsoft Fass (http://www.pawsoft.com/fass), the (F)orum (ass)istant

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img841.imageshack.us/img841/7149/29119301.jpg

The Hitchcock and Truffaut Tapes [MP3] - http://bit.ly/hGsMt8
Repost knjige: Hitchcock (Revised Edition) By Francois Truffaut - http://bit.ly/idBpCj
Hitchcock's Motifs, Amsterdam University Press | 512 pages | PDF | 4.62 MB - http://bit.ly/hz7ArQ
Studies of Alfred Hitchcock's REAR WINDOW - http://bit.ly/i2ucOW

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La Cravate (http://www.imdb.com/title/tt0121731/), prvi film Alejandra Jodorowskog.

Believed lost for fifty years, Alejandro Jodorowsky’s first film, La Cravate (aka Severed Heads) was found in an attic in Germany in 2006, and released on DVD in 2007. Adapted from Thomas Mann’s short story, “The Transposed Heads - A Legend of India in Paris”, La Cravate was made between 1953 and 1957 and starred Denise Brossot, Rolande Polya, Raymond Devos, Saul Gilbert and Jodorowsky. The film tells of a young man’s desire to win the love of a woman. To do this, he visits a store which allows customers to switch their heads, and thus their personalities. The young man trades in his head for a variety of different models, and while his body continues to woo the woman of his dreams, the store’s proprietor, a young woman, takes a fancy to the man’s original head and takes it home. The moral is never to lose your head over unrequited love, but find someone who loves you as you are. It’s bizarre, amusing and charming, and an impressive first film.

http://img253.imageshack.us/img253/8817/51550022.png (http://rutube.ru/tracks/1006429.html?v=0b5fd3e67e3fb177f8523addaac2b8ed)

Alejandro Jodorowsky @ FILMSKI.NET - http://bit.ly/hRCbEd
Americki revival Alejandra Jodorowskog - http://bit.ly/gsgc20

http://img718.imageshack.us/img718/9484/52204458.gif

Darren Aronofsky recommend five books on film - http://bit.ly/hJImzE
Anvil! The Story Of Anvil (2008) - http://bit.ly/4ICk0
Infographic: George Lucas's revenue from Star Wars - http://bit.ly/fnzZlR
1991. Keanu Reeves and River Phoenix Cover - http://bit.ly/fVcjRv Interview - http://bit.ly/f0p7Xj
Butterflies feat. John Malkovich - http://bit.ly/eNJBAF
''Big Screen Rome'' | 274 pages | PDF | 4.05 MB - http://bit.ly/ekGIsf
Roger Corman discusses his wild wild career - http://bit.ly/hmGdON
Dennis Hopper and his Russian Dynamite Death Chair Act - http://bit.ly/fA4PBj
Velvet Underground documentary from 1986 puts it all together in a nice package - http://bit.ly/eZSck0
My Beautiful Laundrette | 128 pages | PDF | 2.93 MB - http://bit.ly/gxu7Y0
Unused footage from Danny Boyle’s 1996 film Trainspotting - http://youtu.be/mOIZsiIPUOM
Orson Welles: Trashing Rosebud In Paris - http://bit.ly/g1U9Jx
Sean Young’s Dune video diary - http://bit.ly/erm1Zs
"Blade Runner" by Scott Bukatman BFI | PDF | 6,4 MB - http://bit.ly/fNfyvb
A treasure chest: Vinnie Rattolle's Index - http://bit.ly/eAmlns

http://img688.imageshack.us/img688/1/94420444.jpghttp://img502.imageshack.us/img502/3252/85773095.jpghttp://img141.imageshack.us/img141/2826/91072217.jpghttp://img146.imageshack.us/img146/1008/51439214.jpg

Povratak u buducnost: Vinnie Rattolle's Magazines - http://bit.ly/fyttyS

This post was lovingly crafted with Pawsoft Fass (http://www.pawsoft.com/fass), the (F)orum (ass)istant

[late bloomer]

familia, ne mogu skinuti knjige koje si ponudio u rujnu 2009. :(

prolazim temu otpočetka (stigao do 16. str. barem na mom kompu), pa ne znam jesi li ih kasnije ponovno linkao.

[La Familia]

familia, ne mogu skinuti knjige koje si ponudio u rujnu 2009. :(

prolazim temu otpočetka (stigao do 16. str. barem na mom kompu), pa ne znam jesi li ih kasnije ponovno linkao.

Temi treba temeljno ciscenje, groblje mrtvih linkova/fotki/offtopica/svadji. A moderatori mora da su 'ludi od zelje' to raditi (niti je to njihov posao), ja pak ne mogu ni uz najbolju volju (editirati/brisati postove na temi).

Nista, postaj naslove tih knjiga na chat. Prilozim ti tamo nove linkove, ili na PM.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img13.imageshack.us/img13/8215/86329735.jpg

Download svih 'BLACK LIST 2010' scenarija (.pdf):

2010 BLACK LIST (http://www.mediafire.com/?v7cv9dsc22q5g)

Crna lista, što je to? (http://www.nytimes.com/2007/12/08/movies/08blac.html?_r=1)

2008 Black List (http://www.gointothestory.com/2008/12/2008-black-list.html)

2007 Black List (http://www.gointothestory.com/2008/07/black-list-2007-hollywoods-best.html)

Recenzija svih scenarija By ScriptShadow:

The Full 2010 Black List With Thoughts! (http://scriptshadow.blogspot.com/2010/12/full-2010-black-list-with-thoughts.html)

THE BLACK LIST is a snapshot of the collective taste of the people who develop, produce, and release theatrical feature films in the Hollywood studio system and the mainstream independent system.

An annual list of Hollywood's most liked unproduced screenplays published on the second Friday of December each year, THE BLACK LIST began in 2004 as a survey with contributions from 75 film studio and production company executives. In 2008, over 250 executives contributed their opinions.

Since its inception, dozens of screenplays that appeared on the list have been optioned, produced, and released, many to great commercial success. Two of the top three screenplays on the inaugural 2005 list - JUNO by Diablo Cody and LARS AND THE REAL GIRL by Nancy Oliver - went on to be nominated for Best Original Screenplay at the 2008 Academy Awards, with JUNO winning the Oscar.

http://img517.imageshack.us/img517/8448/33301838.pnghttp://img217.imageshack.us/img217/6049/38428140.gif

Vrijeme je i za hrvatsku Crnu Listu.

[La Familia]

http://img101.imageshack.us/img101/2372/53621032.jpg (http://my.spill.com/profiles/blog/show?id=947994%3ABlogPost%3A355506)

[La Familia]

http://img694.imageshack.us/img694/3813/92383923.jpg (http://jeffbridges.com/true_grit_book/)

Hat tip za yurinova (http://www.forum.hr/showpost.php?p=31945623&postcount=5559).

[La Familia]

http://img840.imageshack.us/img840/9506/37940557.jpg

http://img535.imageshack.us/img535/4372/23838184.jpg (http://www.lettersofnote.com/2011/02/giant-zlig.html)

[La Familia]

http://img16.imageshack.us/img16/723/58023947.png (http://www.mydigitalpublication.com/publication/?i=59660)

[La Familia]

Ovo je pravi vintage raritet: prvi broj 'American Film (http://vinnierattolle.blogspot.com/2011/02/american-film-1-october-75.html)' magazina iz listopada 1975.

Here's the premiere issue of "American Film" magazine, which features an article by Larry McMurtry about writing films, numerous stories on movies and the newsrooms, a feature on obsolete silent comedies, a story on the changing face of television (which has morphed into an entirely different beast 36 years later!), a story on Dalton Trumbo, an interview with Richard Zanuck and David Brown (with lots of talk about early Spielberg films), an article on the increasing popularity of Bruce Lee and martial arts films after his death, a story on the restoration of director Lois Weber's once-lost 1921 film THE BLOT, and more! Since this is the first issue, I scanned and included the subscription cards as well. Note that it cost $15 to join AFI in 1975 -- the cheapest enrollment costs $60 today! Admittedly AFI is a good thing, but that seems like some pretty astronomical inflation...

http://img40.imageshack.us/img40/689/46551751.jpg (http://vinnierattolle.blogspot.com/2011/02/american-film-1-october-75.html)

DOWNLOAD LINKS (http://vinnierattolle.blogspot.com/2011/02/american-film-1-october-75.html)

Za povratak u djetinjstvo kliknuti (http://vinnierattolle.blogspot.com/2009/03/title-index.html).

http://www.pic4ever.com/images/4chsmu1.gif

[La Familia]

Films in HD
Charlie Chaplin
Documentaries
Horror
Westerns
Crime/Film Noir
Sci Fi
Comedy
Mystery
Romance
Drama
Adventure
Best of Early Cinema
Musical

http://www.youtube.com/user/openflix#p/p (http://www.youtube.com/user/openflix#p/p)

George A. Romero’s 'Night of the Living Dead' in full (remastered High Definition 1080p). http://youtu.be/85C2JnZOY4k

:klopa:

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img845.imageshack.us/img845/9351/70211971.gif

Za pocetak dva rariteta. Tijekom ljeta '71, Gene Youngblood intervjuirao je tada 27-godisnjeg Georga Lucasa za obrazovnu TV postaju KCET, u sat vremena programa pod nazivom: George Lucas: Maker of Films (1971) (http://binarybonsai.com/2009/06/20/george-lucas-maker-of-films-1971/).

In 1969, they went on the road for Coppola’s next film, The Rain People, a made-on-the-move film based off of the same principles American Zoetrope would soon be founded upon. During The Rain People, Lucas made a documentary simply called Filmmaker, which is a fascinating look at how Coppola (and by proxy Lucas), was fighting the rigidity of the old system and its cumbersome, expensive ways. It also shows a 29-year-old beardless Coppola remarking “the world is filled with guys who said: ‘First I’ll make the money, then I’ll go off and make the personal films I’ve always wanted to make’, yet they never get around to doing it”, a curious parallel to what has since happened to Lucas, which, since it’s Lucas’ documentary, makes it poignantly fitting in retrospect.

Filmmaker mozete pogledati ovdje (http://www.youtube.com/watch?v=A2qqIzwjiIQ&fmt=16).

Rubrika 'Gledaj, slusaj, citaj', odabrao El Más Loco feat. LaFamilia (http://twitter.com/LaFamiliaFilm).

Walking with Pasolini (2008) - http://bit.ly/gN8E30
Philip K Dick: A Day in the Afterlife - http://bit.ly/aMwoVc
Baldwin, Brando, Belafonte, Poitier, Mankiewicz and Heston talk Civil Rights, 1963 - http://bit.ly/ezPqhv
Frank Frazetta: Painting with Fire (2003) - http://bit.ly/dEPjYd
Ingmar Bergman Visits Dick Cavett, 1971. - http://bit.ly/gpJYxC
1953 animated film version of Poe’s “The Tell-Tale Heart,” narrated by James Mason. A classic! - http://bit.ly/98rQqM
Lost in La Mancha (2002). Narrated by Jeff Bridges - http://bit.ly/g07auI
John Turturro: Jesus, Lebowski, and Orgasms - http://bit.ly/g23b8O
On the Edge of 'Blade Runner' (2000). Rare documentary about the movie - http://bit.ly/hzkPiN
Akira Kurosawa: It Is Wonderful to Create - http://bit.ly/icB8m4
Ken Loach Films. Seven of the finest films by Britain’s finest director - http://bit.ly/g4ZCg6
Stanley Kubrick: A Life in Pictures (2001) - http://bit.ly/dYcLcK
Edgar Allan Poe: Love, Death, And Women (2010, BBC) - http://bit.ly/epew3S
Deux de la Vague (2010). Godard-Truffaut, the story of a friendship that changed cinema forever - http://bit.ly/f6tEv0
‘Still Ticking’: The story behind Stanley Kubrick’s ban on ‘A Clockwork Orange’ - http://bit.ly/gFxYvg

http://img41.imageshack.us/img41/1765/75222354.gif

Orson Welles Vintage Radio: The War of the Worlds [mp3] - http://bit.ly/ymXcu
Success is a real and subtle whore: Marlon Brando Opens Up to Tennessee Williams (Letters of Note) - http://bit.ly/bm6ciC
"From Pinewood to Hollywood: British Filmmakers in American Cinema, 1910-1969'' [PDF] - http://bit.ly/fmhx2X

http://img508.imageshack.us/img508/3346/42759321.jpg

Alfred Hitchcock, A Personal Biography [PDF] - http://bit.ly/hwGZEc
THE LONGEST DAY: Conceptual Story Boards ~ Conceptual Designs - http://bit.ly/gJpvPP
THE THING: Conceptual Story Boarded Designs - http://bit.ly/h4tw74
Blade Runner: Comic Book Adaptation [PDF, JPG, Gallery] - http://bit.ly/cwo4FJ
BLADE RUNNER: Some very rare Production art ~ Conceptual Story Boards ~ Conceptual Designs - http://bit.ly/hkouwy

http://img853.imageshack.us/img853/3946/58592577.jpg (http://2.bp.blogspot.com/_D1ZZyTOG7tQ/SUpaI28GFgI/AAAAAAAAEIw/xFXhQh4108M/s1600-h/Comic+Book+Panel+-+Blade+Runner.jpg)

Aliens II The Official Movie Magazine 1986 [PDF] - http://bit.ly/fMOkne
Softcover book that chronicles the making of Indiana Jones and The Temple of Doom [PDF, CBR] - http://bit.ly/g4zegg
This interview with Terry Gilliam is from the May 1982 issue of Twilight Zone Magazine - [PDF] http://bit.ly/fJmZDK

Za one nestrpljive, Twitter - @LaFamiliaFilm (http://twitter.com/LaFamiliaFilm).

This post was lovingly crafted with Pawsoft Fass (http://www.pawsoft.com/fass), the (F)orum (ass)istant

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img263.imageshack.us/img263/1139/14646516.gif

Repost sa susjedne teme:

Ima neko vremena da mi, ukoliko ima, da neke linkove da citam ili mi napise o nesto o kameri iz prvog lica, kuta lika, POV. Opcenito kako snimati na takav nacin, na sto treba paziti, itd. Netko voljan?

Za pocetak (da ovo i drugima bude od neke koristi), 'POV je skracenica za eng. izraz POINT OF VIEW, sto se u nasoj filmskoj terminologiji obicno prevodi kao SUBJEKTIVNI POGLED, ponekad i SUBJEKTIVNI KADAR. Dakle, kada zelite naglasiti da je ono sto gledatelj vidi upravo ono sto odredjeni lik vidi iz svoje perspektive.'

Moja preporuka ti je da krenes s nekoliko naslova (dodatno gledanje/premotavanje, potom citanje scenarija i ostale literature):

Rear Window (1954): (00:31:15 to 00:34:33)
Silence of the Lambs (1990): (00:11:19 to 00:13:17) (00:37:04 to 00:39:31) (1:37:15 to 1:45:03)
Strange Days (1995): (title sequence, otvaranje filma 03:16)

Point of View Shot (http://www.digitalfilmarchive.net/clda/docs/PointofView.pdf)

GLEDANJE: Single Take Titles, Part 4: The POV Shot (http://www.artofthetitle.com/2009/12/30/single-take-titles-part-4-the-pov-shot/)
AUDIO: 55 minute “Opening POV Sequence” scene analysis lecture with Director Kathryn Bigelow (http://www.artofthetitle.com/2009/12/30/single-take-titles-part-4-the-pov-shot/)

http://img18.imageshack.us/img18/4264/92841686.png (http://www.artofthetitle.com/)

Ujedno preporuka da bacis pogled i na ostatak sjajnog serijala Single Take Titles:

Single Take Titles, Part 1: The Classic(s) (http://www.artofthetitle.com/2009/11/02/single-take-titles-part-1-the-classics/)
Single Take Titles, Part 2: The Individual (http://www.artofthetitle.com/2009/11/16/single-take-titles-part-2-the-individual/)
Single Take Titles, Part 3: Steadicam’s Long Take (http://www.artofthetitle.com/2009/12/21/single-take-titles-part-3-steadicams-long-take/)

Moj 'osobni heroj' po pitanju koristenja subjektivnih kadrova svakako je Jonathan Demme:

Part of the genius of Jonathan Demme's Silence of the Lambs is his use of remarkable point-of-view shots. He creates a disorienting visual poetry through POV and editing.

Preporuke za citanje:

1000 Words: You talkin’ to me? A short history of the subjective point-of-view shot (http://www.thebigpicturemagazine.com/index.php?option=com_content&view=article&id=180:1000-words-you-talkin-to-me-a-short-history-of-the-subjective-point-of-view-shot&catid=31:features&Itemid=59)
Analysis of Cinematography in Silence of the Lambs (http://www.echeat.com/essay.php?t=29009)
FILM ART AND FILMMAKING (http://highered.mcgraw-hill.com/sites/dl/free/0073535060/410534/Bordwell_Ch01.pdf)
via @The_AV_Club - Jonathan Demme http://t.co/AB36XUg
Senses of Cinema, Great Directors in Issue 33: Jonathan Demme (http://www.sensesofcinema.com/2004/great-directors/demme/)
101 Best Of MM Articles! (http://mysterymanonfilm.blogspot.com/2009/11/101-best-of-mm-articles.html)

SCENARIJI:

Rear Window (http://www.mypdfscripts.com/screenplays/rear-window)
Silence of the Lambs (http://www.mypdfscripts.com/screenplays/the-silence-of-the-lambs-1990-01-15-draft)
Strange Days (http://sfy.ru/?script=strange_days)

KNJIGE:

The Filmmaker's Eye: Learning (and Breaking) the Rules of Cinematic Composition (http://avaxhome.ws/ebooks/Photo_related/filmmakerseye.html)
Alternative Scriptwriting (http://www.forum.hr/showpost.php?p=31256885&postcount=1636)
Puzzle Films: Complex Storytelling in Contemporary Cinema (http://www.forum.hr/showpost.php?p=31282173&postcount=1640)

Voila!

Imas sto gledati, slusati i citati mjesec dana. :)

[estugarda]

La Familia, ovi postovi su ti genijalni. To je za jednu dobru knjigu.
Da sam barem prije našao vremena.

[azra3012]

pozdrav!
radim seminar na temu lokacija filmskih hitova pa me zanima jel ste vi možda posjetili koju lokaciju na kojoj je sniman neki film =) (il možda ima koja tema? tražih, ali nisam našla)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img820.imageshack.us/img820/3841/62375159.jpghttp://img807.imageshack.us/img807/4683/89208646.jpg
American Cinematographer Magazine March 2011 (http://avaxhome.ws/magazines/american_cinematographer_03_2011.html)
American Cinematographer Magazine April 2011 (http://avaxhome.ws/magazines/american_cinematographer_04_2011.html)

http://img854.imageshack.us/img854/3667/45241395.jpg

Novi profil Trevora Hogga, Martin Scorsese (cita se u dahu, ogromna preporuka):

Understanding Scorsese: A Martin Scorsese Profile (Part 1) (http://flickeringmyth.blogspot.com/2011/03/understanding-scorsese-martin-scorsese.html)
Understanding Scorsese: A Martin Scorsese Profile (Part 2) (http://flickeringmyth.blogspot.com/2011/03/understanding-scorsese-martin-scorsese_09.html)
Understanding Scorsese: A Martin Scorsese Profile (Part 3) (http://flickeringmyth.blogspot.com/2011/03/understanding-scorsese-martin-scorsese_16.html)
Understanding Scorsese: A Martin Scorsese Profile (Part 4) (http://flickeringmyth.blogspot.com/2011/03/understanding-scorsese-martin-scorsese_23.html)
Understanding Scorsese: A Martin Scorsese Profile (Part 5) (http://flickeringmyth.blogspot.com/2011/03/understanding-scorsese-martin-scorsese_30.html)

http://img707.imageshack.us/img707/8617/screenplay.jpg

Naramak ekskluzivnih scenarija (sve .pdf download):

Exclusive Screenplays: The Sweet Hereafter, Undated Shooting Script by Atom Egoyan [PDF]. http://bit.ly/fHXzJf
Exclusive Screenplays: The Pianist, Undated draft by Ronald Harwood [PDF]. http://bit.ly/gAhYcI
Exclusive Screenplays: Out of Africa, 1984 Draft by Kurt Luedtke [PDF]. http://bit.ly/eOo5BF
Exclusive Screenplays: Missing, 1981 Draft by Costa Gavras, Donald Stewart, and John Nichols [PDF]. http://bit.ly/dFiSqy
Exclusive Screenplays: Good Will Hunting, 1997 Draft by Matt Damon and Ben Affleck [PDF]. http://bit.ly/gxBnX9 + What a genius script looks like. http://bit.ly/gT129p
Exclusive Screenplays: Fargo, 1994 Draft by Joel Coen and Ethan Coen [PDF]. http://bit.ly/geHVdE
Exclusive Screenplays: Dawn of the Dead (1978), 1977 Draft by George A. Romero [PDF]. http://bit.ly/fssgkg
Exclusive Screenplays: L.A. Confidential [PDF]. http://bit.ly/bIc8Gw
Exclusive Screenplays: ORDINARY PEOPLE [PDF]. http://bit.ly/fZi7m3
Exclusive Screenplays: Rain Man [PDF]. http://bit.ly/i5qfWg
Exclusive Screenplays: American Gangster By Steven Zaillian [PDF]. http://bit.ly/bQHHas
Exclusive Screenplays: Misery, 1989 Third Draft by William Goldman [PDF]. http://bit.ly/huzrcX
Exclusive Screenplays: Lenny, 1974 Final Draft by Julian Barry [PDF]. http://bit.ly/fmhSDv
Exclusive Screenplays: Carrie, 1976 Second Draft by Lawrence D. Cohen. Based on the novel by Stephen King. [PDF]. http://bit.ly/el5o6b
Exclusive Screenplays: Alice Doesn’t Live Here Anymore, 1974 Final Draft by Robert Getchell [PDF]. http://bit.ly/hJJyV1
Exclusive Screenplays: American Beauty, Undated Final Draft by Alan Ball [PDF]. http://bit.ly/hqRDBO
Exclusive Screenplays: The Apartment, draft by Billy Wilder & I.A.L. Diamond [PDF]. http://bit.ly/hQMfPm
Exclusive Screenplays: The Third Man, undated draft by Graham Greene [PDF]. http://bit.ly/gK6Gkk
Exclusive Screenplays: Dead Poets Society, draft by Tom Schulman [PDF]. http://bit.ly/exCQcy
Exclusive Screenplays: The Godfather, 1971 Revised Third Draft by Mario Puzo and Francis Ford Coppola [PDF]. http://bit.ly/fs2AVh
Exclusive Screenplays: Fight Club, 1998 Draft by Jim Uhls [PDF]. http://bit.ly/h8BmKI
Exclusive Screenplays: The Usual Suspects, 1994 Draft by Christopher McQuarrie [PDF]. http://bit.ly/dZCmk0
Exclusive Screenplays: The Shawshank Redemption, Undated First Draft by Frank Darabont [PDF]. http://bit.ly/hI6igf
Exclusive Screenplays: To Kill a Mockingbird, 1962 Revised Draft by Horton Foote [PDF]. http://bit.ly/hOmhIg
Exclusive Screenplays: One Flew Over the Cuckoo’s Nest, 1974 Final Draft by Lawrence Hauben and Bo Goldman [PDF]. http://bit.ly/gHENAC
Exclusive Screenplays: The Deer Hunter, 1977 Final Draft by Michael Cimino [PDF]. http://bit.ly/g5XIBw
Exclusive Screenplays: Trainspotting, Undated Shooting Draft by John Hodge [PDF]. http://bit.ly/exZQ4m

http://27.media.tumblr.com/tumblr_li5uszybM11qe0eclo1_r3_500.gif

Slusaj. Incredible recordings of Roman Polanski's interview with the LAPD, 1969 http://bit.ly/fuI67Z
Citaj. ''Chaplin: Clown and genius''. Being published in 1978, this book is very rare now [PDF]. http://bit.ly/guF1Wu
Citaj. Ancient Gonzo Wisdom: Interviews with Hunter S. Thompson [PDF]. http://bit.ly/fLWuBn
Gledaj. Inside Job: 2010 Oscar-Winning Documentary Now Online. http://bit.ly/gH62dW
Gledaj. Stephen King interviews AC/DC (1986) http://bit.ly/gkTLJk
Gledaj (74:51). Dementia 13: Coppola’s First Full-Length Feature. http://bit.ly/i31bMo
Gustaj (samo za fanove The Wirea). Brilliant! "The Wire" imagined as a Charles Dickens serial. Plus Omar video http://bit.ly/ieGNVF
Slusaj. Ennio Morricone - 'Music for Cinema: The Complete Edition' 15 CDs [MP3]: http://is.gd/3IE6nt
Gledaj (123:34). The Miles Davis Story (2004). http://bit.ly/ielXCK
Gledaj. Bob Dylan - World Tour 1966: The Home Movies (2003). http://youtu.be/XdALCXGshu0
Slusaj. Dialogue Soundtrack Album: Who's Afraid of Virginia Woolf? Download the rare audio version: http://bit.ly/e29RtO
Citaj. Werner Herzog: lights, cameras, chaos! http://bit.ly/gSi3WM
Gledaj. [the films of] David Fincher. http://youtu.be/l4ACtU2S3Lw
Gledaj. The Most Basic Form of Mind Control is Repetition (2010). http://bit.ly/9ExbO0
Citaj. The Directors: Take Four [PDF]. http://bit.ly/cNUniu
Citaj. The Directors: Take Three [PDF]. http://bit.ly/atCPlt

http://25.media.tumblr.com/tumblr_li1y5oLHRD1qe0eclo1_r8_500.gif

Citaj. Encyclopedia of French Film Directors [PDF]. http://bit.ly/aME1cD
Citaj. Film as Theology: Eric Rohmer [PDF]. http://bit.ly/gCqzD9
Gledaj (65 min). Easy Rider: Shaking the Cage (1999). http://youtu.be/lIwD1wFlMn4
Gledaj. Ian McKellen - Inside the Actors Studio. http://bit.ly/hYbnfj
Citaj. Painting With Light, 4th Edition was the first book on cinematography written by a major Hollywood cameraman [PDF]. http://bit.ly/bkkOEx
Gledaj. Marlon Brando Interview, 1973. http://youtu.be/LAPDQ5MlLxE
Gledaj. Ruairi Robinson's Full Twisted/Brilliant Short 'Blinky™' with Max Records from Where The Wild Things Are. http://bit.ly/g2d7wY
Gledaj (55:21). The Magic of Fellini (2002). http://bit.ly/eLnKhu
Gledaj. Some mad/awesome person has uploaded heaps of Russian films, incl. all of Tarkovsky's! http://bit.ly/gjTM2Z
Gledaj. Screenwriter John Milius on Apocalypse Now http://bit.ly/dVY6dN
Gledaj. Great interview with Michael Mann, covering his entire career in his own words. http://bit.ly/eME7Bw
Gledaj. David Fincher: Propaganda Reel. Collection of Fincher's commercials he directed for Propaganda Films. http://bit.ly/eyyLKG
Gledaj. With Orson Welles: Stories from a Life in Film (TV 1990). http://bit.ly/gWtImP
Citaj. Visions of Light: The Art of Cinematography (1993). http://bit.ly/fdWggo
Citaj. Notes on Charlie Sheen and the End of Empire By Bret Easton Ellis. http://bit.ly/eWKlba
Gledaj. Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'N' Roll Generation Saved Hollywood (2003). http://bit.ly/g2hTrk
Gledaj. Easy Riders, Raging Bulls Extras. Don't forget to watch the extras. http://bit.ly/goPyND
Citaj. BBC: Calling the Shots. Getting Direct With Directors! http://bbc.in/dKQONm
Slusaj. From the BBC archives, listen to film directors from Robert Altman to Alfred Hitchcock to Martin Scorsese. http://bbc.in/gcOjij

Za one nestrpljive, Twitter - @LaFamiliaFilm (http://twitter.com/LaFamiliaFilm).

This post was lovingly crafted with Pawsoft Fass (http://www.pawsoft.com/fass), the (F)orum (ass)istant

La Familia, ovi postovi su ti genijalni. To je za jednu dobru knjigu.
Da sam barem prije našao vremena.

Hvala.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Holy Mary, Mother of mali Jezusek! :moli: Senzacija, sveta krv i sveti gral teme (molim promjenu naslova iste u 'Tragaci izgubljenog kovcega, kovceg pronadjen!'). Dakle, 'Workprint', ili radna kopija, naziv je za sve one filmove (audiovizualna djela) koji su jos uvijek u nekoj fazi postprodukcijskog uredjivanja, pred zavrsnim/konacnim rezom i distribucijom. Radne kopije nerijetko su losije kvalitete, no ono sto ih cini znacajnim za ludjake poput mene (citaj: film buffs) jest cinjenica da ukljucuju hrpu materijala koji ne ulazi u finalne verzije tih filmova (final cut). Ovdje ne treba brkati razne redateljske verzije filmova u naknadnim distribucijama (Director's cut (http://en.wikipedia.org/wiki/Director's_cut)), to je opet nesto drugo. Radne kopije u pravilu ne izlaze na svjetlo dana, nema sanse da ih se docepa neki smrtnik (cuvaju se u trezorima filmskih studija, doslovno). Primjerice, George Lucas zavrsi sa snimanjem Osvete sitha, pozove na svoj Skywalker Ranch Stevena Spielberga i Franca Coppolu i prikaze im radnu verziju filma. Ponavljam, nema j***** sanse da te radne verzije procure u javnost (pamtim samo jedan slucaj, mislim da se radilo o Wolverineu).

Workprint Extravaganza! (http://vinnierattolle.blogspot.com/2011/03/workprint-extravaganza.html)

I'd like to direct your attention to a wonderful thread I recently discovered in the bolt.org forums: Mr. Whorse's Workprint Film Collection. A "workprint" is what they call a film that's still in some stage of editing before the final cut is... well, finalized. Workprints are rarely glowing quality, as they're basically just an editor's blueprint (and they have a tendency to get bootlegged endlessly, which caused substantial generational deterioration back in the days of VHS). But what makes them noteworthy to film buffs is they usually include footage that didn't make the final cut.

Mr. Whorse has shared a wide array of workprints in the afore-linked thread. Some only slightly deviate from the final cuts, others are radically different. "54," for example, falls into the latter category. It includes the complete love-triangle storyline between Ryan Phillippe, Salma Hayek and Breckin Meyer that the studio deemed too racy and demanded be removed (which completely destroyed the film's narrative). There's countless differences throughout, but around the halfway mark of this two-hour cut it becomes a completely different movie. Shame that the picture's got some really bad ghosting issues, 'cuz this version is vastly superior to the reshoot-heavy cut that was released.

Even in instances when deleted scenes were included on DVD, many of these films feature some additional/alternate footage that never made it to disc ("American Psycho," "Freaked," "Natural Born Killers," etc.). So now you know why workprints are a big deal. For many of the films, Mr. Whorse has denoted the exact differences between the workprints and the released versions, plus there's screen-caps for every film to give downloaders an idea of the picture quality. Currently there's workprints available for more than 100 films.

So go snag these rarities while you can!

Prvo sto me docekalo na threadu (potrebno se regati, minuta posla) je...

http://img855.imageshack.us/img855/9518/18462212.jpg

During the on-going Vietnam War, Captain Willard is sent on a dangerous mission into Cambodia to assassinate a renegade Green Beret who has set himself up as a God among a local tribe.

What's different in this WP:

* A longer opening montage, the entire 10 minute song "The End" by The Doors is heard. It intercuts longer helicopters/jungle images with Willard in the hotel room in a drunken rage, as well as a scene where he is with a prostitute. There are various shots outside depicting the streets of Saigon.

* When the two soldiers pick up Willard in the hotel room there is a brief conversation while they help him shower and shave. They notify him that his wait for his new mission is now over.

* The scene where Willard is given his assignment is longer and contains much more dialogue. The general informs Willard that the mission is purely voluntary and he can decline it. The general also offers Willard a promotion to major upon completion of the mission. For some reason Colonel Kurtz is referred to in this scene as "Colonel Leevy". There are some external shots of the military base.

* A brief scene where Willard is introduced to the crew of the Navy P.B.R.

* Carmine Coppola's score is not present in this version. Many more songs by The Doors are played throughout the film instead.

* None of the narration or dossier voiceovers are in this version.

* There is no audio dubbing in this version. All the audio is from the sound recorded during the actual filming. Much of Robert Duvall's dialogue is unitelligable due to the sound of the helicopters in his scenes.

* A much longer first cavalry "Ride of Valkyrie" attack scene (30+ mins)showing much unused footage and alternate takes.

* A much longer playboy bunnies performance.

* Various extended scenes on the boat, and alternate takes and shots.

* A scene where a miniature toy boat passes the Navy PBR. Lance tries to grab it out of the water. The Chief yells at him to leave it alone claiming it's a booby trap. To prove it the Chief fires some shots at it to which it explodes.

* When the P.B.R. reaches Do-lung bridge, the soldier that greets them gives a more detailed explanation of the chaos around the bridge.

* When Lance is reading his letters on the boat, he suddenly stops to machine gun a water buffalo on the shore. The Chief yells at him to stop.

* The sequence where Clean is killed is omitted.

* A slightly longer French plantation sequence. After the French woman strips she crawls into the bed with Willard and they begin kissing.

* The sequence where the Chief is killed is omitted.

* More dialogue between Willard and the photojournalist when they first reach the Kurtz compound. The Journalist reveals that it was HE who was able to get the montangnards to break off their attack on the boat in the previous scene. Willard repeatedly asks the Journalists name but he refuses to answer.

* The character of Colby, (the soldier who was sent before Willard to kill Kurtz, played by Scott Glenn) has a much more substantial role in this version. As Willard inspects the compound, Colby tells Willard that the night before, NVA soldiers had attacked (which explains all the bodies laying about the compound). Willard then enters Kurtz's house, much to the dismay of the journalist. Willard sees Kurtz empty bed and his medals, also his journal with the inscription "Drop the bomb, exterminate them all" (many of these scenes were in the final version but re-inserted in different places).

* The scene where Willard talks to Chef about the air strike on the boat is omitted.

* In this version. The first time Kurtz appears is the scene where a mud caked Willard is tied up (seated) to a pole in the rain. Kurtz appears with camouflage face paint, Willard asks...."Why he is being mistreated?" and tries to bluff his way past Kurtz by telling him that he had just completed a secret mission in Cambodia, and only stopped for supplies. Kurtz says nothing to him, but plants Chef's head in his lap. (Only a portion of this scene was in the original version).

* The scene where Willard meets Kurtz in his bed chamber contains more dialogue....as Kurtz makes it clear that he knows why Willard is there.

* A scene where Kurtz talks to Willard in the bamboo cage while two children sit on top of the cage and dangle insects in Willard's face. He tells him that Willard is "like his colleagues in Washington, master liars who want to win the war but don't want to appear as immoral or unethical".

* A lengthy scene where the montangnards in a ritualistic display pick up the bamboo cage (with Willard inside) and poke him with sticks (Lance and Colby participate in this). The natives dance around the bamboo cage, chanting and singing while a squealing pig is tied up and killed.
* A 10 minute version of the scene where Kurtz reads the poem "The Hollow Men", intercutting between his reading and the journalist talking with Willard.

* A scene where the journalist meets Willard to tell him that he thinks Kurtz is about to kill him because he took his picture again. During which Colby comes behind the journalist and shoots him three times, killing him. Willard throws a knife at Colby's stomach to which he falls, but before he dies he asks Willard to talk to his family for him and asks him to kill Kurtz.

* Kurtz speech about the horror and the children vaccination are omitted.

* During the assassination scene at the end, before Willard enters Kurtz' home, one of the guards confronts him. Willard picks up a spear to defend himself as the guard picks up a child to shield himself. Willard runs the spear right through the child and into the guard. The final scene with Willard and the montangnards after Kurtz assasination are omitted.

* This Version is 5 hours long!!!

5 hours holy smokes!

http://www.pic4ever.com/images/bliss.gif

Imati priliku uciti na 'greskama' jednog Francisa Forda Coppole, n-e-p-r-o-c-j-e-nj-i-v-o!

[La Familia]

http://img853.imageshack.us/img853/6280/77586691.gif (http://www.ferembach.com/flowchart-shortmovie.html)http://img823.imageshack.us/img823/1369/51773025.gif (http://www.ferembach.com/flowchart-animation.html)
http://img135.imageshack.us/img135/1848/39264814.gif (http://www.ferembach.com/flowchart-horror.html)http://img52.imageshack.us/img52/3783/97801697.gif (http://www.ferembach.com/flowchart-action.html)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img593.imageshack.us/img593/5349/50587958.jpg (http://2.bp.blogspot.com/-eJYLR8RvrxE/TaHjEx1c2AI/AAAAAAAAAlA/3C5DQN08w5I/s1600/God+of+Love.jpg)
IMDb (http://www.imdb.com/title/tt1631323/)

God of Love Lukea Mathenyja ovogodisnji je dobitnik Oscara za najbolji Live Action kratki film.

God of Love (2010) (http://www.cultcinema.net/2011/04/god-of-love-2010.html)

This year's Oscar winning short film was made by Luke Matheny. It's cleverly scripted, well shot, beautifully scored and quite well acted. The film is directed, written by, and acted in by Luke himself, the young man showing great talent in more ways than you can count. The amazing thing though, is that Luke Matheny is still in school. The 34 year old filmmaker has not even fully started his career and already he's a world famous director. His film is a cute and funny little thing about love. Like so many other great directors have debuted with their feature before him, he chose to shoot God of Love in black & white. Whereas this choice can sometimes seem a bit strange in this age of IMAX 3D, the noir-like atmosphere perfectly suits his story of pale infatuation. Although not as good as last year's winner, my only complaint with God of Love is that it's too short. It's going to be exiting to follow Luke Matheny's career, and see if his first feature will live up to expectations.

DIRECT DOWNLOAD (http://bit.ly/dVwQdk)
(right click & "save as")

Besplatno gledanje (http://mubi.com/notebook/posts/3124) dva hrvatska kratkisa s ovogodisnjeg Libertas Film Festivala:

http://img823.imageshack.us/img823/1395/14541326.jpg

9. ožujak (http://mubi.com/films/43458)
Croatia
2010
10 Min
Color
Croatian
Subtitled in English
Audio in Croatian

DIR Irena Škorić
PROD Ivana Simic
SCR Irena Škorić
DP Darko Heric
CAST Mia Biondic, Asim Ugljen

http://img818.imageshack.us/img818/9567/98084837.jpg

Takav ti je život (http://mubi.com/films/43454)
Croatia
2010
29 Min
Color
Croatian
Subtitled in English
Audio in Croatian

DIR Saša Dodik

[Tore]

>>Čisti film<< i Rene Kler

1. dio (http://www.forum.hr/showpost.php?p=33184599&postcount=204)

2. dio (http://www.forum.hr/showpost.php?p=33184604&postcount=205)

[La Familia]

http://img151.imageshack.us/img151/9978/95870097.png (http://viewer.zmags.com/publication/55f53962#/55f53962/1)http://img809.imageshack.us/img809/1838/31557047.png (http://viewer.zmags.com/publication/b9bd9f2b#/b9bd9f2b/1)http://img339.imageshack.us/img339/3391/53939171.png (http://viewer.zmags.com/publication/9d979339#/9d979339/1)

Script magazine u digital edition izdanju, neprocjenjivo/ogromna preporuka za citanje (klikajte po gornjim fotkama, u stupcu desno nalaze se svi brojevi).

Dostupan je cak i najnoviji broj Svibanj-Lipanj 2011 (http://viewer.zmags.com/publication/19bb0be3#/19bb0be3/1).

Looks like a great issue with a first person article by screenwriter and TV writer Kyle Killen (The Beaver), a feature on screenwriter Max Landis who has sold three spec scripts, a column by William Martell on perhaps my favorite Pixar movie Up, and much more.

Uzivajte. :)

[La Familia]

http://img4.imageshack.us/img4/9620/37317175.png (http://www.moviemakerdigital.com/moviemaker/iss91_vol18/iid=20334)

Kliknite i uzivajte. :)

[JimiH]

hvala puno na topicu, treba ti dignuti spomenik!

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img547.imageshack.us/img547/6963/66116164.png

Kako/cime odgovoriti na ovo:

http://twitter.com/#!/video_kid23/status/66235468647370753

I wonder if @LaFamiliaFilm can get Darren Aronofsky's short films from AFI.

Misija nemoguce?

http://answers.yahoo.com/question/index?qid=20060826120247AAxmIFe

Unfortunately, neither of these films were ever released. Unless someone - likely a friend of Aronofsky's - smuggles one online, or Aronofsky himself decides to release them, you won't be able to get a copy.

"Impossible is just a big word thrown around by small men who find it easier to live the world they've been given than to explore the power they have to change it. Impossible is not a fact. It's an opinion. Impossible is not a declaration. It's a dare. Impossible is potential. Impossible is temporary. Impossible is nothing."
-Muhammad Ali

Dakle, radi se o tri studentska (American Film Institute) filma Darrena Aronofskyja:

- Fortune Cookie (http://www.imdb.com/title/tt0902284/) (1991)
- Protozoa (http://www.imdb.com/title/tt0167352/) (1993)
- No Time (http://www.imdb.com/title/tt1735215/) (1994)

“When I went to film school we had to do three short films,” stated the filmmaker who sought to obtain his masters in directing at the American Film Institute, “so I started reading the short stories of my favourite authors. The first film I did at AFI was called Fortune Cookie.” The tale, written by Hulbert Selby, Jr., is “about a salesman who gets addicted to fortunes, and can’t make a sale unless he has a good fortune from a fortune cookie.” Next up for the aspiring director was Protozoa (1993) where he teamed for the first time with frequent collaborator and cinematographer Matthew Libatique (Iron Man) for the first time; the drama which also serves as the name of his production company stars Michael Bonitatis, Lucy Liu (Lucky Number Slevin) and Damon Whitaker (Mr. Holland’s Opus). Completing the AFI trilogy was the comedy No Time (1994) which features Robert Dylan Cohen, Chas Martin and Billy Portman.

Visual Linguist: A Darren Aronofsky Profile (http://flickeringmyth.blogspot.com/2010/12/visual-linguist-darren-aronofsky.html)

DOWNLOAD:

Fortune Cookie by Darren Aronofsky (1991 student short) - http://bit.ly/kjhCoe Drugi rezultat Google pretrage (TPB).
No Time by Darren Aronofsky (1994 student short) - http://bit.ly/iw7qGu Klik na zuti 'Stahnout' gumbic, unos koda i ozezi/download.

Ostaje mi za pronaci jos Protozou iz 1993.

hvala puno na topicu, treba ti dignuti spomenik!

Pa da po meni seru golubovi? :D

Salim se, hvala ti na komentaru. I javljanju.

Sve ostale stvari (koje ovdje, nazalost, ne stignem postati) mozete pronaci na @LaFamiliaFilm (http://twitter.com/LaFamiliaFilm).

Samo nekoliko slatkisa povodom rodjendana Orsona Wellesa, izuzetno rijetke stvari (radi se o fascinantnim materijalima iz arhive CBC-a):

http://twitter.com/#!/LaFamiliaFilm/status/66466333570772992
http://twitter.com/#!/LaFamiliaFilm/status/66466833254977536

+

Exclusive Screenplays: Citizen Kane, 1941 Shooting Script by Herman J. Mankiewicz & Orson Welles [PDF] - http://bit.ly/krmYfW
Orson Welles’ Birthday Bash: Three Movies, One Radio Classic, and Two Great Narrations - http://bit.ly/lszrgS

[Aludator]

pozdrav svim okorjelim filmoljupcima...e ovako pogledao sam nedavno film "Kll the Irishman" http://www.imdb.com/title/tt1416801/ i zanima me jedam podatak...dali netko zna koliko je automobila unisteno tokom snimanja filma? zahvaljujem unaprijed....bio bi zadovoljan i odgovorom koliko ih razneseno i u samom filmu jer nisam brijao..a nakon negog vremena me poceo zanimati taj podatak :D

[La Familia]

http://img62.imageshack.us/img62/4924/27881734.png (http://img560.imageshack.us/img560/9149/46315606.png)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img39.imageshack.us/img39/1415/72336131.jpg
Info. (http://www.filmannex.com/movie/rosy_fingered_dawn_a_film_on_terrence_malick/371)

'Mitski' dokumentarac Rosy-Fingered Dawn: A Film on Terrence Malick (2002).

Rosy-Fingered Dawn is a film on Terrence Malick. It is about the making of BADLANDS, DAYS OF HEAVEN, THE THIN RED LINE (considered three main moments in the American cinema), and the personal involvement of some of the most representative figures of the American culture itself.

The testimonies of Sam Shepard, Arthur Penn, Martin Sheen, Sissy Spacek, Sean Penn, Jim Caviezel, Elias Koteas, Ben Chaplin, John Savage, Penny Allen, Haskell Wexler, taking the cue from some of the most salient themes that inspired Malick's production, converge in a passionate portrait of contemporary America, amplified by the voices of the characters who have been called up and often recited by the actors themselves.

This medley of voices has given origin to a journey throughout the whole United States, from California to Colorado, from Virginia to Minnesota, passing by New York and Los Angeles.

Every stop represents an ideal set in which all the characters of the films come to life once again giving place to a growing flow of memories.

The narrative dimension of Malick's cinema resounds and opens a new horizon on the visible contradictions of the American culture; no easy judgement but a critical consciousness is what emerges from this coral speech, together with a definite need: the necessity of art. A need that Terrence Malick was able to satisfy.

http://img101.imageshack.us/img101/9267/33823956.png (http://veehd.com/video/4596673_Rosy-Fingered-Dawn-a-Film-on-Terrence-Malick-2002)

Uzivajte (http://veehd.com/video/4596673_Rosy-Fingered-Dawn-a-Film-on-Terrence-Malick-2002). :)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://30.media.tumblr.com/tumblr_llg4odOzdu1qe0eclo1_r15_500.gif

Gledaj: Mein liebster Feind (Werner Herzog and Klaus Kinski) 1999. - http://bit.ly/kRPYdW
Gledaj: Jeff Bridges: The Dude Abides (American Masters) - http://bit.ly/fxa4xu Odlican dokumentarac o Jeffu Bridgesu (vec postan na temi, ovo je divx).
Gledaj: Accept the Mystery: Roundtable Discussion with the Coen Brothers - http://bit.ly/lAbDHD BTW, Coeni se iz Izraela vratili bogatiji za milju dolara (toliko je iznosila novcana nagrada).
Gledaj: The Making Of Butch Cassidy And The Sundance Kid (Full Program) - http://bit.ly/9yiqIy
Gledaj: Screenwriter William Goldman talks about writing the screenplay to Butch Cassidy and the Sundance Kid - http://bit.ly/dkXhCe
Citaj: Various - Rare Books Collection No. 1 (1473-1793) - http://bit.ly/lzXF8h
Gledaj: Omnibus - Hitchcock (BBC, 1986) - http://bit.ly/jnKL5u
Gledaj: Inside the Actors Studio: Al Pacino - http://bit.ly/kb0g9B Moj najdrazi razgovor/intervju s Pacinom, svakako pogledajte ako jos niste.
Gledaj: Ingmar Bergman Makes a Movie (1963) - http://bit.ly/iXCmad
Gledaj: Fantastic Flesh (2008) - http://bit.ly/iGQZp6 The art of make-up effects with industry legends.
Gledaj: Reputations: Alfred Hitchcock - http://bit.ly/ijkwQt

http://img641.imageshack.us/img641/4309/53774387.jpg

Citaj: NYT Profile: Writer of “Mad As Hell” speech (NETWORK) + Images of original script notes - http://goo.gl/zMfQG
Gledaj: Deux de la Vague/Two in the Wave (2010) - http://bit.ly/jqLN6B Godard i Truffaut, prica o prijateljstvu. Ogromna preporuka.
Gledaj: Peter Jackson's first movie "Bad Taste" - http://youtu.be/Rhkb0XzKkNU
Citaj: 'The Filmmaker's Book of the Dead' [PDF] - http://is.gd/hjmUfR
Citaj: The Complete Night of the Living Dead Filmbook [PDF] - http://is.gd/dipeDR
Citaj: "The Philosophy of Martin Scorsese (The Philosophy of Popular Culture)" [PDF] - http://is.gd/XBptZw
Citaj: "Sell Your Own Damn Movie!" [PDF] - http://is.gd/C4VAkg
Citaj: 'Filming the Fantastic: A Guide to Visual Effects Cinematography' [PDF] - http://is.gd/MhyUHr
Citaj: NY Magazine Series: TV showrunners on their process/craft - http://bit.ly/kJ4asw
Gledaj: At Home With Bernardo Bertolucci - http://bit.ly/mfBGT8
Slusaj: Voices from the Set: The Film Heritage Interviews. Altman, Peckinpah, Scorsese, Hawks - http://bit.ly/lj4Slu
Gledaj: Sam Raimi & Bruce Campbell Shorts + The Evil Dead Companion Book (1980) - http://dlvr.it/Rmst7
Gledaj: 60 MINUTES profile of Woody Allen from 1974 - http://bit.ly/kdvkLS
Gledaj: Long Live the New Flesh: The Films of David Cronenberg (1986) - http://bit.ly/352mC7
Gledaj: Salvador Dali Advertisements (Various) - http://bit.ly/mqalro
Citaj: Howard Hughs and HELL'S ANGELS (Photoplay Magazine, 1930) - http://bit.ly/ivbXqV

http://29.media.tumblr.com/tumblr_ligqu6krzj1qe0eclo1_r13_500.gif

Novi naramak scenarija: Thelma & Louise, 1990 Second Draft by Callie Khouri [PDF]. http://bit.ly/ehh6Mg
The Visitor, 2008 Revised Draft by Tom McCarthy [PDF]. http://bit.ly/l8xceC
Punch-Drunk Love. Undated, unspecified draft by Paul Thomas Anderson [PDF]. http://bit.ly/igzYSC
Mean Streets, Taxi Driver, Goodfellas, Kasino [PDF]. http://bit.ly/i3bWzN
Raging Bull. Undated, unspecified draft by Paul Schrader [PDF]. http://bit.ly/jLjYkx
Platoon, 1985 Draft by Oliver Stone [PDF]. http://bit.ly/gw6GFz
Narc. Undated, unspecified draft by Joe Carnahan [PDF]. http://bit.ly/iB1OQ4
Mystic River, 2001 Draft by Brian Helgeland [PDF]. http://bit.ly/kqSTvg
It’s a Wonderful Life, 1946 Shooting Script [PDF]. Digital: http://bit.ly/igZEVw Scanned: http://bit.ly/iKtH2r
In Bruges. Undated, unspecified draft by Martin McDonagh [PDF]. http://bit.ly/ipDRZ0
Eastern Promises, 2006 Revised Draft by Steven Knight [PDF]. http://bit.ly/kF5PBB (09.12 Draft) http://bit.ly/mMn2cb
E.T.: The Extra-Terrestrial, 1981 Revised Shooting Script by Melissa Mathison [PDF]. http://bit.ly/isox52
As Good as It Gets, 1997 Revised Shooting Script by Mark Andrus and James L. Brooks [PDF]. http://bit.ly/j2TQDX
Exclusive TV Shows: Index of [PDF]. http://bit.ly/mCstcZ
The Thin Red Line, 1996 Second Draft by Terrence Malick [PDF]. http://bit.ly/ihYYYS
Almost Famous, 2000 Draft by Cameron Crowe [PDF]. http://bit.ly/mhwxMn
Juno, 2007 Revised Draft by Diablo Cody [PDF]. http://bit.ly/korFHJ
Scent of a Woman, 1991 Draft by Bo Goldman [PDF]. http://bit.ly/eqybJa Whoo-ah!

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img52.imageshack.us/img52/4707/29954569.jpg

American Cinematographer Magazine May 2011 (http://www.avaxhome.ws/magazines/american_cinematographer_05_2011.html)
American Cinematographer Magazine June 2011 (http://www.avaxhome.ws/magazines/american_cinematographer_06_2011.html)

[worrg]

Joe Strummer, pjevač iz The Clash, napisao je i režirao prilično čudan nijemi gangsterski film 'Hell W10', u kojem su glumačke zvijezde kolege iz benda, Paul Simonon kao Earl, i Mick Jones kao glavni gangster, Sokrat, a sam Strummer se pojavljuje kao brkati policajac. http://www.balkan-express.org/images/stories/tpwebgallery/fullsize/373.jpgFilm se vrti oko priče o rivalstvu i ambiciji, ubojstvu i nasilju, izmješanih stilova iz gangsterskih filmova od 1930. do 1980. - sniman u Londonu.... film (http://www.balkan-express.org/videomen/dodaj-video/viewvideo/957/glazba--music/hell-w10)

[mariaanamaria]

Pozdrav. Ne znam da li sam na pravoj temi, ali da li netko ima link gdje mogu free skinuti knjigu "P.Aufderheide: Documentary film, a very short introduction" ?
Unaprijed hvala.

[La Familia]

Intervju dana, Quint zacimao Spielberga...

http://img856.imageshack.us/img856/1883/59470168.jpg

Steven Spielberg and Quint have an epic chat all about JAWS as it approaches its 36th Anniversary (http://www.aintitcool.com/node/49921)!

Odlican intervju...

Spielberg Reveals the Definitive Word on the JAWS USS Indianapolis Speech (http://www.scriptmag.com/2011/06/06/spielberg-reveals-the-definitive-word-on-the-jaws-uss-indianapolis-speech/).

:eek:

WTF, a John most scripts today are garbage (http://edition.cnn.com/2009/SHOWBIZ/Movies/03/09/john.milius.movies/index.html) Milius?

Remember the line in "Jaws" when Robert Shaw, playing the shark hunter, talks about his buddies being eaten alive by sharks during World War II? That was Milius.

Steven Spielberg: I owe three people a lot for this speech. You’ve heard all this, but you’ve probably never heard it from me. There’s a lot of apocryphal reporting about who did what on Jaws and I’ve heard it for the last three decades, but the fact is the speech was conceived by Howard Sackler, who was an uncredited writer, didn’t want a credit and didn’t arbitrate for one, but he’s the guy that broke the back of the script before we ever got to Martha’s Vineyard to shoot the movie. I hired later Carl Gottlieb to come onto the island, who was a friend of mine, to punch up the script, but Howard conceived of the Indianapolis speech. I had never heard of the Indianapolis before Howard, who wrote the script at the Bel Air Hotel and I was with him a couple times a week reading pages and discussing them. Howard one day said, “Quint needs some motivation to show all of us what made him the way he is and I think it’s this Indianapolis incident.” I said, “Howard, what’s that?” And he explained the whole incident of the Indianapolis and the Atomic Bomb being delivered and on its way back it was sunk by a submarine and sharks surrounded the helpless sailors who had been cast adrift and it was just a horrendous piece of World War II history. Howard didn’t write a long speech, he probably wrote about three-quarters of a page. But then, when I showed the script to my friend John Milius, John said “Can I take a crack at this speech?” and John wrote a 10 page monologue, that was absolutely brilliant, but out-sized for the Jaws I was making! (laughs) But it was brilliant and then Robert Shaw took the speech and Robert did the cut down. Robert himself was a fine writer, who had written the play The Man in the Glass Booth. Robert took a crack at the speech and he brought it down to five pages. So, that was sort of the evolution just of that speech.

Sve ostale pizdarije klikom na...

http://twitter.com/#!/LaFamiliaFilm

Ukljucujuci...

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
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sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img813.imageshack.us/img813/9629/001bd19bmedium.jpg

Sidney Lumet, "Making Movies (http://avaxhome.ws/ebooks/making-movies.html)"
Vintage | 1996 | ISBN: 0679756604 | 218 pages | EPUB | 2.25 Mb

It's well known that a vast number of people work on any given movie in roles as varied as writing scripts, choosing locations, dressing sets, costuming the players, lighting scenes, manipulating the camera, directing actors, editing film, working on sound, advertising the finished product, and screening it to an audience. Have you ever thought about how these components are collated? Or why the director is most often considered the author of a film? Wonder no more, because Sidney Lumet's Making Movies is a terrific journey through each stage of filmmaking that is overseen by the director. Lumet, the veteran director of Twelve Angry Men, The Pawnbroker, Serpico, Dog Day Afternoon, Network, The Verdict, and many other fine movies, knows the ins and outs of American filmmaking as well as anyone. In this excellent, personable account, Lumet tells what he's learned about making movies in the course of the last 40 years. He shows why fine directors need to have strong imaginations, extraordinary adaptability, and skill in many different fields. His enthusiasm for his life's work, particularly his love of actors, is evident on every page of this book. As Herculean as the labors of film directing are, Lumet takes great pleasure in his work, almost guiltily admitting that the film director's job is "the best in the world."

Kultna knjiga nedavno preminulog Sidneyja Lumeta o konkretnim prakticnim djelatnostima vezanima uz filmsku proizvodnju s primjerima iz raznih svojih filmova. Ogromna preporuka za citanje/kupnju/nabavu. A must. To se na polici jednostavno mora imati.

Acclaim for Sidney Lumet’s
MAKING MOVIES

“What Lumet is writing [is] the mystery of narrative art itself.”
—The New York Times

“Full of energy, enthusiasm and wisdom…. It’s all engrossing because [Lumet] speaks so fervently and opinionatedly about matters on which he has earned the right to opinions.”
—Stanley Kauffmann, New Republic

“The film bible from a master. It tells in meticulous detail the step-by-step process of making a movie. You feel you’re on the set. A must.”
—Quincy Jones

“Lumet has written a charming memoir conveying the joy in his craft, the great pleasure he takes in making movies… rich in the technical side of movie making even as it serves as an easily accessible introduction to how movies are made by a veteran of the craft.”
—Baltimore Sun

“Sidney is the maestro…. His book is like his films—frank, honest, pacey, and very, very smart. Anyone seriously interested in films should read it.”
—David Mamet

p.s. Steven Spielberg talks about the time Ronald Regan saw E.T. (1982) at the White House http://bit.ly/jascjr

[La Familia]

http://img851.imageshack.us/img851/755/82608973.png (http://bluetoad.com/publication/?i=72023&p=24)

Digitalna izdanja 'Written By' casopisa, sluzbene publikacije Writers Guild of America.

http://www.wga.org/writtenby/writtenby.aspx

Mozete ih skidati i kao PDF.

PDF Download (http://d27vj430nutdmd.cloudfront.net/4973/72023/72023.3.pdf)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img41.imageshack.us/img41/8896/62868054.png (http://avaxhome.ws/ebooks/Photo_related/DavidScroggy1265.html)

David Scroggy - Blade Runner Sketchbook (http://avaxhome.ws/ebooks/Photo_related/DavidScroggy1265.html)
Publisher: Blue Dolphin Enterprises | 1982-06 | ISBN: 0943128021 | PDF | 99 pages | 40 MB

http://30.media.tumblr.com/tumblr_llg4odOzdu1qe0eclo1_r15_500.gif

This book provides interesting insight into the production designs of the cult hit film Blade Runner, released in 1982 and directed by Ridley Scott. The book was obviously prepared before shooting even started in the movie, because it provides reference material for scenes that were never produced. like the Cryo-Crypt that the real Edlon Tyrell was supposed to be sleeping in. One dissappointing thing is the way the book was printed.. brown on a tan paper, attempting to imitate some imagined 'sketchbook look'. this low-contrast method of presentation saps a great amount of detail from what were originally mostly color illustrations. But, it does provide a good look at the designs of Syd Mead (and others) for the film.

Slucajno naletih na arhivu sjajnog serijala polusatnih in depth intervjua - Hollywood's Best Film Directors. Ovo definitivno nije press junket (pogledao Coppolu i Michaela Manna, fantasticni intervjui).

This 52 part series offers a peek inside the creative minds of Hollywood's best directors. It offers a personal and insightful look into the lives, influences and original style of today's finest film directors. Each profile is a fascinating exploration into the director’s unique process in creating the most memorable and enduring movies of our times. Produced in 2010, the interviews offer up-to-the-minute insights and discussions of their most recent films.

Go Into The Story (http://www.gointothestory.com/2011/06/video-hollywoods-best-directors.html): HT to @LaFamiliaFilm for sourcing this link featuring a series of interviews and features with some of Hollywood's most notable directors including Bryan Singer, Francis Ford Coppola, Milos Forman, Michael Mann, Robert Benton, Rob Reiner, Ron Howard, and many others.

Klik na fotke za reprodukciju:

http://img812.imageshack.us/img812/8978/92063151.jpg (http://www.primeeg.com/screening/hbfd/ff_coppola/)

In this interview filmed in 2010, Coppola chats about his career, incfluences and inspiratiion.

http://img121.imageshack.us/img121/7238/20947582.jpg (http://www.primeeg.com/screening/hbfd/m_mann/)

Through one-on-one interviews, this series presents the techniques and styles of Hollywood’s best contemporary film directors. This episode, Public Enemies director Michael Mann talks suspense thrillers.

Sve epizode mozete pronaci OVDJE (http://www.primeeg.com/screening/hbfd/).

[spichan1]

Filmskih projekata koji su još uvijek na papiru kako bi financijeri to zahtijevaju, to je očito! No, u časopisu «Next Film» je novosti vezane uz projekt filma redatelja Darrena Ornowski poziva da se zaustavi dok se priča o tome da nakon uspjeha sukcesije Ornowski vlasnik "Gladijator" i "Black Swan", a primaju nominacije za Oscara, za zvijezdu "Black Swan" Natalie Portan Oscara za najbolju glumicu u ulozi predsjednika, mora pribaviti suglasnost zvijezda u novi post pod nazivom «Noina arka», potpisao mogućnost Ornowski Christian Bale, a to je trenutno pregovora.

Nema vijesti dostupne o mnogim ovog filma, koji predstavlja priču o Noi i poplava, a početna cijena u iznosu do 130 milijuna dolara, ali ostaje pitanje: je li Bill pomoći odobrenje za sudjelovanje u ovom filmu Ornowski da biste dobili financiranje?

[late bloomer]

Filmskih projekata koji su još uvijek na papiru kako bi financijeri to zahtijevaju, to je očito! No, u časopisu «Next Film» je novosti vezane uz projekt filma redatelja Darrena Ornowski poziva da se zaustavi dok se priča o tome da nakon uspjeha sukcesije Ornowski vlasnik "Gladijator" i "Black Swan", a primaju nominacije za Oscara, za zvijezdu "Black Swan" Natalie Portan Oscara za najbolju glumicu u ulozi predsjednika, mora pribaviti suglasnost zvijezda u novi post pod nazivom «Noina arka», potpisao mogućnost Ornowski Christian Bale, a to je trenutno pregovora.

Nema vijesti dostupne o mnogim ovog filma, koji predstavlja priču o Noi i poplava, a početna cijena u iznosu do 130 milijuna dolara, ali ostaje pitanje: je li Bill pomoći odobrenje za sudjelovanje u ovom filmu Ornowski da biste dobili financiranje?

bill ne pomoći ovom filmu ornowski, makar mnogim ovog filma. definitivno zaustavi dok se priča o ovome. :s

[La Familia]

http://img843.imageshack.us/img843/4510/11710009.pnghttp://img854.imageshack.us/img854/5168/13188258.png

Ovo je cisti gust, kompilacija in depth intervjua Creative Screenwriting magazina 1994 - 2004 [PDF].

Na 475 stranica, imena luda nalaze se svuda:

PEDRO ALMODOVAR . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1
PAUL THOMAS ANDERSON . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
WES ANDERSON & NOAH BAUMBACH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
SHANE BLACK. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
SHANE BLACK & JEB STUART . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
JOHN CARPENTER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47
SOFIA COPPOLA . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57
FRANK DARABONT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65
BRIAN DEPALMA. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 91
TED ELLIOT & TERRY ROSSIO . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97
THE FARRELLY BROTHERS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117
SCOTT FRANK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 126
WILLIAM GOLDMAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136
PETER JACKSON . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 148
PETER JACKSON, PHILIPPA BOYENS & FRANCES WALSH . . . . . . . . . . . . . . . . . . . . . . . . . 155
CHARLIE KAUFMAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 164
CALLIE KHOURI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 176
DAVID KOEPP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 185
NEIL LABUTE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 200
BAZ LUHRMANN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 215
DAVID LYNCH. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 223
DAVID MAMET . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 230
GARRY MARSHALL & BOB BRUNNER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 233
STEVE MARTIN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 243
CHRISTOPHER MCQUARRIE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 246
JOHN MILIUS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 256
CHRISTOPHER NOLAN. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 272
ALEXANDER PAYNE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 290
ALEXANDER PAYNE & JIM TAYLOR. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 294
ROBERT RODRIGUEZ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 301
DAVID O. RUSSELL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 315
JOHN SAYLES. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 321
PAUL SCHRADER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 346
M. NIGHT SHYAMALAN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 358
KEVIN SMITH . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 376
TERRY SOUTHERN . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 393
OLIVER STONE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 401
QUENTIN TARANTINO. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 425
BILLY BOB THORNTON . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 443
ROBERT TOWNE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 454
LARS VON TRIER. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 465
ANDREW KEVIN WALKER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 470

Uzivajte. :)

DOWNLOAD (http://csorders.com/store/BestofCSInterviews.pdf)

[La Familia]

http://i78.photobucket.com/albums/j110/geminianum/Screenwriter.jpghttp://i78.photobucket.com/albums/j110/geminianum/DoP.jpg
http://i78.photobucket.com/albums/j110/geminianum/FilmEditor.jpghttp://i78.photobucket.com/albums/j110/geminianum/Producer.jpg
http://i78.photobucket.com/albums/j110/geminianum/MatteArtist.jpghttp://i78.photobucket.com/albums/j110/geminianum/FoleyArtist.jpg

Brought to you by MuhaNaZidu (http://www.forum.hr/showthread.php?t=652807).

Prekrasno. :)

[La Familia]

Ovo se ne propusta, jos malo pa nestalo (manje od 48h): Spike Jonze + @arcadefire's SCENES FROM THE SUBURBS. Watch it now for Free: http://bit.ly/ihfjUI

http://img402.imageshack.us/img402/6310/13579531.jpg

... the band has teamed up with Spike Jonze on the half-hour dystopian vision of a possible near future, Scenes from the Suburbs, which premiered at the Berlinale in February, screened at SXSW in March and now sees its online premiere here on MUBI.

Nick Patch, writing for the Canadian Press, calls the film "a sci-fi puzzler that seems to blend the paranoia of Terry Gilliam films with the nostalgia of classic Steven Spielberg flicks."

Over the next 48 hours, you can watch Scenes from the Suburbs — for free. See, too, the Making Of!

:mig:

Uhvatite pola cuke vremena i pogledajte.

[MuhaNaZidu]

Hvala La Familia na promidzbi! :top:
Bacit cu samo ovdje link na mrvicu svjezije verzije plakata... i mozda malo urednije od forumskih postova.

http://www.behance.net/gallery/Whos-who-in-a-film-crew/1688022

A sad idem trkom na MUBI po svojih pol sata Spikea! :mig:

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img269.imageshack.us/img269/2724/33106150q.jpg

Scenariji Terrencea Malicka, dobar dio njih su ekskluzive (dostupni na mrezi od danas). BTW, sve originali, formatirano, PDF download.

Badlands (http://www.mypdfscripts.com/download/1528)
1973 Final Draft by Terrence Malick.

Days of Heaven (http://www.mypdfscripts.com/download/1527)
1976 Shooting Script by Terrence Malick.

Deadhead Miles (http://www.mypdfscripts.com/download/1526)
1970 Draft by Terrence Malick.

Dirty Harry (http://www.mypdfscripts.com/download/1525)
1970 Draft by Terrence Malick, John Milius, and Harry Julian Fink.

The English Speaker (http://www.mediafire.com/?2jj0zbgy1thq7fd)
2002 Fourth Draft by Terrence Malick.

The Thin Red Line (http://www.sendspace.com/file/38yawi)
1996 Second Draft by Terrence Malick.

The New World (http://www.mypdfscripts.com/download/1523)
Undated, unspecified draft by Terrence Malick.

The Tree of Life (http://www.mypdfscripts.com/download/1522)
2007 First Draft by Terrence Malick.

http://img651.imageshack.us/img651/7066/37209544.jpg

Ostalo linkovlje:

Short documentary about the making of BADLANDS (1973) - http://bit.ly/nPqX2h Part Two - http://is.gd/2BTdBh
Vanity Fair profile of Malick by Peter Biskind from August 1999 that deals with the making of THE THIN RED LINE (1998) - http://vnty.fr/n5Mows
Terrence Malick's brief cameo in BADLANDS (1973) - http://bit.ly/qUCZqL
The Thin Red Line Berlin Film Festival Press Conference - http://bit.ly/oqtoj5
Outtake from The Thin Red Line (NOT from Criterion) - http://bit.ly/ndb52v
Production Notes for The New World - http://is.gd/d9KM6x
A Worthwhile Read on the Making of The New World - http://is.gd/Wv09P7
Photographing "Days of Heaven", Nestor Almendros - http://is.gd/5jIGxB
Wedding Photo, 1970 - http://is.gd/hGPw5l

http://img846.imageshack.us/img846/5798/45427941.jpg

REPLAY:

http://img39.imageshack.us/img39/1415/72336131.jpg
Info. (http://www.filmannex.com/movie/rosy_fingered_dawn_a_film_on_terrence_malick/371)

'Mitski' dokumentarac Rosy-Fingered Dawn: A Film on Terrence Malick (2002).

Rosy-Fingered Dawn is a film on Terrence Malick. It is about the making of BADLANDS, DAYS OF HEAVEN, THE THIN RED LINE (considered three main moments in the American cinema), and the personal involvement of some of the most representative figures of the American culture itself. The testimonies of Sam Shepard, Arthur Penn, Martin Sheen, Sissy Spacek, Sean Penn, Jim Caviezel, Elias Koteas, Ben Chaplin, John Savage, Penny Allen, Haskell Wexler, taking the cue from some of the most salient themes that inspired Malick's production, converge in a passionate portrait of contemporary America, amplified by the voices of the characters who have been called up and often recited by the actors themselves. This medley of voices has given origin to a journey throughout the whole United States, from California to Colorado, from Virginia to Minnesota, passing by New York and Los Angeles. Every stop represents an ideal set in which all the characters of the films come to life once again giving place to a growing flow of memories. The narrative dimension of Malick's cinema resounds and opens a new horizon on the visible contradictions of the American culture; no easy judgement but a critical consciousness is what emerges from this coral speech, together with a definite need: the necessity of art. A need that Terrence Malick was able to satisfy.

http://img101.imageshack.us/img101/9267/33823956.png (http://veehd.com/video/4596673_Rosy-Fingered-Dawn-a-Film-on-Terrence-Malick-2002)

Uzivajte. :)

[Emericzy]

Čitam danas da se radi Wellesov Chimes at Midnight (http://en.wikipedia.org/wiki/Chimes_at_Midnight). Ljudi, ako znate nešto o tome, molim vas oslobodite me noćne more i kažite mi da nije riječ o remakeu nego o nekakvom remasteriranju.

To je meni jedan od najboljih filmova svih vremena.

EDIT: Našao vijest (http://blogs.indiewire.com/theplaylist/archives/2011/07/14/orson_welles_chimes_at_midnight_is_restored_will_s creen_next_month_at_the/) koja me umirila. Uf, već sam bio počeo pizditi.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img833.imageshack.us/img833/2922/44902429.jpg
IMDb (http://www.imdb.com/title/tt0945365/)

A Message from Akira Kurosawa: For Beautiful Movies (2000). Kurosawa o snimanju filmova (neprocjenjivo!), fascinantan dokumentarac podijeljen na 10 poglavlja:

http://img695.imageshack.us/img695/959/58686859.jpg

Hisao Kurosawa - A Message from Akira Kurosawa: For Beautiful Movies (2000) (http://www.worldscinema.com/2011/07/hisao-kurosawa-message-from-akira.html)

A Documentary in 10 parts covering the filmmaking of Kurosawa around the theme of making the perfect movie or as he says: A Beautyful Movie.

Chapter 1 – The seed of a film
Chapter 2 - Screenplays
Chapter 3 - Storyboards
Chapter 4 - Filming
Chapter 5 - Lighting
Chapter 6 – Production design
Chapter 7 - Costumes
Chapter 8 - Editing
Chapter 9 - Music
Chapter 10 - Directing

Jos jedna dokumentarna poslastica... This first documentary ever about Haneke shows him working on new films as well as visiting the places of his childhood in Vienna. :cerek:

http://img560.imageshack.us/img560/2293/37402486.jpg

Michael Haneke - My Life (http://rapidshare.com/files/949828303/MH_ML.rar)

Michael Haneke, 67, is certainly one of the most important directors of our time. His films about violence and existential human fears are a continuous and almost scientific research about western civilization. Born and raised near Vienna, Haneke grew up as the son of actors and stems from a bourgeois and privileged background. For this intriguing profile Haneke opens - for the first time ever - his universe. The director not only returns to the places of his childhood and youth but he also invites us to join him during the production of his latest film, THE WHITE RIBBON, which won the Golden Palm at the Cannes Film Festival and an Oscar nomination in 2010. Actors such as Isabelle Huppert and Juliette Binoche talk about their work with Michael Haneke.

Popiti pivo s Hanekeom, popricati malo o zivotu i filmovima... To mi je zivotna zelja. Jedna od nekoliko njih, skroman sam ja decko. :)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img15.imageshack.us/img15/6241/74249080.png (http://avaxhome.ws/magazines/american_cinematographer_08_2011.html)

Moj najdrazi broj. :cerek:

American Cinematographer Magazine August 2011 (http://avaxhome.ws/magazines/american_cinematographer_08_2011.html)
English | 92 Pages | 21MB | True PDF

American Cinematographer is a monthly magazine published by the American Society of Cinematographers. American Cinematographer focuses on the art and craft of cinematography, going behind the scenes on domestic and international productions of all shapes and sizes. The magazine features in-depth interviews with cinematographers, directors and some of their key collaborators at every stage of production. The magazine also features historical articles, technical how-to pieces, and information on the latest tools and technologies that impact the cinematographer's craft.

Sreca i od srece veca, sa svakim novim brojem. Svakako razmislite o pretplati na American Cinematographer (http://www.ascmag.com/store/product.php?productid=9510) (ako ste u mogucnosti, naravno).

[La Familia]

Daniel Kusan (http://danielkusan.com/projekti/little-film-school/) pokrenuo je odlican projekt:

http://danielkusan.com/wp-content/uploads/2010/02/littlefilmschool.jpg

Little Film School
www.littlefilmschool.com

Little Film School (Mala Filmska Škola) je online zajednica u kojoj se dijeli znanje o filmu, filmskoj kulturi i procesima filmskog stvaranja.

Uz pojavu nove, kvalitetne ali i pristupačne digitalne video tehnologije otvorile su se mogućnosti velikom broju ljudi da se bavi filmskim izričajem.

Ipak, nedostatak filmske kulture sprečava mnoge da upotrijebe svu tu tehnologiju na smislen i svrsishodan način. Mi smatramo da je film prvenstveno pripovjedačka umjetnost i kreativni proces, a tek onda tehnologija. Premda je tehnika bitan faktor, za dobar film presudan faktor je čovjek — njegov talent i njegov rad.

Stoga Little Film School, negdje između Arnheima i Žižeka, piše o filmu kao umjetnosti za sve one koje zanima filmsko stvaranje.

Za više informacija pogledajte stranicu Little Film School (www.littlefilmschool.com).

Najbolji od najboljih, prva adresa:

http://filmmakeriq.com/

202 DIY Filmmaking Tutorials (http://filmmakeriq.com/general/featured/202-diy-filmmaking-tutorials.html)
Horror Filmmaking: From Script to Scream (http://filmmakeriq.com/general/featured/horror-filmmaking-from-script-to-scream.html)

Na stotine takvih DIY Tutorialsa, doslovno.

FilmAnchor isto nije los:

http://www.filmanchor.com/

Filmmaking 101 (http://www.filmanchor.com/filmmaking-101.html)
Tutorials & Manuals (http://www.filmanchor.com/tutorials-manuals.html)
Free Movie Software (http://www.filmanchor.com/movie-software.html)
Behind the Scenes (http://www.filmanchor.com/bts-videos.html)

BTW, "zlatnu skrinju" mozete pronaci u mojim favoritesima (puni se svakodnevno): Resource 'Treasure Chest' in Favorites. For educational purposes only. http://bit.ly/fj8bJu #filmmaking #screenwriting #cinema #film #movies

[La Familia]

http://img21.imageshack.us/img21/9809/99760748.jpg
with hard work you can be one of these guys someday

"30 Minute Film School" vraski je zabavan serijal multimedijalnih clanaka MUBI (http://mubi.com/home)-eve Garaze (http://mubi.com/garage).

However, nevertheless, in a nutshell, this is how to make a narrative film.

30 MINUTE FILM SCHOOL: HOW TO SHOOT A NARRATIVE FILM (http://mubi.com/garage/posts/30-minute-film-school-how-to-shoot-a-narrative-film)

http://img20.imageshack.us/img20/7439/65922004.png

30 MINUTE FILM SCHOOL II: HOW TO OPERATE A PROSUMER VIDEO CAMERA (http://mubi.com/garage/posts/30-minute-film-school-ii-how-to-operate-a-prosumer-video-camera)

http://img202.imageshack.us/img202/4571/59266763.jpg

30 MINUTE FILM SCHOOL III: THE 5 STAGES OF DEVELOPMENT, AND HOW TO GET YOUR LAZY FRIENDS TO PARTICIPATE (http://mubi.com/garage/posts/30-minute-film-school-iii-the-5-stages-of-development-and-how-to-get-your-lazy-friends-to-participate)

http://img824.imageshack.us/img824/8896/92564654.png

30 MINUTE FILM SCHOOL IV: WHO ARE THESE PEOPLE AND WHY DO THEY DESERVE CREDIT? (http://mubi.com/garage/posts/30-minute-film-school-iv-who-are-these-people-and-why-do-they-deserve-credit)

http://img51.imageshack.us/img51/2707/42404058.jpg

30 MINUTE FILM SCHOOL V: THE GOOD, THE BAD, AND THE AUDIO (http://mubi.com/topics/30-minute-film-school-v-the-good-the-bad-and-the-audio?page=1)

http://img850.imageshack.us/img850/689/11984175.png

GLEDAJ: The Robert Rodriguez Film Schools (http://filmmakeriq.com/2010/08/the-robert-rodriguez-film-schools/)

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

A da vam ovo bude od apsolutne koristi, prilazem i kultnu knjigu Roberta Rodrigueza: Rebel without a Crew: Or How a 23-Year-Old Filmmaker With $7,000 Became a Hollywood Player (http://www.amazon.com/Rebel-without-Crew-23-Year-Old-Filmmaker/dp/0452271878) (moja prva knjiga kupljena u zagrebackom Algoritmu :cerek:, svakako razmislite o nabavi/kupnji svojeg primjerka).

http://img153.imageshack.us/img153/8758/33101226.pnghttp://img199.imageshack.us/img199/2104/11198009.png (http://www.mediafire.com/?zctf1cea18dpoml)
klik na cover

AN EXCERPT FROM ROBERT RODRIGUEZ'S “TEN-MINUTE FILM SCHOOL”

So you want to be a filmmaker? First step to being a filmmaker is stop saying you want to be a filmmaker. It took me forever to be able to tell anyone I was a filmmaker and keep a straight face until I was well on my way. But the truth was, I had been a filmmaker ever since the day I had closed my eyes and pictured myself making movies. The rest was inevitable. So you don't want to be a filmmaker, you are a filmmaker. Go make yourself a business card.

Next.

Now, what about all that technical knowledge you actually need to make a film? I think some famous filmmaker once said that all the technical stuff you need to know in order to make movies can be learned in a few weeks. He was being generous. You can learn it in ten minutes. With the following information you can embark on making your own cool movies, all by yourself, without a film crew (and trust me, there are extreme benefits of being able to walk into business and be completely self-sufficient. It scares people. Be scary). . . .

ROBERT RODRIGUEZ was raised in Texas and has ten siblings. Since El Mariachi he has written and directed a sequel to the film, Desperado, participated in the collaborative film Four Rooms, and directed From Dusk Till Dawn, based on a screenplay by Quentin Tarantino. He lives with his wife, Elizabeth, in Austin, Texas.

Seize the day boys, make your lives extraordinary. :)

p.s. ima i bonus, ovo ni Isus Krist ne bi iskopao na mrezi - samo kod Familije: "Roadracers": The Making of a Degenerate Hot Rod Flick by Robert Rodriguez (http://twitter.com/#!/lafamiliafilm/status/65454992345149440). "Out of print", knjigu je * (http://www.amazon.com/gp/offer-listing/0571194265/sr=/qid=/ref=olp_tab_new?ie=UTF8&coliid=&me=&qid=&sr=&seller=&colid=&condition=new)gotovo nemoguce nabaviti/kupiti.

[La Familia]

http://img839.imageshack.us/img839/6046/89126317.png (http://www.stereomood.com/)

Dusu dalo za kreativnost.

Ima i cinema playlist (http://www.stereomood.com/activity/cinema), fenomenalna stvar:

http://www.stereomood.com/

♫ listening to IN MOTION by TRENT REZNOR AND ATTICUS ROSS #stereomood #nowplaying http://t.co/s13HMHX :gitara:

Probajte. :D

[La Familia]

http://img5.imageshack.us/img5/5864/49679366.jpg (http://theparallax.ca/)

James Gray. Gregg Araki. D.W. Griffith. Philippe Garrel. Michel Brault. Avatar vs. Inglorious Basterds. + More

Available in PDF for free download here (http://theparallax.ca/wp-content/uploads/2011/07/ParallaxOnline.pdf)

+

LWLies #35 – The Apocalypse Now Issue Digital Edition (http://www.littlewhitelies.co.uk/the-magazine/issue-35)
LWLies #34 – The Attack The Block Issue Digital Edition (http://www.littlewhitelies.co.uk/the-magazine/issue-34)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img143.imageshack.us/img143/7227/1470142846c64f5fb7eo.jpg (http://img190.imageshack.us/img190/7227/1470142846c64f5fb7eo.jpg)
Dennis Hopper and Nicholas Ray, ca. 1971. Photo by Mark Goldstein. Image courtesy of the Harry Ransom Center

Jucer je bio 100-ti rodjendan Raymonda Nicholasa Kienzlea, poznatijeg kao Nicholas Ray. :cerek:

U to ime, "The cinema is Nicholas Ray (http://www.metafilter.com/106282/The-cinema-is-Nicholas-Ray)".

http://img10.imageshack.us/img10/6499/53196095.jpg (http://www.movingimagearchivenews.org/wp-content/gallery/nicholas-ray/27643_056_300dpi.jpg)
Storyboard from Rebel Without a Cause (1955). Image courtesy of the Harry Ransom Center

Ovo je neprocjenjivo, Nicholas Ray notes_directing (klik za uvecanje):

http://img225.imageshack.us/img225/8717/64083417.jpg (http://www.movingimagearchivenews.org/wp-content/gallery/nicholas-ray/ray_notes_directing_001_300dpi.jpg)

Dodajem i...

Gledaj: Lightning Over Water (Nick's Film) - by Wim Wenders (1980) - http://is.gd/eMPiIj
Citaj, analiziraj i uci: Rebel Without a Cause, 3/25/55 Production Draft by Stekiart Stern [PDF] - http://bit.ly/oK7WCx
Slusaj: A special "Lost Sounds and Soundtracks" edition for Nicholas Ray - http://bit.ly/pOdDIq via @mubidotcom
Gledaj: Nicholas Ray: I’m A Stranger Here Myself - http://t.co/6DBRcup via @dangermindsblog
Gledaj: Odlican video esej Dennisa Hoppera; Dennis Hopper on Nicholas Ray (1997) - http://bit.ly/nmj7kR
Citaj: Nicholas Ray: A Webliography - http://bit.ly/n6Rtoo

http://img703.imageshack.us/img703/5029/112am.jpg

"The cinema is Nicholas Ray." -Jean-Luc Godard

Bob Dylan even wrote (http://www.youtube.com/watch?v=O2bxiU_Z6mc&feature=related) a hit song (http://www.youtube.com/watch?v=liIQLIx2Onw) about one of his movies (http://www.imdb.com/title/tt0053244/).

[La Familia]

http://img810.imageshack.us/img810/1446/41iuaz1nzpl.jpg

Novi YT LP linkovi, sve u kompletima:

Renée Zellweger
Sean Penn
Robert Redford
Liza Minnelli
Hugh Laurie
Tom Hanks (second visit)
Jodie Foster
Cate Blanchett
Dave Chappelle
Michael Caine
Bruce Willis
Kevin Costner
Diane Lane
Kate Winslet
Martin Sheen
Jeremy Irons
Josh Brolin
Tim Allen
Drew Barrymore

Ricky Gervais
Bradley Cooper
Danny DeVito
Steven Spielberg
Samuel L. Jackson
Ben Affleck
Sarah Jessica Parker
Nicolas Cage
Francis Ford Coppola
Dustin Hoffman
Paul Newman
David Duchovny
Juliette Binoche
Hugh Grant

Robert DeNiro
Natalie Portman
Danny Glover
Robert Downey Jr.
Tom Cruise
Harrison Ford
Russell Crowe
Christian Slater
Gabriel Byrne
Kevin Spacey
James Gandolfini
Chris Rock
Sylvester Stallone
Betty White

Eddie Murphy
Don Cheadle
Glenn Close
Tom Hanks (first visit)
John Cusack
Alec Baldwin (second visit)
Pierce Brosnan
The Cast Of Family Guy
The Cast of the Simpsons
Will Smith
Gene Hackman
Al Pacino
Mark Ruffalo
Tim Robbins
Dennis Hopper
Benicio Del Toro (http://ipb.quicksilverscreen.im/index.php?/topic/52002-inside-the-actors-studio/page__p__1403095#entry1403095)

[La Familia]

http://img202.imageshack.us/img202/1488/29006210.png

The 30 Harshest Filmmaker-on-Filmmaker Insults In History (http://flavorwire.com/200745/the-30-harshest-filmmaker-on-filmmaker-insults-in-history)

3. Ingmar Bergman on Orson Welles:
“For me he’s just a hoax. It’s empty. It’s not interesting. It’s dead. Citizen Kane, which I have a copy of — is all the critics’ darling, always at the top of every poll taken, but I think it’s a total bore. Above all, the performances are worthless. The amount of respect that movie’s got is absolutely unbelievable.”

4. Ingmar Bergman on Jean-Luc Godard:
“I’ve never gotten anything out of his movies. They have felt constructed, faux intellectual, and completely dead. Cinematographically uninteresting and infinitely boring. Godard is a fucking bore. He’s made his films for the critics. One of the movies, Masculin, Féminin, was shot here in Sweden. It was mind-numbingly boring.”

http://www.pic4ever.com/images/tantrumsmiley.gif

Tko bi rekao da je Bergman imao takvu poganu jezicinu. :D

7. Jean-Luc Godard on Quentin Tarantino:
“Tarantino named his production company after one of my films. He’d have done better to give me some money.”

http://img163.imageshack.us/img163/5765/14726628.jpg

9. Nick Broomfield on Quentin Tarantino:
“It’s like watching a schoolboy’s fantasy of violence and sex, which normally Quentin Tarantino would be wanking alone to in his bedroom while this mother is making his baked beans downstairs. Only this time he’s got Harvey Weinstein behind him and it’s on at a million screens.”

15. Jacques Rivette on James Cameron (and Steven Spielberg):
“Cameron isn’t evil, he’s not an asshole like Spielberg. He wants to be the new De Mille. Unfortunately, he can’t direct his way out of a paper bag.“

http://www.pic4ever.com/images/25r30wi.gif

Sada vec legendarno nadjebavanje Burtona i Smitha:

18. Tim Burton on Kevin Smith (after Smith jokingly accused Burton of stealing the ending of Planet of the Apes from a Smith comic book):
“Anyone who knows me knows I would never read a comic book. And I would especially never read anything created by Kevin Smith.”

19. Kevin Smith on Tim Burton (in response to “I would never read a comic book”):
“Which, to me, explains fucking Batman.”

http://www.pic4ever.com/images/smile.gif

Ludi Gallo sipa biserje pred svinje, doslovno:

24. Vincent Gallo on Sofia (and Francis Ford) Coppola:
“Sofia Coppola likes any guy who has what she wants. If she wants to be a photographer she’ll fuck a photographer. If she wants to be a filmmaker, she’ll fuck a filmmaker. She’s a parasite just like her fat, pig father was.”

22. Vincent Gallo on Spike Jonze:
“He’s the biggest fraud out there. If you bring him to a party he’s the least interesting person at the party, he’s the person who doesn’t know anything. He’s the person who doesn’t say anything funny, interesting, intelligent… He’s a pig piece of shit.”

23. Vincent Gallo on Martin Scorsese:
“I wouldn’t work for Martin Scorsese for $10 million. He hasn’t made a good film in 25 years. I would never work with an egomaniac has-been.”

25. Vincent Gallo on Abel Ferrara:
“Abel Ferrara was on so much crack when I did The Funeral, he was never on set. He was in my room trying to pick-pocket me.”

http://www.pic4ever.com/images/loudlaff.gif

[shoei]

Gallo :s:s:s

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img836.imageshack.us/img836/941/screenplayr.jpg

Naramak novih scenarija...

Crazy, Stupid, Love, 2010 Revised Draft by Dan Fogelman - http://t.co/38DhlS7
Conviction, 2009 Revised Draft by Pamela Gray - http://t.co/xLm9Iwr
Blue Valentine, 2009 Revised Script by Derek Cianfrance, Cami Delavigne and Joey Curtis - http://t.co/89QkUJm
127 Hours, 2010 Revised Shooting Script by Danny Boyle and Simon Beaufoy - http://t.co/g1EknHG
Arthur (2011), 2009 Draft by Peter Baynham - http://t.co/bxCP1xw
Black Swan, 2010 Revised Shooting Script by Mark Heyman, Andres Heinz and John McLaughlin - http://t.co/l4wWvz2
Cowboys and Aliens, 2009 Draft by Alex Kurtzman, Roberto Orci and Damon Lindelof - http://t.co/RJcMjK3

Konacno je dostupan i moj najdrazi scenarij/film Alexandera Paynea. http://www.pic4ever.com/images/47b20s0.gif

http://img820.imageshack.us/img820/6200/010kz.jpg (http://www.allmoviewalls.com/pics/about_schmidt-03-1280-1024.jpg)

About Schmidt, 2000 Second Draft by Alexander Payne and Jim Taylor - http://t.co/vd9qcC2

Ubio se trazeci Rosemary's Baby, nigdje propisno formatiranog .pdf-a. Evo ga:

Rosemary's Baby (http://www.horrorlair.com/movies/rosemarys-baby.html), 1967 Final Draft by Roman Polanski (based on the novel by Ira Levin).

Odlican vodic za trazenje scenarija online: The screenwriting guide to finding scripts online (http://www.reddit.com/r/Screenwriting/comments/hvreh/the_rscreenwriting_guide_to_finding_scripts_online/).

#1 i dalje je mypdfscripts (http://www.mypdfscripts.com/) (broje se samo originalni/sluzbeni/formatirani scenariji u "netaknutom" .pdf-u, .txt/html datoteke razbacane po drugim stranicama bas i nisu od neke koristi).

Script Index by Title (http://www.mypdfscripts.com/indexes/script-index-by-title)
WGA 101 Greatest Scripts (http://www.mypdfscripts.com/indexes/wga-101-greatest-scripts)
Top 250 Script Downloads (http://www.mypdfscripts.com/indexes/top-250-script-downloads)
Academy Award Winners (http://www.mypdfscripts.com/indexes/academy-award-winners)
Seven Scripts You Gotta Read (http://www.mypdfscripts.com/seven-scripts)!
Exclusive Screenplays (http://www.mypdfscripts.com/category/exclusives/exclusive-screenplays)
Unproduced (http://www.mypdfscripts.com/category/unproduced)
Exclusive Unproduced (http://www.mypdfscripts.com/category/exclusives/exclusive-unproduced)
Treatments (http://www.mypdfscripts.com/category/treatments)
Exclusive Treatments (http://www.mypdfscripts.com/category/exclusives/exclusive-treatments)
Production Notes (http://www.mypdfscripts.com/category/various/production-notes)
Storyboards (http://www.mypdfscripts.com/category/various/storyboards)
TV Shows (http://www.mypdfscripts.com/category/tv-shows)
Stage Plays (http://www.mypdfscripts.com/category/various/stage-plays)

Listi dodajem i kolekciju scenarija Script Collectora: Script Collector Shared Files (http://www.mediafire.com/scriptcollector); blog moviemana49 (http://movieman49.blogspot.com/) i kompletnu arhivu FilmAnchora (http://www.filmanchor.com/free-movie-scripts.html).

Najveci izbor teleplaya (s posebnim naglaskom na pilot epizode i takozvane "Biblije" serija) mozete pronaci OVDJE (http://leethomson.myzen.co.uk/).

The Wire Bible (http://kottke.org/09/04/the-wire-bible)

http://img594.imageshack.us/img594/8281/16714431.jpg

This is quite a treat. Someone got ahold of some scripts from The Wire and posted them online. [Update: I've mirrored the files for convenience.]

Season 1, episode 1, "The Target (http://kottke.org.s3.amazonaws.com/the-wire/The_Wire_1x01_-_The_Target.pdf)"
Season 1, episode 9, "Game Day (http://kottke.org.s3.amazonaws.com/the-wire/The_Wire_1x09_-_Game_Day.pdf)"
Season 5, episode 10, "-30- (http://kottke.org.s3.amazonaws.com/the-wire/The_Wire_5x10_-_-30-.pdf)"

But the real gem is a document dated September 6, 2000 that appears to be David Simon's pitch to HBO for the show (http://kottke.org.s3.amazonaws.com/the-wire/The_Wire_-_Bible.pdf). The document starts with a description of the show.

http://img835.imageshack.us/img835/8443/17551203.gif (http://kottke.org/09/04/the-wire-bible)

Simon had the show nailed from the beginning. Near the end of the overview, he says:

But more than an exercise is realism for its own sake, the verisimilitude of The Wire exists to serve something larger. In the first story-arc, the episodes begin what would seem to be the straight-forward, albeit protracted, pursuit of a violent drug crew that controls a high-rise housing project. But within a brief span of time, the officers who undertake the pursuit are forced to acknowledge truths about their department, their role, the drug war and the city as a whole. In the end, the cost to all sides begins to suggest not so much the dogged police pursuit of the bad guys, but rather a Greek tragedy. At the end of thirteen episodes, the reward for the viewer -- who has been lured all this way by a well-constructed police show -- is not the simple gratification of hearing handcuffs click. Instead, the conclusion is something that Euripides or O'Neill might recognize: an America, at every level at war with itself.

The list of main characters contains a few surprises. McNulty was originally going to be named McCardle, Aaron Barksdale became Avon Barksdale, and the Stringer Bell character changed quite a bit.

STRINGY BELL - black, early forties, he is BARKSDALE's most trusted lieutenant, supervising virtually every aspect of the organization. He is older than BARKSDALE, and much more direct in his way, but nonetheless he is the No. 2. He has BARKSDALE's brutal sense of the world but not his polish. BELL is bright, but clearly a child of the projects he now controls.

The final section is entitled "BIBLE" and contains draft outlines of a nine-episode season. I didn't read it all, but the main story line is there, as are many plot details that made it into the actual first season. (thx, greg)

Neprocjenjivo.

[Sopor]

Filmofili, zna li netko kada kod nas dolazi film - A dangerous method, od Davida Cronenberga??

http://www.youtube.com/watch?v=uZ7JKmcLTsI

Jedva čekam da ga pogledam... :lux::top: Čini se jako zanimljiv. Doduše, gledala sam i Soul keeper (prendimi l'anima) http://www.youtube.com/watch?v=EH0icIe57Sg , s vrlo sličnom tematikom (odnos Junga i Spielreinice), ovaj Cronenbergov mi se čini malo komercijalniji, ali čini se da i više obrađuje i odnos Junga-Freuda... tako da... mmmm... :klopa:

[La Familia]

http://img69.imageshack.us/img69/2831/81089221.png

Issue 92, Volume 18 (http://www.moviemakerdigital.com/moviemaker/iss92_vol18)

http://img703.imageshack.us/img703/8472/99865340.png

Issue 93, Volume 18 (http://www.moviemakerdigital.com/moviemaker/iss93_vol18)

Gustajte, braco i sestre filmofili. :)

p.s. Issue 91, Volume 18 (http://www.forum.hr/showpost.php?p=33357357&postcount=1691)

[La Familia]

http://img695.imageshack.us/img695/5349/24coppola.jpg (http://nymag.com/daily/entertainment/2011/08/coppola_godfather_notes.html)

Izgledaju kao biljeske serijskog ubojice. :zubo:

Sve ostalo klikom na @LaFamiliaFilm (http://twitter.com/#!/LaFamiliaFilm).

[La Familia]

http://img593.imageshack.us/img593/8976/48601866.jpg

Kakva je ovo stranica!!!! documentaryfilmstube.com (http://www.documentaryfilmstube.com/) nudi dokumentarce i samo dokumentarce i to tonu njih. Kompletni, odlična kvaliteta streama za gledanje online. Naletio sam na puno stranica s i o dokumentarcima, ali ovo je najbolje što sam vidio. Fino sortirano, bez oglasa i benera, navali narode i uživaj! Ima i Bill Hicka, Louis C.K.-a, ima puno Atteborougha, Adama Curtisa, Rossa Kempa, Louisa Therouxa... Gledaj dokumentarce online, zabavi se i nauči ponešto.

Hvala Marku Mihalincu (http://fulahfolder.bloger.hr/post/documentaryfilmstubecom/11041932.aspx) s FulahFoldera.

Đelo Hadžiselimović‏ je u penziji, odabrao La Familia (sve u kompletima, YT, odlicna kvaliteta slike):

Lost in La Mancha (http://www.documentaryfilmstube.com/watch/lost-in-la-mancha-2002) (2002)
The Making of Raiders of the Lost Ark (http://www.documentaryfilmstube.com/watch/the-making-of-raiders-of-the-lost-ark-1981) (1981)
From Star Wars to Jedi – the Making of a Saga (http://www.documentaryfilmstube.com/watch/from-star-wars-to-jedi-the-making-of-a-saga-1983) (1983)
Butch Cassidy And The Sundance Kid (http://www.documentaryfilmstube.com/watch/butch-cassidy-and-the-sundance-kid-making-of) (Making Of)
Into the night with... Gaspar Noe and Harmony Korine (http://www.documentaryfilmstube.com/watch/into-the-night-with-gaspar-noe-and-harmony-korine) (2010)
Giger’s Necronomicon and the making of Alien (http://www.documentaryfilmstube.com/watch/gigers-necronomicon-and-the-making-of-alien)
Soft Self-Portrait of Salvador Dali (http://www.documentaryfilmstube.com/watch/soft-self-portrait-of-salvador-dali-1970) (1970)
Totally Bill Hicks (http://www.documentaryfilmstube.com/watch/totally-bill-hicks) (1994)
Final 24: Hunter S.Thompson (http://www.documentaryfilmstube.com/watch/final-24-hunter-s-thompson-2006) (2006)
The American Dreamer (http://www.documentaryfilmstube.com/watch/the-american-dreamer-1971) (1971)
The Mindscape of Alan Moore (http://www.documentaryfilmstube.com/watch/the-mindscape-of-alan-moore-2005) (2005)
Marilyn Monroe: Life and Career (http://www.documentaryfilmstube.com/watch/marilyn-monroe-life-and-career-1966) (1966)
James Dean: Life and Career (http://www.documentaryfilmstube.com/watch/james-dean-life-and-career)
Louis C.K.: Chewed Up (http://www.documentaryfilmstube.com/watch/louis-c-k-chewed-up) (2008)
Bill Hicks: Sane Man (http://www.documentaryfilmstube.com/watch/bill-hicks-sane-man-1989) (1989)
Crossing the Bridge: The Sound of Istanbul (http://www.documentaryfilmstube.com/watch/crossing-the-bridge-the-sound-of-istanbul-2005) (2005)
Leonard Cohen – Under Review 1934-1977 (http://www.documentaryfilmstube.com/watch/leonard-cohen-under-review-1934-1977)
Triumph of the Will (http://www.documentaryfilmstube.com/watch/triumph-of-the-will-1934) (1934)

http://img11.imageshack.us/img11/372/30203078.jpg

Nekoliko preporuka za sve fanove Star Warsa:

Star Wars Begins (http://www.documentaryfilmstube.com/watch/star-wars-begins-2011) (2011)
Building Empire [Miami Film Festival Edition] (http://ipb.quicksilverscreen.im/index.php?/topic/310804-building-empire-miami-film-festival-edition-2008/) (2008)
Returning To Jedi (http://ipb.quicksilverscreen.im/index.php?/topic/310806-returning-to-jedi-2007/) (2007)

Odlicni Fan-Made dokumentarci Jambea Davdara.

Davdar has obviously invested a hell of a lot of time (nearly 4 years!) and effort into creating this film, and the other two parts of his own trilogy, and I doubt that anything on the forthcoming Blu-Ray box set will go into as much detail or exude as much love for the subject matter as these films do. Watch them now on YouTube (part 1 is below) and let’s hope Mr. Lucas doesn’t send the heavy mob in.

As Vader would say, “Impressive, most impressive”… (sorry, couldn’t resist)

More Info - Wired.com (http://www.wired.com/geekdad/2011/02/watch-star-wars-begins-an-awesome-fan-made-documentary/)

Uzivajte. :)

[luckyhappy]

http://img197.imageshack.us/img197/20/81431312.jpg (http://www.lettersofnote.com/2011/01/ill-be-waiting-to-see-your-names.html)

Transcript



Klikom na gornju fotku/link mozete pogledati kratki film Raiders of the Lost Ark: The Adaptation (IMDb (http://www.imdb.com/title/tt0772251/)).

REPOST:

RIJETKI DOKUMENTI:

http://i31.tinypic.com/2v0od5i.jpg



http://i31.tinypic.com/23m32uc.jpg

Klink! (http://mysterymanonfilm.blogspot.com/2009/03/raiders-story-conference.html)

DIREKTNI DOWNLOAD:

RaidersStoryConferenceTranscript(-101&116).pdf (http://www.sendspace.com/file/cnoe3r)

Tek sam otkrio ovu temu i ovo je rudnik zlata!
Hvala ti do neba La Familia!
Skinuo sam RaidersStoryConferenceTranscript i to je sjajno i poučno za čitati!

A onda idem natenane uživati od prve stranice ove teme. (Nadam se da neće biti puno dead linko:gitara:va).


The Dude abides! (Samo da nađem ko mi se popišo na tepih :gitara: )

[La Familia]

Tek sam otkrio ovu temu i ovo je rudnik zlata!
Hvala ti do neba La Familia!

Happy-Go-Lucky. http://www.pic4ever.com/images/4chsmu1.gif

Hvala tebi na javljanju, you just make my day.

A vec sam htio napisati nesto u stilu onih emo proljeva: Please Support Me By Leaving A Reply Or "THANKS". :rofl:

Koliko se samo aktivnih forumasa s ovog pdfa nikad nije javilo na ovoj temi/chatu. Neka, *phew!* :zubo: Salim se, nesto drugo me brine - Who Are These People, Anyway (http://dl.net.hr/uj-fuj/izjave_2005/02_veljaca_2005/06_rozic__napad_iz_svemira.mp3)? Ovaj "Views" cajger u zadnje se vrijeme nenormalno vrti. The little people (http://movieclips.com/Jasp-the-fisher-king-movie-the-janitor-of-god/)?!

Skinuo sam RaidersStoryConferenceTranscript i to je sjajno i poučno za čitati!

Apsolutno se slazem, i neprocjenjivo za sve one koji i sami nesto piskaraju/stvaraju/osmisljavaju. Being George Lucas/Steven Spielberg/Lawrence Kasdan, doslovno. Nesto slicno jos nikada nije procurilo na mrezi, imas priliku uci u njihov kreativni proces, sjediti tamo s njima u toj prostoriji i osluskivati kako razmisljaju... Procitah tih 125 stranica transkripta valjda preko 50-ak puta. :D

A onda idem natenane uživati od prve stranice ove teme. (Nadam se da neće biti puno dead linkova).

Javi na chatu ako naidjes na krepano linkovlje, postam nove.

The Dude abides! (Samo da nađem ko mi se popišo na tepih :gitara: )

Amen to that.

[luckyhappy]

Apsolutno se slazem, i neprocjenjivo za sve one koji i sami nesto piskaraju/stvaraju/osmisljavaju. Being George Lucas/Steven Spielberg/Lawrence Kasdan, doslovno. Nesto slicno jos nikada nije procurilo na mrezi, imas priliku uci u njihov kreativni proces, sjediti tamo s njima u toj prostoriji i osluskivati kako razmisljaju... Procitah tih 125 stranica transkripta valjda preko 50-ak puta. :D





Evo da i ja dam mali doprinos. Seinfeld je po meni najbolji američki sitcom svih vremena. Pa evo link na kreativni proces Petera Mehlmana, jedinog pisca (uz samog Seina) koji je radio na svih 9 sezona.
The Writers: Peter Mehlman: The genesis of a Seinfeld episode
http://playbackonline.ca/1995/10/09/4753-19951009/

Postoji i njegova audio knjiga "Writing the Seinfeld Style" ali nisam ju mogao naći for free.

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img843.imageshack.us/img843/70/80364111.jpg (http://avaxhome.ws/magazines/american_cinematographer_09_2011.html)

American Cinematographer Magazine September 2011 (http://avaxhome.ws/magazines/american_cinematographer_09_2011.html)
English | 108 Pages | 25MB | True PDF

American Cinematographer is a monthly magazine published by the American Society of Cinematographers. American Cinematographer focuses on the art and craft of cinematography, going behind the scenes on domestic and international productions of all shapes and sizes. The magazine features in-depth interviews with cinematographers, directors and some of their key collaborators at every stage of production. The magazine also features historical articles, technical how-to pieces, and information on the latest tools and technologies that impact the cinematographer's craft.

[luckyhappy]

Filmoljupci i ostali,
ima li neko možda neku od ovih knjiga:

Ellen Sandler: The TV Writer's Workbook
Karl Iglesias: The 101 Habits Of Highly Successful Screenwriters
Pamela Douglas: Writing the TV Drama Series
Linda Seger: Making a Good Script Great

:503:

Much appreciated in advance :)

[La Familia]

http://img195.imageshack.us/img195/5513/31880435.jpg (http://1.bp.blogspot.com/-VnPNdopp0MU/Tmdg5le12iI/AAAAAAAAAc8/EolTQG9p9ZE/s1600/img001.jpg)http://img846.imageshack.us/img846/9931/36004596.jpg (http://3.bp.blogspot.com/-tB_hXaJprkY/TmdglcaQJlI/AAAAAAAAAc0/RaIE50tg_c8/s1600/img002.jpg)http://img801.imageshack.us/img801/3473/40388096.jpg (http://3.bp.blogspot.com/-2GvEELT0rY4/TmdgVDlZFqI/AAAAAAAAAcs/9u1Rc6RP0-k/s1600/img003.jpg)http://img37.imageshack.us/img37/5806/52886648.jpg (http://4.bp.blogspot.com/-b5RSSW8dspQ/TmdgE6hfJoI/AAAAAAAAAck/eOBInG17nFw/s1600/img004.jpg)

Klik na fotke za uvecanje.

ALL THINGS SHINING (http://www.forum.hr/showpost.php?p=34744238&postcount=1710)

@luckyhappy

Javim.

[La Familia]

http://img148.imageshack.us/img148/8747/33653289.png (http://www.twylah.com/LaFamiliaFilm)

Scenariji, scenaristika, dokumentarci, Making Of dokumentarci, knjige, rijetki dokumenti... Svaki dan novi sadrzaj (http://www.twylah.com/LaFamiliaFilm).

http://www.twylah.com/LaFamiliaFilm

Kategorije:

Screenplay (http://www.twylah.com/LaFamiliaFilm/topics/screenplay)

Screenwriting (http://www.twylah.com/LaFamiliaFilm/topics/screenwriting)

Pdf (http://www.twylah.com/LaFamiliaFilm/topics/pdf)

Film (http://www.twylah.com/LaFamiliaFilm/topics/film)

Script (http://www.twylah.com/LaFamiliaFilm/topics/script)

Viewing (http://www.twylah.com/LaFamiliaFilm/topics/viewing)

Movie (http://www.twylah.com/LaFamiliaFilm/topics/movie)

Filmmaking (http://www.twylah.com/LaFamiliaFilm/topics/filmmaking)

Draft (http://www.twylah.com/LaFamiliaFilm/topics/draft)

Documentary (http://www.twylah.com/LaFamiliaFilm/topics/documentary)

Interview (http://www.twylah.com/LaFamiliaFilm/topics/interview)

Director (http://www.twylah.com/LaFamiliaFilm/topics/director)

Writer (http://www.twylah.com/LaFamiliaFilm/topics/writer)

Video (http://www.twylah.com/LaFamiliaFilm/topics/video)

Filmmaker (http://www.twylah.com/LaFamiliaFilm/topics/filmmaker)

Actors (http://www.twylah.com/LaFamiliaFilm/topics/actors)

Uzivajte. :)

[La Familia]

http://img690.imageshack.us/img690/2746/48262176.jpg (http://img98.imageshack.us/img98/2875/90203388.jpg)

Iscrpnije (http://mubi.com/notebook/posts/daily-briefing-what-are-terrence-malick-and-christian-bale-up-to).

Danas se pojavio i video sa snimanja, jako su rijetki ti svetki i petki kad se Malicka moze uhvatiti kamerom:

VIDEO: Terrence Malick and Christian Bale filming in Austin (http://www.filmdetail.com/2011/09/19/terrence-malick-and-christian-bale-filming-in-austin-city-limits-music-festival/).

[La Familia]

Novi Written By (rujan/listopad):

http://img684.imageshack.us/img684/1623/11001576.png

S posebnim naglaskom na:

The Brotherhood

For Denis Leary and Peter Tolan, the finale of Rescue Me won’t be their last goodbye to fallen firemen.

http://img191.imageshack.us/img191/600/20272125.pnghttp://img98.imageshack.us/img98/5426/85781921.png

:cerek:

PDF Download: Written By Magazine, Sept/Oct 2011 issue (http://www.mediafire.com/?lkgzonckzqtm4r8)

p.s. dvije epizode/teleplay - http://movieman49.blogspot.com/2011/06/rescue-me.html

[narog]

Auuuuuuuuuuu koliko domaće zadaće....:D

Hvala La Familia!!:usama:

[Keko-zg]

Zaminaju me dva filma tj. volio bih ih nabaviti: Posljednji krici iz savane i Mondo Diavolo. Ukoliko netko ih ima ili zna link ili ima neku informaciju gdje ih se može nabaviti. Thx

[La Familia]

Auuuuuuuuuuu koliko domaće zadaće....:D

Hvala La Familia!!

My pleasure. Hvala tebi na javljanju, i sretno sa zadacom. :)

Zaminaju me dva filma tj. volio bih ih nabaviti: Posljednji krici iz savane i Mondo Diavolo. Ukoliko netko ih ima ili zna link ili ima neku informaciju gdje ih se može nabaviti. Thx

http://www.forum.hr/showthread.php?t=46877

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

http://img853.imageshack.us/img853/5196/13963485.jpg

A Short Film About Dekalog: An Interview with Krzysztof Kieslowski (http://www.imdb.com/title/tt0262767/) (1996) 40-minutni je profil jednog od najistaknutijih redatelja s kraja 20. stoljeca i jedan od zadnjih intervjua s Kieslowskim prije njegove smrti. Preporuka.

A Short Film About Dekalog: An Interview with Krzysztof Kieslowski (http://www.worldscinema.com/2011/05/eileen-anipare-jason-wood-short-film.html) (1996)

A Short Film About Dekalog: An Interview with Krzysztof Kieslowski was initially conceived as a final-year degree project for the University of North London. Using equipment borrowed from the University, the project was privately funded in its entirety by filmmakers Eileen Anipare and Jason Wood, and post-production was completed within a hectic week-long period. These constraints largely account for the somewhat rough-and-ready look of the film, but it is beyond doubt a valuable piece of documentary, given that it is one of the final interviews Kieslowski gave before his untimely death and most likely his last for a non-Polish entity (from the DVD).

Ujedno i preporuka za citanje: Lacanovsko tumacenje filmova Krzysztofa Kieslowskog (http://www.google.hr/url?sa=t&source=web&cd=2&ved=0CB4QFjAB&url=http%3A%2F%2Fwww.hfs.hr%2Fdoc%2Fljetopis%2Fhfl 59-web.pdf&rct=j&q=Krzysztof%20Kieslowski%20ljetopis&ei=w25_TuSCGsW4hAfSg7Ei&usg=AFQjCNHG9rjD67zBd-48jUWxbjA8PdzJLA) (Hrvatski filmski ljetopis, broj 59).

http://img69.imageshack.us/img69/3146/45075861.jpg

'Zivljeno iskustvo jednako je artificijelno i konvencionalno kao i dramska izvedba.' - John Cassavetes

Tri dokumentarne poslastice:

American Masters: John Cassavetes (http://www.worldscinema.com/2011/09/john-cassavetes-american-masters-john.html) (1990)

PBS documentary on John Cassavestes featuring comments from Peter Bogdanovich, Martin Scorsese, as well as Peter Falk and Ben Gazzara.

BBC Omnibus: The Making of Husbands (http://www.worldscinema.com/2011/09/john-cassavetes-bbc-omnibus-making-of.html) (1971)

This is a super-rare look behind the scenes of Cassavetes' first 'big budget' film, Husbands. It depicts several scenes which never made it into the final film, and a few that did. Also great is to watch Cassavetes working out scenes with Peter Falk and Ben Gazzara, sitting around a table smoking, brainstorming, joking, and singing - just like Archie Gus and Harry!

http://img268.imageshack.us/img268/3544/cassavetes19781.jpg

Cassavetes Gazzara Rowlands 1978 Interview (1978) (http://www.worldscinema.com/2011/09/john-cassavetes-cassavetes-gazzara.html)

This is a raw-footage version of a group interview for some unspecified TV station at a restaurant from 1978 with Cassavetes, Gena Rowlands, Ben Gazzara, Seymour Cassell and Paul Stewart on the occasion of Opening Night being released. It starts out with some general career-spanning questions to Cassavetes and then eventually gets into Opening Night with Cassavetes exhorting people to go see it in his own inimitable way. Mostly we hear from Cassavetes, Rowlands, Gazzara and Paul Stewart, with just a few reactions from Seymour Cassell who is sitting by listening and smoking.

REPLAY (online gledanje):

http://img814.imageshack.us/img814/5941/74793986.jpg
#1588 (http://forum2.orbis.hr/showpost.php?p=30673119&postcount=1588)

[horatius]

Jel to na engleskom?

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Sjajna kolekcija ponajboljih epizoda Cinéastes de notre temps (1964–1972):

http://img80.imageshack.us/img80/4890/x1hcsx.jpg

Fritz Lang et Jean-Luc Godard (http://kebekmac.blogspot.com/2010/05/cineastes-de-notre-temps-fritz-lang-et.html)
1967 - 60 min

http://img199.imageshack.us/img199/345/wlejqe.jpg

Luis Buñuel (http://kebekmac.blogspot.com/2010/05/cineastes-de-notre-temps-luis-bunuel.html)
1964 - 38 min

http://img708.imageshack.us/img708/8577/2a82edj.jpg

La nouvelle vague par elle-même (http://kebekmac.blogspot.com/2010/05/cineastes-de-notre-temps-la-nouvelle.html)
1964 - 59 min

http://img121.imageshack.us/img121/1170/2u7lqap1.jpg

Pasolini l'enragé (http://kebekmac.blogspot.com/2010/05/cineastes-de-notre-temps-pasolini.html)
1966 - 55 min

http://img294.imageshack.us/img294/8283/25k7pdw.jpg

Robert Bresson - Ni vu, ni connu (http://kebekmac.blogspot.com/2010/05/cineastes-de-notre-temps-robert-bresson.html)
1965 - 65 min

http://img202.imageshack.us/img202/4682/23sf3ar.jpg

Jean-Pierre Melville
Portrait en Neuf Poses (http://kebekmac.blogspot.com/2010/05/cineastes-de-notre-temps-jean-pierre.html)
1971 - 51 min

http://img685.imageshack.us/img685/5560/18209122.jpg (http://img36.imageshack.us/img36/8846/vieilhommeetlenfant02g.jpg)

Portrait de Michel Simon par Jean Renoir
ou
Portrait de Jean Renoir par Michel Simon
ou
La direction d'acteurs: dialogue (http://kebekmac.blogspot.com/2010/05/portrait-de-michel-simon-par-jean.html)
1966 - 1hre 36

"Max Ophuls ou La Ronde (http://kebekmac.blogspot.com/2010/05/cineastes-de-notre-temps-max-ophuls-ou.html)"
1965 - 50 min

Kakav je ovo Back to the Future. :cerek:

Uzivajte. :)

[Iga123]

Hehe jedino cuo za Melvila. Opasno me smorio lik kad sam pokuso da ga gledam :D Ovaj Fritz zvuci ko Frizl ...:ne zna:

[luckyhappy]

[LEFT][SIZE="1"]Disclaimer: Sjajna kolekcija ponajboljih epizoda Cinéastes de notre temps (1964–1972):




Jel' to samo na francuskom (jer onda mogu plakat :503:) ili ima i prevod na engleski?
Interesiraju me Bunjuel i Pasolini.

[La Familia]

Jel' to samo na francuskom (jer onda mogu plakat :503:) ili ima i prevod na engleski?
Interesiraju me Bunjuel i Pasolini.

Ima i titlova, eng. A bogami i srpskih (mislim i bosanskih). Postam u toku dana/veceri na chatu.

Chat i sluzi za takva pitanja, ovdje pjevaju samo celave pjevacice (http://www.youtube.com/watch?v=ROhqsO8HqV8) ("Ja ne trazim nista a dala bih sve"). :mig:

[pozitivax]

...aaaaa
http://youtu.be/Q-a7KPmOnok
klasika

[La Familia]

http://img828.imageshack.us/img828/6634/63201258.jpg (http://archives.cbc.ca/arts_entertainment/film/)

Viva la Canada!

Close-Up: Orson Welles, part 1 (http://archives.cbc.ca/arts_entertainment/film/clips/14877/)
Broadcast Date: Feb. 25, 1960

Does Orson Welles live to work, or work to live? Neither, says the celebrated filmmaker and actor. He doesn't actually see a need to separate the two. "Work is an expression of life for me," he says in this 1960 episode of Close-Up. In the first of a two-part interview, Welles discusses creativity, politics, the press and art criticism. He also ponders the idea of "home" and comments on the impact of Citizen Kane, a film he made when he was only in his mid-20s.

Close-Up: Orson Welles, part 2 (http://archives.cbc.ca/arts_entertainment/film/clips/14881/)
Broadcast Date: March 3, 1960

American actors aren't good at period pieces. Television is a second-rate medium. Friendship is more important than art. These are just a few of the assertions made by Orson Welles this 1960 episode of Close-Up, the second of a two-part interview with the renowned filmmaker and actor. While chatting with CBC's Bernard Braden, Welles also discusses what he thinks was his best acting role ever (Harry Lime in the film The Third Man), and sings the praises of his cameraman on Citizen Kane.

Orson Welles: 'I just do my best (http://archives.cbc.ca/arts_entertainment/film/clips/15153/)'
Broadcast Date: Oct. 24, 1965

Is Orson Wells preoccupied by technique? Would he direct television if someone asked him to and gave him the money? When was the last time he took work as a magician? Seven Days host Patrick Watson engages the great director on set in Paris, pressing him on matters of life, art and "the unthinkable audience."

Clint Eastwood promotes 'A Fistful of Dollars (http://archives.cbc.ca/arts_entertainment/film/clips/16990/)'
Broadcast Date: Jan. 3, 1967

"You don't even realize he's the hero until practically the last third of the film," says actor Clint Eastwood, describing his lead part in A Fistful of Dollars to CBC Radio's Assignment in 1967. An "offbeat" western by a "young, new, interesting director" (Sergio Leone), the movie has been a box-office winner in Europe and Asia. Three years after its premiere in Sicily, Fistful is opening with high hopes in North America, and Eastwood is an actor on his way up.

Deconstructing Woody Allen (http://archives.cbc.ca/arts_entertainment/film/clips/13538/)
Broadcast Date: Nov. 19, 1967

Woody Allen is talking about his unique blend of anxiety and humour in this 1967 CBC Television interview. In a museum, in his apartment, in a comedy club and walking the streets of his beloved New York City, cameras follow the up-and-coming comedian. Allen discusses how he got his start in the industry, the process he goes through in writing a comic monologue, and how he calms his angst before his shows.

Dustin Hoffman on becoming a star (http://archives.cbc.ca/arts_entertainment/film/clips/15384/)
Broadcast Date: Oct. 22, 1968

For a previously unknown actor named Dustin Hoffman, the success of The Graduate was a "happy accident," according to CBC interviewer Moses Znaimer. Sudden fame means Hoffman has been careful not to be trapped into playing Benjamin Braddock for the rest of his career. In this conversation with Znaimer, a slightly guarded Hoffman describes his latest role, as Ratso Rizzo in Midnight Cowboy, and ruminates on acting, fame and selling out.

'Fargo' and the Coen Brothers (http://archives.cbc.ca/arts_entertainment/film/clips/17094/)
Broadcast Date: March 21, 1996

"We've always been fascinated by kidnapping stories. I don't know why exactly," says Joel Coen. He and his brother Ethan have just released their new film Fargo, which gave them the opportunity to go back to their Minnesota roots and the people and the culture that they grew up with. In this 1996 clip from CBC-TV's Midday, the Coens discuss Fargo's unique portrayal of violence and the Scandinavian-Minnesotan accents assumed by the actors. Reflecting on the violence, Ethan is circumspect. "Actually if you went back and looked at it carefully you'd probably find that there's less there than you're sort of remembering," he says. "All you really need to do is ... suggest it in order to get a big effect."

Introducing funny-man Jim Carrey (http://archives.cbc.ca/arts_entertainment/film/clips/12779/)
Broadcast Date: March 17, 1982

When Jim Carrey landed his first gig at the Hay Loft club in Scarborough, Ont., he was paid just $20. Some twenty years later, Carrey would become a major film star and would command an average of $20 million US per film. In this CBC Radio interview, a 20-year-old Carrey discusses working the comedy club circuit in Toronto and he performs from his repertoire of 105 impressions. On this day in history, Jan. 17, 1962, James Eugene Carrey was born in Newmarket, Ont.

Leni Riefenstahl in her own words (http://archives.cbc.ca/arts_entertainment/film/clips/13940/)
Broadcast Date: May 11, 1965

She has been hailed as a pioneering artist whose cinematic techniques changed filmmaking. But in the 1930s Leni Riefenstahl made her two most notorious documentaries, Triumph of the Will and Olympia, for the Nazi regime in Germany. Thirty years later, she was still facing hard questions about her relationship with Adolf Hitler and her role as a propagandist. In a wide-ranging CBC interview woven through with film clips, Riefenstahl insists she had total artistic freedom when making her movies.

Sylvester Stallone brings 'Rocky' to life (http://archives.cbc.ca/arts_entertainment/film/clips/16993/)
Broadcast Date: May 28, 1982

A screenwriter's motivation can come from many sources, but for Sylvester Stallone, it was the impending arrival of his first child that propelled his script for Rocky. The 1976 movie, in which Stallone also starred as the eponymous underdog boxer, was a huge hit, winning three Academy Awards. In this 1982 CBC-TV interview, writer, director and actor Stallone says he finds writing the greatest challenge, enjoys directing the most, and views acting as a byproduct of the other two.

[Iga123]

Imas kakave linkove za art-pporno filmove? Ponestalo mi izvora :ne zna:

[La Familia]

Imas kakave linkove za art-pporno filmove? Ponestalo mi izvora :ne zna:

Erotica Films: a comprehensive erotic film blog. A treasure.

https://twitter.com/#!/thedailyMUBI/status/15403256867987456

http://img4.imageshack.us/img4/5287/66531301.png (http://eroticafilms.blogspot.com/)

[La Familia]

Disclaimer: This post is absolutely legal and contains only links to other sites on the Internet. La Familia/Forum.hr is not
responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content of other linked
sites. If you have any legal issues please contact appropriate media file owners/hosters.

Dobra, Read George Clooney’s List of the Top 100 Films from 1964-1976 http://bit.ly/nGhy4c

2001: A Space Odyssey (1968)
Alfie (1966)
Alice Doesn’t Live Here Anymore (1974)
All The President’s Men (1976)
Alphaville (1965)
American Graffiti (1973)
The Bad News Bears (1976)
Badlands (1973)
Bang the Drum Slowly (1973)
Blazing Saddles (1974)
Blow Up (1966)
Bonnie and Clyde (1967)
Bound for Glory (1967)
Butch Cassidy & the Sundance Kid (1969)
Cabaret (1972)
The Candidate (1972)
Carnal Knowledge (1971)
Cat Ballou (1965)
Catch-22 (1970)
Chinatown (1974)
Clockwork Orange (1971)
The Conversation (1974)
Cool Hand Luke (1967)
The Day of the Jackal (1973)
Deliverance (1972)
Dog Day Afternoon (1975)
Don’t Look Back (1967)
Don’t Look Now (1973)
Dr. Strangelove (1964)
Easy Rider (1969)
The Exorcist (1973)
Everything You Wanted to Know About Sex (1972)
Fail-Safe (1964)
Five Easy Pieces (1970)
The French Connection (1971)
The Front (1976)
The Godfather (1972)
The Godfather Part II (1974)
The Graduate (1967)
The Great Gatsby (1974)
A Hard Day’s Night (1964)
Harold and Maude (1971)
The Heartbreak Kid (1972)
High Plains Drifter (1973)
The Hot Rock (1972)
I Am Cuba (1964)
In Cold Blood (1967)
In the Heat of the Night (1967)
Jaws (1975)
Jeremiah Johnson (1972)
The King of Marvin Gardens (1972)
Klute (1971)
The Ladykillers (1955)
The Last Detail (1973)
The Last Picture Show (1971)
The Last Tango in Paris (1972)
Lenny (1974)
The Life and Times of Judge Roy Bean (1972)
Little Murders (1971)
The Long Goodbye (1973)
The Longest Yard (1974)
A Man and a Woman (1966)
Marathon Man (1976)
MASH (1970)
McCabe & Mrs. Miller (1971)
Mean Streets (1973)
Midnight Cowboy (1969)
Monty Python and the Holy Grail (1975)
Murder on the Orient Express (1974)
My Fair Lady (1964)
Nashville (1975)
Network (1976)
The Odd Couple (1968)
The Omen (1976)
One Flew Over the Cuckoo’s Nest (1975)
Paper Moon (1973)
The Parallax View (1974)
The Party (1968)
The Passenger (1975)
Patton (1970)
The Pawnbroker (1964)
The Producers (1968)
Rosemary’s Baby (1968)
Serpico (1973)
Seven Days in May (1964)
Shampoo (1975)
Sleeper (1973)
Smile (1975)
The Spy Who Came in from the Cold (1975)
The Sting (1973)
Straw Dogs (1971)
The Taking of Pelham One Two Three (1974)
Taxi Driver (1976)
The Way We Were (1973)
The Thomas Crown Affair (1968)
Three Days of the Condor (1975)
Wait Until Dark (1967)
Who’s Afraid of Virginia Woolf? (1968)
Young Frankenstein (1974)
Z (1969)

Iscrpnije o magicnim brojkama 1964-1976 (gledanje, kultni dokumentarac): Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'N' Roll Generation Saved Hollywood (2003). http://bit.ly/g2hTrk

+

Easy Riders, Raging Bulls Extras - http://bit.ly/goPyND

I knjiska preporuka - http://amzn.to/7bSdtQ

p.s. nista, opaliti maraton, jos jedna dokumentarcina Ted Demmea i Richarda LaGravenesea: A Decade Under the Influence (2003) - http://bit.ly/hvSZeo

[La Familia]

I prije nego što počnu pitanja kakve to veze ima sa Filmom, trebalo bi podsjetiti da bez Jobsa ne bi bilo Pixara kakvog danas znamo, da je Jobs bio jedan od direktora Disney kompanije i da je Appleov Final Cut Pro najpopularniji software za montažu među filmašima. ;)

RIP

Lijepo receno.

Priopcenje iz Pixara:

"Steve Jobs was an extraordinary visionary, our very dear friend and the guiding light of the Pixar family. He saw the potential of what Pixar could be before the rest of us, and beyond what anyone ever imagined," Pixar's John Lasseter and Ed Catmull said in a joint statement about Jobs' passing. "Steve took a chance on us and believed in our crazy dream of making computer animated films; the one thing he always said was to simply 'make it great.' He is why Pixar turned out the way we did and his strength, integrity and love of life has made us all better people.

"He will forever be a part of Pixar's DNA," their statement continued. "Our hearts go out to his wife Laurene and their children during this incredibly difficult time."

Comedian and "Ratatouille" voice actor Patton Oswalt perfectly encapsulated the late inventor's legacy on Twitter (http://twitter.com/#!/pattonoswalt/status/121736662022766592). In an appropriately geek-friendly manner of speaking, Jobs truly was the "closest thing we had to Tony Stark."

http://desmond.yfrog.com/Himg620/scaled.php?tn=0&server=620&filename=mrdmb.jpg&xsize=640&ysize=640 (http://www.apple.com/stevejobs/)

May the greatest one man success story of our times rest in peace.

http://www.youtube.com/watch?v=lSiQA6KKyJo&t=4m00s

:s

I preporuka "za one koji su bili odmrznuti ove godine": Triumph of the Nerds: The Rise of Accidental Empires (1996).

http://www.documentaryfilmstube.com/watch/triumph-of-the-nerds-impressing-their-friends-1996
http://www.documentaryfilmstube.com/watch/triumph-of-the-nerds-riding-the-bear-1996
http://www.documentaryfilmstube.com/watch/triumph-of-the-nerds-great-artists-steal-1996

http://img225.imageshack.us/img225/5024/14453857.jpg (http://forum2.orbis.hr/showpost.php?p=31611697&postcount=1664)

#26 (http://www.forum.hr/showpost.php?p=22428655&postcount=26)
#1664 (http://forum2.orbis.hr/showpost.php?p=31611697&postcount=1664)